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The perceived shift in attitudes to art production over recent years, caused partly by the ubiquitous nature of technology, has meant there is a renewed interest in painting and how it might flourish in a digital age. Read more
The perceived shift in attitudes to art production over recent years, caused partly by the ubiquitous nature of technology, has meant there is a renewed interest in painting and how it might flourish in a digital age. The discipline of painting, seen as outmoded by some, has gained a new relevance and focus, and is seen as a rich, complex language of its own.

This new course proposes a more 'disciplinary' approach to study, where painting as a distinct language and discipline can be studied in depth, with students extending and challenging their practice as painters both technically and conceptually.

WHY CHOOSE THIS COURSE?

-Award-winning staff with expertise in a wide array of approaches to painting as a discreet discipline.
-The opportunity to test and explore a range of ideas and issues relating to the traditions of painting.
-Access to dedicated painting studios, and the opportunity to benefit from specialist workshops.
-The opportunity to extend skills sets and embark on ambitious work with a view to developing a professional profile.
-The opportunity to develop a personal vocabulary of painting in the context of a contemporary discourse.

WHAT WILL I LEARN?

During the course you will take two dedicated painting modules in which you will develop your personal painting practice.

You will also undertake modules in contextual studies and professional practice which are part of the wider Creative Arts MA programme in the Design and Visual Arts section of the School of Art and Design. These modules will help you contextualise your practice, gain research skills and undertake professional activity.

Painting MA students will also undertake the common MA Project module: this module comprises one third of the course and takes the form of a personal project which will form the basis of a final exhibition.

The course is based around the development of an individual practice and will encompass a range of disparate approaches to painting. You will be encouraged to work in a range of media depending on your own interests, and you will be guided and supported by accomplished practitioners.

HOW WILL THIS COURSE ENHANCE MY CAREER PROSPECTS?

Successful graduates may find careers as self-employed artists exhibiting in a wide range of galleries and artistled spaces. You may also use this qualification to help enhance your prospects of entering a career in education. The barriers between art and design practices are increasingly porous, and you may find careers in a range of areas as portfolio workers.

During your time on the MA you will be guided and required to build a professional profile in preparation for entry into professional life.

GLOBAL LEADERS PROGRAMME

To prepare students for the challenges of the global employment market and to strengthen and develop their broader personal and professional skills Coventry University has developed a unique Global Leaders Programme.

The objectives of the programme, in which postgraduate and eligible undergraduate students can participate, is to provide practical career workshops and enable participants to experience different business cultures.

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Please note this course is subject to validation. MA Painting at Wimbledon College of Arts offers the opportunity for students to explore a discipline that is constantly widening in scope. Read more

Introduction

Please note this course is subject to validation.

MA Painting at Wimbledon College of Arts offers the opportunity for students to explore a discipline that is constantly widening in scope.

Content

What students can expect from the course:

- To identify and debate key issues in contemporary painting

- To contribute to a collaborative public event and online archive on the subject of contemporary painting

- To extend your knowledge of paint as a material and process

- To examine the ways in which methods and materials shape the agenda in contemporary painting whilst creating a critical relationship to tradition

- To explore the range of models of practice for the contemporary painter

- To examine the notion of painting as research

- To develop your key questions and ideas from an initial period of review and experimentation

- To be part of a challenging learning and teaching environment that supports the development of your practical, professional and research skills

- To engage with the wider research culture at University of the Arts London

- To identify and debate key issues in contemporary painting

- To contribute to a collaborative public event and online archive on the subject of contemporary painting

- To extend your knowledge of paint as a material and process

- To examine the ways in which methods and materials shape the agenda in contemporary painting whilst creating a critical relationship to tradition

- To explore the range of models of practice for the contemporary painter

- To examine the notion of painting as research

- To develop your key questions and ideas from an initial period of review and experimentation

- To be part of a challenging learning and teaching environment that supports the development of your practical, professional and research skills

- To engage with the wider research culture at University of the Arts London

Structure

The course runs over a total of 45 weeks. Learning and teaching will take place through studio practice, written work, group seminars, critiques, exhibitions, peer-led workshops and reading groups. The course places great stock on the idea of a community of painters.

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The MA Conservation of Wall Painting course is a unique programme which allows students to put the skills they learn to use on an international scale; previous candidates have travelled to China, India and the Mediterranean to undergo field work, which comprises 50% of the coursework. Read more
The MA Conservation of Wall Painting course is a unique programme which allows students to put the skills they learn to use on an international scale; previous candidates have travelled to China, India and the Mediterranean to undergo field work, which comprises 50% of the coursework. The programme accepts about eight students every three years, and the next intake is in 2013.

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Work & Practice. To help you to reinforce your artistic profession you will visit relevant institutions, centres of expertise and art fairs. Read more
Work & Practice

To help you to reinforce your artistic profession you will visit relevant institutions, centres of expertise and art fairs. This way you will meet a broad range of people from the professional field so that you can build your own network of useful and inspirational contacts. In addition, you will work within an open, cross-media network of artists, technologists and scientists to develop your entrepreneurial attitude, realise your ideas, sharpen your vision and share your questions and solutions. What is just as important, is your artist attitude. We expect you to think and act like an investigative artist in an international practice, bringing together different perspectives in exciting work and projects. As such, we will help you to master these organisational skills, to raise funds, organise support and promote projects to the public.

Partners in art

To allow you to meet the right people and work with the technology you need for your projects, we have strong ties to a number of institutions and organisations. Like our Art & Society Research Centre, which covers the practice based research of the Minerva Art Academy and consists of three research groups: Lifelong Learning in Music, Image in Context and Popular Culture, and Sustainability & Innovation. Through these partners you will be able to get in touch with researchers of the University of Groningen.

Working with the University of Groningen

We also work closely with the University of Groningen, where you can attend lectures. Furthermore, we have contacts with different university researchers working at an expert level, for instance in the field of cultural geography. Depending on the nature of your artistic project, we will also help you to meet new partners. In addition, we organise international trips and visits to relevant biennials and triennials, cultural institutions and exhibitions in order to broaden your perspective. This includes a trip to New York in your second year.

Experimental art spaces

As a master student you can take part in exhibitions and projects of several of our partners. We collaborate with NP3 for instance, one of the experimental art spaces in Groningen for projects and exhibitions, with three totally different locations. We also work with Sign, a gallery that focuses on interdisciplinary, experimental and contemporary art, with the Visual Arts Centre in Groningen, Assen and Emmen and with the PeerGrouP in Donderen. Another partner is the Institute for the Unstable Media in Rotterdam.

