The radio and audio industry is changing; podcasting has led to an appetite for audio content across the globe, like never before. Telling stories in sound is an integral component of this course and you’ll engage with the crafting of radio programmes and podcasts in various production genres including drama, music radio, documentaries and features, while learning how this practice is contextualised both historically and theoretically.
You’ll be taught through a mixture of workshops, tutorials, lectures and seminars with full access to a range of studios, recording and editing equipment. You will also have the opportunity to broadcast on the MA managed radio station BIRSt.co.uk. Throughout the course you will engage with industry through guest speakers, station and events visits. You will develop in areas suited to your own strengths under the expert supervision of your tutors, and can even test your skills in industry, with the opportunity to take up a placement for three to four weeks if you wish. The course builds towards a final production project in which you will create a complete 30-minute programme to broadcast standard or a research-focused option is also available.
Radio Production is part of a larger framework of Media Production courses collaborating to explore cross-media storytelling in production. Graduating students from the course have gone on to enjoy successful careers in the radio and audio industry and within academia - some are leaders in their field.
The course creatively combines academic rigour with current industry know-how.
Navigate new adventures in sound on this award-winning, industry-accredited MA. Bring your existing knowledge and experience to analyse radio from a theoretical and practical perspective.
Radio has the potential to be transformative, to further the human experience. It’s a medium that creates a sense of intimacy while continually generating questions. This is a programme that empowers you to create something permanent, something with a life beyond your own – something only sound can achieve.
The MA poses questions about the influence of radio as a medium and the power it has to stir emotions, evoke feelings, and conjure vivid mental images. We look at the ways in which recording technologies can preserve and hold on to an aspect of our existence – be that a cultural exchange or an artistic communication – and how we can inspire future generations with the work we create.
The degree blends theory and practice so you’ll work within professional standard broadcast and post-production suites and use sound studios linked to a networked newsroom. We also have our own student radio station broadcasting online with an FM restricted service licence. As an MA Radio student you can also learn online production skills and publish sound-specific features on Londonmultimedianews.com
We adopt a reflective, humanitarian approach to storytelling because we think that to develop the creative imagination, we need to embrace all kinds of belief systems. It’s why our students go and spend time within communities, continue questioning, continue listening, and research everything from academic journals to novels.
We give you the space and time to consider how different strands of thought and aspects of communication intertwine. And we don’t get in the way of talent; we encourage and support it.
Come and develop your own idea of the sonic arts and create everything from investigative journalism to interactive soundscapes.
This degree is part of our School of Journalism. Find out more about what we do and other degrees we teach.
You work in practice and theory groups, and take modules that cover:
Throughout the year, the programme includes workshops and seminars by visiting professionals and artists in the radio journalism and radio drama fields. We are happy to support work experience placements in professional newsrooms and radio drama productions. The programme offers students the opportunity to learn Teeline shorthand, television recording techniques and online applications for radio.
We also encourage you to support the Goldsmiths student radio station Wired FM.
The MA is composed of the following modules:
Portfolio of recorded work; unseen examination; essay; 30-minute radio drama script.
Our graduates go on to work as broadcast journalists, creative programme makers, and foreign correspondents – and MA students are consistently winning significant awards for their work. For example in 2012, MA Radio students had considerable success in the Charles Parker student radio feature awards and the Broadcast Journalism Training Council (BJTC) Awards for Best Radio News Feature and Best Online News Website.
In 2013 MA Radio students took Gold and Silver in the Charles Parker awards, and in the 2015 BJTC awards all the awards for Best Radio Feature and Best Radio Documentary went to Goldsmiths radio students. Our MA Radio alumni are also winning awards in the UK and abroad for their professional work too.
Find out more about employability at Goldsmiths.
On this course, you’ll gain practical, theoretical and creative experience of sound engineering, music production and audio technology.
You’ll explore the design, manipulation and production of audio across many platforms, using our state-of-the-art audio-post recording, radio and TV studios to study a mix of sound engineering and theory modules.
The aim of the course is to develop the skills that you’ll need to create and deliver professional audio, whilst under pinning these skills with a sound theoretical background.
94% of our postgraduates go on to employment and/or further study within six months of graduating.DLHE 2009 and 2010
This course entails both practical based and theory modules. The modules are delivered in the recording studios, the audio technology suite, audio post production suite and lecture theatres.
MSc (one year full-time or up to three years part-time)
PgDip (nine months full-time or 18 months part-time)
MSc (16 months full-time)
PgDip (one year full-time or up to two years part-time)
Teaching and learning involves a mix of lectures and practical sound engineering work, involving individual and group learning, There is an emphasis on motivated students' self-study.
