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Masters Degrees (Performance Making)

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This unique international laboratory programme brings diverse individuals into collaborative research, acknowledging the challenges of creating original, performer-driven theatre in today's complex, globalised culture. Read more

This unique international laboratory programme brings diverse individuals into collaborative research, acknowledging the challenges of creating original, performer-driven theatre in today's complex, globalised culture.

In over 3 decades there has been a creative surge in hybrid live performance worldwide. This has been the work of solo artists, ensembles, auteurs and performer-directors across creative fields, who have redefined boundaries and stretched the artistic and social imagination into new spaces, both literally and figuratively.

Within the vibrant environment of Goldsmiths, and with all the stimulus that London offers culturally, practising or emerging practitioners develop compositional, critical, technical and management skills and strategies for forging independent and self-motivated careers. Our graduates work as practitioners, teachers and cultural leaders worldwide.

On the programme you will conceive, research, construct and deliver your ideas and articulate what motivates these. Teaching is rigorous and interdisciplinary. You study with distinguished international artists as well as scholars within a praxis ethos where theory informs creativity and vice versa. The emphasis throughout is on encouraging collaboration across disciplines and cultures, and on contextualising practice within its social, political and architectural environment.

Physical training, scenographic/environmental exploration and hands-on introduction to technologies (lighting, video and sound) support composition and artistic experimentation. You identify your own practice within the historical and contemporary field, and write critically and creatively. You archive your practice digitally, and on graduation will have developed a portfolio of projects. You are guided on professional development by the Live Art Development Agency (LADA) and the Institute for Cultural and Creative Entrepreneurship (ICCE) at Goldsmiths.

The programme enjoys a wide international professional network of organisations, commissions, venues and festivals of benefit to students. You study both at Goldsmiths and ArtsAdminClick here for a full list of artists associated with the programme as permanent and guest tutors.

Modules & structure

This is a praxis programme on which you gain 180 CATS (credits).

Core modules

Skills

You will become conversant, confident and skilled in a range of methodological practices as well as compositional strategies for independent theatrical, dance theatre and live art creation.

Your critical and analytical skills in interpreting artistic practice will be tested in a range of verbal, written and oral ways. Your study of your own body as a creative instrument will be complemented by learning the principles of scenography and film narrative.

You will research intellectually and produce theoretically informed writing. You will learn to contextualise your own practice and interests in the contemporary field of performance both in the UK and internationally, and to articulate such practice.

Overall you will learn how to research, construct and deliver your ideas performatively and how to advocate your own projects to producers, venues, funders and other agencies.

Careers

Graduates work in a wide variety of professional contexts globally as commissioned performance makers, directors, project leaders, programmers, teachers and academic researchers.



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As a professional masters’ programme, our MFA offers you an unparalleled opportunity to become an established theatre maker right at the heart of one of the world’s most popular cities. Read more
As a professional masters’ programme, our MFA offers you an unparalleled opportunity to become an established theatre maker right at the heart of one of the world’s most popular cities. You will work with our specialist academics - many of who are already established performing artists – in high-quality theatres both in San Francisco and the UK, with some opportunities to work in other parts of Europe. Our aim is to develop you and your talents through intensive mentoring and a wide-range of showcasing opportunities. Our programme explores innovative devising techniques which places you at the centre of the contemporary art in San Francisco’s Bay Area, and gives you a platform to perform to large audiences throughout the 22-month course.

Format and assessment

- Study -

- There will be four intensive residencies taught by Chichester faculty, with direct support from SF staff and professional mentors). Three of these are delivered in San Francisco, while one is taught on exchange in Chichester.
- The programme also includes weekly distance-learning (video conferencing) classes, taught by Chichester Faculty alongside UK MA students.
- There will also be weekly workshop classes and critical sharing, led by San Francisco-based faculty.
In addition to taught classes, students learn through residencies at our professional partner organisations and through peer-driven sharing-sessions and making sessions.

- Performance -

- You will have extensive opportunities to showcase their work in San Francisco and in the UK. Working closely with our professional partners: Z Space and CounterPULSE in San Francisco, you will be able to showcase your work within the vibrant Bay Area performance community.
- A five-week exchange trip to the UK will also allow you to perform in Chichester and, potentially, over parts of the UK and Europe.
- You will be mentored by leading Bay Area artists. A final professional/community project will allow you to launch your practice in a defined and energized manner.

This MFA will be run jointly by performance artists and lecturers from both the University of Chichester’s Department of Theatre and the California Institute of Integral Studies’ Department of Writing, Consciousness and Creative Inquiry. As a Department we have been working in San Francisco for several years and feel, with your help, we can make a crucial contribution to one of the United States’ biggest theatre-making communities. The MFA will provide you with an unparalleled opportunity to make high-quality theatre work and establish or refine their creative and professional identity.

Work placements

We invite you to join us for performances, workshops, and symposia across San Francisco and, furthermore, a chance to participate in a five-week exchange programme at leading theatres and festivals in the UK – including the Edinburgh Fringe. Here you will work with our London-based creative partners Forest Fringe to create bold new work for experimental performances in San Francisco.

Where this can take you

Our goal is to create - with your help - an international community of performance artists committed to breaking down old hierarchies and create flexible artwork, applicable to anyone and everyone. We will also encourage you to build the appetite for experimental shows in San Francisco and seize upon other opportunities to perform in the UK and other leading locations.

Facilities

Our programme is run in the famed San Francisco Bay Area, because Theatre at Chichester has made considerable commitment to working across cultures and in contexts that allow cultural exchanges. However, there will be plenty of opportunities to learn and work at Chichester and, during the last two years, we have developed our campuses. We pride ourselves on the quality of the learning environment we can offer our students.

The refurbishments include a purpose-built Assembly Theatre, used by Theatre students for rehearsals and performance. We also have a number of soundproofed practice rooms for rehearsals and lessons, as well as lecture and seminar rooms. Our Chapel is also a fantastic venue for performances and rehearsals, and is the centre piece of the campus. There are also several dance studios, a fully-equipped 250-seat theatre, and a 110-seat studio theatre.

