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Masters Degrees (Metalwork)

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Course description. If you are a highly motivated individual this course prepares you for a career working at the forefront of jewellery and metalwork. Read more

Course description

If you are a highly motivated individual this course prepares you for a career working at the forefront of jewellery and metalwork. You build upon existing craft traditions, extending them in response to the needs of our rapidly changing society both in terms of function and style.

Your work on the course is project led and studio based. You develop and apply advanced skills using traditional and new technologies in the field. You also carry out research through practical and theoretical investigation.

Your individual project work includes research and creative work which explores your study topic. This is supported by lectures and seminars dealing with professional practice issues and reviewing progress. You also take part in regular group and individual tutorials.

This culminates with your final project that demonstrates you can deal with difficult contemporary questions and take a leading role in your profession as a designer.

There are opportunities to participate in study trips and visits to design conferences and debates.

Excellent facilities and creative resources

You have access to a huge range of creative resources to experiment and engage with including • 3D printing for rapid prototyping • state-of-the-art hardware and software • photography studios • a creative media centre • a gallery • well-equipped workshops.

You also have access to our award-winning learning centre featuring a specialist art, design and media library and extensive online resources.

Research-led expertise

We are one of the oldest established art and design institutions in the UK, renowned for producing internationally recognised research. Your projects are supported by lecturers who are reknowned specialists in jewellery and metalwork.

You benefit from a strong relationship between the masters design programme and the University’s Art and Design Research Centre which has gained international recognition for its work in both practice-based and strategic research. This has led to an approach to postgraduate study in design which emphasises the role of research in professional practice.

Vibrant and supportive learning environment

During the course you regularly take part in constructive critical debates about your own work and that of your peers. You need to communicate your research, ideas and designs in ways that are appropriate to professional leadership.

You study alongside MA and MFA Design students for part of your course and benefit from a vibrant, international, collaborative and supportive postgraduate environment.

Sheffield: an international centre for excellence in metalwork

Sheffield is famous not only for its innovative steel and tool industries but also for being at the leading edge of the design and production of contemporary metalwork, silversmithing and tableware.

MA and MFA study

MA and MFA students complete the same modules during the course except that MFA students complete an extra project module. The MFA project encourages you to develop professional skills that help you to identify, instigate, and deliver projects with external partners, such as communities, galleries or businesses. You find a project partner, agree a brief and then deliver the project to a professional standard.

We are normally asked to shortlist applicants before recommending a small number to apply. If this happens, we consider your interview, portfolio of work, academic qualifications and learning aims. We aim to pick people whose abilities and aims are relevant for the company and who are most likely to be successful in a competitive interview.

This course is part of the Sheffield Institute of Arts (SIA), an amazing, diverse community of makers – where staff, students and partners work as equals to deliver real innovation and creativity. SIA opened in 1843 and is one of the UK's oldest Art and Design Schools. We have recently moved into the Head Post Office, a redesigned Grade II listed building. It includes state-of-the-art workshops which provide you with a unique studio-based learning environment in the heart of the creative community.

Course structure

FULL-TIME STRUCTURE

Semester one

• project 1 • theory supporting practice

Semester two

• project 2 • negotiated project

Semester three

• major project

Semester four – MFA students only

• MFA project

PART-TIME STRUCTURE

Semester one (year 1)

• theory supporting practice • negotiated project

Semester two (year 2)

• project 1 • project 2

Semester three (year 3)

• major project

Semester four – MFA students only (year 4)

• MFA project

Assessment

Assessment and feedback are vital parts of the learning process in creative disciplines. Most assessment is through individual project work which combines research and creative practice.

Employability

There are many opportunities for employment or self-employment. We encourage you to take an enterprising approach and to strengthen your ability to develop your own business practice.

An increasing number of our graduates undertake further advanced study through research degrees (PhD) in the University’s Art and Design Research Centre, which has a leading position in the advancement of creative practice in design. Some of our graduates find employment in the University.

Sheffield is home to the largest concentration of creative production in the region. Support for creative industries in the city has encouraged home grown talent as well as practitioners relocating here.



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Jewellery & Metal (J&M) forms part of the School of Material. Within this context we are committed to exploring the rich and diverse field of adornment and object culture. Read more

Jewellery & Metal (J&M) forms part of the School of Material. Within this context we are committed to exploring the rich and diverse field of adornment and object culture. We encourage an open-minded approach that in principle embraces all materials. But it is metal that constitutes the technological core of our subject and we believe that a deepening understanding of the metal elements is key in these developments; the Periodic Table is our reference in expanding our activity within the subjects of jewellery and metalwork.

The attitude of Jewellery & Metal has shifted from a purely object-centred focus to a wider scope, questioning and exploring issues centred on the human condition. We are responsive to the rapidly changing social and cultural landscape, and draw on history and technology in nurturing intellectual and creative skills directed at understanding and pushing forward jewellery and objects of human making. The rich and extensive bodies of knowledge associated with object-making and jewellery underpin an approach that is outward-looking, open to the wider discourse on commodity objects, connecting to contemporary life.