Assessment involves a mixture of practical work, report writing and project work. By the end of the course students will have built up a substantial portfolio of audio, video and new media work.
Assessment is approximately divided across the course as follows:
This degree is based in MediaCityUK,the new home for the BBC, ITV, Coronation Street and parts of the University of Salford. MediaCityUK is located at Salford Quays on the banks of Manchester's historic ship canal. The University has the first four floors of a new, purpose built facility that looks over the water to The Lowry theatre, Imperial War Museum North and the new Coronation Street set. ITV occupy the floors above us, with the three BBC buildings on one side of us and Peel Media Studios on the other.
A number of BBC departments are based at MediaCityUK, having moved from London, including BBC Breakfast, BBC Children's, BBC Radio 5 Live, BBC Future Media and Technology, BBC Learning, BBC Sport and BBC Academy. All of the BBC Manchester operations have also moved to MediaCityUK, including BBC Religion and Ethics, Current Affairs and the BBC Philharmonic.
Here is a summary of our relevant facilities at MediaCityUK:
On the main campus, we also have a Pro Tools equipped studio recording complex consisting of four control rooms and recording areas. Please see this brochure for more detailed information brochure.
The wide range of skills provided on this course will enhance your employability. Possible career paths include: audio manufacturer research and design, broadcast engineer in audio for radio or TV, audio and visual design and installation, education, interactive media and sonic arts.
Possible career paths include:
Staff have strong links with industry either through collaborative R&D projects with industry through the Acoustics Research Centre and our commercial test laboratories. Our research department is a Centre of Excellence for BBC Research.
Some students could go on to study a PhD at our world-class Acoustics Research Centre. We have been carrying out acoustics and audio research for over 30 years. Our research is funded by research councils, government bodies, and industry. It has fed into audio products that companies make and sell worldwide, as well as regulations and standards used in the UK, Europe and beyond. We are also involved in public engagement - getting more people aware of and interested in acoustic science and engineering.
Want to bring your sports knowledge to radio, the internet or television screens? Southampton Solent’s Sports Broadcast Journalism master’s degree is an advanced course designed to help bring you closer to a career working in video or audio production in the world of sport. Taught by industry professionals and academics, this is a challenging course where teaching is led by professional standards and industry practices.
On this advanced-level course, students learn how to source, gather and deliver professional sports content on numerous different video and audio platforms across a wide variety of sports. The course also encourages students to develop their editorial and technical skills and build relationships with external clients, whilst creating a portfolio of video, audio and academic material to showcase their abilities to potential employers.
With an increasing demand from sports audiences for innovative approaches to storytelling and high-quality production, broadcasters must constantly update their practices and utilise social media to research and promote their work. Understanding and adapting to changes within this fast-moving industry is core to the teaching on this master’s degree.
Regular ‘news days’, where students will need to respond, gather and produce stories for a same-day news and radio output, are built into the course programme to further increase students’ exposure to a realistic broadcast environment and prepare them for the deadlines and quick-thinking they’ll need to demonstrate to become a sports broadcaster. This element of the course is regarded by the Broadcast Journalism Training Council as good teaching practice.
Recent BA (Hons) Sports Journalism graduates gained full-time employment at Daily Mail Online, The Guardian, Sky Sports, BBC Local Radio, M&Y Media, Inside the Games, Southend United FC, plus a variety of Freelance Journalist roles. Some students have moved into Public Relations, with one in an Account Manager role that earns £50,000 straight out of university.
This course is well-suited to those with a sport or journalism background who wish to move into sports broadcasting across traditional and digital platforms.
The course content is ideal for students wishing to gain a deep understanding of the technical and practical aspects of broadcasting.
Students on this course have full access to the University’s industry-standard broadcast facilities, which include four television studios, eight radio studios and extensive editing and production facilities which are configured to industry standard. High definition camera equipment is also available to all video production students.
Students also have access to camera equipment and professional recording devices, plus radio and TV studios. Use of computers with Final Cut Pro X and Adobe Audition plus the use of normal Solent resources: library and IT centres.
Suitable roles for graduates include sports journalists or editors at TV stations, radio stations, productions companies or live TV units; newspaper or magazine content production; online presenter/producer; freelance broadcasting; public relations; digital and social media communications; crisis management.
Graduates would be advised to gain the Diploma in Journalism or National Qualification in Journalism which is offered by the National Centre for the Training of Journalists (NCTJ).
