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Masters Degrees (Photo)

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The program is aimed at training the various professional profiles involved in the production, management and distribution of photographic images. Read more

Overview

The program is aimed at training the various professional profiles involved in the production, management and distribution of photographic images.

The one-year Master’s Program in Photography and Visual Design integrates theoretical study with laboratories and project workshops.

Coursework is enriched by guided visits to research centers and performance spaces, audiovisual production facilities, publishing houses, theatres, artists’ studios, museums, and contemporary art galleries.

Workshops simulating real assignments in real technologically-equipped studios are conducted in collaboration with a network of partner companies and institutions and focus on various project areas from photography exhibitions to magazines, photo/video interactions, and corporate projects.

The second part of the program is dedicated to a period of internship at selected companies or institutions such as publishing companies, editorial offices, photo agencies, photo archives, museums, galleries, or photo studios that could help facilitate their entry into the job market.

The combination of all these different aspects and approaches represent the tools through which this program prepares groundbreaking professionals to enter the world of photography, arts, and national and international communication.

Language: Italian
Credits: 60 CF
Placement rate: 81%

Audience

Candidates holding a first-level academic diploma or BA degree, or about to graduate and with a knowledge of the Italian language (according to the medium of instruction of the program) equal to a B2 Common European Framework of Reference for Languages.
The program is open to candidates willing to approach the world of photography, arts, national and international communication and combine a solid historical and cultural base with highly developed technical and practical skills necessary for success in national and international markets.

Career

The one-year MA in Photography and Visual Design equips students with the necessary fundamentals to continue their studies or to enter the world of professional design and creative industries. This program is focused on training a wide variety of professionals who are involved in the production, management, and distribution of photographic images for both commercial objectives and artistic goals: Photographers in a variety of fields, including advertising, fashion, architecture, and the arts, curators and cultural operators, events managers for photographic exhibitions, festivals, fairs, and other cultural venues, Photo editors and image consultants for companies and publishing houses, Photo research specialists and archivists for image banks and stock photography agencies, Managers for cultural industries who are involved in the production and management of photographic materials.

Companies

NABA has developed strong relationships with leading companies which provide internships for NABA students. Among them are: Fondazione La Triennale di Milano, Fondazione Museion - Museo d'Arte Moderna e Contemporanea Bolzano, Form Content Londra, BAK, basis voor actuele kunst, Oliviero Toscani Studio, Sotheby's Italia, Skira Editore, Associazione Viafarini, Artshow Edizioni, Careof Organization for Contemporary Art,Open Care.

Admission

Discover how to apply: http://www.naba.it/admission-postgraduate-programs/processo-di-ammissione/?lang=en

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Transform your creative practice by engaging with print media on our Master’s course at Cambridge School of Art. Using the latest techniques, you'll work on your own projects in our world-class facilities, and get invaluable experience of exhibiting, curating and collaborating. Read more

Transform your creative practice by engaging with print media on our Master’s course at Cambridge School of Art. Using the latest techniques, you'll work on your own projects in our world-class facilities, and get invaluable experience of exhibiting, curating and collaborating.

Course duration: 12 months full-time or 24 months part-time.

Teaching times

Trimesters 1-3: Tuesdays and Wednesdays (full-time); Wednesdays (part-time)

*Please note: In addition, you will be expected to work independently outside taught times for at least the equivalent amount of time.

Overview

Discover the vital contribution that printmaking has made to the language of contemporary art practice, and how recent technological advances have broadened its definition.

Much of your time will be spent independently researching and undertaking your own practice-based projects. You’ll receive technical inductions for the use of both traditional and emerging processes (including relief printing and intaglio, screen print, lithography, photo-based and digital media) and be free to experiment with, and combine, them in your creative work.

Throughout the course you’ll have support from experienced print and fine art practitioners, and benefit from working in a supportive and critically informed art school. Our connection with the MA Printmaking course at Camberwell College of Art creates opportunities for exchange crits and gives you the chance to build networks with fellow artists. And you'll get a window onto the professional art world through our visiting lecturers, field trips and links to galleries.

Our series of workshops, tutorials, seminars, critiques, presentations and lectures, will allow you to develop research skills that you’ll use on this course and in your future career. In addition, you’ll gain experience of other areas of professional practice including curating and critical writing.

Our links with local printmaking and art organisations, such as Cambridge Original Printmakers, the Curwen Print Study Centre, Aid & Abet, Changing Spaces, Wysing Arts Centre and Cambridge Artworks, will give you the chance to take part in portfolio reviews, live projects and professional exhibitions.

Careers

As well as preparing you for a successful career in creative practice, our course will equip you for many other roles. Our past students enjoy careers in further and higher education, professional print workshops, museum and gallery management, public arts projects, artist in residence schemes and fellowship opportunities, in the UK and overseas.

Or you might decide to continue on to a research degree, like our PhD Fine Art.

You’ll have access to events such as Creative Front Futures, which will give you a taste of different creative industries, and be able to take part in Fine Art Professional Practice and networking initiatives for our students and alumni.

Fortnightly lectures run by our Fine Art Research Unit (FARU) will give you a chance to hear artists and staff talk about their work, and engage in debates about art practice. Our recent speakers have included Phillip Allen, Juan Bolivar, Rebecca Fortnum, Danny Rolph, Hayley Newman, Günter Herbst, David Kefford, Cally Spooner, Tim Ellis, Andrew Grassie, Lilah Fowler, Jemima Brown, Caroline Wright and Matthew Derbyshire.

Visiting printmaking professionals have included Katherine Jones, Stephen Chambers, Sean Rorke, Rebecca Salter, Penny Brewill, Mike Taylor, Kate Palmer, Jo Love and Jane Dixon, Leo Brook and Amanda Couch.

Core modules

  • Printmaking: Research and Context
  • Process and Practice as Research
  • Master's Dissertation Art and Design
  • Acts and Discourses
  • Master's Project: Art and Design

Assessment

On our core modules you’ll demonstrate your progress through your visual research outcomes and supporting evaluative statements, except for the Master’s Dissertation, for which you’ll submit a 6,000-word contextual essay.

