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The MA Performing Arts. Creative Practice and Leadership develops your capacity to create and lead projects in the performing arts. Read more
The MA Performing Arts: Creative Practice and Leadership develops your capacity to create and lead projects in the performing arts.

From Shakespeare to hip hop theatre and dance, you are encouraged to engage with and reconceptualise classical, avant-garde, contemporary and global practices into distinct and innovative practical work.

You will enhance your understanding of the exciting and varied approaches to work in this key sector of the creative industries, while also considering the specific challenges that face emerging leaders in this field.

Reflecting upon your own artistic viewpoint you will explore the role of the arts in today’s complex societies and the implications from your practise.

You will be encouraged to develop as an agent of innovation in professional and/or community contexts, fostering your capacity to both lead performing arts projects and to work collaboratively.

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/performing-arts-creative-practice-and-leadership#entry

Course detail

• Study with the University’s team of performing arts professionals, visiting artists and facilities that include a professionally theatre.
• Engage with lecturers who draw on their research into, and experience of, creative practices to facilitate your reflections upon the role of performing arts today to refine your own artistic vision.
• Develop as an agent of innovation in professional and/or community contexts, fostering your capacity to both lead performing arts projects and to work collaboratively.
• Explore a unique approach that places the emphasis on practice as the focus for critical reflection and development.
• Benefit from our links with professional networks locally, nationally and internationally as you work towards your final project where you present the culmination of your studies in the manner that best represents your approach to performing arts.
• Benefit from the expertise of performing arts professionals
• Gain from opportunities to present your choreographic or theatre based explorations in our professionally equipped theatres
• Explore practices at the boundaries of theatre making and choreography
• Learn how to engage people in your work and to access new opportunities
• Develop your skills in leadership, networking, project management and collaboration

Modules

• Researching Performance
• Performing Arts Research Project
• Performing Artists and Communities
• Project Planning and Leadership for Performing Artists
• Inter-professional Working Project
• Choreographic Research or Contemporary Theatre Making
• Somatic Practices or The Dancing Mind: Dance Psychology or
• Performance for Inclusion and Diversity

Assessment

Assessment of practice mirrors professional working environments and expectations as far as possible, and tests skills and abilities as a means of enhancing and preparing you for the demands of future employment.

Assessments are designed to help you acquire professionally equivalent skills and abilities, while also promoting and testing your independent critical thinking to develop you as a reflective and articulate artist and researcher as well as an independent and confident future leader.Methods of assessment typify expectations of postgraduate study in advanced performance and include: public and in-studio performances, presentations, oral examinations, literature reviews, essays, and portfolio.

This range and diversity of testing offers opportunities for you, and for the staff team, to explore your relative strengths and weaknesses, and to respond positively to individual challenges through a supportive and personalised learning environment.

Careers

You will be equipped to develop and promote projects and to apply for opportunities in the performing arts suited to your particular skills and abilities. Depending upon your choice of electives these may include:

• Performer: independent/freelance performer Interdisciplinary Performance Practitioner: collaborative and interdisciplinary performance work, self-generated performance-based practice

• Choreographer: independent dance maker/artist, choreographer to specific brief and/or group/project, collaborative artist in interdisciplinary projects

• Director/Theatre maker: independent theatre director and theatre maker

• Educator: lecturer/teacher/leader in a range of formal HE, FE and schools context, in addition to freelance work in wider community and professional environments

• Independent Portfolio Worker in the Creative Industries: consultant and researcher

Previous graduates from the University of Bedfordshire courses currenl work as directors of their own companies, entertaininers, workshop leaders and lecturers.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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The Performing Arts Medicine MSc at UCL is a unique programme providing specialised training to those interested or already involved in offering health services to this very special sector of instrumental musicians, singers, dancers, actors and other performing artists. Read more
The Performing Arts Medicine MSc at UCL is a unique programme providing specialised training to those interested or already involved in offering health services to this very special sector of instrumental musicians, singers, dancers, actors and other performing artists.

Degree information

The MSc and diploma cover musculoskeletal injury, performance psychology, pain management, assessment and rehabilitation, disability, travelling and touring, dance and music performance science, management of the professional voice and research methodology. MSc students also engage in a research project and dissertation. The certificate is a limited curriculum version for non-clinicians or clinicians who wish to upgrade at a later time.

Students undertake modules to the value of 180 credits. The MSc programme consists of eight core modules (120 credits) and the research project (60 credits). A Postgraduate Diploma (eight core modules, 120 credits) A Postgraduate Certificate (four core modules, 60 credits). There are no optional modules for this degree.

Core modules
-Clinical Assessment and Rehabilitation of the Performing Artists
-Clinical Management of the Professional Voice*
-Pain and Disability Management within the Performing Arts World
-Environmental & Lifestyle Issues for the Performing Artist*
-Musculoskeletal and Neuromuscular Performance Related Injury
-Performance Psychology*
-Research Methodology
-Science of Dance and Music Performance*

*PG Cert core module

Dissertation/research project
All MSc students undertake a research project which culminates in a dissertation of approximately 6,000–7,000 words, a presentation and a viva.

Teaching and learning
The delivery of the programme is through lectures, tutorials or workshops. Performing arts clinics and performance settings when possible are also included in the programme. Details about the lecturers and tutors can be found here.

Assessment is through coursework, written examinations and objective structured clinical examinations (OSCEs).

Careers

Graduates gain in-depth knowledge of the diverse field of performing arts medicine. Their specialised skills can be incorporated in their own professional practice or they can participate in performing arts clinics in various settings e.g. conservatoires, orchestras, music or dance colleges.

Graduates' knowledge and experience is valued and they may be invited as educators and trainers in performing arts medicine and will become members of an ever-growing medical community with common interest in the wellbeing of the performer.

Graduates who have aspirations for further academic study and research activity, such as progressing to PhD, will receive appropriate guidance.

Top career destinations for this degree:
-GP (General Practitioner), Grove Surgery
-Physiotherapist, Freelance Physiotherapist
-Physiotherapist, NHS (National Health Service)
-Physiotherapist, Perfect Balance Clinic
-Lecturer, Birmingham Conservatoire

Employability
Assessing a performing artist requires specialised skills and the ability to associate health issues with the particular artistic activity. The course provides its students with broad knowledge of the art forms and their demands on the performer and how these impact on their wellbeing. With focused tutorials and real life scenarios the student builds the confidence to assess and diagnose or refer appropriately as well as to monitor rehabilitation and return to performance. The privileged position of the health professional in helping performers overcome often career threatening adversity is a most rewarding experience that enriches this type of work.

