• University of Cambridge Featured Masters Courses
  • Anglia Ruskin University Featured Masters Courses
  • Swansea University Featured Masters Courses
  • University of Southampton Featured Masters Courses
  • Ross University School of Veterinary Medicine Featured Masters Courses
King’s College London Featured Masters Courses
Nottingham Trent University Featured Masters Courses
Queen’s University Belfast Featured Masters Courses
University of Hertfordshire Featured Masters Courses
Bath Spa University Featured Masters Courses
"screen" AND "writing"×
0 miles

Masters Degrees (Screen Writing)

We have 113 Masters Degrees (Screen Writing)

  • "screen" AND "writing" ×
  • clear all
Showing 1 to 15 of 113
Order by 
The future for writing and reading is moving towards transmedia and storytelling. Rather than a particular narrative being limited to a book, TV episode or graphic novel, storylines are now being extended into other platforms. Read more
The future for writing and reading is moving towards transmedia and storytelling. Rather than a particular narrative being limited to a book, TV episode or graphic novel, storylines are now being extended into other platforms.

This new MA will equip participants with the creative, professional and technical knowledge and craft skills required by professional screenwriters across a range of media—from interactive narratives, Twitter fiction and blogging to webisodes, mobisodes and movellas, as well as film and television.

Modules studied will include:

Future Narratives: Transmedia Storytelling

Writing for Film and Television

Writing for Interactive & New Media

Writing for Animation

Business Futures for Transmedia Writers

Research Methods: The Screenwriter's Craft & Practice

Masters Writing Project

Possible career routes include (but are not limited to)

scriptwriter, script editor, script reader, script supervisor

researcher

agent

writer-producer or writer-director

technical video scriptwriter

media journalist

teaching

museum, heritage and tourism writer (e.g., virtual/interactive tours)

e-learning developer

On a much broader scale, the programme will also enhance the individual qualities needed for employment in circumstances
requiring sound judgement, good communication skills, personal responsibility, creativity and initiative in the professional environment.

The MA will also provide a sound intellectual and stylistic platform for students to progress on to doctorate level study and a career in higher education.

Read less
The Master of Professional Writing (MPW) involves taking a core paper, designed specifically to enhance your workplace readiness, as well as elective papers which range across a variety of fields from creative writing to writing for promotional purposes and advertising, for digital media and for scholarly and professional publication. Read more

The Master of Professional Writing (MPW) involves taking a core paper, designed specifically to enhance your workplace readiness, as well as elective papers which range across a variety of fields from creative writing to writing for promotional purposes and advertising, for digital media and for scholarly and professional publication.

If creative writing is your passion, then you will have the opportunity to specialise in this. The Creative Writing Thesis gives selected students the option of producing a manuscript of publishable quality – whether poetry, fiction or creative nonfiction – in a stimulating and supportive workshop environment of fellow writers, and supervised by award-winning authors. The selection of students for the Creative Writing Thesis is by assessment of a portfolio of poetry and prose, and a manuscript proposal outlining the creative project.

When studying towards the MPW you will be able to include a professional writing internship and be offered an on-campus writing mentor, who will provide professional advice and direct you towards writing opportunities.

Industry Connections

The staff contributing to the Professional Writing programme have long-standing relationships with the broader writing community at a number of levels:

  • They have established senior profiles as publishers of creative and scholarly writing, as editors of literary and scholarly materials, and as peer reviewers for local and international journals.
  • The creative writing staff have won significant local and international prizes for short fiction, poetry and creative non-fiction.
  • They publish across a wide range of academic and popular media, including reviews, opinion columns, feature articles, works of scholarly reference, book chapters, scholarly articles, researched scholarly editions, and researched books.
  • They are called on to judge local and international literary prizes, and to assess applications for substantial public and private funding for literary grants, including the annual University of Waikato Writers’ Residency (co-funded by Creative New Zealand) and the Sargeson Grimshaw Writing Fellowship.
  • Contributing staff in Screen and Media maintain international networks in scriptwriting and script development.
  • Staff maintain professional links with local and international organisations who co-ordinate, sponsor and enhance the interests of professional writing in Aotearoa New Zealand.

Career Opportunities

MPW graduates will have excellent transferrable skills in devising, producing and editing text. If you include a formal internship in your programme of study, or take up the option of informal professional mentoring, you will make connections in the professional writing community, and enhance your CV with relevant workplace experience.

Potential careers include editing, long-form researched journalism, policy analysis and policy writing, report writing, script writing, speech writing, teaching, website content editing, writing for digital and broadcast media, writing for stage and screen, writing for travel and tourism and writing for public relations and marketing.

Potential employers include biotechnology industries; cultural sector/arts organisations; energy provision sector; higher education sector; libraries and archives; local and district councils; manufacturing and technology; national government, NGOs; non-profit and philanthropic sector; primary industries; print and digital news media; publishing industry; telecommunications; theatre, film and broadcast media production houses; transport, tourism and travel.



Read less
If you want to become a produced or published writer, or to develop your writing skills, this programme will give you the chance to be tutored by leading and established writers in a supportive and creative environment. Read more

If you want to become a produced or published writer, or to develop your writing skills, this programme will give you the chance to be tutored by leading and established writers in a supportive and creative environment.

The emphasis is on different forms of scriptwriting - playwriting, screenwriting, dramatic writing, writing for film and television, and writing for radio – but you can also develop imaginative writing in other forms, especially prose fiction. Specialist pathways in screenwriting or writing for theatre are open to you.

Whether you’re an aspiring writer, a teacher or simply want to learn more about the writer’s craft, you’ll be working in an environment dedicated to developing new and emerging talent. Our students come from all over the world, and we have a powerful record for developing successful writers and creative leaders. Through our partnership with the West Yorkshire Playhouse, the course is linked to the Playhouse’s own new writing schemes.

Our tutors are professional dramatists and leading researchers with a wide range of expertise. The Programme Director for the MA is the award-winning playwright, screenwriter and producer Garry Lyons, who established the degree in 2006.

Find out more about Garry Lyons

You’ll be based in our landmark building [email protected], with two professional-standard and publicly licensed theatres that regularly host works by students and visiting theatre companies. You’ll be encouraged to use these facilities to try your work out in workshops, rehearsed readings or full productions, and gain experience of practical drama-making.

The programme also benefits from our close links with external organisations. As well as our partnership with West Yorkshire Playhouse, we work with the BBC’s new talent unit, Writers’ Room. Other partners include Opera North, ITV, Screen Yorkshire, the National Media Museum, Creative England, Red Ladder Theatre Company, True North Productions, Chapel FM Radio, Valley Press and many more.