Specialist facilities

You’ll work in our fully equipped print studios, with industry-standard facilities including intaglio, screen, relief, litho and photo print processes. You’ll also have access to our 3D workshops, laser cutting facilities, large format digital printer, photography studios and dark rooms, and computer suites for video production and digital imaging.

Studio teaching takes places in our print studio and MA Fine Art studios, which also act as lively hubs for our full- and part-time students in printmaking and fine art.



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Would you like to develop your art practice in a vibrant research culture, supported by dedicated studio space and outstanding exhibition facilities?. Read more
Would you like to develop your art practice in a vibrant research culture, supported by dedicated studio space and outstanding exhibition facilities?

Developed in conjunction with BALTIC Centre for Contemporary Art, the BxNU (MFA) Master of Fine Art course is centred upon praxis – promoting active learning through practise-based artistic research, scholarship and critical reflection.

You will be given the unique opportunity to design and develop your own investigations, determining themes, questions and strategies and moving between experimentation and reflective analysis to production, presentation and publication.

Taught by a wide range of distinguished and internationally respected practitioners, you will undertake field trips and workplace visits, in addition to the option of a study abroad through the Erasmus Exchange programme.

This course offers the perfect opportunity for you to develop your professional skills and prepare for a broad range of jobs.

Learn From The Best

Directed by the BALTIC Professor, teaching is delivered by a network of internationally active artists, academics and curators who provide world-class teaching and mentorship in fine art practice and research.

You will be taught by BxNU partners, which includes the Master of Fine Art team and wider Northumbria University staff, the BALTIC Professor and curators from BALTIC Centre for Contemporary Art.

Throughout the duration of your course you will also benefit from subject-specific input from specialists from other University departments and external contributors.

When studying, you will be given the unique opportunity to discuss your work and receive feedback from a wide range of visiting artists, critics and BALTIC’s educational and exhibition teams, all of which boast extensive knowledge and experience within the contemporary art field.

Teaching And Assessment

A multi-discipline approach to fine art is encouraged when studying this course and all forms of artistic practice are welcomed. You will be encouraged to develop the full potential of your own individual skills through experimentation and critical reflection, with support throughout your development. Teaching is delivered via a range of methods including lectures, technical workshops, seminars, group critiques and individual tutorials.

A programme of studio critiques, seminars and exhibition visits will also enable you to develop the discursive and critical skills necessary to articulate issues relating to your practice.

Assessment is undertaken by a combination of studio/exhibition presentations, written submissions and oral presentations, which will be filmed by the BALTIC archive crew to allow you to assess your own performance whilst developing a personal archive of your work.

Field trips and an optional study abroad will also allow you to further enhance your skills and knowledge.

Module Overview
Year One
EF0126 - E.S.A.P. in FADSS Level 7 (Optional, 0 Credits)
VA7022 - Studio Practice 1 (Core, 30 Credits)
VA7023 - Studio Practice 2 (Core, 30 Credits)
VA7024 - Locating Practice (Core, 30 Credits)
VA7025 - Exhibiting Practice (Core, 30 Credits)

Year Two
EF0126 - E.S.A.P. in FADSS Level 7 (Optional, 0 Credits)
VA7026 - Public Output 1: Project Initiation (Core, 60 Credits)
VA7027 - Public Output 2: Project Resolution (Core, 60 Credits)

Learning Environment

Throughout the duration of your course you will have access to a wide range of leading facilities.

In addition to the unique provision for research and practice provided by PSN (Paper Studio Northumbria) and CSN (Colour Studio Northumbria), you will also have access to fully-equipped sculpture workshops (wood, metal, casting, ceramics), print workshops (screenprint, etching, lithography, cyanotype, drypoint, photo-etching, photo-intaglio, monoprint), analogue photography darkrooms (B&W and colour fine print & processor), photography studios, a Mac suite with 24 stations for digital imaging and video, digital output facilities with high resolution printers, conservation workshops and central media stores with online booking for still/moving image, sound and lighting equipment.

The use of technology is embedded throughout, utilising resources such as electronic reading lists and virtual seminars to connect you to national and international networks.

You will also benefit from our direct proximity to BALTIC’s stunning 300 square metre top floor galleries which are also the site for the MFA graduating shows.

Research-Rich Learning

The Master of Fine Art course is centred around research-rich learning, with teaching delivered by internationally active artists, academics and curators. You will be mentored by this team, allowing you to develop an understanding of the wider professional context of exhibition and interpretation.

You will have access to the research environment at BALTIC 39, providing you with the opportunity to participate in the weekly postgraduate conversation, Talk Studio. The momentum and content of these sessions are tailored to the experimental open nature of the studio environment and driven by your own investigative processes.

Your own research is also important and you will be encouraged and supported to set up initiatives that actively contribute to the research environment of BALTIC 39. Currently this includes student-led initiatives such as reading groups, a performance group, a photographic research group and student-led ‘test-bed’ crit sessions.

Give Your Career An Edge

Our graduates are highly valued with employers thanks to the reputation of Northumbria University and our unique partnership with BALTIC Centre for Contemporary Arts.

On graduation you will be able to think and act independently, applying your disciplinary knowledge to complex issues in an imaginative, sustainable and reasoned manner whilst marry method, form and ideas. You will also possess an awareness of industry standards for presentation and communication.

Throughout your studies you will be encouraged to initiate opportunities to work with artists and arts organisations, in addition to bespoke opportunities initiated by staff teams. These opportunities include exhibitions, performance events, symposia and workshops which to date have included work in the UK, as well as Poland, The Netherlands, Northern Ireland and Stockholm.

Undertaking field trips and visits will also contribute to your employment prospects, with a study abroad further developing your experience, expertise and career prospects.

Your Future

The Master of Fine Art course will prepare you for a range of careers thanks to the diverse range of skills that you will acquire throughout your studies.

You may wish to pursue a broad range of jobs within the cultural sector, curating, professional research, teaching or doctoral studies.

The provision for enterprise or self-employment is delivered through professional exhibiting opportunities including grant and CV writing, developing your own web presence and testing writing with external stakeholders. You will also learn how to manage your time, resources and budgets.

