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A unique course, the only one of its kind in the UK, designed to fast track you into the industry. Quick Facts. 2 Year Course. Full-time. Read more
A unique course, the only one of its kind in the UK, designed to fast track you into the industry.

Quick Facts:

2 Year Course
Full-time
Course runs Jan-Dec each year
Next intake: January 2017
NFTS Scholarships available for UK Students

Visit the website https://nfts.co.uk/our-courses/masters/directing-producing-science-natural-history

APPLICATION DEADLINE: 13 OCT 2016

COURSE OVERVIEW

New technology and a greater variety of formats are challenging the traditional boundaries of Science and Natural History Programming and driving greater audience demand. British production companies are at the forefront of leading innovation in formats and high-end content, with growing opportunities to work with North American and international broadcasters.

This course will give you:

- The skills to direct science and natural history productions.
- The know-how to produce entire shows.
- A practical working knowledge of current science and natural history television production methods.
- The ability to generate science and natural history programme ideas and formats.
- Knowledge of how the business works and current trends, including co-productions etc.
- The confidence and know-how to pitch those ideas to commissioning editors.
- Brilliant industry contacts and relevant skills for building a sustainable career as a Producer/Director.
- Access to NFTS's Masterclasses lead by major creative figures from film, television and games.

The National Film and Television School’s Science and Natural History Masters* focuses on developing Producers and Directors. Therefore, as part of the course students will be exposed to the development and production challenges of specialist factual genres, such as Landmark and Blue Chip (interchangeable terms for high budget, high production value programming mainly used in a pure wildlife context), mini landmarks, Children’s, People and Nature, Live, Expedition films, Magazine formats, Obs-doc etc. In addition there will be a focus on promoting cross-genre ideas to foster creativity.

Editorial policy and standards, together with codes of practice relating to science and the filming of animals, and Health and Safety will be fully explored.

Students will gain practical experience in both the research and development of programming of this type whilst also developing a body of work that showcases their practical film making skills and innovation within the genre.

* Subject to Validation

CURRICULUM

Below is an indicative list of the topics covered on the course:

- Audiences, and the genres of science and natural history films: differences and overlaps
- Editorial and production values in science and natural history programmes
- The documentary tradition
- Principles of storytelling and film narrative
- Finding stories: research
- Story Development
- Treatments and Proposal Writing / Pitching and packaging the concept
- The film process, from script to screen
- Writing techniques
- Wildlife Behaviour
- Finding and working with Talent and Presenters
- Guidelines for Filming Animals
- Editorial Policy and Standards
- Digital Content and Social Media Extensions
- Formatting
- Short form storytelling
- Directing the camera to capture a ‘scene’
- Working with graphics and VFX
- Pitch Reel / Sizzle Reels
- Outside Broadcasts
- Production and Post Production Workflow (logging, DITs etc)
- Health and Safety
- The History of Science and Wildlife Filmmaking
- The Business: how programmes are financed. International co-production
- International Markets and Programming
- Marketplace trends
- Managing a career

In addition, students will be exposed to specialist science and natural history filming techniques, such as: thermal, Slow Motion, underwater, Macro & Micro filming, drones, timelapse, rigs etc.

There is a strong emphasis on professional practice. This means that student projects will be expected to measure up to scientific scrutiny, as well as exhibition and broadcast standards.

The structure of the course follows the chronological steps of a Science or Natural History Television production. Injected into this timeline will be specifically tailored modules taught by top television professionals, with experience of different subgenres or appropriate specialist techniques, eg cinematography or VFX. Students also get the chance to pitch their Science and Natural History programme ideas to broadcasters like the BBC, National Geographic and Discovery.

NFTS students are engaged in more productions as part of the curriculum than any of our competitors. Unlike other schools, all production costs are met by the School and productions are given cash production budgets.

PLACEMENT

Each student will complete a minimum of 10 days work experience.

NFTS BENEFITS

Science & Natural History course participants will have full access to the NFTS’ optional creative stimulus strands, including: Cinema Club, Screen Arts and NFTS Masterclasses - these strands see major creative figures from film, television and games screening their work and discussing with students in the campus cinema. Recent speakers include David Fincher (Director, Seven, Gone Girl), Graham Linehan (The IT Crowd, Father Ted), Abi Morgan (Suffragette, The Hour), Christopher Nolan (Interstellar, The Dark Knight) and Hamish Hamilton (Director, Super Bowl XLVIII).

ENTRY REQUIREMENTS

If you are lively and imaginative, then this is the course for you! Applicants must be able to demonstrate their passion, commitment and talent for developing a career in Television.

Typically applicants will have a proven interest in science and natural history, which, typically, may involve a background in Physics, Chemistry, combined Natural Sciences, Zoology, Biology, Psychology, Mathematics etc.

APPLY WITH

- A short proposal for a science or natural history television programme – no more than one A4 typed page
- Optional: A DVD containing samples of your work specifying your exact role in each. This work need not be in the science and natural history area, as some applicants may not have a film or other programme-making background.

HOW TO APPLY

You can apply directly to us at the NFTS by clicking on the link below:

APPLY FOR DIRECTING & PRODUCING SCIENCE & NATURAL HISTORY COURSE - https://nfts.co.uk/user/login?destination=node/9%3Fnid%3D2023

You can apply online, or download a word document of the application form to submit via email
When selecting your course, please ensure that you have read the entry requirements and details of the supporting materials that should accompany your application.

TIMING YOUR APPLICATION

We are happy to receive applications 24/7 and 365 days a year up until the deadline. That said, there is no particular advantage to submitting your application very early. The important thing is that your application shows us your latest work and tell us about your most recent filmmaking experiences.

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Biodiversity, evolution and conservation are of growing importance due to climate change, extinction, and habitat destruction. Read more
Biodiversity, evolution and conservation are of growing importance due to climate change, extinction, and habitat destruction. This new research-led programme is run in collaboration with the Institute of Zoology and the Natural History Museum, providing a rigorous training and unparalleled opportunities across the full breadth of pure and applied research in evolutionary, ecological, and conservation science.

Degree information

Taught modules will focus on cutting-edge quantitative tools in ecology, evolutionary biology, genetics, bioinformatics, systematics, palaeobiology, conservation, biogeography and environmental biology. Seminars, journal clubs and the two research projects will provide students with diverse opportunities for experience at UCL Genetics, Evolution and Environment & Centre for Biodiversity and Environment Research, the Natural History Museum and the Institute of Zoology, Zoological Society of London.

Students undertake modules to the value of 180 credits. There are no optional modules for this programme. The programme consists of three core taught modules (60 credits) and two 16-week research projects (120 credits).

