• Aberystwyth University Featured Masters Courses
  • University of Bristol Featured Masters Courses
  • Northumbria University Featured Masters Courses
  • University of Derby Online Learning Featured Masters Courses
  • University of Edinburgh Featured Masters Courses
  • Jacobs University Bremen gGmbH Featured Masters Courses
  • University of Surrey Featured Masters Courses
  • Swansea University Featured Masters Courses
University of Nottingham in China Featured Masters Courses
Staffordshire University Featured Masters Courses
Buckinghamshire New University Featured Masters Courses
University of Kent Featured Masters Courses
Newcastle University Featured Masters Courses
"museology"×
0 miles

Masters Degrees (Museology)

We have 20 Masters Degrees (Museology)

  • "museology" ×
  • clear all
Showing 1 to 15 of 20
Order by 
Art Gallery and Museum Studies (AGMS) has been taught at The University of Manchester for more than 40 years. It is one of the longest established MA degree courses in museum studies in the country, and our alumni have reached senior positions in museums and galleries throughout the UK and overseas. Read more

Art Gallery and Museum Studies (AGMS) has been taught at The University of Manchester for more than 40 years. It is one of the longest established MA degree courses in museum studies in the country, and our alumni have reached senior positions in museums and galleries throughout the UK and overseas.

Today, the AGMS course is continually being reviewed and developed in response to new research, emerging critical approaches and shifts in museum practice. Manchester's traditional focus on the art gallery remains, but is now balanced by course units which address history, theory and practice in a range of institutions.

Throughout the degree, you will examine diverse issues related to museum theory and practice, visit numerous museums, galleries and cultural organisations, and have many opportunities to discuss ideas and issues with professionals and academics in the field. The AGMS course combines both guided and independent study, and includes seminars, guest lectures and site visits.

Special features

Work Placement (Semesters 1 and 2)

One of the most popular aspects of the AGMS is the work placement that you undertake in a museum or gallery. Each placement involves a minimum of 20 days work on a specific project, such as exhibition development, collections management, or education programme. Many students find this such a positive experience that they carry on working in their museum when the work placement has finished, and each year a few students are offered jobs by their placement hosts. Work placements start in Semester 1 (November/December) and finish in Semester 2 (June).

You can take the work placement either as 15-credit or 30-credit course.

During the MA, students have opportunities to design and participate in live projects with cultural organisations in Manchester. These include curating a collection, developing exhibitions, producing cultural events and working on creative collaborative projects.

Teaching and learning

Most teaching takes place in small interactive seminar groups, involving, as appropriate, directed-reading, fieldwork in museums and galleries, staff and student presentations, discussion, debate, problem-solving and group-work.

Most courses run one day/week over 12 weeks and there are variations in the number of class hours per teaching day depending on the course/week (i.e. 2-5 hours). As a general rule, a 30 credit course includes 300 learning hours, which can be roughly divided as follows: a third in classes or class-related work; a third in independent study; and a third in preparation of assignments.

Students undertake also a collections management group project (as part of the 'Managing Collections and Exhibitions' and an exhibition group project (as part of the 'Professional Practice Project' course) in collaboration with a museum, gallery or related cultural organisation in Manchester or the North West of England.

Postgraduate life in the Centre for Museology

Both the Centre for Museology and the School of Arts, Histories and Cultures host a varied programme of activities and events for postgraduate students, including occasional master classes and workshops, as well as our regular calendar of:

  • Museology research seminars
  • 'Showcase' seminars at the Manchester Museum
  • Institute for Cultural Practices events
  • Research forum for PhD students

Full-time or part-time?

The AGMS MA is available as a 1 year Full-time or a 2 year Part-time course. We particularly welcome part-time students and there are many advantages in combining study with work practice, whether you already have a museum post, or are just setting out on your career. Each year, a number of mid-career professionals take the MA degree on a part-time basis and find that the University provides a valuable space for reflection as well as for further learning. Part time students have classes one day per week (usually Tuesday or Thursday; although in Semester 2 it might be a different day depending on the option course you choose). On this one should also add our Thursday 5pm research, professional practice and academic skills workshops. You should also count time for library work/fieldwork that may require you coming to Manchester and although sometimes this can be done on the day of teaching, often one needs to come in a second day (and if you do this on Thursdays then you can combine it with the 5pm workshops). When the work placement kicks off (about November/December in Year 1 or Year 2) you should also count one more day/week (on average) at the Work Placement institution (which, if appropriate or relevant, can be the organisation where you currently work; but undertaking a project different to your day-to-day work) - this is of course if you decide to take the Work Placement module.



Read less
The History of Design and Material Culture MA focuses on both objects from everyday life and representations of them since the eighteenth century as a basis for research and analysis. Read more

The History of Design and Material Culture MA focuses on both objects from everyday life and representations of them since the eighteenth century as a basis for research and analysis.

The course allies theory and practice in seminar-based discussions that embrace various methodological issues and perspectives, including Marxism, discourse theory, phenomenology, semiology, museology, gender, race, class, memory and oral testimony. Depending on the material you analyse in your essays and seminars, as well as the dissertation topic you choose, you can also emphasise your own intellectual and subject-specific interests.

Since its inception in the late 1990s, the MA has garnered a national and international reputation as one of the pioneering and most successful programmes of its kind. As a research-led course, it harnesses the academic expertise of staff with a recognised wealth of teaching and research excellence in subject areas such as fashion and dress history, the history and theory of advertising, photography and the mass-reproduced image, and heritage and museum studies.

Under guidance, you will be encouraged to explore the relationship between theory and practice and to develop your own skills as an independent researcher, thinker and writer.

Course structure

The History of Design and Material Culture MA draws on the wide-ranging academic expertise of staff in the fields of the history of decorative arts and design, dress history, material culture, museology and social history.

It stimulates innovative and interdisciplinary study in the history of design and material culture in both their western and non-western contexts, considering the relationship between local, national and international patterns of production, circulation, consumption and use.

