The MA in Queer History is a pioneering programme in one of the most exciting areas of historical enquiry, giving a voice to those who throughout much of history have been denied one.
This MA provides a comprehensive introduction to the themes and methods of Queer History as well as laying a solid foundation in general historical study. It offers a first-rate overview of important thought and methods from the fields of queer theory as well as the histories of gender and the body and sexuality.
This programme aims to historicise often binary categories, such as male/female, heterosexuality/homosexuality, active/passive, and uncover the processes through which these categories came to be seen as ‘natural’. It further pays close attention to questions of power, including how sexual orientation and race throughout history have often become interlinked in asymmetrical, oppressive ways.
Students conclude the programme with a 10,000 word dissertation on a topic of their own choice. The dissertation research is aided by access to the shared library and archival resources of the wider University of London and the city of London, one of the world’s queer capitals. Goldsmiths aims to build the Archive of Queer Life Histories and involve MA students in this process.
The emphasis of the MA is in the Early Modern and Modern periods. Both the Western invention of ‘homosexuality’ in the 1860s and the emancipatory movements, especially of the post-1969, post-Stonewall period, figure prominently.
You will take 3 core modules, as well as optional modules to the value of 60 credits.
The programme will build skills in data gathering and analysis as well as effective written and spoken communication to prepare students for jobs in diversity administration in private business, government, National Government Organisations, the education sector and legal professions.
As opposed to primarily theory-oriented subjects the programme will lay a solid empirical foundation in queer history, arguably the best possible basis for sexual diversity jobs.
This MA introduces you to recent debates on gender in the disciplines of sociology and media and communications studies, and to the interdisciplinary domains of feminist social and cultural theory.
Drawing on the internationally recognised and pioneering expertise of staff in the Department of Sociology and Department of Media and Communications, as well as the Centre for Feminist Research (CFR), the programme offers you the opportunity to develop cutting-edge critical skills in relation to cultural approaches to gender formation and gender theory.
As well as these theoretical and analytical points of orientation, the MA in Gender, Media and Culture aims to help you grasp the importance of epistemology and methodology for the evaluation of empirical investigations of gender formations.
The programme therefore introduces you to, and offers training in, the key socio-cultural methods for the study of gender in the contemporary world, including methods for the study of visual culture; the body and affect; and memory.
These two elements of the programme are brought together in a dissertation study, which involves tailored supervision in the application of research methods to a specific topic.
This programme relates to the following disciplines:
Core components of the programme will familiarise you with the wide range of debates integral to the fields of gender studies, feminist theory, and cultural studies. These include:
You complete one core module and one option module each term, as well as a dissertation module in the spring term. The first core module introduces key debates and developments in feminist theory, cultural theory and, in particular, feminist cultural theory. It introduces both early debates which defined these fields and contemporary developments and departures. More specifically, you will be introduced to social constructivist and post-structuralist perspectives, to ‘new materialism’, to debates on feminism and the critique of universalism; to key questions in relation to feminism and biology; to debates on psycho-analysis and the emergence of queer theory and its intersection with feminist theory.
The second core module examines the place of gender, affect and the body in feminist theory and feminist practice. The course offers you different angles on what has become known as “the affective turn,” placing a strong emphasis on the history of feminist contributions to the study of affect and emotion as well as the body. We ask how bodies are constructed, experienced and lived from a variety of feminist perspectives, attending to questions of corporeal difference, as well as the intimacy of bodies, spaces, objects and technologies. We also reflect on the significance of affect and the body for feminist and queer cultural practices, as well feminist and queer activisms. This module therefore offers instruction in some of the most cutting edge issues in contemporary feminist theory. A team of leading feminist scholars based in the departments of Sociology and Media Communications at Goldsmiths teach this module on the basis of their research specialisms.
There will be a series of dissertation workshops to help you plan and develop your dissertation, especially in regard to issues of methodology and method. Each student will be assigned a supervisor who will work with you to develop your proposal and undertake independent research.
You have 60 credits at your disposal, you can choose any 30 credit modules related to gender from postgraduate modules across the University. You can choose either a regular option (30 credits) or two ‘mini-options’ (2 x 15 credits).
For your other options, you can choose modules from either the Department of Sociology or the Department of Media and Communications as they co-convene the programme. You can also choose from the following departments across Goldsmiths:
Please note that not all modules are suitable for students from all academic backgrounds; you will discuss your choices with the Programme Convenor at the start of your degree.
