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Masters Degrees (Narrative Theory)

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Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study Ancient Narrative Literature at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017). Read more

Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study Ancient Narrative Literature at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017).

The MA in Ancient Narrative Literature is the first of its kind in the world. It draws on world-level expertise to explore the various types of narrative produced in ancient Greece, Rome and Egypt.

Key Features

This MA in Ancient Narrative Literature focuses on the narratives of the ancient Greeks, Romans and Egyptians, both fictional and factual, in a variety of literary forms, including the novel, epic poetry, mythology, historiography and biography. It is taught by a team of scholars associated with the KYKNOS research centre, whose research in this field is internationally recognised.

The MA in Ancient Narrative Literature introduces students to the key concepts of literary and cultural theory connected with narrative and encourages them to explore new ways of reading ancient texts. As well as some of the classics of ancient literature, the MA in Ancient Narrative Literature also examines some less familiar texts that articulate the stories of sections of the ancient population marginalised by gender and social status.

The MA in Ancient Narrative Literature offers excellent preparation for students who intend to undertake further research in this exciting and rapidly developing area of Classical literature. Students will have the opportunity to begin or continue the study of Greek and/or Latin.

Students of the MA Ancient Narrative Literature can take advantage of the College of Arts and Humanities' Graduate Centre which fosters and supports individual and collaborative research activity of international excellence and offers a vibrant and supportive environment for students pursuing postgraduate research and taught masters study. The Centre provides postgraduate training to enhance academic and professional development and facilitates participation in seminar programmes, workshops and international conferences.

Modules

Modules on the MA in Ancient Narrative Literature typically include:

• Narrative Theory and Genres

• Ancient Greek or Latin language

• Being Greek Under Rome: Greek Literature and Culture in the Imperial Period

• Romance Refracted and Novels Renewed

• Greek and Roman Magic :Exploring the Sources

• Reading Academic German

• Explorers, Travel and Geography

• Saints and Sinners in Christian Late Antiquity

• Word, Metaphor, Allegory: effective models of reality

Student Quote

"I studied at Swansea University for my Undergraduate degree and fell in love with the city, the university campus and the lecturers and supporting staff at the university. Deciding to do my MA in Ancient Narrative Literature here was therefore partly influenced by this. However, Ancient Narrative Literature at Swansea University was an attractive choice mostly because of the quality of the lecturers here. Both Professor John Morgan who is already a highly esteemed scholar within the area of the Ancient Greek novels and Dr Ian Repath who is a rising star in the same subject area make Swansea University the ideal place to study Ancient Narrative Literature at MA level."

Ida Meland



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MA Film & Television at Falmouth University reflects and interrogates the highly fluid nature of the contemporary screen media environment. Read more
MA Film & Television at Falmouth University reflects and interrogates the highly fluid nature of the contemporary screen media environment.

Our MA is distinguished from traditional courses in that it specifically addresses the diversity and crossover of today's film and television culture with the aim of producing adaptive thinkers and highly creative practitioners. Our academic focus engages and interrogates film and television's status in the 21st century, which is often defined in terms of the digital age and digital culture.

On the course you will be required to examine, interpret and contest the notion of digital culture historically, socially, politically and artistically through both your research and creative practice. You will interrogate the increasingly blurred boundaries between film and television, art and technology, production and consumption, with the outcome being a fracturing of traditional categorisations. We reflect an era in which screenwriters Aaron Sorkin (Newsroom, The West Wing) and Lena Dunham (Girls, Tiny Furniture) experiment with dialogue and narrative, while conceptual artists Sam Taylor-Wood (Nowhere Boy, Love You More) and Steve McQueen (12 Years a Slave, Shame) have shifted from the art gallery to the cinema. Directors such as Ben Wheatley (A Field in England, Sightseers) and companies such as Curzon and Film4 are making use of multi-platform release schedules, and brands including HBO, Amazon and Netflix are shaping the very nature of not only what, but how, we watch. MA Film & Television understands this fundamentally shifting zeitgeist.

In examining industrial structure and visual form you will theorise the shifting dynamics of an age where anyone with a phone and a laptop has the ability to record, edit and disseminate visual projects. Such 'democratisation' has arguably made both creative uniqueness and clear industry pathways less discernable, but has provided a new and fruitful framework for those who have the ideas, talent, dedication and adaptability to embrace such immense transitional potential. However, despite these multitudinous transformations attributed to digital culture, the ethos of our MA contends that fundamental skills remain the basis of both sound academic work and creative practice. Rather than being fearful of what is to come, or nostalgic for the past, this course gives you the confidence to look at film and television critically, and acquire cutting edge creative skills in order to produce intelligent, innovative and inspirational visual work.

Our philosophy is one of flexibility, so you'll shape the curriculum around your own interests, whether in theory, creative practice, or a combination of the two. Drawn from the fundamentals of history, theory and criticism, our theoretical strand develops tomorrow's cineastes, cultural commentators, journalists and academics. This also underpins our approach to practice. The most successful film and television makers are students of their chosen medium, highly knowledgeable of historical legacy and social-political context. You'll not only learn how to develop, write, produce, shoot, record, direct and edit well, but why, philosophically and creatively, your ideas are worth being made.

Visit the website https://www.falmouth.ac.uk/film-television-ma

How the course is taught

Our passion is reflected both in the teaching and research track record of our academics, our industry connections and visiting speakers, and the quality of our film and television professionals. Crossing disciplinary areas such as cultural studies, sociology, journalism, English, philosophy and, of course, film and television studies, our MA offers academically-minded students comprehensive supervision and guidance for moving onto PhD research.

Industry and academic links

We have a strong visiting lecturer programme with recent guests including critics Dr Mark Kermode, Professor Linda Ruth Williams and Dr Will Brooker. Our practice tutors are active writers, producers, directors, editors, sound designers and cinematographers who create substantive work across all screen media. We have a wide range of contacts and industry specialists who contribute to the course, including Tony Grisoni (writer of Southcliffe, Red Riding, and How I Live Now), Mary Burke (producer of For Those in Peril, Berberian Sound Studio and The Midnight Beast), and James Henry (writer for Campus and Green Wing).

Falmouth University also recently hosted the Channel 4 Talent Day and we are active in developing work placements and internships for our students. We have sent many of students to Warp Films and TwoFour since 2009, and regularly update our webpages with work experience opportunities and jobs. Our graduates have proceeded to further study and jobs across the film and television industry, for HBO, Sky, ITV, Disney and have worked on major feature films, most recently including About Time (Richard Curtis, 2013) The World's End (Edgar Wright, 2013), The Double (Richard Ayoade, 2014) and Disney's forthcoming Cinderella (Kenneth Branagh, 2015). Falmouth University's MA in Film & Television is for students who to place themselves at the cutting edge of screen culture.

Course outline

The course is divided into three semesters of 15 weeks. Each semester offers the fundamentals vital to every academic and practitioner, and elective choices so you can shape your own learning.

