• Northumbria University Featured Masters Courses
  • University of Bristol Featured Masters Courses
  • Aberystwyth University Featured Masters Courses
  • Swansea University Featured Masters Courses
  • University of Derby Online Learning Featured Masters Courses
  • University of Surrey Featured Masters Courses
  • Jacobs University Bremen gGmbH Featured Masters Courses
  • University of Edinburgh Featured Masters Courses
University of London Featured Masters Courses
Buckinghamshire New University Featured Masters Courses
University College London Featured Masters Courses
University of Kent Featured Masters Courses
Plymouth Marjon University (St Mark & St John) Featured Masters Courses
"playwright"×
0 miles

Masters Degrees (Playwright)

We have 18 Masters Degrees (Playwright)

  • "playwright" ×
  • clear all
Showing 1 to 15 of 18
Order by 
Develop as a playwright by learning with professional and award-winning dramatists. On our MA Playwriting you produce a varied portfolio of dramatic works, culminating in a full-length original play, which will enable you to hone and develop your own unique voice. Read more
Develop as a playwright by learning with professional and award-winning dramatists. On our MA Playwriting you produce a varied portfolio of dramatic works, culminating in a full-length original play, which will enable you to hone and develop your own unique voice.

At Essex, we believe that the joint engagement of practice and theory produces a deep understanding of how drama works. We combine critical study of dramatic texts with practical workshops, so that you nurture your understanding of the playwright’s craft in order to produce your own new work.

Our course focuses on the range of possibilities that exist for contemporary drama, with an emphasis on British and Irish drama, and you also explore topics including:
-The principles of dramatic structure and scene construction (dialogue, the construction of plot, the development of character, development of themes, and the structure of scenes)
-Techniques for working as a playwright with youth and community groups
-The origins and possibilities of poetic theatre and verse drama
-Options for poetic practice or novel-writing
-Radio drama

At the end of the course your work will be rehearsed and given a public performance in the Lakeside Theatre at our Colchester Campus. Your dissertation gives you the chance to write a full-length play with one-to-one supervision from an award-winning playwright tutor.

We are ranked Top 10 in the UK (Guardian University Guide 2015), and three-quarters of our research is rated ‘world-leading’ or ‘internationally excellent’ (REF 2014).

Our expert staff

Our academic tutors tutors include:
-Professor Jonathan Lichtenstein is a playwright who has written for Radio 4 and the National Theatre. His awards include a Fringe First at the Edinburgh Festival and his plays have been performed internationally.
-Elizabeth Kuti is also a playwright. She has won the Susan Smith Blackburn Prize and the Stewart Parker Radio Award; and has been commissioned by the National Theatre; the Abbey Theatre, Dublin; and BBC radio. She also writes and researches in the field of eighteenth-century theatre.
-Liam Jarvis is Artistic Director of Analogue Theatre and a playwright and theatre practitioner. He also writes and publishes widely on contemporary theatre theory and practice.
-Annie Eddington and Barbara Peirson have professional specialisms in Theatre-in-Education, directing, theatre and human rights. Other staff members bring expertise in acting, producing and technical theatre.

We also invite professional playwrights and other theatre practitioners to provide you with specialist master classes. Recent class leaders have included Max Stafford-Clark, David Eldridge, Paul Sirett, Lisa Goldman, David Thacker, Mike Attenborough, Annie Castledine, Bobby Baker, Robert Holman, Tony Casement, and Gari Jones.

Specialist facilities

-Our on-campus Lakeside Theatre is a major venue for drama, staging productions by professional touring companies and new work written, produced and directed by our own staff and students
-Our Student Company runs weekly practical workshops, enabling drama enthusiasts to get involved in both front-of-house and behind the scenes
-Our Research Laboratory allows you to collaborate with professionals, improvising and experimenting with new work as it develops
Access the University’s Media Centre, equipped with state-of-the-art studios, cameras, audio and lighting equipment, and an industry-standard editing suite
-Write for our student newspaper The Rabbit or host a Red Radio show
-View classic films at weekly film screenings in our dedicated 120-seat film theatre
-Hear writers talk about their craft and learn from leading specialists at weekly research seminars

Your future

This course will be of interest to those who wish to pursue a career in many areas of the arts, creative writing and media.

A number of our Department of Literature, Film, and Theatre Studies graduates have gone on to undertake successful careers as scholars, university lecturers, teachers, publishers, publishers’ editors, journalists, arts administrators, theatre artistic directors, drama advisers, and translators.

We also offer supervision for PhD, MPhil and MA by dissertation in different literatures and various approaches to literature, covering most aspects of early modern and modern writing in English, plus a number of other languages.

Our University is one of only 11 AHRC-accredited Doctoral Training Centres in the UK. This means that we offer funded PhD studentships which also provide a range of research and training opportunities.

We work with our Employability and Careers Centre to help you find out about further work experience, internships, placements, and voluntary opportunities.

Read less
Led by a professional playwright, this unique programme focuses on the practical exploration of the theory and craft of writing for performance. Read more

Led by a professional playwright, this unique programme focuses on the practical exploration of the theory and craft of writing for performance. It explores how a script is written to be interpreted by the key creative artists in theatre and how that script plays out in space and time in front of an audience.

Through seminars, tutorials, workshops and professional master classes (led by some of Europe’s leading playwrights and theatre artists), you will develop an understanding of live performance theory, self-motivation and the focus necessary to work as an independent artist within the theatre industry.

Edinburgh has a buzzing theatre scene and the programme draws on this to culminate in a public, professional reading of your work in progress at the Edinburgh Festival Fringe.

Programme structure

The programme will be taught through a combination of seminars, workshops, independent study, one-to-one supervision and professional master classes. There will also be regular theatre visits.

A central component of the programme will be development workshops with professional actors and established directors, focusing on your own work. You will also work with the performing artists-in-residence, who will offer workshops in each semester. Over two semesters you will take three compulsory courses and one option course.