Our new award-winning Learning Resource Centre is at the heart of the campus, and we offer a substantial collection of books, journals and other materials to help you further your research. A range of study areas for group and quiet study including Wi-Fi areas for laptop use are available, or you can use our open access PC and Mac areas. Also situated in our LRC is Costa Coffee and nearly 100 open-access work stations. An equipment loans centre offers laptops, tablets and other electronic devices for short and long term loans.

How to apply:

https://dotmailer-surveys.com/f31ueg1e-c011re4a

Funding for postgraduate students:

For information on funding and scholarships, please visit: http://www.chi.ac.uk/study-us/fees-finance/funding-and-money-advice-0/funding-postgraduate-students

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IN BRIEF. Develop cutting-edge practices and approaches to contemporary performance-making in an interdisciplinary, laboratory environment, with a focus on creative exploration. Read more

IN BRIEF:

  • Develop cutting-edge practices and approaches to contemporary performance-making in an interdisciplinary, laboratory environment, with a focus on creative exploration
  • Make and research in world-class performance-making facilities at MediaCityUK and the New Adelphi Arts Centre
  • Immerse yourself in the vibrant arts and performance scene in Salford and Manchester.
  • Part-time study option
  • International students can apply

COURSE SUMMARY

The MA Contemporary Performance Practice is a practical, interdisciplinary course that will introduce you to a range of approaches and concepts, which are vital to the making of live performance in and in response to the world today. It will equip you with the skills and knowledge to function in contemporary  performance environments, as a performer, maker, collaborative practitioner and researcher.

Drawing upon the excellent facilities for making live performance at New Adelphi and MediaCityUK, this course also provides the entrepreneurial and employability skills you need to function as a practitioner in the wider creative industries.

This course will also allow you to extend and develop skill sets through interdisciplinary exchange and collaboration, mirroring working environments within the creative industries. You will develop the ability to think dynamically, act originally, collaborate and function effectively in creative workplaces,  integrating theoretical concepts, creative practice and real world skills. 

You will also, through the core modules and final project, develop your own contemporary performance practice, culminating in the presentation of a significant piece of work, which you can then go on to use in professional contexts.

COURSE DETAILS

MA Contemporary Performance Practice offers you the opportunity to develop and refine your current practices, learn about new skills and approaches and engage with the issues most relevant to making performance in the world now. 

Through the course you will:

  • Collaborate creatively to explore, experiment and create new performance work
  • Engage with key approaches and aspects of making contemporary performance, such as the use and influence of digital technologies, the role and positioning of the audience and the ways in which your practice can engage with both local and global issues
  • Explore the theories, frameworks and practices in the field and how these are developing and responding to the contemporary world

TEACHING

From the outset, you will work in an interdisciplinary fashion. Your induction will include a creative collaborative project, that will acclimatise you to the ways of working on the programme and other students.

Programme modules are delivered through practical workshops, keynote lectures, seminars, and artist-led residencies. Seminars and student-centred symposia initiate independent work, and foster and facilitate collaborative partnerships and small group work. Adaptability of graduates is considered a core vocational outcome that reflects the hybridity of global culture and is an essential strategy for learning on the programme.

The programme fosters an intensive laboratory research culture intended to explore practice, deconstruct ideas, identify needs and skillsets and apply acquired knowledge to the construction of new modes of practice. At the core of this culture is the encouragement to consistently triangulate theory and reflection with personal practice. Philosophically the programme embraces diversity, innovation and accessibility through these student-centred approaches.

ASSESSMENT

Assessment is via a balanced combination of formative and summative opportunities for each module, which promotes and responds to a fluid and processual development of your practice. Formal opportunities to write are combined with oral presentations, a range of performance outcomes and online portfolios.

You will be assessed through:

  • Practical performances, combined with vivas/oral presentations (65%)
  • Written assignments (critical, reflective, analytical) (35%)

FACILITIES

Digital Performance Lab at MediaCity UK.

Theatre, studio and specialist rehearsal spaces and acting studios at New Adelphi.

CAREER PROSPECTS

Graduates will be able to work in a range of environments from the cultural sector to future media, interactive design and production, small scale touring, venue based and independent production, theatre-making, performing and writing, community arts practices and applied theatre-making with defined sectors.

People who work in the field of contemporary performance are able to work across a wide range of applied areas of creative design and application. This ranges from traditional arts settings to the fields of interactive design, new media production and, as the use of digitally driven interfaces increases, into more commercially driven areas of work. Contemporary performance experts can have a broad set of skills from devising and composition, to technical design, production management, programming, script-development, video editing and post-production skills. 

Potential employers include arts venues and organisations, educational providers and film companies. Skills employed in the making of contemporary performance, such as independent and collaborative problem solving, gathering and synthesis of elements, understanding and integration of the needs of a range of stakeholders, can be used to address many areas of creative practice. Graduates will also be equipped through the programme to pursue careers as individual, self-employed practitioners working across forms and disciplines.

LINKS WITH INDUSTRY

The programme has links with the following organisations and begins each year with a creative intensive, led by a key contemporary performance practitioner:

  • The Lowry Arts Centre
  • HOME
  • Z Arts
  • Blast Theory
  • Imitating the Dog
  • Station House Opera
  • Rimini Protokoll

FURTHER STUDY

Graduates of this programme will be well prepared, through its mix of theoretical and practical research, to pursue practice based MPhils/PhDs, which will build on and develop further practices established within the MA.



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The MA Making Performance is an exciting opportunity to discuss, explore and create performance in high standard professional facilities. Read more
The MA Making Performance is an exciting opportunity to discuss, explore and create performance in high standard professional facilities. The course examines practice as research, the development of creative projects, the creation of major work and the ways in which evaluation and analysis of performance can be undertaken.

