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Masters Degrees (Photojournalism)

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The course explores documentary practices and photojournalism as exciting and developing mediums, through a combination of practice-based teaching and discussion of critical contexts. Read more

The course explores documentary practices and photojournalism as exciting and developing mediums, through a combination of practice-based teaching and discussion of critical contexts.

We take each applicant on their own merit. This can include students of documentary photography or photographers in general who are interested in specialising in this area. Also welcome are artists who wish to focus their activities on a more social practice, and individuals from other disciplines, who wish to explore the subject area at post grad level.

The course builds on the international stature of the photographic and journalism departments of the University and is designed to equip you with an awareness of contemporary documentary and photojournalism, drawing on a variety of related media.

The course can be taken in full-time or part-time mode.

The Documentary and Photojournalism MA allows students to explore ideas of society through photographically related practice and within critically informed ways that maintain connections with the issue, yet also consider fresh visual approaches to the subject matter.

We approach photography as a social practice, situated within its own history, but also drawing on various discourses. We explore the idea that documentary practice and photojournalism may take many forms in the 21st Century.

Importantly, from your arrival, we emphasise the development of your own practice, through experimentation, critique and theory, and encourage analysis of practice through contemporary perspectives.

The course leads towards the Final Major Project, which is a consolidation of student learning into a high profile event in a central London exhibition space.

You will be taught by practising professional photographers, artists and writers, within a supportive course atmosphere. Technically, the course resources are equipped to the highest professional standards for both analogue and digital production of still and moving image.

Course structure

All modules involve classroom teaching, tutorials, seminars, workshops, group work and your own fieldwork and are designed to equip you with advanced ways of working and negotiating your practice. We take the view that the work you make from the beginning of your studies with us is potentially valid currency for external use.

We encourage you to explore production of a body of documentary/photojournalistic works through the development of personal practice in the real world by:

  • Creating an informal learning agreement which emphasises a real world engagement
  • Exploring appropriate responses to given situations
  • Exploration of documentary methods
  • Challenging expectations.

Students take the first four core modules below and choose from either Final Major Project or Dissertation as their fifth core module. Students choose one option module from those listed below.

The following modules are indicative of what you will study on this course.

Core Modules

Optional modules

Career path

The emphasis of the course is on the development of your practice, through experimentation, and knowledge creation as understood within contemporary approaches to documentary, as well as many related practices such as critical and journalistic and collaborative practice.

In addition to the Skills acquired of photographers enabling the production of works this will also involve competent use of a variety of hardware, software, social media, presentation and production skills.

The MA will involve the development of various hard skills such as management of large and small scale projects, direction (either within film or theatrical modes) facilitatory methods (such as in educational or community roles), advocacy, effective social networking and experience of group and collaborative working. We intend that the student will be able to function as a still photographer, documentary film-maker, activist, artist and writer. We would imagine our graduate to be well rounded and confident individual with adaptability facilitating new ways of seeing.

Internship

The course is taught by experienced and practising photographers, publishers and writers whose extensive network of contacts in all areas of photography is accessible to students. We actively encourage work experience during the course and will advise on possible limited time internships and placements, providing these do not interfere the course work. Any internships or placements will be arranged by the students.



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Develop a wider vision. Designed with photojournalists and documentary photographers in mind, MA Photojournalism and Documentary Photography (online) will help you expand your practice and challenge the potential of the medium. Read more
Develop a wider vision. Designed with photojournalists and documentary photographers in mind, MA Photojournalism and Documentary Photography (online) will help you expand your practice and challenge the potential of the medium. Learn through a series of assignments as part of this internationally renowned programme, and join the graduates who've gone on to win the World Press Photo Daily Life Singles category and the Taylor Wessing Portrait Prize.

Content

A practical, cutting-edge Masters course with an international reputation, designed for aspiring photojournalists and documentary photographers.