On completion of these courses, you will produce a major piece of performance writing, supported by one-to-one supervision and development workshops, to be given a professional reading at the end of the programme.

Compulsory courses:

  • The Craft of the Playwright I
  • The Craft of the Playwright II
  • Time and Space of Performance

Option courses may include:

  • Theatre, Performance, Performativity
  • Cinema Auteurs 2
  • Shakespearean Sexualities
  • Theatre, Performance and Performativity
  • Shakespeare Adapted

Learning outcomes

Students who successfully complete this programme will:

  • be introduced to and become skilled in a range of applied methods for the development and structuring of dramatic script for live performance
  • develop a knowledge and understanding of writing for different kinds of performance contexts from the single-authored play to devised work
  • develop a knowledge and understanding of the theory, methodology and practice of writing different genres from tragedy and comedy to political theatre
  • develop self-motivation and the focus necessary to work as an independent artist within the theatre industry
  • develop their critical skills as readers of their own and others’ work and as creators and consumers of live performance
  • develop a familiarity with the professional development and production processes of live performance and how these impact on the making of script

Career opportunities

This highly practical programme allows you to forge valuable links within Edinburgh’s performing arts community. You may choose to use the research skills you have developed to pursue advanced study, or seek a role within the theatrical field.

The transferable skills you gain from your studies, such as communication, research and project management will be valuable to your career development whatever path you choose.



Read less
This highly distinctive MA course, run as a partnership between Birkbeck and RADA, brings together cutting-edge practice and scholarship in theatre and performance. Read more
This highly distinctive MA course, run as a partnership between Birkbeck and RADA, brings together cutting-edge practice and scholarship in theatre and performance. Join us and you will work with both Birkbeck's experts in theatre and performance studies and RADA's faculty and visiting theatre practitioners to experience both making and studying theatre. This course does not offer actor training, but will deepen your critical and practical understanding of theatre and performance practices in context and leads to a prestigious postgraduate qualification from the University of London.

What our students say

'Since finishing the MA course, I have worked on projects as a writer, director, and teacher - this is largely thanks to the way this course nurtures you as both artist and academic and helps you develop a diverse skill set.'

'Perhaps the best 2 years of my life.'

'The MA course allowed me to change my career path and gave me the skills and confidence to launch myself into an arts career.'

'The course helped to refine my approach as a theatre practitioner, while widening my scope for theatrical discourse and inspiration to create work. It encourages the intertwining of the creative and the academic, resulting in thought provoking and unique theatre. Most importantly, the course taught me to risk, to dare to create something new, to have an opinion and express it through my art.'

'Mature students can give at least as much and get as much out of this course as young people and taking the risk to do it was one of the best decisions I have ever made.'

Why study this course at Birkbeck?

Arts and humanities courses at Birkbeck are ranked third best in London and 11th in the UK in the Times Higher Education 2015-16 World University Subject Rankings.
Taking the dramatic text as a critical starting point, our course encompasses drama from the early modern period to the contemporary.
In the rehearsal room, you will create new theatre and performance work responding to set texts and themes. You will also engage with performance techniques to develop your skills as a playwright, director and dramaturg.
In academic lectures and seminars, you will encounter theoretical, historical, critical and philosophical writings. You will theorise live performance and write about the ways in which new performance work is informed by both contemporary concerns and older theatrical traditions and legacies.
In the final dissertation project, you will exercise your own creative voice as a director, dramaturg, playwright or scholar.
Student projects are tutored by a combination of faculty and visiting artists. In 2015-16, visiting artist tutors included A.C. Smith, David Slater, Karen Christopher, Peader Kirk and Rachel Mars.
We also offer informal, unassessed creative enhancement opportunities: RADA’s TheatreVision initiative, which brings together students from the MA Text and Performance and the MA Theatre Lab to explore writing for theatre; Birkbeck’s Centre for Contemporary Theatre runs a postgraduate reading group and offers opportunities to show work in progress as part of the School of Arts summer festival Arts Week.
RADA and Birkbeck are just 3 minutes' walk apart so you will study in a campus-style environment. Our close proximity also allows us to draw on the rich range of resources available across both institutions, including: studio space; technical support for group and individual presentations; RADA’s excellent library of playtexts and theatre and performance literature; and Birkbeck’s world-class research resources in the arts and humanities.
The course incorporates visits to London theatre and both institutions are well placed for you to access the extraordinary array of theatre available in London.
The renowned British Library is also located nearby.

Read less
Delve into the world of the London playwright on a postgraduate degree that gives you the opportunity to write and perform a staged reading of a full-length play. Read more

Delve into the world of the London playwright on a postgraduate degree that gives you the opportunity to write and perform a staged reading of a full-length play.

Why study Playwriting?

Playwriting gives you the space, time and support needed to write your first full-length play. The Degree delves into the world of the playwright – reading and watching live theatre in London, investigating the fringe and new writing ‘scene’.

This Master's programme also offers a range of practical exercises to challenge and inspire you before writing your own final piece.

Why St Mary's?

Drama St Mary’s offers a range Drama training programmes at both undergraduate and postgraduate levels. Our courses aim to offer the very best academic and practical instruction, underpinned by a supportive university environment. The programmes are taught by an experienced team of academics and a collection of professional visiting practitioners.

London is the theatre capital of the world, allowing you to benefit from a diverse variety of theatre and art. The degree expands on our established links with London theatre venues and organisations, giving you the most relevant and up-to-date training.

Drama St Mary's also offers Master's degrees in Theatre Directing (in collaboration with the Orange Tree Theatre) and London Theatre.

Requirements, fees and funding

Please check our website for more information about entry requirements, tuition fees and student funding.

Career opportunities

Drama St Mary’s graduates have gone on to work in a range of related arts industries. Our courses prepare students to find consistent, professional work in their chosen field.

The module The Business of Playwriting aims to introduce students to a range of new writing networks as well as look closely at funding for projects, commissions, publishing and being a writer every day.



