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Masters Degrees (Music Education)

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The Music Education MA will introduce students to research and research-informed practice at the forefront of music education. The programme will provide tools for interrogating musical and educational assumptions, values and practices. Read more
The Music Education MA will introduce students to research and research-informed practice at the forefront of music education. The programme will provide tools for interrogating musical and educational assumptions, values and practices. It will help students to expand their understanding of effective music teaching, evaluation and assessment across the lifespan.

Degree information

Undertaking the Music Education MA programme will allow students to develop their critical thinking and ability to interrogate current educational research, literature and practice in the overarching fields of music and music education. They will also have the opportunity to pursue specialist lines of enquiry that are related to their own professional and/or academic interests, working alongside prominent academics in the field.

Students undertake modules to the value of 180 credits.

The programme consists of two core modules (60 credits), and either two optional modules (60 credits) and a research dissertation (60 credits), or three optional modules (90 credits) and a report (30 credits).

Core modules - the two core modules are founded on three strands in the study of music education: philosophy, psychology and sociology. These include historically-significant and cutting-edge contemporary approaches, theories and philosophies across a wide range of topics.
-Disciplines of Music and Music Education Part I
-Disciplines of Music and Music Education Part II

Optional modules - the Critical Studies in Music Pedagogy and Practice module examines past and present music education research and practice across a range of social and cultural contexts. Music Technology in Education provides students with opportunities to engage with published commentary and also develop practical skills. Choral Conducting, Leadership and Communication develops the skills of effective choral conducting and rehearsing in educational contexts. Students choose from a range including:
-Critical Studies Music and Music Education
-Choral Conducting Leadership and Communication
-Music Technology in Education

Please note: at the programme leader's discretion, a student might be able to import a maximum of 60 credits.

Dissertation/report
All students undertake an independent research project, which culminates in a 20,000-word dissertation or 10,000-word report.

Teaching and learning
The main mode of delivery is through a combination of weekly lectures and seminars. There are ten-week lecture courses for the two core modules, and also for Critical Studies in Music Pedagogy and Practice (optional module), with sessions held in the evenings at the UCL Institute of Education. However, the Choral Conducting Leadership and Communication optional module takes place over five full days at the UCL Institute, as well as through additional student-led sessions. Students are also required to engage actively with UCL's online learning environments across the programme. The Music Technology in Education optional module is delivered online. All students are entitled to face-to-face tutorials with their allocated tutors.

Assessment is predominantly through a written assignment for each taught module.

Careers

Graduates of this programme are currently working as:
-Advocates for the arts.
-Arts, health and wellbeing therapists.
-Composers.
-Doctoral and post-doctoral researchers.
-Freelance music teachers.
-Further Education lecturers.
-Music education hub managers.
-Music teachers in primary and secondary schools.
-Performers.
-Primary music co-ordinators.
-Producers.
-University lecturers.

Top career destinations for this degree
-Primary School Class Teacher (Music), Starks Field Primary School.
-Secondary School Teacher (Head of Music Department), Pimlico Academy.
-Secondary School Teacher (Music), Norbury Manor Business and Enterprise College for Girls.
-Secondary School Teacher (Music), Old Palace of John Whitgift School.
-PGCE Secondary Teaching (Music), Middlesex University.

Why study this degree at UCL?

The Music Education MA at UCL is the only postgraduate programme of its type in the UK, and one of the largest recruiting in the world, that is dedicated to music education.

The programme is taught by leading academics with current and extensive expertise in externally-funded research. Research and publications from our lecturers has significant impact on educational policy and practice both in the UK and internationally. This informs learning and teaching on the programme whilst fostering the development of a research-based culture. Many of our students pursue further study at doctoral and post-doctoral level.

Our programme meets the needs of a wide range of professionals from across the international communities of music and music education. Our alumni have been and continue to be leading figures in education worldwide.

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A letter of intent written by the applicant expressing professional goals as applied to the program. Submission of two letters of recommendation, using the required recommendation form. Read more
• A letter of intent written by the applicant expressing professional goals as applied to the program.
• Submission of two letters of recommendation, using the required recommendation form.
• Submission of an essay or college-level paper.
• A video of the candidate teaching a class or coordinating a rehearsal. Candidates may also submit a live or video audition on the candidate’s primary instrument.