Photojournalists and documentary photographers explore and record human experience. Beginning with Henri Cartier-Bresson (regarded as the father of modern photojournalism), they have recorded significant moments in history, documented unfolding news and created images that have gained iconic status. Central to their work is the telling of a story through images.

This internationally-recognised course is aimed at people who want to pursue a career in photojournalism or documentary photography. The aim is to equip students with a thorough grounding in the discipline, whether through film or digitally-based photography. You will follow a rigorous programme of photographic assignments, as well as initiating and developing your own projects and areas of special interest. All this takes place within the framework of the history and development of the medium, together with critical ethical and theoretical contexts. You will be encouraged to develop a wider vision of the practice and potential of the medium through exploration of the uses of documentary and reportage photography in magazines, portfolios, gallery exhibitions, books, television, web, CD-based productions and other media.

Structure

Phase 1

- Photojournalism Practice
- History of Photojournalism and Documentary Photography

In the first week, you’ll take part in an online induction programme, using web conferencing, in which you will:

- Become familiar with the course structure,
- Be introduced to the teaching staff and your fellow students,
- Access information about the Student Union, Student Services and Learning Resources,
- Become familiar with PGNET, delivered through the software Moodle.

Phase 2

- Documentary Practice with Research Methods
- Critical Perspectives on Photojournalism and Documentary Photography (including research methodology)

Phase 3

- Major project

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Develop a wider vision. Designed with photojournalists and documentary photographers in mind, the MA Photojournalism and Documentary Photography course can help you expand your practice and challenge the potential of the medium. Read more

Introduction

Develop a wider vision. Designed with photojournalists and documentary photographers in mind, the MA Photojournalism and Documentary Photography course can help you expand your practice and challenge the potential of the medium. Learn through a series of assignments as part of this internationally renowned programme and join the graduates who've gone on to win the World Press Photo Daily Life Singles category and the Taylor Wessing Portrait Prize.

Content

A practical, cutting-edge Masters course with an international reputation, designed for aspiring photojournalists and documentary photographers.

Photojournalists and documentary photographers explore and record human experience. Beginning with Henri Cartier-Bresson (regarded as the father of modern photojournalism), they have recorded significant moments in history, documented unfolding news and created images that have gained iconic status. Central to their work is the telling of a story through images.

This internationally-recognised course is aimed at people who want to pursue a career in photojournalism or documentary photography. The aim is to equip students with a thorough grounding in the discipline, whether through film or digitally-based photography. You will follow a rigorous programme of photographic assignments, as well as initiating and developing your own projects and areas of special interest. All this takes place within the framework of the history and development of the medium, together with critical ethical and theoretical contexts. You will be encouraged to develop a wider vision of the practice and potential of the medium through exploration of the uses of documentary and reportage photography in magazines, portfolios, gallery exhibitions, books, television, web, CD-based productions and other media.

Structure

Phase 1

Photojournalism Practice
History of Photojournalism and Documentary Photography

Phase 2

Documentary Practice with Research Methods
Critical Perspectives on Photojournalism and Documentary Photography

Phase 3

Major Project

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Digital and Interactive Storytelling LAB MA is a new and innovative course, designed for digital storytellers and shaped like a media LAB. Read more

Digital and Interactive Storytelling LAB MA is a new and innovative course, designed for digital storytellers and shaped like a media LAB. This means that during the course you will be able to produce a wide range of digital-first work for multi-platform story formats. Your work will be underpinned with academic research, theories and expertise on mobile platforms, and digital interactive communication.

The course delivers industry-level professional expertise in visual communication from photography to cinema journalism, interactive narratives and apps for change.

You’ll be involved in creating content that extends beyond current ideas in multimedia and online productions – our aim is to advance storytelling. We recognise how competitive the job market currently is, therefore this Master's has been created to develop your skills and knowledge in a way that will enhance your career.

The Digital and Interactive Storytelling LAB MA prepares you for a range of industries, present and future, as entrepreneurial content creators, mobile and platform producers, cinema and video journalists, interactive factual narratives, social marketers, and project managers.