Read less
This highly successful programme offers specialist pathways in . Playwriting.  and . Dramaturgy. We concentrate on the process of writing for live performance, together with an ongoing evaluation of the work in process. Read more

This highly successful programme offers specialist pathways in Playwriting and Dramaturgy. We concentrate on the process of writing for live performance, together with an ongoing evaluation of the work in process. Through practice and reflection, we enable you to establish a distinctive, individual approach as both a writer and dramaturge. Projects include site-specific work, writing for a specific audience, verbatim theatre and interdisciplinary collaboration.

We support the development of texts for performance, alongside intellectual understanding of the diverse forms and contexts in which live performance can be made and the writer/dramaturge’s role in this. We examine texts from a wide range of periods and cultures. We engage with work that is innovative, or which challenges established notions of practice.

Opportunities to collaborate

Dramaturgs and playwrights study side by side, and examine creative and dramaturgical issues from various perspectives as writers, spectators and creative collaborators. There are opportunities to collaborate on an Interdisciplinary Project with MA Performance Makers and composers from the Department of Music. Final project texts, performed and directed by industry professionals, are presented at the Soho Theatre in London, attended by key industry representatives. Graduates are highly successful in obtaining commissions, dramaturgy posts and artistic directorships. Recent successes include:

  • Tena Štivičić (Three Winters National Theatre 2015)
  • Finn Kennedy (Artistic Director, Tamasha Theatre Company 2015)
  • Melissa Bubnic (Beached at Soho Theatre 2015)

All students receive Professional Orientation and support towards career development.

Modules & structure

Autumn term 

All students take the Writing Projects module: you will work on three diverse, short playwriting projects. Each addresses particular generic issues that relate to writing for live performance, and you will engage with the specific challenges and demands of differing circumstances of text development and production. These will vary from year to year, but they are likely to be selected from the following:

  • Theatre as Event – site-specific performance
  • Authenticity and Live Performance – verbatim theatre
  • Writing for Specific Audiences – children’s/young person’s theatre project
  • Creative Collaboration – multimedia collaboration with MA Performance Making and Studio Composition students from the Department of Music

You will also take the Dramaturgy module, which has two main elements: analysis of dramatic text (these will include classics and modern classics, as well as new plays); and analysis of live performance seen by the group (including some visual, environmental or non-text-based work). During the module you will assemble a portfolio of critical analyses and creative writing projects for assessment.

You will also take one contextual module alongside students from other Masters programmes, to be selected from a list of options that will vary from session to session.

Spring term 

You will develop your work on Dramaturgy with the term-long practical workshop module Creative Intervention in Text. This will examine: translation; adaptation of work from other media for live performance; and the re-writing and/or adaptation of extant plays; planning and curating seasons of performance work. You will assemble a portfolio of creative projects for assessment.

You also start work on your Final Project the personal Dissertation-equivalent project that will be the core of your work for the next six months). Weekly seminars and workshops will examine themes relevant to the range of projects chosen, and a first draft or outline will be produced. Each project will be the focus of individual tutorials, and then a class workshop led by a guest dramaturg, director or playwright as appropriate. You will then plan the next phase of the research or development of your project.

You also take another option from the list of contextual modules shared with students from other Masters programmes.

Summer term 

You will present the second draft of your project for another phase of tutorials and group workshops.

Playwriting projects will then be prepared for some form of public rehearsed reading or scratch performance, in extract form – with the writers involved in all aspects of the work.

Dramaturgy projects will be given practical support of an appropriate, equivalent kind. You will further develop your work, with tutorials and workshops and public presentation of work as appropriate, before writing and submitting the finished project.

Throughout the year, various seminars and workshops will examine diverse issues that affect writers today, and these will be led by visiting professionals as appropriate.

Assessment

We deploy a range of assessment approaches, each appropriate to the module taken. Students taking Writing Projects will submit three short playtexts for assessment. Dramaturgy is assessed by a portfolio of analytic reviews, and Creative Intervention in Text by a series of short creative writing projects and writing exercises. Each of the contextual option modules is assessed by a 4,000 word essay. Final Project leads to the production of a playtext (Playwriting), or a Dissertation or equivalent practical project (Dramaturgy). 

Careers

Numerous playwrights completing this programme receive high-level professional development opportunities, commissions, awards and full-scale productions of their work at major new writing centres in the UK, USA and in continental Europe. Many also work for at least part of the time in the fields of script development (for theatre and television), and in theatre publication.

Recent playwriting alumni include:

  • Ben Musgrave, whose Pretend You Have Big Buildings won the Bruntwood Prize (2006) and received a main house production at the Royal Exchange Theatre, Manchester
  • Allia V Oswald, whose Dirty Water won the Alfred Fagon Award (2007) and was given a rehearsed reading at the Royal Court Theatre
  • Adam Brace, whose play Stovepipe was a High Tide Festival winner (2008), and was staged recently by the National Theatre and published by Faber

In each of these cases the award-winning play was the writer’s Final Project from this programme.

Dramaturgy alumni work in professional literary management for mainstream and fringe building-based companies, as well as on freelance script development programmes in the UK and internationally. These include:

  • David Lane, who now has an extremely busy career as a freelance dramaturg, teacher and playwright
  • Francesca Malfrin, who is currently developing translation projects of Italian plays with a range of agencies, including the National Theatre Studio


Read less
Aspiring playwright? Teacher, director, actor or theatre enthusiast who wants to gain experience of writing for dramatic performance? This course is for those who want hands-on opportunities to develop their playwriting skills, knowledge and awareness. Read more

Aspiring playwright? Teacher, director, actor or theatre enthusiast who wants to gain experience of writing for dramatic performance? This course is for those who want hands-on opportunities to develop their playwriting skills, knowledge and awareness. You'll develop your own plays across different forms and styles, from monologues and single-authored plays to the writing of experimental dramaturgies for live art and collaborative or devised projects.