The programme is ideal for graduates, teachers, professional and semi-professional artists and individuals with suitable levels of performance experience and academic skill.

What will I study?

You will study how performance can examine ideas and advance understanding whilst considering examples of contemporary performance and the major critical ideas and perspectives. You will have the chance to develop a chosen performance skill, and stage a major piece of work. The programme will be organised around the sharing of ideas and practice, and collaborative approaches.

The course comprises five modules. Three 20 credit modules are studied in the spring term. These are in the area of practice as research, an examination of contemporary performance through the development of a creative proposal, and development of a performance and practice portfolio. In the summer (May to September) you will use the departmental facilities for the development and presentation of a major piece of performance. This fourth module is followed in the autumn by a final module which is a dissertation analysing the summer practice project.

How will I study?

The course starts with seminars, workshops and master classes in the spring with a weekly performance laboratory where peer led experimentation and performance development is encouraged. In the summer you will move onto intensive rehearsal and performance development supported with tutorials. In the autumn the focus is upon one- to-one tutorials for the development of the dissertation. The whole programme is designed around a series of practitioner seminars where you are encouraged to discuss and share your approaches and ideas on performance.

How will I be assessed?

You will be assessed through essay writing, creation of performance, and oral examination. You will also be encouraged to consider ways of presenting academic argument and analysis through media suitable for performance analysis including video, drawing and live events.

Who will be teaching me?

You will be taught by staff in the department in the area of their professional or research expertise. The programme is also designed to include master classes and lectures from a wide range of professional artists.

What are my career prospects?

The programme will equip you with skills in research, analysis and complex and creative problem solving. You will also develop performance and practice skills. This will provide a number of possible future routes for employment including teaching, professional performance and research.

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Designed by performance makers for performance makers, this innovative course will give you the opportunity to make new theatre, dance, digital and live performance work under the guidance of our team of research active, internationally-acclaimed staff who are committed to making performance matter. Read more
Designed by performance makers for performance makers, this innovative course will give you the opportunity to make new theatre, dance, digital and live performance work under the guidance of our team of research active, internationally-acclaimed staff who are committed to making performance matter.

Whether you are a recent theatre or performance graduate, a professional arts worker, an emerging artist, or are working in the education sector, your course will see you work with a diverse range of performance communities.

You will be immersed in an artist-centred learning environment and you will connect with other like-minded people interested in creating performance work. We will give you the skills to expand and reframe your current practices within a supportive community that values practice as research, while giving you the platform to perform your work at national and international festivals.

Take a look at Landing Party 2012 a festival of music, film and performance produced by students from our school.

- Research Excellence Framework 2014: our University demonstrated strength in five emerging areas of research which it entered into the assessment for the first time, including in music, drama, dance and performing arts.

Visit the website http://courses.leedsbeckett.ac.uk/performance_ma

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

Your course can be designed to suit your interests and specific needs. Bespoke learning contracts form an important cornerstone of the course, enabling you to develop as a fully rounded, multi-skilled, creative and reflective artist. Your course will enhance your ability to work successfully in a range of artistic and professional contexts and it will also prepare you for further study should you wish to pursue a career in academia.

- Stage Performer
- Screen Performer
- Stage Manager
- Drama Teacher

Careers advice: the dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit the careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

The main benefit to studying this course is access to the expert teaching staff and their network of contacts which stretch beyond Europe.

In recent years our students have performed at festivals around the world - these include Sibiu International Theatre Festival (Romania), Dyonisus Theatre Festival (Croatia), Edinburgh Festival, Latitude Festival (Suffolk), Gift Festival (Gateshead) and also locally at Leeds Festival.

Our students have undertaken professional placements with among others: Guillermo Gomez Pena, Robert Pacitti, Red Ladder Theatre, Third Angel, Leeds and Latitude Music Festivals, Bilbao Bai Theatre School, Kate Craddock (Mouth to Mouth), and The Kantor Archive (Noel Witts).

Core Modules

Performance Matters 1
At a weekly evening seminar, address the issues of what we know, what we should know and how we can learn more about performance. You'll look at performance research, developing different writing registers, epistemic and expert practices, and consider what really matters in performance.

Performance Matters 2
Examine specific research areas proposed by yourself and your course mates,leading to the creation and presentation of a conference paper or presentation in a professional context.

Artist Project Major
Undertake a project in a specific area of performance, such as dance, theatre, live art, or stand up comedy. You will work under the supervision of one or more members of our performing arts staff who will arrange regular observation of your work throughout the rehearsal/making/conceptual process.

Artist Project Minor
Immerse yourself in a project which will result in the creation of one or a series of new performance works. You will have the option to work independently or collaboratively.

Option Modules

The Festival Project
Visit a national or international performance festival with and take the opportunity to collaborate in talk-back sessions with artists, directors, critics and academics. You will submit a written report on your experience.

Embodied Knowledges
We will lead you through a series of classes in voice and body-based training including Feldenkrais, Yoga, Tai Chi, Clean Language, Kalaripyatthu, Hart and Polyphonic singing.

The Artist Mentor
Develop your artistic practice under the mentorship and guidance of an established professional artist who operates in your area of interest. You will be encouraged to critically reflect on your work and identify areas where you can enhance your skills.

Choreographing in Wider Contexts
Explore contemporary global choreographic practices. We will provide you with the space to reconsider and develop your own making practices as a process of choreographing performance.

The Placement Project
Gain hands-on experience with a placement opportunity linked to your career aspirations. Placements might include working in administration in an arts organisation, engaging in undergraduate teaching or contributing to in-house artist projects, either in a supportive role or in a performance context.This is an opportunity to undertake an undergraduate teaching placement through shadowing and collaborating with staff; residencies with established artists and companies; event, project and festival management opportunities with university partners; international platform opportunities.

Facilities

- Library
Our libraries are two of the only university libraries in the UK open 24/7 every day of the year. However you like to study, the libraries have got you covered with group study, silent study, extensive e-learning resources and PC suites.