Why study this degree at UCL?

No other MSc programme currently exists that brings together all elements of Performing Arts Medicine. This unique programme has been designed for health professionals entering this diverse field.

The programme is taught and supervised by lecturers working in this and affiliated fields. Research is supported by the Institute of Sport Exercise and Health, the British Association of Performing Arts Medicine, orchestras, theatre companies, and music and dance colleges.

Graduate students present in international conferences and publish in journals becoming members of the global performing arts medicine community.

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The MA in Performing Shakespeare is designed for students interested in the performance of Shakespeare and who want to study both original and contemporary practices of Shakespeare’s theatre. Read more
The MA in Performing Shakespeare is designed for students interested in the performance of Shakespeare and who want to study both original and contemporary practices of Shakespeare’s theatre. The course uses traditional and practice-based research methods for learning and offers an MA degree with choice of thesis project; written or practice-based.

The MA in Performing Shakespeare offers postgraduate students an opportunity to combine practical and contextual study to develop their expertise as artists and educators of Shakespeare. It draws upon:

• Practice-based learning
• Staff who are highly regarded specialists
• Unique flexible delivery model
• Excellent links with industry

Course structure and content

The MA in Performing Shakespeare introduces you to the historic and contemporary practices of performing Shakespeare. The course uses traditional and practice-based research methods and offers the choice of thesis project, written or practical. Regardless of which thesis project you choose, you will benefit from our links with industry specialists, resident scholars and educational opportunities with professional companies like Shakespeare’s Globe Theatre and the Royal Shakespeare Company.

This course gives you the opportunity to creatively apply Shakespeare performance practices to your own work and ideas, and will aid in developing your autonomous and collaborative learning and performance skills. You are also able to explore Shakespeare in-depth through a variety of research methods and are given the support and freedom to build upon your practice and research profile by completing a written dissertation or developing a Shakespeare project from start to finish. These experiences are valuable for developing actors, directors, educators, scholars and Shakespeare enthusiasts. The course will equip you with the knowledge, skills and experience to pursue a professional career in the study and/or practice of performing Shakespeare.

Most of the contact hours and foundational skills classes, workshops, seminars, and lectures take place in the first trimester (usually October – February) and these classes are likely to be scheduled in afternoon-late evening hour slots (depending on each specialist’s availability). The Second trimester (beginning about mid February) usually begins with a visit to Shakespeare’s Globe Theatre and the RSC in Stratford Upon Avon (both visits could be up to a week or more depending on each company’s schedule). You will find that after these off-site visits (at about March) that most of your work will be primarily independent and via the Virtual Learning Environment (VLE), leading into your final dissertation work; which can be produced independently and remotely should you wish. It is suggested that you prepare to be resident in Bath from October until March (depending on course scheduling) but that there will be more flexibility in your schedules as the course moves through each trimester leading to your dissertation.

Modules

Research Methods and Shakespeare Studies (30 Credits AT7000)
This module introduces you to key study skills and current historical/critical considerations of Shakespeare’s canon. The module offers a broad overview of research methodology and postgraduate research skills as a step towards either your thesis dissertation or practical dissertation project. It also functions as a key Masters level module, enabling further postgraduate research and opportunities to collaborate with postgraduate students also studying in the area of Performing Arts. The module will also explore and reflect upon a critical analysis of existing works, ideas and trends in the study of Shakespeare in a written research submission you will prepare and present for dissemination.

Shakespeare in Play and Practice 1 (30 Credits AT7001)
This is a highly practical module in which you will learn a range of foundational performance skills from BSU and external specialists in the industry and study how such skills relate to the performing of Shakespeare’s plays. Foundational performance skills will be taught such as acting, voice and movement (including stage combat). In addition, other skills and specialisms may be studied including comedy and music. You will also study and perform extracts (monologues and scenes) from Shakespeare’s plays in order to demonstrate your skills through practice and knowledge sharing.

Shakespeare in Play and Practice 2 (30 Credits AT7002)
This module is a highly practical module in which you will learn a wide range of performance skills taught by Bath Spa and external specialists in the industry. Foundational performance skills will be taught such as acting, directing, staging and voice. In addition, other technical skills may be taught including Clowning and Fooling, Stage Combat, Movement and Music. The module is taught through mostly workshops and seminars, and assessments may include presentations, performances and productions (directed and self-directed).

Shakespeare and the Globe (30 Credits AT7003)
This module covers the theoretical, historical and practical research of Shakespeare’s Theatre in classic and contemporary contexts. The module includes specialist lectures and off-site visits with Shakespeare’s Globe Theatre and the RSC. You will engage in independent study on topics introduced through the Virtual Learning Environment (VLE) and assessments may include performance projects, research assignments, literature reviews, performance reviews, and other assignments tied to your learning experience.

Performing Shakespeare Thesis (60 Credits AT7004)
In this module you will choose one of two thesis projects leading to an MA degree. If you choose the written MA project you will identify and undertake a research thesis topic that will culminate in a 13,000 word dissertation. If you choose the practice-based project you will undertake a major professional quality performance project and submit a supporting research portfolio. Tutorials to prepare for this thesis module may be conducted in the second trimester or early in the third. In this module you will engage in independent study/practice in order to develop your autonomous research and/or professional practice. You will be further supported through tutorials, meetings and the VLE.

Tutors

• Dr Terri Power (Course Director) – Performing and Staging Shakespeare
• Dr. Matthew Spring – Elizabethan Music
• Mark Langley – Voice Specialist
• Gordon Kemp – Stage Combat
• Pat Welsh – Comedy Specialist
• Dr Laura Purcell Gates – Movement Specialist
• And guest lecturers and artists

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This course would appeal to students who enjoy performing arts and are keen to consider their wider significance and are open minded to creatively exploring new possibilities and experimenting. Read more
This course would appeal to students who enjoy performing arts and are keen to consider their wider significance and are open minded to creatively exploring new possibilities and experimenting.

Visit the website: http://bucks.ac.uk/courses/postgraduate/arts-and-creative-industries/pt/performing-arts-pt-1718

What will this course cover?

On this course you will explore how the boundaries between drama and dance, performance and life, creativity and work are always shifting. These shifting boundaries mean that performing is very much a process of adaptation: from idea to stage, from voice to body, from research to practice.