Room for debate around art

During this master programme we encourage you to show your work and present your findings in a public debate. This allows you to enter into a dialogue with society concerning your artistic position; transforming the way people experience art, shaking them up, responding to their reactions and allowing others to influence your view of art. It is therefore not only the final result of your work that counts, but the process you go through to get there.

To show the world what you are doing, you are invited to join projects and take part in national and international projects and exhibitions. In the past our students have taken part in our own Energize Festival and the International Student Triennial Istanbul, for instance. We also participate in exhibitions and projects with Forum Images and other cultural institutions. During our Open Days Show you can show your work and get the possibility to work with a professional curator.

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The Aberystwyth MA in Fine Art and Art History is a full-time, modular degree designed for students who wish to study art through a balanced programme of technical practice and study. Read more
The Aberystwyth MA in Fine Art and Art History is a full-time, modular degree designed for students who wish to study art through a balanced programme of technical practice and study. It will suit students who wish to explore working as professional artists or art academics. You will develop your practice of art as an intellectual pursuit and a professional discipline, whilst at the same time extending your knowledge and experience in art history. This course will train you in research methodologies and stimulate vigorous intellectual inquiry in the subject while requiring of you commitment to training, practise and individual creativity.

Aberystwyth University’s Fine Art and Art History course features a number of modules which will encourage you to direct your studies into areas of art which particularly fascinate you. This course of study is designed to enable you to delve deeply into your chosen specialism, whether that focuses on specific materials, styles, time periods or locations. The School of Art at Aberystwyth provides supervision and specialist knowledge in a huge range of subjects including British art, ceramics, contemporary painting, graphic arts (including book illustration and much more), Nineteenth Century European Art, museum and gallery studies, the visual culture of Religion, Wales and Art, and Women’s Art, Crafts and Design.

Most staff of the School of Art are practising artists and art historians who have exhibited and published widely in their field. Postgraduate teaching at Aberystwyth springs from staff research interests in both Fine Art and Art History. The School has spacious painting studios, print workshops, darkrooms, art galleries, a reference room for its art collections, and a wing of the building is designated for postgraduate studios. The School also runs its own Private Press to allow students to carry through illustration projects and it also produces books, catalogues and papers by both staff and students

The Aberystwyth School of Art is committed to excellence in both studio practice and academic study, and is rapidly become one of the UK’s most popular places to study and creatively explore Art. Writing in the Guardian, journalist Miles Brignall concluded that the twice-yearly MA Art History Exhibitions at Aberystwyth are among the top four ‘pick of the shows’ UK-wide. Aberystwyth was the only institution he selected outside London.

See the website http://courses.aber.ac.uk/postgraduate/fine-art-and-art-history-masters/

Suitable for

This degree will suit you:

- If you wish to develop your personal, creative, productive, and imaginative artistic abilities;
- If you wish to be stimulated by vigorous intellectual inquiry into Art;
- If you aim to pursue a career in Art or serious effort to exhibit your work in public and critical arenas;
- If you wish to develop a conceptual, practical and historical framework for your art.

Course detail

The Aberystwyth MA in Fine Art and Art History provide you with an excellent opportunity to develop your artistic skills, understanding and technical aptitudes as you strive to pursue your art. In every area of this course, technical, stylistic, and conceptual experimentation is enthusiastically encouraged and you will be encouraged to contribute to the School’s academic knowledge of art history through your own research. You will also have the opportunity to submit articles for publication to contextualize your practice and develop your engagement with critical and public opinion. In the most recent Research Excellence Framework assessment (2014) it was found that 75% of publications were of an internationally recognised standard or higher.

One of the central strengths of this course is your personal development as an artist. You will be challenged to experiment, test hypotheses, and extend your field of action in preparation for exhibitions. You will develop a portfolio of work that is a creative and imaginative interpretation of subject matter demonstrating the acquisition and refinement of technological dexterity and stylistic sophistication. You will also benefit from gaining new insight into careers in fine art, defining concepts of the subject and the crucial importance of professional identity.

Upon graduation from the MA in Fine Art and Art History, you will have demonstrated artistic excellence, personal rigor and critical engagement with yours and others’ work, which will define you as an artist. You will be well-prepared for the realities – both creative and practical – of life as a professional artist.

Format

The course is a full-time programme, taught over one year, and is divided into two parts over three semesters. In part one, you will study a number of core modules, together worth a total of 120 credits, whilst directing your own study in part two where you will explore and resolve your chosen artistic problem, culminating in the second of your two public exhibitions. This study is equivalent to a Master’s dissertation project and is worth 60 credits.

The subject of this final public exhibition will be agreed in consultation with your supervisor(s) and, in tackling it, you will be encouraged to develop and sustain a self-initiated programme of work. Subject to the satisfactory completion of the study modules and exhibition, the MA in Fine Art and Art History is awarded. The descriptions relating to all the study modules can be found in the "at a glance" tab.

Contact time approximately 10-14 hours a week in the first two semesters. During semester three you will arrange your level of contact time with your assigned supervisor.

Assessment

The taught part of the course (Part 1) is delivered and assessed through lectures, student seminars, practical exercises and exhibitions. Successful completion of your exhibition (Part 2) leads to the award of an MA.

Employability

Every aspect of the Aberystwyth Master’s in Fine Art and Art History programme is designed to enhance your employability. Successful completion of this degree is in itself certain to do so by building your CV; but more significant is the hugely enhanced array of knowledge, abilities and skills with which you will graduate.

Your pursuit of personal development as an artist, coupled with increased critical faculties, will make you a strong candidate for any post where people and opinions meet. Likewise, the study skills, technical knowledge and hands-on experience of artistic processes will give you a tremendous advantage in employment within the Arts. Similarly, other modules will provide opportunities to gain experiences and transferrable skills. By managing the practicalities of exhibition preparation, installation, and curation, you also gain direct experience in every aspect of events and venue management. Though the conditions may be subject-specific, the skills you will learn in the process are highly marketable.

Whether your chosen career path points you towards drawing, painting or print work, or towards criticism, collecting, art journalism, your Masters Degree in Fine Art and Art History from Aberystwyth University will signal to prospective employers your commitment to personal excellence, professional rigour and technical innovation.

Professional Independence:

The course acknowledges the difficulty artists face in the transition from the requirements of a degree level course to the emerging independent direction required of professional practising artists. By playing an active, learning-based role in the operation of the School’s galleries, you will gain an insight into the work needed to sustain a busy gallery. You will stage public exhibitions in the School’s galleries and elsewhere, and part of the course’s assessment relates to your performance as a professional, exhibiting artist.

Studio work is designed to increase students’ technical possibilities, and the School is particularly well equipped in all areas of the graphic arts. The course seeks to assist the student by developing individual abilities and direction in a certain area of art practice to the highest standards possible. In addition to this subject-specific training, this MA is designed to give you a range of transferable skills that you can apply in a variety of situations. Whether this is further study, personal artistic pursuits or employment, you will be better equipped to pursue success in your chosen field.