Core modules
-Research Skills (15 credits)
-Current Topics in Biodiversity, Evolution & Conservation Research (15 credits)
-Analytical Tools in Biodiversity, Evolutionary and Conservation Research (30 credits)

Dissertation/report
All students undertake two 16-week research projects, which each culminate in a written dissertation, and poster or oral presentation.

Teaching and learning
The programme is delivered through a combination of seminars, presentations, assigned papers, as well as data analysis and interpretation. The seminar series includes mandatory seminars at UCL, the Natural History Museum and the Institute of Zoology (Zoological Society of London). Assessment is through essays, project reports, presentations and practicals. The two research projects are assessed by dissertation, and poster or oral presentation.

Careers

This programme offers students a strong foundation with which to pursue careers in academic research, environmental policy and management, applied conservation, public health, or scientific journalism.

Top career destinations for this degree
-Intern, ZSL Institute of Zoology
-PhD in Evolutionary Biology, Queen Mary University of London (QMUL)
-PhD Researcher (Evolutionary Biology), University of Edinburgh a

Employability
This programme provides students with a strong foundation to pursue careers in academic research, environmental policy and management, applied conservation, public health, or scientific journalism.

Why study this degree at UCL?

This programme is an innovative collaboration between three globally renowned organisations: UCL Genetics, Evolution and Environment & Centre for Biodiversity and Environment Research, the Natural History Museum and the Institute of Zoology, Zoological Society of London.

By consolidating research expertise across these three organisations, students will gain a unique and exceptionally broad understanding of ties among different fields of research relating to the generation and conservation of biodiversity.

The MRes offers diverse research opportunities; these include the possibility of engaging actively in fundamental and applied research and participating in the Global Biodiversity Information Facility (based at the Natural History Museum) or the EDGE of Existence programme (based at the Zoological Society of London).

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This is a full-time research-based postgraduate degree, run jointly by Imperial College London and the Natural History Museum, London. Read more
This is a full-time research-based postgraduate degree, run jointly by Imperial College London and the Natural History Museum, London.

OPEN DAY

visit the course pages for more information about the next Open Day at NHM on Wednesday 29 March 2017.

OUTLINE

Taxonomy and systematics provide the foundation for studying the great diversity of the living world. These fields are rapidly changing through new digital and molecular technologies. There is ever greater urgency for species identification and monitoring in virtually all the environmental sciences, and evolutionary ‘tree thinking’ is now applied widely in most areas of the life sciences. These courses provide in-depth training in the study of biodiversity based on the principles of phylogenetics, evolutionary biology, palaeobiology and taxonomy. The emphasis is on quantitative approaches and current methods in DNA-based phylogenetics, bioinformatics, and the use of digital collections.

LOCATION

The course is a collaboration of Imperial College London (Silwood Park) with the Natural History Museum. This provides an exciting scientific environment of two institutions at the forefront of taxonomic and evolutionary research.

[[SYLLABUS ]]
The MRes in Biosystematics features hands-on research projects that cover the main methodological approaches of modern biosystematics. After 6 weeks of general skills training, students will ‘rotate’ through three research groups each conducting a separate 14-week project in specimen-based phylogenetics, molecular systematics/genomics, and bioinformatics. The projects may be of the student’s own design. Students attend small group tutorials, lab meetings and research seminars.

TRANSFERABLE SKILLS]

The GSLSM (Graduate School of Life Sciences and Medicine) at Imperial College London provides regular workshops covering a wide range of transferable skills, and MRes students are encouraged to undertake at least four during the year. Topics include: Applied Writing Skills, Creativity and Ideas Generation, Writing for Publication, Introduction to Regression Modelling, Introduction to Statistical Thinking.

RECENT PROJECTS

MORPHOLOGICAL

The Natural History Museum’s Dorothea Bate Collection of dwarfed deer from Crete: adaptation and proportional size reduction in comparison with larger mainland species
Cambrian lobopodians and their position as stem-group taxa
Atlas of the Caecilian World: A Geometric Morphometric perspective
Tooth crown morphology in Caecilian amphibians
Morphometrics of centipede fangs: untapping a possible new source of character data for the Scolopendromorpha
Phylogeny of the Plusiinae (Lepidoptera: Noctuidae): Exploring conflict between larvae and adults
A comparison between species delineation based on DNA sequences and genital morphometrics in beetles (Coleoptera)

MOLECULAR

Geographical distribution of endemic scavenger water beetles (Hydrophilidae) on the island of Madagascar based on DNA sequence data
Cryptic diversity within Limacina retroversa and Heliconoides inflate
Phylogenetics of pteropods of the Southern Oceans
Molecular discrimination of the European Mesocestoides species complex
A molecular phylogeny of the monkey beetles (Coleoptera: Scarabaeidae: Hopliini)
The molecular evolution of the mimetic switch locus, H, in the Mocker Swallowtail Papilio dardanus Brown, 1776
Phylogenetic and functional diversity of the Sargasso Sea Metagenome

BIOINFORMATICS

A study into the relation between body size and environmental variables in South African Lizards
Cryptic diversity and the effect of alignment parameters on tree topology in the foraminifera
Delimiting evolutionary taxonomic units within the bacteria: 16S rRNA and the GMYC model
Testing the molecular clock hypothesis and estimating divergence times for the order Coleoptera
Taxon Sampling: A Comparison of Two Approaches
Investigating species concepts in bacteria: Fitting Campylobacter and Streptococcus MLST profiles to an infinite alleles model to test population structure
Assessing the mitochondrial molecular clock: the effect of data partitioning, taxon sampling and model selection

ON COMPLETION OF THE COURSE, THE STUDENTS WILL HAVE:

• a good understanding of the state of knowledge of the field, together with relevant practical experience, in three areas of biosystematic science in which he or she has expressed an interest;
• where applicable, the ability to contribute to the formulation and development of ideas underpinning potential PhD projects in areas of interest, and to make an informed decision on the choice of potential PhD projects;
• a broad appreciation of the scientific opportunities within the NHM and Imperial College;
• knowledge of a range of specific research techniques and professional and transferable skills.

FURTHER INFORMATION

Students are encouraged to view the NHM website for further information, and to contact the course administrator if they have any queries. Visits can be arranged to the NHM to meet the course organisers informally and to be given a tour of the facilities. Applications should be made online on the Imperial College London website.

