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The Master of Music Studies (Opera Performance) focuses on text-related matters in various kinds of vocal music with the aim of fostering your skills as an interpreter in all the major operatic languages. Read more
The Master of Music Studies (Opera Performance) focuses on text-related matters in various kinds of vocal music with the aim of fostering your skills as an interpreter in all the major operatic languages. You will study language structure, poetry, and operatic text within a cultural and historical context, developing your professional awareness of the word-music relationship.

In each semester you will participate in a tutorial devoted to one language: English, Italian, German and French, as well as a workshop on repertoire in any given language. The course will refine the technical and interpretive qualities of your voice as an operatic instrument, with an emphasis on character and role building, movement and gesture, and your understanding of emotional context and general communication skills. The opera performance portfolio requires selection of a particular aspect of operatic specialisation for your extensive personal exploration.

To ask a question about this course, visit http://sydney.edu.au/internationaloffice/

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The Department of Music offers graduate studies leading to the master of music degree. Students may specialize in composition, music history or performance (instrumental, vocal, opera, conducting). Read more
The Department of Music offers graduate studies leading to the master of music degree. Students may specialize in composition, music history or performance (instrumental, vocal, opera, conducting).

The graduate music program is small, and students receive personal attention from faculty, as well as quality performance opportunities.

Our opera program boasts a professional affiliation with the Tri-Cities Opera (TCO). Opera students are members of the TCO Resident Artist Training Program, where they gain professional experience while completing their studies. Our graduates have gone on to perform in major opera houses around the world.

Graduate Degrees Offered

*MM with track in Opera (associated with the Tri-Cities Opera Company)
* MM with emphasis in one of the following:
- Composition
- Conducting
- History and Literature
- Instrumental performance
- Vocal performance

All applicants must submit the following:

- Online graduate degree application and application fee
- Transcripts from each college/university you have attended
- Two letters of recommendation
- Personal statement (2-3 pages) describing your reasons for pursuing graduate study, your career aspirations, your special interests within your field, and any unusual features of your background that might need explanation or be of interest to your program's admissions committee.
- Resume or Curriculum Vitae detailing educational and professional experience
- The GRE is only required for applicants pursuing Music History and Literature emphasis.
- A live audition/interview is also required. For international applicants, the department will consider online audition/interviews via SKYPE or similar technology (contact the graduate director for details).

And, for international applicants:
- International Student Financial Statement form
- Official bank statement/proof of support
- Official TOEFL, IELTS, or PTE Academic scores

Depending on your desired track or emphasis, you must also submit the following:
- Composition applicants:
*Minimum of two manuscripts and/or recordings of compositions, preferably for differing performing genres. Electronic scores prepared with Finale or Sibelius preferred; hard copies accepted
*Recorded sample of compositions (if possible); live performance recordings preferred

- Conducting applicants:
*Preliminary screening DVD of rehearsal and/or performance conducting an instrumental or vocal ensemble (10-30 minutes)
*A (recent) recording sample, highlighting either:
*the candidate's major instrument
*voice; including a minimum of two composition(s) in contrasting styles

- History and Literature applicants:
*Minimum one writing sample (a research paper in music); two (or more) desirable

- Instrumental Performance applicants:
*Preliminary screening CD or DVD, including a minimum of two compositions in contrasting styles

- Opera and Vocal Performance applicants:
*Preliminary screening CD or DVD, including a minimum of four compositions in contrasting styles (one each in English, French, German and Italian)
*Opera/oratorio and song literature should be included

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The MA in Music offers advanced training in either musicology or composition. The modular structure allows students to pursue a broad generalist programme or to specialise in a particular area of their choice. Read more
The MA in Music offers advanced training in either musicology or composition. The modular structure allows students to pursue a broad generalist programme or to specialise in a particular area of their choice. Within the field of musicology, students can slant their studies towards one or several of the following: music in nineteenth-century culture, opera studies, popular music studies or film music. The composition pathway, meanwhile, provides a practice-based contemporary composition curriculum that encourages students to push the boundaries of their practice and develop a voice as an engaged and creative composer.

This course is unusual in combining a rigorous academic education with the opportunity to acquire vocational skills through our innovative Professional Experience module. Students take up work placements with a wide range of external arts organisations or undertake a project with one of our specialist research units. The course therefore offers rich opportunities for career development and can pave the way for further study at PhD level if so required.

Why choose this course?

-The flexible structure of the MA Music allows you to tailor the course to your particular interests. The course is one of very few Music MAs in the UK to offer professional experience as part of the course; you can undertake a work placement with an external organisation such as a radio station, opera house, museum, music publisher, magazine, concert promoter or school. Alternatively, you can undertake a project with one of our specialist research units. Recent students, for example, worked at the Handel-Hendrix House Museum, the Royal Shakespeare Company and the Audiograft festival.

The course is taught by experts who are internationally renowned in their fields. Our research informs the content and methodology of our modules, ensuring that teaching is at the cutting edge of the discipline. Following REF 2014 Music has been singled out as an area of particular research strength within the University.Our staff disseminate their research to wider audiences via appearances on BBC Radio 3, articles in the national press and talks for major performing organisations. The activities of our research units in opera (OBERTO), popular music (PMRU), or sonic art (SARU) complement the programme of formal study. MA students can contribute to the research units' activities, for instance by participating in listening groups and helping to organise study days and conferences. Student composers have an opportunity to showcase their work through the annual Audiograft festival. Opera students go on a field trip to hear a live opera, usually in London.