- Dance Studios
If live performance is your calling, our black box and dance studios are the perfect creative spaces.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

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Why study at Roehampton. A unique programme that can be tailored to your interests, from performance to dramaturgy, from arts management or creative production to scholarship and cultural criticism. Read more

Why study at Roehampton

  • A unique programme that can be tailored to your interests, from performance to dramaturgy, from arts management or creative production to scholarship and cultural criticism.
  • You will attend a curated series of performances and cultural events at leading venues across London. 
  • Content driven by the varied research specialisms of staff and current developments in the field, e.g. spectatorship as a practice, live art and museum culture, feminism and performance and intercultural theatre.
  • 80% of our research ranked as "world leading" or "internationally excellent" in the 2014 Research Excellence Framework. 
  • Roehampton is ranked Best Modern University in London (Complete University Guide 2016, the Sunday Times Good University Guide 2016 and the Guardian University Guide 2016).

Course summary

Taking the wealth and diversity of London’s unique artistic culture as its prime focus, this unique programme opens up a variety of pathways to students looking to focus their interests in the broad field of theatre and performance. Shaped around a series of thematic investigations of the city’s unparalleled theatrical and cultural resources, you will be able to pursue a range of projects matched to your professional aspirations.

The programme engages with three basic approaches to study: viewing, making and writing, with students given the freedom to interpret key assessment tasks in line with their developing research and professional interests.

This is a flexible MA with full-time and part-time attendance options and which provides a sound practical and theoretical basis from which to move on to professional practice and training or further study at MPhil/PhD level. 

You will join a welcoming and diverse postgraduate community in a well-established UK department of drama, theatre and performance which offers a range of opportunities to work on staff and student-led projects in addition to your own studies.

Content

Viewing is at the heart of the programme, with regular collective attendance at a curated programme of events in London, during the Autumn and Spring terms, selected by the tutor team and provided without charge to students. Making connections between these events, you will explore a range of themes, genres and contexts that shape the performing arts in the city. This experience is supported by a programme of guided reading and discussion-based seminar sessions. 

Making and Writing are the strands of the programme where you develop your own responses to these themed investigations, which act as the springboard for your own projects. You will have the freedom to choose from a variety of formats for your assessed work, which might include live performance, theatre criticism, photographic, video or sound-based work. You can choose to explore a variety of formats and approaches or focus your work on a particular type of practice. In the first term, you will be introduced to a range of creative and analytical research methods that are designed to support the development of your own interests, leading on to a proposal for a major project that you undertake during the second half of the year. Writing offers a pathway for students to explore forms of textual practice, including writing for performance, theatre criticism, performative writing, dramaturgical research and response. This approach also offers the possibility of developing new kinds of conversations between audiences, artists, producers and other constituencies in the performance cultures of the city.

Modules

The following are modules currently offered on the course:

  • Viewing, Making and Writing 1 
  • Research Methods in Theatre and Performance 
  • Viewing, Making and Writing 2
  • Major Project

Career options

This course develops students towards professional careers in the Arts as well as towards possible PhD or MFA study.

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Are you an emergent theatre and performance maker wishing to advance your career as a practitioner, instructor or critic? Hone your performance skills and enhance your knowledge of performance training processes. Read more
Are you an emergent theatre and performance maker wishing to advance your career as a practitioner, instructor or critic? Hone your performance skills and enhance your knowledge of performance training processes. You’ll develop the confidence and ability to understand and analyse the nature of performance within a thriving artistic and research community. We’ll help you realise your potential through a deep level of practical investigation, experimentation and discovery.

Key features

-Take advantage of our stunning, new, multi-million pound, purpose-built performing arts facility, The House.
-Choose to study full time over one year, or take the flexible two-year part-time pathway to fit in with your career plans or other commitments.
-Work in a vibrant interdisciplinary arts and research community where you’ll mix with staff and students from across the arts faculty creating opportunities for collaborative performance and practice-based research. This includes colleagues from areas such as theatre and performance, dance, music and creative writing.
-Benefit from mentorship and teaching by highly skilled practitioners and scholars.
-Make use of the close links we have fostered with leading theatre companies and professional artists while you’re with us, and gain extra experience that will open up your career prospects.
-Engage with Plymouth’s vibrant theatre and performance scene with Peninsula Arts, Theatre Royal Plymouth and Barbican Theatre Plymouth, alongside events and workshops arranged by the department itself. In the past visitors have included included Action Hero, -Low Profile, John Nettles, Wildworks, Lone Twin, Earthfall and Robert Lyons.

Course details

You’ll take a series of modules taught through lectures, workshops and seminars. You’ll explore the larger implications of training in/for performance and specialise in a specific training of your choice (such as acting, live art or performance-making training). You’ll be offered support and mentorship from experienced staff and visiting practitioners. Staff expertise and research is in performance training, live art, improvisation, integrated performance practice, digital performance, contemporary cross-cultural performance, site-specific performance, somatic movement practice, and articulating practice as research. You’ll acquire a more sophisticated ability to reflect critically on performance practice, allowing you to realise your potential as a practical scholar. You’ll also work, with the guidance of your supervisor, to produce an artistic and/or academic thesis on a subject of your choice, underpinned by relevant research, analysis and critical reflection.

Core modules
-MAPR700 Researching Performance
-MAPR702 Final Major Project
-MAPT704 Training Processes: Doing
-MAPT705 Training Processes:Making

Optional modules
-MAPT703 Philosophies of Training
-MACH703 Choreography Lab 2: Choreographic Process and Development

Every postgraduate taught course has a detailed programme specification document describing the programme aims, the programme structure, the teaching and learning methods, the learning outcomes and the rules of assessment.