What you'll do

- Study block 1
Foundation
The first semester consists of three core units, offering a diverse entry point to all aspects of the study of film and television, and the interrelationship of theory and practice:

Theorising Contemporary Film & Television Culture (Theory)

In this module you will explore the theoretical conceptualisations of film and television in the context of contemporary academic thought and popular discourse around the concept of digital culture. We will start from a point of questioning the multi-layered and contested effects of digital culture on film and television as discrete forms. You will consider the interrelationship and fusion between media in terms of production, distribution and exhibition examining the advent of new forms of representation and interaction. But we will also look at how traditional notion of film and television are being preserved and even being popular as a reaction to the effects of the digital. The module will also assess and interrogate the economic and technological developments of a more integrated and interactive media environment in terms of the cross-pollination of form and content, and socio-cultural effects on contemporary audiences.

Film & Television Industry Case Study (Theory/Practice)

In this module you will explore the industrial parameters of contemporary film and television based around the experience and expertise of current professionals. The module will utilise the School of Film & Television's many industry links to bring in guest speakers from the BBC, Channel 4, Sky, TwoFour Broadcast, Warp Films, Sheffield Doc Fest, Cornwall Film Festival, Doc Heads, BFI, Pinewood Studios, Dogbite and EngineHouse VFX. You will then have an opportunity to question these professionals about their respective sectors as a basis for a case study. Alternatively, you can investigate the sector/practitioner of your own choosing, with tutor support. The module will also contain workshops on the fundamentals of creative industry research and methodology. The module is designed so that you learn both the challenges and values of networking, and researching specific job roles and industry backgrounds in order to effectively plot your own career trajectory.

Creative Practices (Practice)

This module will engage you in the production workflow, focusing on how creative, professional and technical roles shape a final film or television project. Your weekly seminars and workshops will guide you through pre-production, production and post-production processes, enabling you to devise, develop and produce a short filmed project as part of a small crew of four to six students. You will, therefore, develop your technical skills and production practices in order to devise and deploy modes of creative practice which may include, but are not limited to, research and development, screenwriting, production management, producing, directing, cinematography, lighting, editing and the recording and design of sound.

- Study block 2
Specialisms
The second semester gives you the opportunity to specialise, choosing from a ranging of theory, practice or combination modules. Assessment of combination modules is either through an academic essay or a practice project. Potential optional modules include:

- Cultural Studies to Digital Sociology (Theory/Practice)
- Screen Futures (Theory/Practice)
- Globalisation in Film & Television (Theory/Practice)
- Factual Film & Television (Theory/Practice)
- Screenwriting for Film & Television (Theory/Practice)
- Work Placement (Theory/Practice)

- Study block 3
Expertise
Depending on your chosen specialism, in the third semester you'll produce either:

- Dissertation (Theory)
- Film & Production Portfolio (Theory/Practice)
- Conceptual Project (Theory/Practice)

Facilities

The purpose-built film school facilities include:

- 116-seat cinema, with Christie M Series HD projection (as used in Vue cinemas) and 7.2 surround sound

- Equipment store with a range of Blackmagic, Red, Panasonic, JVC, GoPro, Canon DSLR and C100 cameras and lenses, jibs, tracks and dollies

- Digital production suites equipped with Final Draft (screenwriting), Movie Magic (production management) and a range of edit software, including Adobe Creative Cloud/Suite, Final Cut and AVID

- Avid Unity MediaNetwork Edit server

- Recording and sound edit studios equipped with Pro Tools audio editing and Foley traps

- 14x8m TV studio with three studio cameras, full gallery facility, Chromatte grey screen, blue/green screen and full lighting rig

- Centroid 3D (Pinewood-networked) Motion Capture studio/research lab

- Virtual Studio using the latest technology

- 23,500-title TV and film library

Experience you'll get

- Highly flexible, student-focused curriculum

- Mentoring with industry professionals

- Opportunities for placement and work experience

- Creative environment for collaboration

- Using industry-standard software

- A vibrant visiting speaker programme

- Student experience-centred ethos

Assessment

- Continuous assessment with no formal examinations
- Core theory based on written assignments
- Core practice assessed on visual project and accompanying portfolios
- Elective modules all with theory/practice options
- Dissertation and/or major project in final semester

Careers

- Research, teaching or postgraduate study in art/humanities subject areas

- All technical/creative roles linked with direction, production, cinematography, editing, sound, lighting; writing for the screen; film and television criticism; research for film and TV

- Film and TV marketing, distribution and sales – digital and social media content/distribution

- Film festival and arts curatorship – media-based project management

Find out how to apply here - https://www.falmouth.ac.uk/apply

Visiting Us

We hold open days throughout the year so you can meet current students and staff, view our campuses and facilities, and find out more about studying at Falmouth.

Find out more - https://www.falmouth.ac.uk/open-days

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The Contemporary Writing pathway offers you the opportunity to engage with American, British, Irish, and world Anglophone literary cultures. Read more

The Contemporary Writing pathway offers you the opportunity to engage with American, British, Irish, and world Anglophone literary cultures.

Register your interest

This pathway focuses on cutting-edge developments in literature. It uses notions of ‘writing’ and of the ‘present’ as gateways into contemporary debates about the historical present, the nature of time, and the difficulties of periodisation. Special attention will be paid to questions of technology, innovation, and social change. Our approach to contemporary material will be genuinely interdisciplinary and we will explore how such writing plays a role in current theoretical debates, engages with contemporary philosophy, and is transformed within the context of digital culture.

We are home to one of the largest and most diverse groups of staff in this field of any department in the country, and expertise in late-twentieth- and twenty-first-century culture brings together perspectives that are regional and transnational, theoretical and historicist. Distinctively, the pathway will also give you the opportunity of working with our leading postcolonial scholars, and to think about contemporary cultural production in global contexts of reception.

The pathway is delivered by a strong team of specialists in contemporary literature and culture, with particular expertise in digital cultures, technology, narrative theory and the contemporary novel. Staff on the contemporary pathway include Mark Currie, Sam McBean, Andrew van der Vlieskitt price and Zara Dinnen, whose research interests and publications address topics in digital culture, new media, popular culture, contemporary fiction, American Fiction, science and technology, time, feminism, queer theory, temporality and the theory of narrative. 

A range of option modules will enable you to study major novelists and poets from national literary traditions within and beyond an Anglo-American frame. The core module, ‘Writing and the Present’, equips you with a set of critical vocabularies with which to engage historically, formally and philosophically with contemporary literature. The pathway as whole thus facilitates a twin focus on the notions of writing and the present, encouraging you to examine the most urgent intellectual issues of our time that relate to the notion of ‘the contemporary’, not only in academic contexts but also in lived social experience.

The pathway combines specially-designed core modules with the opportunity to select further options from across the whole range of MA modules on offer in the Department of English. You may also opt to take a cognate elective module offered by the Schools in the Faculty of Humanities and Social Sciences and by other Colleges of the University of London.



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Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study Classics at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017). Read more

Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study Classics at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017).

