• University of Derby Online Learning Featured Masters Courses
  • Xi’an Jiaotong-Liverpool University Featured Masters Courses
  • University of Glasgow Featured Masters Courses
  • St Mary’s University, Twickenham Featured Masters Courses
  • New College of the Humanities Featured Masters Courses
  • Goldsmiths, University of London Featured Masters Courses
  • Cardiff University Featured Masters Courses
  • Coventry University Featured Masters Courses
King’s College London Featured Masters Courses
University of Reading Featured Masters Courses
Institute for Advanced Architecture of Catalonia Featured Masters Courses
Leeds Beckett University Featured Masters Courses
Northumbria University Featured Masters Courses
"pop"×
0 miles

Masters Degrees (Pop)

  • "pop" ×
  • clear all
Showing 1 to 15 of 23
Order by 
Our MA in International Film Business aims to train the next generation of innovative executives for the international film industry. Read more
Our MA in International Film Business aims to train the next generation of innovative executives for the international film industry. We will teach you about film finance and sales, distribution and marketing, creative management and development, digital strategy and festival curation and programming.

You will learn about the impact technology is having on the industry and gain insider access to a range of events including the Berlin Film Festival and European Film Market.

The London Film School is a world leading postgraduate filmmaking school and you will have the opportunity to access their extensive expertise, attend master-classes and industry events organised by the school as well as the opportunity to benefit from working with an industry mentor as part of the dissertation.

As you might expect from a ground breaking programme of study, assessment will be more than just essays. Instead you will give presentations, pitch ideas, and take on negotiation exercises. During your first term at the University of Exeter you will design, promote, and deliver a pop-up cinema event in the Bill Douglas Cinema Museum.

If you’re serious about pursuing a career in the film business this MA will give you the chance to develop the key business skills and networks you will need, and benefit from mentoring by leading UK and European industry professionals.

Learning and teaching

As an MA International Film Business student you will have access to the world-renowned expertise of the London Film School and the academic excellence and research resources of the University of Exeter.

Your first term will be taught by leading film and business academics at Exeter where you will undertake a global survey of international film production, distribution and exhibition strategies and trends, and study business strategy, accounting and finance, intellectual property and entertainment economics. You will have the opportunity to examine innovative business models and the rapidly changing digital landscape of independent film.

At the London Film School you will take part in talks, master classes and question and answer sessions with film makers, as a graduate of the MA you will have access to the knowledge and contacts few programmes can offer their alumni. You’ll study the entertainment value chain through seminars delivered by London Film School staff and industry professionals, and a further series of intensive full-day seminars exploring film business innovation.

While there is no requirement to make a film as part of the MA, you can take the initiative in the second and third term to work independently, outside of the programme, with other LFS students who are studying on the MA screenwriting or filmmaking.

Field trip

In your second term you will take part in our field trip to the Berlin International Film Festival, including access to the European Film Market, which is a business to business event not open to the public.

The Berlinale takes place in February and is one of the world's oldest and most important international film festivals. About 400 films from all around the world are screened each year at the festival, most of which are international or European premieres.

As well as the excitement of premieres and the films in competition, the Berlinale is an important place for film industry executives to do business. The Berlinale hosts both the European Film Market and the International co-production market, where around 400 companies are represented. The festival also organises a variety of workshops, panel discussions and film programmes.

Read less
Study film and screen cultures while immersing yourself in the creative culture of London at film festivals, studios, galleries and pop-up cinemas. Read more

Summary

Study film and screen cultures while immersing yourself in the creative culture of London at film festivals, studios, galleries and pop-up cinemas. Our MA combines the study of mainstream and experimental film, contemporary television and the video-essay form, and includes the option to produce either a written or audio-visual dissertation.

This cutting-edge MA offers the opportunity for advanced studies in television and new media. Taught by leading figures in the field, the course allows you to engage with the most up-to-date research and to explore new approaches to audio-visual scholarship.

The programme includes first-hand engagement with cultural institutions across the city. Building on our links with festivals, studios, cinemas and galleries, this MA is not only about studying film theory but also about immersing yourself in the wealth of screen-related events and institutions the capital has to offer. In recent years, our students have been on trips to the London Film Festival, the British Film Institute, the Scalarama Cult Film Festival, the British Artists' Film & Video Study Collection, and the Tate Modern.

As a student you will also become a member of the Centre for Research in Film and Audiovisual Cultures (CRFAC) which means you will be able to engage with new and emerging research by attending a range of guest talks, conferences, media masterclasses and research seminars led by industry professionals. In recent years students have attended an exclusive preview of comedian and producer Omid Djalili’s film We Are Many, and gained advice on how to be a success in the filmmaking industry from BBC producer and director Jonathan Taylor, and the producer of Woody Allen’s Vicky Cristina Barcelona, Gareth Wiley.