You will study innovative, interpretive research methodologies such as video- based examinations and reminiscence workshops, and traditional qualitative methods such as one-to-one interviews and hermeneutics, in order to capture, record and transform narratives, adapt concepts, translate ideas into performance, and performance into ideas. You will also explore a range of performance styles, from documentary and verbatim theatre to forum theatre and devised/ physical theatre and dance.

In particular, the course provides a unique opportunity to explore creatively how the performing arts can be developed as a discipline and applied to the world at large, as a way of thinking and conceptualising business, as an educational tool, as pure artistic endeavour.

In projects led by experienced practitioners, you will use your acting, dance and devising skills to look into creative processes beyond the performing arts.

Beginning with lecturer input and increasingly moving to independent study, the course encourages you to think of the performing arts as both an autonomous art form and as something that can have a range of applications in the world.

The course will conclude with a project led by you, in which you develop either an artistic concept or use ideas explored during the course in a wider social context.

Modules

• Research Skills and Professional Contexts
• Residency and Project Development
• Investigating Creativity
• Approaches to Performance
• Professional Workshops
• Placement and Creative Challenge
• Practical Dissertation/Project
• Written Dissertation/Project

Careers

On this programme, you will study research methodologies such as video-based examinations and reminiscence workshops, as well as one-to-one interviews and hermeneutics, in order to capture, record and transform narratives, adapt concepts, translate ideas into performance, and performance into ideas.

You will explore a range of performance styles, from documentary and verbatim theatre to forum theatre and devised/physical theatre and dance. In particular, the course provides a unique opportunity to explore creatively how the performing arts can be developed as a discipline and applied to the world at large, as a way of thinking and conceptualising business, as an educational tool and as pure artistic endeavour.

How to apply

Apply here: http://bucks.ac.uk/applynow/

Funding

There are a range of funding opportunities for postgraduate students which include sponsorship, bursaries, scholarships and loans: http://bucks.ac.uk/fees_funding/postgraduate-masters-scholarships/

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Train to become an outstanding teacher of Secondary Performing Arts (Dance) with Liverpool John Moores University. Graduate with a Postgraduate Diploma in Education (PGDE) and Qualified Teacher Status (QTS). Read more
Train to become an outstanding teacher of Secondary Performing Arts (Dance) with Liverpool John Moores University. Graduate with a Postgraduate Diploma in Education (PGDE) and Qualified Teacher Status (QTS).

-Prepare for a career as an innovative and creative teacher of Performing Arts (Dance) at Secondary level on a course delivered in partnership with schools who are committed to ensuring your success
-Benefit from additional training in Physical Education at Key Stage 3
-Study over 10 months full time, with 120 days spent on school placement, predominantly within a “Home School”
-Qualify with a Postgraduate Diploma in Education featuring 120 Masters-level credits (ours is one of the few ITT courses to offer this) and ---Qualified Teacher Status (QTS) for the same cost and length of study as a PGCE
-Discover why our courses have high completion and employment rates
-Go on to complete your MA in your first year of employment and look forward to excellent career development opportunities

This is an intensive, full time programme leading to Qualified Teacher Status (QTS) alongside your academic PGDE award. University-based study includes: a full time block of three weeks at the start of the course; one day per week until January; week-long, full time study blocks between January and June and a number of conference days.
Placements are organised in our Partnership schools in the Greater Merseyside area. For the majority of the training you will gain your teaching experience in a “Home School” with a six week placement in an “alternative” school after Christmas. This innovative model ensures that you feel genuinely part of the staff whilst on school placement and can monitor and gain satisfaction from your impact on your pupils’ progress over time.

You will also be allocated a Teacher Mentor who will organise and supervise your school-based training. Your Mentor will be supported by your LJMU Tutor who will visit your school several times to monitor your progress. Additional professional development sessions are organised in school during placements.

Tutorial support is an important part of the LJMU learning process and you will receive a personalised service that will enable you to set targets and achieve your potential. Your Personal Tutor will support your academic and professional development and will meet with you formally during the year.

You will undertake a significant amount of independent study and preparation to support your course assignments and school-based work and should be prepared to work some evenings and weekends.

University-based training takes place at the IM Marsh campus just four miles from the city centre. Here you will find independent study spaces with IT facilities, a library, access to student welfare and support, a gym and other sports facilities plus a café and shop.

The IM Marsh Library houses the main collections linked to this course and is open from 8am until 11pm during term time. You will also have access to the 24 hour, city centre Aldham Robarts and Avril Robarts libraries.

The University-element of the programme is based around six core modules focusing on:

-Professional Practice (a series of school-based investigations of current issues)
-Developing Reflective Professional Practice (enabling you to effectively evaluate your school-based practice)
Subject Pedagogy in Performing Arts - Dance (in depth support and practical training in your subject specialist area, drawing on the latest research and classroom-based innovation)
-Pedagogy in Practice (focusing on the skills required for effective teaching and learning including medium-term planning and assessment in your subject)
-Learning Teaching and Assessment (developing your skills in school-based action research so that you can identify what works best for your learners)
Inclusion (ensuring you are fully prepared to meet the diverse needs of your classes)

Further guidance

The information listed in the section entitled ‘What you will study’ is an overview of the academic content of the programme that will take the form of either core or option modules. Modules are designated as core or option in accordance with professional body requirements and internal Academic Framework review, so may be subject to change. Students will be required to undertake modules that the University designates as core and will have a choice of designated option modules. Additionally, option modules may be offered subject to meeting minimum student numbers.

Academic Framework reviews are conducted by LJMU from time to time to ensure that academic standards continue to be maintained. A review is currently in progress and will be operational for the academic year 2016/2017. Final details of this programme’s designated core and option modules will be made available on LJMU’s website as soon as possible and prior to formal enrolment for the academic year 2016/2017.

Please email if you require further guidance or clarification.

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The Teaching and Learning in Higher and Professional Education programme caters for those in the professions who want to develop their understanding of, and expertise in, teaching and learning. Read more
The Teaching and Learning in Higher and Professional Education programme caters for those in the professions who want to develop their understanding of, and expertise in, teaching and learning. The specialist training pathway for performing arts is delivered through a partnership between the Guildhall School of Music & Drama and UCL Institute of Education.