The Greek and Latin languages are the key to our knowledge of the ancient world, and the origin of many modern European languages. This MA in Classics allows students to develop advanced reading skills in the ancient languages, and to apply them to the study of a selection of some of the most important literary texts from the ancient world. In addition to developing their ability to read fluently in the ancient languages and to translate them accurately and sensitively, students are introduced to the critical and analytical methodologies that shape the study of Classical literature in the twenty-first century. Students in the MA in Classics should normally already have studied either Latin or Greek, and will have the opportunity to begin or continue the study of the other.

Key Features of MA in Classics

The MA Classics studies Greek and Latin language, literature and civilisation.

The MA in Classics allows students to develop advanced reading skills in ancient languages and to apply them to the study of a selection of some of the most important literary texts from the ancient world.

The College of Arts and Humanities has a Graduate Centre. The Graduate Centre fosters and supports individual and collaborative research activity of international excellence and offers a vibrant and supportive environment for students pursuing postgraduate research and taught masters study. The Centre provides postgraduate training to enhance academic and professional development and facilitates participation in seminar programmes, workshops and international conferences.

The full-time Classics MA is split across the year offering three modules in each academic semester (a total of six modules) and then a dissertation over the summer. The dissertation component is written on a specialist research topic of your choosing.

Part-time Classics MA students take three modules in the first year, three in the second year and write the dissertation in the third year.

MA in Classics Aims

To acquire advanced reading skills in ancient Greek and Latin.

To develop the ability to translate from ancient Greek and Latin accurately and sensitively.

To develop the theoretical and analytical skills relevant to the study of ancient texts in the original languages.

To prepare for further text-based research on any aspect of Greek or Roman history and culture.

Through the precision and awareness to detail entailed in the study of ancient languages, to acquire a range of transferable skills relevant to a range of employment opportunities, including those which involve language acquisition and translation.

Modules

Modules on the MA in Classics course typically include:

• Narrative Theory and Genres

• Ancient Greek or Latin Language

• Ancient Greek or Latin Texts

• Romance Refracted and Novels Renewed

• Explorers, Travel and Geography

• Saints and Sinners in Christian Late Antiquity

Research Interests

Staff research interests cover the core disciplines of culture, religion, language, history and archaeology.

Particular strengths include:

• Ancient Narrative Literature

• The Ancient Novel

• Plato and Platonism

• Greek Tragedy

• Ancient Technology

• The Archaeology of Roman Egypt

• Graeco-Roman Urbanisation

• Greek Social History

• The History and Archaeology of Asia Minor

• Late Antiquity

• Roman Military History

All staff in History and Classics are research active and publish books and articles in their areas of expertise. In addition, regular research seminars and lectures are run through the Research Institute for Arts and Humanities (RIAH) which students are

encouraged to attend.

Careers

Career expectations are excellent for Classics graduates. MA degree holders may move on to doctoral study or enter employment in such areas as museums, heritage and tourism; marketing, sales and advertising; business, art, design and culture; media and PR; social and welfare professions; humanitarian organisations; the civil service, and education.



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The Master of Studies (MSt) in Creative Writing is designed for those who wish to develop high-level skills in creative writing both in fiction and non-fiction literatures. Read more
The Master of Studies (MSt) in Creative Writing is designed for those who wish to develop high-level skills in creative writing both in fiction and non-fiction literatures. The MSt is taught over two years in short, intensive study blocks. It has been designed to be accessible to those in full- or part-time employment and to international students.

You will be guided in the production of creative work in a range of genres and styles, and also in critical reflection on your own work and that of other writers. The course tutors and guest speakers are all established literary professionals.

See the website http://www.ice.cam.ac.uk/mst-creative-writing

Who is the course designed for?

The MSt aims to facilitate students' creative practice, whether for their own personal creative development as writers or because their professional work impinges on these areas.

Examples could include teachers of English at secondary level for whom the teaching of creative writing is increasingly necessary for GCSE and A-level English Language and English Literature. It is also designed to be of professional value to those working in areas such as journalism, broadcasting, publishing and editing.

Aims of the programme

By the end of the course students should have:

- Developed their own writing and self-editing skills in a range of fiction and non-fiction genres
- Developed a solid and substantial understanding of the history (in terms of innovative developments) of fiction and non-fiction writing and of critical, analytical and narrative theory

Format

The MSt is structured around four modules, each of which includes a residential block at Madingley Hall that students must attend. In the first year, each of the four residential blocks is preceded by guided preparatory reading and other activities, and followed by two writing assignments: one critical and one creative.

A Virtual Learning Environment (VLE) offers learning support to students while they are on the programme, including learning resources, peer-to-peer and student-to-tutor discussion between modules to build a virtual community of practice.

Lectures, seminars and classes: 4 x 4-day residential sessions in Year 1; a 2-day residential session in Year 2.

Supervisions and tutorials: each student has their own tutor to whom they will have several one-to-one sessions during the first year. During the second year students have 5 x 1-hour sessions with their supervisor.

Year 1

The first year is characterised by variety. Students will engage and experiment with a wide variety of genres, building on existing strengths and exploring unfamiliar territories.

Module 1: Writing for readers: the art of poetry and the craft of criticism (17-20 October 2016)
This module will combine close critical reading of selected example of poetry and autobiographical prose with the writing of both by students.

Module 2: Writing for readers: imagined worlds - fiction, long and short (12-15 December 2016)
This module focuses on prose fiction, examining the relationship between memory, imagination and research and exploring the essential concerns of the fiction-writer, including plot and narrative, voice and character and the importance of place.

Module 3: Writing for performance: monologue and polyphonic scripts (13-16 February 2017)
This module explores various forms of writing for an audience, encompassing writing for radio, theatre, television, cinema and other forms of scripted public address and performance.

Module 4: Writing life: creative non-fiction (15-18 May 2017)
This module explores the concept of creative non-fiction and examines examples drawn from a range of sub-genres. These are likely to include biography, memoir, travel-writing and writing about the environment. Sessions on study and research skills will prepare students for Year 2. Visiting speakers for this module will include those from the world of publishing.

Year 2

The second year is characterised by focus on a specialist genre. Students will work independently to explore further and develop their own literary and critical skills, resulting in an extended piece or portfolio of writing. They will work under the supervision of an expert in their chosen field with whom they will have regular contact.

Students will have five supervisions in the second year. The first will take place in October 2017, ideally at Madingley Hall, but Skype can also be used. The dates of this and the next three supervisions will be arranged between you and your supervisor (these can also be face-to-face or via Skype). The fifth and final supervision will usually take place at Madingley Hall at the time of the only residency in the second year, the Presentation and Discussion of Portfolios, on 16-17 April 2018.

Assessment

- Year 1 -

Following the first residency students will produce 750 words of poetry and a critical commentary of 3,000 words. Following the other three residencies students will produce 4,000 words of creative prose and a critical commentary of 3,000 words.

- Year 2 -

Students will produce a portfolio consisting of 15,000 words of creative prose (or 5,000 words of poetry) and a 3,000-word critical commentary.

- Feedback -

Students are given formal written feedback on their assignments and informal feedback throughout the course, including during tutorials and supervisions. Tutors produce a report for each student at the end of Year 1 and supervisors produce termly reports for each student during Year 2.