The content is structured around a knowledge of platforms and three major fields: cinema (video) journalism, photographic communication and interactive factual narratives, which are seamlessly knitted together into five modules.

Cinema Journalism builds upon videojournalism – a much-misunderstood term that in reality embraces multimedia and the creation of multiple genres of video production in different styles – from one-minute social-media docs, two-minute news, to lengthier docs. Cinema journalism combines a deep understanding of cinema cues and tropes to create compelling immersive content on fast-turn around times whilst mastering an array of tools from different lenses, cameras, drones and mobiles. You can find examples of student work David has previously supervised, as well as read about his work in journals, such as the The Documentary Handbook.

The rethinking of photographic digital communication both in terms of media and content is what drives my research The Image As Storytelling. By engaging the quickly evolving worlds of photography and photojournalism within a digital-first approach, in the LAB you will learn how to engage visual communication to its full potential, and incorporate storytelling as a digital practice for interactive platforms. Through a hands-on, experimental and practice-led approach, you will reconsider today’s shifting visual vocabulary specifically for digital and interactive communication frameworks.

Interactive Factual Narratives range from web-documentary, to games for change, VR and social mobile apps. You’ve likely seen examples of interactive factual narratives with the New York Times Snowfall, and Brett Gaylor’s Do Not Track. You will be given an exhaustive overview to be able to map the territory and position your practice in it. You will be guided through your creative journey with a user-centred workflow that mixes design and software methodologies to prototype and design interactive narratives. You will be challenged by a “what’s next” approach and will be pushed to think further than current trends.

Course structure

The course incorporates an agency media LAB approach to learning through knowledge sharing and project completion which is pragmatic. It underpins problem solving using evolving theories and practice. The goal is the production of digital stories and, or interactive factual narrative. The method is through iteration and collaboration.

Modules on the course are compulsory and follow a schedule towards production of digital and, or interactive projects via an iterative approach. Testing and user experience is taken into consideration at each step of the creative process. You will be encouraged to work in ways that rewards experimenting, building and refining ideas. We expect a mix of cohorts, some yet to enter industry, others looking to bolster their careers or change direction and encourage a wisdom of crowds method in learning – also from one another.

You’ll be encouraged to work collaboratively, opening up your professional expertise, or experiences to the benefit of your course peers. In doing so, you will feel part of a creative community that will support you when needed, and may serve you as a network even after the course has finished.

By the end of the year you should reach a level of expertise to create innovative digital and interactive storytelling artefacts, acquiring a solid knowledge of the field, consolidating a multi-skilled network of people and developing digital prototypes of your ideas. By then your project should be ready to be presented to potential financers and media partners.

The following modules, below, which are all compulsory are indicative of what you will study on this course. The following modules are indicative of what you will study on this course. 

Modules

Career path

The course is mainly geared at giving you the right support and methodology to develop your interactive project during the course. The critical awareness and the iterative methodology that you will gain will then serve you to remain competitive in the digital creative industries you might enter in the future, regardless of the technologies they use.



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The Photography Arts MA offers a dynamic mix of photography practice and research to support your development as an artist. In an open-minded educational environment you will expand the boundaries of your photography, advancing your own distinct visual and conceptual approach. Read more

The Photography Arts MA offers a dynamic mix of photography practice and research to support your development as an artist. In an open-minded educational environment you will expand the boundaries of your photography, advancing your own distinct visual and conceptual approach. Students are fully supported by our internationally renowned photography staff and inspired by an exciting range of prominent visiting photographic artists and thinkers. 

Situated in Westminster School of Media, Arts and Design, you will have access to extensive photographic facilities and a wealth of inter-disciplinary expertise. You will be part of a world-famous centre for photography research. 

The Photography Arts MA is a recently revalidated course, which builds on the former Photographic Studies MA (1996-2016). The course champions a long, proud tradition of cutting-edge photography pioneered at the University.