As applied artists, being in control of the making process either by using our hands or through digital technologies is very important, it is our way of making sense of the world. As individuals we are fascinated with the rich and diverse materials and resources the world has to offer, and through the individuality of our personal visions we make our contribution to the bigger picture.

Jewellery & Metal provides an environment for exploring, in practical and theoretical ways, what it means to be an applied artist today. We see our role as challenging norms and questioning conventions, interrogating the role and purpose of objects and adornment through the development of a personal approach to researching, experimenting, designing and making in the context of an increasingly complex object culture.

The growing importance and interdisciplinary character of our distinctive discipline within material culture gives the applied arts an added vibrancy and relevance. We believe the physical act of making has an essential role to play in an increasingly virtual world, but we also embrace digital technologies and the virtual and believe that creating a dialogue between these worlds provides the applied arts with one of its most fertile testing grounds at this time.



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Our Master of Architecture (MArch) is centred on studio work that is intended to stretch the boundaries of your design imagination. Read more
Our Master of Architecture (MArch) is centred on studio work that is intended to stretch the boundaries of your design imagination. It is a modular course based on design project work, supported by lectures and seminars that examine the theoretical, practical and material dimensions of architecture.

This course is designed to help you define the kind of architect you want to be. You can tailor your portfolio towards the practices in which you want to work or areas in which you want to demonstrate your expertise. Our School Gallery has examples of our student's work and images from our Degree Shows and publications.

Design projects in the first year (Stage 5) are based on a visit to a major European city. Your work focuses on the urban scale and the detail scale with studios exposed to a diversity of design approaches. In the second year (Stage 6), you choose from a range of thematic studios on offer to pursue a self-led design thesis.

Alongside design, you can choose from a range of modules. These include the stimulating 'Tools for Thinking About Architecture' which leads either to a dissertation, a live build project or research work with a member of staff. Alternatively, you can opt to pursue modules from another of our Masters' programmes – Urban Design, Town Planning, or Design and Emergence – and students who take these modules are also eligible for an accelerated route onto one of these programmes after the MArch.

The whole school 'Conversations with Practice' lecture series introduces new ideas from prominent practitioners and academics.

Through the programme you will:
-Develop an appreciation of design as a collective cultural endeavour involving the acquisition and exercise of complex knowledge and skills
-Learn to think and act critically, thinking harder and deeper about architecture, what it can achieve and what you can do with it
-Define the kind of architect you want to be and tailor your portfolio towards the practices in which you want to work or areas in which you want to demonstrate expertise
-Develop the knowledge and skills necessary to work in the architectural profession with an independent, research-led attitude towards design

Our Erasmus and international exchange programmes provide opportunities to study abroad for one or two semesters in Stage 5. Exchange partners include The University of Sydney and KTH Stockholm.

Accreditation

This course is Royal Institute of British Architects (RIBA) Part II professionally accredited and will give you a sound preparation for a career in the architectural profession.

Facilities

You will have access to a well-equipped graduate studio space and, in the second year (Stage 6), a personal workspace within one of two 'Atelier' spaces. We have a fully equipped workshop set-up for timber and metalwork including laser-cutting and 3D-printing facilities. Our computing resources include print and plot, and video-editing facilities.

Studio spaces in the School are supplemented as social spaces with the student-run coffee bar.

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Led by Professor Jo Stockham, the Print programme is a two-year specialist MA course. Renamed from Printmaking in 2015, this change signals that the study of the expanded field of Print is equal to the making of prints as a series of medium specific choices. Read more

Led by Professor Jo Stockham, the Print programme is a two-year specialist MA course. Renamed from Printmaking in 2015, this change signals that the study of the expanded field of Print is equal to the making of prints as a series of medium specific choices. We explore the mediated image approached through a range of intellectual approaches provided by a diverse team of tutors, all practicing artists. 

Access to world-class technical facilities in all print media means that we are able to both explore and expand the field of Print addressing the constant interplay between thinking and making, the image and technology. Students from a wide variety of backgrounds choose to study with us because of their interest in questions, which include, the nature of the copy, diagramming, appropriation, materiality of the image, the politics of print and print as a collaborative practice. 

Artists’ books and web based work as forms of distribution and explorations of narrative structures are a growing aspect of the course. We are benefiting from the renewed interest in the circulation, reception and creation of multiple images due to the ubiquity of digital images and computing.

We are embedded in a network of international print publishers, archives and galleries. A publishing project and exhibiting work are an integral part of the course. The potential for collaboration and residency situations where making work is a form of exchange is core to many students and we help them prepare for making applications to such opportunities. 