The course is delivered through a combination of lectures, seminars, study visits and tutorials. Considerable emphasis is placed on student involvement in the weekly seminar readings and discussions within the two thematic core modules, Exploring Objects and Mediating Objects.

Based at Pavilion Parade, a Regency building overlooking the famous Royal Pavilion, teaching takes place close to the seafront and city centre amenities.

Syllabus

Exploring Objects

The Exploring Objects module introduces you to a series of different research methods and historiographical approaches, as you interrogate and make sense of designed objects in terms of how they are designed, produced, circulated, consumed and used in everyday life. It covers the period from the late eighteenth century to the present time and typically involves discussion and debate on the following themes, theories and methods: Marxist and post-Marxist historiography; production and consumption; gender and taste; phenomenology; object-based analysis; the use of archives; and 'good writing/bad writing'. It also introduces you to the academic rigour of postgraduate dissertation research.

Mediating Objects

This module complements Exploring Objects by focusing on the mediation between 'this one' (the object itself) and 'that one' (the object as represented in word and image). On one level, it examines how objects are translated in various texts and contexts, from museum and private collections to photographs, advertisements, film and fiction. On another level, it examines how objects are transformed through the embodied processes of everyday rituals such as gift-giving and personal oral and collective memories. The module therefore deals with the idea of intertexualities and how the identities of things and people are phenomenologically bound up with each other. By extension, you examine objects in relation to ideas concerning sex, gender, class, generation, race and ethnicity.

Dissertation

The centrepiece of your MA studies, the dissertation is a piece of original writing between 18,000 and 20,000 words on a research topic of your own choosing. It allows you to pursue a specific research topic related to your own academic and intellectual interests in a given area of the history of design and material culture, for example fashion and dress, textiles, ceramics and glass, product design, interior design and architecture, graphic communications, advertising and photography, film, museums, collecting and curating, and design pedagogy. The dissertation is largely based on primary research, often using specialist archives and surviving historical material.

Facilities

This course makes use of the University of Brighton Design Archives, which include the archives of the Design Council, Alison Settle, FHK Henrion and the South of England Film and Video Archive.

Close professional contact with national institutions such as the Victoria and Albert Museum, as well as with local collections and centres of historical interest (such as Brighton’s unique Royal Pavilion and Brighton Museum and Art Gallery, with its internationally famous collection of decorative art from the 1890s onwards), present research opportunities for students registered on the course.

The course is closely linked to our arts and humanities research division through a joint research lecture series, and we have successfully encouraged high achievers to register for the MPhil/PhD programme.

The student environment also includes the thriving postgraduate Design History Society as well as opportunities for conference presentation, professional contact and career development in the field.

Careers and employability

The course has an extremely healthy track record in helping students to take up careers in related areas of employment and further study. Many of our postgraduates have succeeded in finding work as lecturers, curators, journalists, designers and design consultants, while many others have pursued doctoral research, most often also securing prestigious funding from the AHRC (Arts and Humanities Research Council).



Read less
The MA Art Gallery and Museum Studies aims to provide students with critical understandings of issues in curatorship, museology and museum management. Read more

The MA Art Gallery and Museum Studies aims to provide students with critical understandings of issues in curatorship, museology and museum management. The course considers the ways in which material culture has been represented and interpreted by historians and cultural theorists, the methodologies behind museum practice and methods of display and interpretation, and also puts theory and practice into dialogue.

Through the course, students develop critical understandings of the histories of art galleries and museums and explore and challenge key ideas that have shaped museum practice. Students will also deploy these historical and theoretical understandings to develop innovative approaches to curation, interpretation and engaging audiences.

You will develop practical skills through working on an interpretation project in our archives and collections on campus, and undertaking a negotiated work placement. Supported by the Centre for Critical Studies in Museums, Galleries and Heritage, you will gain the knowledge and skills for a successful career in the museum and art gallery sector.

You will study in the heart of a cultural hub for this diverse and vibrant region. Leeds is home to a wide variety of world-leading and innovative arts and heritage organisations, from the Royal Armouries, Opera North, West Yorkshire Playhouse and Northern Ballet through to nine council-run museums, galleries and heritage sites and many contemporary art spaces.

We are also close to everything the rest of Yorkshire has to offer, from The Hepworth Wakefield to the National Science and Media Museum, Yorkshire Sculpture Park and the Brontë Parsonage Museum. We have close links with many of these cultural institutions to support your practical learning.

Centre for Critical Studies in Museums, Galleries and Heritage

All students on the degree become members of the Centre for Critical Studies in Museums, Galleries and Heritage and enjoy opportunities from networking events and links to alumni to conferences, seminars and reading groups.

Course content

A set of core modules form the bedrock of the programme, introducing you to the concept of the ‘museum’ and the ways in which Western museums have represented and interpreted history and historical material.

You’ll also use contemporary theory to consider 20th-century museum practice and key questions around curatorship, museology and museum management. The role of the curator, funding and sponsorship and the display and interpretation of objects are among the topics you’ll cover.

Your core modules will give you the chance to apply your theoretical knowledge and gain practical skills. You’ll take part in an interpretation project in the University’s Stanley and Audrey Burton Gallery, as well as completing a work placement in an external arts or heritage organisation.

All MA students in the School take two core modules which develop the research skills to complete research projects such as your essays and dissertation.

This will build to our unique MA Symposium in Semester 2, where you present some of your own research across interdisciplinary panels, and a dissertation which enables you to undertake research in a topic of interest to you.

If you choose to study part-time, you’ll study over a longer period and take fewer modules in each year.