Oxford is a fabulous city in which to study music, with a very lively concert scene and excellent research facilities. You will have access to the world-famous Bodleian Library and the new Brookes library also offers substantial collections centring on the specialist areas of the MA.

The course provides an excellent foundation for doctoral study for those who wish to continue into a career in academia.

This course in detail

Students studying for the MA/PG Dip in Music are required to complete the following compulsory modules* (30 credits):
-Research Skills and Applied Research
-Professional Experience

MA students are also required to complete the following (60 credits):
-Dissertation / Major Project

You will then take two of the following modules depending on your chosen specialism (30 credits each):
Composition Pathway
-Approaches to Experimental Composition and Sound Arts
-Electroacoustic and Live Electronic Composition

Musicology pathway
-Advanced Musicology 1: 19th-Century Music Studies
-Advanced Musicology 1: Film Music Studies
-Advanced Musicology 2: Popular Music Studies
-Advanced Musicology 2:Opera Studies

*As our courses are reviewed regularly for quality assurance purposes, course content and module choices may change from the details given here.

Teaching and learning

The MA in Music is taught through a combination of seminars, tutorials and skills-based workshops. Those taking a work placement will also receive mentoring and formative feedback from an individual at the placement organisation.

During your time here you will engage in lively discussions and original research. We aim to give you an in-depth understanding of recent critical debates, scholarship and practice in your chosen field, as well as to broaden your knowledge of musical repertoire.

Our pathways are original, exciting and flexible and one of the most striking features of the Music Department is its breadth of subject expertise. All staff members in Music are actively engaged in research and we have published our work in top journals and with the most highly respected publishers: our research in popular music, opera and sonic art was identified as 'world-leading' in the 2014 REF.

You will have an opportunity to work closely with staff members not only through the course modules but also through our specialist research units in popular music, opera and sonic art. Membership of these units allows you to attend conferences, workshops and talks by visiting speakers that will complement your formal studies.

Careers and professional development

Having an MA will make you stand out from the crowd, whether you are joining the course straight after graduating from undergraduate study or returning to study after a break of several years.

Our MA will provide you with the skills and knowledge to embark upon a career in music or to improve your current position. The transferable skills you acquire through studying for an MA in Music can also lead to careers in many other sectors, including management, law, journalism, media and the heritage industry.

Career destinations of our recent graduates include:
-Professional composition
-Performance
-Sound engineering
-Arts administration
-HE administration
-Teaching (secondary and FE)
-Retail management
-Youth work

Our programme provides the necessary research training for doctoral work and many MA students continue on into further research and pursue careers in academia. Our students have an excellent success rate in securing funded PhD places.

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This programme provides extensive training relevant to the requirements and demands of professional opera companies, addressing important employability issues that will become increasingly significant in the coming decade.. Read more
This programme provides extensive training relevant to the requirements and demands of professional opera companies, addressing important employability issues that will become increasingly significant in the coming decade.

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The Master in Performing Arts Management (MPAM) is a 18 months program designed for students who wish to pursue a managerial career within the entertainment industry. Read more
The Master in Performing Arts Management (MPAM) is a 18 months program designed for students who wish to pursue a managerial career within the entertainment industry. The Master’s program is designed to prepare global professionals who can bring a solid cultural and artistic background coupled with economic and managerial skills to the production of stage performances, with a particular focus on Europe, North America and emerging markets.

The partnership between Accademia Teatro alla Scala, MIP Politecnico di Milano Graduate School of Business and Piccolo Teatro di Milano provides students with the benefit of a solid and extensive international network of theatres, festivals and performing arts institutions. With guest speakers and experts from internationally renowned institutions, the master’s program offers the opportunity to learn the peculiarities of the performing arts sector on a global level through lectures, seminars and talks. Our faculty features preeminent professionals from Opera Europa, the Metropolitan Opera House, the Royal Opera House Covent Garden, the English National Opera, the Opera de Rennes, the Berliner Philharmoniker, the Hong Kong Arts Festival, the DeVos Institute, and WolfBrown.

Our method gives priority to direct contact with the professional world. Internships at acclaimed Italian and international institutions are key features of our program.

International Masters Office

For more information about the master’s program, scholarships and other means for financing your studies please contact:
MIP Politecnico di Milano: ;

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This course offers you the opportunity to specialise in either Composition or Musicology & Ethnomusicology and is taught in the heart of London with access to major arts centres. Read more
This course offers you the opportunity to specialise in either Composition or Musicology & Ethnomusicology and is taught in the heart of London with access to major arts centres. It covers a wide range of subjects: the Composition pathway enables you to work closely with your lecturers to study a variety of musical genres and styles and if you choose Musicology, you will benefit from seminars with leaders in the field covering the evolution of different musical forms and their role in and expression of the cultures in which they developed.

Key benefits

- Intensively taught programme covering a wide range of specialised topics.

- Provides a foundation for further research focusing on current approaches and advanced techniques.

- Musicology and Ethnomusicology students choose from historical, sociocultural and theoretical modules taught by distinguished staff (including two fellows of the British Academy).

- Composition students benefit from one-to-one lessons and participation in composition seminars and have the opportunity to hear their works performed by resident ensemble Lontano.