Course content

A core module will introduce you to creative writing research, including the potential of practice-led research. This will help to equip you for the rest of the programme, giving you the tools to reflect analytically on your writing and compare it with existing writing of a similar genre or style.

In Semester 1 you’ll spend time in intensive workshops refining your own short pieces of narrative writing, exploring the principles of storytelling and more experimental approaches. You’ll also choose from optional modules, allowing you to specialise in writing for the screen or for theatre and radio.

You’ll have the chance to build on this foundation in the following semester, when you’ll choose from further optional modules. These will allow you to continue working on film and television writing or choose to work on an original project of your own – individually, in collaboration with students from across the School, or based on a two-week placement with an external organisation.

All of this work will culminate with your major project, which you’ll submit by the end of the programme – this could be an extended piece of creative writing, a conventional dissertation, or performance-led research.

Working with West Yorkshire Playhouse

The MA is partnered with West Yorkshire Playhouse, one of the UK’s leading theatres outside London. This links us to the the Playhouse’s new writing schemes. Directors and associate artists from the Playhouse regularly run workshops and masterclasses for us, and we collaborate with the theatre on joint projects such as new writing events and festivals. The Playhouse occasionally offers work experience opportunities for our students to apply for. 

Course structure

Compulsory modules

  • Research Project 60 credits
  • Story Workshop 30 credits
  • Research Perspectives (Writing for Performance and Publication) 30 credits

Optional modules

  • Individual Project 30 credits
  • Creative Work 30 credits
  • Performance and Collaborative Enterprise 30 credits
  • Writing for Theatre and Radio 30 credits
  • Writing for Film and Television 30 credits

For more information on typical modules, read Writing for Performance and Publication MA Full Time in the course catalogue

For more information on typical modules, read Writing for Performance and Publication MA Part Time in the course catalogue

Learning and teaching

Our tutors are professional dramatists and academic specialists in a range of genres, with experience of dealing with theatres, agents, production companies, editors and publishers. We also invite guest speakers from the worlds of theatre, broadcasting, film and publishing to share their insights into the creative industries.

You’ll be taught using a range of methods including lectures, seminars and tutorials as well as practical sessions and workshops. Independent study is also a vital component of this degree, allowing you to conduct your own research and develop your own ideas.

Assessment

You’ll be assessed mostly on the basis of your creative writing, including theatre, screen and radio scripts and short prose stories you’ll develop in your modules. To encourage you to reflect on your practice, you’ll also write commentaries on your own work. Core modules may also use assessment methods such as essays and presentations to allow you to demonstrate your knowledge.

Career opportunities

Many students will want to pursue a career as a professional writer. Although this is a fiercely competitive field, this degree is designed to try to help you realise your ambitions. Alternatively, you could use your additional experience and qualification to progress in your current career or pursue a related path within the creative arts.

You’ll also be well equipped for a future in education, arts administration, script editing, literary management, broadcasting, journalism, advertising, the media, publishing, literary agencies, marketing, PT and many other areas.

The programme has established a powerful record for developing successful writers and creative leaders, from playwrights and television writers to novelists, directors and lecturers.



Read less
The MA in Professional Creative Writing enables students to develop their writing craft and hone their writing skills towards the real world needs of the publishing, communication and media industries. Read more
The MA in Professional Creative Writing enables students to develop their writing craft and hone their writing skills towards the real world needs of the publishing, communication and media industries. The course covers traditional, contemporary and emerging forms of writing, from novel writing to the graphic novel and creative nonfiction, from playwriting to writing for television, screen and multimedia, from poetry to pyschogeography and ecowriting.

WHY CHOOSE THIS COURSE?

The MA Professional Creative Writing has been so named as to emphasise the professional aspects of creative writing: it is designed to enhance employability and focus is directed towards the development of students into professional writers. In particular:
-There are major mandatory modules in the key professional genres of narrative and dramatic writing (including ‘writing for television’), reflecting the real world professional activities of writers and employability opportunities for writers;
-Modules have professional coursework outputs in industry-ready form;
-Specific attention is given to commercial and related opportunities (professional networks, awards and competitions, submission windows, commissions and grants).

Innovation and internationalisation are key, with a focus on contemporary and emerging forms, such as the graphic novel, creative nonfiction, multimodal writing, eco-writing, e-publishing and writing for online video production. There will be a high level of virtual learning resources including video lectures, podcasts, virtual workshops, online writers’ groups, writers’ blogs and online peer-to-peer feedback, enabling easy global access. The course has and international outlook with texts studied coming from around the world and we have Online International Learning partners in institutions overseas: these offer the possibility of online student writing collaborations.

Two themed writers’ retreats are incorporated into the course: these are one week long field trips to coincide with significant writing up periods and may be in the UK or abroad. Current options include two of the following:
-The Horror: a winter week in the seaside town of Whitby, where Bram Stoker gave birth to Dracula;
-Romance: a spring week in the Lake District, haunt of the English Romantic poets;
-The Lost World: a spring or summer week in Spain, ‘lost’ in the remote mountains of the Alpujarras;
-Crime: a spring or summer week in Sicily, home of the Mafia;
-Myth and the Muses: a summer week in Greece, ancestral home of Western literature.

A student may as an alternative elect to organise a DIY writers’ retreat, aligned to their own specific needs as a writer.

WHAT WILL I LEARN?

The core mandatory modules are:
-The Novel, the Graphic Novel and Creative Non-Fiction
-Writing for Stage and Television
-Writing Genre Fiction
-Creative Dissertation

Optional modules* include:
-Writing for Film and Video Production
-Poetry and Style in a Digital Age
-Eco-writing
-Multimodal Writing

*Choose two. Note that the provision of optional modules is dependent on student choice and numbers and may vary year to year.

HOW WILL THIS COURSE BE TAUGHT?

Teaching and learning will take place in workshops, seminars, lectures and tutorials. Eco-writing sessions will take place outside of the classroom and multimodal writing will take place in an Art and Design laboratory. Specialist software is available for scriptwriting and screenwriting and there will be a large array of online materials and resources available. There will be guest lectures by industry professionals and themed trips. Writers’ retreats will also be an inclusive feature of this course: these enable students to write in a relaxed environment and are in places of special interest to writers.

Read less
The MA and MFA Writing for Stage and Broadcast Media offers students vocational training in writing drama across a range of different media contexts. Read more

ABOUT THE MA/MFA WRITING FOR STAGE AND BROADCAST MEDIA

The MA and MFA Writing for Stage and Broadcast Media offers students vocational training in writing drama across a range of different media contexts. Although the primary focus is on writing for television, film, theatre and radio, Central also runs
optional units in writing for new music theatre and, in collaboration with MA Applied Theatre, writing with and for communities. The course provides the opportunity for students to develop the core competencies and skills of the dramatist to explore their own ‘voice’ and develop their confidence as dramatists, and to appreciate the specific media contexts within which professional writers work.