The aim of the programme is to enable students to work across a broad platform of media appropriate to their self defined ambitions and interests. By equipping graduates with experience of exhibiting, collaboration, editioning, lecturing, curating and a thorough critical engagement with a self defined body of work we aim to develop artists who understand the expressive nuances of different materials and forms of distribution in the expanded field of print. Evidence suggests they will be able to sustain themselves on graduation as exhibiting artists often engaged in related fields such as, teaching, publishing, curating and research.

An active research culture of staff, visiting artists, MPhil and PhD students is a core part of the programme and is shared through lectures, seminars, publications, presentations and exhibitions.

Alumni include, Andrea Buettner, Adam Dant, Mabe Bethonico, William Latham, Haris Epaminonda, Daniel Gustav Cramer, Christiane Baumgartner and Katsutoshi Yuasa.

The programme offers:

  • a critical context to understand the field of Print through making, exhibiting, discussion and writing
  • individual desk space 
  • access purpose-built workshops, offering internationally renowned printmaking facilities and instruction in relief and intaglio, screen printing, stone and plate lithography and large-format digital printing
  • access to college wide workshop facilities including metalwork casting, photography, ceramics and 3D printing. 
  • opportunities for teaching placements, workshop placements, exhibitions, overseas travel and international exchanges
  • an annual collaborative publishing project 
  • introductions to archives and collections, (eg V&A, Tate and British Museum) and editioning workshops (Paupers Press, The Thames Barrier Print Studio, Curwen)
  • a well-established publications programme which most recently published a print by Mark Titchner. Sales from these publications contribute to the Print Appeal Fund to support current students
  • continued support for alumni through Alumni RCA and programme specific events


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Glass is a medium that crosses a range of disciplines and is used by artists, craftspeople and designers alike. This award-winning programme explores glass as a design tool that encourages process-led risk and play, in parallel with the prototyping and resolution of designed objects. Read more

Glass is a medium that crosses a range of disciplines and is used by artists, craftspeople and designers alike. This award-winning programme explores glass as a design tool that encourages process-led risk and play, in parallel with the prototyping and resolution of designed objects.

Courses cover contemporary design issues including material narratives, interdisciplinary crossover and post-digital practices, as well as studio and client-based projects.

You will focus on the materiality of glass, explore new boundaries through the integrated relationship between process and theory, and be encouraged to position yourself within and beyond the disciplines of glass.

This programme is unique in Scotland and ECA is one of the few centres of excellence in this discipline in the UK. Comprehensive glass and plaster workshops are complemented by state-of-the-art digital fabrication labs, woodwork, metalwork and bronze foundry, enabling you to experience the complete design journey from conception to the production of glass at the highest level.

You will benefit from visiting professional practitioners and lecturers and will have the opportunity to participate in live projects and competitions. The curriculum combines programme and student-led activity, delivered through workshops, group seminars and individual tutorials.

You will negotiate and develop a programme of study based on personal areas of practice-based research. We foster interdisciplinary collaboration with other departments creating a unique student experience and rich opportunities for learning.

Programme structure

This programme combines directed and self-directed practice-based studio projects with theoretical and written studies, including professional practice elements to prepare you for employment in the industry, and a lecture/seminar series to examine the wider context of your studies.

The programme focuses on providing the tools of craft and design through comprehensive professional practice workshops, focused on the specific requirements of the designer maker. You will produce a body of practical and written work on an agreed, self-initiated project. MFA students produce an additional extended body of work.

Career opportunities

As a graduate you will discover a diverse range of career opportunities. Alumni have worked within the production of individual designed objects, as lead designers within industry, as gallery representation, on commissioned major public artworks, and in teaching and leading positions within creative practices.



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interdisciplinary opportunities we offer create an engaging professional experience investigating the practice and discourse of fine art. Read more

interdisciplinary opportunities we offer create an engaging professional experience investigating the practice and discourse of fine art. You can choose areas of specialism in drawing from the archive, art in space and place and curating art, alongside your own studio work.

Full-time students use our purpose-built studio space. You have access to a wide range of workshops and technical expertise from all areas of media and fabrication. These include • sculpture • painting • live art • drawing • computer programming • metalwork • video editing • dark rooms • sound studios • film production equipment • printmaking.

Our teaching staff are experts in fine art and art education who not only exhibit their work but also contribute to conferences, journals and publications at national and international levels.

Vibrant and supportive learning environment

The course offers a supportive community to foster your practice and your ambitions as a fine art professional. It is particularly suitable if you are • open-minded • ambitious • keen to experience new personal challenges that expand your creative development • interested in understanding all areas of the fine art discipline.

You are encouraged to create experimental and innovative works and to engage with the critical context of art in our time. Dialogue with peers, practicing artists and structured teaching throughout the course enables you to identify your practice within the wider field of fine art to achieve new goals, develop networks and find new inspirations to enrich your creative ambitions.