MPhil/PhD options are open to those wishing to pursue academic research and teaching.
The course team themselves are current industry professionals engaged in regular broadcast practice with television and radio channels such as Sky Sports, Sky Sports News, BT Sport, ITV, BBC, BBC Radio Solent.
The course also builds on Solent’s current relationships with professional and amateur sports clubs in the South, including Hampshire County Cricket Club, for whom the University is an official provider of video content, and Southampton Football Club. Previous students on our sports journalism courses have benefitted from guest lectures and workshops by industry speakers.
The MA course is new but the BA (Hons) Sports Journalism course is taught by lecturers who are all still working in the industry (Sky Sports, ITV, BT Sport, BBC Radio Solent) which means that getting high-profile guests in to talk is very easy. The guest lecturers have come down to do Q&A's, Mock Interviews, critique work and offer career advice.
Recent broadcast guests include: Sarah Gomme and Fred Dinenage (ITV Meridian); Tom Hepworth (BBC South Today); Nigel Dean (Sky Sports); Chris Eldergill (CNN World Sport); Jeff Freeman (IMG); Paul Belverstone (Premier League Productions)
Assignments in several units to suit the needs of their employers, including:
Half of the Professional Practice unit involves an extended work placement within the Broadcast Industry. The course has links with industry and will provide an extended work placement (up to 15 weeks) with a broadcaster. That's Solent is the first partner but there are also conversations happening with BT Sport, Eurosport and Perform. The placement will take place in Period Two of the course but will include one day of university work each week to attend Sports Broadcast Production.
There will be one assessment in Period 1 which will be on the lecture-based teaching and then a Period 2 assessment will be a reflection on their 15-week work placement.
Students are able to gain vital hands-on experience in relevant environments such as local or national television and radio stations.
The course is aligned with and has been written in consultation with the Broadcast Journalism Training Council (BJTC), who also accredit the University’s Sports Journalism undergraduate degree. BJTC partners include the BBC News, ITV News, Sky News, Reuters.
Got a passion for filmmaking? Want to improve your professional showreel and boost your employability? Southampton Solent’s MA Film Production programme is ideally suited to students who want to learn advanced filmmaking techniques, working in professional studios and collaborating with expert tutors on a range of projects.
This exciting course focuses on independent filmmaking and current practices in the film industry. Students will experiment with creative ideas from the outset, taking advantage of our industry-standard facilities, training and equipment.
Along the way students will be challenged to develop their own personal style of filmmaking, exploring new ideas and collaborating with other postgraduate students. Up-to-the-minute teaching and instruction help students to build on these skills and work towards their chosen career.
Students studying in the School of Media Arts and Technology benefit from a schedule of high calibre guest speakers and visiting fellows. Recent talks have been given by Anne V. Coates (Oscar winning editor), Paul Franklin (Oscar winner for visual effects on Inception), Brian Tufano (cinematographer on Trainspotting, Quadrophenia and Billy Elliot) and Sir Alan Parker (director of Fame, Evita, Bugsy Malone, The Commitments and Mississippi Burning).
Our graduates pursue a wide range of careers. Suitable roles for graduates include: production, journalism, marketing, teaching.
Solent’s MA Film Production is well-suited to those with a bachelor’s degree in a related subject, or those with extensive industry experience in advertising, marketing or design.
The course content is ideal for those wishing to learn advanced filmmaking techniques to enhance their existing role, or move into filmmaking.
Southampton Solent’s media academy offers a comprehensive media loans scheme, giving students free access to a range of modern filmmaking equipment including high-definition (HD) video cameras and DSLR full-frame cameras. Students are also able to access a wide range of top-quality lenses and lighting kits. Investment into 4K technology has already begun, giving students access to the latest professional standards. The media academy is also home to three green-screen studios, a large visual recording studio with capacity for 200 seated audience members and a range of industry standard post-production facilities.
Many past students are running their own production businesses, working as in-house practitioners or securing budgets for creative projects through crowd-funding. This course will help students prepare for careers in video production, post-production, directing, producing and cinematography.
We have well-established industry links with ITV, the BBC, Talent TV, Glastonbury and Creamfields, giving our students access to industry professionals and up-to-the-minute experience. Past students have worked on projects for B&Q, Fat Face, Ikea, Glastonbury, Cowes Week and Camp Bestival.
We also welcome regular guest lecturers from industry. Previous speakers have included directors Michael Apted and Alan Parker, producers Claire Lewis (7 Up) and Nik Powell (The Crying Game), cinematographer Brian Tufano (Trainspotting), editors Alex Mackie (CSI and Downton Abbey) and David Gamble (Shakespeare in Love) and television and radio presenter Zoë Ball.