Key features are: practice-based enquiry into techniques and processes for writing for stage and screen; a series of writing projects to engage with different styles and formats of production; associated study of writing techniques and issues of
performance in relation to theatre, cinema, television and other relevant contexts.The MA and MFA are taught in group sessions and through individual tutorials. During these sessions participants will consider the fundamentals of dramatic writing. Indicatively, these will include structure, narrative, dramatic action, genre, character, dialogue and rhetorical effect.

Students will study different approaches to writing including individual authorship, group writing and writing to specific briefs. Students will attend masterclasses, seminars and workshops that focus on particular modes of writing for different production contexts, and will be part of a writers’ group, providing peer support in developing their writing. Their vocational work is complemented by individual research and appropriate theoretical discussion and enquiry. Students will address historical, theoretical and critical contexts within which traditions of dramatic writing have evolved.

Students will engage in a range of projects that test and develop their skills as a writer of drama. Indicatively, these will include forming a team of writers to evolve a television series, writing a short play script for a staged reading, writing a short
film script, writing a radio play and developing and writing a complete dramatic script for production in a particular medium (stage, radio, television, music theatre, or film).

ASSESSMENT

This is through peer assessment, practical assignments, essays, scheme of research, presentations, and the submission of a practitioner portfolio, including personal insights, research, the student’s own scripted material and a plan for professional
development.

Read less
Join the UK’s first MA in writing professionally for three markets – film, TV and theatre. This programme has been designed with the writer in mind. Read more
Join the UK’s first MA in writing professionally for three markets – film, TV and theatre.

This programme has been designed with the writer in mind: you attend five four-day intensive workshops over the period of 21 months, and spend the rest of your time writing when you like, where you like, with constant script guidance by professional working writers throughout. The four-day workshops run from Thursday to Sunday, minimising your commitment if you work full-time.

‌•Become a member of a small and supportive group of ongoing active writers
‌•Watch your work being performed by actors
‌•Enjoy free London theatre visits
‌•Analyse and discuss nightly film screenings
‌•Produce high-standard scripts honed and ready for the professional market
‌•Direct peformances of your scripts in our own Marylebone Theatre
‌•I‌ndulge yourself in two years of pure writing as you develop a second career in film, TV or theatre
‌•Please note that we are not able to sponsor students on this programme for a Tier 4 visa.

Why should I choose this programme?

Have you ever dreamt of writing the next major cinema release or a gripping new drama series for the BBC, Channel 4 or Netflix?

Can you imagine seeing your own play on stage in one of London’s 60+ theatres?

Or you create a work that starts small but grabs someone’s attention, and grows to become the next commercial screen or theatre attraction?

Perhaps your ambition is to adapt your favourite novel or short story for the screen or stage, and see it performed?

All these are possible. Many classic and famous stage and screen works were dreamt up and written by people with no prior experience of writing scripts, and even no ambition to do so, and many works started on a small stage or screen, and got spotted, picked up and became international hits.

This MA gives you all the tools and tuition you need to join those writers whose work we watch and hear daily on TV, in the cinema, on stage and on radio.

Our intensive programme of ongoing distance tuition combined with five four-day writing workshops on our beautiful Regent’s Park campus in central London, will do more than help you to achieve your Master’s degree: it will prepare you for professional commissions and script sales.

The script is the cornerstone of television and film production. No budget is raised, no actor commits, no director is hired, no studios or locations booked, no crews or stage staff employed without it. From idea to the point of the final script, all productions start from it.

Key skills, aims and objectives

You will develop transferable script writing skills which can be deployed in all areas of origination and creative analysis and which will enhance you employment prospects in a very wide and varied industry – not only as a writer but also as a script editor, reader, developer, producer, director, agent or distributor.

Future opportunities

This programme trains writers, script editors, developers, producers, directors, agents and distributors – because all require a first-hand understanding of the writer’s craft.

This course has been designed as the catalyst for a new career: our team of writers guide everything you do – the rest is up to you.

How to apply

Applying to study at RUL is a quick and easy process. We accept direct applications, have no formal application deadlines and there is no application fee.

Step 1 Apply

You can apply in the following ways:

•Apply online
•Apply directly to us using the application form available here http://www.regents.ac.uk/media/1188903/Regents-application-form.pdf
Once you have completed the application form, please send us the following supporting documents, by post, email or fax:

•Copies of academic transcripts and certificates of all academic study undertaken after secondary school
•One letter of academic reference
•A copy of your CV/resumé showing your work experience if applicable.
•A 300 to 500-word personal statement in support of your application, outlining your reasons for applying to your chosen programme and how you feel you will benefit from the course of study
•A copy of your passport photograph (ID) page
•One recent passport-sized, colour photograph, jpeg format (this must be emailed to us at )
•If not a native English speaker, proof of your English proficiency

Please note: most candidates will be assessed for admission on the basis of their submitted application materials. However, RUL reserves the right to invite candidates for interview and to reject those who decline to attend.

Step 2 Making an offer

We will assess whether you meet our minimum entry requirements and will make you an offer by both email and post, or notify you that you have been unsuccessful.

If you have completed your education and have met all the entry requirements, you will be sent an unconditional offer. If you still have to finish your exams, or have yet to submit supporting documentation, we will make you a conditional offer.

You can expect to receive a decision on your application within 10 working days of receipt of your completed application and supporting documents.

Step 3 Accepting the offer

If you wish to accept the offer you must:

•Confirm your acceptance via email/post/telephone/in person
•Pay the registration fee (non-refundable)
•Pay the non-EU advance tuition fee deposit, if applicable (non-refundable)
•Please note: although there is no formal deadline to pay your registration fee or non-EU advance deposit, if you need to apply for an international student visa to study in the UK, then we recommend that you pay these as soon as possible.

Please see here for information on how to pay http://www.regents.ac.uk/study/how-to-pay.aspx

Step 4 Full acceptance and visa

On receipt of your acceptance we will issue the final set of documentation and, where needed, the relevant visa support documentation. To find out if you need a student visa please consult the UK Visas and Immigration (UKVI) website for current information: http://www.gov.uk/government/organisations/uk-visas-and-immigration (please note it is your own responsibility to arrange the appropriate visa).