E-mail: • Phone: 315-267-2165

Visit http://www.potsdam.edu/graduate to view the full application checklist and online application.

The Master of Music in Education at the Crane School of Music is one of the largest music teacher preparation programs in the world. Crane-prepared music teachers are sought after by schools everywhere. For years, our students and faculty have held lead- ership positions in local school districts, as well as in state and national organizations that shape our nation’s musical future. The program strives to assist teachers to become reflective practitioners, lifelong learners, and persons able to integrate their knowledge of subject matter, pedagogy, students, the school and the larger community to maximize the education and welfare of students. Program start dates: Summer, Fall, Spring.

Required Program Courses

Option A: Minimum of 30 credit hours, with Thesis
MUCE 601, Philosophies and Issues in Music Education
MUCE 608, Curriculum Development in the School Music Program
MUCE 699, Thesis/Graduate Research Project in Music Education
MUCE XXX, Music Education Elective
MUCE XXX, Music Education Elective
MUCH 611, Introduction to Graduate Studies
MUCH XXX, Music History/Literature Elective
MUCT XXX, Music Theory Elective
MUC XXX, Music Content Course (not Music Education)

Option B: Minimum of 30 credit hours, without Thesis
MUCE 601, Philosophies and Issues in Music Education
MUCE 608, Curriculum Development in the School Music Program
MUCE XXX, Music Education Elective
MUCE XXX, Music Education Elective
MUCH 611, Introduction to Graduate Studies
MUCH XXX, Music History/Literature Elective
MUCT XXX, Music Theory Elective
MUC XXX, Music Content Course (not Music Education)
Two free electives: 6 credit hours

The GRE Exam (or equivalent) is required for all teacher preparation program candidates who are seeking certification (for applicants seeking admission for Fall 2015 forward). All other graduate programs, including non-certification options, do not require this exam. More information on the GRE exam can be found by visiting http://www.gre.org. SUNY Potsdam’s code for sending score reports is 2545.

Uniqueness of Program

Making music is at the heart of every Crane degree program. Our philosophy is that all our students are first and foremost musicians. The Crane School of Music was founded in 1886 and was one of the first institutions in the country to have program dedicated to preparing specialists in teaching music in the public schools. Crane is proud to have many of the finest music educators, scholars and performers in the United States as members of the faculty, all working to make Crane a vital, innovative and exciting place.

Testimonials

“The Crane School of Music is a unique community. It provides a focused and serious environment to grow as an artist while remaining extremely supportive. It was an ideal place for me to develop musically while forging lifelong professional relationships.” —Christopher Still ’93

“Crane provides the full package for students by offering degree programs in just about every area of the music world. There are ample opportunities to perform weekly in a great atmosphere. Performing is fully supported by a wonderful staff of teachers. Crane really prepares you to be successful.” —Mark Sophia ’12

“The degree programs at Crane provide a full and rich education in music and the liberal arts. I’m convinced this balanced and thorough curriculum laid the groundwork for the success I’m now enjoying in my life and career.” —Richard Regan ’91

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This course is designed to enhance the knowledge, skills and understanding of both current and prospective music educators. Read more
This course is designed to enhance the knowledge, skills and understanding of both current and prospective music educators. It provides a unique opportunity for students from all over the world to investigate the UK system of music education, consider major issues in international music education research and undertake a comparative study of music education practices across different cultures.

Key features
-You can tailor the course to your own interests by selecting one option module from a wide range of music topics.
-The core modules will develop your research, project planning and development skills in preparation for your major project, and you will receive guidance from a specialist tutor.
-The curriculum is enriched by our eclectic view of musical styles and genres, exploiting the diversity of a repertoire that encompasses Western classical music, popular and world musics.

What will you study?

You will develop and implement a musical project within an educational environment and undertake a substantial research project on a topic of your choice. Alongside this core study, which encompasses key research issues in music as well as in music education, you can choose from a variety of option modules and develop new skills to exploit in your own teaching.