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Bristol is the global capital of natural history programme making and the natural place to study for an MA in Wildlife Filmmaking. Read more
Bristol is the global capital of natural history programme making and the natural place to study for an MA in Wildlife Filmmaking. On this highly popular Masters course you will learn how to develop and pitch ideas, tell great stories and make intelligent and surprising programmes to captivate and engage audiences.

Our partnership with the BBC Natural History Unit (NHU) means that, alongside your studies, you will have incredible opportunities to network with professional wildlife film makers, attend talks, film festivals and other events around the city.

Our MA students graduate with the skills, experience and knowledge needed for entry level jobs in all areas of production from online to broadcast. Graduates now work for the BBC, Icon Films, Discovery, Tigress and other top production companies in the UK and overseas.

Course detail

On this Masters course you will learn all you need to know via technical workshops, seminars, masterclasses and through experience and opportunities making films and digital content for clients. We also help you develop skills in research, script writing, directing, producing, production management and the pitching and commissioning of ideas.

One of the unique aspects of this course is that you will be matched with an industry mentor who, alongside your tutor, will guide you through the production of your final project. All students complete their Masters by writing, directing and producing a final project/film. These films are premiered each year and seen by an audience of invited film and television professionals from the BBC and independent sector.

Structure

The full master's course comprises 180 credits divided into three 60 credits stages: Postgraduate Certificate, Postgraduate Diploma, and Master's. Students work incrementally through the three stages and must pass all modules at each stage in order to progress to the next.

Modules

• Creating the Story
• Mastering the Business
• Preparing for Production
• Future Documentary
• Professional production

Format

The main teaching will take place in seminars and in workshops focused around the University's creative media centre at its Bower Ashton campus (see Study Facilities). You will also benefit from BBC visits, real-life filming experiences and allied conferences and external events.

All our teaching is informed by the latest industry developments, with valuable industry insight thinking on business developments from professional practitioners.

Assessment

Modules are assessed by a range of submissions including portfolios of work together with films and production work. The first two semesters drive your skills and learning towards your final natural history production which must be of professional standard with appropriate documentation and matching industry standard deliverables.

Careers / Further study

Students have worked on BBC series, produced films for the Festival of Nature, The Wildfowl and Wetlands Trust at Slimbridge, the RSPB and the Zoological Society of London - some of the UK's top wildlife and conservation organisations.

We also have an ongoing partnership with Wildscreen, the award-winning wildlife conservation charity and Encounters, the Bristol-based international short film festival. Students have been highly commended in the British Wildlife Photography Awards HD film category and were nominated in the Wildscreen Panda Awards. Graduates have also secured internships and employment with the BBC and other organisations such as Discovery, Icon Films, RDF and Tigress Productions.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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This course is for you if you need to improve your English language skills and subject knowledge of history before going on to a Masters course. Read more
This course is for you if you need to improve your English language skills and subject knowledge of history before going on to a Masters course. You improve your language fluency and academic vocabulary, develop your academic skills, and gain experience of western methods of teaching and learning so that you can progress onto a relevant Masters course in our Department of History.

At Essex, you can progress onto our MA History, MA History (Cultural and Social History Pathway), MA History (Local and Regional History Pathway), or MA History (Public History Pathway).

Our International Academy offers some of the best routes for international students to enter higher education in the UK. Our innovative courses and programmes have proved very successful with international students and have also attracted UK students because of the distinctive learning environment we offer.

If you are an international student, you may find that the education system in the UK is slightly different from other countries and, sometimes, that the transition to the British system can be challenging. Our courses help you to settle in and adapt to life in the UK.

Alongside improving your academic English skills, you also gain knowledge of history and an understanding of the methods and techniques of the historical discipline.

Our Department of History has developed a strong research and teaching profile, with the majority of our research rated as ‘world leading’ or ‘internationally excellent’ (REF 2014). We provide you with opportunities to explore local history, and have strong links with the Essex Record Office, one of the best county record offices in the UK.

Our expert staff

Our staff are among world leaders in their field, and our enthusiasm for our subject is infectious. Our flexible course is combined with a supportive structure which helps you to pursue the modules best-suited to your interests.

We take the time to get to know you as an individual, welcome you into our scholarly community, and value your views.

Specialist facilities

By studying within our International Academy, you will have access to all of the facilities that the University of Essex has to offer:
-We provide computer labs for internet research; classrooms with access to PowerPoint facilities for student presentations; AV facilities for teaching and access to web-based learning materials
-Our new Student Services Hub will support you and provide information for all your needs as a student
-Our social space is stocked with hot magazines and newspapers, and provides an informal setting to meet with your lecturers, tutors and friends

You can also take advantage of our excellent history facilities:
-We have several Special Collections in history, including the Essex Society for Archaeology and History Library, the Harsnett Collection, the Hervey Benham Oral History Sound Archive, the Bensusan Collection, and the Colchester Medical Society Library
-Access the UK Data Archive, a national service provider digital resources for historians, which is particularly strong in 19th and 20th-century economic and social history
-Attend an exciting programme of events
-Access a variety of textbooks and journals in our Albert Sloman Library which houses materials on Latin America, Russia and the US that are of national significance

Example structure

-English for Academic Purposes
-Making Histories: Concepts, Themes and Sources
-Advanced English for Academic Purposes
-Critical Reading and Seminar Skills
-Extended English for Academic Purposes Project
-Public History Project Module: Bourne Mill, Colchester (From the 16th to the 21st Century) (optional)
-Gender in Early Modern England (optional)
-The Making of Modern Brazil (optional)
-Resistance and Rebellion in the World of Atlantic Slavery (optional)
-Revolutionary Encounters: China and the World, 1780-1930 (optional)
-Mapping History and Heritage in Colchester (optional)
-Supernatural and Natural Worlds in Early Modern Europe (optional)
-Life in the Three Kingdoms: Societies and cultures in early modern Britain and Ireland (optional)
-Consensus Britain? The State and the People, 1945-79 (optional)
-'The Special Relationship'? Anglo-American Relations 1850-2005
-Sex, Class and War at the Movies: Britain, 1930-2000 (optional)
-Witch-Trials in Early Modern Europe and New England (optional)
-Medicine and Society in Britain and France 1700-1860 (optional)
-Reconstructing Family, Residence, Work and Communal Life in Victorian England (optional)
-The African American Experience (optional)
-Human Rights in Historical Perspective (optional)
-South Africa: The Road to Apartheid (optional)
-Literature and the Condition of England (optional)
-Between Protection and Control: Policing Europe in the 19th and 20th Centuries (optional)
-The English Revolution (optional)
-British Social History 1830-1950 (optional)
-Crime and Punishment: England in Comparative Perspective 1650-1900 (optional)
-From Stalin to Putin (optional)
-The Tudors and Stuarts on Film (optional)
-Slavery and Plantation Societies in Latin America (optional)
-The British Empire in the Indian Ocean World, 1780-1930 (optional)
-Women, Gender and Sexuality in US History (optional)
-Metropolis: Urban Germany 1900-1945 (optional)
-The United States and the Vietnam War (optional)

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This master's degree is designed for students who want to prepare for a PhD or gain research skills and knowledge in a specific area of history for their professional development. Read more
This master's degree is designed for students who want to prepare for a PhD or gain research skills and knowledge in a specific area of history for their professional development. You research an aspect of modern British, European or global history and develop skills as a researcher and specialist in your area.