See the website http://www.ucl.ac.uk/prospective-students/graduate/taught/degrees/prof-cert-teaching-learning-higher-professional-education-performing-arts-pathway-profcert

Key Information

- Application dates
All applicants:
Open: 5 October 2015
Close: 29 July 2016

English Language Requirements

If your education has not been conducted in the English language, you will be expected to demonstrate evidence of an adequate level of English proficiency.
The English language level for this programme is:
Further information can be found on our English language requirements page http://www.ucl.ac.uk/prospective-students/graduate/life/international/english-requirements .

International students

Country-specific information, including details of when UCL representatives are visiting your part of the world, can be obtained from the International Students website http://www.ucl.ac.uk/prospective-students/international .

Degree Information

This programme will develop a student’s practical skills and understanding of learning, teaching, assessment, course and curriculum design, development and management within the structure of higher and professional education.

- Teaching and Learning
The programme is delivered via 10 full workshop days and associated time for completion of the assessment requirements. It is assessed by core-theme assignments, a written paper of 5,000 words and a 5,000 words portfolio.

Funding

Scholarships relevant to this department are displayed (where available) below. For a comprehensive list of the funding opportunities available at UCL, including funding relevant to your nationality, please visit the Scholarships and Funding website http://www.ucl.ac.uk/prospective-students/scholarships .

- IOE Centenary Masters Scholarships
Value:
Eligibility: Overseas students
Criteria:

- IOE Centenary Research Scholarships
Value:
Eligibility: EU students
Criteria:

- IOE COLFUTURO Fee Partnership
Value: UCL provides a 50% contribution towards tuition fees. (1 year)
Eligibility: Overseas students
Criteria: Based on academic merit

- IOE Commonwealth Distance Scholars
Value: Fees and some expenses
Eligibility: Overseas students
Criteria:

- IOE CONICyT Fee Partnership
Value: IoE provides a 20% contribution towards tuition fees. (1 year)
Eligibility: Overseas students
Criteria:

- IOE Erasmus Bursary
Value: £350/month (1)
Eligibility: UK, EU, Overseas students
Criteria:

- IOE Fulbright
Value:
Eligibility: Overseas students
Criteria:

- IOE International Master's Student Bursaries
Value:
Eligibility: Overseas students
Criteria:

- IOE Vietnam International Education Development Scholarships - PGT
Value:
Eligibility: Overseas students
Criteria:

- IOE Windle Trust Scholarship
Value:
Eligibility: Overseas students
Criteria:

More scholarships are listed on the Scholarships and Funding website http://www.ucl.ac.uk/prospective-students/scholarships

Application and next steps

- Applications
Students are advised to apply as early as possible due to competition for places. Those applying for scholarship funding (particularly overseas applicants) should take note of application deadlines.

- Who can apply?
This programme is designed for those in the performing arts profession who wish to gain accreditation for teaching in higher education, including conservatoires.

For more information see the Applications page http://www.ucl.ac.uk/prospective-students/graduate/apply .

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The Master in Performing Arts Management (MPAM) is a 18 months program designed for students who wish to pursue a managerial career within the entertainment industry. Read more
The Master in Performing Arts Management (MPAM) is a 18 months program designed for students who wish to pursue a managerial career within the entertainment industry. The Master’s program is designed to prepare global professionals who can bring a solid cultural and artistic background coupled with economic and managerial skills to the production of stage performances, with a particular focus on Europe, North America and emerging markets.

The partnership between Accademia Teatro alla Scala, MIP Politecnico di Milano Graduate School of Business and Piccolo Teatro di Milano provides students with the benefit of a solid and extensive international network of theatres, festivals and performing arts institutions. With guest speakers and experts from internationally renowned institutions, the master’s program offers the opportunity to learn the peculiarities of the performing arts sector on a global level through lectures, seminars and talks. Our faculty features preeminent professionals from Opera Europa, the Metropolitan Opera House, the Royal Opera House Covent Garden, the English National Opera, the Opera de Rennes, the Berliner Philharmoniker, the Hong Kong Arts Festival, the DeVos Institute, and WolfBrown.

Our method gives priority to direct contact with the professional world. Internships at acclaimed Italian and international institutions are key features of our program.

International Masters Office

For more information about the master’s program, scholarships and other means for financing your studies please contact:
MIP Politecnico di Milano: ;

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Train to become an outstanding teacher of Secondary Performing Arts (Drama) with Liverpool John Moores University. Graduate with a Postgraduate Diploma in Education (PGDE) and Qualified Teacher Status (QTS). Read more
Train to become an outstanding teacher of Secondary Performing Arts (Drama) with Liverpool John Moores University. Graduate with a Postgraduate Diploma in Education (PGDE) and Qualified Teacher Status (QTS).

-Prepare for a career as an innovative and creative teacher of Performing Arts (Drama) at Secondary level on a course delivered in partnership with schools who are committed to ensuring your success
-Benefit from additional training in Physical Education at Key Stage 3
-Study over 10 months full time, with 120 days spent on school placement, predominantly within a “Home School”
-Qualify with a Postgraduate Diploma in Education featuring 120 Masters-level credits (ours is one of the few ITT courses to offer this) and -Qualified Teacher Status (QTS) for the same cost and length of study as a PGCE
-Discover why our courses have high completion and employment rates
-Go on to complete your MA in your first year of employment and look forward to excellent career development opportunities

This is an intensive, full time programme leading to Qualified Teacher Status (QTS) alongside your academic PGDE award. University-based study includes: a full time block of three weeks at the start of the course; one day per week until January; week-long, full time study blocks between January and June and a number of conference days.
Placements are organised in our Partnership schools in the Greater Merseyside area. For the majority of the training you will gain your teaching experience in a “Home School” with a six week placement in an “alternative” school after Christmas. This innovative model ensures that you feel genuinely part of the staff whilst on school placement and can monitor and gain satisfaction from your impact on your pupils’ progress over time.

You will also be allocated a Teacher Mentor who will organise and supervise your school-based training. Your Mentor will be supported by your LJMU Tutor who will visit your school several times to monitor your progress. Additional professional development sessions are organised in school during placements.

Tutorial support is an important part of the LJMU learning process and you will receive a personalised service that will enable you to set targets and achieve your potential. Your Personal Tutor will support your academic and professional development and will meet with you formally during the year.

You will undertake a significant amount of independent study and preparation to support your course assignments and school-based work and should be prepared to work some evenings and weekends.

University-based training takes place at the IM Marsh campus just four miles from the city centre. Here you will find independent study spaces with IT facilities, a library, access to student welfare and support, a gym and other sports facilities plus a café and shop.