How to apply: http://www.graduate.study.cam.ac.uk/applying

Funding

Sources of government funding and financial support - including Professional and Career Development Loans: https://www.gov.uk/browse/education/student-finance

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The video game industry is a vastly growing sector in both the UK and worldwide and the need for highly skilled and educated individuals is in high demand across the globe. Read more

About the course

The video game industry is a vastly growing sector in both the UK and worldwide and the need for highly skilled and educated individuals is in high demand across the globe. With Brunel’s Digital Games Theory and Design MA programme, individuals will engage in, and experiment with, practical game design focussing on the process of devising the gameplay experience itself, including (but not limited to) the creation of rules, gameplay mechanics, narrative, world design and user experience, among many other aspects that make up the art of game design.

Coupled with a theoretical underpinning that focuses on the formal characteristics of games and analysis as well as the social and cultural contexts that shape the development of games, players, and society, this exciting programme offers students the opportunity to develop a range of skills that are required for success in today’s competitive job market.

Our programme is staffed with seasoned games designers and internationally published scholars who bring with them an extensive understanding of the nature of the video game industry, the importance of networks and the need for scholarly engagement in order to create innovative games for the future.

Aims

You will gain a comprehensive and sophisticated understanding of the advanced academic study of digital games and the techniques and principles used in their design.

You will be provided with the relevant expertise, teaching and learning environment to support your critical and creative engagement with issues at the cutting edge of analysing and designing digital games. You will contribute to the process of defining ‘game studies’ as a new academic discipline.

You will develop skills and knowledge to gain employment in the digital games industry and make contributions to the development of innovative games that go beyond current markets.

You will acquire the skills necessary to undertake doctoral level research.

Course Content

The MA consists of compulsory modules, a typical selection can be found below. Modules can vary from year to year, but these offer a good idea of what we teach.

Each module will have a range of assessments; some practical, others written.

Game Design 1 (term 1, 30 credits) - practical group design projects (small); written evaluative case study 2000 words; assessed presentation

Critical Approaches (term 1, 30 credits) - 2 x 3000 word essays

Game Design 2 (term 2, 30 credits) - 1 x practical design project tailored to a specific platform (large); written evaluative case study 3000 words; assessed presentation

Socio-Cultural Contexts (term 2, 30 credits) (1 x 6000 word essays)

Dissertation in Digital Games Design: Theory and Design - either 12,000-18,000 words or 8,000 words with practical component - delivered in either digital format or as a design document (term 3, 60 credits)

Students are expected to use the MA forum for discussions and are encouraged to participate in extra-curricular support activities such as game jams, local game related and networking events in order to practice the creative and technical skills developed throughout the programme and foster conversation and connections that are an invaluable part of the post-graduate experience.

Special Features

Students will engage in, and experiment with, practical games creation, with workshops led by designers working in the industry, as well as explore a range of theories and concepts with which to analyse the values of games, play and pleasure.

This programme offers a unique focus on practical games design, informed by theory that is not offered by any other university. It is not a software or graphics training programme.

We have a team of experienced games researchers teaching on the programme, some of whom have played a pioneering role in making game studies a new academic discipline.

Assessment

Assessment is via a combination of practical games-making work, presentations and essays of varying length.

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The Film. Theory and Practice MA provides you with a sophisticated understanding of films as systems of meaning. Your study covers areas such as film-making, historical cinema, screenwriting and narrative. Read more
The Film: Theory and Practice MA provides you with a sophisticated understanding of films as systems of meaning. Your study covers areas such as film-making, historical cinema, screenwriting and narrative.

The course will advance your knowledge of the musculature of cinematography and editing, and the nerve system of narrative conventions, authorship, genre, power, aesthetics, stardom and nationality. You can specialise in areas of film theory, or in film practice; the latter including screenwriting, film-making and cinema management.

You will develop your own scholarly approaches to film through exploring a range of positions in film studies, and a range of historical periods and national/transnational cinemas.

By the end of the course you will have acquired knowledge of a range of analytical and theoretical principles in film studies and an array of national/transnational cinemas, including:
-British
-Chinese
-French
-American
-North African
-Spanish and Latin American

If you choose to work in film production you will usually have a finished film within 12 weeks.

Our graduates have progressed into a variety of careers, including: academia, media and journalism, cinema management, and film production. Many of our MA students go on to PhD research.

The study of film has a long history at Newcastle. Our community of film scholars shares specialisms in:
-Film genre
-Film stardom
-Gender and ethnic identities in cinema
-Writing on film

Our research interests also range widely in Anglophone, French, Hispanic, East Asian and Middle Eastern cinemas.

Award-winning film-makers, Tina Gharavi and Ian MacDonald, bring a wealth of professional experience to the teaching of film production. We collaborate with the Tyneside Cinema to provide work experience opportunities and in-depth knowledge in film exhibition and distribution.

We have a thriving research culture in film. The Research Centre in Film and Digital Media organises a diverse range of activities such as visiting speaker series, student or staff-oriented conferences and symposiums, and Chinese and Spanish film festivals.

Work experience

In two optional modules: Exhibition Culture and Professional Placement, we collaborate with the Tyneside Cinema in providing opportunities for work experience.

You will also have the opportunity to get involved in the organisation of conferences and film festivals.

Facilities

You will have the opportunity to use Culture Lab, a complex for creative practice which includes a stock of film cameras and editing suites, as well as motion-capture, animation and sound-mixing technology.

The Language Resource Centre and Robinson Library hold large collections of international films and film magazines. You will also have access to a dedicated postgraduate suite including computers, workspaces, a kitchen and showers.

There are fantastic local film facilities including the Tyneside Cinema and British Film Institute Mediatheque. You will also have guided access to Tyne and Wear Archives.

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In the Research Excellence Framework 2014, the leading national assessment of quality, 100% of the research we submitted was rated “world-leading” or “internationally excellent” for its impact. Read more
  • In the Research Excellence Framework 2014, the leading national assessment of quality, 100% of the research we submitted was rated “world-leading” or “internationally excellent” for its impact.
  • The course is unique in offering students the opportunity to study a comprehensive range of validated attachment procedures at university level.
  • The programme combines theory, practice and research in the field of child and adult attachment in troubled populations.
  • The programme equips students with evaluation skills that will help them mount comprehensive assessments of attachment and family functioning.

Summary

This pioneering programme is tailored to the learning needs of busy health and social care professionals including three main course offerings:

  • MSc Attachment Studies (180 credits) full-time or part-time
  • Postgraduate Certificate in DMM Attachment Based Family Assessment & Intervention: (60 credits) Designed for either individual applicants or for employers to deliver training in the workplace (minium of ten students).
  • Professional Development Courses: Choose from a range of Attachment Studies Short Courses.

The MSc Attachment Studies course provides students with a specific qualification in the assessment of child and adult attachment, parenting and family functioning. Designed for health and social care professionals, our aim is to prepare you to be at the forefront of the next generation of attachment scholars and practitioners.