During the course you work towards a 30,000 word dissertation on a topic agreed between you and your supervisor. It is ideal if you want to pursue a specific topic or research area in detail.

Current staff research interests are wide-ranging and can be seen on our Humanities Research Centre staff pages. They include:
-European colonialism and imperialism.
-Africans in Europe.
-Feminism and empire.
-Digital humanities.
-Migration.
-Modern Armenia.
-US history.
-The history of Czechoslovakia.
-Stalinism.
-Nineteenth-century radicalism and popular politics.
-Labour history.
-Community history.
-Globalisation.
-Economic crises and disasters.
-Industrial and natural disasters.
-Britain and the Great War.
-Rural history.
-German history in the twentieth century.
-Nineteenth-century British military and naval history.
-Nineteenth-century French military and imperial history.
-Colonialism and anti-colonialism in India.

Our history staff have expertise in
-Imperial and global history.
-Business and economic history.
-Women’s and gender history.
-Modern European history.
-British popular politics and culture.

Throughout the course you receive one-to-one support from an experienced supervisor with expertise in your chosen area of study. Initial discussion between you and your supervisor establishes the focus and scope of your topic, and confirms the research questions to be addressed.

Your supervisor guides you through the course, helping you conduct a literature survey and engage with theoretical, methodological and critical issues.

Your learning is enhanced by workshops on research skills and methods relevant to your project. You also have the opportunity to develop your knowledge by taking part in history seminars and postgraduate reading group sessions.

This is a flexible course that allows you to combine work with professional development. Supervision sessions are arranged individually with your supervisory team ensuring content is tailored to your individual needs.

The Humanities Research Centre runs a monthly postgraduate research group which functions as an informal setting where postgraduates can get to know one another and where they have the opportunity to present and discuss their work.

For more information, see the website: https://www.shu.ac.uk/study-here/find-a-course/ma-history-by-research

Course structure

Full time – 1 year.
Part time – 2 years.
Typical modules may include.
You complete:
-Research skills workshops.
-30,000 word dissertation.

Assessment: 30,000 word dissertation and viva.

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This course involves exploring the development of philosophy from Antiquity to early modern and modern times, with a particular emphasis on the genesis of modern scientific disciplines such as psychology, physics or chemistry, out of the traditional body of Aristotelian natural philosophy. Read more

Master's specialisation in History of Philosophy (Research)

This course involves exploring the development of philosophy from Antiquity to early modern and modern times, with a particular emphasis on the genesis of modern scientific disciplines such as psychology, physics or chemistry, out of the traditional body of Aristotelian natural philosophy.
There is no other academic discipline in which the past is so important as in philosophy: today's philosophers are still engaging with the pioneers of the field: Plato, Aristotle, Descartes, Hegel, Nietzsche, Heidegger and Wittgenstein. For this reason, the philosophy curriculum at Radboud University consists of a number of historical courses. The specialisation History of Philosophy covers the entire history of philosophy from the Presocratic philosophers up to today, divided into four periods: ancient, medieval, modern and contemporary.
Key authors for this specialisation are, in alphabetical order, Aristotle, Descartes, Epicurus, Galileo, German idealists, Hegel, Hobbes, Hume, Leibniz, Lucretius, Merleau-Ponty, Plato, Pomponazzi, Sartre, and Thomas Aquinas.

See the website http://www.ru.nl/masters/philosophy/history

Why study History of Philosophy at Radboud University?

- We offer a large choice of research courses in the history of philosophy.
- Our programme emphasises the importance of developing and using research skills.
- You will have a personal supervisor who will guide you during the entire programme.
- As a Research Master’s student, you’ll be affiliated with the Centre for the History of Philosophy and Science, which has received top rankings in the field in past national evaluations (2006 and 2013).
- This is an excellent preparation for post-graduate life due to the specialised character of the Research Master's thesis: a publishable article and a PhD research proposal.
- Students have a high chance of obtaining a PhD position in the Netherlands or abroad.
- There is an international climate: more than half of the teaching staff and Research Master’s students are from outside the Netherlands.

Career prospects

Philosophy has a unique role within contemporary society. Unlike other academic disciplines, its subject matter is not limited to one set of questions, or one domain of investigation. Philosophers investigate varied aspects of science and society. In order to do this, they must possess two essential skills; the ability to analyse complex issues logically and conceptually, and the ability to document their conclusions using clear and persuasive language. Such skills require intensive training. The Research Master's programme in Philosophy constitutes the first vocational step towards the acquisition of these skills.

Job positions

This programme is designed for people aiming to do research in the field. Graduates tend to fall into three groups. The majority of the students continue their research within academia by applying for a doctoral programme in the Netherlands or abroad. We take particular pride in the fact that over 75 percent of our graduates manage to obtain a PhD position within two years of graduating. A second group goes on to teach philosophy at secondary schools. And a third group enter research-related professions outside of education. Our graduates are also represented in journalism, science policy, and politics.

Our research in this field

All of the research related to this specialisation is embedded in the Centre for the History of Philosophy and Science. This internationally renowned centre is dedicated to the study of the historical interrelation of philosophy and the sciences. Many of the researchers affiliated with the centre investigate the evolution of natural philosophy since Aristotle and the development of the different natural scientific disciplines (such as physics, chemistry or psychology) since the seventeenth century. Although the centre is best known for its expertise in the ancient, medieval and early modern periods, the researchers also cover the entire period from the Aristotelian corpus up to contemporary philosophy.

The focus on natural philosophy is due to the consideration that, at least up to the eighteenth century, factors such as time, space, the motion of stars, and the nature of the human soul were all integral parts of (natural) philosophy. Nijmegen's Center for the History of Philosophy and Science is the only research centre in the world dedicated to the investigation of this historical development.