Your work in the Contemporary Context:

This course does not operate in isolation, and you will examine your own work in the wider context of contemporary practice. As mentioned above, your assessed exhibitions will give you first-hand experience of the vital but often daunting rite of holding up your work for scrutiny by your tutors, peers, critics and the public. You will also encounter and engage with the debate in cultural theory regarding the interface between art practise, art theory and the concept of visual culture. By considering its implication for the study of fine art and art history, your course of study encourages you to improve your capacity for conducting a critical review of yours and others’ work through discussion, presentation and writing.

Find out how to apply here https://www.aber.ac.uk/en/postgrad/howtoapply/

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NUA’s MA Fine Art is an exciting and ambitious programme of study and one that will accelerate your practical, technical and conceptual understanding of your practice. Read more
NUA’s MA Fine Art is an exciting and ambitious programme of study and one that will accelerate your practical, technical and conceptual understanding of your practice. Practice-led investigation is fundamental to the course, supported by critical dialogue and research. Founded in 1845 the University has a strong reputation as one of the leading art schools in the UK. From our campus in the heart of Norwich’s cultural quarter you will have access to industry standard resources and exceptional workshop and studio space facilities.

You will join a community of tutors, researchers, visiting industry guests and fellow students and be part of a stimulating and active research environment. Guided by expert tuition you will be supported to extend or challenge your existing knowledge and methodologies. You may elect to specialise in or combine areas including painting, drawing, printmaking, sculpture and installation.

Strong links with regional and national galleries provide platforms for dialogue around contemporary practice, supported by visiting artists and the Fine Art lecture series. The Gallery at NUA provides a showcase for high quality public exhibitions that augment the MA Fine Art experience. Eastinternational was staged here between 1991-2009, and more recently The Gallery has showcased work by artists including: Grayson Perry, Gilbert and George, Jake and Dinos Chapman, Damien Hirst, Jeremy Deller and Rachel Whiteread. The annual Fine Art symposium ‘Dialogues’ supports your professional understanding of contemporary Fine Art practice.

Creative thinking and innovation are at the core of the MA philosophy and you will engage with students from across the postgraduate community to share opportunities and debate contemporary issues. Your curriculum will include professional guest speakers, industry focused projects, collaborations and study visits. These complement the core studio, workshop and taught sessions on research methods, theoretical approaches and business and professional skills.

MA Fine Art staff are all established practising artists who regularly exhibit their practice, and/or contribute to conferences and publications and will support you in promoting your work within the creative sector. Paul Fieldsend-Danks is the MA Course Leader at NUA, contributing to the taught delivery of MA Fine Art and Research Into Practice units. Paul is an artist and academic, with a particular research interest in the study of landscape within contemporary drawing and painting contexts. He is a co-director of the international online drawing research journal Tracey, and a member of Land2, a practice-led research network concerned with landscape and place-oriented art practice.

Sarah Horton, Senior Lecturer and Unit Leader for MA Fine Art, is a fine artist and educator. Her art practice is multi-disciplinary and has included painting, print, video, stage design, projection and site-specific commissions. She brings her knowledge and experience to bear within her teaching providing a supportive base from which students are encouraged to take risks within their own practice. Sarah has exhibited widely including Tokyo, California, Koblenz and London.

Scholarship and funding information is available. Norwich will be taken over by a festival of contemporary art in key venues across the city in the summer of 2016, as one of four host cities for the 8th edition of the British Art Show. The biggest touring exhibition of contemporary art in the UK has selected Norwich University of the Arts (NUA) as its lead partner in Norwich. See NUA website for details: http://www.nua.ac.uk

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This MA provides a structured introduction to the postgraduate study of the history and philosophy of art. Particular focuses include contemporary art, photography, Renaissance art, medieval art, 18th-century British painting, 19th-century French painting, modernism, aesthetics and the philosophy of art and film. Read more
This MA provides a structured introduction to the postgraduate study of the history and philosophy of art. Particular focuses include contemporary art, photography, Renaissance art, medieval art, 18th-century British painting, 19th-century French painting, modernism, aesthetics and the philosophy of art and film. You may elect to take a Philosophy of Art & Aesthetics strand.

The MA gives you the opportunity to pursue your interest in visual art at advanced level, to develop a high level of expertise in topics in history and philosophy of art, and to prepare for doctoral research in history of art or philosophy of art.

The programme is also available at split site between Canterbury and Paris.
https://www.kent.ac.uk/arts/study/postgraduate.html

About the Department of History & Philosophy of Art

The History & Philosophy of Art Department within the School of Arts, provides opportunities for graduate study with well-established researchers in the fields of art history, philosophy of art and aesthetics. Staff research covers contemporary art and aesthetics, modernism, theories of art, the historiography of art and the Cold War; biographical monographs, the photograph (in its historical, contemporary and critical contexts), and the historical interplay of image, theory and institutions from the Renaissance to the present (especially European and North American).

Developing areas of interest include the cultural and historical significance of the print, and the role of performance and new media in contemporary art practices, which draw upon our links with other subjects within the School of Arts and the Faculty of Humanities. In particular, postgraduates have the opportunity to participate in the activities of the multidisciplinary Aesthetics Research Centre and the Art History and Visual Cultures Research Centre. There is also a full programme of visiting speakers from across the constituent subject areas within the School of Arts, which includes Film and Drama.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

HA898 - Philosophy of Art Dissertation (60 credits)
HA838 - Key Concepts and Classic Texts in History and Philosophy of Art (30 credits)

Assessment

Assessment is by coursework and the dissertation.

Programme aims

This programme aims to:

- provide you with a focused programme of taught postgraduate study in history and philosophy of art

- provide you with a taught foundation for subsequent postgraduate research

- enable you to acquire or deepen your knowledge and understanding of the historical and contemporary topics within the history of art and philosophy of art

- enable you to develop your art historical and philosophical skills beyond that expected of an undergraduate

- enable you to develop, articulate and defend art historical and philosophical ideas as they relate to art

- enable you to engage with historical and contemporary theoretical thought about the arts from art historical and philosophical perspectives.

Study support

Postgraduate resources
There is a large and wide-ranging library holding for History & Philosophy of Art, covering the fields of painting, sculpture, architecture, photography, aesthetics and contemporary visual communications. There is a substantial stock of periodicals, online access to e-journals and a slide library with well over 100,000 images, covering areas such as contemporary art, visual cultures, garden history and the film still, as well as traditional media. Kent is ideally located for access to galleries in London and on the continent.