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Are you an emergent theatre and performance maker wishing to advance your career as a practitioner, instructor or critic? Hone your performance skills and enhance your knowledge of performance training processes. Read more
Are you an emergent theatre and performance maker wishing to advance your career as a practitioner, instructor or critic? Hone your performance skills and enhance your knowledge of performance training processes. You’ll develop the confidence and ability to understand and analyse the nature of performance within a thriving artistic and research community. You’ll also undertake a major placement with a theatre/performance company or arts organisation to enhance your professional development.

Key features

-Take advantage of our stunning, new, multi-million pound, purpose-built performing arts facility, The House.
-Work in a vibrant interdisciplinary arts and research community where you’ll mix with staff and students from across the arts faculty creating opportunities for collaborative performance and practice-based research. This includes colleagues from areas such as theatre and performance, dance, music and creative writing.
-Benefit from mentorship and teaching by highly skilled practitioners and scholars.
-Undertake a major placement with a theatre/performance company or arts organisation that will enhance your professional development and inform your studies and creative practice.
-Engage with Plymouth’s vibrant theatre and performance scene with Peninsula Arts, Theatre Royal Plymouth and Barbican Theatre Plymouth, alongside events and workshops arranged by the department itself. In the past visitors have included included Action Hero, Low Profile, John Nettles, Wildworks, Lone Twin, Earthfall and Robert Lyons.

Course details

You’ll take a series of modules taught through lectures, workshops and seminars. You’ll explore the larger implications of training in/for performance and specialise in a specific training of your choice (such as acting, live art or performance-making training). You’ll be offered support and mentorship from experienced staff and visiting practitioners. You’ll acquire a more sophisticated ability to reflect critically on performance practice, allowing you to realise your potential as a practical scholar. You’ll also work, with the guidance of your supervisor, to produce an artistic and/or academic thesis on a subject of your choice, underpinned by relevant research, analysis and critical reflection. This programme includes a major placement with a theatre/performance company or arts organisation where you’ll advance your professional development and gain valuable experience that will enrich your studies and creative practice.

Core modules
-MAPR700 Researching Performance
-MAPT704 Training Processes: Doing
-MAPT705 Training Processes:Making

Optional modules
-MAPT703 Philosophies of Training
-MACH703 Choreography Lab 2: Choreographic Process and Development

Final year
Core modules
-MAPR702 Final Major Project

Optional modules
-MAPR701 Placement: Workplace Cultures and Environments
-MAPR703 R&D: Engagement with the Cultural Industries
-MAPR704 Documentation, Dissemination and Critical Reception

Every postgraduate taught course has a detailed programme specification document describing the programme aims, the programme structure, the teaching and learning methods, the learning outcomes and the rules of assessment.

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This new programme, starting in 2013, combines diverse approaches to making and documenting performance. It draws on devising, physical theatre, directing, choreography, solo work and live art. Read more
This new programme, starting in 2013, combines diverse approaches to making and documenting performance. It draws on devising, physical theatre, directing, choreography, solo work and live art. The course is intended for graduate reflective performance practitioners to enhance knowledge and experience of a range of processes and forms in the areas of collaboration, composition, performance, directing and documentation. Practical sessions will include extensive contact with innovative performance practitioners, sharing a range of models of practice. You will be assessed on creative and critical responses to course content, and these could take diverse forms. The course addresses the centrality of different approaches to contexts in the world of work through the development of a portfolio of skills and increased capacities in documentation, as part of a means of self-representation for professional practice.

Throughout the course, you will have the opportunity to participate in independent and group-based practical projects, and to explore critically the methods, history and theory of theatre studies. While developing your projects, you will also benefit from access to a range of distinctive performance spaces on the campus.

All students complete an independently researched dissertation, which allows them to further develop their own areas of specialist interest.

See the website https://www.royalholloway.ac.uk/dramaandtheatre/coursefinder/macontemporaryperformancepractices.aspx

Why choose this course?

- The course is taught by professional practitioners who are also expert scholars in the field of performance practices. Their publications include research in dramaturgy, choreography, directing, dance, somatic practices, site based performance and documentation of performance.

- You will have the opportunity to benefit from our strong contacts with a wide range of companies and artists such as choreographer Jonathan Burrows (who holds an honorary doctorate with the college), Lone Twin, Jasmin Vardimon Company, Non Zero One, Theatre Ad Infinitum, Analogue and practitioners who have worked closely with Polish theatre companies including Gardzienice.

- The 2008 Research Assessment Exercise ranked the majority of the Department's research activities as world-leading (4*) or internationally excellent (3*).

- Royal Holloway has the largest Drama Department in the UK with 25 academic members of staff working at the cutting edge of the discipline.

- We foster an excellent research environment and support a vibrant community of postgraduate and doctoral students.

- You will benefit from a range of unique performance spaces which include a traditional Japanese Noh theatre, the fully equipped Caryl Churchill Theatre and the substantial Victorian Boilerhouse.

Department research and industry highlights

The Department is committed to theoretically informed research throughout the five major research groups that define our work:

- Applied and Participatory Theatre
- Contemporary Theatre
- Performance Practices
- Theatre History
- Transnational Performance

Many research staff in the Department are highly respected as theatre makers and for their practice-based research. Within the Department there are directors, playwrights and dramaturgs, as well as international practitioners in dance, applied theatre and puppetry. Our extensive collaborations with leading artists and theatremakers working in the cultural sector, and our theatre spaces, ensure that we are able to develop practice-based research throughout our degree programmes and in the professional theatre.

Workshops and lectures are regularly offered to postgraduates by leading playwrights, directors, choreographers and practitioners, including Katie Mitchell, Rebecca Prichard and Jonathan Burrows.

Course content and structure

You will study three core course units and complete a dissertation. This is a new course for 2013 designed to respond to the growing interest in how performance practices inform and interweave with each other. The details of the course form are undergoing validation and will be placed on the departmental website as soon as available.

On completion of the course graduates will have:
- enhanced and applied their skills as reflective theatre practitioners
- explored the scope of theatre studies and its critical and research methodologies
- developed their understanding of contemporary performance practices and its contexts
- experienced a range of ways of documenting practice to best represent their artistic concerns and focus
- developed their ability to undertake independent research and analysis.