For more information on course structure, admissions and teaching and assessment, please follow this link: http://www.regents.ac.uk/study/postgraduate-study/programmes/ma-writing-for-screen-stage.aspx#tab_course-overview

Read less
At Brighton, we encourage writing that helps readers and writers to understand, shape and connect with the world beyond the classroom. Read more
At Brighton, we encourage writing that helps readers and writers to understand, shape and connect with the world beyond the classroom. Working with professional writers, you will develop your skills to produce and share stories in a variety of genres.

Through creative workshops, you will partner with supportive lecturers and interdisciplinary postgraduate groups to develop advanced theories and practices that relate to the creative writing process. Both people with and without experience of creative writing should consider applying for this course, which aims to prepare you for a career as a freelancer or portfolio worker.

We have fantastic links with local publishers, writers and creative companies and offer a unique salon series where industry experts offer practical advice and insights. In semester two, you will apply your writing and creative practice in a workplace scenario, while being encouraged to work on your own interests and passions.

If you want to share your work, you have the opportunity to do so through our established student-led anthologies and open mic nights, which form part of Brighton's thriving creative scene.

Why study with us?

• Chance to develop as a portfolio writer and creative practitioner – somebody who can apply good writing to real-world scenarios and work to specific briefs

• A transformative experience that goes beyond looking to get your first novel published, so you can explore copywriting and publishing while nurturing your passion for storytelling

• Guest lectures from publishers and professional writers including Mark Radcliffe and Isabel Ashdown, who runs the Prose Fiction module

• Links with local publishers, writers and creative companies, with placements available across Brighton

• Theatre visits, open mic nights and exciting events, including a short story slam at Brighton festival and writing workshops in Bucharest

• Online journal and in-house creative anthology for you to share your work with other students and the wider community

Areas of study

You will be able to tailor your MA studies to reflect an interest in writing practice, literary theory, community engagement or any combination of these.

We identify the range of modules as intrinsic to catering to diverse creative and intellectual needs and understand that triggers for writing and creative practice can stem from a wide range of places and fields of study.

We have specific modules dedicated to engaging students with the wider Brighton community and local creative industries where they will become a writer in residence and work to link their individual creative practice with a professional scenario.

You will be able to identify teaching and learning opportunities that inspire your creative work and apply this to your professional, academic and personal development and planning.

Syllabus

Core modules:

Practising Rhetoric: The History of Good Storytelling
Creative Writing: Craft and Creative Practice
Research Skills and Training
Dissertation

Optional modules:

Prose Fiction
Creativity module: Placement
The Publishing Process
Poetry: Theory and Craft
Writing the City
The Ethics of Fiction
Twenty-first Century Literature
Performing Gender
Knowing Through Writing
Holocaust Memory
Aesthetics and Philosophy
Cultural Theory
History Making and the Screen Archive South
Grammar and the English Language
Memory and Identity in Postcolonial Cultures
Cultural Memory in Ireland
Gender, Family and Empire
Screenwriting
Auto/Biographical Narrative
Visual Narrative
Cultures of Multimedia Authoring and Web Design
Critical and Media Concepts
Issues and Debates: Introduction to Critical Arts Practice
Traditions of Critical Theory
Critical Readings
Moral Thought and Practice
Globalisation and Culture
Aesthetics and Philosophy
Foundations of Critical Theory
Meaning and Truth
Discourses of Culture
Writing for Academic Publication
Literature and Conflict
Auto/Biographical Narrative Communication, Memory and Communication

Careers and employability

Our Creative Writing MA will develop your confidence with creative and critical writing and enhance your communication skills, which are highly valued in a range of professions including publishing, teaching, creative industry management, marketing, PR, journalism, health and wellbeing.

The ability to write for an audience is also fundamental for people working with social media and the web, and this course will ensure that you are able to produce writing that will be effective in these and other work-based scenarios.

Read less
Creative writers express thoughts, feelings and emotions through words and have the ability to inform, provoke, captivate, inspire and move. Read more
Creative writers express thoughts, feelings and emotions through words and have the ability to inform, provoke, captivate, inspire and move. You approach creative writing from a variety of perspectives – including fiction, poetry, screenwriting and drama – to explore how writers operate and how you can become an independent writer.

Course details

Drawing on our pool of talented, published writers and academics, you accumulate credit towards your chosen award at your own pace. This highly successful course also offers the chance to learn how to teach creative writing in schools or in the community.You may also be interested in our MA Creative Writing (Distance Learning).

What you study

One core module lays the foundation for skills and techniques in creative writing, while another addresses writing for career development. Option modules make use of imaginative writing, creative visualisation and commentary elements to cover such topics as writing novels and short stories, working with poetry and lyrics, producing copy for drama and performance, scriptwriting for film and screen, and teaching creative writing. Some modules involve traditional seminars and workshops, but many incorporate a negotiated learning element.

Core modules
-Creative Writing MA Project
-Creative Writing Skills and Techniques
-Writing for Personal Development

And three optional modules from a range including
-Active Screenwriting
-Forming Fictions
-Poetry for Publishing and Performance
-Writing for Professional Development
-Writing into Dramatic Space

Modules offered may vary.

Teaching

You typically write in a workshop-based environment, with access to the Writer’s Lounge and the resources housed within the Creative Writing Centre. Learning is largely portfolio driven, with twice-weekly timetabled groups and tutorials to support the learning process. As an enterprising, self-motivated student you work both independently and collaboratively with your peers using the extensive resources and facilities available to you. You are encouraged to reflect upon your own learning in the context of career development and the opportunities open to you.

Your achievement is assessed mainly through project and portfolio work, including evidence of the research and development process as well as the production and presentation of draft work and peer assessment. Other assessment methods include written reports, presentations, oral performances and reflective commentaries.

Employability

Typically graduates go on to roles in freelance writing, teaching, publishing, arts and humanities, media, performance and/or the creative industries.

Read less
Do you want to develop your own original writing whilst engaging with the best contemporary work being published? You’ll refine your craft with guidance from the award-winning writers who teach on this workshop-based MA, as well as from visiting writers. Read more
Do you want to develop your own original writing whilst engaging with the best contemporary work being published? You’ll refine your craft with guidance from the award-winning writers who teach on this workshop-based MA, as well as from visiting writers. Make the most of an opportunity to produce a substantial written project in a nurturing, creative environment. The writing skills you’ll develop will help ensure that, upon graduating, your work is ready for submission to publishers and agents.