Our alumni go on to have successful careers in film and media. Here is what a few are doing after studying Film at Roehampton.
•Dominic Buchanan (Producer, including Gimme the Loot and Lilting)
•Lyle Lindgren (Director, including a commercial shoot for Breaking Bad)
•Shane O'Sullivan (owns distribution company, E2 Films)
•Christina Mankellow (film editor at Market Me)
•Simon Brand (channel co-ordinator at ABS Broadcast)

Content

You’ll develop your independent critical thinking by engaging in the programme’s four main areas:

•Screen Cultures of London
In a series of visits to festivals, studios, cinemas and galleries, you will gain first hand engagement with cultural institutions across London.

•Cult and Quality Television
You will interrogate the dynamic role of television within the shifting media landscape, focusing on contemporary US television drama.

•Essay Films and Video Essays
You will combine history, theory and practice, be introduced to the Essay Film form and be equipped with the necessary skills to make your own video essays.

•Transnational Cinemas from the Multiplex to the Web
You will undertake an in-depth examination of contemporary cinema through a global lens, taking in a variety of international films from big budget spectacles through to online films and mash-ups.

You will also choose between an academic dissertation and an audio-visual dissertation. The academic dissertation gives you the opportunity to deepen your research skills and knowledge about a topic of particular interest to you. The audio-visual dissertation will provide the opportunity to undertake an innovative combination of theory and practice through the production of an extended audio-visual essay alongside a written critical reflection.

Read less
The Secondary PGCE ‘Musicians in Education’ is a collaboration between Trinity Laban Conservatoire of Music and Dance and the University of Greenwich. Read more
The Secondary PGCE ‘Musicians in Education’ is a collaboration between Trinity Laban Conservatoire of Music and Dance and the University of Greenwich. It combines our expertise as one of the country’s leading conservatoires with a long tradition of teacher education at the University of Greenwich. The aim of the programme is simple: to prepare flexible and creative musicians who are confident working across a range of educational contexts. In addition to working in and qualifying for the formal school context, you will develop the skills to lead young people in making music in other settings too.

Visit the website: http://www.trinitylaban.ac.uk/study/music/pgce-musicians-in-education

Programme Content

Training is provided through collaboration between Trinity Laban (16 days) and the University of Greenwich (44 days), and is underpinned by significant placement learning opportunities within the schools sector (120 days, of which 10 are placements in alternative contexts with Trinity Laban's partners). These elements will enable you to develop the knowledge, understanding and skills required to teach in secondary schools, and you will be formally assessed against the national statutory requirements for Qualified Teacher Status.

In addition to practical teaching experience gained in two main schools, the partnership between Trinity Laban and the University enables you to gain training and teaching experience outside of classroom settings, for example in instrumental/vocal teaching for a Music Hub, school Musical Futures or community rock/pop projects, or leading orchestral outreach projects. As part of a collaborative team you will also design, coordinate and lead a two-day immersive creative composition project in a school.

In support of this work, you will be able to undertake instrumental/vocal lessons with Trinity Laban's outstanding teachers and will also be mentored by subject specialist teachers from whom you will receive daily feedback and guidance.

Progression Routes

By gaining Qualified Teacher Status you become a qualified teacher for both the maintained and independent sectors. The majority of our graduates become secondary music teachers. However, there are other opportunities, such as working for local authority music services in instrumental teaching or curriculum support. Some students use the skills they have developed to pursue a career as freelance workshop musicians.

PERFORMANCE AND PRACTICE FACILITIES

- 100-seat Peacock Room
- 100-seat Theatre Studio, with sprung dance floor
- Elegant Stuart & Mackerras Rooms for chamber music
- 80+ practice rooms
- Dedicated suites for Brass, Composition, Early Music, Harp Jazz and Percussion

THE FACULTY OF MUSIC

Located within the beautiful Wren-designed King Charles Court at the Old Royal Naval College, Trinity Laban richly deserves its international reputation as one of the premier institutions in the United Kingdom for the study of music.

The Faculty of Music is celebrated for its fine facilities, which include state-of-the-art practice rooms equipped with superb pianos, the outstanding Jerwood Library of the Performing Arts and the magnificent concert halls in nearby Blackheath.

We have long been acknowledged for fostering and promoting a caring and supportive environment in which our students can flourish and we are particularly proud of the high profile of our professorial staff, who work as acclaimed soloists or belong to top London orchestras and opera companies.

The beautiful site set alongside the River Thames and Greenwich Park, the highly distinguished and talented professorial staff and our innovative and comprehensive course provision make Trinity Laban's Faculty of Music the natural choice for all who seek the best in professional music performance training.