This course is best suited for professionals who are interested in broadening their skills in assessing attachment, improving the outcome of interventions with their clients and conducting small or large scale research projects. Central to the programme is the Patricia Crittenden’s Dynamic Maturational Model of attachment combined with a culturally sensitive approach uniquely applicable to alleviate the suffering of distressed and traumatised people.

A unique feature of this programme is the opportunity to learn how to apply and conduct a wide range of assessments and procedures for forensic, clinical or research purposes. All students are required to learn to code at least one procedure where you will be able to achieve clinical or research levels of reliability in analysing the results. You can also learn to give and to analyse bio-physiological measures such as cortisol levels, EEG and heart rate variability.

Although this course does not offer therapeutic training, you will be taught by experts in the field to gain the necessary knowledge to formulate intervention plans and select therapeutic approaches that will benefit your clients.

You will gain a comprehensive understanding of attachment theory including the latest developments in the neuroscience of attachment relationships and parenting. Our systemic approach broadens the study of attachment from mothers and infants to the attachment of older children, adults, family systems and the wider social and community networks.

The interdisciplinary focus on both practice and research is invaluable for students interested in a research career in the field of attachment studies. Examples of recent and current PhD students’ research include the development of the Meaning of the Child to the Parent Interview, the physiology of developmental trauma (PTSD) in children, the effectiveness of play therapy with traumatised children, and attachment in chimpanzees reared by humans.

Content

In this course, you will gain a variety of skillsets and knowledge through a substantial coverage of the underpinning attachment theory and research. This includes an understanding of the latest development in the neuroscience of attachment and trauma. You will study core concepts of attachment and Dynamic Maturational Model theory, family systems and object relations theory and primatology.

You will also gain a comprehensive knowledge in learning how to administer a wide range of validated attachment and family assessments applicable for use with adults and children of all ages. Examples of these procedures are:

  • The Strange Situation Procedure
  • Pre-school Assessment of Attachment
  • Narrative Story Stems using the Child Attachment and Play Assessment
  • The School Age Assessment of Attachment
  • The DMM-Adult Attachment Interview 
  • The Meaning of the Child to the Parent (a central part of parenting assessments)

This programme offers innovative modules such as the infant mental health module, research methods and the formulation of intervention plans. The infant mental health module is designed to deepen your knowledge of early years development and includes an introduction to the Infant CARE-Index. You will also observe a young child in a natural setting. Besides observing a traditional mother-child relationship, this assessment module also includes observations of older children, adults, family and wider systems.

The research methods module prepares you to design and carry out single case study or small sample empirical research. You will also be able to learn how to administer and analyse bio-physical assessments such as heart rate variability, cortisol and EGG and eye tracking.

The formulation module teaches you to interpret the results of attachment assessments and select the intervention most likely to succeed with a particular client or family. We also offer a forensic model of assessment designed for use with courts and other decision-making forums.

Modules

Full-time mode (1 year)

Compulsory modules

  • Attachment Theory and Research
  • Research Methods
  • Infant Mental Health
  • Application of Assessments to Clinical and Practice Settings
  • Formulation of Treatment and Intervention Plans
  • Coding and Forensic Application of Assessments 

Compulsory modules (MSc students only)

  • Dissertation

Part-time mode (2 years)

Year 1

  • Attachment Theory and Research
  • Research Methods
  • Infant Mental Health
  • Application of Assessments to Clinical Practice Settings
  • Coding and Forensic Application of Assessments

Compulsory module (MSc students only)

  • Dissertation

Stand-alone Postgraduate Certificate

  • Certificate in DMM Attachment Based Family Assessment and Intervention
  • Attachment Theory and Research
  • Application of Assessments to Clinical and Practice Settings
  • Formulation of Treatment and Intervention Plans

Compulsory and Required modules

Compulsory and/or required modules may change when we review and update programmes. Above is a list of modules offered this academic year.

Optional modules

Optional modules, when offered as part of a programme, may vary from year to year and are subject to viability.

Career options

Our graduates go on to careers in health and social care, or undertake further study in fields such as Clinical Psychology. Students who already have a professional psychology background have been able to launch independent consultancies in social work and psychology.



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At Brighton, we encourage writing that helps readers and writers to understand, shape and connect with the world beyond the classroom. Read more

At Brighton, we encourage writing that helps readers and writers to understand, shape and connect with the world beyond the classroom. Working with professional writers, you will develop your skills to produce and share stories in a variety of genres.

Through creative workshops, you will partner with supportive lecturers and interdisciplinary postgraduate groups to develop advanced theories and practices that relate to the creative writing process. Both people with and without experience of creative writing should consider applying for this course, which aims to prepare you for a career as a freelancer or portfolio worker.

We have fantastic links with local publishers, writers and creative companies and offer a unique salon series where industry experts offer practical advice and insights. In semester two, you will apply your writing and creative practice in a workplace scenario, while being encouraged to work on your own interests and passions.

If you want to share your work, you have the opportunity to do so through our established student-led anthologies and open mic nights, which form part of Brighton's thriving creative scene.

Why study with us?

  • Chance to develop as a portfolio writer and creative practitioner – somebody who can apply good writing to real-world scenarios and work to specific briefs
  • A transformative experience that goes beyond looking to get your first novel published, so you can explore copywriting and publishing while nurturing your passion for storytelling
  • Guest lectures from publishers and professional writers including Mark Radcliffe and Isabel Ashdown, who runs the Prose Fiction module
  • Links with local publishers, writers and creative companies, with placements available across Brighton
  • Theatre visits, open mic nights and exciting events, including a short story slam at Brighton festival and writing workshops in Bucharest
  • Online journal and in-house creative anthology for you to share your work with other students and the wider community

Areas of study

You will be able to tailor your MA studies to reflect an interest in writing practice, literary theory, community engagement or any combination of these.

We identify the range of modules as intrinsic to catering to diverse creative and intellectual needs and understand that triggers for writing and creative practice can stem from a wide range of places and fields of study.

We have specific modules dedicated to engaging students with the wider Brighton community and local creative industries where they will become a writer in residence and work to link their individual creative practice with a professional scenario.

You will be able to identify teaching and learning opportunities that inspire your creative work and apply this to your professional, academic and personal development and planning.

Syllabus

Core modules

  • Practising Rhetoric: The History of Good Storytelling
  • Creative Writing: Craft and Creative Practice
  • Research Skills and Training
  • Dissertation

Optional modules

  • Prose Fiction
  • Creativity module: Placement
  • The Publishing Process
  • Poetry: Theory and Craft
  • Writing the City
  • The Ethics of Fiction
  • Twenty-first Century Literature
  • Performing Gender
  • Knowing Through Writing
  • Holocaust Memory
  • Aesthetics and Philosophy
  • Cultural Theory
  • History Making and the Screen Archive South
  • Grammar and the English Language
  • Memory and Identity in Postcolonial Cultures
  • Cultural Memory in Ireland
  • Gender, Family and Empire
  • Screenwriting
  • Auto/Biographical Narrative
  • Visual Narrative
  • Cultures of Multimedia Authoring and Web Design
  • Critical and Media Concepts
  • Issues and Debates: Introduction to Critical Arts Practice
  • Traditions of Critical Theory
  • Critical Readings
  • Moral Thought and Practice
  • Globalisation and Culture
  • Aesthetics and Philosophy
  • Foundations of Critical Theory
  • Meaning and Truth
  • Discourses of Culture
  • Writing for Academic Publication
  • Literature and Conflict
  • Auto/Biographical Narrative Communication, Memory and Communication

Careers and employability

Our Creative Writing MA will develop your confidence with creative and critical writing and enhance your communication skills, which are highly valued in a range of professions including publishing, teaching, creative industry management, marketing, PR, journalism, health and wellbeing.