Course structure

Compulsory modules

  • Advanced Research Skills 15 credits
  • Advanced Research Skills 25 credits
  • History and the Museum: Representation, Narrative and Memory 30 credits
  • Museum, Object, Practice 30 credits
  • Interpreting Cultures 30 credits
  • Dissertation 50 credits

Optional modules

  • Derrida and Deconstruction 30 credits
  • Capitalism-Criticism-Contemporary Art 30 credits
  • Unfinished Business: Trauma, Cultural Memory and the Holocaust 30 credits
  • From Chagall to Kitaj and Beyond 30 credits
  • Critical and Curatorial Challenges in Contemporary Art: The Documenta Exhibitions at Kassel 1992-2012 30 credits
  • Encountering Things: Art and Entanglement in Anglo-Saxon England 30 credits
  • Anthropology, Art and Representation 30 credits
  • Humanity, Animality and Globality 30 credits
  • Audience Engagement and Impact 30 credits

For more information on typical modules, read Art Gallery and Museum Studies MA Full Time in the course catalogue

For more information on typical modules, read Art Gallery and Museum Studies MA Part Time in the course catalogue

Learning and teaching

You’ll be taught by leading researchers and experienced practitioners in their fields, and you’ll benefit from a range of teaching and learning methods. They include lectures and seminars, gallery and museum visits, as well as hands-on experience of specific collections in library sessions.

You’ll also learn from practical experience when you undertake your work placement, and a variety of external speakers will give you an insight into contemporary practice in the sector. Independent study is an important element of the degree, allowing you to develop your research and critical skills.

Assessment

We use a range of assessment methods including essays, presentations, assignments and literature reviews among others, depending on the modules you choose.

Career opportunities

Through a combination of theory and practice, the programme produces graduates who are able to develop professional careers in the museums and heritage sector whilst retaining a critical and reflexive eye on their own practice and that of the institutions in which they work.

It will equip you with a good understanding of the issues and approaches to art gallery and museum studies, as well as practical work experience – a combination which is very valuable to employers. You’ll also develop advanced skills in communication, research and analysis as well as cultural awareness.

Our graduates now work as heads of collection, curators and education staff in local authority museums, for national heritage organisations like the National Trust, charitable trusts and in arts marketing and public relations.

A significant number have also returned as research students and have secured scholarships to pursue their research topics, including Arts and Humanities Research Council (AHRC) scholarships. Former research students are now forging academic careers in the UK, Canada and the US.

To get a flavour of the kinds of career trajectories our graduates have taken see the ‘news’ section of the Centre for Critical Studies in Museums, Galleries and Heritage and the alumni pages of the School website.



Read less
The Department of History of Art has an international reputation for teaching and research in medieval, Renaissance and modern art history. Read more
The Department of History of Art has an international reputation for teaching and research in medieval, Renaissance and modern art history. Our range of interests extends into new areas of study, such as nineteenth- and twentieth-century design history, museology, issues relating to gender and representation, and interdisciplinary topics, particularly relationships between art and film; and art and anthropology.

Current research areas include: medieval architecture; Italian late medieval and Renaissance art and patronage; eighteenth- and nineteenth-century British art; the colonial encounter and cultural history in the late nineteenth and early twentieth centuries; museology; nationalism and ethnicity in contemporary visual culture; visual culture in South Africa; nineteenth- and twentieth-century architecture and design in France and England; aspects of gender and visual culture; art and design in fin-de-siècle Vienna; computer applications for art history; and digital media and critical theory.

Why study this course at Birkbeck?

Arts and humanities courses at Birkbeck are ranked third best in London and 11th in the UK in the Times Higher Education 2015-16 World University Subject Rankings.

Our research

Birkbeck is one of the world’s leading research-intensive institutions. Our cutting-edge scholarship informs public policy, achieves scientific advances, supports the economy, promotes culture and the arts, and makes a positive difference to society.

Birkbeck’s research excellence was confirmed in the 2014 Research Excellence Framework, which placed Birkbeck 30th in the UK for research, with 73% of our research rated world-leading or internationally excellent.

In the 2014 Research Excellence Framework (REF), Art and Design at Birkbeck achieved 100% for a research environment supporting world-leading or internationally excellent research.

Read less
This programme is designed to help you to develop as an interdisciplinary, creative designer in a direction that aligns with your interests and career aspirations. Read more
This programme is designed to help you to develop as an interdisciplinary, creative designer in a direction that aligns with your interests and career aspirations.

A practice-led approach involves undertaking projects in areas of exhibition design that interest you. These could include trade shows, museums, international expositions, cultural events, retail and leisure environments, theatre, television and film stage sets, heritage sites and visitor centres.

In preparation for a career in this sector, you will have the opportunity to explore the social and cultural context of exhibitions and the chance to develop a critical understanding of current theory in design and museology, as well as advancing your marketing, communication and project management skills. You will be able to negotiate a programme of projects tailored to meet your individual interests, and have the opportunity to broaden your network of industry contacts and compile your own individual portfolio.

Read less
The MA in Contemporary Art Theory is for those with a special interest in contemporary art, and an aptitude for theoretical work in the subject. Read more

The MA in Contemporary Art Theory is for those with a special interest in contemporary art, and an aptitude for theoretical work in the subject.

The programme offers a challenging and advanced scheme of study, which explores a range of theoretical perspectives that shape attitudes towards visual art in the late 20th/early 21st centuries.

Invigorated by current research, the programme encourages you to explore conceptually and creatively the ways in which contemporary artistic practice and critical theory interrelate. It aims to expand your knowledge of contemporary artistic developments as well as to deepen your understanding of the interdisciplinary nature of academic discourses on visual culture.

The programme draws variously upon the fields of performance studies, art history, philosophy, museology, queer theory, post-colonial studies and cultural studies in addressing the critical challenges posed by artistic practice.

Modules & structure

The programme comprises a non-assessed introductory module, the Core Module (comprising 4 blocks that thematically vary from year to year and of which students choose 2), and four assessed components: two Special Subjects, the MA Symposium and the MA Dissertation. Students also attend the Visual Cultures Public Programme of lectures and other events. You have the option of auditing another special subject should you wish to do so, subject to availability and in agreement with the course tutor.

The taught part of the programme runs from the end of September to the end of March, with additional guest lectures or workshops in May and June. It offers a framework to help you focus and develop your own understanding of contemporary art practice and its wider cultural significance. It is designed to develop your understanding of a range of critical and theoretical approaches that inform the heterogeneous field of visual art production whilst, at the same time, enabling you to identify and prepare the area of independent research you will carry out in your dissertation project.