Thesis subjects in History of Philosophy

The centre is active in organising public lectures, seminars and colloquia, which students are very welcome to attend. Although many research Master’s students choose a topic related to the research activities of the Centre, this is not mandatory. Recent Master’s theses (publishable articles) were about the following themes:
- The use of history in utopian tales
- The Vatican censorship of Paracelsus
- Thought experiments in Locke and Leibniz
- The theme of flight in Plato and Philo of Alexandria
- Bergson’s method of intuition
- Chiffons of Clairvaux on the will
- Perceptual experience in Merleau-Ponty
- Agamben’s reading of Hegel

See the website http://www.ru.nl/masters/philosophy/history

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This award-winning programme combines the expertise of anthropologists and biologists to examine primate conservation biology in a broad context, with particular emphasis on the relationships between humans and wildlife in forest and woodland environments. Read more
This award-winning programme combines the expertise of anthropologists and biologists to examine primate conservation biology in a broad context, with particular emphasis on the relationships between humans and wildlife in forest and woodland environments. It provides an international and multidisciplinary forum to help understand the issues and promote effective action.

Whether working in the lab, with local conservation groups (including zoos and NGOs), or in the field, you will find yourself in a collaborative and supportive environment, working with international scholars in primate conservation and gaining first-hand experience to enact positive change.

See the website http://www.brookes.ac.uk/courses/postgraduate/primate-conservation/

Why choose this course?

- A pioneering programme providing scientific, professional training and accreditation to conservation scientists

- Awarded the Queen's Anniversary Prize in 2008

- Opportunity to work alongside leading academics for example Professor Anna Nekaris, Professor Vincent Nijman and Dr Kate Hill

- Excellent learning resources both at Brookes and through Oxford’s museums and libraries including the Bodleian Library, the Radcliffe Science Library, and the Museum of Natural History

- Links with conservation organisations and NGOs, both internationally and closer to home, including Fauna and Flora International, TRAFFIC and Conservation International

- Field trips for MSc students to Apenheul Primate Park in the Netherlands as well as to sanctuaries and zoos in the UK

- A dynamic community of research scholars undertaking internationally recognised and world leading research.

Teaching and learning

Teaching is through a combination of lectures, research seminars, training workshops, tutorials, case studies, seminar presentations, site visits, computer-aided learning, independent reading and supervised research.

Each of the six modules is assessed by means of coursework assignments that reflect the individual interests and strengths of each student. Coursework assignments for six taught modules are completed and handed in at the end of the semester, and written feedback is given before the start of the following semester. A seventh module, the final project, must be handed in before the start of the first semester of the next academic year. It will be assessed during this semester with an examinations meeting at the beginning of February, after which students receive their final marks.

An important feature of the course is the contribution by each student towards an outreach project that brings primate conservation issues into a public arena. Examples include a poster, display or presentation at a scientific meeting, university society or school. Students may also choose to write their dissertation specifically for scientific publication.

Round-table discussions form a regular aspect of the course and enable closer examination of conservation issues through a sharing of perspectives by the whole group.

Careers

This unique postgraduate programme trains new generations of anthropologists, conservation biologists, captive care givers and educators concerned with the serious plight of non-human primates who seek practical solutions to their continuing survival. It provides the skills, knowledge and confidence to enable you to contribute to arresting and reversing the current devastating destruction of our tropical forests and the loss of the species that live in them.

You will be joining a supportive global network of former students working across all areas of conservation in organisations from the BBC Natural History Unit through to the International Union for Conservation of Nature and in roles from keeper and education officer in zoos across the UK and North America to paid researcher at institutes of higher education. Some of our students have even gone on to run their own conservation-related NGOs.

Free language courses for students - the Open Module

Free language courses are available to full-time undergraduate and postgraduate students on many of our courses, and can be taken as a credit on some courses.

Please note that the free language courses are not available if you are:
- studying at a Brookes partner college
- studying on any of our teacher education courses or postgraduate education courses.

Research highlights

Our vibrant research culture is driven by a thriving and collaborative community of academic staff and doctoral students. In the most recent Research Assessment Exercise (RAE) 70% of our work was judged to be of international quality in terms of originality, significance and rigour, with 5% "world leading".

Our strong performance in the RAE, along with our expanding consultancy activities, have enabled us to attract high quality staff and students and helped to generate funding for research projects.

Conservation Environment and Development, comprising several research clusters.

The Nocturnal Primate Research Group specialises in mapping the diversity of the nocturnal primates of Africa, Asia, Madagascar and Latin America through multidisciplinary teamwork that includes comparative studies of anatomy, physiology, behaviour, ecology and genetics. Field studies are helping to determine the origins and distribution of these neglected species, as well as indicating the conservation status of declining forests and woodlands. The NPRG has developed a widespread network of collaborative links with biologists, game wardens, forestry officers, wildlife societies, museums and zoos/sanctuaries.

The Human Interactions With and Constructions of the Environment Research Group develops and trains an interdisciplinary team of researchers to investigate priorities within conservation research - using an interdisciplinary framework in anthropology, primatology, rural development studies, and conservation biology.

The Oxford Wildlife Trade Research Group (OWTRG) aims to quantify all aspects of the trade in wild animals through multidisciplinary teamwork including anthropology, social sciences, natural resource management, biodiversity conservation, environmental economics, and legislation. Their strong focus is on wildlife trade in tropical countries –as this is where most of the world's biodiversity resides and where the impacts of the wildlife trade are arguably the greatest. Recognizing that the wildlife trade is a truly global enterprise they also focus on the role of consumer countries.

The Europe Japan Research Centre (EJRC) organises and disseminates the research of all Brookes staff working on Japan as well as a large number of affiliated Research Fellows.

The Human Origins and Palaeo Environments Research Cluster carries out ground-breaking interdisciplinary research, focussed on evolutionary anthropology and environmental reconstruction and change. The study published in the journal Science reports findings from an eight-year archaeological excavation at a site called Jebel Faya in the United Arab Emirates. Palaeolithic stone tools found at the Jebel Faya were similar to tools produced by early modern humans in east Africa, but very different from those produced to the north, in the Levant and the mountains of Iran. This suggested early modern humans migrated into Arabia directly from Africa and not via the Nile Valley and the Near East as is usually suggested. The new findings will reinvigorate the debate about human origins and how we became a global species.

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visit course pages for more information about the next Open Day at NHM on Wednesday 29 March 2017. Taxonomy and systematics provide the foundation for studying the great diversity of the living world. Read more

Open Day

visit course pages for more information about the next Open Day at NHM on Wednesday 29 March 2017.