The ability to write for an audience is also fundamental for people working with social media and the web, and this course will ensure that you are able to produce writing that will be effective in these and other work-based scenarios.



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This MA gives practitioners and theorists the opportunity to research and develop the new boundaries of image-making made possible by technological change within the context of post-industrial culture. Read more

This MA gives practitioners and theorists the opportunity to research and develop the new boundaries of image-making made possible by technological change within the context of post-industrial culture.

This programme joins theory and practice, equipping you to develop and achieve highly effectively in the new image media culture. Practice uses both digital and analogue technology, still and durational as well as the study and production of interactivity.

The programme allows for specialisation in photography and/or electronic arts – which, in addition to still photography, can include interactive, durational and internet work – but encompasses a broader interpretation of practice.

You'll look at the meaning, production and distribution of images, and the relationship between theory and practice in the context of debates about post-modernism and beyond.

You also participate in enabling sessions in photography:

  • medium/large format cameras
  • portable and studio lighting technologies and their use
  • film technology
  • cinematography
  • digital imaging
  • output systems and processes

and/or in electronic arts:

  • computer and video graphics
  • post-production
  • computer-aided design
  • digital publishing
  • animation
  • animatics
  • 2D and 3D computer animation
  • still and durational image production and manipulation
  • web construction
  • interactivity

There is an MRes which follows the MA into a second year, in order to develop your work/voice. This will count as the first year of a PhD. Find out more about the MRes.

Modules & structure

This programme uniquely joins theory and practice in a way that will equip you with the tools and the vision to develop and achieve highly effectively in the new image media culture. Practice uses both digital and analogue technology, still and durational as well as the study and production of interactivity. 

You will study

  • Photography: Durational & Still; Analogue & Digital
  • Electronic Imagery: Motion & Still
  • Visualisation: Stand-alone & Interactive

The programme draws on a broad range of cultural references and technical practices. It offers the opportunity to take stock of evolving practices and developments in image media culture, and is structured to develop the intellectual imagination within each individual student. This is achieved through a combined study of practice and theory, with extensive instruction through ‘enabling sessions’ which engage technical familiarity; core tutorials; secondary tutorials; Issues in Media and Culture and additional theory course options.

Recognising the rapidly changing definitions and context of these practice areas,and the value/positioning of traditional practices, these categories may also be understood through a variety of practices which involve image construction and presentation both still and durational, including: film/video, animation, interactivity, installations, motion graphics, and hyperspace constructs, as well as evolving new exploratory categories.

The programme provides an opportunity to develop and/or research aspects of visual style, and draw on a broad range of cultural references as well as aesthetic and technical approaches engaged through ‘Practice Theory Sessions’, visiting lectures and the Issues in Media and Culture course. Fundamental to the programme is the space that it creates to make it possible for you to explore, question, change and consolidate your work and your ideas.

Assessment

Original portfolio submission; coursework and essays.

Learning & teaching

Tutorials

This course is interested in the development of the individual voice. To this end, there are two types of tutorial:

  • Core tutorials - which deal with overall development
  • Secondary tutorials - these are tutorials for each specific area of photographic media

Skills

You'll develop specific practice skills to a high level, and the articulation/understanding of the pleasures of media consumption.

Careers

Graduates from the programme are extremely successful, with finalists working commercially, developing as artists or continuing to enlarge their academic knowledge. During the course particular attention is given to the development of the individual voice. This, plus students' exposure to a range of technologies, means that our graduates can step into the arena of their choice, or sometimes of their making.

Here are just some examples of the sorts of careers graduates have gone onto:

  • Art Director
  • Artist
  • Animator
  • Senior Interactive Designer
  • Head of Creative Department
  • Head Technical Creative, Experimental Film and Dance
  • Commercial Photography (fashion, editorial, photobooks, social, advertising)
  • Director (commercial narrative)
  • Director Of Photography
  • Installation Artist
  • Interactive Artist
  • Producer
  • Curator

Find out more about employability at Goldsmiths



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If you are a mental health practitioner, then this course offers an inspiring, creative and enterprising approach to your continuing education. Read more
If you are a mental health practitioner, then this course offers an inspiring, creative and enterprising approach to your continuing education. You will develop your practical mental health skills and sharpen your critical thinking. You'll gain fresh knowledge and evidence-based expertise that meets the demands of contemporary mental health provision.

With a diverse number of modules to choose from, you can tailor the course to meet your learning and development needs whatever your practice area. Delivered part-time, it will fit around your work and personal commitments. You can study a full masters degree, take individual modules that reflect your interests, or choose to take a number of modules toward a Postgraduate Certificate or Postgraduate Diploma, all of which will enhance your professional career.

- Research Excellence Framework 2014: 20% of our research in the Public Health, Health Services and Primary Care unit is world leading or internationally excellent.

Visit the website http://courses.leedsbeckett.ac.uk/mentalhealth_msc

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

If you are a mental health worker, our course - which is designed in collaboration with our partners in health and social care - offers you the opportunity to study for an academic award, develop your mental health practice and enhance your employability.

- Mental Health Practitioner
- Counsellor
- Social Worker

Careers advice: The dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit the careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

Our course is designed to develop your practical mental health skills and equip you with critical thinking skills. We have a large range of option modules to choose from, and our inter-professional, adult learning approach is based on experiential and reflective learning, which will benefit both you and your place of work.

We have a strong track record in education and training with regional, national and international links. We maintain contact with practice areas through honorary contracts as practitioners, service development and implementation consultancy and evaluation.

Core Modules

Contemporary Context of Mental Health & Recovery
Explore the contemporary context of mental health and gain a critical understanding of mental health and mental health practice, with a focus on the narrative and the ethos of recovery.

Understanding & Evaluating the Evidence
Explore different types of information about health and social care and critically evaluate research material from a range of study designs.

Working with Complex Cases in Mental Health Practice
Develop your critical understanding of the theory, research, legal, political and social drivers that are influencing contemporary mental health practice in relation to people considered to be complex cases.

Understanding Social Research & Evaluation
Gain a theoretical, methodological and practical foundation for social research enabling you to act as a social researcher to resolve practice based problems.

Research in Practice (Dissertation)
Produce a substantial research project on a self-selected topic of interest, demonstrating your developmental learning in addition to a variety of academic and practical skills.