Thematic pathways through the MA will be offered on a yearly basis. These will connect the annually changing themes of the core courses with the annual roster of special subjects. In any specific year three themes will be operative. They may include Global Arts; Sound; Politics and Aesthetics; Performance and Live Art; Critical Thought.

Full-time students attend on Thursday and one other day each week (determined by the choice of special subject); part-time students attend on one day each week in the first year and on Thursday in the second year.

Assessment

Visual Cultures assessment are 100% coursework. Normally this consists of essays, sometimes accompanied by creative projects, group projects, multi-media projects, presentations, symposia, reviews, and studio work.

Skills & careers

Many of our MA students have gone on to MPhil/PhD study, not only in art history and visual cultures, but also in related fields such as philosophy, cultural studies and literature. Careers obtained by recent graduates include: artist, curator/collections manager, journal editor, lecturers, researcher, and roles in TV and production, public relations, and rights and marketing.

Find out more about employability at Goldsmiths.



Read less
The Art and Design in Education MA draws on the research and teaching expertise with the Art, Design and Museology group at the UCL Institute of Education (IOE). Read more

The Art and Design in Education MA draws on the research and teaching expertise with the Art, Design and Museology group at the UCL Institute of Education (IOE). It examines the relationship between art practice, theory and pedagogy and enables students to develop a rigorous approach to educational research in art colleges, schools and galleries.

About this degree

This programme will enable you to share and investigate art education from theoretical, historical and practical perspectives. It addresses key issues such as globalisation, alternative models for art education, new technologies and embodied learning. Students will explore the relationship between practical and theoretical modes of enquiry and learn to conduct research using appropriate methodologies.

Students undertake modules to the value of 180 credits.

The programme consists of two core modules (60 credits), two optional modules (60 credits), and a dissertation (60 credits).

Core modules

  • Alternative Models for Art Education
  • Research Based Practice in Art and Design Education

Optional modules

  • Contemporary Art and Artists in Education
  • Material and Virtual Cultures: Transforming the Museum and Gallery Experience
  • Responsive Museums: Inclusion and Outreach in Practice

Dissertation/report

All students undertake a dissertation in one of three modes:

  • a thesis of 20,000 words
  • exhibition and 10,000-word report
  • an exhibition of a residency / placement and 10,000-word report

Teaching and learning

Teaching methods include studio practice, lectures, seminars, and gallery-based learning delivered by IOE staff, visiting lecturers and professionals working in universities, galleries and schools. Assessment is based on coursework assignments and the dissertation.

Further information on modules and degree structure is available on the department website: Art and Design in Education MA

Careers

UCL IOE's Art and Design MA students have a strong record of success in obtaining leadership roles in arts organisations and education. Alumni are currently working as lecturers in further and higher education, heads of arts faculties in secondary schools, freelance artists educators in galleries and museums as well as careers advisers for the arts. Graduates have also been very successful entering PhD programmes.

Recent career destinations for this degree

  • Assistant Principal and Secondary School Teacher (Art), Kensington Aldridge Academy
  • Primary School Class Teacher (Art), Kender Primary School
  • Secondary School Teacher (Head of Art and Design), St. Helen's School
  • Senior Arts Education Officer, Ministry of Education - Singapore
  • Freelance Artist and Designer, Location Inflation

Careers data is taken from the ‘Destinations of Leavers from Higher Education’ survey undertaken by HESA looking at the destinations of UK and EU students in the 2013–2015 graduating cohorts six months after graduation.

Why study this degree at UCL?

Art and design education at the IOE - the leading institution for education worldwide (QS World University Rankings 2015) - has a long and distinguished history which can be traced back to the work of pioneering art educator Marion Richardson (1892-1946).

Located in the heart of Bloomsbury, the current MA works closely with galleries and museums continuing Richardson's quest to strengthen links between contemporary art practice and education.

Students enjoy the use of purpose built studio space in IOE's Grade I listed building and benefit from being part of a wider community of PGCE, MA and doctoral students.

Research Excellence Framework (REF)

The Research Excellence Framework, or REF, is the system for assessing the quality of research in UK higher education institutions. The 2014 REF was carried out by the UK's higher education funding bodies, and the results used to allocate research funding from 2015/16.

The following REF score was awarded to the department: Culture, Communication & Media

78% rated 4* (‘world-leading’) or 3* (‘internationally excellent’)

Learn more about the scope of UCL's research, and browse case studies, on our Research Impact website.



Read less
The Museums and Galleries in Education MA combines academic study with professional educational practice in museums, galleries and heritage sites, looking at influential contemporary and historic theories in museum and gallery education. Read more

The Museums and Galleries in Education MA combines academic study with professional educational practice in museums, galleries and heritage sites, looking at influential contemporary and historic theories in museum and gallery education. This programme also enables international collaborations to take place across the academic and professional field of museum studies.

About this degree

The programme enables students to carry out a practical and theoretical study on education in museums and galleries. University-based sessions are supplemented by teaching sessions at national, regional and university collections. Additionally students gain flexible access to historic and contemporary sites and full-time students have a 20-day research-based placement in a museum, gallery or heritage site.

Students undertake modules to the value of 180 credits.

The programme consists of two core modules (60 credits), two optional modules (60 credits) and a dissertation and portfolio (60 credits).

Core modules

  • Issues in Museum Studies
  • Responsive Museums: Inclusion and Outreach in Practice

Optional modules

  • Alternative Models for Art Education
  • Constructing and Interpreting Heritage Culture
  • Contemporary Art and Artists in Education
  • Material and Virtual Cultures: Transforming the Museum and Gallery Experience

Dissertation/report

All students undertake an independent research project which culminates in a dissertation of 14,000 words with a portfolio equivalent to 6,000 words for full-time students and a 10,000-word report for flexible students.

Teaching and learning

Teaching is undertaken by UCL Institute of Education (IOE) staff and visiting lecturers in a variety of forms including lectures, seminars, workshops, visual presentations with a substantial part of the programme involving off-site teaching in museums, galleries and heritage sites. Assessment includes 5,000-word assignments and electronic media.