Excellent creative resources

We have a comprehensive range of technical resources and an excellent programme of high profile guest artists from across the visual arts spectrum to stimulate debates on issues of art and culture. If you are doing your work placement in another European country there may be funding available through the Erasmus programme.

Dynamic and creative art community

Fine art students work and exhibit in the heart of Sheffield's Cultural Industries Quarter. The course has links with • Sheffield Contemporary Arts Forum • studio groups such as S1 and Bloc • Yorkshire Art Space Society • the Showroom Cinema • Site Gallery.

Sheffield has a dynamic and vibrant creative community. We work collaboratively with artists and curators, as well as researchers and students in other areas. You have access to a network of public galleries, art organisations and artist-run spaces. Opportunities for exhibiting and publishing take place throughout the year.

MA and MFA study

MA and MFA students complete the same modules during the course except that MFA students complete an extra project module. The MFA project encourages you to develop professional skills that help you to identify, instigate, and deliver projects with external partners, such as communities, galleries or businesses. You find a project partner, agree a brief and then deliver the project to a professional standard.

This course is part of the Sheffield Institute of Arts (SIA), an amazing, diverse community of makers – where staff, students and partners work as equals to deliver real innovation and creativity. SIA opened in 1843 and is one of the UK's oldest Art and Design Schools. We have recently moved into the Head Post Office, a redesigned Grade II listed building. It includes state-of-the-art workshops which provide you with a unique studio-based learning environment in the heart of the creative community.

Course structure

Core modules

  • Research directions and critical studies

In this module you extend your knowledge of the range of approaches to research that have been used in art, and those that derive from other disciplines. You are introduced to an advanced range of contemporary critical theories, and examine key texts embodying these theories. Principles of research planning and the theory and practice of information searching ensure you are ready to effectively carry out your own research and critical practice.

  • Advanced art practice

During this studio-based module, you produce a body artwork in preparation for an exhibition. Your work may manifest itself across a range of contemporary art practices arising from individual intellectual and creative concerns. You have access to specialist workshop surgeries where you can seek individual support and advice to further your practical work.

  • Art

On this module you produce a body of work in any chosen media form. It draws together strategies of research, professional practice and critical thinking to form an advanced, mature, informed and professional practice. The module holds together these key aspects to reflect, and enable transition into, the wider contemporary art world.

Optional modules

You select from options that are led by research active staff who will introduce you to their own professional interests including • art writing • curating art • art in space and place • drawing from the archive • gallery – public realm: making art inside and out

MFA core module – MFA students only

  • Studio methods

You reflect on and consider methodologies of fine art to develop an individual method of making.

  • Art and its publics

Your work on this final MFA project involves public presentation of your work supported by a mentor who guides you as you make the leap into the professional world.

Assessment

Self-negotiated models of examination enable students to present agreed bodies of work for self and peer group assessment as well as evaluation by tutors.

Employability

We provide a learning environment that supports your individual needs while developing your involvement in the wider art world.

You are regularly involved in a range of exhibition, curatorial, performance, screening and publishing projects at regional, national and international levels.

You gain confidence to exploit opportunities for practicing artists and work in associated fine art-related culture. You can also register for further study at MPhil/PhD level within our Art and Design Research Centre.

Graduate successes include

  • Andrew Cooke was commissioned by Art Sheffield 08 for the Millennium Gallery in Art Sheffield. His work and the exhibition were reviewed in the Guardian.
  • Lesley Guy exhibited work in Amsterdam and Sheffield, while also developing a review column in the Metro newspaper




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Whether you want to explore innovative design, promote fashion internationally or set up your own label, we have the world-class facilities, practitioners and industry expertise to prepare you for an exciting career. Read more
Whether you want to explore innovative design, promote fashion internationally or set up your own label, we have the world-class facilities, practitioners and industry expertise to prepare you for an exciting career. Students can choose to work in any of the wide range of fashion areas, covering Fashion Design, Fashion Communication and Promotion, Jewellery and Accessories, or Fashion Textiles – our MA Fashion is uniquely structured to enable you to specialise while drawing on a broad range of resources and expertise.


Why you should study MA Fashion at Middlesex?

At Middlesex we take an innovative approach to Fashion that enables you to specialise while collaborating, experimenting, and enhancing your skills with students and staff from across the department. Taught by some of the UK's leading practitioners and technical experts, you'll explore your chosen area of Fashion within a contemporary framework that will equip you with the practical skills, business acumen and industry insights you need to succeed in today's global market.

Based in our £80 million Art and Design School, our course features state-of-the-art facilities and specialist workshops fitted with both new and traditional equipment to enable you to fully realise your visions. Through a combination of workshop enquiry, in-depth research and critical understanding of your practice, we ensure that you graduate with the skills, knowledge and body of work to advance your Fashion career in new, challenging and imaginative directions.