The IM Marsh Library houses the main collections linked to this course and is open from 8am until 11pm during term time. You will also have access to the 24 hour, city centre Aldham Robarts and Avril Robarts libraries.

The University-element of the programme is based around six core modules focusing on:

-Professional Practice (a series of school-based investigations of current issues)
-Developing Reflective Professional Practice (enabling you to effectively evaluate your school-based practice)
-Subject Pedagogy in Performing Arts - Drama (in depth support and practical training in your subject specialist area, drawing on the latest research and classroom-based innovation)
-Pedagogy in Practice (focusing on the skills required for effective teaching and learning including medium-term planning and assessment in your subject)
-Learning Teaching and Assessment (developing your skills in school-based action research so that you can identify what works best for your learners)
-Inclusion (ensuring you are fully prepared to meet the diverse needs of your classes)

Further guidance

The information listed in the section entitled ‘What you will study’ is an overview of the academic content of the programme that will take the form of either core or option modules. Modules are designated as core or option in accordance with professional body requirements and internal Academic Framework review, so may be subject to change. Students will be required to undertake modules that the University designates as core and will have a choice of designated option modules. Additionally, option modules may be offered subject to meeting minimum student numbers.

Academic Framework reviews are conducted by LJMU from time to time to ensure that academic standards continue to be maintained. A review is currently in progress and will be operational for the academic year 2016/2017. Final details of this programme’s designated core and option modules will be made available on LJMU’s website as soon as possible and prior to formal enrolment for the academic year 2016/2017.

Please email if you require further guidance or clarification.

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Develop your individual, professional performance skills based on up-to-date practices and techniques of performing or presenting in front of a camera, in situations including fictional drama and factual programming. Read more
Develop your individual, professional performance skills based on up-to-date practices and techniques of performing or presenting in front of a camera, in situations including fictional drama and factual programming.

The course is designed for those with or without experience in acting and public speaking (eg actors, presenters, reporters, political figures, spokespersons and others), and you can tailor your studies around your individual needs through practice based research.

Your performance before the camera is an integral part of your research method and will enable you to produce your own professional show-reel.

Strong professional links embedded within the course provide opportunities to build professional contacts and experience from participation in master-classes run by experts working within television, film and other media/ professional industries.

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/performing-before-the-camera

Course detail

• Study on a course built around the requirements and demands of appearing before the camera in a professional capacity - constantly updated to reflect new developments and changes in professional and technical practices
• Explore a curriculum that anticipates the needs of the industry and opens up numerous career opportunities for postgraduates pursuing a professional career in acting and presenting for television, or film, or the internet
• Develop an understanding of professional procedures, requirements and challenges along with your ability to perform before the camera
• Gain experience of operating our recording and editing facilities to support your progressive development, archiving and final presentation of your show-reel
• Benefit from a course ideal for those pursuing careers in screen acting, presenting, journalism, politics and business who, in the course of their, work are frequently called upon to appear and present themselves and their ideas before a camera.

Modules

• Working before the Camera
• Practice-based Research Methods for Performance to Camera

Assessment

Throughout the course you will be encouraged to integrate assessment and the feedback from that assessment into your practice and critically evaluate your methodology and techniques, be it through your seminars, peer or self-assessed work to progress and develop your approach and value of your work.

You will develop professional practice through the presentation of your work to camera, working within tight schedules and having to deliver on time.

Assessment is primarily performance based, but you must also submit a written diary/report to demonstrate your research inquiry, plan, documentation of and ability to analyse your performance processes. For your assessment you will produce an individual performance show-reel in a specified genre (i.e. interview, acting or presenting).

Careers

The content and structure of the course is built around the requirements and demands of appearing before the camera in a professional capacity. The content is constantly updated to reflect new developments and changes in professional and technical practices.

Visits and talks with those currently working successfully within the industry enable you to network and to develop an understanding of professional procedures, requirements and challenges.

You will develop the ability to perform before the camera in related to your future career path genres and monitor, as well as enhance your progression from documenting your practice in seminars, masterclasses and tutorials.

You will also develop skills in researching and evaluating, as well as in critical thinking in diverse performance to camera related situations, enhancing your ability to take an enquiring and critical viewpoint on the material you encounter.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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Develop your individual, professional performance skills based on up-to-date practices and techniques of performing or presenting in front of a camera, in situations including fictional drama and factual programming. Read more

Course Summary

Develop your individual, professional performance skills based on up-to-date practices and techniques of performing or presenting in front of a camera, in situations including fictional drama and factual programming.

The course is designed for those with or without experience in acting and public speaking (eg actors, presenters, reporters, political figures, spokespersons and others), and you can tailor your studies around your individual needs through practice based research.

Your performance before the camera is an integral part of your research method and will enable you to produce your own professional show-reel.

Strong professional links embedded within the course provide opportunities to build professional contacts and experience from participation in master-classes run by experts working within television, film and other media/ professional industries.

Choose Performing Before the Camera PgCert at Bedfordshire and:

- Study on a course built around the requirements and demands of appearing before the camera in a professional capacity - constantly updated to reflect new developments and changes in professional and technical practices
- Explore a curriculum that anticipates the needs of the industry and opens up numerous career opportunities for postgraduates pursuing a professional career in acting and presenting for television, or film, or the internet
- Develop an understanding of professional procedures, requirements and challenges along with your ability to perform before the camera
- Gain experience of operating our recording and editing facilities to support your progressive development, archiving and final presentation of your show-reel
- Benefit from a course ideal for those pursuing careers in screen acting, presenting, journalism, politics and business who, in the course of their, work are frequently called upon to appear and present themselves and their ideas before a camera.

Why choose this course?

This course will help you perform of a professional standard before the camera. You will develop your individual performance skills based on up-to-date practices and techniques of working before the camera.

Career Management Skills

The content and structure of the course is built around the requirements and demands of appearing before the camera in a professional capacity. The content is constantly updated to reflect new developments and changes in professional and technical practices.

Visits and talks with those currently working successfully within the industry enable you to network and to develop an understanding of professional procedures, requirements and challenges.

You will develop the ability to perform before the camera in related to your future career path genres and monitor, as well as enhance your progression from documenting your practice in seminars, masterclasses and tutorials. You will also develop skills in researching and evaluating, as well as in critical thinking in diverse performance to camera related situations, enhancing your ability to take an enquiring and critical viewpoint on the material you encounter.