Assessment

Assessment is carried out by a variety of means including essays and performance analyses, practical projects as well as a final dissertation of 10-14,000 words. Practical projects are sometimes carried out in a group and may include an element of assessment for an individual's contribution to group working and direction. All students undertake a summer term practical project.

Employability & career opportunities

Our graduates are highly employable and, in recent years, have entered many different drama and theatre related areas, including careers in professional theatre, training and education. This course also equips you with a solid foundation for continued PhD studies and many of our students go on to advanced research.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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A practical, community-focused programme, this MA allows you to explore how theatre can be made in a range of settings. Read more

A practical, community-focused programme, this MA allows you to explore how theatre can be made in a range of settings. Studying at Hull, you'll have the opportunity to make theatre for a variety of audiences, including in community, applied, and public venues, as well as receiving training in setting up and running theatre companies. The relationship between the theory and practice of theatre making is at the heart of the programme, allowing you to develop as a thinking theatre artist.

Drama at Hull has a strong reputation and a unique history as one of the UK’s first specialist drama departments. Our broad range of staff expertise has enabled us to design a programme that is challenging, varied, and at the forefront of research in the field of theatre making in local and community contexts. We have a reputation for international theatre research with connections to world theatres.

Our excellent dedicated facilities, including the recently listed Gulbenkian Centre and the Middleton Hall, make Hull a clear choice for students wishing to study with unrivalled access to theatre and rehearsal space. The investment will see some of the best facilities of their kind in the UK at the University of Hull, including a concert hall, surround-sound cinema, an ambisonic sound studio and industry-standard recording and rehearsing facilities. The refurbishment will include a new entrance and café with a 400-plus seater concert hall forming the centre-piece of the development. The versatile space is ideal for classical and popular music concerts. With adaptable acoustics, it will also be used for music, theatre and cinema screenings. 

Hull has a long tradition of both established arts venues and grassroots and community arts practice. Theatre Making students have opportunities to present their work at annual arts events including Assemblefest, Freedom Festival, and Vista, and to bring work to venues including Hull’s alternative performance space, Fruit. Students also benefit from links with Hull Truck Theatre, the Stephen Joseph Theatre in Scarborough and with nationally renowned companies including Opera North, New Diorama Theatre and Out of Joint. From 2017, the National Student Drama Festival will be based in Hull, a further opportunity for students to present work at one of the country’s most significant student theatre events.

Study information

The MA Theatre Making is designed to connect the theory and practice of theatre and performance, to facilitate collaboration, and to explore and interrogate the interdisciplinary connections between different modes of theatre making.

The programme focuses on the relationship between theatre and performance, place, space and community.

Modules are core for all students and arranged across three strands:

  • Theoretical, historiographic and interdisciplinary models for theatre making
  • Practical exploration of theatre making in local contexts
  • Core professional and academic skills related to the study and practice of theatre making

The flexible programme allows students to study for a PG Certificate, PG Diploma, or MA.

* All modules are subject to availability.

 Future prospects

The MA Theatre Making is intended to prepare students equally well for further study or for a career in the theatre industry.

Hands-on experience in making theatre in local and regional settings gives students a chance to demonstrate advanced skills and practical experience when seeking employment. Students also have the opportunity to establish their own theatre companies, either during the programme or on graduation.

The programme integrates practice and theory, developing graduates who are ready to engage with either the world of professional theatre making, social and applied theatre, or further postgraduate study.



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This course brings together artists, directors, writers, researchers and designers to set the agendas that will drive performance practice in the 21st century. Read more

Introduction

This course brings together artists, directors, writers, researchers and designers to set the agendas that will drive performance practice in the 21st century. Graduates go on to professional practice, working as influential directors, writers and producers in theatre, TV, film, opera or dance, or progress to research degree study.

Content

MA Performance Design and Practice responds to and engages with tradition and change in the arena of contemporary performance and experimental theatre practice. The postgraduate course contributes to the debates surrounding the core territories of performance making, design and time-based practices.

MA Performance Design and Practice also acknowledges the hybrid nature of contemporary performance work and promotes a critical exploration of conventional fixed boundaries between fine art performance and theatre.

Central to the MA Performance Design and Practice ethos is a recognition of international models of performance design and practice - models that have shaped the debates challenging many of the established definitions, functions and roles identified with performance making. From these debates key practitioners, organisations, events and texts have emerged. It remains a core aspect of the postgraduate course ethos to give you direct experience of these models and materials through an inspirational learning placement outside the UK.

Focusing on the sphere of performance culture where ideas and orthodoxies are in flux, the postgraduate programme brings together fine artists, directors, writers, researchers and designers to set the agendas that will drive performance practice in the 21st century.

Structure

MA Performance Design and Practice lasts 60 weeks structured as two consecutive periods of 30 weeks each, (ie, two academic years) in its 'extended full time mode.'

MA Performance Design and Practice is credit rated at 180 credits, and comprises 3 units:

Unit 1, (40 credits) and Unit 2, (20 credits) run concurrently and last 15 weeks.
Unit 3 (120 credits) follows after the completion of Units 1 and 2 and runs for 45 weeks.

Students successfully achieving Units 1 and 2 may exit at this point with the award of Postgraduate Certificate.

All three units must be passed in order to achieve the MA but the classification of the award of MA is derived from the mark for unit 3 only.

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This innovative MA programme combines a range of diverse approaches to making performance, drawing on devising, physical theatre, directing, socially engaged practice, solo work and live art. Read more
This innovative MA programme combines a range of diverse approaches to making performance, drawing on devising, physical theatre, directing, socially engaged practice, solo work and live art.

The MA will be delivered in partnership with major London cultural institutions, including the Lyric Hammersmith, where you'll take part in a low-residency intensive program of work at their impressive facilities.