How to apply

Applications for the PGCE 'Musicians in Education' should be made to the University of Greenwich via the Graduate Teacher Training Registry (GTTR) website: https://www.ucas.com/ucas/teacher-training

All enquiries regarding the course should be directed to The University of Greenwich: http://www2.gre.ac.uk/
Tel. 0800 005 006

Read less
The Middlesex PGCE Secondary Music course is one year full-time. It equips you to inspire pupils through the use of engaging interactive workshops, lectures and structured debates. Read more
The Middlesex PGCE Secondary Music course is one year full-time. It equips you to inspire pupils through the use of engaging interactive workshops, lectures and structured debates. You receive personal attention through regular tutor visits to school placements and individual tutorials. Schools are carefully selected to suit individuals and expose them to imaginative and thought provoking teaching and learning strategies.

The course aims to prepare you for the teaching profession. It will:

Enable you to develop knowledge and understanding of pupils and their learning
Develop your expertise in highly specialised professional skills in a context where you'll need to exercise initiative and take personal responsibility for decision making in complex and unpredictable situations
Equip you with the pedagogic knowledge, understanding and skills to teach effectively across the 11-16 age range
Develop your knowledge and understanding of the Secondary Music curriculum
Enable you to understand, critically evaluate and respond to the needs of children in multicultural, multilingual and multifaith settings and schools in an international, urban environment.


Five workshop/seminar programmes seek to develop and broaden your previous experience:

Practice and Content in Music Education
Music Technology in the Music Curriculum
Stylistic Diversity in the Music Curriculum
Process and Progression in Music Education
Music and the Whole Curriculum
The focus is on developing effective practice in the classroom within the context of the National Curriculum. Content includes the role of the electronic keyboard and computers and MIDI in music education. Your subject knowledge is broadened to include jazz and pop and world music. You will study the place of curriculum music in relation to other arts and the broader society and instrumental teaching.

We have a full range of specialist music and teaching facilities on-site and the course includes specialist mentors from our partner schools.

Two thirds (120 days) of the PGCE Secondary Music course will be on placement. We have excellent relationships with schools in north London, Essex and Hertfordshire and many of our graduates go on to work in their first teaching job at the schools where they had a placement.

In 2012, the secondary teacher training programmes at Middlesex were rated Good with Outstanding Features (by Ofsted), an excellent result for a large and diverse provider of teacher training.

Read less
The Popular Music Performance course is designed to address the practical, academic and professional needs of contemporary musicians, and welcomes students from all genres. Read more
The Popular Music Performance course is designed to address the practical, academic and professional needs of contemporary musicians, and welcomes students from all genres.

Our postgraduate music performance courses offer substantial one-to-one instrumental tuition, with recitalists of international renown. They comprise fascinating and engaging modules that support and extend your practical musicianship and academic skills.

London College of Music's (LCM) regular Composition Workshops and Masterclasses offer great opportunities to learn new skills and network with students from other postgraduate courses. You can also benefit from being part of the vibrant LCM community with regular performance opportunities at LCM Sessions gigs, hosted by Popular Music students, and are encouraged to join in with musical activities throughout the LCM. The college runs several large ensembles including Pop and Gospel Choir, LCM Sinfonia, LCM Big Band, LCM Choir, and LCM Glee Choir, which students are able to participate in.

Course detail

This course provides specialist training for drummers, vocalists, guitarists, bassists and keyboard players that reflects the needs of today’s music industry.

The course is taught by postgraduate tutors from the London College of Music, all of whom are active professional musicians of the highest standard.

It combines technical and stylistic performance tuition through one-to-one lessons, as well as group sessions with other students from across the postgraduate community, to ensure an enhanced learning experience and the opportunity to network with like-minded artists.

The course runs throughout each calendar year.

Modules

• Performance Portfolio
• Ensemble and Music Direction Skills
• Critical Perspectives
• Research Methods
• Dissertation or Project.
Plus one option from:
• Studio Recording Project
• L Music Pedagogy.
Plus one option from:
• Performing in the Studio
• Live Event Management.

Format

You will have the opportunity to develop your technical and creative performance skills through a programme of one-to-one tuition supported by group-based lectures, seminars and workshops.

There is also an exciting masterclass programme which provides students with the opportunity to engage with leading practitioners from across all areas of the music industry - performance, production and songwriting.

Career and study progression

Graduates will likely pursue a career as a professional performing musician.

The degree might lead to further academic study, including DMus or MPhil/ PhD.