- Option to take modules in other Arts and Humanities departments at King's, or at the School of Oriental and African Studies (SOAS).

- Located in the heart of London's music scene, with two major opera companies (Royal Opera Covent Garden and English National Opera) and two major arts centres (South Bank Centre—location of the Royal Festival Hall—and Barbican) within short walking distance.

Visit the website: http://www.kcl.ac.uk/study/postgraduate/taught-courses/music-mmus.aspx

Course detail

- Description -

You may specialise in Composition or Musicology and Ethnomusicology (please note, we do not offer Performance). Composers work closely with their teachers throughout, while musicologists benefit from seminars with leaders in the field. We encourage you to choose modules that reflect your particular interests, and up to a third of your choices may be from other Arts & Humanities departments, meaning you can build a broad and truly individual stay pathway.

Our specialist modules will teach you current approaches to academic writing on music as well as advanced techniques for research and composition. At the end of your programme, you will submit a piece of special study – either a dissertation or a substantial work of 8-15 minutes in duration (the composition must be notated in a conventional manner) – for which we will give you one-to-one supervision.

- Course purpose -

Our aim is to nurture leaders in musicology, ethnomusicology and composition. If you intend go on to research or composition at doctoral level, or if you want to build on your existing skills, this programme will be ideal for you.

- Course format and assessment -

Modules worth 120 credits, plus a special study (dissertation or portfolio) worth 60 credits.

Career Prospects:

Further research in the department; further research (at doctoral level) in UK or overseas (particularly USA); teaching; media, arts, other related bodies.

How to apply: http://www.kcl.ac.uk/study/postgraduate/apply/taught-courses.aspx

About Postgraduate Study at King’s College London:

To study for a postgraduate degree at King’s College London is to study at the city’s most central university and at one of the top 21 universities worldwide (2016/17 QS World University Rankings). Graduates will benefit from close connections with the UK’s professional, political, legal, commercial, scientific and cultural life, while the excellent reputation of our MA and MRes programmes ensures our postgraduate alumni are highly sought after by some of the world’s most prestigious employers. We provide graduates with skills that are highly valued in business, government, academia and the professions.

Scholarships & Funding:

All current PGT offer-holders and new PGT applicants are welcome to apply for the scholarships. For more information and to learn how to apply visit: http://www.kcl.ac.uk/study/pg/funding/sources

Free language tuition with the Modern Language Centre:

If you are studying for any postgraduate taught degree at King’s you can take a module from a choice of over 25 languages without any additional cost. Visit: http://www.kcl.ac.uk/mlc

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This challenging programme will allow you to expand your repertoire and hone your skills as a performer, while giving you the confidence to apply critical approaches to the study of music and its performance. Read more

Overview

This challenging programme will allow you to expand your repertoire and hone your skills as a performer, while giving you the confidence to apply critical approaches to the study of music and its performance.

You’ll work with our experienced and talented specialist teachers to develop your repertoire. You’ll learn to interpret music sensitively, injecting your own personality without neglecting the historical style of each work. Not only will you perform regularly throughout the year, but you’ll work towards your own recitals and work on your own solo or ensemble project.

To put your performance into context, you’ll also have a choice of optional modules offered across the School of Music. You could study composition, musicology, aesthetics, psychology of music and more to explore how performance can shape and be shaped by other forms of musical research and practice.

We have a variety of excellent facilities to support your learning, including rehearsal, performance and practice spaces, a lab for studying the psychology of music and studios for sound recording, software development and computer music composition. We also have good working relationships with a range of prestigious arts organisations: we host BBC Radio 3 concerts, Leeds Lieder and the Leeds International Pianoforte Competition, as well as enjoying a close partnership with Opera North and many others in a city with a thriving music and cultural scene.

Facilities and Resources

We have a variety of excellent facilities to support your learning, including rehearsal, performance and practice spaces, a lab for studying the psychology of music and studios for sound recording, software development and computer music composition.

We also have good working relationships with a range of prestigious arts organisations: we host BBC Radio 3 concerts, Leeds Lieder and the Leeds International Pianoforte Competition, as well as enjoying a close partnership with Opera North and many others in a city with a thriving music and cultural scene.

Study Options

You can also study this subject as a PGDip qualification where you take fewer modules overall. Both the MA and PGDip can be studied part-time over 24 months, which may be of special interest to those who are working in related fields as part of their career development.

Course Content

Core modules that run throughout the year will allow you to develop your performance skills in different contexts. Supported by instrumental or vocal lessons with a specialist teacher, you’ll take part in regular performance classes to develop your repertoire.

As well as focusing on a single concerto, song-cycle or extended work of 20-30 minutes, you’ll prepare for a final recital of 40-50 minutes that you’ll perform near the end of the programme. In addition, you’ll prepare for a solo or ensemble project and reflect on the process of preparing and then giving a performance.

You’ll also have the chance to expand your studies. The core Professional Studies module will build your understanding of research methods in music to equip you with a broader range of skills. Then you’ll choose from the optional modules offered across the School of Music, allowing you to explore musicology, composition, psychology of music, aesthetics and more.

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This innovative programme explores how arts and creative enterprises work in theory and practice, as well as the impact they can have on individuals and communities. Read more

Overview

This innovative programme explores how arts and creative enterprises work in theory and practice, as well as the impact they can have on individuals and communities.