Since we think writers learn best from writers, you'll be taught by experienced playwrights and academics. Recently the course has been taught by award-winning playwright Tanika Gupta and we've had visits from Simon Stephens, April de Angelis, Roy Williams, Dennis Kelly, Linda McLean and Duncan Macmillan amongst others. As you let established voices push you to be more ambitious and creative in your writing, you'll also explore your own voices and style. You'll explore how dramatists past and present have used conventions – and broken them – in the creation of structure, metaphor, character, scene, dialogue, image and action. 

As you go through the course, you'll also work on an independently-researched project - a chance to get your teeth into an area of specialist interest. Part of the course is taught at our creative hub in the centre of London, 11 Bedford Square, plugging you into the heart of theatre production and a busy creative scene in the city.

Course structure

  • Playwriting
  • Making Performance
  • Dissertation

Teaching & assessment

We use a range of assessment methods including essays and performance analyses, practical projects and a final dissertation. You'll sometimes complete practical projects in groups and you may be assessed for your contribution to group work. 

Your future career

Our graduates have started careers in professional theatre, film and television as well as training and education. If you come to the end of the course and find yourself curious about an area of study – or want to take your dissertation topic further – the MA is a perfect grounding for a PhD, which may be fully written or include a practice-based component.

The department gives you access to other creative areas of study like dance, media and art. Part of our reputation as a creative campus comes from this cross-pollination of studies and disciplines, so you'll have a good chance to push into those fields and gain knowledge of theatres and the performance scene in London and beyond. You'll leave the MA able to navigate an intense and growing field with credibility and creativity.



Read less
On this commercially focused course you'll develop the core skills you need to write flexibly and effectively. Read more
On this commercially focused course you'll develop the core skills you need to write flexibly and effectively.

Whether it's fiction, non-fiction, marketing copy, magazine features or screenplays, you'll learn how to tailor your work to competitive and fast-moving markets, developing a high-quality portfolio along with the confidence and professionalism you need to forge a successful career.

The course is taught entirely by practising writers and editors, and you'll also benefit from Falmouth's outstanding connections across the writing and publishing sector, with opportunities to learn from many leading writers and publishing industry insiders. Through a wide range of projects, live briefs and assignments, you'll discover your strengths as a writer, explore media and audience, and learn how to develop and pitch your ideas – all setting you up to excel as a professional writer.

The MA has a strong reputation for giving talented writers the skills needed to build a viable career. That's because we recognise that only by working to exacting, real-world standards can you rise to the tough demands of life as a writer.

You'll be immersed in the world of writing from the outset, learning how to create compelling narratives and voices before going on to apply these techniques to the specialist areas of your choice. You'll gain in-depth understanding of the content industry, and of how to raise your own professional profile within it. You'll be part of a lively and supportive community of fellow writers.

On graduation you'll be primed to tackle the writing industry head on – with a portfolio and accomplished working style ready to impress potential employers and meet any writing challenge.

Visit the website https://www.falmouth.ac.uk/professionalwriting

Building professional experience

From day one, you'll be supported in shaping your work for publication. Many students succeed in placing work in both local and national publications while still on the course.

During the second half of the MA, you'll be encouraged to identify and undertake writing-related work experience that can feed into your industry-focused research project.

In previous years, students have secured placements with many leading publishers, media organisations, copywriting agencies, magazines and newspapers, often leading to ongoing work after graduation.

How the course is taught

The MA is structured around a mix of seminars, lectures, real-world briefs and practical workshops, along with your own self-managed work. You'll work individually and in teams, collaborating with other media professionals and developing your own projects and business ideas. Critiquing will form a valuable part of your learning experience.

As successful practising writers themselves, your tutors will expect you to take a disciplined and professional approach to your work.

Course outline

The full-time MA course runs over 45 weeks. If you're interested in developing an MA project related to your job, this may well be possible.

Enhanced learning opportunities

We are delighted to host the Writers in Residence programme. Matt Haig is Writer in Residence in 2015 whilst Lionel Shriver joined us in 2014 and Owen Sheers, poet and playwright, was here in 2013. Philip Marsden, novelist and non fiction writer launched the scheme in 2012.

Students have the opportunity to attend the London Book Fair and Port Eliot Festival.

The course is delivered across three study blocks:

- Study Blocks 1 & 2

You'll start by developing your core writing skills across a range of formats, then choose two specialist options from a selection that includes Fiction, Non-fiction, Scriptwriting, and Business & Editorial Writing – building a portfolio that showcases your abilities.

To help guide your choice of specialism, you'll take a module that looks at how writers work in different areas of the content industry. You'll also learn how to use the web and social media to build a profile as a writer.

After completing your specialist options, you'll take a module in research skills. As part of this, you'll carry out industry-focused research and develop a proposal for a longer creative project – your MA project.

- Study Block 3

In the final part of the course, you'll work independently on this project, supported by a specialist tutor. To accompany your project, you'll write a contextual essay focusing on an aspect of your writing practice.

Facilities

- Our library offers access to a wide range of online resources
- Our Media Centre has industry-standard audio/video recording and editing equipment
- Course-specific Virtual Learning Environment

Assessment

- Formal assessment and feedback at the end of each module
- Final assessment is largely based on your extended creative project, which is accompanied by a contextual essay

Careers

Our graduates have forged careers across the publishing and content industry. Potential careers include:

- Full-time author
- Entertainment blogger
- App content creator
- Freelance journalist
- Website editor
- Business writer
- Script editor
- Press officer
- Playwright

Interview and selection process

When you apply, we will ask you to send us a sample of your work along with your application. This could be an unpublished (or published) short story, screenplay, report, journalistic feature, novel extract or anything else that demonstrates your aptitude for writing. If the course team feels you have potential, we'll invite you to interview. We value meeting you in person but Skype interviews can be arranged if this isn't possible.