The course is offered through a low residency model that makes it unique in the country, and particularly attractive if you wish to further your studies and enhance your career opportunities but cannot commit to a traditional full-time offering.

The course entails:

• Intensive practical modules, masterclasses and workshops led by industry professionals and delivered during residency weeks, when all the cohort comes together as a community
• Theoretical and critical e-learning and blended learning modules that run throughout the year, and which can be completed at a time to suit your particular needs.

Course content

The MA is made up of...

2 x 40 credit practical modules/intensive residencies
Residencies are delivered collaboratively with partner organisations

2 x 20 credit practical modules/intensive residencies
Residencies delivered collaboratively with a well known and respected industry professional from the UK or abroad, such as: Reckless Theatre, Little Bulb Theatre. Each practical residency module will be focusing on one specific area of contemporary performance practice as follows:

• Directing
• Devising and /or physical theatre
• Socially-engaged arts and/or collaborative practice
• Solo work and/or live art

2 x 20 credit theoretical modules
Creative research methodologies: an e-learning module where you'll be introduced to both traditional and non-traditional approaches to research including practice as research in performance
Research Project: you'll be supported to develop a 4,000-5,000 word written essay on a subject of your interest.

2 x 10 credit professional practice modules
Enterprise and new business models in the creative industries
The survivor’s guide to the creative industries: including sessions on skills in areas such as: fundraising, copyright, IP, developing and monetising cross/multi-platform work.

Modules:

Collaborative residency 1: Directing (20 credits)
Collaborative residency 2: Socially Engaged Arts (40 credits)
Creative performance making (40 credits)
Creative Research Methodologies (20 credits)
Research Project (20 credits)
Enterprise and New Business Models in the Creative Industries (10 credits)
The Survivor’s Guide to the Creative Industries (10 credits)

Plus a choice of either:

Creative Practice as Research Project (40 credits)
Creative Placement (40 credits)

Assessment

Methods of assessment are both practical and written. They reflect professional working methods (e.g. a professional performance outcomes) as well as critical responses to the course content (e.g. through essays, reflective journals and research projects).

Teaching and learning

The low residency MA in Contemporary Performance Making is following the model based on the Visitors and Residents theory by David White (2015), which describes a continuum of modes of online engagement and learning. This has proven to be a useful way towards understanding individuals’ motivations when they use the web in differing contexts. We are proposing that no mode of engagement is better than another, so we offer a blended approach that includes intensive face to face residencies, alongside online meetings and content delivery. We want to acknowledge that in today’s fast-changing world it is important to employ different modes of learning that allow for flexibility and can support individual learners’ context, circumstances and preferences.

The innovative low residency model, which is currently unlike any other offerings in the UK within the field of Drama and Performance, entails short intensive practical modules, masterclasses and workshops led by industry professionals during the residency weeks, alongside theoretical and critical e-learning and blended learning modules that run throughout the year.

The collaborative aspect of this programme makes it unique in the market and particularly attractive to those who wish to expand their professional networks and diversify their techniques.

Between the intensive residencies you'll maintain contact with the University through monthly supervisory meetings with your personal adviser (either face to face or online), and through completing the online and blended learning modules.

Facilities

• Edric Theatre

A dedicated performance and rehearsal space with a 90-seat capacity that can be set up in numerous configurations. The main auditorium, 30-seat studio and backstage facilities are used by drama, performance and technical theatre students. Facilities are available for commercial hire.

• Borough Road Gallery

The gallery is a home for visual art and a unique part of the University's heritage. Opened in 2012, the Borough Road Gallery contains valuable and significant works of Post War British Art in a public collection, produced by the celebrated artist and teacher David Bomberg (1890-1957).

• Arts, music and cultural events in London

The University couldn't be better located being only a 10-15 minute walk from the Southbank Centre, National Theatre, BFI IMAX, Tate Modern, Royal Festival Hall, The Old Vic Theatre, The Young Vic and therefore the best of London's plays, performances, exhibitions and screenings.

Employability

You'll have the opportunity to develop your practice in a rich environment of practices and discourses, in an environment that exposes you to diverse feedback sources, and a genuine immersion in professional practice of an international standing.

You'll be presented with opportunities to develop skills not only in the areas of directing, socially engaged arts and so on, but also in your professional practice, including current areas such as creative methodologies, copyright, use of multi-platform content, and resilience in the creative industries market.

The part-time offering is suitable for mature students and professionals who wish to return to education in order to enhance their skills and career prospects.

LSBU Employability Services

LSBU is committed to supporting you develop your employability and succeed in getting a job after you have graduated. Your qualification will certainly help, but in a competitive market you also need to work on your employability, and on your career search. Our Employability Service will support you in developing your skills, finding a job, interview techniques, work experience or an internship, and will help you assess what you need to do to get the job you want at the end of your course. LSBU offers a comprehensive Employability Service, with a range of initiatives to complement your studies, including:

• Direct engagement from employers who come in to interview and talk to students
• Job Shop and on-campus recruitment agencies to help your job search
• Mentoring and work shadowing schemes.

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The Master of Directing for Performance develops your in-depth knowledge and skills of directing and provides a framework to identify and reflect on your own practice as a director, performance-maker, collaborator and researcher. Read more

The Master of Directing for Performance develops your in-depth knowledge and skills of directing and provides a framework to identify and reflect on your own practice as a director, performance-maker, collaborator and researcher. The program opens up a broad range of individual career pathways into contemporary performance practice through directing and performance making, practice-led research, and applied performance in intercultural and community engagement contexts.

The VCA offers a unique environment for you to develop an individual approach to directing live performances and creative leadership in an environment of interdisciplinary and intercultural learning. You will experience a wide range of collaborative opportunities and leadership roles with designers, actors, production teams, writers, dramaturgs and choreographers at the VCA, as well as a range of creative encounters with local, national and international artists, organisations and communities.