In 2010, we moved into the purpose-built, and RIBA award-winning, Jarman Building located at the centre of the Canterbury campus. The new building is home to the Studio 3 Gallery and a range of teaching and social spaces as well as a dedicated postgraduate centre.

Support
All postgraduate students are offered research skills training and the opportunity to take part in reading groups and research seminars at departmental, school and faculty level. Research students have the added opportunity for funded conference attendance. There is also a dedicated student support office at our Canterbury campus, which can offer support and guidance throughout your studies, in addition to an office in Paris.

In recent years, several members of the History & Philosophy of Art Department, both full-time and part-time, have been awarded University prizes for excellence in student support, curriculum innovation and research-based teaching – an ethos which we seek to extend to the postgraduate community.

Dynamic publishing culture
Staff publish regularly and widely in journals, conference proceedings and books. Among others, they have recently contributed to: British Journal of Aesthetics; Art History; History of Photography; Journal of Aesthetics and Art Criticism; Journal of Visual Arts Practice; and The Philosophical Quarterly.

Global Skills Award
All students registered for a taught Master's programme are eligible to apply for a place on our Global Skills Award Programme (http://www.kent.ac.uk/graduateschool/skills/programmes/gsa.html). The programme is designed to broaden your understanding of global issues and current affairs as well as to develop personal skills which will enhance your employability.

Research areas

The Department has a collective interest in developing interdisciplinary projects, including projects informed by art history and philosophy of art or aesthetics. Shared areas of research interest include: photography, art theory from the Renaissance to recent times and contemporary art.

Careers

Arts postgraduates have gone on to work in a range of professions, from museum positions and teaching roles to marketing and gallery assistants. Our graduates have found work with Tate Britain, the V&A, Museum of Childhood and other arts, culture and heritage-related organisations.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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Christie’s Education is the first British institution to offer a Master’s programme devoted exclusively to Chinese art. While acquiring experience in object analysis, you will explore archaeological and historical contexts and the multiple narratives in the story of Chinese art. Read more
Christie’s Education is the first British institution to offer a Master’s programme devoted exclusively to Chinese art. While acquiring experience in object analysis, you will explore archaeological and historical contexts and the multiple narratives in the story of Chinese art. Starting from the Neolithic and Bronze Age art, the course covers pottery, bronze, lacquer, silk and jade, then examines Buddhism from the Han dynasty onwards, to the global reach of the ‘Silk Road’ in the Tang dynasty. Extensive treatment of artistic production during late imperial China—from the ’golden age’ of the Song dynasty to the High Qing—range through a variety of media such architecture, painting, printing, ceramics and luxury goods. The course also explores cultural developments from the 19th to the 21st century, when intensified contact with foreigners generated new practices, functions and meanings in Chinese art.

Crucially, the course will propel you into Chinese art-world practice and introduce you to the curators, scholars, artists, and dealers who shape the discipline. You will gain exposure to historical and current trends in the circulation of art within China and abroad, historically and to the present day. The programme takes on only a small and exclusive group of students each year and has already trained many of the next generation of art-world professionals in the field of Chinese art.


•The core lecture series from the Neolithic period to the present underpins all components of the programme
•You will participate in a study trip to China and regular visits to museums and collections throughout the year
•Object-based study is central to our teaching and will provide you with relevant training for the public and commercial art worlds. This includes practical and research based study of materials and techniques, scientific analysis, style, dating, quality and authenticity
•You will be trained in cataloguing to auction house and museum standards. Handling sessions and warehouse and museum visits all occur during the course
•Being engaged with current debates about curating will enable you to devise fresh approaches to the display of art works. You'll explore practices in art criticism, developing skills to review exhibitions and produce reports
•Our Culture and Ideology Seminars will enable you to discuss the relationship between specific objects and broader debates around ancient and modern Chinese art in small groups. You will acquire the skills to deliver presentations and generate seminar discussion
•You'll be involved in Methodology Seminars - the analysis of technical, art-historical and interpretative texts that provide transferable skills for independent research and individual development
•If you're doing a Master's degree you will prepare a thesis. This is your opportunity to create an exhibition on a small group of objects, independently researched and catalogued, where the key academic and professional skills learned on the programme are utilised.


•Neolithic and Bronze Age art, culture and burial practices
•The establishment of lacquer, silk, jade and painting traditions
•Buddhist art in China from the Han to the Qing dynasties
•The Silk Road and the international status of ceramics, precious metals, paper making and printing
•The golden age of the Song dynasty: ceramics, painting, calligraphy, lacquer and sculpture and the reinvention of the past
•Liao and Yuan artistic production under foreign rule
•The rise of Jingdezhen, China’s major porcelain centre
•The re-establishment of Chinese rule under the Ming dynasty and its artistic expression
•Imperial patronage of court and religious art, imperial academies and ateliers.
•Exchange between China and the West and the export arts of China
•The efflorescence of the arts during the reigns of the three great Qing emperors
•Modern and contemporary art and society

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This MA provides a structured introduction to the postgraduate study of the history and philosophy of art. This programme allows you to spend your first term at our Canterbury campus with full access to its excellent facilities. Read more
This MA provides a structured introduction to the postgraduate study of the history and philosophy of art.

This programme allows you to spend your first term at our Canterbury campus with full access to its excellent facilities. For the spring term you relocate to our Paris centre to study in a historic corner of Montparnasse. This programme can also be studied in Paris only.

Particular focuses include contemporary art, photography, Renaissance art, medieval art, 18th-century British painting, 19th-century French painting, modernism, aesthetics and the philosophy of art and film. You may elect to take a Philosophy of Art & Aesthetics pathway, which draws on the expertise of our Aesthetics Research Group.

The programme is intended for graduates in art history, philosophy and cognate subjects, such as fine art. It gives you the opportunity to pursue your interest in visual art at advanced level, to develop a high level of expertise in topics in history and philosophy of art and to prepare for doctoral research in history of art or philosophy of art.

Visit the website https://www.kent.ac.uk/courses/postgraduate/99/history-and-philosophy-of-art-paris

About the Department of History & Philosophy of Art

The History & Philosophy of Art Department provides opportunities for graduate study with well-established researchers in the fields of art history, philosophy of art and aesthetics. Staff research covers contemporary art and aesthetics, modernism, theories of art, the historiography of art and the Cold War; biographical monographs, the photograph (in its historical, contemporary and critical contexts), and the historical interplay of image, theory and institutions from the Renaissance to the present (especially European and North American).