How to apply

Click the following link for information on how to apply to this course: http://www.uwl.ac.uk/students/postgraduate/how-apply

Scholarships and bursaries

Information about scholarships and bursaries can be found here: http://www.uwl.ac.uk/students/postgraduate/scholarships-and-bursaries

Read less
Few words are as evocative and intriguing as ‘Celtic’, bringing to mind the intricacies of Bronze Age jewellery, the massive structures of Stonehenge and Newgrange, the legends of Arthur and Cú Chulainn and the Bardic craft of medieval kings and princes. Read more
Few words are as evocative and intriguing as ‘Celtic’, bringing to mind the intricacies of Bronze Age jewellery, the massive structures of Stonehenge and Newgrange, the legends of Arthur and Cú Chulainn and the Bardic craft of medieval kings and princes. But ‘Celtic’ is also about the Renaissance, the Enlightenment and the New World; Romanticism, Revolution and the struggles for survival in modernity of languages, literatures and entire national identities.

This new course from Bangor University gives students the opportunity and ability to sift fact and fiction, and to answer in detail the question:

‘Who were – and who are – the Celts?’

Over a single academic year, modules will be taught by experts in the Schools of Welsh, History, and Music, focusing on literature, archaeology, religion, mythology, antiquarianism, art history and music, to explore the culture and identity of the Celtic peoples from the hillforts of prehistory to the devolved and independent parliaments of today.

Students on the course will also be guided as they perform their own research towards a Master’s thesis on a topic of their choice.

All instruction is available through English or Welsh, and comprehensive ESOL support is available where necessary.

Major issues covered on the MA ‘Y Celtiaid – The Celts’ include:

Do ‘The Celts’ actually exist, and if so, who and what are they? How can we discuss such questions, with what methodology and with what evidence?
How has the word itself (‘Celt’, ‘Keltoi’, etc.) been used through the centuries, from Classical historians to modern pop musicians?
What are the strengths and weaknesses of ‘Celtomania’ and ‘Celtoscepticism’? How has the concept of the ‘Celt’ has been discovered and discarded in various fields such as Literature, Archaeology, Linguistics, Music, Religion?
How did nineteenth-century Continental scholars contribute to the creation of the ‘Celt’?
How do and how did the Celtic-speaking peoples negotiate their own identities? What do the medieval texts (Laws, Legends, Court Poetry, Saints’ Lives) and archaeological findings tell us, and what does recent history have to say?
What are the main sources of evidence for the histories and identities of the ‘Celtic’ peoples (i.e. those speaking Celtic languages in the modern period)? How do we use these sources? Can Arthur and Cú Chulainn tell us anything useful?
How have the ethnic and national identities of the modern ‘Celts’ been represented and negotiated with reference to this concept of the ‘Celtic’?
What has been – and what is – the political and ideological relevance of the ‘Celt’?
With issues such as these in mind, the MA ‘Y Celtiaid – The Celts’ is designed to develop participants’ skills through a scheme of specialist advanced study. An important objective is to provide participants with relevant analytical training, so that they are familiar with the latest theoretical and practical developments relating to Celtic Studies. On completing this course, students will have a solid grounding in the main methods and sources of the discipline, and will also have developed widely-transferrable skills which will be of clear relevance to a broad range of careers.

Read less
Transactional analysis is often associated with its pop psychology image of the hippy era – but since the ‘sixties it has continued to develop as a profession and is now practised worldwide and in many contexts. Read more
Transactional analysis is often associated with its pop psychology image of the hippy era – but since the ‘sixties it has continued to develop as a profession and is now practised worldwide and in many contexts. This programme concentrates on developmental applications, relating to individual, group and organisational contexts rather than the original focus on psychotherapy. It is suitable, therefore, for professionals such as consultants, educators, coaches, counsellors, managers – anyone with responsibility for the development of others (rather than ‘cure’).

The training is rigorous, with 4-5 years being a typical time frame to obtain international accreditation, so sits well alongside postgraduate qualifications. It is also work-based, with the requirement to demonstrate competent application of TA in the development of others, so we use a series of portfolio submissions based on your professional interventions, with no need for artificial projects to be set up.

Our modules relate to professional areas of practice, so for the first level thsese are Professional Intervention, Core Themes of TA, Individual Development, Interactions & Relationships, Group Processes and Organisations & Institutions. After that, the focus shifts to the context, to practitioner skills such as facilitating, learning, etc, process skills and research awareness. The final MSc level requires implementation of a research-based case study typical of your professional practice.

Our programmes are recognized for accreditation by the international TA associations. They can also be linked to accreditation by the European Mentoring & Coaching Council (EMCC) at Practitioner or Masters Practitioner level; and to the Chartered Management Institute (CMI) and the Institute of Leadership & Management (ILM).

More details of the various TA qualifications, and how this programme fits, can be seen at http://www.pifcic.org

Faculty

Our faculty comprises internationally-accredited experts within the TA community, who have wide experience of applying TA professionally in many different contexts. Refer to our prospectus via the link above for further details.