Find out how to apply here - https://www.falmouth.ac.uk/apply

Read less
If you want to become a produced or published writer, or to develop your writing skills, this programme will give you the chance to be tutored by leading and established writers in a supportive and creative environment. Read more

If you want to become a produced or published writer, or to develop your writing skills, this programme will give you the chance to be tutored by leading and established writers in a supportive and creative environment.

The emphasis is on different forms of scriptwriting - playwriting, screenwriting, dramatic writing, writing for film and television, and writing for radio – but you can also develop imaginative writing in other forms, especially prose fiction. Specialist pathways in screenwriting or writing for theatre are open to you.

Whether you’re an aspiring writer, a teacher or simply want to learn more about the writer’s craft, you’ll be working in an environment dedicated to developing new and emerging talent. Our students come from all over the world, and we have a powerful record for developing successful writers and creative leaders. Through our partnership with the West Yorkshire Playhouse, the course is linked to the Playhouse’s own new writing schemes.

Our tutors are professional dramatists and leading researchers with a wide range of expertise. The Programme Director for the MA is the award-winning playwright, screenwriter and producer Garry Lyons, who established the degree in 2006.

Find out more about Garry Lyons

You’ll be based in our landmark building [email protected], with two professional-standard and publicly licensed theatres that regularly host works by students and visiting theatre companies. You’ll be encouraged to use these facilities to try your work out in workshops, rehearsed readings or full productions, and gain experience of practical drama-making.

The programme also benefits from our close links with external organisations. As well as our partnership with West Yorkshire Playhouse, we work with the BBC’s new talent unit, Writers’ Room. Other partners include Opera North, ITV, Screen Yorkshire, the National Media Museum, Creative England, Red Ladder Theatre Company, True North Productions, Chapel FM Radio, Valley Press and many more.

Course content

A core module will introduce you to creative writing research, including the potential of practice-led research. This will help to equip you for the rest of the programme, giving you the tools to reflect analytically on your writing and compare it with existing writing of a similar genre or style.

In Semester 1 you’ll spend time in intensive workshops refining your own short pieces of narrative writing, exploring the principles of storytelling and more experimental approaches. You'll work in a range of forms - from theatre and radio to screenplays and prose - preparing you to specialise as you progress through the degree.

Options in Semester 2 allow you to focus on film and television writing or work on an original project of your own – individually, in collaboration with students from across the School, or based on a two-week placement with an external organisation.

All of this work will culminate with your major project, which you’ll submit by the end of the programme – this could be an extended piece of creative writing, a conventional dissertation, or performance-led research.

Working with West Yorkshire Playhouse

The MA is partnered with West Yorkshire Playhouse, one of the UK’s leading theatres outside London. This links us to the the Playhouse’s new writing schemes. Directors and associate artists from the Playhouse regularly run workshops and masterclasses for us, and we collaborate with the theatre on joint projects such as new writing events and festivals. The Playhouse occasionally offers work experience opportunities for our students to apply for.

Course structure

Compulsory modules

  • Research Project 60 credits
  • Story Workshop 30 credits
  • Research Perspectives (Writing for Performance and Publication) 30 credits

Optional modules

  • Individual Project 30 credits
  • Creative Work 30 credits
  • Performance and Collaborative Enterprise 30 credits
  • Writing for Theatre and Radio 30 credits
  • Writing for Film and Television 30 credits

For more information on typical modules, read Writing for Performance and Publication MA Full Time in the course catalogue

For more information on typical modules, read Writing for Performance and Publication MA Part Time in the course catalogue

Learning and teaching

Our tutors are professional dramatists and academic specialists in a range of genres, with experience of dealing with theatres, agents, production companies, editors and publishers. We also invite guest speakers from the worlds of theatre, broadcasting, film and publishing to share their insights into the creative industries.

You’ll be taught using a range of methods including lectures, seminars and tutorials as well as practical sessions and workshops. Independent study is also a vital component of this degree, allowing you to conduct your own research and develop your own ideas.

Assessment

You’ll be assessed mostly on the basis of your creative writing, including theatre, screen and radio scripts and short prose stories you’ll develop in your modules. To encourage you to reflect on your practice, you’ll also write commentaries on your own work. Core modules may also use assessment methods such as essays and presentations to allow you to demonstrate your knowledge.

Career opportunities

Many students will want to pursue a career as a professional writer. Although this is a fiercely competitive field, this degree is designed to try to help you realise your ambitions. Alternatively, you could use your additional experience and qualification to progress in your current career or pursue a related path within the creative arts.

You’ll also be well equipped for a future in education, arts administration, script editing, literary management, broadcasting, journalism, advertising, the media, publishing, literary agencies, marketing, PT and many other areas.

The programme has established a powerful record for developing successful writers and creative leaders, from playwrights and television writers to novelists, directors and lecturers.



Read less
One of the University’s larger modern language subject areas, German has earned its place as a significant centre for research, with half of our research ranked as internationally excellent or world leading in the latest Research Assessment Exercise. Read more

One of the University’s larger modern language subject areas, German has earned its place as a significant centre for research, with half of our research ranked as internationally excellent or world leading in the latest Research Assessment Exercise.

The size of our graduate school means we are able to support a broad range of German and Austrian cultural and literary research themes, from the medieval period to the present.

Current interests include:

  • 18th century and Romanticism studies
  • censorship studies
  • contemporary German literature
  • cultural and political studies and literary theory
  • gender studies
  • German and Austrian Jewish literature
  • identity studies
  • literature and culture of the German/Austrian fin-de-siècle
  • literature and culture of the Weimar Republic and the National Socialist era
  • migrant literature in German
  • palaeography and Medieval textual studies
  • post-Holocaust literature
  • post-war West and East German literary and cultural studies
  • the Medieval German epic
  • theatre and performance studies
  • travel writing
  • Turkish-German literature

Training and support

We promote the connection between language and culture through a number of extracurricular programmes, both formal and informal.

You will have the opportunity to take part in our annual play, which is commonly a collaborative effort with a noted German author or playwright.