Despite being a new programme, the Master of Fine Art course already boasts successful alumni , including Gethin Wyn Jones, currently a research fellow at the Royal Institute of Art, Stockholm and artist Joanna Hutton who was selected for EVA International, Ireland’s Biennial, less than a year after graduating.

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Do you have an eye for design? Would you like to help influence the future of visual communications? Southampton Solent University’s MA Visual Communication programme is ideally suited to students who wish to better understand the academic theory that underpins a range of visual mediums. Read more

Do you have an eye for design? Would you like to help influence the future of visual communications? Southampton Solent University’s MA Visual Communication programme is ideally suited to students who wish to better understand the academic theory that underpins a range of visual mediums.

This intensive master’s degree helps students to improve their creative skills and build a solid understanding of visual communications theory. The curriculum covers the latest innovations in visual practice, examining the way technological and cultural changes contributed to contemporary academic thinking. 

Topics of study include editorial design; art direction; interactive multimedia; information design; image creation; illustration; typographic design; print-making and photographic technique. Students may have workshop sessions with the letterpress, screen-printing, etching and relief printing facilities, as well as the wet darkroom and photo studio. Depending on their creative background, graduates will be well prepared for a range of careers in the creative industries.

Critical research papers and final master’s projects are supported by the University’s expanding research base, encouraging students to make an innovative contribution to visual communication academia.

What does this course lead to?

This master’s degree delivers the skills you’ll need for a wide range of visual design fields including animation, art direction, web design, publishing, branding and typography. The course includes time to develop hands-on creative skills. Students are encouraged to create work for their professional portfolio.

Who is this course for?

Aimed at those with a relevant honours degree, or with extensive experience in marketing, design or digital fields, this master’s degree is well-suited to those who are looking to develop their career into art direction, web design, publishing or branding.

What you will study

Units include:

Visual Communication Practice

Visual communication practice and specialisms such as editorial design, interactive multimedia, information design, image creation, book design and typographic design. Print-making and photographic techniques including letterpress, screen-printing, etching and relief printing, wet darkroom and photo studio practice.

Digital Media

The advantages and limitations of digital media and its delivery across a range of devices, from desktop to mobile.

Project Development

Developing the appropriate design language to apply to your research findings.

Masters Project Proposal

Students will write a 3000 word proposal for their chosen Master's project.

Master’s Project

On this final project you’ll bring all your skills together to design, execute and present an individually demanding piece of work that demonstrates systematic and in-depth understanding of your particular discipline of study.

Facilities

To help with creative projects and portfolio documentation, Southampton Solent provides a comprehensive media loans scheme. This scheme gives students free access to high-end photographic equipment and accessories. 

Students will have access to a range of specialist facilities throughout their studies. These include Mac computers, professional creative software, digital printing facilities and traditional printing presses.

You’ll have access to a full range of print-making facilities including letterpress, screen-printing equipment, etching and relief printing, and digital resources.

Your future

Suitable roles for graduates include:

  • Design consultancy
  • Publishing industry
  • Advertising – agency side
  • Multidisciplinary design 
  • Web design
  • Television
  • Film and multimedia
  • Freelance practice
  • App design. 

There’s a chance of progression to further study, including a PhD, on successful completion of the course.

Industry links

Students will work on competition briefs for organisations such as the Design & Art Directors Association (D&AD) and the Young Creative Network (YCN). Through this course you’ll develop valuable and appropriate skillsets through engagement with the wider profession, design community and industry.

Work-orientated assignments will be offered alongside appropriate ‘live’ projects from local and national organisations. There will be opportunities to visit museums, galleries and design studios, both nationally and internationally, as part of the course.

The teaching team maintain strong links with industry, providing students with the chance to participate in live briefs, networking events, and guest lectures.

Placements

You’ll be able to engage directly with employers by organising your own work placement or work-based project, supported and encouraged by the course team as required and students will work on competition briefs for organisations such as the Design & Art Directors Association (D&AD) and the Young Creative Network (YCN).



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The Master of Fine Arts (M.F.A.) degree program offers students the opportunity to pursue graduate study in the Departments of Art, New Media, or Theatre and Dramatic Arts. Read more
The Master of Fine Arts (M.F.A.) degree program offers students the opportunity to pursue graduate study in the Departments of Art, New Media, or Theatre and Dramatic Arts. These majors emphasize a combination of theory and practice relevant to their discipline. Faculty, comprised of artists and scholars, foster an environment of active engagement with material, critical and conceptual investigations in production and performance. The M.F.A. program allows graduate students to concentrate in their chosen disciplines and to synthesize their research into a unique and challenging Thesis Project. Exceptional facilities, integrated technical support, a lively community of arts and culture, and a commitment to academic and creative excellence are integral qualities of the Faculty of Fine Arts.

Masters of Fine Arts - New Media

Building on our reputation for excellent undergraduate education in the areas of 3D art and animation, the moving image, interactive arts, digital design, and new media theory and culture, the Master of Fine Arts (MFA) in New Media offers students the opportunity to join a dynamic community of artists, designers, and scholars.

As a smaller program with high calibre students, the MFA in New Media encompasses a strong theoretical and practical foundation in areas related to faculty research interests. Students hone their creative talents using first rate design and animation software, motion-capture technology, and digital video production equipment. The program offers an exceptional level of interaction with faculty and staff. The MFA in New Media degree is a two-year, full-time studio program of applied and academic study. The University of Lethbridge is committed to providing competitive financial support to all graduate students.

Located a short drive from Calgary, the United States border, and the Canadian Rockies, Lethbridge is a growing city that enjoys a diverse geography of prairie, rolling hills, and an expansive natural river valley area. Lethbridge is home to numerous art collectives and a number of contemporary art galleries including the University of Lethbridge Art Gallery, Casa, Trianon Gallery, Parlour, and the nationally acclaimed Southern Alberta Art Gallery. Several sites for exhibitions are available to graduate students, including the University of Lethbridge Penny Building, which provides a strong downtown presence.