Flexible Study to suit your Lifestyle

The programme is offered via webinars that allow interaction with tutors and with other participants, supplemented with occasional workshops arranged in various countries to suit demand. We have some national groups where students come together to attend the webinars. There are also options to attend regular workshops with our faculty in the UK, Netherlands, New Zealand and Romania, and in other countries through our non-faculty international TA colleagues.

Read less
A ground-breaking new MA delivered in partnership with the BFI to prepare students to build successful careers in film exhibition, programming, criticism or archival work. Read more
A ground-breaking new MA delivered in partnership with the BFI to prepare students to build successful careers in film exhibition, programming, criticism or archival work.

‘I wholeheartedly support courses like the NFTS Film Studies MA. Finding and developing talented individuals who can programme unforgettable content is priceless.’ - Efe Cakarel, Founder, MUBI

-The course is delivered in partnership with the BFI (the leading body for film in the UK) who will also provide hands-on placement opportunities across a range of curatorial and critical activities.
-The course is delivered by film professionals in film exhibition and distribution, festivals, archives and film criticism, alongside academics and film makers
-Students on the course will attend film festivals.
-Students learn how to conceptualise film work in terms of idea, form and style, as well as understanding the relationship between film and audience.
-Students will learn about the practicalities of film exhibition, distribution and preservation in the changing digital landscape.
-Students will study the practice of film criticism and comment, including reviewing and critical writing about films, filmmakers and the broader culture.
-Students have the opportunity to mount festivals, pop up screenings and other events.
-Access to NFTS's Masterclasses led by major creative figures from film, television and games.

We welcome EU/EEA Students. Those accepted onto courses starting in 2018 will have their fees guaranteed at the UK rate for both years of the course. Postgraduate students can apply for a loan to help with their studies via the Student Loans Company Loans. A £ 10,000 loan is available to contribute to course and living costs. The Post Graduate Loan is only open to EU/EEA and UK Students who normally live in England. It is not currently available to Scottish, Welsh or Northern Ireland Students. Find out more here: https://nfts.co.uk/fees-funding

COURSE OVERVIEW

This course commences at the end of January each year.

The National Film and Television School’s Film Studies Programming and Curation Masters delivered in partnership with the BFI is designed for students who wish to make a career in the wider film and media culture, whether in the fields of curation, exhibition, criticism, archives, preservation or restoration. The course provides a detailed understanding of the concepts, contexts and critical thought that have shaped the production and reception of film as a basis for engagement with rapidly changing contemporary film and moving image culture. A rigorous academic framework is combined with real world applications enabling each student to develop their own skills, knowledge and understanding to provide a strong basis for a career in film and media.

The philosophy of this course is to give students a theoretical, historical and critical understanding of film, which they will apply practically in the fields of film curating and programming, distribution and archiving.

With all the resources of the National Film and Television School available to them, students on this Master’s programme benefit from working alongside a new generation of filmmakers, encouraging creative dialogue between makers and curators/critics.

'NFTS curating students are so full of energy and passion. I'm full of admiration for the NFTS which nurtures the talent that will build a future for film exhibition and filmmaking.' - Clare Binns, Director of Programming & Acquisitions, Picturehouse Cinemas Ltd

Read less
The fashion industry has become an important actor in world social and economic development. Yet too often fashion communications have been analyzed exclusively from the point of view of the Western fashion system—or simply been dismissed as superficial or irrelevant. Read more
The fashion industry has become an important actor in world social and economic development. Yet too often fashion communications have been analyzed exclusively from the point of view of the Western fashion system—or simply been dismissed as superficial or irrelevant.

The optional fashion track within the Master of Arts in Global Communications (MAGC) addresses this misperception. It offers courses taught by theorists of fashion and professionals in the field. Students get the chance to explore the many facets of fashion communications.

From traditional to cutting-edge

The specialized fashion track of MAGC provides an in-depth background applicable to careers in traditional fashion communications, as well as in several expanding and cutting-edge aspects of the industry including:
-The marketing of global luxury brands.
-The rise of ethical fashion, such as cause-related marketing, Labor Behind the Label, and sustainable consumption.
-NGO fashion and textile production for sustainable development.
-Cultural implications of globalized fashion.
-The digital revolution in fashion journalism and marketing including blogs and websites.
-Fashion centers and cities worldwide.

Students take introductory background courses which provide theories and models to prepare them for study of specific fashion issues in modules. These modules are taught by visiting professionals and researchers, top in their fields.

This specialized knowledge will be supplemented by and integrated with courses for the Master of Arts in Global Communications.