Developing areas of interest include the cultural and historical significance of the print, and the role of performance and new media in contemporary art practices. In particular, postgraduates have the opportunity to participate in the activities of the multidisciplinary Aesthetics Research Centre and the Art History and Visual Cultures Research Centre. There is also a full programme of visiting speakers from across the constituent subject areas within the School of Arts, which includes Film and Drama.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

HA838 - Key Concepts and Classic Texts in History and Philosophy of Art (30 credits)
HA841 - Modern Art in Paris (30 credits)
HA898 - History & Philosophy of Art Dissertation (60 credits)

Assessment

Assessment is by two assignments per module and the dissertation.

Programme aims

This programme aims to:

- provide you with a focused programme of taught postgraduate study in history and philosophy of art

- provide you with a taught foundation for subsequent postgraduate research

- enable you to acquire or deepen your knowledge and understanding of the historical and contemporary topics within the history of art and philosophy of art

- enable you to develop your art historical and philosophical skills beyond that expected of an undergraduate

- enable you to develop, articulate and defend art historical and philosophical ideas as they relate to art

- enable you to engage with historical and contemporary theoretical thought about the arts from art historical and philosophical perspectives.

Study support

Postgraduate resources
There is a large and wide-ranging library holding for History & Philosophy of Art, covering the fields of painting, sculpture, architecture, photography, aesthetics and contemporary visual communications. There is a substantial stock of periodicals, online access to e-journals and a slide library with well over 100,000 images, covering areas such as contemporary art, visual cultures, garden history and the film still, as well as traditional media. Kent is ideally located for access to galleries in London and on the continent.

In 2010, we moved into the purpose-built, and RIBA award-winning, Jarman Building located at the centre of the Canterbury campus. The new building is home to the Studio 3 Gallery and a range of teaching and social spaces as well as a dedicated postgraduate centre.

Support
All postgraduate students are offered research skills training and the opportunity to take part in reading groups and research seminars at departmental, school and faculty level. Research students have the added opportunity for funded conference attendance. There is also a dedicated student support office at our Canterbury campus, which can offer support and guidance throughout your studies, in addition to an office in Paris.

In recent years, several members of the History & Philosophy of Art Department, both full-time and part-time, have been awarded University prizes for excellence in student support, curriculum innovation and research-based teaching – an ethos which we seek to extend to the postgraduate community.

Dynamic publishing culture
Staff publish regularly and widely in journals, conference proceedings and books. Among others, they have recently contributed to: British Journal of Aesthetics; Art History; History of Photography; Journal of Aesthetics and Art Criticism; Journal of Visual Arts Practice; and The Philosophical Quarterly.

Global Skills Award
All students registered for a taught Master's programme are eligible to apply for a place on our Global Skills Award Programme (http://www.kent.ac.uk/graduateschool/skills/programmes/gsa.html). The programme is designed to broaden your understanding of global issues and current affairs as well as to develop personal skills which will enhance your employability

Research areas

The Department has a collective interest in developing interdisciplinary projects, including projects informed by art history and philosophy of art or aesthetics. Shared areas of research interest include: photography, art theory from the Renaissance to recent times and contemporary art.

Careers

Arts postgraduates have gone on to work in a range of professions, from museum positions and teaching roles to marketing and gallery assistants. Our graduates have found work with Tate Britain, the V&A, Museum of Childhood and other arts, culture and heritage-related organisations.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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The course is designed to enable you to strengthen your position as an artist with a move from undergraduate study or re-entry at postgraduate level characterised by an increased depth of research and increasingly sophisticated, critically reflexive, material practice. Read more
The course is designed to enable you to strengthen your position as an artist with a move from undergraduate study or re-entry at postgraduate level characterised by an increased depth of research and increasingly sophisticated, critically reflexive, material practice.

The programme supports the development of your visual research process and enables a testing ground of methods, genres, concepts and contexts that challenge the boundaries and relationship between theory and practice.

Course content
The MA Fine Art is a broad, studio-based programme with an open and inclusive approach to fine art practice. The programme encourages both specialist and cross-disciplinary approaches enabling students to extend and deepen their knowledge and application of fine art practice.

The curriculum is structured on Practice as Research, through which specialist studio disciplines are developed within cultural, aesthetic and socio-political contexts supporting the creative exploration of ideas through practical skills, research methodologies, theoretical and analytical frameworks. This places individual practice at the centre of the programme. Studio-based modules run throughout the programme and maintain the dynamic interrelation between visual research, concepts and theory. Studio research can be developed within: painting, textiles, sculpture (including ceramics), printmaking and digital media.

Home Tuition Fees for 2017

1 Year full time taught including dissertation £5670.00.

Part time - 30 credit module fee £945.00. Dissertation fee £1890.00

There is an Alumni Discount of 10% for students applying within five years of completion of an undergraduate course at Chichester.

Overseas Fees for 2017 are £12,360.00

Our facilities
Over the past few years, we’ve redeveloped both of our campuses so that you have the best facilities available for your degree. We pride ourselves on the quality of the learning environment we can offer our students.

The Art department are situated in the dedicated artOne building comprising outstanding studio and workshop facilities. It is an exciting place to study, providing a dynamic and supportive learning environment for the production of original new art work.

The well-equipped workshops and studios provide environments for you to create experimental, inventive and ambitious work. The main studio space in the purpose built artOne building provides individual studio spaces for all students as well as bookable spaces for installation, performance and projection work. If you are doing studio practice modules, you will be allocated a personal studio base in which you can carry out your self-directed projects and art work.

All students also have access to workshop areas and technical support in the key disciplines of the Fine Art programmes. The workshops reflect the range of options across the various degree programmes. A distinctive aspect of the department is that of individualized working areas in the studio space.

Where this can take you
The course provides the opportunity to concentrate on a specific area of research.

Potential Careers

Professional artist
Art teacher, educator, or technician
Art administration and management in galleries and museums
Art therapy (with extra professional qualification) and art community work
Art journalism
Curator

Work placements
Recent students have worked on site-specific commissions, community arts projects, and work placements with local galleries and museums, residencies in schools, and even creating their own virtual gallery. The experience is invaluable in terms of working to time and budgetary constraints, and in dealing with the public.

Indicative modules
Distinctive features of the course:

Practice-based Fine Art research in Painting, Sculpture (including Ceramic), Textiles, Printmaking and/or New Media and technologies
Opportunities to work with nationally recognised arts researchers
Development of professional working practices
All students may leave with a fully functioning website for their own work (the emphasis being on the development of an existing site rather than building one from scratch)
Theory and Research Methodologies linked to practical studio work
Full time students offered studio space
Use of 'artOne' BA studio facilities for full and part time students in the summer period.
Optional modules:

The development of fully functioning websites for students' own work
Share in collaborative work through 'Practising Arts with New Technologies' module.