Further information on modules and degree structure is available on the department website: Museums and Galleries in Education MA

Careers

Graduates of this programme are currently working as: education officers at historical sites, digital programme managers in national art and design museums, heads of learning, heads of interpretation and curation in museums and galleries, and heads of research.

Recent career destinations for this degree

  • Visitor Experience Associate and Exhibit Mentor, Boston Children's Museum

Careers data is taken from the ‘Destinations of Leavers from Higher Education’ survey undertaken by HESA looking at the destinations of UK and EU students in the 2013–2015 graduating cohorts six months after graduation.

Why study this degree at UCL?

The Museums and Galleries in Education MA has a long and distinguished history for both those wishing to learn about the educational potential of the cultural sector and those wishing to expand their existing careers.

UCL Institute of Education is ideally situated for students to make excellent use of an extraordinary range of institutions, many within walking distance of the Art, Design and Museology studios.

Moreover the MA works in close collaboration with the Art and Design in Education MA tutors and together they have created an international research-active environment in which to share knowledge and professional expertise.

Research Excellence Framework (REF)

The Research Excellence Framework, or REF, is the system for assessing the quality of research in UK higher education institutions. The 2014 REF was carried out by the UK's higher education funding bodies, and the results used to allocate research funding from 2015/16.

The following REF score was awarded to the department: Culture, Communication & Media

78% rated 4* (‘world-leading’) or 3* (‘internationally excellent’)

Learn more about the scope of UCL's research, and browse case studies, on our Research Impact website.



Read less
History of art is a rich and dynamic discipline, combining the rigorous investigation of the visual arts with the creative exploration of their connections to culture, politics and society. Read more
History of art is a rich and dynamic discipline, combining the rigorous investigation of the visual arts with the creative exploration of their connections to culture, politics and society. Postgraduate study in this area trains you at a high level in looking at, thinking about and researching art and its histories.

Birkbeck's MA History of Art offers the opportunity to study with internationally recognised experts. Our teaching staff are defining the field, conducting ground-breaking research in periods from medieval to contemporary, focusing on painting, sculpture, print culture, architecture, photography, digital art and museology.

The MA History of Art exposes you to key art historical approaches, and allows you to focus in depth on areas and periods of particular interest to you, in early and modern (including contemporary) periods, through taught options (see an indicative list of modules on the 'course structure' tab) and independent research. The course also offers opportunities for work placements with London museums, galleries and archives.

The course develops your visual acuity and your understanding of art's histories, while stimulating critical debate and stretching your research skills. In addition to independent written work, you will take part in group discussion, give oral presentations and engage with the Department of History of Art's research culture.

In all of this, you will work closely with our staff while also benefiting from our diverse and vibrant student body of all ages and backgrounds. The teaching programme is enriched by museum and site visits, visiting speakers, screenings and opportunities to get involved as volunteers in research and community outreach activities. The department also offers an exciting study trip every spring.

Students are encouraged to become involved in the lively research culture of the department through the History and Theory of Photography Research Centre, the Architecture, Space and Society Centre and the Vasari Research Centre, which has pioneered the field of digital art history. In addition to the core teaching and individual research support, students benefit from many events in the Department of History of Art at Birkbeck, including: the postgraduate Research Seminar, which brings art historians from all over the UK and beyond to speak at Birkbeck; the biennial Murray Lecture; the Murray Seminar on Medieval and Renaissance Art; and the programme of exhibitions and displays at the Peltz Gallery, the School of Arts' purpose-built exhibition space. Students are also welcome to attend other seminars and events across the School of Arts and at the Birkbeck Institute for Humanities.

We offer taster events and information evenings for prospective students interested in our history of art programmes throughout the year.

Why study this course at Birkbeck?

Arts and humanities courses at Birkbeck are ranked third best in London and 11th in the UK in the Times Higher Education 2015-16 World University Subject Rankings.
You will work closely with leading international experts in the history of art.
You can choose to specialise in a wide range of periods and geographies, from medieval European architecture and cityscapes to contemporary global art practices.
You can study flexibly, full-time or part-time, with all teaching in the evenings.
On class visits and in your independent research you will have access to London's world-class art collections, museums and libraries.
Your fellow students are from a wide range of backgrounds and are often already working in the field, offering a high level of discussion and excellent networking opportunities.
You will have access to the Birkbeck Library and an in-house resources centre. In addition, our location in Bloomsbury offers excellent access to specialist libraries in the University of London. These include the University of London Library, Institute of Historical Research, Warburg Institute and School of Oriental and African Studies, together with the major national resource of the British Library.
You will also have easy access to specialist art libraries not far from Birkbeck, including the library of the Courtauld Institute of Art, the Royal Institute of British Architects library and the National Art Library at the Victoria and Albert Museum (V&A), as well as the great visual resources of the British Museum, National Gallery, National Portrait Gallery, Tate Britain, Tate Modern and V&A, commercial galleries and salesrooms. Temporary exhibition galleries like the Barbican Gallery, Institute of Contemporary Arts, Hayward Gallery and Royal Academy also make London a particularly good place in which to undertake research.
You can participate in the rich research culture of the Department of History of Art.
Keep up-to-date with our research on the Birkbeck History of Art blog.

Read less
The Masters in Museum Studies will help you develop the knowledge, understanding and skills required of today’s versatile museum professional. Read more

The Masters in Museum Studies will help you develop the knowledge, understanding and skills required of today’s versatile museum professional. It has been designed in conjunction with employers to meet their needs for well-rounded museum professionals trained in the latest theoretical and practical approaches.

Why this programme

  • Glasgow’s civic and university collections are the richest and most diverse outside of London and are of international standing.
  • Taught alongside staff from the University's own museum and art gallery, The Hunterian, the degree programme provides a combination of academic and practitioner input.
  • If you want to develop a career in the cultural heritage sector, this programme has been developed for you.
  • Three versions of the degree allow you follow standard or specialist strands.
  • There are great opportunities for you to take practice based courses or work placements at the museums and galleries that partner the programme.
  • We welcome applicants from across the arts and sciences, current professionals or career changers, from the UK or abroad.