The program offers students unique opportunities to contribute to the vibrant cultural life on campus and in the broader community of Lethbridge. MFA students are encouraged to augment their studio practice through interactions with other graduate programs in the Faculty of Fine Arts (Art, Music, and Drama). The University’s liberal arts focus offers opportunities to take courses and explore collaborations with the Humanities, Sciences, and Social Sciences.

Located in the U of L Centre for the Arts, the New Media Department is supported by excellent studios, labs, specialized workshops, and digital facilities, including:

•Teaching and research computer labs equipped with dedicated workstations for computer graphics and visual content development
•Green Screen Studio combined with Digital Photo Studio facilities supported by digital video and photo cameras, dedicated mobile and studio lighting equipment kits, and professional sound recording and editing equipment
•Faculty research labs with cutting edge stereoscopic visualization technology
•Motion Capture Studio based on Vicon technology
•Dedicated animation work stations integrated into new media computer labs
•HD video and digital cameras, lighting kits, and sound equipment

How to apply

In order to apply, you will need to provide the following documentation:

• Academic Transcripts
• Curriculum Vitae
• Three Letters of Reference
• Letter of Intent
• English Language Proficiency (ELP)

All applications and supporting documents must be provided through the online portal: https://www.uleth.ca/future-student/graduate-studies/apply

Funding

Find information on Scholarships here http://www.uleth.ca/graduate-studies/master-arts/award-opportunities

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Fashion is as much about stories, words and images as it is about products, garments and accessories. It has become a global cultural and social phenomenon, and advertising, photography, magazines and events are a main part of this shift. Read more
Fashion is as much about stories, words and images as it is about products, garments and accessories. It has become a global cultural and social phenomenon, and advertising, photography, magazines and events are a main part of this shift. The recent changes in digital communication tools and social media have led to words and images becoming even more pivotal to it, yet have also made this system increasingly complex and hard to control.

Our Global Fashion Media MBA was specifically designed to address these changes. It is mainly aimed at students or young professionals from a wide range of backgrounds who are interested in careers related to visual representations and communications, journalism, advertising, photographic styling, artistic direction, e-commerce, public relations, photography, and even digital technologies and social media management, either in the fashion world or in the creative industries at large.

This course has 3 main objectives :
Enriching our students’ fashion, visual and media culture with modules such as « Fashion Photography History » that puts in perspective the historical changes in visual representations of fashion and makes the connection with other creative fields, or « Fashion 2.0 » that focuses on the latest developments in digital communication.

Helping our students understand the strategic challenges faced by fashion companies and brands and the role of communication tools in it. Modules such as “International Marketing Communication”, “Branding” or “Sensorial Marketing” articulate communication tools with the global management of companies that have creative activities at the heart of their business.

Allowing students to use the skills they have acquired during the numerous workshops run by professionals that we offer throughout the year. Examples of this include maintaining a blog dedicated to fashion and culture throughout the programme and producing a fashion magazine in full, from feature and article writing to photo shooting and artistic direction.

This program ends with what we call the Capstone Project, an individual research and creative project. When working on the Capstone, each student is encouraged to appropriate specific topics of the MBA Global Fashion Media according to his or her own professional projects and areas of interest.

Moving from the Paris to the Shanghai campuses allows students not only to compare the sectorial differences between mature and emerging markets, but also to better understand the impact local cultures can have on communication and image production.

In both cities, students have the opportunity to attend a wide range of events, from meeting with professionals, attending fashion shows, exhibitions and professional fairs to taking company tours, thus allowing them to build their own professional network. The Career and Alumni Centre is also there to offer guidance to IFA Paris students and alumni, and brings together a large network of graduates and alumni from over 50 different nationalities.

All our programs are articulated around the ECTS framework as defined by the Bologne convention. After completing their course, students receive a total of 120 ECTS that can easily be transferred if they decide to study further. This program also received the IDEL/IDEART accreditation and is certified as an “International Master.”

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This master provides working tools that students can develop and apply in the different domains of photography. Each student can decide when to enroll on each module. Read more

This master provides working tools that students can develop and apply in the different domains of photography.

Each student can decide when to enroll on each module. We aim to teach a methodology, not a series of recipes or technical details. Our guest specialists in photography, edition, post production, lighting and communication theory will provide their own point of view and will stress the aspects of major relevance. This richness and its international spirit make this master something really special.

Goals

• to offer students a view of current tendencies in applied and commercial photography

• to implement the tools and knowledge used in the photography industry

• to familiarise students with contemporary working methods in the field of production, studio management, post-production, publishing and stock

• to show the cultural value of photography, forms of collaboration and creative funding models

• to analyse the challenges and limitations of the market in times of strong media convergence and downsizing

• to get to know about the history of photography in the context of design

Professional Opportunities

• Press and media photographer 

• Editorial photographer

• Fashion photographer

• Digital and lighting technician

• Post-production artist 

• Photo Editor

• Agency Assistant

• Art director 

• Studio Manager 



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We're in the middle of a documentary renaissance. Documentary stories are being told in cinemas, on TV, in galleries, on tablets and on mobile phones. … Read more

We're in the middle of a documentary renaissance. Documentary stories are being told in cinemas, on TV, in galleries, on tablets and on mobile phones. On this course you'll learn about the technology that's bringing improvements in documentary making, understand the ethical challenges that documentarians face, and face questions of authorship and authenticity. At Royal Holloway we nurture creative and challenging Filmmakers. The course offers a launch pad for outstanding careers in a growing field of filmmaking. 

You'll be taught by award-winning documentary filmmakers and commissioners: our tutors Marc Isaacs, Helen Littleboy and Victoria Mapplebeck, are all active filmmakers with industry contacts. They'll give you insight into what commissioners are looking for in documentaries today and you'll get real vocational experience by working on your own projects with established industry leaders.