Key features

-Develop your confidence and writing skills in an environment supportive of creative work.
-Produce a substantial writing project which you can submit to publishers and agents.
-Benefit from the depth of experience and knowledge shared by our staff, including several award-winning writers, and visiting writers.
-Expand your own writing experience through submitting work to student publications such as Ink, and the University press published literary journal, Short Fiction.
-Increase your critical self-awareness on a programme designed to round you as a writer.
-Enrich your learning experience through workshop-based seminars that allow you to explore the diverse strands of creative writing, from stories to screenplays.

Course details

You’ll attend four workshop-based seminars, detailed below. Throughout the term you’ll submit your best work in an environment dedicated to writing success. Writing is complemented by the reading of established authors in order to give you that all-important sense of literary context. Experienced tutors lead small seminars exploring the nuances of craft and the compositional process. We believe that all kinds of writing can inform each other, and ensure you study fiction, poetry, creative non-fiction, and dramatic writing (for stage and screen), before settling down to write your dissertation in a singular mode. Your dissertation will comprise a collection of poems, a stage or screen-play, or 20,000 words of prose from a story collection, novel or creative non-fiction. The ultimate goal is to help you to take your private writings to the public sphere. Full-time students take two modules per term, while part-time students take one module per term.

Core modules
-CWMA705 Creative Writing Dissertation
-CWMA703 Dramatic Writing: Stage and Screen
-CWMA704 The Business of Writing: Before and After Dissertation
-CWMA701 Fiction: Stories and Novels
-CWMA702 Poetry and Creative Non-Fiction

Every postgraduate taught course has a detailed programme specification document describing the programme aims, the programme structure, the teaching and learning methods, the learning outcomes and the rules of assessment.

Read less
This intensive course gives you a unique insight into an actors conservatoire training, giving the director the intellectual and artistic tools to better communicate and stimulate a creative performance from actors on film. Read more

Introduction

This intensive course gives you a unique insight into an actors conservatoire training, giving the director the intellectual and artistic tools to better communicate and stimulate a creative performance from actors on film. Directing means working with performers and developing a methodology that balances the needs of the actor against the grinding pressure of the shooting process. This course equips and enables the director to find their own voice whilst developing the skills needed to balancing these difficult demands. During the course you will work closely with the acting cohort developing your directors voice and vision to tell story through narrative drama, focusing on an understanding on the importance of genre, casting and story telling with the actor.

Please note: recruitment to the Writing pathway is currently suspended.

Content

This postgraduate course prepares you for work in film and television and related fields by bringing together the key artistic disciplines and skills needed to make high quality filmed drama. You will explore in detail Stanilavisky's unique scene study methodology which lies at the heart of Drama Centre’s conservatoire training. From storyboard to working on the subtext with the actors on set you will be enabled to develop your own distinct artistic voice.

At the heart of MA Screen: Directing, Writing is the growth of individual creativity, achieved through constant opportunities for working on camera-based projects with colleagues from other pathways. You will work on two filmed productions, in our film studio and on location. Supported by a professional producer, director of photography and editor. You will take an active part in a Mike Leigh type devising project where you will help shape the story's stimulated by the characters that the actors develop over nine weeks of intense rehearsal. You will understand the rhythm of a working film set and develop the confidence to use your own voice on future projects, confident in the knowledge that you know how to work creatively with actors. You will be given in depth preparation for the profession including interview technics and wide range of lectures from visiting professionals, such as agents, casting directors, working producers and directors.

Distinctive features of MA Screen: Directing, Writing are:

An insight into actors' conservatoire training

A performance-led approach to recorded drama

A company operating model

The acquisition of a deep understanding of the processes leading to the creation of high quality films

A quasi-professional learning model that prepares you for direct entry to the world of work

The realisation of new writing or adaptations through performance-led models

A focus on the technical aspects of production

A mentoring scheme connecting students with experienced professionals.

Structure

MA Screen: Directing, Writing lasts 45 weeks over 12 months and is structured as units - class-based to begin with, but increasingly project-geared over time. This postgraduate course is intensive. You'll be expected to commit 40 hours per week to classes, rehearsals and shoots, and to your own independent preparation and learning.

Read less
Oxford University's Master of Studies in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialization, and critical and creative breadth. Read more
Oxford University's Master of Studies in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialization, and critical and creative breadth.

The emphasis of this postgraduate creative writing course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces his or her creative work in the context of a global writerly and critical community. The master's degree in creative writing offers a clustered learning format of five Residences, two Guided Retreats and one Placement over two years. The research Placement, a distinguishing feature of the course, offers between one and two weeks' hands-on experience of writing in the real world. Students may undertake their placement in a literary agency, a publishing house, the offices of a literary periodical, a theatre company, a screen production company, or other relevant organization. Placement organisations have included Macmillan, Initialise Films, Random House, the BBC, the Literary Review, AM Heath, Pegasus Theatre, the Poetry Society, and Carcanet.

The virtual open event for this programme is available to watch at http://www.conted.ox.ac.uk/cwopenday. The open event features acting Course Director Jane Draycott and course administrator Rebecca Rue, who discuss the programme, its requirements and the student experience. Participants' questions were texted in and answered during the event. A FAQ of all the questions and their answers is available at the top of this section.

The MSt has a blog, a resource for Oxford events, calls for submission, competitions, news, interviews and more, which is available at http://blogs.conted.ox.ac.uk/mstcw/.

"The Oxford MSt enables you to fast-track your career in writing."
- Fortuna Burke

"… the freedom to explore and experiment… has been fundamental to my development as a writer."
- Clare Tetley

"The range and variety of the group … offers truly exciting opportunities for the kind of exchanges that really accelerate your development as a writer."
- Michael Schuller

"What does the course offer? Self-discipline, professionalism and confidence."
- Abigail Green-Dove

"My life has been so enriched and expanded. My writing evolves daily through the tools that you gave me. Not to mention the wonderful friendships formed throughout our two years together."
- Lindsay Moore

"The Masters in Oxford, while encouraging creativity, raised the bar on the quality of the finished work and gave me the discipline to be a professional."
- Bette Adriaanse

"I doubt there’s a more suitable MSt in the United Kingdom for work which challenges boundaries and takes risks."
- Jennifer Thorp

Students and alumni have won a wide range of prizes. These successes include winning the Gregory O’Donoghue Prize, the Writers’ Village International Short Fiction Award 2014, the Parallel Universe Poetry Competition, the Martin Starkie Prize, the International Jane Martin Poetry Prize, the Heritage Arts Radio play competition, the Cascade Pictures Writer’s Couch pitching competition, first prize in the Poetry Book Society Student Poetry Competition, the Miracle Poetry Competition, Best Photography Book Award from POYi (Pictures of the Year international), and the Yeovil Literary Prize for Poetry. Two alumni have won the Oxford University’s DL Chapman Memorial Prize, another was a finalist in the 2013 Writers at Work Fellowship Competition, and another won the London Fringe Festival’s Short Fiction Award. Alumni have been awarded a Toshiba Studentship, a Hawthornden Fellowship, and funded residencies at the Banff Centre, Canada, and at the Expansionists Project, Whitstable.