On this journey, you will be encouraged to become self-aware, critical reflective practitioner, through a series of teaching methods and assessments which will instil an autonomous approach to learning, expected at Masters level (see the University of Bedfordshire level M learner descriptors).

Career/Further study opportunities

The course opens up numerous career opportunities for postgraduates pursuing a professional career in acting and presenting for television, or film, or the Internet. It would also benefit those pursing careers in journalism, politics, and business who in the course of their work are frequently called upon to appear and present themselves and their ideas before a camera.

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The aim of this intensive 12 month program is to train future managers of arts and cultural institutions and future entrepreneurs in the cultural industries. Read more
The aim of this intensive 12 month program is to train future managers of arts and cultural institutions and future entrepreneurs in the cultural industries.
Core teaching weaves together a range of different approaches to the cultural industries: high-level business management, creative entrepreneurship, art and culture fundraising, event management, and design and creative marketing.

This MBA program is designed to develop students’ understanding of the art and performing arts sectors and develop professional skills in arts management and business. Professional studies are underpinned by courses on the history of twentieth century art and theatre, providing students with a hands-on experience of the artistic and cultural backgrounds.

Structure

The curriculum in details:

This intensive twelve-month program is designed to develop students’ understanding of the art and performing arts sectors, while developing their professional skills in arts management and business, in order to become future managers of arts and cultural institutions and future entrepreneurs in the cultural industries. Throughout the year, students develop a professional project that they present in front of a jury, in validation of the Titre I diploma.

1st trimester (September – December):

Common courses: Marketing & Communication; International Business; Strategic Management; Finance for Managers; Digital Business

Electives: Sociology of Arts & Culture; History of the Decorative Arts

Performing arts track: History of Performing Arts
Arts track: Art history: Realism to 1945
Intensive January session:

Common courses: Research methodology; Business game; Leadership management; Computing software seminar; Career seminar

Performing arts track: European Cultural Policy & Artistic Creation; Culture Industries Survey; Event Management & Management Practices; Economics of Cultural Studies
Arts track: History of the Art Market; History of the Fine Arts; Curating Exhibitions; Economics of the Art Market
2nd trimester (February – April):

Electives: Public Relations & Branding through Social Media; Performance and Digital Arts

Performing arts track: Economics of Cultural Industries; Event Management; Performing Arts Production, Performing Arts Management; Creative Entrepreneurship; Cultural Industries Survey; Cultural Policy & Heritage Management; Legal Environment of Business Applied to the Arts
Elective: Organizing a Film Festival
Arts track: Museum Law; Intellectual Property Law; Legal Environment of the Arts: Economics of the Art Market; Financing Cultural Projects; Art History: 1945 to date; Curating Exhibitions; Mounting Exhibitions
Elective: Collecting Contemporary Art
3rd trimester (May – September): Internship, online classes; develop thesis and professional project.

The Program at a glance:

• Duration: 3 trimesters (12 months)
• Location: Paris
• Accreditation: Professional Master's degree from IESA: Titre 1 Degree recognized by the French governement. Double degree: MA in Arts & Cultural Management from PSB - Paris School of Business

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The Master of Philosophy degree is an internationally-recognised qualification which affords students the opportunity to investigate a topic relevant to the Faculty’s areas of expertise under the supervision of a team of qualified academic staff. Read more
The Master of Philosophy degree is an internationally-recognised qualification which affords students the opportunity to investigate a topic relevant to the Faculty’s areas of expertise under the supervision of a team of qualified academic staff.

Course Overview

Prospective candidates submit a proposal for a research project. Following approval, you are allocated a supervision team of two or three appropriate members of staff led by a Director of Studies. With this team you embark on an extended investigation into your topic, producing a written thesis. There is also an option of practice-based research, which results in a shorter written thesis together with a substantial body of practical work. All research students have the opportunity to take part in research training events, and the University’s Summer School.

The Faculty’s areas of expertise include all aspects of the visual arts, design, photography, film and media. MPhil work will often lead to publication and may lead to a career in academia.

Assessment

The MPhil is assessed by the submission of a written thesis together with a body of practical work where appropriate, which is scrutinised through an oral examination, or viva, by two examiners, one external to the University.

Career Opportunities

A research degree such as the MPhil is recognised internationally as a qualification for a range of academic posts in the Higher Education sector. Many research students pursue their studies for the pleasure of investigating a subject at this level but research degrees also provide opportunities for career development within many professions such as education, media and the arts.

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Our unique Creative Practices and Direction programme will develop your creative-practice and leadership skills through engagement with practice-oriented theory and new collaborations. Read more
Our unique Creative Practices and Direction programme will develop your creative-practice and leadership skills through engagement with practice-oriented theory and new collaborations.

As a student of this programme, you will develop strong relationships with active professionals in your discipline and learn within a leading theatrical conservatoire that benefits from the intellectual stimulus of a major research-led university.

PROGRAMME OVERVIEW

This unique programme is aimed at creative producers and directors and those who train and work with actors and performers to develop and direct their skills.

The programme offers five specialist pathways, including actor training, choreography and movement direction, directing, musical theatre creation, and practices of voice and singing, and you will also have the opportunity to develop a specialist practice within your chosen pathway.

The programme is primarily designed for graduates in drama, theatre and dance from universities and conservatoires, but will also appeal to those who have established themselves professionally and wish to refresh their skills and perspectives and take on leadership, coaching, creative or directing roles.

PROGRAMME STRUCTURE

This programme is studied full-time over one academic year and part-time over two academic years. It consists of eight taught modules and an Advanced Creative Practice module.

Students enter the MA Creative Practices and Direction to a specified pathway, personally supervised by their pathway leader, an expert in the subject area.

The following modules are indicative, reflecting the information available at the time of publication. Please note that not all modules described are compulsory and may be subject to teaching availability and/or student demand.
-Facilitating Creativity
-Interdisciplinary Pedagogies
-Dramaturgy
-The Performing Body
-Body
-Research Methods for Practice
-Integrated Practice
-Specialist Techniques
-Personal Profile Development
-Technology
-Advanced Creative Practice

Pathways

Actor Training pathway
The specialist modules for this pathway are designed to produce a versatile and effective actor trainer with the strategies and skills required to enhance and facilitate an actor’s progress. Students will examine and contextualise a number of acting methodologies to develop their own comprehensive approach to professional practice.