You will have the opportunity to develop and enhance your skills as a practitioner by devising, delivering and evaluating a music education project. As part of the broader musical community, you will be able to further enhance your performance skills by participating in some of the many University ensembles.

Assessment

Assessment includes essays, critiques, position papers, practical projects, presentations, research papers and a dissertation.

Course structure

Please note that this is an indicative list of modules and is not intended as a definitive list.

Core modules
-Constructing Music Education in the UK
-International Music Education: Psychology, Culture and Philosophy
-Major Project
-Researching Music

Optional modules
-Advanced Production of Popular Music
-Composing and Marketing Popular Music
-Critical Reflection on Musical Performance
-Special Study: Arranging and Scoring
-Techniques and Technology for Composing for Film and Television
-Current Debates in Music Education
-Jazz Studies
-Performance Studies
-Live Performance Technologies
-The Psychology of Music
-The Studio Musician

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The Department of Arts Education and Physical Education in association with the Department of Music offer this specialised MA degree in Music Education. Read more
The Department of Arts Education and Physical Education in association with the Department of Music offer this specialised MA degree in Music Education. The degree involves an exploration of music teaching and learning processes from a range of social science perspectives and involves interdisciplinary studies in Education, Music and other related fields.

Who the course is for?

Anyone with an interest in music education including:

• Teachers (at primary, post-primary and music school/college levels)
• Policymakers
• Community/outreach workers
• Curriculum support personnel
• Professional/community musicians

What is the programme?

Taught modules will include guided studies in the following areas:
• Foundation Disciplines of Music Education
• Aesthetics and the Philosophy of Music Education
• Theories of Music Performance
• Psychology of Music
• Creativity and Music
• Music and Culture
• Developmental Theories of Music
• Sociological Perspectives on Music Education
• Principles and Practices of Research in Education
• Conceptions of Music Education
• Critical Perspectives on Music Teaching Methodologies
• Programme and Curriculum Design for Music
• Assessment and Evaluation in Music Education
The MA programme includes a student-directed Practicum module that caters for the professional and artistic interests of course participants.

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The Sydney Conservatorium of Music places a high emphasis on its research activity. We have a vibrant and diverse community of staff and students, many of whom enjoy exceptional careers worldwide as both performers and scholars in the finest musical company. Read more
The Sydney Conservatorium of Music places a high emphasis on its research activity. We have a vibrant and diverse community of staff and students, many of whom enjoy exceptional careers worldwide as both performers and scholars in the finest musical company.

The Master of Music (Music Education) is a two year full-time or four year part-time degree which aims to foster research skill development in areas of music education through research seminars and the writing of a thesis.

The first stream of study is a semester based series of two seminar topics selected from a range of fields relevant to music teaching and learning, including: Foundations of Music Education; Comparative Music Education; Curriculum Design; Technology in Music Education; Multicultural Studies; Sociology of Music Education; Musical Ability and Psychology of Music. A concurrent research stream provides instruction in research methodology and underpins the writing of a thesis, which is the major component of the degree.

To ask a question about this course, visit http://sydney.edu.au/internationaloffice/

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The aim of the Master’s degree program is to provide graduates with outstanding levels of artistic, scientific, didactic and social/communicative competence, thus ensuring that they are equipped with the best possible qualifications for the music education profession at public and private institutions (e.g. Read more

Course Aims and Mission Statement

The aim of the Master’s degree program is to provide graduates with outstanding levels of artistic, scientific, didactic and social/communicative competence, thus ensuring that they are equipped with the best possible qualifications for the music education profession at public and private institutions (e.g. music schools, conservatories, higher education institutions and universities). Graduates will also have the necessary prerequisites and skills for organisational, advisory and executive/managerial activities in the cultural and media sectors (concert venues, theatres, museums, artists agencies, publishers, radio, etc.).

Building on the abilities and qualifications acquired in the bachelor studies, students of the Master's degree enter a process of intensified research and realisation of musical education concepts, especially those in the field of Jazz and Popular Music. This also extends to include their own individual artistic work and consequently these varied aspects are brought into broad and interdisciplinary discourse of institute research through team and project work (e.g. Master’s project and Laboratories for Music Research).