  • You will gain hands-on tuition, classes, workshops and ongoing support from award winning directors, producers, editors, commissioners and film programmers
  • Be part of a challenging and dynamic production environment in which you will meet other aspiring directors, writers and producers, creating contacts and support that could last a lifetime
  • We bring in commissioners from the real world of documentary production to give you a full picture of what it takes to work as a documentarian. Some of our visiting commissioners have gone on to work with our students to develop their projects.
  • You will have the chance to workshop, develop and produce creative and original documentaries, gaining the skills, knowledge and contacts to see those projects go from idea to screen with an depth knowledge of documentary commissioning, across all platforms of distribution and exhibition
  • Draw inspiration from our location: taught predominantly at 11 Bedford Square, our creative hub close to the British Museum in London's Bloomsbury – plugging you right into the centre of a busy industry. You'll also have access to all of our facilities at our leafy Egham campus.
  • Make use of our exclusive 24-7 media labs and post-production rooms, complemented by our impressive range of professional location filming equipment, TV and sound studio facilities, supported by our committed and approachable technical team.
  • Access to work opportunities and internships in TV, cinema and cross platform production. Our students and alumni have worked on productions at BBC Storyville, Channel 4 and Reuters.

Guest Lectures and Guest Speakers include:

  • Nick Fraser – Commissioning Editor - BBC Storyville
  • Clare Paterson – Commissioning Editor - BBC Documentaries
  • Ollie Lambert – Award Winning Director
  • Films include: The Tea Boy of Gaza, Mum and Dad are Splitting Up and Syria ; Across the Lines
  • Pawel Pawlikowski – Award Winning Writer and Director
  • Films include: Ida, Last Resort, My Summer of Love , The Women in the Fifth and Tripping With Zhirinovsky

Course structure

Core modules

Ideas to Screen

In this module you will develop an understanding of the practice of documentary film making. You will look at eclectic notions of the genre, exploring the conceptual and formal challenges of creative documentary filmmaking, and examine ways of translating observations and ideas into both visual and aural imagery. You will also consider experimental forms of narrative, focussing on the the boundaries between fine art and documentary.

Foundations of Production

In this module you will develop an understanding of commissioning institutions and their political and financial structures. You will look at contemporary forms of distribution, from the internet to theatrical, and consider the three fundamental stages of production management in for documentary films - pre-production, production, and post-production. You will gain practical experience in the production of short taster tapes and the writing of proposals and treatments, covering the basics of budgets, schedules, copyright, legal compliance and marketing. You will also have the opportunity to participate in a number of field trips and attend sessions with industry experts.

Major Documentary Production

You will produce a substantial documentary production of 20-minutes in length. You will develop an understanding of documentary film genre and its changing boundaries, as well as emerging technologies and their impact on genre. You will look at the process of making a documentary film, from initial concept to final form, and the various stages of production. You will consider the current and changing platforms for documentary film, including cinema, television and the internet, and examine the ways in which the documentary industry is being reinvented.

Teaching & assessment

Assessment is carried out by a variety of methods including project work, photo essays and written production papers.

Your future career

Our students have gone onto become award winning Directors, Editors, Animators and Producers. Recent graduates have been nominated for and won many awards, including The London International Film Festival, BBC Storyville, International Women’s Film Festival, Open City Docs, CineGlobe and The One World Media Award.

Recent Graduates include:

Iris Lebrun - Whilst at Royal Holloway, Iris won a One World Broadcasting Award. Her film Feeding The Void, won First Prize at Open City Docs Fest. Iris was also selected for Mini Meet Market at Sheffield Doc Fest 2014 . Since graduating she has interned at BBC Modern Times and worked as an Editor on Text Me, a cross platform Documentary which won the 2014 Pixel Lab Award.

Masumi Higashi – Masumi’s film Motorbike Midwifes won a One World Broadcasting Award whilst she was at Royal Holloway. Motorbike Midwifes went on to win twenty Awards, including, BBC Storyville Prize for documentary narrative excellence at CineGlobe , Winner of the International Short Documentary Garden State Film Festival and The Gold Award Winner at the California Film Awards.

Jeong One Park. Jeong One's film Kung Fu Grannies won a One World Broadcasting Award and was nominated for a One World Media Award. Kung Fu Grannies went on to win: First Prize at the International Women’s Film Festival, Best Short Film at the Society for Visual Anthropology Film Festival and Best Short Film at the Cineffable France. Since graduating Jeong One has worked as an Editor and Producer at Channel 4, BBC and Reuters.



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This course is designed to provide a high level of engineering and technical expertise in energy conversion processes, combined with the application of practical abilities in management-related issues. Read more
This course is designed to provide a high level of engineering and technical expertise in energy conversion processes, combined with the application of practical abilities in management-related issues. The course puts a strong emphasis on the context of renewable and sustainable energy technologies and the built environment, and combines this with effective management skills, economic appraisal, and an understanding of the current policies and regulations that are applicable at UK, EU and international level.

This course is tailored towards graduates in engineering, science and related disciplines. The strong emphasis on science, technology and engineering is specifically targeted towards subject areas within the context renewable and sustainable technologies and the built environment and uniquely combines this with effective management skills, economic appraisal and an understanding of the current policies and regulations that can be applied within modern industry in the UK, EU and internationally.

Advanced study in engineering-related research methodologies provides invaluable experience either towards further academic
study or industry-based research and development.

Students will develop:
the ability to communicate ideas effectively in written reports, verbally and by means of presentations to groups
the ability to exercise original thought
the ability to plan and undertake an individual project
interpersonal, communication and professional skills

Students on the course will cover all forms of energy conversion including cooling technologies, renewable energy technologies, combustion & biomass, advanced heat transfer and fuel cell technology. The course also includes practical subjects such as management & UK/EU/International regulations & policy, research methodologies, economic appraisal, CFD and materials science. The introduction of this course coincides with the huge demand for young, highly trained engineers who have strong enthusiasm for sustainability and the environment. This MSc can be used to gain full Chartered Engineer (CEng) status as appropriate.

Previous research projects have included:

a comparision study of solar Photo Voltaic (PV) & wind turbine power generation for domestic application
a feasibility study of PCM impregnated carbon composites
CO2 capture & storage by mineralisation of waste aggregates
simulation of an integrated CHP/ground source heat pump system for a library

This course is fully accredited by the Chartered Institute of Building Services Engineers (CIBSE) and Engineering Council UK (ECUK).