Movement Direction and Choreography pathway
Students on this pathway follow and practically investigate a number of techniques and ideas dealing with onstage physicality. The focus is also on the development of movement language, through the investigation of the ideas and practices of seminal dance-based ideas (Laban, Bausch, Cunningham, Fosse, Graham, Horton, etc.) and methods for working with music and sound.

Practices of Voice and Singing pathway
This pathway brings together study and practice in both singing and voice, in order to create a new paradigm for teaching and coaching in these fields, enabling students to expand, develop and reflect on their coaching styles.

Directing pathway
This programme is a practice-led pathway incorporating methodologies and techniques that focus on approaches to theatre directing, dramaturgy, collaboration with other practitioners.

Musical Theatre Creation pathway
This pathway is designed for those who wish to study writing, and creative roles specifically in Musical Theatre. These might be as a director, choreographer, composer, librettist, musical director or creative producer.

Educational aims of the programme

-Provide advanced study and practice in creative leadership and direction in theatre-making and/or the training of theatre artists, specific to the pathway chosen
-Equip students for employment in the theatre industry and/or related performing arts industries as specialist practitioners in one of the following areas: Actor Training; Directing; Movement Direction and Choreography; Musical Theatre Creation; Practices of Voice and Singing
-Provide students with integrated practical and theoretical knowledge of specialist creative and/or pedagogic practices relevant to their chosen pathway; contemporary technical and scholarly contexts; and industry-specific contexts
-Enable students to develop intellectual and practical skills to inform and articulate self-reflection and critical awareness, through specialist study and practice, and work with other students in cognate fields
-Develop critical and independent practitioners imbued with a sense of learning as a lifetime pursuit via a commitment to professional and personal development

PROGRAMME LEARNING OUTCOMES

The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and other attributes in the following areas:
-Understand critical, contextual, conceptual and ethical dimensions of creative practices, leadership and facilitation in theatre and performance practices
-Articulate the practitioner’s relationship with key creative and production colleagues, performers, industry professionals and audiences
-Comprehend the implications and potential for theatre and wider performing arts practices presented by key developments in creative processes, training and producing regimes, and contexts for preparation and production
-Demonstrate an awareness of recent developments and specific techniques in the relevant specialist pathway
-Generate ideas, concepts, proposals, processes, solutions and/or perspectives independently and/or collaboratively in response to set briefs and/or as self-initiated activity
-Employ both convergent and divergent thinking in processes of observation, investigation, speculative enquiry, conceptualisation, facilitation and/or making
-Critically evaluate one’s knowledge and understanding of relevant performance/pedagogic practice
-Interact effectively with others through collaboration, collective endeavour and negotiation
-Demonstrate leadership skills, providing clarity and direction for others
-Demonstrate competence with specialist creative/facilitative theatre and performing arts practices (specific to the pathway followed)

Knowledge and understanding
-Understand critical, contextual, conceptual and ethical dimensions of creative practices, leadership and facilitation in theatre and performance practices
-Articulate the practitioner’s relationship with key creative and production colleagues, performers, industry professionals and audiences
-Comprehend the implications and potential for theatre and wider performing arts practices presented by key developments in creative processes, training and producing regimes, and contexts for preparation and production
-Demonstrate an awareness of recent developments and specific techniques in the relevant specialist pathway
Intellectual / cognitive skills
-Generate ideas, concepts, proposals, processes, solutions and/or perspectives independently and/or collaboratively in response to set briefs and/or as self-initiated activity
-Employ both convergent and divergent thinking in processes of observation, investigation, speculative enquiry, conceptualisation, facilitation and/or making
-Critically evaluate one’s knowledge and understanding of relevant performance/pedagogic practice
-Manage and make appropriate use of the interaction between context, brief, planning, process, outcome and critical reflection.
-Analyse information and experiences, formulate independent judgments, and articulate reasoned arguments through reflection, review and evaluation
-Source and research relevant material, assimilating and articulating relevant findings
-Formulate reasoned responses to the critical judgments of others
-Identify personal strengths and needs, and reflect on personal development, adapting plans accordingly

Professional practical skills
-Select, evaluate, adapt and make appropriate use of techniques, materials, processes and partnerships
-Develop ideas through to outcomes
-Demonstrate skills in communication, expression and facilitation
-Utilise appropriate discipline-specific languages to investigate, analyse, articulate and apply ideas and information
-Demonstrate competence with specialist creative/facilitative theatre and performing arts practices (specific to the pathway followed)
-Present ideas and work to co-creators, performers, audiences and other stakeholders, as appropriate, in a range of situations
-Seek and respond to the views of others in the development or enhancement of their work
-Work in combination with others in relevant performing arts settings, demonstrating skills in teamwork, negotiation, organization, and decision-making

Key / transferable skills
-Interact effectively with others through collaboration, collective endeavor and negotiation
-Demonstrate leadership skills, providing clarity and direction for others
-Work effectively as part of a team and in pursuit of shared goals
-Study independently, set goals, manage own workloads and meet deadlines
-Anticipate and accommodate change, and work within contexts of ambiguity, uncertainty and unfamiliarity
-Source, navigate, select, retrieve, evaluate, manipulate and manage information from a variety of sources
-Select and employ communication and information technologies
-Demonstrate resourcefulness and entrepreneurship

FACILITIES, EQUIPMENT AND ACADEMIC SUPPORT

The School of Arts facilities include the 200-seat theatre in the Ivy Arts Centre, dark and light studios, digital creation stations and editing facilities, scenic, props and costume workshops, and interconnected sound recording and music facilities.

Teaching and workshop activity takes place largely in GSA’s dedicated rehearsal rooms, performance studios and design workshops. Lectures, presentations and seminars will occur in rooms across campus.

The University Library contains the majority of set texts, key journals, scripts, play texts and video materials necessary for the programme. Students have access to extensive facilities through the virtual learning environment, SurreyLearn, and IT Services.

Additional support is available in the Learning Resource Centre in the University Library.

Equipment is provided on a project-by-project basis according to the nature of the work in hand and the parameters of the project, which are negotiated with the tutor.

Facilities and equipment for production work will be booked by students according to specific project briefings and advertised resource parameters.

Academic support is provided by way of ongoing contact with the programme director and module leaders, group briefings and feedback, individual tutorials, and mentoring.

The programme makes use of a peer feedback system designed to provide a useful and supportive account of areas of strength and effectiveness, along with areas for improvement.