Course highlights:

- Exceptional facilities that are among the best in the country, including traditional fashion workshops and equipment for screenprinting, knitting, weaving, digital printing, embroidery, metalwork, photography, reprographics, film, laser cutting, 3D printing and more
- Flexibly designed module content to enable you to bring your interests and ambitions to every assessment, whether that's making textiles, designing jewellery, creating a book, producing a magazine, evolving an existing specialism you have, and more
- Despite being a new MA course we have an international reputation for high calibre graduates from our BA Fashion programmes who have gone on to work for Givenchy, Kenzo, Vivienne Westwood, Preen, Aquascutum and ASOS
- Opportunities to start your own label with recent examples including Boudicca, Christopher Raeburn and Ashley Isham
- Access to networking opportunities, world-leading research and expertise through the Art & Design Research Institute (ADRI) on campus

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Our. MA Ceramics course. is a project led and studio based programme with tutorial guidance, where you'll produce high quality work through rigorous academic research and creative studio practice. Read more

Our MA Ceramics course is a project led and studio based programme with tutorial guidance, where you'll produce high quality work through rigorous academic research and creative studio practice.

You'll have the opportunity to create a range of objects, experiment with different materials and processes, and develop your individual style and creativity. Our MA supports a wide range of ceramics practices, including historical, traditional and contemporary, and will encourage innovation in ceramics design and technology.

We'll guide you in maximising your talent and creative ability, so you'll be able to further develop your skills for future engagement with the arts, crafts and design industries.

Our courses are designed for talented, self-motivated individuals wishing to work at the forefront of artistic, creative industries and enterprises.

This course benefits from a cohort of expert staff that includes the nationally and internationally acclaimed ceramicist Professor Magdalene Odundo OBE and Nicholas Lees, as well as a number of visiting artists such as Steve Brown and Clare Twomey.

Throughout the course, you'll have the opportunity to broaden your knowledge and experience by working with your peers from other specialist courses at UCA Farnham, such as our Textiles, Jewellery, Metalwork and Glass courses.

Our Farnham campus boasts first-rate facilities with extensive workshops and equipment to support your study. It's also home to our Crafts Study Centre - a purpose built museum, research centre and gallery dedicated to crafts. The Crafts Study Centre possesses the world's most coherent collection of Leach pottery and a stunning collection of work by Lucie Rie, as well as contemporary makers such as Edmund de Waal.

Facilities

Our Farnham campus provides first-rate facilities with extensive workshops and equipment to support your study. It's also home to our Crafts Study Centre - a purpose-built museum, research centre and gallery dedicated to crafts.

Industry Partners

As part of this course, you'll have access to well-established industry connections. These include:

-Historical research, exhibition and curation with the Watts Gallery

-Links with Froyle Tiles and Lambs Terracotta - providing an opportunity to research interior and exterior architecture, along with restoration and renovation projects

-Local production of Dartington Pottery at the nearby Grayshott Pottery - beneficial to those researching surface and glaze

-Farnham-based 318 Ceramics and the New Ashgate Gallery Trust.

Careers

Our MA Ceramics course will equip you with a host of valuable and transferable skills. Upon successful completion, you might decide to become a self-employed artist, or forge a career within the craft and design industries.

Recent graduates work as:

-Artists

-Designers

-Makers

-Arts administrators

-Gallery curators

-Teachers

-Writers.

Virtual Media Space

Visit our Postgraduate Virtual Media Space to find out more about our courses, see what it's like to study at UCA and gain access to our campus virtual tours.



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Our. MA Jewellery course. gives design professionals and graduates the opportunity to deepen their skills and experience in the areas of jewellery, to refine specific areas of research. Read more

Our MA Jewellery course gives design professionals and graduates the opportunity to deepen their skills and experience in the areas of jewellery, to refine specific areas of research.

This course is suited to highly motivated and talented people who wish to work at the forefront of their creative discipline. It's a project-led and studio-based course with close tutorial guidance.

Rigorous research will encourage you to explore a wide range of approaches, from traditional to contemporary influences of art, craft, design and technology.

As a student on MA Jewellery, you'll benefit from teaching by leading specialist designers, artists and crafts people. You'll get to create a range of objects and experiment with different materials and processes, to develop your creative thinking.

Throughout the course, you'll work closely alongside students from other fields such as textiles, ceramics, metalwork and glass. This will enable you to broaden your knowledge and incorporate elements from various disciplines into your own practice.

Our Farnham campus offers extraordinary facilities with extensive workshops and equipment to support your study. It's also home to the Crafts Study Centre - a purpose-built museum, research centre and gallery dedicated to crafts.

Facilities

UCA Farnham provides first-rate facilities with extensive workshops and equipment to support your study. It's also home to the Crafts Study Centre - a purpose-built museum, research centre and gallery dedicated to crafts.