Course Overview

Taxonomy and systematics provide the foundation for studying the great diversity of the living world. These fields are rapidly changing through new digital and molecular technologies. There is ever greater urgency for species identification and monitoring in virtually all the environmental sciences, and evolutionary ‘tree thinking’ is now applied widely in most areas of the life sciences.

This course provides in-depth training in the study of biodiversity based on the principles of phylogenetics, evolutionary biology, palaeobiology and taxonomy. The emphasis is on quantitative approaches and current methods in DNA-based phylogenetics, bioinformatics, and the use of digital collections.

Location

This course is a collaboration of Imperial College London (Silwood Park) with the Natural History Museum. This provides an exciting scientific environment of two institutions at the forefront of taxonomic and evolutionary research.

The MSc in Taxonomy and Biodiversity comprises two terms of taught modules, mostly based at the Natural History Museum, and covers core areas in biodiversity, palaeobiology, phylogenetics, molecular systematics, phylogenomics and taxonomic principles. This is followed by a 16-week laboratory or field-based research project at the NHM or Imperial College’s Silwood Park or South Kensington campuses.

Modules

• Taxonomy of major groups and the Tree-of-Life: An introduction of major branches of the Tree, including identification exercises, presented by NHM experts
• Statistics and Computing: A two-week intensive course at Silwood Park
• Field course: trapping and collecting techniques for terrestrial and aquatic ecosystems
• Phylogenetic Reconstruction: the principles of building phylogenetic trees
• Molecular Systematics: generating and analysing molecular data; model-based phylogenetics
• Phylogenomics: Genomic techniques for studying evolutionary processes and biodiversity
• Biodiversity (Concepts): speciation, radiation, macroevolution
•Biodiversity (Applied): Measuring biodiversity, geospatial analysis, collection management and biodiversity informatics
• Palaeobiology: Studying the fossil record and what we can learn for biodiversity

Post Study

Students on the course will become the new generation of taxonomists in the broadest sense. They will be familiar with these new tools, as well as the wider concepts of biodiversity science, evolutionary biology and genomics. Most importantly, students gain the abilities to work as an independent scientist and researcher, to be able to solve questions about the future of biodiversity and to communicate them to peers and the public.
Students have many options for future employment in evolutionary and ecological research labs in industry, government and non-governmental organisations, conservation, and scientific publishing and the media. The courses are an excellent starting point for PhD level careers, feeding into various Doctoral Training Programmes available at NHM and Imperial, or elsewhere.

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Dunedin is a UNESCO City of Literature, supports an International Science Festival, and is the wildlife capital of New Zealand, with colonies of seals, albatross and penguins in the city's boundaries. Read more
Dunedin is a UNESCO City of Literature, supports an International Science Festival, and is the wildlife capital of New Zealand, with colonies of seals, albatross and penguins in the city's boundaries. It is perhaps no accident, therefore, that it has also become a hub for natural history filmmaking. The outstanding natural environment and dynamic cultural environment provide an excellent setting for the University of Otago’s Centre for Science Communication, the home of story-telling and science. Three Science Communication endorsements are available in the MSciComm: Creative Non-Fiction Writing in Science, Science and Natural History Filmmaking, and Science in Society. Students in each endorsement produce a thesis comprising a creative component (e.g. film, book, exhibition etc.) and original research.

Structure of the Programme

-Every programme of study shall be as prescribed for one of the options listed above.
-A candidate may be exempted from some or all of the prescribed papers on the basis of previous study.
-A candidate shall, before commencing the investigation to be described in the thesis, secure the approval of the Director of the Centre for Science Communication for the topic, the supervisor(s), and the proposed course of the investigation.
-A candidate may not present a thesis or other material which has previously been accepted for another degree.
-For the thesis, the research should be of a kind that a diligent and competent student should complete within one year of full-time study.

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This unique 12 month full-time diploma course delivered in partnership with Sky, will equip students with the skills required to become a Film and Television graphics designer. Read more
This unique 12 month full-time diploma course delivered in partnership with Sky, will equip students with the skills required to become a Film and Television graphics designer.

Quick Facts

- 12 Month Course
- Full-time
- Course runs Jan-Dec each year
- Next intake: January 2017
- UK and EEA applicants only

APPLICATION DEADLINE: 13 OCT 2016

Visit the website https://nfts.co.uk/our-courses/diploma/graphics-and-titles-film-and-television

COURSE OVERVIEW

Working as a Graphics and Titles Designer in Film and Television involves design and production of graphics elements for TV channels, series, individual programmes, films and promotions. At its most complex this could be supervising the shoot of multi pass animations using a motion control studio or on location. Most of the work, however is producing and implementing templates for use in studios and post production suites to enhance the look of the output and to reinforce and support broadcaster, channel, genre and programme branding.

- A unique course in partnership with Sky.
- Equips participants with specialist skills required to work as a Film and Television graphic design.
- Gain the expertise to work on multiple complex projects within the industry.
- Become an innovator and expert in this field.
- Combines practical experience on TV Entertainment, Science and Natural History and Sports shows with industry work experience -placements and intensive training.
- Access to NFTS's Passport to Cinema and Masterclasses lead by major creative figures from film, television and games.

Graphics and Titles professionals design and implement moving and stationary graphics used for branding and presentation of information. On some high end shows they operate the graphics generator in the studio gallery but, in most instances, they create templates for use by graphics operators, editors and vision mixers.

To do this role, you will need to:

- be an exceptional graphic designer with the ability to realise 2D and 3D designs through a variety of computer software packages
- be an approachable team player
- work to tight deadlines and, at times, under extreme pressure
- pay close attention to detail
- be an excellent communicator
- have tact and diplomacy skills
- prioritise tasks
- multi-task
- work long and often unsocial hours
- be flexible
- have a positive approach

The NFTS will help you develop these skills and capabilities.

CURRICULUM

This course combines practical experience on TV Entertainment, Science and Natural History and Sports shows with industry work experience placements and intensive training.

The course has been developed to meet industry demand and NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

The diploma course is 12 months full-time and is delivered at the NFTS:

Specifically students will learn about:

- Type and typography in a TV context
- Graphic design for TV entertainment
- Graphic design for TV Sport
- Graphic design for TV Promotion
- Workflows supporting each genre above

The course is broken into three terms.

Term 1 (January – April)
In the first term of the course you will study Type and typography in TV, the general principals of working on entertainment and sports shows and on promotions. You will receive training on a number or relevant software packages.

You will produce work in response to a number of given briefs for film and television shows.

Term 2 (May – September)
Design elements produced this term may include opening titles, stings, end credits other on-screen graphics.

You will then go on a work placement at Sky.