We organise regular film nights, followed by Stammtisch, and gallery visits are also offered.

We maintain close links with the Scottish arm of the Goethe Institut and the Edinburgh German Circle, which both provide opportunities to make contacts and socialise with the city’s sizeable German community.

Facilities

Testament to our breadth of research expertise and lively graduate school community, our RAE ranking also reflects world-class resources (such as our well-stocked libraries and the expansive Karin McPherson collection of GDR writing) and commitment to publishing, most notably through our production of the esteemed Edinburgh German Yearbook.



Read less
Who is it for?. Our Creative Writing programme is suitable for writers who want to develop their practice and complete a full length piece of work, or for experienced playwrights who wish to gain a familiarity with writing for the screen, or experienced screenwriters who wish to gain a grounding in theatre writing. Read more

Who is it for?

Our Creative Writing programme is suitable for writers who want to develop their practice and complete a full length piece of work, or for experienced playwrights who wish to gain a familiarity with writing for the screen, or experienced screenwriters who wish to gain a grounding in theatre writing. It is also suitable for writers who while continuing with their own practice, will work in development roles in the film, TV, theatre and related industries such as literary agencies.

Our programme has been designed, with input from a range of playwrights and screenwriters, to provide the optimum environment for students to complete a full length play or feature film script to a high standard.

As the programme is taught in the evening, we welcome applications from mature students with work and family commitments who are committed to writing a full length play or screenplay over two years.

Find out more about our alumni and what they achieved during their time at City, University of London.

Objectives

Creatively stimulating, challenging and above all practical, this innovative two-year Creative Writing programme taught during the evening, provides a supportive and thought-provoking environment for playwrights and screenwriters to explore their ideas, develop their craft and finish a full-length work to a high standard.

You will develop as a writer and sharpen your understanding of what's working and what isn't. No single style or genre is prescribed; the ethos of the programme is excellence and diversity.

You will get to understand writing choices in the work of leading playwrights and screenwriters. You will work with actors and directors from London's new writing theatres, and receive guest talks from agents, producers and artistic directors.

By the end of the course, you will have taken a full-length play, screenplay or television pilot through a number of drafts, working as professional writers do. This play or screenplay will be your calling card. You will receive a performed reading of an extract of your work and a professional script report.

Accreditation

The Creative Writing (Playwriting and Screenwriting) MA is accredited by Skillset, the Creative Industries’ Sector Skills Council which means that students are eligible for the BAFTA Scholarship programme – successful applicants receive a bursary of up to £10,000, a BAFTA mentor, access to BAFTA events, plus a paid work placement at Warner Bros UK.

Industry ties

The course has strong ties with leading playwrights and screenwriters. Recent visiting speakers include:

Richard Bean, Alan Bennett, Ronan Bennett, J Blakeson, Adam Brace, Laurence Coriat, Rib Davies, David Edgar, Martha Fiennes, Andrea Gibb, Tony Grisoni, Stuart Hazeldine, Dennis Kelly, Mike Leigh, Rebecca Lenkiewicz, Patrick Marber, Paul Mayeda Berges, Nicholas McInerny, Anthony Neilson, Diane Samuels, Paul Sirett, Ali Taylor, Sue Teddern, Colin Teevan, Timberlake Wertenbaker, and Roy Williams.

You will have the opportunity to meet agents, producers, directors, and authors on screenwriting. Recent guests have included:

Linda Aronson, Katie Battcock, Matthew Bates, Paul Basset Davies, Camilla Bray, Ruth Caleb, Julian Friedmann, Tony Garnett, Lisa Goldman, Fin Kennedy, Kate Leys, Nick Marston, Margaret Matheson, Jeremy Mortimer, George Perrin, Simon Shaps, David Thompson, Neil Quinn, Mervyn Watson and Katie Williams.

Teaching and learning

Our Creative Writing masters course is taught and run by professional working writers and you will be mentored by a professional working playwright or screenwriter for the whole of year two.

You will be taught intensively for six hours per week in year one and in the second year you choose to write either a full length play, or screenplay, or a pilot for an original television series.

This playwriting and screenwriting course is based around a mix of practical workshops, seminars and lectures. All this is supported by one-to-one tutorials and by independent study: notably reading and preparing presentations on set texts and performing set writing exercises. As the course progresses, the emphasis shifts to independent study and is supported by workshops and one-to-one tutorials.

Central to this Creative Writing masters course is the requirement to finish a full-length play or screenplay. The course culminates in a showcase of your work to an audience of industry professionals and other interested parties.

Assessment

Assessment includes participation in lectures, seminars and workshops; of work on presentations; set exercises and own play or screen script proposal.

Career prospects

Many of our Creative Writing graduates from play and screenwriting go on to have their work performed professionally and have won many awards and nominations. Since the beginning of 2015 over 40 students and alumni have had plays performed.

Some recent examples include

  • Graduate Aisha Zia received a grant from Brookleaze and her new play Besieged was performed at the Arcola Theatre
  • Dianna Hunt, Her play ‘One Woman's Slide: A Blues’ has been programmed in the Talawa Arts Festival.
  • Cheryl White, whose films include Before Babel (2013) which won Best Short at the Kent and Rye Film Festival International film festival 2015; Winner of Best Film and Most Innovative Film at WOW Festival 2014.
  • Louisa Hayford, who did a ten week paid internship at the Coronation Street story department as part of the ITV Coronation Street Original Voices scheme.

Our graduates have had plays performed in London at the Old Vic, Arcola, Old Red Lion, Southwark Playhouse, Globe and White Bear theatres; as well as in Australia, New York, the Netherlands and Afghanistan.



Read less
Our two-year MFA gives you the opportunity to launch your career as a playwright with a full run in the Edinburgh Fringe Festival. Read more
Our two-year MFA gives you the opportunity to launch your career as a playwright with a full run in the Edinburgh Fringe Festival.