Assessment consists of coursework, extended essays, reports, presentations, practice based projects or essays/logs, group projects, reflective essays, and seen and unseen written examinations.
Graduates from this programme gain conceptual and methodological knowledge of the key concepts and debates in the study of gender and culture; the skills of critical analysis; the ability to distinguish and appraise a range of socio-cultural research methodologies; the skills to design and develop a research project; and the ability to recognise and account for sensitive ethical issues relating to research and representation.
The two core courses provide you with the necessary skills to understand the relationships between early debates in the fields of gender studies, feminist theory and feminist cultural theory, and the ability to critically engage with new developments in these fields. Furthermore, you will gain a critical appreciation of the role and place of the body and affect in the development of feminist cultural theory and gender theory, and the challenges that contemporary socio-cultural changes bring to the theorisation of the body.
Previous graduates have embarked on professional careers in social research, think tanks, the arts and cultural sectors, government and public administration, development, human rights, NGOs, and in media and communications globally. They have also progressed to PhD study.
Find out more about employability at Goldsmiths.
Critical Methodologies is a unique interdisciplinary taught course focused on the study and applications of critical theory.
Students get to explore some of the major modern schools of thought and contemporary theories and practices of interpretation, from Formalism and Structuralism through Barthes and textuality to queer theory, psychoanalysis and feminism, and materialist and postcolonial theories. The course also gives students the opportunity to follow their own interests from a wide range of optional modules across humanities and social sciences, all of which draw on the varied and lively research culture of King's in these fields.
Leads to careers in universities, the media, arts, teaching and journalism.
Our interdisciplinary course in Critical Methodology is built around a required module in critical theory. This will introduce you to the main debates in current critical theory through the exploration of a series of key texts. It explores theories and practices of reading, from Formalism and Structuralism through Barthes and textuality to queer theory, psychoanalysis, materialist and postcolonial theories. In addition to this required module, you will be able to choose from a list of modules linked to critical theory in a range of subjects. You will investigate and write a dissertation on a topic that links the required module to the material of one or more of your optional modules. This course is ideally suited to you if you have a humanities degree and are looking to prepare for PhD study, or if you want to pursue a career in teaching, journalism, the media and the arts.
For students with arts & humanities degrees who wish to further their knowledge of critical theory and its practice across a range of fields and/or to prepare for PhD study. To develop a knowledge of the broad implications of critical theory, and the skills of interpretation and analysis in relation to specific fields of study.
If you are a full-time student, we will provide six hours of teaching each week through lectures and seminars, and we will expect you to undertake around 34 hours of independent study.
If you are a part-time student, we will provide two to four hours of teaching through lectures and seminars each week, and we will expect you to undertake between 16 and 18 hours of independent study.
For your dissertation, we will provide a further six hours of supervision.
We assess the majority of our modules through coursework, typically a 4,000-5,000-word essay for every 20 credits. We will assess your dissertation through an oral presentation (10%) and a 12,000-word essay.
Communication and Media Studies at Lancaster is ranked first in The Times and the Sunday Times Good University Guide Subject Rankings, 2016. This degree provides students with the theoretical and methodological grounding they need to carry out independent research in media and cultural studies.
The course introduces you to the key texts, debates and thinkers in media and cultural studies, ranging from the work of classical cultural theorists through to contemporary writing on new media, globalised culture, science and technology studies, and queer theory.
You will be encouraged to reflect critically on the role of popular media in structuring our everyday lives. The course examines the role of media in reproducing, disseminating and challenging hegemonic power relations, as well as thinking through the ways in which gender, sexuality and ‘race’ are constructed in global media cultures.
This is not a vocational or practice-based degree. However, it is a degree that will teach you skills in critical thinking, independent research, and analysis highly relevant for development and innovation in the cultural and media sectors.
You will study a range of modules as part of your course, some examples of which are listed below.
◾Critical Methods in Media and Cultural Studies
◾Critical Debates in Media and Cultural Studies
◾Women's Studies Research Project
◾Feminist Media and Cultural Studies
◾Debates in Gender Research
◾Gender, Sex and Bodies
◾Gender and Violence
◾Capitalism and Crisis
◾Environment and Culture
◾The Social Life of Science and Technology: Theories and Debates
◾Social and Cultural Theory
◾Research Projects in Practice: From Design to Dissemination
◾Contemporary Debates in Sociology
◾Methods in Science and Technology Studies
◾Mobilities, Society & Change
Contemporary culture is characterised by nothing if not a reawakened interest in the Gothic, be that in the form of the current vogue for horror film, in the heightened preoccupation with terror and monstrosity in the media, the extraordinary success of writers such as Stephen King and Stephenie Meyer, or in manifestations of an alternative Gothic impulse in fashion, music and lifestyle.