In this sense, the already acquired abilities of the students are further deepened and highly professionalised. At the same time, the open-ended research activities of the Master's program serve as free spaces for thought and work in which students from different backgrounds and origins encounter each other through research. They can also share and exchange their own thoughts and approaches and develop their work together, even beyond the horizon of one's own experience.

In order to make the research work visible to the outside world and to bring it into a public discussion, concert events, symposia, sound and video recordings, various internal institution publications and external partners are actively promoted. This provides the students with an important basis for continuing Career Orientation and Professionalisation, but it is also part of JAM MUSIC LAB University’s general contribution to the advocacy of ongoing conscious perception of artistic production. This also encompasses reflection on a wide variety of aspects that are linked with society and the facilitating of related dialogues.

Structure of Studies

The Master’s degree consists of four semesters and is divided into two degree programme stages of two semesters each. (Please refer to the core application, Chapters 3 and 4, and the descriptions and specifications contained therein regarding Research)

MA 1st Programme Stage (MA Expertise Level 1: Project Planning Research) Semesters 1-2:

1st Programme Stage allows the students to plan, organise and begin the initial implementation of the upcoming work as part of the Master’s project. The artistic, research-related and organisational challenges of the project are discussed in consultation with the respective supervisors of the Master's projects, or where relevant, with the major artistic subject (MAS) teachers. As part of the collaborative process, a related action plan and a project plan for implementation will be identified. A recommendation with regard to the compulsory electives that are to be covered is also provided for the best possible support for the Master’s project.

With the involvement and close coordination of MAS teachers, Master’s project teachers and the respective scientific director, the planning of the Master’s project is completed according to following standardised categories:

- Definitive formulation of the area of interest regarding research and knowledge - Indication of the methods of scientific or artistic work - Defining of the time frames of the work process up until completion - Coordinating and broadly defining adequate compulsory and free-choice electives in the context of the Master’s project

Coinciding with this as part of the Master’s degree, students continue to further deepen musical and artistic expertise in theory and practice, as well as intensified research. A presentation given by the students on the progress and development of the Master’s project and the written Master’s thesis at the end of semester 2 decides on the progression to the 2nd Programme Stage.

MA 2nd Programme Stage (MA-Expertise Level 2: independent scientific/artistic work and research) Semesters 3-4:

Students finalise their Master’s project regarding independent work and organisation. Musical and artistic expertise in theory and practice, as well as related research, are brought to a higher degree of professionalism in preparation for the upcoming Master's examination. A successfully completed Master's examination at the end of the 4th semester demonstrates outstanding qualifications in the respective main artistic subject (MAS), the ability to independently and effectively realise musical/artistic production and research, as well as a distinct expertise in project management and communication.

Examinations

Committee Examination Depending on the type of examination, the board would consist of at least two to a maximum of six examiners and one chairperson. The appointing of personnel for various boards are set up by the relevant bodies of JAM MUSIC LAB and published internally within the institute.

Entrance Examination:
The basic prerequisites for enrolment in the Master’s degree program are a completed Bachelor's degree or an equivalent degree from a recognised Austrian or non-Austrian postsecondary education institution, the successful completion of the admission examination and the availability of a study place.

An application for the admission examination of the Master's degree must be applied for in writing, which should include the following: a curriculum vitae, a motivation letter and an synopsis of the planned content of the artistic and research work.

Admission into the Master’s degree course relies strongly on excellent musical proficiency in the MAS and professional suitability for the area of independent artistic production and research of educational concepts. The same criteria must be demonstrated in the course of the entrance examination through an artistic/musical presentation followed by a verbal presentation of the submitted synopsis.

Details on examination requirements and content are defined by the relevant bodies of JAM MUSIC LAB University and published on the Institute's website (Please see the details in the core application, Chapter 3.7.4, Examination and Examination Methods, Admission Examination for Bachelor and Master Studies).