This course has been launched to extend a great opportunity for trainee playwrights. Working in the heart of the festival city, there will be time to work with actors on all years of the BA Acting & English and the BA Acting for Stage & Screen courses. You will be working in a variety of ways, and working alongside trainee directors to workshop and stage new work. You'll have dedicated, industry-recognised mentors providing support throughout your training time and you’ll be studying in one of the most culturally vibrant cities in the world.

What you'll learn

The course is structured over five trimesters and along with many opportunities to write in various styles on a number of projects, you will study:
• Dramatic Story and Structure
• Script Analysis
• Applied Playwriting
• Professional Preparation
• Festival Production

Study modules mentioned above are indicative only. Some changes may occur between now and the time that you study.

Careers

While we can’t predict the future, we can be certain that an ever-expanding range of entertainment platforms will require an ever-expanding range of content. We believe that writers trained in the core skills of good story-telling, creating compelling and engaging characters and dialogue, finding a variety of ways to adapt their work to different contexts and media, and understanding a variety of marketing possibilities will mean that the writers will be able to adapt their work to a variety of platforms. This course aims to train such graduates, who can see unlimited potential and a variety of opportunities for themselves in many areas of the entertainment and writing/publishing industries.

How to apply

http://www.napier.ac.uk/study-with-us/postgraduate/how-to-apply

SAAS Funding

Nothing should get in the way of furthering your education. Student Awards Agency Scotland (SAAS) awards funding for postgraduate courses, and could provide the help you need to continue your studies. Find out more: http://www.napier.ac.uk/study-with-us/postgraduate/fees-and-funding/saas-funded-courses

Read less
The Master of Writing for Performance focuses on developing the skills and emerging aesthetic of the individual and collaborative writer for diverse forms of contemporary live performance. Read more

The Master of Writing for Performance focuses on developing the skills and emerging aesthetic of the individual and collaborative writer for diverse forms of contemporary live performance. It is unique in Australian theatre culture, focusing on the diversity of voices and cultures present in contemporary writing in Australia and overseas.

Through a combination of writing workshops, critical seminars and discussions you develop skills in writing for diverse contexts and live performance while gaining an understanding of the relationship between the playwright and the cultural contexts in which they write.

The program focuses on the development of a full length play, as well as four other smaller performance writing projects including: writing from improvisation with acting and directing students; writing for digital mediums; adaptation of existing texts; and writing for live art projects. The projects are supported by an analysis of dramaturgical principles and play structures based in character, dramatic action, conflict, dialogue, action and causal logic, as well as more experimental, non-linear writing based on post-dramatic concepts. At the end of the year, each writer presents a rehearsed presentation of a full-length play to industry and public.

The program welcomes applications from: writers, actors, directors, animateurs, theatre makers, designers and dramaturges, with moderate to extensive experience in performance writing.

LEARNING OUTCOMES:

  • Be able to conceptualise, realise and present original writing for performance and/or performance oriented projects in diverse form
  • Evaluate, discriminate and make informed choices as part of writing practice within aesthetic domains
  • Collaborate with other theatre artists and diverse communities
  • Develop the skills of articulating the ideas and processes inherent in your creative work within the context of relevant artistic discourse and research.


Read less
The Rutgers University-Newark MFA Program is a nationally ranked, 36 credit hour, studio/research program, which means that our writers study literature as they endeavor to write it. Read more

The Rutgers University-Newark MFA Program is a nationally ranked, 36 credit hour, studio/research program, which means that our writers study literature as they endeavor to write it. The program focuses strongly on 12 credit hours of Writing Workshop in a declared genre (one workshop, with permission of the department, may be cross-genre), and requires 6 thesis hours in which students work one-on-one with their mentor professors. We also require 18 credit hours of graduate courses in literature. Students may take up to two undergraduate courses for graduate credit with additional requirements assigned by professor and with permission by the department. Applicants who have completed graduate level English Literature courses may transfer up to 12 credit hours (grades of B or above) with permission of the department. While some MFA grads go on to law or business school or into publishing, many seek teaching jobs. The MFA is the terminal degree in creative writing, which allows graduates to teach at the university level, and the Rutgers-Newark MFA offers our students the essential advantage of substantial coursework in literature.

At Rutgers University-Newark, students may choose six courses (18 credit hours) from a long and exciting list of graduate literature courses taught by important scholars. Study Shakespeare with Professor Ameer Sohrawardy. Read Samuel Johnson with Professor Jack Lynch, nationally renowned Johnson scholar. Study the proletarian novel with Marxist theorist Professor Barbara Foley, or “Women in Literature” with feminist scholar Professor Fran Bartkowski. Explore the still unresolved Vietnam era with Professor H. Bruce Franklin. Discover Victorian literature with Professor Janet Larson, discuss Latino literature and culture with Professor Laura Lomas.

Deepen and specify still more: MFA students will fulfill 6 of the required 18 elective hours by choosing one of three unique Electives Concentrations. Virtually no other program in the country gives students the opportunity to work in such a wide range of genres for elective credits. Those who choose Literature/Book Arts will work with photographer Nick Kline to design and publish a chapbook of their own work. Performance/Media Studies allows students to study writing for television or the stage with playwright Michele Rittenhouse, urban and narrative journalism with Professor Rob Snyder, or jazz influences with Lewis Porter Cultural/Political/Ethnic Studies allows students to choose courses in History, Liberal Studies, American Studies, Urban Education, Political Science, Global Affairs, African-American Studies, or Women’s and Gender Studies. RU-N’s Electives Concentration is designed to support our MFA students in their completion of courses that specifically contribute to the fiction, poetry or nonfiction works they will turn in as Theses.

Rutgers University-Newark MFA students may also make use of resources provided by theInstitute for Jazz Studies, the Institute for Ethnicity, Culture, and the Modern Experience, the Paul Robeson Gallery, Dana Library and its Book Arts program, and the Cornwall Center for Metropolitan Studies. The RU-N MFA Program also enjoys affiliations with The Newark Museum, the New Jersey Historical Society, the Newark Public Library, and Aljira, a Center for Contemporary Art, all a short walk from campus.