As the countless adaptations and retellings of texts such as Mary Shelley’s Frankenstein (1818; 1831) and Bram Stoker’s Dracula (1897) in our own day attest, the Gothic, though once relegated to a dark corner of literary history, has assumed a position of considerable cultural prominence.
The MLitt in The Gothic Imagination at the University of Stirling provides students with the unique opportunity to steep themselves in the scholarly appreciation of this mode, providing a rigorous and intensive historical survey of its literary origins and developments, and charting its dispersal across a broad range of media and national contexts. In so doing, the course equips its graduates with the necessary theoretical vocabulary to address, and critically reflect upon, the Gothic as a complex and multi-faceted cultural phenomenon, while also preparing them for further postgraduate research in the rich and vibrant field of Gothic Studies. In addition to these subject-specific objectives, the MLitt in The Gothic Imagination also provides its graduates with several invaluable transferable skills, including critical thinking, theoretical conceptualisation, historical periodization and independent research.
- Degree type: MLitt, Postgraduate Diploma, Postgraduate Certificate
- Study methods: Part-time, Full-time
- Duration: Full-time; MLitt-12 months, Part-time: MLitt-27 months,
- Start date: September
- Course Director: Dr Timothy Jones
- The MLitt in the Gothic Imagination consists of four core modules, two option modules, and a dissertation. Across these components, the course aims to provide students with a rigorous grounding in the work and thematic preoccupations of the most influential Gothic writers, both historical and contemporary. Supplemented by relevant historical and theoretical material throughout, the course aims to provide as rich and varied an exposure to the academic study of the Gothic as possible.
- The first two core modules seek to provide a searching historical overview of the genesis and development of the Gothic aesthetic, taking students systematically from the circulation of the term ‘Gothic’ in the political and aesthetic discourses of the late seventeeth and eighteenth centuries, through the late eighteenth-century writings of Horace Walpole, Ann Radcliffe, Matthew Lewis and Charlotte Dacre, and into the nineteenth-century fictions of writers such as Charles Maturin, Mary Shelley, Charles Dickens, the Brontës, Sheridan Le Fanu, Robert Louis Stevenson, Bram Stoker and Oscar Wilde.
- The second and third core modules, on Gothic in modern, modernist and postmodern writing, include texts by authors such as Gaston Leroux, Algernon Blackwood, H.P. Lovecraft, Djuna Barnes; Mervyn Peake, Shirley Jackson, Stephen King, Anne Rice, Joyce Carol Oates, Toni Morrison and Patrick McGrath.
- Option modules vary from year to year, depending on student interest and demand. Recent option topics have included the Gothic on the Romantic Stage; Nineteenth-century American Gothic; Transmutations of the Vampire; The Gothic in Children’s Literature; Monstrosity; The Female Gothic; Queer Gothic; and Gothic in/and Modern Horror Cinema.
- At the dissertation stage, students are encouraged to undertake independent, supervised research on any particular interest within Gothic studies that they might wish to pursue. Subject to the agreement of the course director, a creative writing dissertation may be undertaken at this stage.
If English is not your first language you must have one of the following qualifications as evidence of your English language skills:
- IELTS: 6.0 with 5.5 minimum in each skill
- Cambridge Certificate of Proficiency in English (CPE): Grade C
- Cambridge Certificate of Advanced English (CAE): Grade C
- Pearson Test of English (Academic): 54 with 51 in each component
- IBT TOEFL: 80 with no subtest less than 17
For more information go to English language requirements https://www.stir.ac.uk/study-in-the-uk/entry-requirements/english/
If you don’t meet the required score you may be able to register for one of our pre-sessional English courses. To register you must hold a conditional offer for your course and have an IELTS score 0.5 or 1.0 below the required standard. View the range of pre-sessional courses http://www.intohigher.com/uk/en-gb/our-centres/into-university-of-stirling/studying/our-courses/course-list/pre-sessional-english.aspx .