Scholarship information can be found at http://www.nottingham.ac.uk/graduateschool/funding/index.aspx

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Within the creative and media industries, small groups of people with strong individual talent often evolve into innovative companies. Read more

Within the creative and media industries, small groups of people with strong individual talent often evolve into innovative companies. On this course, you will develop your own area of expertise and hone your ability to work creatively with like-minded professionals.

Option modules and the flexible nature of this course will enable you to develop a broad overview of creative technology while also specialising in an area of your choice. You might choose to investigate emerging 3D computer animation techniques, work on post-production special visual effects or explore innovative photographic visual effects technologies.

You will develop your specialist skills and knowledge of digital technology through the use of digital tools in our inspiring learning environments, which include a chroma-key and motion capture studio and a suite of high-quality professional music studios. These facilities combined with regular visiting speakers from the music and film industries and a range of links with local and national music, arts and festival organisations and also animation, games and visual effects companies, will ensure you get the most from your course.

Research Excellence Framework 2014

Research Excellence Framework 2014: our University demonstrated strength in five emerging areas of research which it entered into the assessment for the first time, including computer science.

Course Benefits

Creative technology is a unique combination of technical innovation and visual creativity. Delivered by a skilled group of artists, musicians, designers and technologists, we pride ourselves on the diversity of our delivery.

We have excellent equipment and resources including a motion capture studio, a suite of high quality professional music studios and a highly experienced and skilled teaching team. This, combined with regular visiting speakers from the music and film industries and a range of links with local and national music, arts, and festival organisations, plus animation, games and visual effects companies, ensures that you get the most from your course.

Core modules

  • Digital Video & Audio
  • Project Management
  • Negotiated Skills Development
  • 3D Computer Technologies
  • Advanced Motion Graphics
  • Research Practice
  • Dissertation / Final Project

Option modules

  • Collaborative Practice
  • Interactive Environments
  • Visual Effects
  • 3D Animation

Job prospects

We offer a route into a rapidly growing industry with career opportunities in film, television, music, games, advertising, design and visualisation. As this industry continues to expand, it will require more highly skilled practitioners, and this course will help you develop the skills needed in your specific area of interest.

  • 3D Animation Programmer
  • Visual Effects Producer
  • Audio Visual System Designer
  • Photo Editor


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Develop a wider vision. Designed with photojournalists and documentary photographers in mind, the MA Photojournalism and Documentary Photography course can help you expand your practice and challenge the potential of the medium. Read more

Introduction

Develop a wider vision. Designed with photojournalists and documentary photographers in mind, the MA Photojournalism and Documentary Photography course can help you expand your practice and challenge the potential of the medium. Learn through a series of assignments as part of this internationally renowned programme and join the graduates who've gone on to win the World Press Photo Daily Life Singles category and the Taylor Wessing Portrait Prize.

Content

A practical, cutting-edge Masters course with an international reputation, designed for aspiring photojournalists and documentary photographers.

Photojournalists and documentary photographers explore and record human experience. Beginning with Henri Cartier-Bresson (regarded as the father of modern photojournalism), they have recorded significant moments in history, documented unfolding news and created images that have gained iconic status. Central to their work is the telling of a story through images.

This internationally-recognised course is aimed at people who want to pursue a career in photojournalism or documentary photography. The aim is to equip students with a thorough grounding in the discipline, whether through film or digitally-based photography. You will follow a rigorous programme of photographic assignments, as well as initiating and developing your own projects and areas of special interest. All this takes place within the framework of the history and development of the medium, together with critical ethical and theoretical contexts. You will be encouraged to develop a wider vision of the practice and potential of the medium through exploration of the uses of documentary and reportage photography in magazines, portfolios, gallery exhibitions, books, television, web, CD-based productions and other media.

Structure

Phase 1

Photojournalism Practice
History of Photojournalism and Documentary Photography

Phase 2

Documentary Practice with Research Methods
Critical Perspectives on Photojournalism and Documentary Photography

Phase 3

Major Project

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This exciting degree offers you the opportunity to study one of the major areas in contemporary media and communications – branding. . Read more

This exciting degree offers you the opportunity to study one of the major areas in contemporary media and communications – branding. 

The unique programme introduces you to the variety of ways in which brands are developed and used, and helps you to understand how the growth of branding – in business, but also in politics, government, sport and culture – has changed the societies we live in.

What happens when the state starts to use branding techniques to communicate with its citizens?

And how does the rise of digital and social media change the relationship between brands and their publics?

What, for example, are the consequences of understanding political parties, artists or sports teams as ‘brands’?

An introduction to contemporary branding debates

The MA in Brands, Communication and Culture aims to provide you with a comprehensive understanding of the history and development of brands and branding, and their relationship to contemporary forms of communication and culture. Specifically, you should acquire an in-depth knowledge of the social, political and economic backdrop against which branding has become so important, and an understanding of the key themes and debates surrounding its development and use, including the relationship between brands and intellectual property, and the extent to which branding promotes or inhibits openness and transparency within organisations.

You will also improve your ability to think critically and creatively about contemporary communications and cultural practices. When you have completed the programme you will have at your disposal a range of tools that will enable you to analyse contemporary communications, to make judgments about their significance and value and be able to thoughtfully contribute to contemporary communications.

A unique approach to the study of brands

This MA is not a conventional branding or marketing course. Instead it offers a unique approach to the study of brands. This is reflected in the topics taught on our core modules, which include:

  • The role of brands in and beyond markets
  • The rise of consumer culture
  • Critical perspectives on brand management and governance
  • Intellectual property
  • Immaterial labour and the rise of ‘branded workers’
  • Gender, colonial history and branding
  • Attachment, identity and emotions in branding
  • Ethics and transparency
  • The emergence of brand experiences and ‘staging’ of brands
  • Fair trade and accountability
  • Branded spaces and communities
  • Social media and open source cultures
  • Geodemographics and new forms of social classification

The MA Brands, Communication and Culture is taught across two departments: Media & Communications and Sociology. This gives you access to experts in many fields. In addition to the two core courses you will have the opportunity to customize your degree by choosing from a range of modules from different departments to allow you to explore your own interests and make wider connections.