The course has an open definition of photography, encompassing a wide range of approaches and forms. We encourage free experimentation in the development of ideas. You will advance your practical work choosing new or traditional techniques, digital or analogue forms, in work that may extend beyond the traditional boundaries of wall, page or screen into other modes including moving image, installation and performance.

The research components of the course are tailored for the needs of the contemporary artist photographer, and allow you to focus on the lines of inquiry that will be most productive for your own development. Your progress through the course will be supported with one-to-one tutorials with a personal tutor.

This is the right course if you are highly motivated and excited to develop your independent practice alongside critical research within a rapidly changing field. Working with our experienced staff and a group of peers drawn from all over the world, you can discover your own future working with the most contemporary approaches to photography.  

The course is structured to develop your practice, informed by research. Throughout the course, students make work with great attention to how it will be presented in a range of modes including exhibition, book and/or screen. The practice modules provide a framework for developing and testing new approaches and establish a foundation for your future independent work. Students write three short research essays during the course, each aimed at broadening knowledge of photography, contemporary art and related histories, theories and criticism. Content for these assignments is led by the student’s own research interests. The course is unusually flexible in that a dissertation is not required, but can form an optional part of the final master’s project.

The course enables students to become independent practitioners, generating up-to-date, informed work. You will be empowered with visual, critical and practical skills that culminate in the Masters Project, exhibited in a central London degree show at the end of the course. 

Course structure

The following modules are indicative of what you will study on this course.

Core modules

Option modules

Option modules from Documentary Photography and Photojournalism MA

Career path

An MA in Photography Arts is an unusually versatile qualification that prepares you to be an artist/photographer working at the highest level of ambitious contemporary art, and also gives you a range of transferable skills vital to twenty-first century creative industries.

Graduates of the course work as independent artist/photographers and also as writers, educators, critics, publishers, curators, gallerists, picture editors and researchers. A number of graduates go on to pursue their research at doctoral level.

Alumni from the course (under the former title Photographic Studies MA) now work all over the world in a range of careers requiring creativity, research skills and critical analysis of visual images



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Aimed at lens based students, this pathway will allow you to select from photography, film making, animation and photojournalism. Read more

Aimed at lens based students, this pathway will allow you to select from photography, film making, animation and photojournalism. The pathway is concerned with the exploration, development and synthesis of conceptual, theoretical and practical skills to create compelling image based solutions.

Course Overview

Our Master’s programme has been designed to support and enhance the skills of art and design practitioners who want to work in the cultural and creative industries. Awarded by Falmouth University and delivered in partnership with Hearst Magazines UK, publishers of ELLE, Cosmopolitan, Esquire and Harper’s Bazaar, together we have designed an exciting and industry-connected Master’s to equip you for the real world.

The 12-month MA supports students across a range of Art & Design specialisms and you will be given the unique opportunity to explore your area within an interdisciplinary global culture. Bringing together students from a variety of disciplines through dialogue, idea-exchange and collaborative activities, the course prepares students for the hybrid and dynamic nature of contemporary creative practice. By enabling the pursuit of specialist subject expertise alongside opportunities to acquire the skills, experience and outlook necessary for professional success, we give our graduates the confidence to take the next step toward building their own creative futures.

The course is open to graduates from any art and design related degree subject and who already have knowledge and experience of a specialist area. Our MA will allow you to enhance your skills within your existing area, taking it in your own direction with support from a subject tutor. We currently support pathways in Fine Art, Communication Design, Illustration, Animation, Photography, Fashion Design, Fashion Communication, Product Design, Craft and Spatial Design.

Alternatively, you may be looking for a Master’s degree, but you are not clear which specialist pathway to follow, this course is designed to support those students arriving from a variety of undergraduate programmes with varying degrees of focus. The scope of the award in Art & Design is flexible enough to provide opportunities for you to experiment and try out new approaches before finding your focus.