The program is delivered through lab-based workshops, seminars, lectures, self-directed exercises, tutorials, practical master classes, and national and international internships. It balances theory and practice across four semesters, to allow for progression from the intensively-taught, skills-based first year, to a more autonomous, project-orientated second year which culminates in an independent, practice-led research performance project or written dissertation. The program actively encourages intercultural and international training and research experiences through fieldwork in the second year of the course.

LEARNING OUTCOMES:

  • Develop specialist skills in directing for live performance, including rehearsal processes, dramaturgy, devising, composition and performance making
  • Build collaborative networks from within and beyond the VCA, and gain the knowledge and skills to build future national and international connections through industry placements and internships
  • Understand the interplay between theories and practices of performance direction
  • Learn practical and critical approaches to develop the future of Australian performing arts
  • Be able to creatively and imaginatively engage with textual, visual and performed sources and artworks
  • Become a flexible practitioner, able to work across artistic disciplines and multiple contexts of performance practice


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This Performance Practices MA will allow you to investigate both the creative and critical contexts of performance, taught by our internationally recognised staff who are practising artists and scholars. Read more
This Performance Practices MA will allow you to investigate both the creative and critical contexts of performance, taught by our internationally recognised staff who are practising artists and scholars.

The course aims to foster creative and performance skills, theoretical knowledge and research skills appropriate to contemporary performance practices, and is designed for those wishing to develop themselves as independent artists, practitioner researchers, scholarly researchers and reflective practitioners. It is also suitable for professional artists and educators who wish to reinvigorate their practices and deepen their engagement in performance-making.

You will study topics including the body in performance; audiences; spaces; narrative; memory; digital technologies and collaboration; and these are addressed from an interdisciplinary perspective. You may also gain real life experience through a range of opportunities offered by the industry through our links with local and national organisations.

You will learn through a range of classroom and studio based activities, with assessments including written assignments, group and individual presentations, viva voces and practice based work. Teaching and learning will take place in studios and performance spaces, including the Performance Arts Centre for Excellence (PACE) Building, housing state-of-the-art, dedicated and flexible teaching spaces as well as a social area. Studio space, edit suites, mini dv/sd card cameras and other technical items can be booked. You will have access to an extensive stock of specialist books, videos, electronic resources and facilities housed in the Kimberlin Library.

The programme offers some flexibility in module choice, so that you may broaden existing skills and/or develop new skills that complement your programme specific studies. You may also choose to study a module from another similar programme or to undertake placements, further preparing you for employment in a range of contexts.

The programme is delivered by an energetic research active team with international profiles in their field. DMU is also nationally-recognised as a Centre for Excellence in Performance Arts for teaching and learning.

The programme will develop your knowledge in the field, as well as in communication, research, presentation and performance.
On completion of the programme you will be equipped to pursue a range of careers in the field of performance practices and the creative industries, as well as further academic study.

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Performance Coaching is an innovative online learning degree; the first of its kind in Scotland. It is for experienced performance coaches who wish to extend their expertise adjacent to their sport- specific qualifications. Read more
Performance Coaching is an innovative online learning degree; the first of its kind in Scotland. It is for experienced performance coaches who wish to extend their expertise adjacent to their sport- specific qualifications. The course has been developed to articulate with the UKCC Level 4 certification process. The programme is endorsed with Sports Coach UK for UKCC Level 4. It will develop skills of critical analysis and reflective practice, enhance problem-solving capacity and promote innovative solutions to performance coaching problems.

Your work will be grounded in performance coaching practice, considering case studies and experiential learning from peers and leading coaching practitioners.

Key information

-Degree type: MSc, Postgraduate Certificate, Postgraduate Diploma.
-Study methods: Stand-alone modules. Distance learning. Campus based.
-Start date: September.
-Course Director: Dr Justine Allen.

Course objectives

This online learning course is for experienced performance coaches who wish to extend their expertise alongside their sport-specific qualifications. The course aligns with the UK Coaching Certificate (UKCC) Level 4 certification process. It will develop skills of critical analysis and reflective practice, enhance problem-solving capacity and promote innovative solutions to performance coaching problems.

In addition to the sports-specific coaching skills, you will have developed in your practice, we develop coaches who:
-Reflect continuously and challenge personal assumptions and beliefs to improve future performance.
-Critically reflect on decisions in complex and unpredictable situations.
-Recognise and resolve problematic coaching issues through the generation of innovative strategies and solutions.
-Design and implement an optimal learning environment to impact on athletes’ performance needs.
-Design and implement a planned and strategic approach to performance improvement.
-Develop and manage appropriate support structures to facilitate improved performance.

About the Faculty

The Faculty of Health Sciences and Sport brings together the collective expertise of multidisciplinary academics. We have a commitment to making a difference to world needs in health, wellbeing and society through teaching, research and public involvement.

We develop global citizens through our excellence in learning and teaching, focusing on employability to foster those who can make a difference.

Our portfolio of research-led Health Sciences courses advances knowledge and skills of healthcare professionals to promote patient-centred care.

As Scotland’s University for Sporting Excellence we are at the heart of Scottish and UK sport, committed to excellence in all aspects of University sporting life.

Other admission requirements

Please note: If you are a student from overseas and applying with a Tier 4 student visa, we unfortunately can not accept your application for this course as it falls into the category of being part-time, delivered online or a distance learning course.

If English is not your first language you must have one of the following qualifications as evidence of your English language skills:
-IELTS: 6.5 with 5.5 minimum in each skill.
-Cambridge Certificate of Proficiency in English (CPE): Grade C.
-Cambridge Certificate of Advanced English (CAE): Grade B.
-Pearson Test of English (Academic): 60 with 51 in each component.
-IBT TOEFL: 90 with no subtest less than 17.

For more information go to English language requirements: https://www.stir.ac.uk/study-in-the-uk/entry-requirements/english/

If you don’t meet the required score you may be able to register for one of our pre-sessional English courses. To register you must hold a conditional offer for your course and have an IELTS score 0.5 or 1.0 below the required.

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