Industry Partners

This course has excellent support from:

-Worshipful Company of Ironmongers

-The Goldsmiths' Company

-The Worshipful Company of Pewterers

-Association of Contemporary Jewellery

-Jewellers and Silversmiths Network

-The New Ashgate Trust.

Careers

Our course will equip you with a host of valuable and transferable skills. Upon successful completion, you might decide to become a self-employed artist, or forge a career within the craft and design industries, for example.

Recent graduates work as:

-Artists

-Designers

-Makers

-Arts administrators

-Gallery curators

-Teachers

-Writers.

Virtual Media Space

Visit our Postgraduate Virtual Media Space to find out more about our courses, see what it's like to study at UCA and gain access to our campus virtual tours.



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With state-of-the-art facilities and expert guidance from some of the UK's leading academics and technical specialists, our course will enable you to explore both experimental and traditional approaches to Printmaking. Read more
With state-of-the-art facilities and expert guidance from some of the UK's leading academics and technical specialists, our course will enable you to explore both experimental and traditional approaches to Printmaking. Using innovative resources for etching, intaglio, lino, letterpress, stone lithography, screenprint, ceramic and 3D printing, you will develop your own unique approach to Printmaking through workshop enquiry, research and critical understanding of your practice.

Why study MA Printmaking at Middlesex?

At Middlesex we take a highly practical approach to Printmaking that enables you to explore your interests and enhance your skills through experimentation, research and critical analysis. Flexibly designed to meet the ambitions of students from a wide range of creative backgrounds, including illustration, fine art, and design, our course will equip you with the advanced skills, contemporary knowledge and industry insights you need to develop your own practice to a professional standard.

Based in our £80 million Art and Design School and taught by a diverse range of Printmaking academics and industry professionals, our course features world-class facilities and specialist workshops fitted with both new and traditional equipment. With opportunities to build industry contacts and exhibit your work off-site, you'll also gain the employability skills, exposure and experiences you need to navigate a successful career path in today's competitive creative industries.

Course highlights:

- Our facilities are among the best in the UK with etching, intaglio, lino, letterpress, stone lithography, screenprinting, ceramic decal and glaze transfers available in a dedicated print workshop with specialist technical support
- Access to innovative software and equipment across the School of Art and Design including a 3D printer, large format digital printer, dark rooms, photographic studios, laser cutters and metalwork workshops
- An exhibition of your work in central London to create networking opportunities and build industry contacts in a professional environment
- Direct access to London's art world with valuable industry links to a range of galleries, printmakers, businesses, libraries and collections that will enhance your research and inform your practice
- Access to networking opportunities, world-leading research and expertise through the Art & Design Research Institute (ADRI) on campus

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Develop and enrich your artistic skills with our MA Art Practice. As your creativity matures, this course will allow you to hone your talent through the application of contemporary and traditional methods, reflective approaches and attitudes as you advance as an affective artistic practitioner. Read more
Develop and enrich your artistic skills with our MA Art Practice.

As your creativity matures, this course will allow you to hone your talent through the application of contemporary and traditional methods, reflective approaches and attitudes as you advance as an affective artistic practitioner. In addition you will have the opportunity to expand their skills into new subject disciplines as you work your ideas through into images and objects.

Much of the learning is “situation based” – meaning your experience gathered from previous work will be required as you tackle challenging and complex scenarios and devise solutions to them.

You will also have the opportunity to exhibit work and to take part in New Designers – a major opportunity to showcase new talent to the creative and design industries.

Key Course Features

-You will work with experienced artists and designers.
-Opportunity to learn new skills in painting, drawing, printmaking, photography, animation, illustration, graphics, graphic novels, ceramics, glass and jewellery metalwork.
-Take part in Creative Futures, an event to focus upon career options for those with creative skills with visiting speakers from a wide range of art and design professions.
-Take the opportunity to collaborate or form a collective to enhance your career potential
-Showcase your work in the university Gallery Sycharth, School of Creative Arts or other external venues.
-Explore your potential as a researcher as you learn about the methods and protocols of supervised study.

What Will You Study?

The curriculum is split into 3 stages: The Postgraduate Certificate, the Postgraduate Diploma and the Master of Arts Degree. The Certificate and Diploma comprise Part 1 of the programme and the Master’s Stage is Part 2.

Part 1 comprises three 40 credit modules in which you will discover and disclose the influences that feed into your creative practice – for some it is artworks, for others it may be writing or music – we all draw inspiration from particular sources. You have chance to deepen your understanding of these influences and evaluate your responses to them.

We also include a research orientated module, to teach you systems and methods of researching in order that you can grow in confidence as your knowledge becomes increasingly specialised and your opinions more informed by your findings.

Finally in Part 1 of the programme, we demonstrate how to audit our own skills as “creatives”, and to use that experience to develop a project tailored to your individual needs and career aspiration.