Two hours of seminars per module per week, plus individual consultations and supervisions with members of staff. Assessment is by means of a 4,000-word essay for each core module, and a variety of skills-based assessments (such as presentations; portfolios; blog-entries) for optional modules. All students complete a 15,000-word dissertation on a topic of their choice once optional and core modules have been completed.
With course-work assessed solely by means of independently devised, researched and executed essays, the MLitt in The Gothic Imagination equips students with a number of the skills and abilities that are prized and actively sought after by employers across the private and public sectors. These include the ability to process and reflect critically upon cultural forms; the ability to organise, present and express ideas clearly and logically; the ability to understand complex theoretical ideas; and the ability to undertake extended independent research.
Previous graduates of the course have gone on to pursue successful careers in such fields as teaching, publishing, research, academia, advertising, journalism and the film industry.
The 15,000-word dissertation that is submitted towards the end of the course allows students to devise, develop, support and defend their own academic ideas across an extended piece of written work; addition to the skills of independence, organisation and expression fostered by this exercise, the dissertation also provides an excellent point of entry into more advanced forms of postgraduate research, including the Doctoral degree.
The MA in Gender, Sexuality and Culture is a highly interdisciplinary programme that will:
This approach is unique within the UK as it brings together scholars who offer options in a range of academic disciplines, including English and American Studies, Art History or Visual Culture, History, Modern Language, Religions and Theology, History of Medicine, Sociology, Social Anthropology, and others. The research culture of the University of Manchester is unusually rich for the study of gender and sexuality, and many departments with offerings in this area are ranked 5 or 5*. Based in the Centre for the Study of Sexuality and Culture, graduate students can take advantage of the stimulating research environment with regular seminar series such as Gender, Sexuality and Culture: New Exchanges and conferences.
Students from all academic backgrounds are invited to apply.
Students may take a range of options across the humanities and social sciences.
Practical support and advice for current students and applicants is available from the Disability Advisory and Support Service. Email: [email protected]
Students in our programme have gone on to take up a diverse range of careers in both the public and private sectors. Some have gone on to pursue postgraduate research, and several have taken up jobs as teachers.
The MA in Contemporary Art Theory is for those with a special interest in contemporary art, and an aptitude for theoretical work in the subject.
The programme offers a challenging and advanced scheme of study, which explores a range of theoretical perspectives that shape attitudes towards visual art in the late 20th/early 21st centuries.
Invigorated by current research, the programme encourages you to explore conceptually and creatively the ways in which contemporary artistic practice and critical theory interrelate. It aims to expand your knowledge of contemporary artistic developments as well as to deepen your understanding of the interdisciplinary nature of academic discourses on visual culture.
The programme draws variously upon the fields of performance studies, art history, philosophy, museology, queer theory, post-colonial studies and cultural studies in addressing the critical challenges posed by artistic practice.
The programme comprises a non-assessed introductory module, the Core Module (comprising 4 blocks that thematically vary from year to year and of which students choose 2), and four assessed components: two Special Subjects, the MA Symposium and the MA Dissertation. Students also attend the Visual Cultures Public Programme of lectures and other events. You have the option of auditing another special subject should you wish to do so, subject to availability and in agreement with the course tutor.
The taught part of the programme runs from the end of September to the end of March, with additional guest lectures or workshops in May and June. It offers a framework to help you focus and develop your own understanding of contemporary art practice and its wider cultural significance. It is designed to develop your understanding of a range of critical and theoretical approaches that inform the heterogeneous field of visual art production whilst, at the same time, enabling you to identify and prepare the area of independent research you will carry out in your dissertation project.
Thematic pathways through the MA will be offered on a yearly basis. These will connect the annually changing themes of the core courses with the annual roster of special subjects. In any specific year three themes will be operative. They may include Global Arts; Sound; Politics and Aesthetics; Performance and Live Art; Critical Thought.
Full-time students attend on Thursday and one other day each week (determined by the choice of special subject); part-time students attend on one day each week in the first year and on Thursday in the second year.
Visual Cultures assessment are 100% coursework. Normally this consists of essays, sometimes accompanied by creative projects, group projects, multi-media projects, presentations, symposia, reviews, and studio work.
Many of our MA students have gone on to MPhil/PhD study, not only in art history and visual cultures, but also in related fields such as philosophy, cultural studies and literature. Careers obtained by recent graduates include: artist, curator/collections manager, journal editor, lecturers, researcher, and roles in TV and production, public relations, and rights and marketing.
Find out more about employability at Goldsmiths.