You’ll gain an understanding of the policy contexts of creative work, analyse and apply theories of art and culture and examine the cultural industries that comprise the arts, including theatre, performance, dance, opera, crafts, and museums.

Then you’ll choose from optional modules to focus on topics that suit your interests and career plans, such as arts management or culture and place, and investigate topics like audience engagement and cultural policy. You may even have the chance to undertake a placement or a consultancy project for an external cultural organisation.

You’ll be taught by leading researchers in a city with a diverse cultural landscape. Whether you’ve already started your career or see yourself moving into the sector, this programme will give you the knowledge and skills to support your ambitions.

The degree is also available to study part-time over 24 months. The part-time MA may be of special interest to those who are working in related fields as part of their career development.

Facilities and Resources

On and off-campus, you’ll benefit from opportunities to get involved in various cultural activities. The School of Performance and Cultural Industries organises the annual Little Leeds Fringe Festival, a series of cultural events on campus giving you the chance to volunteer in the management and programming team. What’s more, you can join any of the student societies that run events, campaigns and productions throughout the year.

You’ll study in a city with a rich cultural life that’s also a hub for business and entrepreneurship – home to the Leeds International Film Festival and Leeds International Piano Competition, as well as a variety of galleries, museums, theatres and other cultural facilities.

Our purpose-built landmark building [email protected] houses two professional-standard and publicly licensed theatres that regularly host work by both students and visiting theatre companies – one of which is a technically advanced research facility.

Our School includes rehearsal rooms, two black-box studios, costume construction and wardrobe stores, a design studio and scenic workshop, video editing and sound recording suits as well as computer aided design.

Our links with external organisations are among our biggest strengths, giving you the chance to take performance to different environments outside of the university context. We’re always developing new relationships with partners in different contexts to offer you more opportunities to participate.

Opera North, West Yorkshire Playhouse, the National Media Museum, Leeds City Council, Red Ladder Theatre Company, Limehouse Productions, Phoenix Dance Theatre, the National Coal Mining Museum for England, HMP New Hall, Blah Blah Blah Theatre Company, the BBC and HMP Wetherby are all among our partners.

Course Content

Core modules in Semester One will lay the foundations of the programme. You’ll explore different theoretical approaches to understand the relationships between culture, creativity, and entrepreneurship, learning about cultural industries and how public policy impacts on cultural development.

To help you focus your studies in the areas that suit your interests and career plans, you’ll choose one of two optional modules which allow you to specialise in either the relationship between culture and place or management and leadership in the arts and cultural industries.

You’ll then choose another optional module to complement or broaden your studies. You could focus on topics such as audience engagement or cultural policy, or you may be able to gain experience of consultancy working in teams to complete a brief for an external organisation. If you select the Creative Work module, you could spend two weeks on a placement in a cultural organisation as the basis of a small-scale research project.

Another core module that runs throughout the year will develop your understanding of research methods in the arts and cultural industries. By the end of the programme you’ll demonstrate your skills and knowledge by completing an independent research project on a topic of your choice.

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Inform policy and practice and design your own learning on a programme that has been defining the cultural landscape for over four decades. Read more
Inform policy and practice and design your own learning on a programme that has been defining the cultural landscape for over four decades.

Who is it for?

Students come from all over the world and from all kinds of backgrounds - from fashion to film and all other sectors of the creative industries. This Masters is ideal for those who have an undergraduate degree and a passion for the arts, or those with previous experience working within the cultural sector and eclectic areas of interest they want to pursue. From digital crowdfunding to policies for the creative city, and from social media and the democratisation of opera to the motivations of young fashion enrepreneurs or museum branding, students are able to investigate their own subject and develop their individual professional path on the programme.

"To an extent, the students' own interests have helped shape the way in which the course has evolved. We learn a lot from them through their experiences, their coursework, their discussions." - Course Director, Professor Ana Gaio

Objectives

This programme is all about customising your learning so you can become a competent professional ready to start, continue or change your career. On completion of the course you will be able to evaluate and integrate the theories and practices of culture, policy and management.

The student experience runs through everything we do, from the structure of the course itself to our discussions and tutorials. The curriculum was developed with support from an advisory group that includes senior figures from Arts Council England, the Barbican, Shakespeare's Globe and the V&A. This means your learning is attuned to the latest insights from the sector.

Placements

The professional work placement is an elective module giving you the opportunity to work in the cultural sector to apply the skills you have gained from the programme so far.

When it comes to the organisation, it is totally up to you. Previous students have gained experience with the Southbank Centre, Tate Modern, The British Library, IMG Artists, LIFT, Business of Culture (consultancy), Motiroti, British Museum, Unicorn Theatre, Jerwood Space, London Fashion Week, Arts Council England and the British Film Institute.

The British Library said their placement student was "certainly one of the best interns we have ever had in our team. We are eternally grateful for the hard work and dedication she put into her work and for making her stay in our team a very pleasant one on all fronts. We were sad to see her go!".

Academic facilities

As part of the University of London you can also become a member of Senate House Library for free with your student ID card.

Teaching and learning

Teaching and learning is delivered through lectures, seminars, group work, tutorials, visits, workshops, verbal and written feedback, plus personal research from a wide range of resources.