We welcome students who bring to the course a range of experiences and interests in communication, management, politics, design and the cultural industries.

Recent dissertation topics include:

  • Branding post-capitalism? An investigation of crowdfunding platforms
  • Trespassed City: Mapping London’s privately owned public spaces
  • The rise of co-working spaces
  • Craft Entrepreneurs: an inquiry into the rise of artisanal production in post-industrial cities
  • Hashtags in photo sharing social media apps
  • Consumer culture in contemporary Shanghai
  • Branding of NGOs
  • Sustainable brand strategies - good for the environment or just a selling strategy?
  • Fashion bloggers and cultural capital
  • Medical tourism and branded healthcare
  • Intellectual property in the fashion industry
  • Branding London's districts

Modules & structure

The programme is made up of two core modules (60 credits in total), between two and four options modules (60 credits in total), and a dissertation (60 credits).

The first core module, Branding I, introduces you to contemporary definitions and theories of branding, its history and development, changes in the role of marketing, promotion and design, and their place in the global economy.

The second core module, Branding II, puts greater emphasis on contemporary themes and issues in branding, and their relationship to wider debates in society, economy and culture.

Throughout the core components of the degree, you will examine the wide range of ways in which branding is currently used, in organisations ranging from large corporations to public sector bodies, charities and other third sector organisations.

For the optional modules, you'll have an opportunity to explore some of the wider contexts for brands and branding by taking up to 60 credits of modules provided elsewhere in Media and Communications or neighbouring departments such as SociologyCultural Studies and Anthropology.

Part-time students typically take the two core modules in their first year, and the options modules plus the dissertation in their second year.

Vocational elements

The department offers some practice-based options in areas such as:

  • Media Futures
  • Online Journalism
  • Campaign Skills
  • Media Law and Ethics
  • Design Methods
  • Processes for Innovation

Assessment

Assessment consists of coursework, extended essays, reports, presentations, practice based projects or essays/logs, group projects, reflective essays, and seen and unseen written examinations.

Download the programme specification. If you would like an earlier version of the programme specification, please contact the Quality Office.

Please note that due to staff research commitments not all of these modules may be available every year.

Skills

The programme helps students to develop a high-level understanding of contemporary branding and communications techniques and their social, economic and political contexts. You will be encouraged to develop your critical reasoning skills and your understanding of contemporary cultural and media theory, but also to develop greater visual literacy and a capacity for creative thinking. Assessments are designed to ensure that you are able to apply these skills in practical ways.

Careers

The programme equips you with the skills necessary to pursue a wide range of careers related to branding and communication in the media and other industries. Students are encouraged to seek work experience and work placements during the programme as time allows. The MA also allows you to pursue further academic research in one or more of the areas covered on the programme.

Find out more about employability at Goldsmiths



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This programme comprises a major research project and six taught modules, four compulsory and two optional. The research project can be taken full-time or part-time and can be carried out in the University or by industrial collaboration with a company. Read more

This programme comprises a major research project and six taught modules, four compulsory and two optional.

The research project can be taken full-time or part-time and can be carried out in the University or by industrial collaboration with a company.

Course details

This programme can be taken on a full- or part-time basis. This one-year Course (full-time) comprises a major research project (two-thirds of the year) and six taught modules (one-third of the year), which are taken intermittently throughout the year. 

Students with an appropriate technical background (a Materials Science first degree) can start the course at any time. Students without a background in Materials Science are required to take the Introduction to Materials module (see module section), and must start the MRes Course at the beginning of the academic year, in September. 

Related links 

Learning and teaching

The programme is currently delivered through a combination of lectures, seminars, tutorials, project-based and laboratory-based teaching and learning methods.

Examples of MRes in the Science and Engineering of Materials Research Projects

  • Reliability of optical fibre sensors for smart structures 
  • Mechanical reliability of optical fibres for telecommunications
  • Chemistry and stability of localised corrosion sites
  • High Resolution Synchrotron X-ray studies of pitting corrosion
  • Simultaneous thermal (DSC), spectral (FTIR) and physical (TMA) analyses of polymers
  • Design, fabrication and evaluation of a novel fibre optic acoustic emission sensor 
  • Detection (and modelling) of moisture ingress in composites using optical fibre sensors 
  • Self-sensing glass fibre composites: Chemical process monitoring
  • Self-sensing glass fibre composites: Damage detection
  • Characterisation of photo-curable dental resins using a non-contact probe

Employability

University Careers Network

Preparation for your career should be one of the first things you think about as you start university. Whether you have a clear idea of where your future aspirations lie or want to consider the broad range of opportunities available once you have a Birmingham degree, our Careers Network can help you achieve your goal.

Our unique careers guidance service is tailored to your academic subject area, offering a specialised team (in each of the five academic colleges) who can give you expert advice. Our team source exclusive work experience opportunities to help you stand out amongst the competition, with mentoring, global internships and placements available to you. Once you have a career in your sights, one-to-one support with CVs and job applications will help give you the edge.

If you make the most of the wide range of services you will be able to develop your career from the moment you arrive.



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The course explores documentary practices and photojournalism as exciting and developing mediums, through a combination of practice-based teaching and discussion of critical contexts. Read more

The course explores documentary practices and photojournalism as exciting and developing mediums, through a combination of practice-based teaching and discussion of critical contexts.

We take each applicant on their own merit. This can include students of documentary photography or photographers in general who are interested in specialising in this area. Also welcome are artists who wish to focus their activities on a more social practice, and individuals from other disciplines, who wish to explore the subject area at post grad level.

The course builds on the international stature of the photographic and journalism departments of the University and is designed to equip you with an awareness of contemporary documentary and photojournalism, drawing on a variety of related media.

The course can be taken in full-time or part-time mode.

The Documentary and Photojournalism MA allows students to explore ideas of society through photographically related practice and within critically informed ways that maintain connections with the issue, yet also consider fresh visual approaches to the subject matter.