Students and alumni have had their work shortlisted across the genres for, among others, the Asham Award, the Bridport Prize, the Bridport Prize for Flash Fiction, the Fish Flash Fiction prize, the Yeoville Literary Prize, the Oxonian poetry prize, the Fish Short Story Prize 2013, the Big Issue in the North’s New Writing Award, the Oxonian review, and the Aesthetica Creative Writing Competition. A 2010 graduate was short-listed for the Crime Writers’ Association Debut Dagger award 2011. Two alumni were longlisted for the Dylan Thomas Prize, and one was shortlisted. An alumnus’ debut novel also made the longlist for the Not the Booker Prize.

Visit the website https://www.conted.ox.ac.uk/about/mst-in-creative-writing

Destinations

Many of our graduate students have signed with agents, and each year a number go on to undertake doctoral study in creative writing or English Literature. Our graduates have obtained positions in publishing, media and the creative arts industries, as well as teaching positions in tertiary education.

The MSt has enjoyed a very strong application field since its inception, attracting record interest in recent years from a global constituency of writers. The course`s emphasis on critical analysis as well as on writerly and creative excellence attracts students of commensurately strong academic potential as well as of significant creative promise. This combination of academic rigour and creativity is a central distinctive feature of the course. The resulting emphasis on exploration and the development of an individual writerly voice serve to attract particularly talented students from around the world as well as a strongly diverse group of UK students of varied backgrounds and ethnicity.

Continuing education and life-long learning in Oxford have been formally linked to the collegiate system of the University since 1990, when Kellogg College, the University’s 36th college, was established. Please consult http://www.kellogg.ox.ac.uk/.

Who should apply?

We are looking for writers with a proven record of commitment to their craft. You should be a keen reader, and bring an open-minded, questioning approach to both reading and writing. You will not necessarily have yet achieved publication, but you will have written regularly and read widely over a sustained period. You will be keen to dedicate time and energy and staying-power to harnessing your talent, enlarging your skills, and aiming your writerly production at consistently professional standards. It is likely you will have a first degree, or equivalent, although in some cases other evidence of suitability may be acceptable.

For applicants with a degree from the USA, the minimum GPA we normally seek is 3.6 out of 4.0. We do not seek a Graduate Record Examination (GRE) or GMAT score. Although a GRE or GMAT score is not a formal requirement, if one is available it should be supplied.

The high number of contact hours are concentrated into Residences and Retreats. Students should be at a stage in their writing where, with appropriate guidance, they can undertake agreed assignments, projects and essays between meetings. There is a dedicated Course Website for provision of up-to-date information; contact and exchange between students; and contact between students and tutors. The course, however, is not a ‘distance-learning’ course, and tutors, while being happy to help with questions or problems, do not offer regular weekly ‘office hours’.

The M.St is unlikely to be suitable for those who are just starting out on their writerly and critical development.

If you have any doubts about whether the M.St is right for your stage of development, please consult the website for information on our Undergraduate Diploma in Creative Writing https://www.conted.ox.ac.uk/dipcw

What does the course cover?

The first year concentrates equally on prose (fiction and narrative non-fiction), poetry and drama. There is a significant critical reading and analysis component, which is linked to the writerly considerations explored in each of the three genres. Students are expected to engage fully with all three genres, in a spirit of exploration and with the aim of discovering what impact and relevance unaccustomed genres have for the development of their individual writerly voice. This necessarily involves undertaking assignments and exercises in areas that are new to students, and do not relate directly to any work they may have in progress. Students may be able to continue with their own longer term pieces-in-progress but the concentration of year 1 teaching is on producing new work, and the exercises and assignments, which should take priority, reflect this emphasis.

The second year offers specialisation in a single genre, again accompanied by a significant critical element focused around issues of interest to the individual student and related to the genre of choice.

Your specialisation choices are as follows:

- The novel
- Short fiction
- Radio drama
- TV drama
- Screenwriting
- Stage drama
- Poetry
- Narrative non-fiction

In year 2, the specialisation in the genre of students’ choice provides an opportunity for significant concentration on either new work, or, subject to consultation with supervisor, on existing work-in-progress.

Find out how to apply here - http://www.ox.ac.uk/admissions/graduate/applying-to-oxford

Read less
Most drama writers move between media so that's what we do; join us to learn about writing for theatre, film and television. Read more
Most drama writers move between media so that's what we do; join us to learn about writing for theatre, film and television.

Who is it for?

This programme is suitable for writers who want to develop their practice and complete a full length piece of work, or for experienced playwrights who wish to gain a familiarity with writing for the screen, or experienced screenwriters who wish to gain a grounding in theatre writing. It is also suitable for writers who while continuing with their own practice, will work in development roles in the film, TV, theatre and related industries such as literary agencies.

The programme has been designed, with input from a range of playwrights and screenwriters, to provide the optimum environment for students to complete a full length play or feature film script to a high standard.

Objectives

Creatively stimulating, challenging and above all practical, this innovative two-year programme provides a supportive and thought-provoking environment for playwrights and screenwriters to explore their ideas, develop their craft and finish a full-length work to a high standard.

You will develop as a writer and sharpen your understanding of what's working and what isn't. No single style or genre is prescribed; the ethos of the programme is excellence and diversity. You will get to understand writing choices in the work of leading playwrights and screenwriters. You will work with actors and directors from London's new writing theatres, and receive guest talks from agents, producers and artistic directors.

By the end of the course, you will have taken a full-length play, screenplay or television pilot through a number of drafts, working as professional writers do. This play or screenplay will be your calling card. You will receive a performed reading of an extract of your work and a professional script report.

Teaching and learning

This course is taught and run by professional working writers. Teaching is based around a mix of practical workshops, seminars and lectures. All this is supported by one-to-one tutorials and by independent study: notably reading and preparing presentations on set texts and performing set writing exercises. As the course progresses, the emphasis shifts to independent study and is supported by workshops and one-to-one tutorials.

You will be mentored by a professional working playwright or screenwriter for the whole of Year Two.

Central to this Creative Writing MA course is the requirement to finish a full-length play or screenplay. The course culminates in a showcase of your work to an audience of industry professionals and other interested parties.