You are able to apply your essay questions and academic work to the real world – and one that you know well. For example, in the marketing module, you can choose an organisation from your own country, conduct research and then write a marketing strategy, which could be practically implemented.

Modules

With 50% core and 50% elective modules, you can choose which specialisms you study from the first term onwards. This means you can design your own course and determine your direction right from the start. This flexibility offers our MA students the freedom to shape their future.

The MA is structured around a spine of four core modules taking place in the autumn and spring terms – culture, cultural policy, managing organisations and Introduction to research. The MA culminates in a 15,000-word dissertation (running through the spring and summer terms), which students complete by the end of August.

Core modules
-Culture (15 credits)
-Managing organisations (15 credits)
-Cultural policy (15 credits)
-Introduction to research (15 credits)

Elective modules
-Audiences and marketing (15 credits)
-Digital cultures (15 credits)
-Evaluation, politics and advocacy (15 credits)
-Fundraising in and for the cultural sector (15 credits)
-Global Cultural Industries, Ethics and Social Responsibility (15 credits)
-Professional placement (15 credits)
-Public culture: the politics of participation (15 credits)
-Understanding financial accounts and entrepreneurship (15 credits)
-Celebrity (Sociology) (15 credits)
-Communication, culture and development (Sociology) (30 credits)
-Popular music and society (Music) (15 credits)
-International Organisations in Global Politics (International Politics) (15 credits)
-Global Governance (15 credits)
-Designing Interactive Media (15 credits)

Career prospects

MA Culture, Policy and Management graduates find employment across all sub-sectors and occupational areas of the creative and cultural sector (in the UK and across the world).

From orchestras to the art market, and from marketing to management, 80% of our graduates are now employed in cultural roles. Here are just a few examples of our student destinations:
-Barbican Centre (London)
-UNESCO (Paris)
-Ullens Contemporary Art Centre (Beijing)
-Royal Opera House (London)
-Dongdaemun Design Plaza (South Korea)
-National Art Gallery ‘Astana’ (Kazakhstan)
-Culture Ministry (Turkey)
-Qatar Museums Authority (Qatar)
-Christian Dior (Paris)
-Arts Streaming TV (London)
-Arts Council of Singapore

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Our MMus programme is distinctive in its range of musicological, compositional and performance-based elements. Read more
Our MMus programme is distinctive in its range of musicological, compositional and performance-based elements.

You will benefit from the diversity of our research strengths, numerous ensemble performance opportunities and expertise in a range of musical fields, including contemporary music for the concert hall, popular music, film music, opera, acoustic, electronic and computer-generated music.

PROGRAMME OVERVIEW

The Composition pathway of the MMus Music programme is designed to develop your individual compositional style and technique through tutorial guidance and opportunities for performances, workshops and recordings.

Various stylistic and generic strands can be pursued individually or in combination, including jazz, music for screen and multimedia, contemporary music for the concert hall and computer sound design.

You will take two compulsory research training modules followed by a combination of composition-related options. Having completed the Postgraduate Diploma stage of the programme, you will progress to Masters stage and submit a composition folio.

The programme provides ideal preparation for future research work at PhD level.

PROGRAMME STRUCTURE

This programme is studied full-time over one academic year and part-time students must study at least two taught technical modules per academic year. The following modules are indicative, reflecting the information available at the time of publication. Please note that not all modules described are compulsory and may be subject to teaching availability and/or student demand.
-Research Training for Practitioners A
-Research Training for Practitioners B
-Composition A
-Composition B
-Composition Folio
-Studio Techniques
-Performance A
-Conducting A
-Orchestral Management 1
-Creative Practice A
-Rock Track Poetics
-African American Music
-Historical Performance Practice
-Compositional Techniques
-Contemporary Issues in the Cultural Industries
-English Music from Elgar to Britten
-Synthesis and Music Programming
-Screen Music Studies
-Performance A
-Performance B
-Conducting B
-Orchestral Management 2
-Digital Music Improvisation 2
-Anglo Celtic Song Traditions
-Jazz Studies 2
-Opera Studies
-Baroque Fugue in Practice
-Applied Music 2
-Musical Theatre

RESEARCH

Our work achieves wide international circulation, both through established scholarly channels and, distinctively, through broadcast media (such as BBC TV, Channel 4, BBC Radio 3 and Radio 4, and National Public Radio in the USA).

School staff are much in demand for pre-concert talks at venues such as London’s South Bank and Barbican centres. The research environment at Surrey is sustained by open discussion and debate, and through the regular airing of work-in-progress.

Our work is strengthened by the ready input of our peers and research students at various stages allowing collective engagement to foster innovation.

EDUCATIONAL AIMS OF THE PROGRAMME

The MMus (Composition) programme aims to provide students with a high quality education in the creative, re-creative, technical, critical, vocational and academic areas of the subject. It aims to provide students with the necessary skills, techniques and methodologies to work at an advanced level with a critical awareness of the discipline.

The programme aims to reflect current developments within the theory and practice of music composition and, in so doing, to educate students so that they may work confidently and constructively within the musical culture of the present.

The programme aims to offer the necessary preparation for students wishing to undertake doctoral level study in practice-based areas.