In Part 2, you will consolidate your researches and nominate a project that can be expressed in two forms; words and visuals. Normally, Master of Arts students submit a short dissertation relating to their practical work, or a word based activity equivalent to a dissertation in its depth of enquiry and reasoning. The resulting practical work is exhibited at the conclusion of the programme.

Major assessments are positioned at the end of each module, with formative assessment around the mid way point. Assessments are inclusive and all students are encouraged to engage with their assessors and justify the creative decisions leading to their works. We try to make assessments an important part of learning but not intimidating. We encourage and reward creative energy.

The information listed in this section is an overview of the academic content of the programme that will take the form of either core or option modules. Modules are designated as core or option in accordance with professional body requirements and internal academic framework review, so may be subject to change.

Assessment and Teaching

The majority of assessment is based upon the portfolio of work produced within a module. Students are given opportunity to present this body of work and discuss the context in which it was produced and how it may inform future practice.

The ability to express ideas and to reflect upon practice is measured in short reports and evaluations, either written or presented to peers.

Typical teaching weeks include contact sessions between 10.00 and 17.00 on Mondays and Thursdays. The facilities are normally available from 8.00 to 20.30 Monday to Thursday and 8.00 to 17.30 on Friday in term time.

Career Prospects

Master’s degree students are creative and innovative so find opportunities for career development in many fields of activity. Recent graduates have commenced careers as self employed artist/designers, lecturers, illustrators, special needs facilitators, theatrical prop makers, game designers.

The Careers & Zone at Wrexham Glyndŵr University is there to help you make decisions and plan the next steps towards a bright future. From finding work or further study to working out your interests, skills and aspirations, they can provide you with the expert information, advice and guidance you need.

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Contemporary life is defined and fashioned by design. this course will support you to enrich and evolve your skills. Read more
Contemporary life is defined and fashioned by design: this course will support you to enrich and evolve your skills. As your creative identity matures, this course will allow you to hone your talent through the application of current and traditional methods, reflective approaches and attitudes as you advance as an affective artistic practitioner.

Much of the learning is “situation based” – meaning that the experience gathered from previous work will be required as you tackle challenging and complex scenarios and devise solutions to them. You will also have the opportunity to exhibit work and to take part in New Designers – a major opportunity to showcase new talent to the creative and design industries.

Key Course Features

-Working with experienced artists and designers, you'll have the opportunity to expand your skills into new subject disciplines as you evolve your ideas and work into new directions.
-Opportunity to learn new skills in painting, drawing, printmaking, photography, animation, illustration, graphics, graphic novels, ceramics, glass and jewellery metalwork.
-Take part in Creative Futures, an event to focus upon career options for those with creative skills with visiting speakers from a wide range of art and design professions.
-Take the opportunity to collaborate or form a collective to enhance your career potential
-Showcase your work in the university Gallery Sycharth, School of Creative Arts or other external venues.
-Explore your potential as a researcher as you learn about the methods and protocols of supervised study.

What Will You Study?

The course is split into 3 stages: The Postgraduate Certificate, the Postgraduate Diploma and the Master of Arts Degree.
You can study for either a Postgraduate Certificate (60 credits), a Postgraduate Diploma (120 credits) or Master of Arts Degree (180 credits) - with the option to progress to the next stages from the certificate and diploma levels.

You will discover and disclose the influences that feed into your creative practice and draw inspiration from particular sources. You have chance to deepen your understanding of these influences and evaluate your responses to them.

We also include a research orientated module, to teach you systems and methods of researching in order that you can grow in confidence as your knowledge becomes increasingly specialised and your opinions more informed by your findings.

You will also learn how to audit our own skills as a “creative”, and to use that experience to develop a project tailored to your individual needs and career aspiration.

If you undertake the full Master of Arts, you will consider a major project that can be expressed in words and visuals. Normally, Master of Arts students submit a short dissertation relating to their practical work, or a word based activity equivalent to a dissertation in its depth of enquiry and reasoning. The resulting practical work is exhibited at the conclusion of the programme.

Major assessments are positioned at the end of each module, with formative assessment around the mid way point. Assessments are inclusive and all students are encouraged to engage with their assessors and justify the creative decisions leading to their works. We try to make assessments an important part of learning but not intimidating. We encourage and reward creative energy.

The information listed in this section is an overview of the academic content of the programme that will take the form of either core or option modules. Modules are designated as core or option in accordance with professional body requirements and internal academic framework review, so may be subject to change.

Assessment and Teaching

The majority of assessment is based upon the portfolio of work produced within a module. Students are given opportunity to present this body of work and discuss the context in which it was produced and how it may inform future practice.

The ability to express ideas and to reflect upon practice is measured in short reports and evaluations, either written or presented to peers.