Rutgers University-Newark is developing a respected and exciting MFA Program that will attract national and international applicants, yet we feel strongly about maintaining and deepening the University’s commitment to the diversity and flavor of the Rutgers University-Newark community. Our MFA Program is influenced and inspired by Newark, a community of long and remarkable history now enjoying a political and cultural Renaissance. We describe our program as Rutgers University-Newark Real Lives, Real Stories cause we’re interested in the real world experience of our applicants as well as in their creative work and intellectual rigor.

The Rutgers University-Newark MFA can be completed in a two or three year time frame. Most of our classes, workshops and readings will begin at 5:30 p.m., Monday through Thursday, allowing students to commit to rigorous daily writing schedules, work day jobs, or raise families. Though we live in the real world more affordably than in Manhattan, Rutgers-Newark MFA faculty and students also comprise an arts community. Workshops are encouraged to adjourn at 8:30 for drinks and refreshments at chic local eatery 27 Mix, Art Kitchen, or at one of many inexpensive Portuguese restaurants in the Ironbound. Newark is changing and thriving, and Rutgers University-Newark is changing with it. The residence dorm at University Square is just one of the University’s commitments to a burgeoning campus whose expansion will eventually reach the shores of the Passaic River.

Courses & MFA Concentrations

Students entering the Master of Fine Arts Program at Rutgers University-Newark will complete a 36 credit hour program in four to six semesters, as follows: 18 hours of writing credits, including 12 hours of Workshop in a specific genre (one workshop per semester for 4 semesters); 6 thesis hours in a specific genre (including 3 hours of mentored "Thesis in Conference"); 18 hours of Elective courses (6 courses, 3 credit hours each). Two of the Elective courses, or 6 hours, comprise an Electives Concentration: Literature/Book Arts, Cultural, Political, Ethnic Studies, or Performance/Media Studies. Electives may include graduate lit courses, graduate courses in other disciplines, or MFA elective courses such as Craft of Fiction, Craft of Poetry, Editing and Publishing, a Nonfiction workshop offered each Spring, or Writers At Newark: Contemporary American Lit. The [email protected] Reading Series comprises part of our core curriculum; MFA students study the works of writers visiting each semester as textbooks on craft.



Read less
"O this learning, what a thing it is!". The Taming of the Shrew.  (1.2.130). Read more

"O this learning, what a thing it is!"

The Taming of the Shrew (1.2.130)

If you have a passion for the works of William Shakespeare, this MA gives you the space to study the full range of Shakespeare’s works more closely and comprehensively than you could as an undergraduate – approaching Shakespeare as a maker of theatre on page and stage. The course focuses closely on the works themselves, looking at what they say about our world today, as well as what they reveal about Shakespeare’s. We've designed the course so that you'll discover the critical, historical and theoretical issues in his plays and poetry as you encounter them, rather than providing you with prescribed routes to take. 

The MA is designed to provide you with both breadth of coverage and depth of focus, and the course is ideal whether you wish to pursue research at PhD level or simply wish to develop your knowledge of Shakespeare and your critical skills. You will be taught by the people creating and animating current critical debates on manuscript, print and performance.

Join a department that's joint 2nd in the UK for outstanding and world-leading research environments. You'll benefit from our incredible research: over two thirds of our research was judged ‘world leading and internationally excellent’ in REF 2014. All staff in the department are highly regarded scholars, writers and critics who are engaged in research, writing ground-breaking books, talking to or writing in the national media, and providing expert advice to organisations including the Royal Shakespeare Company, the Department for Education and other national and international bodies.

Designed to be flexible, this course can be studied full-time for one year or part-time over two years.

Course structure

Core modules

The Works - Plays and Poetry

This module spans Shakespeare’s entire career as a playwright and poet, analysing in detail his nineteen major plays – including histories, comedies, tragedies, romances and problem plays – and the Sonnets. The theatrical, historical and theoretical issues raised by the works will be addressed as they emerge out of individual response and class discussion.

King Lear and The Tempest - Critical Debate and Creative Response

This course aims to engage you in a sustained, intensive study of Shakespeare’s supreme tragic masterpiece, the controversies it has provoked, and the diverse ways in which it has been adapted and transformed by poets, dramatists, novelists, and by film and theatre directors, since Shakespeare’s time. You will begin with detailed discussion of the play itself before turning to critical debate and then exploring the creative impact of King Lear on later poetry, drama and fiction. The second term is devoted to studying the creative response to King Lear in the theatre and the cinema, tracking its performance history on stage and screen through in-depth analysis of landmark productions and film adaptations. 

Methods and Materials of Research

This module is designed to introduce you to a number of key topics related to the methods of postgraduate research, and to some of the resources and materials that will be useful to your studies.

Dissertation

This will be a piece of original written work, of between 12,000 and 15,000 words. The topic of the dissertation will be agreed between you and whichever member of staff is allotted as supervisor and is normally required to be submitted by the beginning of September in the year of the completion of the programme.

Teaching & assessment

This course comprises of 120 units:

  • The Works - Plays and Poetry (60 units)
  • King Lear and The Tempest - Critical Debate and Creative Response (30 units)
  • Shakespeare and Dramaturgy (30 units)
  • Methods and Materials of Research (unweighted)
  • Dissertation (60 units)

You will attend seminars and be expected to read texts, conduct achival research on the internet or in libraries, and attend performances.

You will be assessed through essays and your final Dissertation.

Your future career

Our postgraduates have gone into academic roles at the Universities of Edinburgh, Sussex and Leeds, Shakespeare’s Globe Theatre and the National University of Ireland.

We will prepare you for careers in other areas too, such as teaching, librarianship, marketing, and theatre administration.



Read less

Show 10 15 30 per page



Cookie Policy    X