Teaching and Assessment
To gain an MA students need to complete four out of five modules plus the Independent Exhibition. This is an independent research project, and is largely practical, culminating in a professional context exhibition.

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This is an intensive, vocational course with strong professional links to the industry, offering a maximum of four students, with high levels of painting and drawing skills, the opportunity to develop their careers as scenic artists. Read more
This is an intensive, vocational course with strong professional links to the industry, offering a maximum of four students, with high levels of painting and drawing skills, the opportunity to develop their careers as scenic artists. The skills and techniques acquired on this course are to the level necessary for theatre, television, film and animation industries..

During the year students acquire an understanding of professional practice and standards, and gain in-depth skills and experience in scenic art techniques and their application, combined with the practice of managing a scenic art department.

The Course has 3 very intensive terms during which students paint the sets for the School’s six main house public productions, offering them the opportunity to see their finished work used on stage in a wide range of public performances and venues. Teaching is led by the School’s Head of Scenic Art in collaboration with visiting industry professionals who provide master-classes in a range of skills and techniques that include; life drawing, portraiture, perspective, marbling, wood-graining, polystyrene carving and painting for animation. The scenic art students work collaboratively with the School’s other production departments, and most especially with design students. Furthering their introduction to the industry, work placements with principal companies are arranged during the course; particular attention is placed on students developing their own professional portfolio. Upon graduation students will showcase their work in a public exhibition and be interviewed by some of the UK’s leading industry practitioners. In a freelance industry most of our graduates begin working as assistants for scenic artists, scenic workshops and large theatre companies, eventually becoming supervising scenic artists themselves.

Recent graduate employment; The Royal Opera House, The Royal Shakespeare Company, Cardiff Theatrical Services, The Royal National Theatre, Northern Ballet, TR2 Plymouth, Richard Nutbourne - Cool Flight Ltd, Cameron Macintosh's National Tour of ‘Mary Poppins’, Disney's ‘Aladdin’, ‘Charlie and the Chocolate Factory’ for Warner Brothers. Film work includes; Wes Anderson's ‘Fantastic Mr Fox’ and ‘Isle of Dogs’ (still in production) Tim Burton's ‘Frankenweenie’, Aardman Animations' ‘Shaun the Sheep’, ‘Pirates’ and ‘Early Man’ (still in production). TV work includes 'Will' for TNT and ‘Crazy Face’ for Netflix.

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The Masters in Fine Art will push you to develop your skills in your chosen medium, whether that is Illustration, drawing, painting, photography or printmaking. Read more
The Masters in Fine Art will push you to develop your skills in your chosen medium, whether that is Illustration, drawing, painting, photography or printmaking. You will become more confident as a creative practitioner of contemporary art as you explore your own styles and imaginative boundaries.

The Masters in Fine Art features a highly practical repertoire of modules which will encourage you to direct your studies into areas of art which particularly fascinate you. This course is highly practical, not only in the hands-on approach to Art itself, but also in studying the necessary practicalities of exhibition preparation, installation and evaluation.

See the website http://courses.aber.ac.uk/postgraduate/fine-art-masters/

Suitable for

This degree will suit you:

- If you wish to develop your personal, creative, productive, and imaginative artistic abilities;
- If you wish to work within one of the UK’s up-and-coming schools of Art;
- If you aim to pursue a career in Art or serious effort to exhibit your work in public and critical arenas;
- If you wish to develop a conceptual, practical and historical framework for your art.

Course detail

The Aberystwyth Masters in Fine Art provide you with an excellent opportunity to develop your artistic skills, understanding and technical aptitudes as you strive to pursue your art. In every area of this course, technical, stylistic, and conceptual experimentation is enthusiastically encouraged. You will also be able to participate in ‘Forum’ seminars to communicate orally and critically about your own and colleagues’ works. You will also have the opportunity to submit articles for publication to contextualize your practice and develop your engagement with critical and public opinion. In the most recent Research Excellence Framework assessment (2014) it was found that 75% of publications were of an internationally recognised standard or higher.

Upon graduation from the Masters in Fine Art, you will have demonstrated artistic excellence, personal rigor and critical engagement with your own and the work of other artists, which will define you as an artist. You will be well-prepared for the realities – both creative and practical – of life as a professional artist.

Format

The course is a full-time programme, taught over one year, and is divided into two parts over three semesters. In part one, you will study a number of core modules, together worth a total of 120 credits, whilst directing your own study in part two where you will explore and resolve your chosen artistic problem, culminating in the second of your two public exhibitions. This study is equivalent to a Master’s dissertation project and is worth 60 credits.

The subject of this final public exhibition will be agreed in consultation with your supervisor(s) and, in tackling it, you will be encouraged to develop and sustain a self-initiated programme of work. Subject to the satisfactory completion of the study modules and exhibition, the Masters in Fine Art is awarded. The descriptions relating to all the study modules can be found in the "at a glance" tab.

Contact time is approximately 10-14 hours a week in the first two semesters. During semester three you will arrange your level of contact time with your assigned supervisor.

Assessment

The taught part of the course (Part 1) is delivered and assessed through lectures, student seminars, practical exercises and exhibitions. Successful completion of your exhibition (Part 2) leads to the award of an MA.

Employability

Every aspect of the Aberystwyth Master’s in Fine Art programme is designed to enhance your employability. Successful completion of this degree is in itself certain to do so by building your CV; but more significant is the hugely enhanced array of knowledge, abilities and skills with which you will graduate.

Your pursuit of personal development as an artist, coupled with increased critical faculties, will make you a strong candidate for any post where people and opinions meet. Likewise, the study skills, technical knowledge and hands-on experience of artistic processes will give you a tremendous advantage in employment within the Arts. Whether your chosen career path involves illustration, drawing, painting, photography or printmaking, your Masters Degree in Fine Art from Aberystwyth University will signal to prospective employers your commitment to personal excellence, professional rigour and technical innovation.

Professional Independence:

The course acknowledges the difficulty artists face in the transition from the requirements of a degree level course to the emerging independent direction required of professional practising artists. By playing an active, learning-based role in the operation of the School’s galleries, you will gain an insight into the work needed to sustain a busy gallery. You will stage public exhibitions in the School’s galleries and elsewhere, and part of the course’s assessment relates to your performance as a professional, exhibiting artist.

Studio work is designed to increase students’ technical possibilities, and the School is particularly well equipped in all areas of the graphic arts. The course seeks to assist the student by developing individual abilities and direction in a certain area of art practice to the highest standards possible. In addition to this subject-specific training, this MA is designed to give you a range of transferable skills that you can apply in a variety of situations. Whether this is further study, personal artistic pursuits or employment, you will be better equipped to pursue success in your chosen field.