In terms 1 and 2 students will complete Graphics and Titles work to briefs set by the lead tutor. These projects will ensure students portfolios include the key type of work to secure work on graduation.

Term 3 (September – December)
You will work on a variety of grad shows at the NFTS and choose one of these as your graduation project. This will be a major piece of original work and will include:

- Storyboard(s) to guide and support the iterative design process with the production team
- Production of a style guide for the show which will be useable on screen and in printed form. This style guide must include the rationale for all design elements and must specify how these elements can and, critically, cannot be used to ensure that your design and branding objectives are achieved.
- Production of opening titles, stings and closing credits.
- Production of graphics templates for use in the studio and in post production.
- Support the production team through all stages of the production process with design and graphics production workflow advice and graphics production and operational services to ensure the highest quality final result.

PLACEMENT

Each student will complete a placement at Sky for 4 weeks.

NFTS BENEFITS

Graphics and Titles course participants will have full access to the NFTS’ optional creative stimulus strands, including: Cinema Club, Screen Arts and NFTS Masterclasses - these strands see major creative figures from film, television and games screening their work and discussing with students in the campus cinema. Recent speakers include David Fincher (Director, Seven, Gone Girl), Graham Linehan (The IT Crowd, Father Ted), Abi Morgan (Suffragette, The Hour), Christopher Nolan (Interstellar, The Dark Knight) and Hamish Hamilton (Director, Super Bowl XLVIII).

APPLY WITH

Please supply a portfolio of your own work and tell us about a Production you have worked on or admire. Critique the graphic design, its plus and minus points, and how you might approach refreshing it.

No more than two pages (A4 paper)

HOW TO APPLY

You can apply directly to us at the NFTS by clicking on the link below:

- APPLY FOR GRAPHICS AND TITLES FOR FILM AND TELEVISION COURSE - https://nfts.co.uk/sign-me-up/apply-now/?nid=2029

You can apply online, or download a word document of the application form to submit via email
When selecting your course, please ensure that you have read the entry requirements and details of the supporting materials that should accompany your application.

TIMING YOUR APPLICATION

We are happy to receive applications 24/7 and 365 days a year up until the deadline. That said, there is no particular advantage to submitting your application very early. The important thing is that your application shows us your latest work and tell us about your most recent filmmaking experiences.

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Students will learn how to acquire knowledge from a range of sources including history, horticulture, architecture, garden archaeology and other subjects, to develop an appreciation of the study of garden history as a cultural discipline. Read more
Students will learn how to acquire knowledge from a range of sources including history, horticulture, architecture, garden archaeology and other subjects, to develop an appreciation of the study of garden history as a cultural discipline.

Students will be able to appreciate the differences in garden-making over time and in different countries, from the 16th century to the present day in Britain, Europe and America. Emphasis will be on design and management, ownership, and the culture from which these examples have evolved.

This degree will provide an academically rigorous environment in which students will learn a range of academic research and writing skills. Teaching will be undertaken at the Institute of Historical Research (http://www.history.ac.uk/), with a strong emphasis on tutor/student interaction in class. There will be practical sessions at museums and libraries, as well as visits to gardens in London. There will also be an optional field trip to Italy in the spring.

Structure

The course will be run on a full-time basis over one year. Teaching will take place on Thursdays from 10:00 to 17:00 and will be divided between two terms. The third term will be dedicated to dissertation preparation and writing. Please get in touch if you would like to see the full timetable.

Students must complete core module 1, core module 2 (selecting three options from the six provided), and core module 3 - a 15,000 word dissertation in order to be awarded the full MA.

However, there are a range of options available for flexible study:

Those wishing to pursue this course on a part-time basis can complete Modules 1 and 2 (the taught elements of the course) in their first year and Module 3, the dissertation, in their second year
Module 1 can be undertaken as a standalone unit leading to a PGCert, the credit for which can be banked should the student wish to complete the MA at a later date (within a prescribed time frame) Please enquire for further details.
Module 1: Researching Garden History (60 credits)

The first term will showcase the huge variety of resources available to study garden and landscape history from archaeology, architecture, cartography, horticulture, manuscripts, paintings and other works of art, from the sixteenth century to the present day.

Sessions include:

Early maps of gardens (British library)
Garden Archaeology (Hampton Court)
Gardens and Architecture referencing Drawings Collection at the RIBA and V&A
The Italian Renaissance and English Gardens
The eighteenth century garden + visit to Chiswick House
Gardening and Photographic images
Assessment

A 5,000 word report on the history of a garden chosen by the student and an accompanying presentation.

Module 2: Culture and Politics of Gardens (60 credits)

This module consists of six optional units of which students must choose three.

These sessions aim to:

Develop students’ knowledge and understanding of gardens and landscapes in different countries
Develop students’ critical analysis and judgement
Demonstrate the importance of context and the relationship of garden and landscape history to other disciplines such as literature, social history, film and visual media and the history of ideas
The module will look at Historiography, theory, the connection between culture and politics in landscape making and the expansion of the skills of term one across regional boundaries.

For instance, the influence in Britain of the Italian Renaissance’s new ideas on garden making, including architecture, sculpture and hydraulic engineering; iconography in gardens and landscapes; formality in garden-making as an indicator of the power of the owner, from the sixteenth century onwards, as in France; different aspects of the ‘natural’ garden from the eighteenth century onwards; conflict between the ‘natural’ and the formal in the nineteenth century between William Robinson and Reginald Blomfield in Britain; gender and garden making; and shifting boundaries between architect, landscape architect and plantsman relating to the status of those designing gardens and landscapes in the 21st century.

Students will choose one unit from each group:

Students will choose one unit from each group:

Group A
French gardens of the seventeenth century
The evolution of the English garden in the sixteenth and early seventeenth centuries

Group B
The eighteenth-century garden
The American garden

Group C
The Suburban Garden in England between the wars
Twentieth- and twenty-first-century gardens

Please note: Optional units are subject to change. Please consider this a guide only.

Assessment

Two 5,000 word assessed essays on two of the three options taken, and an assessed student presentation on the outline of the intended dissertation.

Module 3: Dissertation (60 credits), 15,000 words

Mode of study

12 months full-time or 24 months part-time.

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Ideas and patterns of thought always have been, and continue to be, subject to historical change. The ways in which they change, and the reasons why they do so, make for fascinating study. Read more

Programme description

Ideas and patterns of thought always have been, and continue to be, subject to historical change. The ways in which they change, and the reasons why they do so, make for fascinating study.