The biggest names in the worlds of film, television and theatre visit the course and visiting lecturers include:
-Dr Terry Bailey (TV Writer, director and producer. He has worked internationally and with the BBC. His play, Grave Men, Near Death, was staged last year.)
-Penny Gold (writer, dramaturg, director and producer. She has worked in theatre, television, film and radio).
-Jim Hill (writer and director of popular television drama and is perhaps best known as the co-creator of the successful series Boon).
-David Lane (professional playwright and dramaturg, and has been a Literary Associate to established London and regional new writing companies such as Soho Theatre & Writers' Centre and Theatre and Beyond in Brighton).

Assessment includes participation in lectures, seminars and workshops; of work on presentations; set exercises and own script proposal.

Modules

You will take three modules (Writing Workshop, Dramatic Writing and Storytelling) and be taught for six hours a week*. There will be tutorials alongside this in all 3 terms. You will create a 10 minute film as well as a 10 minute play.

In the second year you choose to write either a full length play, or screenplay, or a pilot for an original television series (along with the series "bible" and synopses for several episodes). In addition to this you will participate in workshops.

Year 1
-Writing Workshop
-Dramatic Writing
-Storytelling

Year 2
-Own Play or Script
-The Production Business

Career prospects

Many of our graduates go on to have their work performed professionally and have won many awards and nominations. Some examples from 2016 include:
-Aisha Zia, who received a grant from Brookleaze and her play ‘Besieged’ is on at the Arcola Theatre.
-Dianna Hunt, Her play ‘One Woman's Slide: A Blues’ has been programmed in the Talawa Arts Festival.
-Cheryl White, whose films include Before Babel (2013) which won Best Short at the Kent and Rye Film Festival International film festival 2015; Winner of Best Film and Most Innovative Film at WOW Festival 2014.
-Louisa Hayford, who did a ten week paid internship at the Coronation Street story department as part of the ITV Coronation Street Original Voices scheme.

Some of our first year students have also had their work picked up professionally.

Read less
Master's degree programmes in Creative Writing have been offered here since 1997 and have attracted students from a range of backgrounds and experiences – from recent graduates to mature students with a wealth of life experience. Read more
Master's degree programmes in Creative Writing have been offered here since 1997 and have attracted students from a range of backgrounds and experiences – from recent graduates to mature students with a wealth of life experience. This programme is designed for committed writers who wish to complete significant pieces of work and generally broaden their experience as writers.

Course Overview

The MA in Creative and Scriptwriting provides the opportunity to specialise in creative writing for film, TV or theatre. The overall aim of the programme is to equip students with the ability to hone their screen, dramatic or other writing skills, with a particular understanding of commercial contexts and to develop areas of creativity at an advanced level. In all cases the emphasis is on developing the individual student's creative expression. There is no attempt to impose a house style.

The programme provides the opportunity to work with internationally recognised dramatists and screen writers as well as with writers with expertise in other genres of creative writing. The dissertation element of the programme will enable you to develop a full script, reflecting both creative and commercial imperatives, building upon exercises in dramatic writing developed through the screenwriting and workshop modules.

The MA has responded to the explosion of online publishing by supporting students in publication and promotion. The course is delivered by a mixture of professional writers and academics who prepare you for the realities of a hugely competitive market. You will learn how to prepare manuscripts, to approach publishers, and, increasingly important, to market yourself.

The School and the University support a number of reading and social events in which students are encouraged to participate. We also support the student-led design, production, publication and promotion of the well-received online journal The Lampeter Review. As a result of this activity several former students now work in publishing and we are proud of our excellent track record of student publishing success.

Modules

-Approaches to Creative Writing
-Writing Workshop: Research and Writing
-Writing Workshop: Writing and Context
-Writers World
-Screenwriting
-Creative Project (Dissertation)

Key Features

-The programmes are delivered on the University’s campus in Lampeter. They are taught through seminars, small workshops and individual tutorials and supervision that enable detailed and personalised feedback.
-Access to a Virtual Learning Environment (VLE) enables additional learning, especially work-shopping, to take place outside the sessions and supports the development of a mutually supportive cohort of committed writers. Graduates from the programmes have gone on to become successful and prize-winning authors.
-The MA programmes also offer students the opportunity to write and discuss their work through the medium of Welsh should they wish to do so.
-The programme is based upon an established pool of expertise in related concerns, and covers a range of projects undertaken over a number of years.
-Staff are active publishers and practitioners in their own right

Assessment

There are no examinations. All modules are assessed by original creative assignments supported by reflective and developmental material: logs, journals, treatments, reviews proposals. The Creative Project provides the opportunity for students to develop a substantial piece of work to publishable standard.

Career Opportunities

-Professional Writers
-Editors
-Publishers
-Marketing
-Expert tuition from professional writers, poets, novelists, dramatists, script-writers
-An opportunity to learn about publishing through the design and production of the digital journal, The Lampeter Review
-An opportunity to read your work at such events as the Hay Festival
-Programme delivered on our beautiful and inspiring campus in Lampeter

Read less
This new and unique Masters importantly addresses black writing as a continuum. Its heritage in British culture is considered along a trajectory marked by historical presences as connecting with migratory, indigenous and global perspectives- http://www.gold.ac.uk/pg/ma-black-british-writing/. Read more
This new and unique Masters importantly addresses black writing as a continuum. Its heritage in British culture is considered along a trajectory marked by historical presences as connecting with migratory, indigenous and global perspectives- http://www.gold.ac.uk/pg/ma-black-british-writing/

Introducing the MA Black British Writing - “It’s a story that hasn’t really been told”
This MA is:
- World first. Nowhere else in the world can you study this field in such a richly, referenced way - in the actual country where the writing is produced.
- Cross-disciplinary in teaching, studies, research. Writing as perceived in its broadest form on and off the page and screen.
- Collaborative. It will be taught by Professor Joan Anim-Addo and Dr Deirdre Osborne, who share its vision and will co-teach the modules.
- Inclusive. We welcome applications from a broad spectrum of people – those seeking academic careers, professionals who are returning to learning, artists who wish to develop their analytic and critical thinking skills.
- Connected to local, national and international research streams. Both tutors have well-established research profiles with publications, and track records in convening public events in the field.

Why is this an important degree?

"“A Master’s degree programme that enables the serious study of the creative and artistic history and achievement of black British novelists, poets, short story writers, essayists, and playwrights.”
Professor R. Victoria Arana, Howard University, Washington DC

At the end of 2011 it was reported that of over 14,000 university professors in the UK, only 50 were black and overwhelmingly, outside the humanities disciplines. This was followed by confirmations that there are still no black managers in British premiership soccer (despite black footballers’ eminence in the sport), no sustained presence of black cricketers in the national team (despite the long-standing presence of the West Indies team in international competitions), and in turn, by findings that no sustained promotion trajectory exists for black police officers into the higher ranks of the police service, (while black males continue to be disproportionately stopped and searched by white police). In the light of such a broader social context, this MA is timely and necessary.