Your work in the Contemporary Context:

This course does not operate in isolation, and you will examine your own work in the wider context of contemporary practice. As mentioned above, your assessed exhibitions will give you first-hand experience of the vital but often daunting rite of holding up your work for scrutiny by your tutors, peers, critics and the public. You will also encounter and engage with the debate in cultural theory regarding the interface between art practise, art theory and the concept of visual culture. By considering its implication for the study of fine art and art history, your study programme encourages you to improve your capacity for conducting a critical review of yours and others’ work through discussion, presentation and writing.

Find out how to apply here https://www.aber.ac.uk/en/postgrad/howtoapply/

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The Aberystwyth MA in Art History is a full-time, modular degree designed for students who wish to study the history of art through the personal research and excellent tutorage. Read more
The Aberystwyth MA in Art History is a full-time, modular degree designed for students who wish to study the history of art through the personal research and excellent tutorage. This course is designed to help you develop your understanding of art history by engaging with it as an intellectual pursuit and a professional discipline; one which requires training, skill and practice as well as individual creativity. This course aims to extend your knowledge and experience in art history, train you in research methodologies and stimulate vigorous intellectual inquiry in the subject.

Aberystwyth University’s MA in Art History features a number of modules which will encourage you to direct your studies into areas of art which particularly fascinate you. This course of study is designed to enable you to delve deeply into your chosen specialism, whether that focuses on specific materials, styles, time periods or locations. The School of Art at Aberystwyth provides supervision and specialist knowledge in a huge range of subjects including British art, ceramics, contemporary painting, graphic arts (including book illustration and much more), Nineteenth Century European Art, museum and gallery studies, the visual culture of religion, Wales and art, and women’s art, crafts and design.

In addition to teaching, the School holds registered museum status from the Museums and Galleries Commission of Great Britain, and houses a teaching and research collection of over 16,000 items, including original paintings, prints, drawings, photographs, ceramics and decorative art. The School of Art also administers the Catherine Lewis Trust Fund, which continues to acquire important works of art for the University.

See the website http://courses.aber.ac.uk/postgraduate/art-history-masters/

Suitable for

This degree will suit you:

- If you wish to extend your knowledge and experience in art history;
- If you wish to be stimulated by vigorous intellectual inquiry in the subject;
- If you aim to pursue a career in Art in public and critical arenas;
- If you wish to explore this fascinating subject through applied research and vocational training.

Course detail

The Aberystwyth MA in Art History provide you with an excellent opportunity to develop your artistic understanding of your chosen art specialism. In every area of this course, you will be encouraged to contribute to the School’s academic knowledge of art and art history through your own research. Here at the School of Art, 100% of our research impact was assessed as world-leading and internationally excellent in the most recent Research Excellence Framework assessment (2014). You will also be able to participate in ‘Forum’ seminars to communicate orally and critically about your work. You will also have the opportunity to submit articles for publication to develop your engagement with critical and public opinion.

The majority of staff members at the School of Art are practising artists and art historians in their own right, who have exhibited and published widely in their field. Postgraduate teaching at Aberystwyth springs from staff research interests in both Fine Art and Art History. Under their guidance, you will make full use of the School’s spacious painting studios, print workshops, darkrooms, art galleries, reference rooms and specially designated postgraduate studios.

Upon graduation from the MA in Art History, you will have demonstrated academic excellence, personal rigor and critical engagement with contemporary art and art history at the high Masters level.

Format

The course is a full-time programme, taught over one year, and is divided into two parts over three semesters. (Part time study is conducted over two years.) In part one, you will study a number of core modules, together worth a total of 120 credits, whilst directing your own study in part two where you will research your chosen specialism. This Master’s dissertation project is worth 60 credits and the descriptions relating to all the study modules can be found on the "at a glance " tab.

Throughout the course, you will undertake a thorough examination of the interface between art practice, art theory and the concept of visual culture while considering its implication for the study of art history. You will improve your capacity for critical reading, discussion, presentation and writing, as well as developing an awareness of art practice in relation to art history and theory. You will also be offered additional tutorial meetings to develop your reading and writing in art theory.

Contact time is approximately 10-14 hours a week in the first two semesters. During semester three you will arrange your level of contact time with your assigned supervisor.

Assessment

The taught part of the course (Part 1) is delivered and assessed through lectures, student seminars, practical exercises and exhibitions. Successful completion of your exhibition (Part 2) leads to the award of an MA.

Employability

Every aspect of the Aberystwyth Master’s in Art History programme is designed to enhance your employability. Successful completion of this degree is in itself certain to do so by strengthening your CV; but more significant is the hugely enhanced array of knowledge, abilities and skills with which you will graduate.

Your pursuit of personal development as an art academic, coupled with increased critical faculties, will make you a strong candidate for any post where people and opinions meet. Likewise, the study skills and technical knowledge of hands-on artistic processes will give you a tremendous advantage in employment within the Arts.

For example, the module entitled Research Project, will expect you to develop and demonstrate an array of professional qualities and skills. Having undertaken a piece of applied art historical research, you will make your research accessible through a variety of art historical applications, including a small exhibition with published catalogue, a multi-media database, computer book, or study pack for students. In doing so, you will become secure in highly employable skills and technologies, including Information and Communication technologies, liaison skills and the technology of print production.

Similarly, other modules will provide opportunities to gain experiences and transferrable skills. By managing the practicalities of exhibition preparation, installation, and curation, you also gain direct experience in every aspect of events and venue management. Though the conditions may be subject-specific, the skills you will learn in the process are highly marketable.

Whether your chosen career path involves curating, exhibiting, criticism, collecting, art journalism or any of countless other routes, your Masters Degree in Art History from Aberystwyth University will signal to prospective employers your commitment to personal excellence, professional rigour and high academic quality.

Find out how to apply here https://www.aber.ac.uk/en/postgrad/howtoapply/

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Our taught MA pathway in Romantic and Victorian Literary Studies offers choice, flexibility and the opportunity to specialise within this field. Read more
Our taught MA pathway in Romantic and Victorian Literary Studies offers choice, flexibility and the opportunity to specialise within this field. You can learn from the rich variety of research expertise in the Department and you also have the chance to concentrate on a particular area of literary study within the field. Our commitment to research-led teaching means that students are able to explore the cutting edge of the discipline - from Romantics legacies to the representation of women in Victorian poetry and painting, to critical theory. We provide an intimate, dynamic and supportive environment for students of all backgrounds and nationalities.

Our programme offers up-to-date training in research methods and skills. You will choose three modules, at least two of which are from within the pathway, and you will write a dissertation on a subject related to Romantic and/or Victorian studies.

An MA in Romantic and Victorian Literary Studies is often the platform for further research at PhD level, as well as providing an excellent grounding for jobs in education, the arts and the media.