Structure of the specialized track

As in the regular MA in Global Communications program, coursework can be completed in three semesters, including the summer. The length of the internship or thesis may vary, however—many students choose to take additional time for these components. The program requirements for the MAGC Fashion Track are as follows:
-Four core courses (16 credits)
-Four fashion modules (8 credits)
-Two courses out of a list of seven core options (8 credits)
-Two electives chosen from any of the Global communications graduate course offerings (8 credits)
-Final project: thesis or internship (8 credits)

Core courses focus on the fundamentals of global communications—and particularly how they relate to the fashion industry and fashion theory. Modules include such specialized topics as Asian Fashion Communication, Applied Design Thinking for Sustainability, and Paris Style, An Emerging Designer Pop-up Store, among many others. You also have a choice of practicums in sustainable development, NGOs, or Branding and courses in PR and journalism.

Coursework and Research Masters

The MA in in Global Communications, Fashion Track is a 48 credit Coursework and Research Masters that can be completed in one calendar year. Coursework and Research Masters at AUP open up international horizons and enable career-transition through an extensive range of classes blending theory and practice. You will develop precision in your problem-solving skills through challenging hands-on modules and choice of an internship or a personalized research project.

Read less
A pathway degree combines specialisation with flexibility. It is suited both to those of you who are beginning a journey towards a PhD in a particular field, and to those of you who wish to further develop undergraduate or personal interests. Read more
A pathway degree combines specialisation with flexibility. It is suited both to those of you who are beginning a journey towards a PhD in a particular field, and to those of you who wish to further develop undergraduate or personal interests. The pathways have emerged from clusters of excellence and expertise in the Department and relate directly to our Research Schools of Architectural History and Theory, British Art, Medieval Art and Medievalisms, Modern and Contemporary and Sculpture Studies. We therefore have concentrations of staff working in these areas, and related lectures, colloquia and site visits taking place.

The Modern and Contemporary Art pathway

If you select the Modern and Contemporary Art pathway you could choose options focusing on a wide range of works ranging from painting, sculpture and architecture, to photography, installation, performance and contemporary works engaging with new media and the digital. You will study works of art from geographically diverse regions, from the international rise of ‘pop art’ across the globe from the 1960s, to the arts of the Americas, and art from west and east Europe from the early twentieth century to the present day. As well you will be introduced to a range of formal, methodological and theoretical ways of thinking, writing and talking about the work of art in this period.

In order to complete the degree, at least two of your four option modules and your dissertation must be completed in Modern and Contemporary Art. Beyond this, the programme structure provides the flexibility for you to either specialise entirely in Modern and Contemporary Art, or to select up to two of your option modules from art history modules outside the field, or from modules offered by other humanities departments and interdisciplinary centres. Training will be offered in both general and pathway-specific research skills, which will prepare you for the development of a sustained independent research project for your dissertation, on which you will work closely with an academic supervisor who is expert in the field.

Degree Structure

Taken full-time, the one-year MA in History of Art (Modern and Contemporary Art) consists of:
-Autumn and Spring Terms: A core module focusing on Research Skills and Methods in History of Art, including pathway-specific sessions.
-Autumn Term: Two taught modules of your choice; an option is always offered on historiographical and theoretical approaches to art history.
-Spring Term: Two further modules of your choice.
-Summer Term and vacation: A dissertation of 15,000-20,000 words.

Taken part-time over two years, you would do one option in each of the Autumn and Spring terms, and work on your dissertation during the Summer terms and summer vacation.

Each option is taught by weekly two-hour seminars and assessement is in the form of a 4,000 word essay. Field-trips to view art and architecture are included in the programme, as appropriate.

The Research Skills and Methods in History of Art module, which is taught on a fortnightly basis across the Autumn and Spring Term, culminates in the production of a dissertation synopsis, on which the module is assessed.

The programme culminates in the production of a 15,000-20,000 dissertation, produced under the supervision of a member of staff. The work accounts for 50% of the final degree mark.

Read less
On this exciting and challenging music course, you will have the opportunity to follow one of four specialist pathways. Composition (C). Read more
On this exciting and challenging music course, you will have the opportunity to follow one of four specialist pathways:

• Composition (C)
• Performance (P)
• Critical Musicology (CM)
• Interactive Music and Advanced Studio Production (IMASP).

If you are keen to broaden your musical knowledge, you can also combine your specialist pathway with other pathways.

Key benefits:

• Taught by professional practitioners at all stages of your study
• Compete for a variety of prizes including the Kirklees Composition Competition
• Gain a breadth of professional musical experience.

Visit the website: http://www.salford.ac.uk/pgt-courses/music2

Suitable for

A musician and/or musicologist wishing to further develop their skills and expertise to an enhanced professional level. You will typically have a good honours degree in music or a related subject and/or evidence of industry/professional practice experience.