“It will produce path-breaking research and creative production based on this programme’s design, setting and leadership.”
Professor Lauri Ramey, California State University

Many established scholars of contemporary literature working in Britain, Europe, Africa, and Asia occasionally teach a module or two incorporating Black British writers, do research on Black British texts, and publish articles and books on these interests, However, this Goldsmiths MA in Black British Writing means the University of London will break new ground in preparing and empowering scholar-specialists in this growing and exciting field of study.

“I fully endorse this course because I believe in its intellectual and cultural necessity.”
Kwame Kwei-Armah, playwright and Artistic Director, Centerstage, Baltimore

If the humanities are to serve the indigenous multi-cultures of Britain, the building of a critical infrastructure that retrieves, assesses and articulates a fuller compass of inclusion is vital for intellectual and public awareness. In studying this MA, you will become part of this process.

“A landmark for Black culture.”
Hannah Pool, journalist

The MA provides opportunities to experience events featuring many of the writers and practitioners studied. It also gives you contact with contemporary Black British writing, drama and performance from within Britain. You will have access to the Black Plays Archive at the Royal National Theatre as part of fieldwork tasks and further research.

“From my hundreds of visits to schools, colleges and libraries in the last ten years or so, I know there is a hunger out there for black British writing. This course will add to the fabric of British literature.”
Alex Wheatle MBE, novelist

Contact the department

If you have specific questions about the degree, contact Dr Deirdre Osborne

Overview

The MA draws upon the expertise of literary, drama and theatre specialists from the Departments of Theatre and Performance and the Centre for Caribbean Studies.

The degree is made up of:

two compulsory core modules
a dissertation
two option modules
Full-time students study both compulsory modules and two options and write their dissertation across one year of study.

Part-time students select one compulsory module and one option per year across two years and write their dissertation in their second year of study.

Intermediate exit points

It's possible to exit the programme early with a Postgraduate Diploma or Postgraduate Certificate if specific learning outcomes have been achieved. These options can be discussed with the course convenor.

Skills

You will develop transferable writing and oral skills at a high academic level, demonstrating the ability to think and work in an interdisciplinary manner using a range of methodologies. Your ability to work collaboratively and to facilitate and participate in group discussions will be enhanced. You will also develop skills in identifying the socio-cultural, historical, political and literary issues that shape and impact upon contemporary literary and performance texts.

We are oriented towards serving your individual goals and aspirations for self-development; it will generate an articulable body of transferable knowledge and skills.

Besides developing your knowledge of best current research methods and of facts and concepts specific to the featured field of study, the proposed programme will offer training in:

discerning vital literary and dramatic roots
recognising how the dynamics of creative and cultural movements interrelate
exchanging information effectively within a variety of intellectual, creative arts, and local communities

Careers

The MA’s design allows for a diverse range of applications of its contents to careers including education, counselling, community arts, arts practice, social services, cultural organisations, or towards research degrees (MPhil; PhD).

Our courses consolidate the influential presence of contemporary Black British writing. It is recognised as both intrinsic to conceptions of British cultural heritage but also distinctive within the body of British writing.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

Read less
This programme focuses on the creative, analytical and professional aspects of script writing, in the context of the contemporary film, television and radio industries- http://www.gold.ac.uk/pg/ma-script-writing/. Read more
This programme focuses on the creative, analytical and professional aspects of script writing, in the context of the contemporary film, television and radio industries- http://www.gold.ac.uk/pg/ma-script-writing/

The MA Script Writing is accredited by Skillset (further to the Department's accreditation as a Skillset Media Academy) and currently receives funding to support some student bursaries.

The programme is ideal if you already have some writing experience, but want to develop professional skills and expertise as screen or radio script writers.

Develop your writing and story ideas

It's geared towards developing each student's own writing and distinctive voice, to enable you to pitch for employment and production funding in a highly competitive industry. The programme will help you develop your own story ideas to end up with a second draft dialogue script as the major part of your portfolio. It's a very intensive course designed to take your writing as far and as fast as it's possible to go within twelve months. Only about twelve students are accepted each year.

There is no preferred medium (film, television or radio), genre or style. That is up to you. There tends to be a wide range of students in terms of age, background and writing experience. But it is not a programme for students who want to try writing, but for those who are committed to developing their writing skills.

You complete the programme with a feature film or equivalent television or radio script. You also gain knowledge of the film, television or radio industries and some of the contacts necessary to market your projects.

A supportive and stimulating environment

The teaching for the practice courses (long form script, short script and script editing) takes place in workshops in which students share their own work and comment on each others. The programme is designed to provide a supportive, stimulating and constructively critical environment for all students to do their very best work.

Once you have made your application, if you would like to find out more about what its like actually being on the MA, please email the programme convenor to arrange a visit to meet some of the current students.

Programme highlights include

-All scripts in the short script module receive a reading from professional actors. These scripts are also eligible for the Goldsmiths Short Script Competition, from which four are chosen for MA Filmmaking students’ final productions each year – and shown at BAFTA
-There is a mentorship scheme in place whereby students select and approach a mentor with the support of the programme convenor
-Specially invited industry speakers for the Olive Till memorial lecture each year. These have included Sir Alan Parker, the late Anthony Minghella, Michael Winterbottom, Gurinder Chadha, Danny Boyle, Stephen Frears, Paul Greengrass, Noel Clarke and Tim Bevan. Also there are visiting guest lecturer and masterclasses from Linda Aronson, Stewart Till, and others.

Contact the department

If you have specific questions about the degree, contact Julian Henriques.

Modules & Structure

A core course is designed to give you the skills and understanding required to develop your Treatment for a feature film or equivalent television or radio script. The course is taught mostly with workshops, in which you present and discuss your own work with other students in a supportive environment. There are also class exercises, lectures, screenings, master classes, seminars and individual tutorials.

Starting in the Spring Term, the course then develops your Treatment into a second draft feature script (or its equivalent).

You'll then be able to pick from a selection of option modules.

Assessment

You are assessed on your portfolio, which consists of your long form treatment and second draft feature script or equivalent, your 4,000-word Reflection essay on this script, linked to issues in Media and Culture and a radio script adapted from a source text. In addition, depending on your options, your portfolio could also include a 10-12 page short script or script-editing proposal and coverage. Other modules are assessed by 5-6,000-word essays.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

Read less

Show 10 15 30 per page



Cookie Policy    X