Course Structure

If you choose to take this named pathway, you will be expected to select at least two modules from those available within the pathway and to write your dissertation in an area related to it. Your third optional module may, if you wish, be chosen from the full list of MA modules on offer in the Department. Students may, with permission, take one module from other modules on offer elsewhere in the Faculty of Arts and Humanities. All students must take the core Research Methods and Resources module and the dissertation alongside their three optional modules.

Core Modules

-Research Methods and Resources
-Dissertation

Optional Modules

Typical modules might include:
-Reflections on Revolution, 1789-1922
-Second-Generation Romantic Poetry
-Romantic Forms of Grief
-Women in Victorian Poetry and Painting
-Thinking with Things in Victorian Literature
-Literary Masculinity at the Fin-de-Siècle
-Women and the Novel in the Eighteenth Century
-Literature of the Supernatural

Modules are subject to staff availability and normally no more than five of the above will run in any one year.

When applying, please use the 'additional comments' section of the application form to indicate your choice of modules as well as to provide a personal statement.

Learning and Teaching

One of the distinctive features of the Durham MA in Literary Studies is that it permits both a broad-based, eclectic study of literary topics from the earliest periods of literature to the present and the possibility of specialisation through designated pathways in such areas as Medieval and Renaissance Studies or Twentieth- and Twenty-First-Century Studies. All students take 3 optional modules, taught in small seminar groups of up to 10, with each module generating 18 hours of contact time (9 seminars x 2 hours) over the academic year. A strong emphasis is placed on independent research, and seminars usually involve a considerable amount of preparation, including short presentations and workshop activities. Assessment for these modules is usually by coursework essay.

All students also register for the Research Methods and Resources module, which generates an additional 20 hours of contact time over the academic year. Again, a strong emphasis is given to independent research. Both pieces of assessed written work for the Research Methods and Resources module involve significant preparation for the MA dissertation (and in some cases for doctoral study later on). The MA dissertation is supported by 3.5 hours of dedicated individual supervision time. Drafts of the dissertation are read and commented upon by the supervisor.

Each MA student is assigned an Academic Advisor who can guide and support her or his progress during the programme of study. Throughout the taught MA degree programme, all students are strongly encouraged to participate in a lively series of staff-postgraduate research seminars, usually involving invited guest speakers from the UK and beyond.

International applicants

We welcome applications from holders of international qualifications. For advice on the equivalency of international qualifications, please contact our International Office at

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This course provides you with exciting and diverse opportunities to advance and develop your fine art practice, contextual awareness and theoretical knowledge/understanding within a supportive and creative environment. Read more
This course provides you with exciting and diverse opportunities to advance and develop your fine art practice, contextual awareness and theoretical knowledge/understanding within a supportive and creative environment.

It will support you to acquire advanced specialist knowledge and practical experience of working with different contemporary fine art media and its conceptual and theoretical relevance, and importance, including (but not limited to); painting and sculpture, printmaking, conceptual and social practices, intervention, performance, film, video, photography (digital and analogue), sound art, new-media, digital-media and installation.

This course draws on the School’s considerable research reputation and professional expertise in the areas of painting, photography, performance, film and video, sculpture, installations, public art and print-making. You get the chance to benefit from field trips and gallery visits.

On completion of the course, your practical work will be exhibited and publicised in a group MA exhibition.

What happens on the course?

Typical modules include:
- Studio Practice
- Theory and Contemporary Practice
- Audience and Display
- Studio Practice and its Methodologies
- Master’s Project in Fine Art

Why Wolverhampton?

The Fine Art Course provides a studio intensive programme supported through theoretical and contextual lecture series, studio based seminar critique and individual tutorials. The ethos of the course is to provide students with the time and space to develop ideas and practice towards the final off-site MA exhibition; this includes the structure of personal research and the development of the critical and/or theoretical emphasis behind your work in order to understand the methodological framework of your working practice.

You will have time to reappraise and analyse previous work, develop new ideas in relation to your practice and it’s theoretical underpinning then consolidate those ideas practically. Finally you will bring those ideas and your work to resolution and focus towards the MA exhibition. The course provides students with the knowledge, ambition and structure in order to proceed towards their future career ambitions. Within the programme you will have the opportunity to develop your awareness of exhibition and the display of your work as well as the audiences for that work. The MA Fine Art course will support you in structuring an advanced independent practice, underpinned by sustained critical engagement.

What our students think

Matthew Evans MA Fine Art

Matthew Evans completed his MA Fine Art with distinction and has since received several commissions for his innovative new approach; creating bespoke modern-day coat of arms, including a £10k commission for the The Royal Orthopaedic Hospital in Birmingham. He has also been selectedfor the New Art West Midlands 2013 Exhibition at Birmingham Art Gallery Museum which showcases the best of West Midland’s graduates.

"As a result of studying the MA course I have grown professionally as an artist. By adopting a ‘take a risk’ attitude I have been able to further refine my artistic practice and anchor it within the most critically interesting areas. By embracing the challenge of diversification, and enjoying the critical dialogue embedded within the course, I have resolved a number of sticking points, and identified areas for future development.

I chose to study my MA at the University of Wolverhampton as I felt I needed to breathe new life into my practise and relished the challenge of experiencing a new exciting creative environment. The artistic facilities on offer to students and the glowing reputations of the SAD staff and support technicians also played a key role in my decision.

What particularly impressed me about the course was not only the availability and approachability of the lecturers but the general sense of cohesion felt as a student. As well as extensive access to lecturers, and the intensively taught aspects of the course, there are many MA excursions that are incredibly beneficial.

As a positive side note, my affinity with the University has continued this September, with me becoming the Fine Art Artist in Residence for this year."

Other student comments:

“The MA has greatly expanded my knowledge of Fine Art.”

“I feel that I’m being supported in my work and that the best of my talent is being encouraged.”

“The lecturers are knowledgeable and enthusiastic and I’m grateful for both their input and the input of the other students”.

“I’m confident it’s setting me up with the right skills and knowledge to succeed in a career within the arts”.

“I’m glad that I made the decision to do the MA; it’s been a positive turning point in my life”.

Career path

There is extensive potential for self-employment as an artist, in areas as diverse as public and community art, environmental art, gallery exhibitions and curating.

You could find employment in the visual arts in one of the creative industries in the private or the public sector.

You will be equipped to take up positions in a wide range of sectors requiring research and presentation skills, team working, the exercise of initiative and personal responsibility; and decision-making in complex and unpredictable situations.

You will acquire the independent learning ability required for continuing professional development.

The MA Fine Art gives you the penultimate professional qualification for a career in academia. A PhD research degree is the next step in your development.

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