We host key events for Southampton Film Week, which gives students the chance to meet and network with other industry professionals.
You’ll have the opportunity to gain work experience through our two production houses: Solent Productions and Solent Creatives, which work with a wide variety of clients and media organisations.
You could be involved in writing, researching and producing work, as well as in practical film production in the studio and on location.
Something happens when you add sound to an image. And filmmaking depends upon the strength of this relationship. Ultimately it’s what makes a film work – it’s what moves your audience.
MA in Filmmaking (Sound Recording, Post-Production & Design), is housed in a new purpose-built media facility equipped with state-of-the art teaching spaces including a film studio for sound shooting, Pro Tools suites, Audio Postproduction facilities with Foley recording studios, Avid Media Composer, screening rooms and an Avid ISIS SAN network linking all teaching spaces. The new Curzon cinema provides the department with digital projection along with its weekly programme of first-run films.
You'll learn the fundamental technical skills necessary to begin a career in screen sound, both as a location sound recordist and post-production sound designer. But equally importantly, you will gain an understanding of how a film’s narrative relies on the precise partnership between image and sound.
Within this MA programme you'll expand your existing knowledge of sound. Through recording and design you'll investigate what it means to listen with awareness and to translate that experience to your audience. And you'll study how sound is created, how you can manipulate its form, whether it’s natural, synthesised, digitised or analogue, and how to work with sound as a storytelling medium.
The Sound curriculum focuses on the structure of the soundtrack, deconstructing it from its beginnings in pre-production to the final mix, experimenting with the ways in which different components (dialogue, atmospheres, sound effects, music) allow an audience to engage with a film’s story. Through iterative exercises, group reviews and regular feedback, you gain the awareness and ability to construct soundtracks that interpret stories through sound.
As a sound specialist you work on one film each term, ending with a major production. You learn about related fields such as directing, editing, producing and documentary, and work with students across specialisms within Goldsmiths Screen School. As well as developing your awareness of the discipline and learning software such as Pro Tools, the Options modules provide the opportunity to learn the concepts and debates informing the wider filmmaking industry. This means you have the chance to explore your craft with other filmmakers and get used to the unique dynamics of the industry
You'll also benefit from guest lecturers who bring their professional expertise into our classrooms. Last year, specialist classes featured Oscar-winning sound recordist Ray Beckett (The Hurt Locker), film/TV sound editor Adele Fletcher (The Imaginarium of Doctor Parnassus) and composer Stuart Earl (The Secret Agent, Lilting).
In addition, MA Filmmaking students collaborate with composers and players from Goldsmiths’ Department of Music who offer a wide range of musical styles from classical to electronic to popular.
Pro Tools tuition is offered to all Sound Recording, Post-Production & Design pathway students giving you the opportunity to achieve Pro Tools Certified User accreditation.
This MA doesn’t just deal with technique and technology and it’s not about objective theory. We explore the space in between. Not only do we want you to acquire the skills and understanding to follow a career in professional filmmaking but also we prepare you to use your new-found expertise in the wider world of media and the arts.
You work in depth on at least one film per term in your specialist role, culminating in a major production towards the end of the degree. You will also lead and take part in a number of other sound-based and music-based projects in Screen Lab. This collaborative framework is designed to stimulate collaborative practice by providing you with a breadth of filmmaking knowledge combined with a high level of expertise in sound recording and design.
For two terms you will spend a full day a week in specialised contact with your specific programme convenor, plus a further day in Screen Lab working with colleagues across the programme in a Talent Campus-style project-led learning structure with:
You will also have a variety of research projects to undertake, as well as other module options.
The third term will be taken up with your final substantive project, and in writing up a process paper on your work and research over the year.
You will also advance your collaborative skills by working in teams with fiction and documentary producers and directors, edit, cinematography and music students, on a variety of projects and at least three scheduled films across the year.
You will leave the programme with a diverse portfolio of performed work that may span a variety of formats – music video, web series drama, documentary, campaign/commercial, experimental art pieces and feature-scale short fiction films.
Screen School options
As well as your Sound Recording, Post-Production & Design specialism, you will undertake three short courses to enhance your other skills and critical approaches.
The programme is a gateway to any career that involves sound, particularly those that concentrate on narrative storytelling. Our graduates go on to work in a range of fields from film, theatre, radio, and web design, to advertising, documentary, and animation.
Find out more about employability at Goldsmiths.