Programme structure

Three different strands of the MSc Museum Studies are offered.

The Theory and Practice strand is our standard Museum Studies programme where the museum itself is the primary object of study.

Two specialist strands: Collecting and Provenance; and Artefact and Material Culture, enable you to combine courses in Museum Studies with specialist courses from Masters programmes provided by Archaeology and History of Art.

Each strand will give you a different mix of core and optional courses. All students take two 20 credit common core courses in Museology and Research and Professional Skills. You also take four 20 credit courses from your strand (a combination of strand core and optional courses) and one 60 credit research project.

Career prospects



Read less
This MA at UCL Qatar equips students with the necessary theoretical and practical skills to assume a career as a leading museum professional within Qatar, the wider Gulf region or further afield. Read more

This MA at UCL Qatar equips students with the necessary theoretical and practical skills to assume a career as a leading museum professional within Qatar, the wider Gulf region or further afield. Through practical placements, students will gain a unique insight into the developing local and international museum sector.

About this degree

This programme introduces the theories and practices of museology, emphasising their significance and relevance in the Gulf region and beyond. Key areas of museum studies are taught, such as collections management, museum, gallery and site management, exhibition development, visual studies, education and emerging digital technologies.

Students undertake modules to the value of 180 credits.

Students take four core modules (75 credits), plus a combination of optional modules (either three modules at 15 credits each or one module at 15 credits plus one module at 30 credits) and a dissertation (60 credits).

Core modules

  • Exhibition Project
  • Museums Policies and Practices
  • Principles of Museum and Gallery Practice
  • Research Methods for Museum Studies
  • Dissertation

Optional modules

Students choose from the following:

  • Materials vs. Culture
  • Museum Learning, Outreach and Public Engagement
  • Collections Care and Management
  • The Digital Museum
  • Placement I
  • Placement II

Dissertation/report

All students undertake an independent research project which culminates in a dissertation of 12,000 words.

Teaching and learning

The programme is delivered through a combination of lectures, seminars, practical sessions, and structured reading. Students undertake a 20-day professional placement. Assessment is through essays, presentations, portfolios, reports, oral examination and the dissertation.

Further information on modules and degree structure is available on the department website: Museum and Gallery Practice MA

Careers

Graduates of this programme will gain an in-depth historical and theoretical background in museums and cultural heritage as well as experience in a range of relevant technical skills. They will be trained in all aspects of museums work, including collections management, education and community outreach, emerging digital technologies, exhibition design and interpretation. Graduates will be familiar with regional and global cultural heritage practices.

Employability

There is an increasing need for qualified professionals with expertise in museums in the Gulf. We expect graduates to go on to assume leading roles within museums and galleries in Qatar and elsewhere in the region and internationally, including in management, collection building, curation and outreach.

Why study this degree at UCL?

Museums are flourishing in Qatar and the region, and this programme provides unmatched opportunities to network with leading local museums and heritage professionals.

Education City, Doha, houses branch campuses of some of the world's most prestigious educational institutions. International students benefit from the unique cultural experience of studying in Qatar, where the diverse range of cultural backgrounds ensures that unique perspectives are brought to classroom discussions.

The programme suits students with a genuine interest and curiosity about museums and heritage in the Arab and Islamic world.

Research Excellence Framework (REF)

The Research Excellence Framework, or REF, is the system for assessing the quality of research in UK higher education institutions. The 2014 REF was carried out by the UK's higher education funding bodies, and the results used to allocate research funding from 2015/16.

Learn more about the scope of UCL's research, and browse case studies, on our Research Impact website.



Read less
This programme, delivered by School of Arts and specialist visiting lecturers, develops your skills and provides experience relevant to a career in curating. Read more
This programme, delivered by School of Arts and specialist visiting lecturers, develops your skills and provides experience relevant to a career in curating.

Based at the School of Arts Studio 3 Gallery, you are involved in all aspects of the running of the Gallery. You work closely with partner organisations such as Canterbury museums and the Institute of Contemporary Arts (ICA).

You have the opportunity to develop your own project, working within the Gallery’s exhibition programme.

Visit the website https://www.kent.ac.uk/courses/postgraduate/96/curating

About the Department of History & Philosophy of Art

The History & Philosophy of Art Department within the School of Arts, provides opportunities for graduate study with well-established researchers in the fields of art history, philosophy of art and aesthetics. Staff research covers contemporary art and aesthetics, modernism, theories of art, the historiography of art and the Cold War; biographical monographs, the photograph (in its historical, contemporary and critical contexts), and the historical interplay of image, theory and institutions from the Renaissance to the present (especially European and North American).

Developing areas of interest include the cultural and historical significance of the print, and the role of performance and new media in contemporary art practices, which draw upon our links with other subjects within the School of Arts and the Faculty of Humanities. In particular, postgraduates have the opportunity to participate in the activities of the multidisciplinary Aesthetics Research Centre and the Art History and Visual Cultures Research Centre. There is also a full programme of visiting speakers from across the constituent subject areas within the School of Arts, which includes Film and Drama.

Course structure

Compulsory modules provide an overview of the history of collecting and exhibitions through a series of case studies, taking advantage of our proximity to major London collections. We also cover theoretical issues relating to curating and museology.

Optional modules focus on providing practice-based opportunities for developing curatorial skills.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

HA826 - History and Theory of Curating (30 credits)
HA827 - Curatorial Internship (60 credits)

Assessment

Assessment is through a combination of coursework essays, critical logbooks and practice-based exercises. A long dissertation is required for the Exhibition Development and Design module.