MA Degree Examination:
The committee examination is carried out at the end of the 2nd semester of the Master’s degree and serves to verify the students' studies thus far and serves to verify the status quo of the Master’s project and ongoing work. The students present the progress of their work and explain the planned steps towards successful and timely completion. The content and the appropriate form of the presentation – be it an artistic presentation, verbal lecture etc. – are chosen by the students and to be submitted in writing in advance. The presentation itself is followed by a critical questioning of the candidate by the examination board. Students who register on time and have sufficient study success are admitted to the examination. Examinations are determined by the relevant bodies of JAM MUSIC LAB University and published on the Institute's website. A Lesson Demonstration Examination is an integral part of both the degree and the Master's examination and contains the following specifications:

MA Lesson Demonstration Examination:
The Lesson Demonstration Examinations certify the necessary level in expertise for teaching practice. They are permitted to cover the following areas: Preliminary Lesson Demonstration MAS (single or group lessons), ensemble lessons, music theory, aural training, music history, and possibly other scientific areas as well. The performance requirements and objectives for the students in the course of the respective Lesson Demonstration examination are determined and then publicly published. The Examination Board has to advise and decide on the guidelines for defined assessment criteria (Please refer to the detailed information in the core application for further details: Chapter 3.7.4, Auditing and Examination Methods).

Master’s Examination:
The Master’s examination with exam committee consists of two practical parts (internal examination, which includes a lesson demonstration examination, and an external/public examination concert of about 45 minutes each) and an oral part in the form of a defence of the written Master's thesis. The defence consists of an approximately 30 minute verbal presentation of the submitted work, followed by a subsequent critical questioning of the candidate by the examination committee.

Students who register on time and have sufficient study success are admitted to the examination. Examinations are determined by the relevant bodies of JAM MUSIC LAB University and published on the Institute's website.

Prospective Professional Fields and Qualifications after Master’s Degree

As music educators and musicians, graduates have outstanding artistic and professional qualifications and social competence to pursue teaching and research activities at public and private institutions (e.g. music schools, conservatories, higher education institutions and universities), and to compete in the current international professional reality. In addition to their core activities as music educators in the field of music education institutions, they can also work in other active areas of professional music, art and culture mediation for all ages and target groups. As performers and creative musicians they can also work freelance as part of their own projects, as soloists and/or as ensemble members in various musical groups and orchestras focusing on Jazz, Pop, Rock, theatre, musicals, TV programs, film music etc..

In addition to their expertise in the areas of music education, artistic production, performance and research, which is tied to the practical experience gained by interacting with areas such as project management and public relations as part of the Master’s degree, graduates now have best possible prerequisites for organisational, pedagogical, advisory and executive activities in cultural enterprises and media (e.g. concert venues, orchestras, theatres, museums, artists agencies, publishers, administration of music education institutions, radio, print media, etc.).

Awarding of the degree “Masters of Arts in Music Education”

The academic degree "Master of Arts in Music Education" is awarded after completion of the Masters's examination and all prescribed lectures before the annual graduation ceremony of JAM MUSIC LAB University, which concludes the summer semester. The corresponding document can be produced in either German or English.

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This 30-credit Postgraduate Award in Educational Studies takes a critical look at issues arising from recent developments in research, policy and practice. Read more
This 30-credit Postgraduate Award in Educational Studies takes a critical look at issues arising from recent developments in research, policy and practice. Drawing on music education research, national reports and experience in a variety of contexts this module examines issues that arise from the fast-changing scene. These issues are relevant to the work of music teachers in both primary and secondary schools.

The course's focus is on coming to a better understanding of a range of tensions that frame the practice of musical learning and teaching in schools. As well as drawing on research to better understand the nature of these tensions, time will be spent working on a collaborative, small-scale research-based task that aims to examine a chosen issue within a local context.

Visit the website: http://www.ice.cam.ac.uk/component/courses/?view=course&cid=15962

Course detail

Aims of the programme:

- To become clearer about the role of music in 21st century schools;
- To explore tensions between national and local policy, pedagogic approaches and learners' musical practices;
- To better understand the kind of knowledge and understanding with which musical education might be concerned;
- To examine the role of musical provision beyond the school gates;
- To consider whether it is possible for a music education in school to be inclusive.