Option Modules

Cognitive Behavioural Approaches to Psychosis
You'll be introduced to working with psychosis from a psychological and social perspective. You will develop your critical thinking and skills for working in this area, with particular reference to the skills of cognitive behaviour therapy.

Working with Depression & Anxiety
You will be introduced to current research, theory and guidance for practice, and will be encouraged to develop your existing skills for application in practice.

Applied Counselling Skills in the Workplace
Develop a critical understanding of counselling theories and how counselling as an intervention can be utilised in your practice area.

Foundations of PSI for Psychosis
Engage with contemporary research, theory and policy in the field, and have the opportunity to develop your therapeutic skills by applying them in practice with individuals and their families and carers.

Theory and Practice of Coaching
Develop a critical understanding of coaching theory and how coaching tools and techniques can be utilised in your practice area.

Working with Families & Carers in Practice
Gain a critical foundation in some core theories and concepts to enable you to work with families and carers in your practice area.

Practical Foundations of CBT
Gain a critical understanding of the foundations of cognitive and cognitive behavioural approaches, as well as a reflexive understanding of a range of the theories and skills in practice.

Facilities

- Library
Our libraries are two of the only university libraries in the UK open 24/7 every day of the year. However you like to study, the libraries have got you covered with group study, silent study, extensive e-learning resources and PC suites.

- Clinical Skills Suite
The £1 million suite has been designed to meet the learning needs of a range of health professionals, with specialist equipment in purpose-built rooms enabling a variety of sessions to be carried out in a suitable and safe environment.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

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Explore Emerson's Graduate Programs. Create, challenge, move, and inform through art and expression in our.  MFA in Film and Media Art program. Read more

Explore Emerson's Graduate Programs

Create, challenge, move, and inform through art and expression in our MFA in Film and Media Art program. Here, you’ll work with image and sound, and traditional and emergent media forms. You'll develop an understanding of film, video, audio, and interactive media production—and you will channel this understanding into the creation of multimedia works. To ensure that creative, talented students at every stage of development find a place in our program, we give you the opportunity to apply into the three-phase curriculum at whichever level best matches your experience.  

In this program, you will:

  • Explore a variety of media production genres and develop expertise in the use of media technologies, criticism and theory, and media business
  • Learn from faculty members who are themselves working artists (and whose ranks include Guggenheim and Fulbright fellows) and build a network of creative partnerships that will inspire and support you in your artistic career
  • Use our state-of-the-art facilities and immerse yourself in your specific area of interest, producing an ongoing body of work within a collaborative, creative environment

Whether you want to explore film, documentary, fiction narrative, experimental media, animation, installation, interactive art, or sound design, we will give you the tools, skills, and experience you need. Cultivate your creative voice. Apply to our graduate program in Film and Media Art today.

Program Summary

The MFA in Film & Media Art program seeks talented and ambitious students at all levels offering three entry points.

Our unique program provides students of all levels with the opportunity to develop as engaged and versatile creative professionals and media artists. Students will work with image and sound to entertain, inform, persuade, and challenge, using both traditional and emergent media forms. They will develop an understanding of the disciplines of film, video, audio, and interactive media production, bringing this understanding to bear on traditional and convergent media works.

The MFA in Film and Media Art is a terminal degree for students who wish to pursue careers as media production professionals and artists, or who want to teach at the college or university level. Students are able to explore a variety of media production genres—computer animation, documentary, experimental media, fiction narrative, installation, interactive art, and sound design—with a degree program that provides foundational knowledge in the use of media technologies, theory, critical and historical context, and media business while offering a set of courses of advanced training and mentorship in their specific area of interest.

Our program has three distinct entry points and varies in length from 2-3 years depending on which phase of the program you begin in. This approach allows us to welcome creative students at any stage of development. Once you are admitted to the program, the Graduate Program Director will work with you to create a custom curriculum based on your unique needs.

We have a place for all creative film and media artist­­s - whether you are new to the field and need to build a strong foundation before beginning your thesis project, or you are ready to dive right into thesis production. Take the next step and apply today! 

Curriculum Overview

There are 3 distinct phases to the program to help students acquire the specialized skills and creative resources required for the collaborative nature of production work. Students in the Film and Media Art program study the history and critical theories that provide the foundation for their work, so as to understand the context of their creative output and to be able to evaluate its effectiveness.

Students will have the opportunity to apply for advanced standing during the admissions process. Advanced standing will allow a student to begin the program in either Phase II or Phase III.

Phase I – Foundational (6 semesters; 64 credits)

Most students will begin the program in this phase. It builds a solid foundation in the first semester in theory and history and an intensive introduction to writing and production skills in a variety of media platforms.

Phase II – Intermediate Practitioner (5 semesters; 52 credits)

After meeting with the Graduate Program Director, students will develop a customized plan of study that allows for artistic exploration while developing the technical proficiency to undertake their thesis project.

Students will begin to focus in one or more areas of media production, computer animation, documentary, experimental media, fiction narrative, installation, interactive art, and sound design or an individualized hybrid form.

For example, a student pursuing professional and artistic development as a documentary filmmaker could take the History of Documentary seminar and the Documentary Workshop and Advanced Documentary courses. Electives and directed study in advanced production (e.g. cinematography, producing, editing and interactive media) are also available, so the aspiring documentarian could also opt to take courses in interactive media and computer animation.

Phase III - Advanced practitioner (4 semesters; 40 credits) 

Students in Phase III come ready to begin working on their thesis project. Students meet with their program advisor to select courses that support their thesis work as well as their specific learning needs. In addition, students concentrate on developing their artistic vision through the thesis proposal process while building new skills and learning advanced production techniques. The MFA Production Workshop is a key component to the program and provides students with support in producing an ongoing body of work within a collaborative, creative community. In the MFA Production Workshop, students present works-in-progress to their peers and faculty for critiques.

Once you have completed your thesis project, all students take part in a public screening of MFA works for the year. This is the last MFA requirement and a celebration of student achievements.



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Our researchers are internationally recognised experts in their fields, with three quarters of their research rated world leading, internationally excellent or internationally recognised in the latest Research Assessment Exercise. Read more

Our researchers are internationally recognised experts in their fields, with three quarters of their research rated world leading, internationally excellent or internationally recognised in the latest Research Assessment Exercise.

The Hispanic Studies division was rated 5A in the most recent Research Assessment Exercise.

Supervision is provided in the major areas of Spanish, Spanish American and Portuguese literary and cultural studies. Members of staff have research interests in the following fields: Medieval: modern literary theory as applied to medieval texts; mythology and fantasy; oral literature; questions of transmission and textual criticism; Golden Age: Cervantes and the development of fiction; political and social thought; theatre; European Baroque culture; Modern Peninsular: Generation of 98; modern and contemporary fiction; narrative forms; Spanish American and Brazilian: Argentinian culture; women writers; gender, sexuality and representation; and theory.

Training and support

We offer supervision in the major areas of Spanish, Spanish-American and Portuguese literary and cultural studies, with particular research strengths in the 19th century, theatre of all periods, and the visual arts.

Thanks to the breadth of language research undertaken within the graduate school here at Edinburgh, we can also accommodate an interest in cross-cultural research with a programme of joint supervision.