We approach photography as a social practice, situated within its own history, but also drawing on various discourses. We explore the idea that documentary practice and photojournalism may take many forms in the 21st Century.

Importantly, from your arrival, we emphasise the development of your own practice, through experimentation, critique and theory, and encourage analysis of practice through contemporary perspectives.

The course leads towards the Final Major Project, which is a consolidation of student learning into a high profile event in a central London exhibition space.

You will be taught by practising professional photographers, artists and writers, within a supportive course atmosphere. Technically, the course resources are equipped to the highest professional standards for both analogue and digital production of still and moving image.

Course structure

All modules involve classroom teaching, tutorials, seminars, workshops, group work and your own fieldwork and are designed to equip you with advanced ways of working and negotiating your practice. We take the view that the work you make from the beginning of your studies with us is potentially valid currency for external use.

We encourage you to explore production of a body of documentary/photojournalistic works through the development of personal practice in the real world by:

  • Creating an informal learning agreement which emphasises a real world engagement
  • Exploring appropriate responses to given situations
  • Exploration of documentary methods
  • Challenging expectations.

Students take the first four core modules below and choose from either Final Major Project or Dissertation as their fifth core module. Students choose one option module from those listed below.

The following modules are indicative of what you will study on this course.

Core Modules

Optional modules

Career path

The emphasis of the course is on the development of your practice, through experimentation, and knowledge creation as understood within contemporary approaches to documentary, as well as many related practices such as critical and journalistic and collaborative practice.

In addition to the Skills acquired of photographers enabling the production of works this will also involve competent use of a variety of hardware, software, social media, presentation and production skills.

The MA will involve the development of various hard skills such as management of large and small scale projects, direction (either within film or theatrical modes) facilitatory methods (such as in educational or community roles), advocacy, effective social networking and experience of group and collaborative working. We intend that the student will be able to function as a still photographer, documentary film-maker, activist, artist and writer. We would imagine our graduate to be well rounded and confident individual with adaptability facilitating new ways of seeing.

Internship

The course is taught by experienced and practising photographers, publishers and writers whose extensive network of contacts in all areas of photography is accessible to students. We actively encourage work experience during the course and will advise on possible limited time internships and placements, providing these do not interfere the course work. Any internships or placements will be arranged by the students.



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The MFA in Fine Art is a studio-based, research-centred programme with a critical studies component, supported by studio-led seminars arising from the creative and critical interests of students and staff. Read more

The MFA in Fine Art is a studio-based, research-centred programme with a critical studies component, supported by studio-led seminars arising from the creative and critical interests of students and staff. Students are admitted into one of three subject areas: Painting, Sculpture or Fine Art Media, which includes electronic media, photography, print, film and video.

About this degree

The MFA programme provides an intellectual and creative environment in which talented fine art graduates may develop their individual potential as professional artists and researchers in their chosen studio area; whilst developing a critical awareness of the broadening intellectual and cultural contexts of fine art.

The Fine Art MFA is an integrated degree programme and does not have a modular structure.

The programme consists of studio work (100%) in the student's chosen subject area, and critical studies which are assessed on a pass/fail basis.

Exhibition

Assessment is by submission of the critical study and final examination of studio work in the form of an exhibition.

Teaching and learning

A studio-based programme, students develop their work with tutorial/technical assistance according to individual need. The taught component is delivered through lectures, seminars, tutorials and workshops, but primarily demands individual investigation. Year two prioritises supervised individual research.

Further information on modules and degree structure is available on the department website: Fine Art MFA

Careers

The programme aims to develop students' individual potential, and provide an excellent foundation for further doctoral research. The Graduate Degree Shows are attended by artists, gallerists, curators, critics and collectors providing a high-profile entrance to the professional art world. Recent graduates have established international careers as professional artists, receiving important commissions, gaining gallery representation, winning major prizes and residencies, as well as developing new artist-led initiatives. Others have taken on roles in related careers including curation, museum and gallery management and teaching worldwide. News and achievements of alumni including recent graduates are detailed on the news section of the Slade Schoolwebsite.

Recent career destinations for this degree

  • Freelance Artist, Self-Employed Artist
  • Photo Editor, Getty Images
  • Art Tutor, JW3 Community Centre
  • Research Degree: Slade School of Fine Art, UCL
  • Art Technician, The Royal Danish Academy of Fine Arts

Employability

Professional development opportunities are actively encouraged with graduate students recently working as research assistants on UCL CHIRP's Pigment Timeline project and the Colour & Emotion project, part of the Human Wellbeing focus of UCL's Grand Challenges.

Partnerships outside of UCL include one with Camden Arts Centre whilst the Slade is a founder member of the Junction: North London Cultural Consortium; all of which offers students the opportunity to experience working with galleries and other professional art bodies. In addition, there are several studio residency awards to help launch completing graduate students including the annual Red Mansion Art Prize of a residency in China and an annual competition for residencies at the Academy of Visual Arts, Hong Kong Baptist University, China

Careers data is taken from the ‘Destinations of Leavers from Higher Education’ survey undertaken by HESA looking at the destinations of UK and EU students in the 2013–2015 graduating cohorts six months after graduation.

Why study this degree at UCL?

The Slade School of Fine Art at UCL is one of the UK's leading university departments for research in Fine Art, approaching the study and practice of art in an enquiring, investigative, experimental and research-minded way.

All academic staff are practising artists, actively involved in research as well as teaching, and have a broad and diverse range of interests and expertise. Students benefit from excellent studio space and technical facilities, including a large research centre in Woburn Square.

The UCL Slade School's central London location enables easy access to unparalleled learning resources including major galleries, museums, libraries, cultural institutions and theatres.

Research Excellence Framework (REF)

The Research Excellence Framework, or REF, is the system for assessing the quality of research in UK higher education institutions. The 2014 REF was carried out by the UK's higher education funding bodies, and the results used to allocate research funding from 2015/16.

The following REF score was awarded to the department: Slade School of Fine Art

79% rated 4* (‘world-leading’) or 3* (‘internationally excellent’)

Learn more about the scope of UCL's research, and browse case studies, on our Research Impact website.



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