You are encouraged to identify personal learning and creative objectives that can be pursued in alignment with group project work.

RESEARCH

The School of Arts includes study in dance, digital arts, film, music, sound and theatre, with research activity in all areas, often with significant interdisciplinary connections.

With an integrated approach that comprises documentation, analysis and performance, Surrey’s agenda for research aims to engage critically with the past and present, while rigorously articulating new frameworks for understanding and practising the arts and culture in the twenty-first century.

Research infrastructure includes the Digital World Research Centre and the Laban Archive in the National Resource Centre for Dance (NRCD).

The School of Arts hosts and supports established research centres, research groupings and networks as well as individual research projects. Our research extends to partnerships with the artistic community, for instance, in support of public debates or in the dissemination of documentation for arts practice through the digital and print media.

GLOBAL OPPORTUNITIES

We often give our students the opportunity to acquire international experience during their degrees by taking advantage of our exchange agreements with overseas universities.

In addition to the hugely enjoyable and satisfying experience, time spent abroad adds a distinctive element to your CV.

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While studying for an MPhil or PhD, you are expected to undertake independent research in an area of your choice, supervised and supported by a team of academics. Read more
While studying for an MPhil or PhD, you are expected to undertake independent research in an area of your choice, supervised and supported by a team of academics. You will have access to a range of training opportunities provided by the University that aim to develop your research skills.

Research Areas, Projects & Topics

Example Research Areas include:
-Theatre and Consciousness
-Modern European Avant Garde
-German Theatre
-Dance and Choreography
-20th Century British Theatre
-Contemporary Experimental Performance
-Indian Theatre
-Musical Theatre
-Adaptation
-Translation and Dramaturgy
-Intercultural Theatre
-Gender and Performance
-Playwriting
-Shakespeare’s Theatre
-Directing
-Dance and Technology
-Practice as Research

How You Study

Due to the nature of postgraduate research programmes, the vast majority of your time will be spent in independent study and research. You will have meetings with your academic supervisor, however the regularity of these will vary depending on your own individual requirements, subject area, staff availability and the stage of your programme.

How You Are Assessed

A PhD is usually awarded based on the quality of your thesis and your ability in an oral examination (viva voce) to present and successfully defend your chosen research topic to a group of academics. You are also expected to demonstrate how your research findings have contributed to knowledge or developed existing theory or understanding.

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The Master in Arts Management offers a unique learning experience preparing students to embark on a management career in the arts and creative industry. Read more
The Master in Arts Management offers a unique learning experience preparing students to embark on a management career in the arts and creative industry. The one-year program aims at developing skills and providing tools to deal with the new challenges of the domains of both the visual and performing arts, with an international perspective.

Learning objectives

The main goals of the program are:

● Build and strengthen basic knowledge and understanding of History of Art (visual and performing arts), with particular attention to the contemporary world and the international scene

● Build and strengthen competence in economics and management and as it applies to the cultural industry

● Build and strengthen competence in legislative transmit and reinforce the legislative competences and their application to the cultural field, in an international perspective

● To contribute to the advancement of cultural institutions and companies in Italy and abroad, by fostering interests for Art and its proliferation

Career opportunities & professional recognition

The Master’s qualification in Arts Management will open up professional opportunities in the fields of Organization, Marketing and Communications, Accounting, Legal Affairs, Projects and Events Management in cultural institutions and companies. Other professional opportunities are to be found in consulting and service companies in the fields of promotion, communication and management of cultural events, products and services.

Curriculum

● Visual Arts Management: seminars, lectures and hands-on activities and visits to build up competencies related to museum management, galleries, corporate collectors, and, more widely, institutions and organizations in the field of visual arts promotion and communication.

● Performing Arts Management: seminars, lectures and hands- on activities to build up competencies in the field of performing arts, ranging from the movie industries to the management of cultural events.

Advanced Courses

The goals of the advanced courses are to build up competencies in specific fields of arts management in order to provide participants with advanced knowledge about how to solve problems and cope with the challenges of the arts field

● Cultural Policy: cultural policy will be discussed from historical and international perspectives in order to focus on the main policy challenges when managing arts organizations

● Marketing for the Arts: marketing policies and practices for cultural organizations will be covered, ranging from for-profit to non-profit cultural organizations

● HR and Leadership in the Arts Industry: organization forms for cultural industries, project management tools and the most advanced people management topics will be discussed during the course

● Accounting and Fundraising in the Arts Industry: accounting principles and contemporary fundraising tools for non-profit and cultural organizations will be discussed and applied

● Law and the Arts: relevant and most up-to-date criminological knowledge about the empirical dimension of offences against both movable and immovable cultural property, at both national and
international level will be covered

● Media in the Arts: the role of technology, especially new media, in changing the business and organizational model of cultural institutions will be analyzed

Educational activities are divided into Core Courses and Advanced courses. On top of the basic and advanced courses, participants will be involved in team-building activities at the beginning of the program.

Team Building Activities

The goals of team building activities is to help participants know each other and create a collaborative atmosphere in class. Moreover, these activities will introduce participants to Milano and its cultural assets. Team building will include:

● Dinner with the class and the Master Faculty

● Team building experiences to know your class

● Guest speeches from established professionals in the field

Core Courses

The goals of basic courses is to reinforce competences related to the two souls of the Master Program: Humanities and Management. The courses provide training for skills in art history and in their management and they will give participants the op- portunity to align their competencies and exchange knowledge.

● Art History: seminars, lectures and visits to provide participants with fundamentals of visual arts history

● History of Performing Arts: seminars and lectures to share fundamentals about film, theatre and music history.

Internship

To complete the Master in Arts Management, participants are required to carry out a three-months internship in a cultural institutions or company in one of the above mentioned fields. They will have the chance to be included in the Master Curricu- lum Vitae book, that will be transmitted to the major institutions and organizations in Italy and abroad.

An international learning experience

Located in the unique city of Milan which contributes to a valuable international perspective. This glowing city allows students to merge the learning experience with the cultural atmosphere of the city. Students will have the opportunity to practice their knowledge through field projects and internships even beyond the classroom.

Trained faculty

A national and international academic and professional faculty using teaching methods that foster an interactive and hands-on approach to issues of cultural heritage management.

Scholarships

All scholarships are assigned on a merit basis and will be mostly given to students who apply by the priority deadline. Some scholarships may also target specific geographic regions.

Scholarship value: €2500

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