[[Programme aims
This programme aims to:

- create and interpret knowledge at the forefront of the discipline through the development of critical, conceptual and practical abilities

- develop a self-directed programme of practice and related research

- contextualise and theorise practice in relation to, and through critical evaluation of, the work of contemporary practitioners and leading researchers within the discipline

- develop a comprehensive understanding of methodologies applicable to independent research

- develop autonomy in practice work within a context that fosters collaborative learning

- sustain an advanced practice that encompasses the disciplines of writing, discussion and producing practice-based outcomes

- achieve high-level skills and competencies as a preparation for professional practice and further development in the field of curating

- embed your research within the context of the University and utilise the resources offered in the research environment such as staff expertise, symposia and colloquia

- develop public outcomes outside the University in a range of formats

- attract students from a diversity of arts contexts and contexts that inform artistic practice, including fine art, history of art, sociology, journalism, English literature, film studies architecture and philosophy

- attract intellectually able and talented students who are enquiring, open to experimentation, discussion and collaboration as well able to work independently

- provide a forward-thinking, dynamic learning environment that responds to the current climate of debate and production in the arts.

- forge an international identity within the field of study through developing partnerships with international universities and non-HEIs

- support specialism and progression by allowing students to opt for specific routes of study that include curating, art history, cultural history, arts management, conservation or museum studies.

Research areas

The Department has a collective interest in developing interdisciplinary projects, including projects informed by art history and philosophy of art or aesthetics. Shared areas of research interest include: photography, art theory from the Renaissance to recent times and contemporary art.

Careers

Arts postgraduates have gone on to work in a range of professions, from museum positions and teaching roles to marketing and gallery assistants. Our graduates have found work with Tate Britain, the V&A, Museum of Childhood and other arts, culture and heritage-related organisations.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

Read less
History of art is a rich and dynamic discipline, combining the rigorous investigation of the visual arts with the creative exploration of their connections to culture, politics and society. Read more
History of art is a rich and dynamic discipline, combining the rigorous investigation of the visual arts with the creative exploration of their connections to culture, politics and society. Postgraduate study in this area trains you at a high level in looking at, thinking about and researching art and its histories.

Birkbeck's MA History of Art offers the opportunity to study with internationally recognised experts. Our teaching staff are defining the field, conducting ground-breaking research in periods from medieval to contemporary, focusing on painting, sculpture, print culture, architecture, photography, digital art and museology.

The MA History of Art exposes you to key art historical approaches, and allows you to focus in depth on areas and periods of particular interest to you, in early and modern (including contemporary) periods, through taught options (see an indicative list of modules on the 'course structure' tab) and independent research. The course also offers opportunities for work placements with London museums, galleries and archives.

The course develops your visual acuity and your understanding of art's histories, while stimulating critical debate and stretching your research skills. In addition to independent written work, you will take part in group discussion, give oral presentations and engage with the Department of History of Art's research culture.

In all of this, you will work closely with our staff while also benefiting from our diverse and vibrant student body of all ages and backgrounds. The teaching programme is enriched by museum and site visits, visiting speakers, screenings and opportunities to get involved as volunteers in research and community outreach activities. The department also offers an exciting study trip every spring.

Students are encouraged to become involved in the lively research culture of the department through the History and Theory of Photography Research Centre, the Architecture, Space and Society Centre and the Vasari Research Centre, which has pioneered the field of digital art history. In addition to the core teaching and individual research support, students benefit from many events in the Department of History of Art at Birkbeck, including: the postgraduate Research Seminar, which brings art historians from all over the UK and beyond to speak at Birkbeck; the biennial Murray Lecture; the Murray Seminar on Medieval and Renaissance Art; and the programme of exhibitions and displays at the Peltz Gallery, the School of Arts' purpose-built exhibition space. Students are also welcome to attend other seminars and events across the School of Arts and at the Birkbeck Institute for Humanities.

We offer taster events and information evenings for prospective students interested in our history of art programmes throughout the year.

Why study this course at Birkbeck?

Arts and humanities courses at Birkbeck are ranked third best in London and 11th in the UK in the Times Higher Education 2015-16 World University Subject Rankings.
You will work closely with leading international experts in the history of art.
You can choose to specialise in a wide range of periods and geographies, from medieval European architecture and cityscapes to contemporary global art practices.
You can study flexibly, full-time or part-time, with all teaching in the evenings.
On class visits and in your independent research you will have access to London's world-class art collections, museums and libraries.
Your fellow students are from a wide range of backgrounds and are often already working in the field, offering a high level of discussion and excellent networking opportunities.
You will have access to the Birkbeck Library and an in-house resources centre. In addition, our location in Bloomsbury offers excellent access to specialist libraries in the University of London. These include the University of London Library, Institute of Historical Research, Warburg Institute and School of Oriental and African Studies, together with the major national resource of the British Library.
You will also have easy access to specialist art libraries not far from Birkbeck, including the library of the Courtauld Institute of Art, the Royal Institute of British Architects library and the National Art Library at the Victoria and Albert Museum (V&A), as well as the great visual resources of the British Museum, National Gallery, National Portrait Gallery, Tate Britain, Tate Modern and V&A, commercial galleries and salesrooms. Temporary exhibition galleries like the Barbican Gallery, Institute of Contemporary Arts, Hayward Gallery and Royal Academy also make London a particularly good place in which to undertake research.
You can participate in the rich research culture of the Department of History of Art.
Keep up-to-date with our research on the Birkbeck History of Art blog.

Read less
The programme has the objective of preparing a high-profile cultural and professional figure, ale to critically and creatively interpret the new social and individual requirement of the vast universe of interior (and exterior) spaces in a city. Read more

Mission and goals

The programme has the objective of preparing a high-profile cultural and professional figure, ale to critically and creatively interpret the new social and individual requirement of the vast universe of interior (and exterior) spaces in a city. The course prepares designers able to creatively intervene in the project with the functional, aesthetic-formal, technical and technological design of space, of its relations with the user and the context; to work as coordinator and artistic director in projects for enhancing the interiors of the existing architectural heritage with a set-up approach, often intervening reversibly but nevertheless always with an innovative interpretation of the nature of the space generated.