Format

Themes covered will include:

- the music teacher and creativity
- informal and formal musical learning
- processes of music-making
- the musical classroom, the teacher and the learner
- inclusive music education
- music education, culture and society.

Assessment

1 x 4,000 word essay

Students receive written comments on their assignments and informal feedback throughout the course (including through supervision).

How to apply: http://www.graduate.study.cam.ac.uk/applying

Funding

Sources of government funding and financial support (including Professional and Career Development Loans): https://www.gov.uk/browse/education/student-finance

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The Master of Music in Music Education (Music Technology Option) is designed to provide certification in music technology as recommended by Technology in Music Education (Ti:ME). Read more
The Master of Music in Music Education (Music Technology Option) is designed to provide certification in music technology as recommended by Technology in Music Education (Ti:ME). To complete requirements for the degree and TI:ME certification requires a ten credit hour concentration (10):

• MUE 591 (3) Introduction to Notation, Sequencing, and Electronic Instruments
• MUE 592 (3) Introduction to Internet, Multimedia, and Computer Assisted Instruction
• MUE 598 (3) Curricular Integration of Music Technology
• MUE 593 (3) Notation or MUE 594 (2) Sequencing
• MUE 595 (3) Interactive Internet or MUE 596 (3) Multimedia Authoring or MUE 597 (3) Digital Media

All students in M.M. programs in music education also must complete a comprehensive exit examination.  Students not holding Level I Certification in music education must complete prerequisite undergraduate work prior to admission into a graduate program that requires Level I Certification.

Please visit the website for more information about the course curriculum:

http://catalog.wcupa.edu/graduate/school-of-music/music-education/music-education-mm-music-technology-concentration/

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UBC graduate programs in Music Education are designed to meet a variety of needs and interests, including those of the busy professional teacher, the researcher, the administrator, the curriculum developer, and the future university professor. Read more

Program Overview

UBC graduate programs in Music Education are designed to meet a variety of needs and interests, including those of the busy professional teacher, the researcher, the administrator, the curriculum developer, and the future university professor. Specializations include conducting, music pedagogy, early childhood music, curriculum development, cultural studies, music and media studies, music and related technologies, and teacher education.

Music Education faculty members have a wide range of research interests and specialties, using methods that are both qualitative (based in philosophy, history, psychology, sociology, arts-based educational research, and a/r/tography) and quantitative (involving quasi-experimental research, survey research, and large-scale multivariate designs). Courses across the university are also available to our graduate students, and cross-faculty inquiry is actively encouraged.

Quick Facts

- Degree: Master of Arts (research-based), Master of Education (course-based)
- Specialization: Music Education
- Subject: Education
- Mode of delivery: On campus
- Faculty: Faculty of Education

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The Master of Music in Music Education (Orff-Schulwerk Option) is designed to provide certification in Orff-Schulwerk as recommended by the American Orff-Schulwerk Association. Read more
The Master of Music in Music Education (Orff-Schulwerk Option) is designed to provide certification in Orff-Schulwerk as recommended by the American Orff-Schulwerk Association. To complete requirements for the degree and AOSA certification requires an eighteen (18) credit hour concentration:

Level I: MUE 570 (2) Basic Musicianship, MUE 571 (1) Recorder, MUE 572 (1) Movement
Level II: MUE 573 (2) Basic Musicianship, MUE 574 (1) Recorder, MUE 575 (1) Movement
Level III: MUE 576 (2) Basic Musicianship, MUE 577 (1) Recorder, MUE 578 (1) Movement

Additional Courses: MUE 579 (1) Recorder Ensemble, MUE 580 (1) Movement, MUE 581 (1) Instrumentarium Practicum

All students in M.M. programs in music education also must complete a comprehensive exit examination.  Students not holding Level I Certification in music education must complete prerequisite undergraduate work prior to admission into a graduate program that requires Level I Certification.