Unique Opportunities

This programme offers outstanding specialist tuition combined with extensive academic contact and studio access. As a Master’s student, you will have:

  • exclusive access to media and industry expertise through Hearst Magazines UK and their teams
  • regular workshops with key industry stakeholders
  • industry projects
  • internship opportunities through Hearst Magazines UK and other creative industry contacts
  • your own individual design space giving you flexibility on where you study
  • lecturers who are visible and accessible five days a week
  • opportunities to expand and enrich your ideas through daily interaction with students across other disciplines

The inter-disciplinary nature of the course and the teaching team, along with the wider staff expertise within the college means that specific tuition can be provided on a ‘bespoke’ basis if and when needs arise. In addition to support from academic staff, you will have regular group and one-to-one access to our Study Skills Coordinator for support with writing, research and academic skills.

Our dedicated Welfare Team are resourced and prepared to support all students. Should you require help with English language, support is available from our in-house provision. 

Course Structure

The course is structured to provide you with a wide range of activities in the modules at the start of the course, together with the opportunity to experiment and explore different methods and approaches. As you move through the programme you will then start to focus and identify individual ambitions, and plan and execute your final project.

Semester One

EXPERIMENTAL PRACTICE

Introduces you to new methods and approaches. You will take part in a series of set projects, which will encourage collaboration, experimental practice and creative activity.

THEORY AND RESEARCH

Within this module you will be exposed to a series of lectures and seminars around a series of shared themes that cut across theory and practice. You will be inspired to try out fresh and innovative methods in practice and you will work collaboratively and individually.

Semester Two

FOCUSING PRACTICE

This module will support your development of independent and self-initiated project work in your specialist area. To build your portfolio you will take part in live briefs set by our partners in the creative industries and supported to enter local and international competitions.

ART & DESIGN FUTURES

You will be asked to look ahead by engaging in the issues shaping the professional practice of art and design today. Lecturer talks will introduce you to a diverse range of contemporary art and design practices to inspire and orient your own career pathways. This module also gives you the opportunity to organise and complete a work placement enabling you to gain valuable professional experience.

Semester Three

FINAL MAJOR PROJECT

You will spend the final semester working on a self-initiated project in your area of specialism, underpinned by the cross discipline culture of the course. Your final submission will be a portfolio of work and a written report culminating in a final MA show.

Careers and Employability

With staff and visiting tutors active in the creative industries worldwide as researchers and practitioners, as artists, designers, writers, and curators you will be exposed to issues, debates and challenges that are transforming art and design practice in the 21st century.

More specifically, the modules encourage you to reflect upon the broad and hybrid nature of art and design and the emerging global workplace in which you will ultimately take your next steps. To offer you real-world experience through live briefs and the work placements, we collaborate with both international media and communication organisations (such as our partner Hearst Magazines UK) as well as local creative businesses on our doorstep in Cambridge—one of the UK’s centres of leading-edge creativity and innovation.

Visit the website for full specifications: http://www.csvpa.com/art-and-design/ma-art-design/course-details/about.htm

Click here to apply online: https://www.csvpa.com/apply-online/step1



Read less
Aimed at lens based students, this pathway will allow you to select from photography, film making, animation and photojournalism. Read more

Aimed at lens based students, this pathway will allow you to select from photography, film making, animation and photojournalism. The pathway is concerned with the exploration, development and synthesis of conceptual, theoretical and practical skills to create compelling image based solutions.

Course Overview

Our Master’s programme has been designed to support and enhance the skills of art and design practitioners who want to work in the cultural and creative industries. Awarded by Falmouth University and delivered in partnership with Hearst Magazines UK, publishers of ELLE, Cosmopolitan, Esquire and Harper’s Bazaar, together we have designed an exciting and industry-connected Master’s to equip you for the real world.

The 12-month MA supports students across a range of Art & Design specialisms and you will be given the unique opportunity to explore your area within an interdisciplinary global culture. Bringing together students from a variety of disciplines through dialogue, idea-exchange and collaborative activities, the course prepares students for the hybrid and dynamic nature of contemporary creative practice. By enabling the pursuit of specialist subject expertise alongside opportunities to acquire the skills, experience and outlook necessary for professional success, we give our graduates the confidence to take the next step toward building their own creative futures.