The programme is available also in English

See the website http://www.polinternational.polimi.it/educational-offer/laurea-magistrale-equivalent-to-master-of-science-programmes/interior-design/

Career opportunities

The Interior Designer finds his/her natural place in design studios or companies, working as director of activities oriented towards various areas, such as: the domestic environment, commercial activities, places of cultural production and presentation (auditoriums, museums, galleries, exhibitions), public areas destined for the most advanced social functions (offices, hospitals, schools, universities), hotel trade as well as the re-functionalising and reclamation of disused industrial and service areas.

Presentation

See http://www.polinternational.polimi.it/uploads/media/Interior_Design_02.pdf
This programme aims at training a high-profile figure, able to critically interpret the emerging requirements of interior spaces and places in a city. Designers will be able to creatively intervene in projects with an innovative functional, aesthetic, technical and technological approach. The programme is characterized by different didactical activities, ranging from monodisciplinary courses, to experimental workshops, where the students are given an opportunity to experiment and use the tools used in design professions.
The Interior Designer can work in design studios/companies as director of activities oriented towards various areas- domestic environment, commercial activities, places of cultural production (auditoriums, museums, galleries, exhibitions), public areas (offices, hospitals, schools, universities), hotel trade as well as in re-functionalising industrial/service areas.
The programme is taught in English.

Subjects

- 1st year
Interior Design Studio, Exhibition Design Studio, Workshop, Arts and languages of the present, Lighting design, Technologic Culture Of The Design Project, Museology in contemporary age.
Students will have to choose among other elective courses.

- 2nd year
Contemporary Interiors, Internship , Final Synthesis Design Studio.
Students will have to choose among other elective courses.

See the website http://www.polinternational.polimi.it/educational-offer/laurea-magistrale-equivalent-to-master-of-science-programmes/interior-design/

For contact information see here http://www.polinternational.polimi.it/educational-offer/laurea-magistrale-equivalent-to-master-of-science-programmes/interior-design/

Find out how to apply here http://www.polinternational.polimi.it/how-to-apply/

Read less
History is practised everywhere. by governments, private corporations, universities, museums and galleries, in the tourism and heritage industries, on television programmes and in newspaper columns, and through local history societies, community development projects, and genealogical associations. Read more
History is practised everywhere: by governments, private corporations, universities, museums and galleries, in the tourism and heritage industries, on television programmes and in newspaper columns, and through local history societies, community development projects, and genealogical associations. History and historians play important roles at the level of the both the nation and the neighbourhood, contributing to public debates, policy decisions and popular education and entertainment.

Public history is concerned with the practice of history outside of academia in all its myriad forms and public historians come in all shapes and sizes: they are consultants, museum professionals, archivists, preservationists and curators, cultural resource managers, policy specialists, and community activists, among many other roles. What they share is a commitment to making history relevant, beneficial, informative and instructive within the public sphere. The practice and significance of ‘public history’ has grown significantly in recent years, as historians become more aware of audiences beyond the academy, of the role of history in politics, of the need for their research and analysis to have an impact in the real world, and of the growing public and media interest in popular history and heritage.

This MA will introduce you to key aspects and issues of the practice of public history. It will provide you with the necessary theoretical and practical skills to undertake critical assessments of public history projects and interventions - as well as to create your own. Its focus on public history in practice will provide you with a wide range of examples of different types and methods of public history, from museums and material culture, to public history in the media, to the role of history in policy making. This MA aims to give you a sense of the wide range of public history, the variety of roles played by historians in public, and the importance and impact of public history in politics, culture, and society.

The compulsory modules will introduce you to the systematic study of historiography, the methodologies used in the analysis and interpretation of historical source material, and the contemporary practice of public history. You can explore the enormous breadth of research interests in the Department via the 2 option modules you choose, which are drawn across disciplines including archaeology, classics, the history of art and museology. Finally, the dissertation gives you the chance to pursue your own interests and undertake your own research and critical thinking under the supervision of a member of staff with relevant expertise.

The MA Public Histories provides relevant training for careers in media, education, museums and heritage, publishing, and policy, and it also provides rigorous training in the historical discipline suitable to prepare you for further personal or professional research, or research at MPhil/PhD level.

Why study this course at Birkbeck?

Arts and humanities courses at Birkbeck are ranked third best in London and 11th in the UK in the Times Higher Education 2015-16 World University Subject Rankings.
Many Birkbeck historians take very active public roles as policy consultants, columnists in newspapers, editors of digital history websites, and leaders in community history projects. Students on the MA Public Histories will be given the opportunity to benefit from their expertise.
Tutors and potential dissertation supervisors on the course could include Dr. Julia Laite, whose work focuses on aspects of women's history and policy and who is an expert in history online; Professor Matt Cook, who works extensively in community history, oral history and queer history and is a Director of the Samuel Raphael History Centre; Professor David Feldman, who has worked extensively in history and policy related to migration and minorities and is Director of the Pears Institute for the Study of Antisemitism; Professor Orlando Figes, an expert in oral history and the history of nineteenth- and twentieth-century Russia; and Dr. Fiona Candlin, an expert in museum studies, whose work focuses on small museums and public heritage.
MA Public Histories will be taught in Bloomsbury, at the heart of academic London, which contains one of the world's greatest concentrations of first-class library facilities, archives, museums, and heritage and public history organisations.
Our Department of History, Classics and Archaeology is one of the leading research and teaching departments for history in the UK. It is ranked 6th in the UK for the percentage of our research deemed world-leading or internationally excellent.
Our academic staff are international authorities in their fields, delivering stimulating, research-led teaching.
Our Department is home to thriving student societies and a number of affiliated research centres that actively run seminars, conferences and other events where some of the world's best scholars present their latest research. These include the Pears Institute for the Study of Antisemitism, the Raphael Samuel History Centre and the Birkbeck Institute for the Humanities.
We are located 5 minutes' walk from the British Museum and the British Library, while the Museum of London is easily reachable. The Institute of Historical Research is located in Bloomsbury, near the main Birkbeck campus, and has an internationally renowned library collection and seminars that you can attend.
Birkbeck Library has an extensive history collection, including the major specialist journals, and access to online materials.

Read less

Show 10 15 30 per page



Cookie Policy    X