For more detailed information about the course curriculum, please visit the website:

http://catalog.wcupa.edu/graduate/school-of-music/music-education/music-education-mm-orff-schulwerk-concentration/

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The Master of Music in Music Education (Kodaly Methodology Option) is designed to provide certification in Kodaly Methodology as recommended by the Organization of American Kodaly Educators. Read more
The Master of Music in Music Education (Kodaly Methodology Option) is designed to provide certification in Kodaly Methodology as recommended by the Organization of American Kodaly Educators. To complete requirements for the degree and AOSA certification requires an eighteen (18) credit hour concentration:

• Level I: MUE 560 (2) Musicianship Training, MUE 561 (2) Methodology
• Level II: MUE 562 (2) Musicianship Training, MUE 563 () Methodology
• Level III: MUE 564 (2) Musicianship Training, MUE 565 (2) Methodology

Additional Courses: MUE 566 (2) Kodaly Conducting, MUE 567 (2) Kodaly Folk Song Analysis, MUE 568 (2) Kodaly Games and Materials, MUE 569 (1) Kodaly Final Project

All students in M.M. programs in music education also must complete a comprehensive exit examination.  Students not holding Level I Certification in music education must complete prerequisite undergraduate work prior to admission into a graduate program that requires Level I Certification.

For more information about the course curriculum, please visit the website:

http://catalog.wcupa.edu/graduate/school-of-music/music-education/music-education-mm-kodaly-concentration/

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The Master of Music in Music Education (Performance Option) is designed for those who can demonstrate appropriate performing ability. Read more
The Master of Music in Music Education (Performance Option) is designed for those who can demonstrate appropriate performing ability. The option is not intended to replace the opportunities for experience in Graduate Recitals which continue to be a part of the Applied Music performance degree program. In addition to four credit hours in applied music as part of the core requirements for the M.M. in Music Education degree, a research component consisting of MUE 698 (1) Performance Research, VOI/PIA/AIM 696 (1) Recital to be taken with applied lessons, Applied lesson to be taken with VOI/PIA/AIM 696.

Learning Outcomes

• Content and Pedagogical Specialist: Knows learners, subject matter, and curriculum.
• Assessment and Instructional Designer: Constructs effective learning experiences/outcomes assessments.
• Classroom Community Builder and Diversity Advocate: Values diversity and community in the classroom through practice.
• School and Community Professional: Applies knowledge of the context of education and engages in collaborative activities, partnerships, service, and advocacy.
• Self-Directed Practitioner: Directs personal growth, professional practice, and reflective practice.

Curriculum

Please visit the website to see what modules are taught on this course:

http://catalog.wcupa.edu/graduate/school-of-music/music-education/music-education-mm-performance-concentration/

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The post-baccalaureate teacher certification in music education provides a pathway to Pennsylvania Level I Teacher Certification in Music K-12 for candidates who hold a baccalaureate degree in a music field (performance, music theory and composition, or music history and literature). Read more
The post-baccalaureate teacher certification in music education provides a pathway to Pennsylvania Level I Teacher Certification in Music K-12 for candidates who hold a baccalaureate degree in a music field (performance, music theory and composition, or music history and literature). Students who do not hold a baccalaureate degree in music and do not have a significant number of earned credits in music, such as a minor in music, are better served through enrollment in a second baccalaureate degree program with a major in music education. Each student's program will be unique as applications and transcripts are examined on an individual basis and an appropriate course of study designed. Completion of this program usually takes from five to eight semesters of full-time study.

Learning Outcomes

• Content and Pedagogical Specialist: Knows learners, subject matter, and curriculum.
• Assessment and Instructional Designer: Constructs effective learning experiences/outcomes assessments.
• Classroom Community Builder and Diversity Advocate: Values diversity and community in the classroom through practice.
• School and Community Professional: Applies knowledge of the context of education and engages in collaborative activities, partnerships, service, and advocacy.
• Self-Directed Practitioner: Directs personal growth, professional practice, and reflective practice.