PROGRAMME LEARNING OUTCOMES

The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and other attributes in the following areas:

Knowledge and understanding
-Research methods and resources and how these may be used to interpret knowledge
-Interdisciplinarity within music and arts research
-The broad range of approaches to the present day theory and practice of music to the level necessary for their original application

Intellectual / cognitive skills
-Frame research questions
-Critically assess, respond to and operate in current areas of musical research and practice
-Reflect critically on and contextualise personal practice

Professional practical skills
-Produce stylistically original and technically professional compositions

Key / transferable skills
-Communicate subject knowledge clearly
-Self-direction and autonomy
-Originality in problem solving
-Work in and manage groups
-Efficient time management

GLOBAL OPPORTUNITIES

We often give our students the opportunity to acquire international experience during their degrees by taking advantage of our exchange agreements with overseas universities.

In addition to the hugely enjoyable and satisfying experience, time spent abroad adds a distinctive element to your CV.

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Repetiteurship is offered as an MMus or a Postgraduate Diploma programme. - Training opportunities with professional companies. - Training in, and opportunities to accompany, vocal performances and rehearsals, such as those involving the RWCMD College Chorus, Chamber Choir, opera and opera scenes productions. Read more
Repetiteurship is offered as an MMus or a Postgraduate Diploma programme.

Key Features

- Training opportunities with professional companies
- Training in, and opportunities to accompany, vocal performances and rehearsals, such as those involving the RWCMD College Chorus, Chamber Choir, opera and opera scenes productions
- Advanced performance classes, usually in the company of students from a range of related disciplines
- Specialist principal study tuition, including training in score reading, continuo work and the accompaniment of recitatives
- Attendance at vocal language classes and vocal coaching sessions

Key Features of all Postgraduate Programmes

- Advanced principal study tuition from professional musicians
- Training in career development, self-promotion, event management and sustainable technique
- International masterclass series
- Fully integrated performance programme by international artists
- Performance Practice training supported by seminars, tutorials and symposia
- Training in performance analysis and presentation (MMus only)
- Advanced research and specialist performance analysis training (MMus only)
- Established work placement schemes
- Optional training in advanced teaching skills and arts management
- Opportunities to study abroad at a partner conservatoire

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This exciting programme of study for students wishing to develop the craft and philosophy of costume design for live performance, screen or site-specific installation is unique in its approach. Read more

Applications for the MA are closed for 2016/17.

Programme description

This exciting programme of study for students wishing to develop the craft and philosophy of costume design for live performance, screen or site-specific installation is unique in its approach.

Our students develop their concepts and creativity by interpreting a text or exploring a theme, thinking about character, movement and the performance environment. Instruction in the skills of pattern cutting, textile manipulation, millinery, puppetry, set design, computer aided design, welding, knitting, illustration and life drawing help students expand their skills base.

Students work on developing a comprehensive understanding of fabric, costume design and cutting, while exploring the historical and dramatic perspectives of the discipline and the process of performance.

This creative freedom and the combination of the practical developing alongside the conceptual, provides our students with a wide range of skills and a flexibility valued and highly respected by the industry.

Postgraduate students are ideally placed to study the interaction between costume and the other arts such as fashion, textiles, jewellery, film and TV, animation, illustration, installation, music and dance, and to take part in collaborations inside and outside of the University.

Thanks to our extensive national and international links with theatre, dance, film, television and opera companies, plus our network of freelance designers, you’ll be supported in sourcing work experience and other hands-on opportunities that will give you real-world skills and experience.

Programme structure

This programme is assessed by the production of a body of practical and written work on an agreed, self-initiated topic which can take advantage of the many local and international performance-based opportunities.

This programme is project-led. Your study will combine practical studio work with theoretical and written studies, including professional practice elements to prepare you for employment in the industry, and a lecture/seminar series which will examine the wider context of your studies.

Career opportunities

Postgraduate studies in performance costume open up access to a wide range of work for the stage and screen. You will benefit from the superb reputation of this programme and may find employment within the spheres of drama, opera, film and television.

Our graduates have an outstanding record of success within the industry, most recently including a costume designer for British television series Downton Abbey.

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Created to challenge and inspire the next generation of theatre designers, the Theatre Design MA course at Bristol Old Vic Theatre School delivers intensive vocational training, enabling talented designers to develop their creative and technical ability in set and costume design for performance. Read more
Created to challenge and inspire the next generation of theatre designers, the Theatre Design MA course at Bristol Old Vic Theatre School delivers intensive vocational training, enabling talented designers to develop their creative and technical ability in set and costume design for performance.

The Theatre Design MA course has just four places on offer in each intake, students receive focused individual mentoring and support from the BOVTS team and high-profile visiting professionals, all set in the environment of an integrated company staging fourteen productions a year.

The course duration is four terms; starting in April the course runs until July the following year.

The full time course is aimed at multi-skilled postgraduate level students. We encourage applicants with a range of experience and previous training in Theatre, Art and Design, (Architecture, Costume, Graphics, Interiors, Film Design, Painting, Sculpture, Drama and Theatre). We do not limit entry to students with previous training, although the majority of applicants come from degree courses. A comprehensive portfolio of artwork is required at interview.

Collaborative working with students from a range of disciplines at BOVTS, design students are offered at least three leading design positions on public productions at a variety of respected venues – from The Bristol Old Vic Theatre to the Brewery Theatre.

Master-classes and workshops with visiting professional practitioners help build a thorough understanding of the subject, these include script analysis, life and figure drawing, model making, technical drawing, CAD, Photoshop and model photography. Specialist lectures cover theatre design and costume history. Research and practical work are supported by site and production visits including trips to theatre design events and exhibitions.