Programme details

Our postgraduate degrees in music stand apart from similar courses due to the breadth of musical genres that they will expose you to. From rock and pop, to classical, jazz, electronic and other world styles, each genre is given equal precedence, and you will have a great opportunity to learn from each tradition.

During your time with us, you will also have the opportunity to collaborate on projects with other students and you will learn from academics who are all practicing professional musicians at national and international levels.

Format

The course is delivered by way of lectures, seminars, masterclasses, supervision tutorials/instrumental lessons

Semester 1

• Composition, Performance and the Musical Text (Plenary)
• Composition Techniques (C)
• Individual Performance (P)
• Critical and Theoretical Positions (CM)
• Advanced Studio Composition and Production Techniques (IMASP)

Semester 2

• Applied Composition Techniques (C)
• Group Interaction in Performance (P)
• Subject Specific Evaluation (CM)
• Interactive and Emergent Music Programming Techniques (IMASP)
• Ethnomusicology Theories and Techniques (Option)
• Community Music Theories and Techniques (Option)

Semester 3

• Negotiated Final Project

Assessment

• Examination
• Coursework folio

Career potential

After completing the MA in Music people will find their professional skills to be considerably enhanced. We have found that this has enhanced career prospects in Music Education (Teachers/Lecturers), Arts Administration and as freelance Performers and Composers.

How to apply: http://www.salford.ac.uk/study/postgraduate/applying

Read less
The interdisciplinary MA in Film and Literature at the University of York examines the lively and symbiotic traffic between written words and cinematic images (through adaptation, borrowing, versioning, negotiation, appropriation, transmediation, analogy, equivalence, resistance, pastiche, collision). Read more
The interdisciplinary MA in Film and Literature at the University of York examines the lively and symbiotic traffic between written words and cinematic images (through adaptation, borrowing, versioning, negotiation, appropriation, transmediation, analogy, equivalence, resistance, pastiche, collision).

It combines trenchant academic enquiry with passionately committed teaching, recent cinematic releases with early silent cinema, pop culture with high culture, theoretical questions with practical ones, blockbuster with poetry, mainstream with avant-garde, institutional studies with formal aesthetic analysis. And it allows students to determine the particular film/literature balance of the degree according to their own preferences.

Film and Literature both asks what is particular to the narrative codes and presentational conventions of cinema (as opposed to various literary forms) and also pits questions of medium-specificity against shared narrative, interpretive and socio-cultural histories. Through ranging cinematic, literary and theoretical illustration, it examines the ways in which the circulation of ideas between these two influential modes of expression can be more varied, more interesting and sometimes more surreptitious than conventional studies simply of ‘adaptation’ might imply.

Overall, it:
-Enables nuanced and sophisticated case-studies of mainstream literary adaptations for the screen (from classic novels, popular fiction, play texts, Shakespeare, real life news stories and more).
-Innovatively extends academic enquiry into other forms of influence, exchange and response between print and cinematic media (which includes the study of novels, poetry, journalism, reviews, plays, filmscripts, contracts, film censors’ reports and more).
-Roots all films in their broader cultural, historical, industrial, technological and aesthetic contexts.

Assessment

-Four assessed essays of approximately 4,500 words each
-A 14,000-16,000 word dissertation, written in consultation with a supervisor on an agreed topic

Careers

We have an excellent employment record for our postgraduates who are highly prized by top level employers, both in the UK and on the international stage. A combination of outstanding teaching and a supportive collegiate environment enable our students to develop their creativity, intellectual independence and ability to filter complex information and present it persuasively in person and in writing. These are important transferable skills which will always hold their value at the top end of the jobs market.

Read less
In 2015 we were awarded the Queen's Anniversary Prize for ‘world-leading work to promote, produce and present contemporary music to an international audience'. Read more
In 2015 we were awarded the Queen's Anniversary Prize for ‘world-leading work to promote, produce and present contemporary music to an international audience'. This represents one of the most coveted distinctions in UK Higher Education.

You will join a thriving community of postgraduate musicians receiving regular individual tuition from staff who are recognised nationally and internationally in their chosen specialisms, and by a team of part-time instrumental and vocal teachers from regional and national orchestras, many of whom are distinguished solo performers.

There are many opportunities to take part in directed ensembles, amongst which are the Symphony Orchestra, Chamber Orchestra, Big Band, Symphonic Wind Orchestra, Brass Band, Choir, Chamber Choir, Opera Group, New Music Ensemble, Early Music Ensemble, Folk Group, Samba Band, South Asian Arts Ensemble, Blues Group, Improvisation Group, and A Cappella Choir, as well as various chamber music ensembles.

You will also have many opportunities to experience and perform music, including weekly student concerts, and recitals and masterclasses. Recent guests include Emma Kirkby (voice), Martin Roscoe (piano), Wissam Boustany (flute), Jah Wobble (pop ensembles), Lore Lixenberg (voice), John Scott Whiteley (organ), Snake Davis (saxophone), The Clerks, Ensemble 360.