The course is open to graduates from any art and design related degree subject and who already have knowledge and experience of a specialist area. Our MA will allow you to enhance your skills within your existing area, taking it in your own direction with support from a subject tutor. We currently support pathways in Fine Art, Communication Design, Illustration, Animation, Photography, Fashion Design, Fashion Communication, Product Design, Craft and Spatial Design.

Alternatively, you may be looking for a Master’s degree, but you are not clear which specialist pathway to follow, this course is designed to support those students arriving from a variety of undergraduate programmes with varying degrees of focus. The scope of the award in Art & Design is flexible enough to provide opportunities for you to experiment and try out new approaches before finding your focus.

Unique Opportunities

This programme offers outstanding specialist tuition combined with extensive academic contact and studio access. As a Master’s student, you will have:

  • exclusive access to media and industry expertise through Hearst Magazines UK and their teams
  • regular workshops with key industry stakeholders
  • industry projects
  • internship opportunities through Hearst Magazines UK and other creative industry contacts
  • your own individual design space giving you flexibility on where you study
  • lecturers who are visible and accessible five days a week
  • opportunities to expand and enrich your ideas through daily interaction with students across other disciplines

The inter-disciplinary nature of the course and the teaching team, along with the wider staff expertise within the college means that specific tuition can be provided on a ‘bespoke’ basis if and when needs arise. In addition to support from academic staff, you will have regular group and one-to-one access to our Study Skills Coordinator for support with writing, research and academic skills.

Our dedicated Welfare Team are resourced and prepared to support all students. Should you require help with English language, support is available from our in-house provision. 

Course Structure

The course is structured to provide you with a wide range of activities in the modules at the start of the course, together with the opportunity to experiment and explore different methods and approaches. As you move through the programme you will then start to focus and identify individual ambitions, and plan and execute your final project.

Semester One

EXPERIMENTAL PRACTICE

Introduces you to new methods and approaches. You will take part in a series of set projects, which will encourage collaboration, experimental practice and creative activity.

THEORY AND RESEARCH

Within this module you will be exposed to a series of lectures and seminars around a series of shared themes that cut across theory and practice. You will be inspired to try out fresh and innovative methods in practice and you will work collaboratively and individually.

Semester Two

FOCUSING PRACTICE

This module will support your development of independent and self-initiated project work in your specialist area. To build your portfolio you will take part in live briefs set by our partners in the creative industries and supported to enter local and international competitions.

ART & DESIGN FUTURES

You will be asked to look ahead by engaging in the issues shaping the professional practice of art and design today. Lecturer talks will introduce you to a diverse range of contemporary art and design practices to inspire and orient your own career pathways. This module also gives you the opportunity to organise and complete a work placement enabling you to gain valuable professional experience.

Semester Three

FINAL MAJOR PROJECT

You will spend the final semester working on a self-initiated project in your area of specialism, underpinned by the cross discipline culture of the course. Your final submission will be a portfolio of work and a written report culminating in a final MA show.

Careers and Employability

With staff and visiting tutors active in the creative industries worldwide as researchers and practitioners, as artists, designers, writers, and curators you will be exposed to issues, debates and challenges that are transforming art and design practice in the 21st century.

More specifically, the modules encourage you to reflect upon the broad and hybrid nature of art and design and the emerging global workplace in which you will ultimately take your next steps. To offer you real-world experience through live briefs and the work placements, we collaborate with both international media and communication organisations (such as our partner Hearst Magazines UK) as well as local creative businesses on our doorstep in Cambridge—one of the UK’s centres of leading-edge creativity and innovation.

Visit the website for full specifications: http://www.csvpa.com/art-and-design/ma-art-design/course-details/about.htm

Click here to apply online: https://www.csvpa.com/apply-online/step1



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