An extensive portfolio of industry-standard work can be achieved over the course of four terms, including staged productions and theoretical projects. Students leave BOVTS with the skills, knowledge and confidence to build careers as professional designers. There are end of year exhibitions at the Royal West Academy of Art in Bristol and in London.

Inspiring leadership by Head of Design Angela Davies, who is an award-winning theatre designer with high-level industry links. The course equips its graduates for entry into prestigious Theatre Design competitions such as the Linbury Prize for Stage Design and the RSC’s trainee scheme. BOVTS graduates held 5 out of the 12 final places in the Linbury Prize 2013.

Applications are accepted at least one year in advance of the course start date. The four-term course starts at the beginning of the summer term and completes at the end of the summer term of the following academic year.

Recent graduates have held design positions at the RSC, Pilmlico Opera, Bristol Old Vic, The Brewery Theatre and the Tobacco Factory, The Finsborough Theatre The Vault Festival and with Kneehigh Theatre Company.

To receive more information on course structure and highlights, please contact

Course Outline

Term 1
- Intensive skills-based classes from professional practitioners, including model-making and technical drawing
- Theatre script analysis and period research workshops
- Exploration of the collaborative creative process with a professional director and the MA Directors at BOVTS on the Theatre and Short Play Project
- Master-classes in advanced model-making techniques, technical drawing, an introduction to Photoshop and model photography
- Production and site visits.

Term 2
- Continued exploration of the design process through to presentation with meetings with a visiting professional on the Opera Project
- Regular design tutorials with additional workshops and classes to extend understanding.
- Theory is put into practice by designing the set or costumes for a BOVTS Spring production
- Collaborative working with a staff or visiting director and the BOVTS production teams for professional theatre venues

Term 3
- Design presentations and exploration of the production process through to full stage realisation.
- Close collaboration with actors, stage managers, technicians and scenic artists
- Work with the BOVTS MA Directors to complete production designs for the Brewery Theatre
- Skills classes and support in CAD and Photoshop and an introduction to portfolio design.

Term 4
- Series of small-scale productions for the Brewery Theatre
- Work begins on summer productions, exploring the role of set or costume designer in-depth
- More independent working with mentoring and support through the process
- Development of CV and professional portfolio
- Preparations for the end of year exhibitions at the Royal West Academy of Art, Bristol and London
- Exhibitions and Industry interviews with professional practitioners from a range of theatre disciplines, providing networking opportunities and pathways to work

PLEASE NOTE THAT APPLICATIONS ARE FOR APRIL 2016 ENTRY AND WILL CLOSE ON 27TH FEBRUARY 2015 AT 4PM.

Offline Applications
Please contact:The Admissions Office, 1-2 Downside Road, Bristol BS8 2XF.

Tel: 0117 973 3535.
Email: .

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Our MMus programme is distinctive in its range of musicological, compositional and performance-based elements. Read more
Our MMus programme is distinctive in its range of musicological, compositional and performance-based elements.

You will benefit from the diversity of our research strengths, numerous ensemble performance opportunities and expertise in a range of musical fields, including contemporary music for the concert hall, popular music, film music, opera, acoustic, electronic and computer-generated music.

PROGRAMME OVERVIEW

The Conducting pathway is only available part-time. It is designed to develop conducting techniques to a professional level, and to enhance the understanding of relevant theoretical principles.

You will attend conducting classes (including score analysis and preparation, rehearsal techniques, gestural techniques, critical analysis of recordings) and contribute to rehearsals with the Symphony Orchestra, Chamber Orchestra, ensembles and Chamber Choir.

Two compulsory research training modules are followed by a combination of specialism-related modules and optional modules.

Having completed the Postgraduate Diploma stage of the programme, you will progress to Masters stage and complete your final portfolio of work.

PROGRAMME STRUCTURE

This programme is studied full-time over one academic year and part-time students must study at least two taught technical modules per academic year. The following modules are indicative, reflecting the information available at the time of publication. Please note that not all modules described are compulsory and may be subject to teaching availability and/or student demand.
-Research Training for Practitioners A
-Research Training for Practitioners B
-Conducting A
-Conducting B
-Advanced Conducting
-Composition A
-Studio Techniques
-Performance A
-Orchestral Management 1
-Rock Track Poetics
-African American Music
-Historical Performance Practice
-Compositional Techniques
-Contemporary Issues in the Cultural Industries
-English Music from Elgar to Britten
-Synthesis and Music Programming
-Composition B
-Screen Music Studies
-Performance B
-Conducting B
-Orchestral Management 2
-Digital Music Improvisation 2
-Anglo Celtic Song Traditions
-Jazz Studies 2
-Opera Studies
-Baroque Fugue in Practice
-Applied Music 2
-Musical Theatre

EDUCATIONAL AIMS OF THE PROGRAMME

The MMus (Conducting) programme aims to provide students with a high quality education in the creative, re-creative, technical, critical, vocational and academic areas of the subject. It aims to provide students with the necessary skills, techniques and methodologies to work at an advanced level with a critical awareness of the discipline.

The programme aims to reflect current developments within the theory and practice of music composition and, in so doing, to educate students so that they may work confidently and constructively within the musical culture of the present.