You will be based in the Creative Arts Building with its purpose-built facilities with access to the well-resourced Music Library, and be able to experience recent developments in new music at first hand at the Huddersfield Contemporary Music Festival based at the University.

Read less
MA Curatorial Practise focuses on curating as a contemporary practice, bringing together history, theory and practice. We ask what is it that makes the role of the curator distinct, and how do we understand the essentials of curating, when it has become such a buzzword. Read more
MA Curatorial Practise focuses on curating as a contemporary practice, bringing together history, theory and practice. We ask what is it that makes the role of the curator distinct, and how do we understand the essentials of curating, when it has become such a buzzword.

The course embraces contemporary curating in historic and collection-based settings as well as contemporary venues, digital, ‘pop-up’ and site specific contexts. It is delivered by experts in the field and working curators.

The course covers a wide range of curatorial approaches, from management of historical collections to creative curating of cutting edge contemporary art, craft and design. Our students come from a wide variety of backgrounds; we challenge you to develop your interests, while understanding what you share with others across our discipline. Engagement and understanding audiences are central to curatorial practice.

COURSE STRUCTURE AND CONTENT

If you're studying the course full-time you will study two modules per trimester, alternatively part-time students will study one per trimester.

MODULES

Research Methodologies will introduce the generic research methodologies and the ways subject specific material, analysis and evaluation techniques can be a vehicle for personal study.

In The Role of the Curator we consider the politics of curating, real-world issues and discuss the changing role of the curator.

Collections and Collecting considers the nature of collecting and the influence of collecting on curatorial practice.

Reaching Audiences allows you to present or study a live project to a real audience.

The Master's Project is an assessment that can include a dissertation, the study of historical or archival case studies, curating an exhibition or project in a venue, or forms of digital production.

For detailed information on each of the modules go to: https://www.bathspa.ac.uk/courses/pg-curatorial-practice/

TEACHING METHODS

We adopt a practice-led approach; while some sessions are delivered by our academics, others are delivered by our collaborators and relate to particular case studies or collections. You’ll be taught in seminars, complemented with field visits to key venues facilitated by lead curators.

ASSESSMENT METHODS

Project based work can be developed and assessed as part of the course. Real life projects can be pursued in response to assessment assignments, especially in relation to the final 'Master's Project' double module.

CAREER OPPORTUNITIES

Recent graduates have found work in: .

• Curatorial work in museums and galleries
• Galleries/Arts administration
• Self-employed freelance curatorial work and consultancy
• Publishing and media work
• Education, gallery and museum learning and teaching
• General project management outside the visual arts and museums
• Critical writing
• Academic study and teaching

Read less
This course will suit highly motivated individuals who want to develop fashion marketing and business skills to either work within the fashion industry, explore new ideas to set up their own business or extend family enterprises. Read more

OVERVIEW

This course will suit highly motivated individuals who want to develop fashion marketing and business skills to either work within the fashion industry, explore new ideas to set up their own business or extend family enterprises. Previous experience in allied industries such as advertising will be of a particular advantage.

WHY CHOOSE THIS COURSE?

Our location offers a fantastic opportunity to explore the world of fashion, from up-and-coming designers and their pop-up shops, to global trend laboratories, leading high street names and luxury fashion brands. On campus, you can take advantage of our fashion studio equipped with the latest design software.

MODULES

• Marketing in a Global Age
• Trend Prediction and Fashion Forecasting
• International Fashion Marketing
• Fashion and Brand Management
• Buying and Merchandising in a Changing Global Industry
• Buyer Behaviour
• Retail and Service Marketing
• Business and Management Research Methods
• Fashion Marketing and Communication in a Global Context
• London Fashion Live Project

Project options
• Internship
• Consulting Project
• Entrepreneurship Project
• Simulation
• Dissertation

ACCREDITATION

Upon successful completion of the programme and selected modules you will be awarded the CMI Level 7 Certificate in Strategic Management and Leadership*.

*Subject to registering as a CMI member

SCHOLARSHIP OPPORTUNITIES

Coventry University London is delighted to have recently launched a number of scholarships to UK and International students. You can find out more about our Scholarships by viewing our website.

START DATES

MSc International Fashion Marketing has start dates in October 2017.

FUTURE PROSPECTS

“I really appreciated the range of work experience options which were available and I would highly recommend an internship module. It helped me bring together everything I had learned and combine it with real-world practices. I am currently pursuing a career in the media and entertainment industry and cannot wait to see what the future holds.” - Samantha Johnson, Germany

Read less

Show 10 15 30 per page



Cookie Policy    X