In this comprehensive programme, you’ll be introduced to the principal methodologies of intellectual history and become familiar with some key theoretical areas, such as Begriffsgeschichte and the Cambridge School.

You will also have the opportunity to explore particular themes in intellectual history, such as Epicureanism, mind-body dualism in early modern thought, the Scottish Enlightenment and the intellectual history of the American revolution, developing a detailed understanding of their origins, historical circumstances and implications.

By the end of the programme you’ll have the tools you need to appreciate the interdependence of text and context and the importance of ideas in past and present, as well as the ability to research effectively and present your work with confidence.

Programme structure

You will be assessed through coursework and a 15,000-word dissertation.

You will take two compulsory courses:

Historical Methodology
Historical Research: Skills and Sources

You will select four option courses (or two courses and supervised reading) from choices that may include:

Epicurus and Epicureanism
Intellectual History of the American Revolution
Man and the Natural World in the Enlightenment
Religion and the Enlightenment: the Birth of the Modern
The Enlightenment: Questions of Geography
The Science of Man in the Scottish Enlightenment
Mind and Body in Early Modern Philosophy
Thinking the 20th Century
A Crucible for Change: Enlightenment in Britain 1688–1801

Learning outcomes

Students are expected to achieve several aims, which will be assessed primarily by essays and a dissertation, such as:

knowledge of the chief methods of practising intellectual history
a detailed understanding of certain major episodes in intellectual history
an appreciation of the interdependence of text and context, and of the importance of ideas in past and present

A wide variety of intellectual skills are promoted through seminars, discussions and advanced study, encouraging the development of the:

ability to develop tight and coherent arguments both orally and on the page
capacity to read texts critically and sensitively, evaluating their arguments as well as situating them in their practical and intellectual contexts
appreciation of a variety of approaches to intellectual history
ability to cross-disciplinary boundaries, for example, between philosophy, science and history

Career opportunities

Many students are attracted to the MSc Intellectual History as an advanced qualification that will be valued by a range of employers.

Others are interested in pursuing long-term academic careers and see the MSc as preparation for a PhD, while some are considering an academic career as a possibility, and use the MSc to establish whether it is the right career choice.

The combination of skills training courses, specialised seminars, and independent research provides you with transferable skills that will be beneficial whatever path you choose.

Possible fields for employment after graduation include academia, policy think-tanks, national and international civil services, non-governmental organisations and museum/curatorial organisations.

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The world’s long-term economic development depends on the existence of efficient, innovative and creative energy and resources industries. Read more

Why Natural Resources Law and Policy at Dundee?

The world’s long-term economic development depends on the existence of efficient, innovative and creative energy and resources industries. These in turn rely on individuals who possess a sound grasp of their legal, economic, technical and policy backgrounds.
Natural Resources Law and Policy is at the heart of these issues and provides the best in advanced education in its field, preparing its graduates to meet the challenges posed by the evolving global economy.

This LLM is aimed at lawyers and other professionals, both in government and industry, who wish to gain an in-depth understanding of the law and practice of international business transactions and general international economic relations. The position of this programme at the Centre provides the student a unique opportunity to combine studies in general international economic and business law and practice with specialized courses in the energy and resources industries. This intensive professional and academic training, provided by internationally leading practitioners and professors in this field, leads to a distinctive and reputed advanced academic qualification based on academic
excellence and professional relevance.

What's great about Natural Resources Law and Policy?

Throughout its history, the Centre for Energy, Petroleum and Mineral Law and Policy as part of the Graduate School of Natural Resources Law, Policy and Management at the University of Dundee has achieved continuous growth and has established international pre-eminence in its core activities. Scholarly performance, high level academic research, strategic consultancy and top-quality executive education.

Currently, we have over 500 registered postgraduate students from more than 50 countries world-wide.
Our interdisciplinary approach to teaching, research and consultancy gives us a unique perspective on how governments and businesses operate. We offer flexible courses delivered by the best in the field, devised and continually updated in line with the Centre’s unique combination of professional expertise and academic excellence.

This provides a rigorous training for graduate students and working professionals. Full-time and distance-learning degrees, intensive training programmes tailor-made for individuals or companies and short-term professional seminars are all on offer.

We will teach you the practical and professional skills you need to mastermind complex commercial and financial transactions in the international workplace, and we will expose you to many varied and exciting opportunities. Why not take a few minutes to complete our application form - it could be the most far-reaching career move you’ll ever make!

How you will be taught

The LLM is made up of compulsory and elective modules with this taught component being followed by either:
A dissertation of up to 15,000 words on a topic approved by an academic supervisor

An Internship report - students who choose this option are required to source an organisation willing to offer a 3-month work placement, approved by an academic supervisor

An extended PhD Proposal - students who propose to follow up the LLM with a PhD may, with the approval of an academic supervisor, submit a 10,000 word PhD proposal

What you will study

Compulsory Modules:
• Natural Resources Sectors: A Multidisciplinary Introduction
• Dissertation or Internship

Core Modules:
Core specialist Modules:
• Environmental Law and Policy for Natural Resources and Energy
• International and Comparative Mineral Law
• International Law of Water Resources
• International Law of Natural Resources and Energy
• Legal Frameworks for Water Resource Management
• International Petroleum Law and Policy
• Mineral Resources Policy and Economics
• National and Comparative Oil and Gas Law
• Transnational Investment Law and Policy

Elective Modules: Candidates are advised to choose additional modules from what is available on the academic timetable subject to any restrictions that may apply.

How you will be assessed

Each course is assessed by a combination of examinations and a research paper.

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The MA in Queer History is a pioneering programme in one of the most exciting new areas of historical enquiry, giving a voice to those who throughout much of history have been denied one. Read more
The MA in Queer History is a pioneering programme in one of the most exciting new areas of historical enquiry, giving a voice to those who throughout much of history have been denied one.

This MA provides a comprehensive introduction to the themes and methods of Queer History as well as laying a solid foundation in general historical study. It offers a first-rate overview of important thought and methods from the fields of queer theory as well as the histories of gender and the body and sexuality.

This programme aims to historicise often binary categories, such as male/female, heterosexuality/homosexuality, active/passive, and uncover the processes through which these categories came to be seen as ‘natural’. It further pays close attention to questions of power, including how sexual orientation and race throughout history have often become interlinked in asymmetrical, oppressive ways.

Students conclude the programme with a 10,000 word dissertation on a topic of their own choice. The dissertation research is aided by access to the shared library and archival resources of the wider University of London and the city of London, one of the world’s queer capitals. Goldsmiths aims to build the National Queer Archive and involve MA students in this process.

*New programme: Subject to validation

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