The programme aims to offer the necessary preparation for students wishing to undertake doctoral level study in practice-based areas.

PROGRAMME LEARNING OUTCOMES

The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and other attributes in the following areas:
-Knowledge and understanding
-Research methods and resources and how these may be used to interpret knowledge
-Interdisciplinarity within music and arts research
-The broad range of approaches to the present day theory and practice of music to the level necessary for their original application

Intellectual / cognitive skills
-Frame research questions
-Critically assess, respond to and operate in current areas of musical research and practice
-Reflect critically on and contextualise personal practice

Professional practical skills
-Rehearse and conduct a range of ensembles to the standard required of public performance
-Score reading skills
-Historical research skills - sources, editions, performance practices, etc

Key / transferable skills
-Communicate subject knowledge clearly
-Self-direction and autonomy
-Originality in problem solving
-Work in and manage groups
-Efficient time management

GLOBAL OPPORTUNITIES

We often give our students the opportunity to acquire international experience during their degrees by taking advantage of our exchange agreements with overseas universities.

In addition to the hugely enjoyable and satisfying experience, time spent abroad adds a distinctive element to your CV.

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Our MMus programme is distinctive in its range of musicological, compositional and performance-based elements. Read more
Our MMus programme is distinctive in its range of musicological, compositional and performance-based elements.

You will benefit from the diversity of our research strengths, numerous ensemble performance opportunities and expertise in a range of musical fields, including contemporary music for the concert hall, popular music, film music, opera, acoustic, electronic and computer-generated music.

PROGRAMME OVERVIEW

The Creative Practice pathway of the MMus Music programme is designed for creative musicians who cannot easily separate performance and composition in their work, for example, musicians working in improvised music, singer-songwriters or those interested in live electronics.

You will take two compulsory research training modules, after which teaching and study progress from closely taught modules designed to secure and extend your technique to more autonomous, project-based learning opportunities.

Having completed the Postgraduate Diploma stage you will progress to Masters stage and submit a final portfolio of work. This portfolio will likely feature a combination of live performance and composition.

PROGRAMME STRUCTURE

This programme is studied full-time over one academic year and part-time students must study at least two taught technical modules per academic year. The following modules are indicative, reflecting the information available at the time of publication. Please note that not all modules described are compulsory and may be subject to teaching availability and/or student demand.
-Research Training for Practitioners A
-Research Training for Practitioners B
-Conducting A
-Conducting B
-Advanced Conducting
-Composition A
-Studio Techniques
-Performance A
-Orchestral Management 1
-Rock Track Poetics
-African American Music
-Historical Performance Practice
-Compositional Techniques
-Contemporary Issues in the Cultural Industries
-English Music from Elgar to Britten
-Synthesis and Music Programming
-Composition B
-Screen Music Studies
-Performance B
-Conducting B
-Orchestral Management 2
-Digital Music Improvisation 2
-Anglo Celtic Song Traditions
-Jazz Studies 2
-Opera Studies
-Baroque Fugue in Practice
-Applied Music 2
-Musical Theatre

SELECTION PROCESS

Potential applicants may make an appointment for an informal interview with the Programme Director if practicable. All applicants will be asked either to submit a sample of written work, a DVD of their performance, or samples of their compositional work, or to sit an audition depending on their chosen specialism.

RESEARCH

Our work achieves wide international circulation, both through established scholarly channels and, distinctively, through broadcast media (such as BBC TV, Channel 4, BBC Radio 3 and Radio 4, and National Public Radio in the USA). School staff are much in demand for pre-concert talks at venues such as London’s South Bank and Barbican centres.

The research environment at Surrey is sustained by open discussion and debate, and through the regular airing of work-in- progress. Our work is strengthened by the ready input of our peers and research students at various stages allowing collective engagement to foster innovation.

EDUCATIONAL AIMS OF THE PROGRAMME

The MMus (Creative Practice) programme aims to provide students with a high quality education in the creative, re-creative, technical, critical, vocational and academic areas of the subject. It aims to provide students with the necessary skills, techniques and methodologies to work at an advanced level with a critical awareness of the discipline.

The programme aims to reflect current developments within the theory and practice of music creation that combines performance and composition elements and, in so doing, to educate students so that they may work confidently and constructively within the musical culture of the present.

The programme aims to offer the necessary preparation for students wishing to undertake doctoral level study in practice-based areas.

PROGRAMME LEARNING OUTCOMES

The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and other attributes in the following areas:

Knowledge and understanding
-Research methods and resources and how these may be used to interpret knowledge
-Interdisciplinarity within music and arts research
-The broad range of approaches to the present day theory and practice of music to the level necessary for their original application

Intellectual / cognitive skills
-Frame research questions
-Critically assess, respond to and operate in current areas of musical research and practice
-Reflect critically on and contextualise personal practice

Professional practical skills
-Produce original, conceptually rich and explorative creative practice which will likely include (improvised) performance alongside composed material

Key / transferable skills
-Communicate subject knowledge clearly
-Self-direction and autonomy
-Originality in problem solving
-Work in and manage groups
-Efficient time management

GLOBAL OPPORTUNITIES

We often give our students the opportunity to acquire international experience during their degrees by taking advantage of our exchange agreements with overseas universities.

In addition to the hugely enjoyable and satisfying experience, time spent abroad adds a distinctive element to your CV.

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