Our staff pursue a diversity of research interests, offering you a wide choice of areas for study. Research staff have interests in the following fields:

  • Cervantes and the development of fiction
  • European Baroque culture
  • gender, sexuality and representation
  • Golden Age
  • medieval (modern literary theory as applied to medieval texts)
  • modern and contemporary fiction
  • modern peninsular: generation of ’98
  • mythology and fantasy
  • narrative forms
  • oral literature
  • political and social thought
  • questions of transmission and textual criticism
  • Spanish American, Brazilian and Argentinian culture
  • the essay and newspaper columns
  • theatre
  • women writers

Facilities

You will have access to the impressive collections of the University’s Main Library, in addition to the nearby National Library of Scotland and its outstanding collection of early modern Spanish material.



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The Postgraduate Certificate of Special Study in Supporting Learning is a one-semester 20-credit module at level 7 (Masters level). Read more
The Postgraduate Certificate of Special Study in Supporting Learning is a one-semester 20-credit module at level 7 (Masters level). It is designed for colleagues in the University of Westminster (or teaching on University of Westminster programmes in partner colleges) who have a role in teaching/supporting the learning of students at the University of Westminster, but who do not have the full role of an academic member of staff. You might be interested in the module if you are for example:
-A research student or research fellow who tutors or demonstrates to students or who runs a seminar group
-A visiting lecturer with only a small teaching load
-A librarian or careers advisor who does face-to-face sessions with groups of students
-A member of the technical staff who supports students in the studio, laboratory or computer suite

It is normally necessary for you to have at least 15 hours of supporting student learning during the semester in which you would take the course.

The course is delivered by educational development specialists in the Department of Leadership and Professional Development (Westminster Business School), and led by Jennifer Bright. The educational development team supports the University in a range of teaching and learning developments, including the Postgraduate Certificate in Higher Education (PGCHE), which is a course for new and established academic staff.

The module aims to help you enhance your students’ learning by helping you to gain an understanding of effective learning design, planning and student engagement, and further aims to encourage a culture of quality enhancement in teaching and supporting learning.

Course content

You will be encouraged to consider current thinking in pedagogic practices in relation to designing, delivering and supporting student learning in HE through a reflective process using multiple feedback sources. The module activities will include evaluating the nature of the student learning experience in your own context, an observation of your own teaching/supporting learning activities (and that of others) and an investigation of relevant literature/theory.

Modules

The following modules are indicative of what you will study on this course.

Module topics and themes supporting this process include:
-The scholarship of learning and teaching and linking teaching and research
-Reflective practices and using student feedback for evaluation and development
-Threshold concepts, graduate attributes and signature pedagogies
-Session design and peer observation of teaching
-Learning design, sustainability and ethics
-Managing the learning environment
-Using technology to enhance student learning
-Student-centred and activity-based learning
-Facilitating student learning in different subject contexts and in face to face and online environments
-Facilitating one to one, small group and whole group learning
-Inclusive practices and using student diversity as a resource
-Personal and professional development planning

Teaching and learning methods used

-Work-based learning including teaching/supporting learning practice (15 hours minimum)
-Observation of your practice as well as your observation of the practice of an experienced peer
-On-line learning of approximately four hours per week
-Self-directed study and recording of on-going reflections on practice for reflective narrative-building and assessment, together with teaching observations and professional practice conversations with your subject mentor or educational development tutor, will comprise the remaining hours of this 20-credit module

The sessions will all take place on-line; however, when your teaching/supporting learning session is observed, your tutor will go to the location in which you work. (If you are teaching outside the University of Westminster, you will need to arrange for a tutor from your own institution to observe you.) There will also be a face-to-face Induction session which you will be invited to attend.

Assessment

Assessment is wholly coursework based; there are no examinations.
-The assessment will include formative piece of work that is compulsory but ungraded and which is submitted for feedback
-The final assessment is a reflexive narrative that integrates theory and practice supported by practice-based feedback from different sources. These will include two teaching practice observations by an experienced peer in your workplace (one of which may be a WEx tutor) plus your observation of an experienced peer.

The narrative will provide a place for you to evidence your continuing professional development in teaching and supporting learning.

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This Pathway in English Literature considers the relationship between literatures from a variety of historical periods. Register your interest. Read more

This Pathway in English Literature considers the relationship between literatures from a variety of historical periods.

Register your interest

Apply now

The English Literature MA pathway is ideal if you don’t wish to be confined to a specific period or disciplinary area. It asks fundamental questions about our ideas of literature and how these might have changed over time.

The pathway’s compulsory module, ‘The Production of Texts in Contexts’, opens up these questions by looking at a broad array of literature from a variety of historic periods. It considers how innovations in printing and publishing have affected writing, and asks to what extent political and social change conditions and defines authorial identities and practices.

Apart from the compulsory core module briefly described below, students taking the generic English Literature pathway can freely choose their remaining three modules from all the other existing pathways and thus sample different topics from different periods. Below are additional links to those pathways that allow you to see the rich variety of staff research interests and specialisms.

The Production of Texts in Context

The Production of Texts in Context is a trans-historical module that ranges across many different literary periods from the early middle ages to the present day. The module is team-taught so students experience teaching by ten to eleven different staff members, each of whom presents a topic related to their own particular interests and period specialisms. The teaching team and the topics represented vary from year to year according to staff availability, with recent topics including Ballad and Carol (Alfred Hiatt), The Making of Paradise Lost (Joad Raymond), The Eighteenth-Century Newspaper (Chris Reid), Victorian Serialised Fiction (Matt Ingleby), Experimental Writing and Early Twentieth-Century Publishing (Scott McCracken), The Coming of Age Novel in Global Literature (Charlotta Salmi), Book Prizes and Literary Production (Huw Marsh), and Contemporary Graphic Narrative (Sam McBean). For the essay assignment students pick a subject relating to one of the topics and can seek advice from the relevant staff member. There is also a designated member of staff who acts as module convenor, sits in with students on the weekly seminars, and is able to offer general help and guidance.

Compulsory modules:

You also choose one of the following

Researching Modern CultureLondon Panoramas: Research, Culture and the Long Eighteenth Century, or The Material Text, 1300-1700

Option modules:

You choose three modules from a wide-ranging list of options that changes from year to year. 

In 2017-2018 we hope to offer the following. If members of our specialist research staff win research funding it will mean that their module won’t run, so for that reason this list is indicative only. 

Students may also opt to take a cognate elective module offered by the Schools in the Faculty of Humanities and Social Sciences and by other Colleges of the University of London. 

In addition to taught modules, we run a range of research seminars to which all MA students are invited. Some of these are linked to our interdisciplinary Research Centres, such as the Centre for Eighteenth Century Studies, the Centre for Religion and Literature in English and the Centre for the History of the Emotions. Others are collaborations with other institutions, such as the London-Paris Romanticism Seminar. With visiting speakers from across the world, these seminars are an opportunity to meet other postgraduate students and members of staff and to learn about the latest developments in research.



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