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The MA in Music Education and Performance is designed for any student wishing to pursue an active career as both a professional musician and a teacher or educator. Read more
The MA in Music Education and Performance is designed for any student wishing to pursue an active career as both a professional musician and a teacher or educator. It aims to equip you with the necessary musical skills, insight and experience required by the contemporary profession in its widest sense, with a focus on the musician in educational settings, from instrumental and/or vocal teaching to workshop leading.

Visit the website: http://www.trinitylaban.ac.uk/study/music/ma-music-education-and-performance

This programme can be taken on a full-time basis for one year or a part-time basis over two years.

Programme Content

- Compulsory 'core' modules designed to develop your individual technical and interpretative skills in your principal study discipline through one-to-one and group tuition.
- A wide range of departmental and cross-department solo, small group/chamber music, and large ensemble activities, to develop a range of artistic and related skills relevant to your professional aspirations.
- An intensive research module in pedagogy which provides a foundation for Masters level critical thinking to underpin all aspects of the programme.
- You will also choose two out of three pedagogy-related 'Specialist Options,' through which you will be able to develop and explore pedagogical principles and practice in depth, enabling you to develop your teaching skills, understand and explore the philosophy of practice, and enhance your employability prospects within the profession.

Progression Routes

The programme enables graduates to pursue a professional career in music as instrumentalists, vocalists or composers. On completion of the award you will have developed a secure artistic personality and consolidated a range of performance, teaching and leadership skills. As an emerging teacher-artist you will have created music in a variety of settings, with a range of participants of different abilities, and in relation to a range of audiences. You will also have gained an understanding of the role of the musician in the contemporary education infrastructure. Through your practice in music performance, teaching and learning you will develop collaborative and entrepreneurial skills in support of a professional career.

PERFORMANCE AND PRACTICE FACILITIES

- 100-seat Peacock Room
- 100-seat Theatre Studio, with sprung dance floor
- Elegant Stuart & Mackerras Rooms for chamber music
- 80+ practice rooms
- Dedicated suites for Brass, Composition, Early Music, Harp Jazz and Percussion

THE FACULTY OF MUSIC

Located within the beautiful Wren-designed King Charles Court at the Old Royal Naval College, Trinity Laban richly deserves its international reputation as one of the premier institutions in the United Kingdom for the study of music.

The Faculty of Music is celebrated for its fine facilities, which include state-of-the-art practice rooms equipped with superb pianos, the outstanding Jerwood Library of the Performing Arts and the magnificent concert halls in nearby Blackheath.

We have long been acknowledged for fostering and promoting a caring and supportive environment in which our students can flourish and we are particularly proud of the high profile of our professorial staff, who work as acclaimed soloists or belong to top London orchestras and opera companies.

The beautiful site set alongside the River Thames and Greenwich Park, the highly distinguished and talented professorial staff and our innovative and comprehensive course provision make Trinity Laban's Faculty of Music the natural choice for all who seek the best in professional music performance training.

How to apply: http://www.trinitylaban.ac.uk/study/how-to-apply/music-applications

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Deepen your understanding of the theoretical and contextual issues related to music teaching and evaluate aspects of your practice . Read more
  • Deepen your understanding of the theoretical and contextual issues related to music teaching and evaluate aspects of your practice 
  • Benefit from a wide choice of modules that explore education, as well as specifically musical interests 
  • Modules include choral education, music technology and musical cognition 
  • Based in our purpose-built Music Education Department 
  • Designed to be flexible

What will you study?

Sample modules:

  • Values and practices in education
  • Investigating education
  • Musical development, appraisal and assessment
  • Musical leadership in school and community
  • Improving teaching and learning

Please note that all modules are subject to change. Please see our modules disclaimer for more information.

What career can you have?

In addition to the many masters' and PhD graduates, each year we have over 500 students become newly qualified teachers (NQTs). Our excellent links with local schools ensure that our employment rates are consistently high, with well over 90 per cent of our NQTs finding a teaching job last year.

With pay scales to match other industries, job security, an excellent pension and better work-life balance, teaching is becoming one of the most sought-after professions of today. Our masters' and professional courses have allowed many teachers to gain promotion within their institutions. A number of students also continue their studies onto EdD/PhD courses to develop a career in educational research.



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