Typical teaching weeks include contact sessions between 10.00 and 17.00 on Mondays and Thursdays. The facilities are normally available from 8.00 to 20.30 Monday to Thursday and 8.00 to 17.30 on Friday in term time.

Career Prospects

Master’s degree students are creative and innovative so find opportunities for career development in many fields of activity. Recent graduates have commenced careers as self employed artist/designers, lecturers, illustrators, special needs facilitators, theatrical prop makers, game designers.

The Careers & Zone at Wrexham Glyndŵr University is there to help you make decisions and plan the next steps towards a bright future. From finding work or further study to working out your interests, skills and aspirations, they can provide you with the expert information, advice and guidance you need.

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This exciting one-year studio practice MFA offers a combination of experienced teacher-practitioners , dedicated studio space and diverse workshops in a great London location. Read more
This exciting one-year studio practice MFA offers a combination of experienced teacher-practitioners , dedicated studio space and diverse workshops in a great London location. You’ll enjoy two opportunities to exhibit – at the famous Cass Summer Show and through an extensive group project commissioned with an established art or design organisation.

More about this course

This is new innovative and intensive MFA in a world leading capital of art and design: London is designed for graduates of art and design taking the next important step towards earning a living from the practice they love

This postgraduate MFA course is a taught degree, with lots of hands-on teaching and learning in workshop, studios and seminars, shaping your work towards practical and commercial outcomes as a professional practitioner.

You have access to great facilities throughout the year. At London Met we are famous for our specialist workshops: photography darkrooms, metalwork and woodwork workshops, ceramics room, printmaking studio, digital imaging equipment, textiles and sewing equipment, 3D printing and laser-cutting, photography resources, video and film editing facilities, a camera equipment hire shop and sound recording studios.

You‘ll learn to propose, research, develop and execute a master’s level project to the highest possible professional standards. You establish the framework of a professional practice: how to self-organise your practice in the world to achieve reputation and success.

There is a School wide, intensively marketed London PG Diploma exhibition at the University in June where you curate and showcase your work.

Finally, you test yourself in one of a series of group projects briefed by London art organisations and design companies. You work together with fellow postgraduates all summer to meet the requirements of the professional commission.

Would you like to test this course out?

This course has special ‘try-it-out’ days on Saturdays in September, November, February and April when our tutors workshop an aspect of the MFA course, as delivered. These ‘‘try-it-out’ days’ are free! See what this course is like by signing up for one of these special Saturdays!

Assessment

Full-time students will be assessed at up to three points in a year. Assessment will be by coursework only, with components that are measured for: subject knowledge; analysis; problem-solving and experimentation; management of own learning and personal professional development; skills in professional practice (CV, website, social media and communications); exhibition skills, production and installation; project skills, the production of online project documentation (including an online evaluative report, online project proposal and annotated research material) and two finished projects (Major Project and Collaborative Commission). Marking criteria are published to students. The assessors provide written online feedback on each assessment component at each assessment point in a standard template.

Modular structure

The course structure is designed to be completed in one year (two years if taken part-time). The modules all serve to create a major project exhibited in June, before a final summer spent entirely on a collaborative professional commission, briefed by an arts organisation or design company and undertaken in working group.

Throughout the year, students gain a variety of insights into the art or design worlds via guest lecturers from a wide range of public and private sector organisations, as well as case study reviews, workshops, exhibitions, events and site visits across London and further afield.

Modules include:
-Professional Practice & Networking
-Major Project and Exhibition
-Groupwork to Professional Brief

After the course

You can use this MFA as a qualification in establishing yourself as a professional, self-employed artist or designer. To do so, you must go on to use the experience gained in the qualification to self-organise and network to win contracts, commissions and shows. We have a professional practice and networking module designed to help you learn exactly for this purpose.

Or you can use the MFA qualification to gain work at major employers in the art and design sector such as Artsadmin, Pentagram, the Tate, the Royal Academy, Tom Dixon, Arts Council England, Heatherwick’s, the Venice Biennale, Sotheby’s or Conrans.

Alternatively, you can use the MFA to go on to study for an art and design PhD, an entry qualification that helps you get into a Higher Education art or design career, to teach and research anywhere in the world.

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The key emphasis of the Jewellery & Metal programme in the first year is on establishing a personal creative mindset. This happens through set projects and seminars. Read more

First Year

The key emphasis of the Jewellery & Metal programme in the first year is on establishing a personal creative mindset. This happens through set projects and seminars. The ideas and work are supported by individual tutorials and progress is evaluated at set formal points. additional course components are designed to complement and underpin this work, developing and deepening students’ understanding of their chosen subject and strengthening their confidence in their own creative language.

During the first year there are set projects running alongside the Personal Projects that address and explore design methodologies, context, presentation skills, technical and digital inductions, introduction to emerging technologies, visits, seminars and group crits as well as visits and live projects.

Students are expected to explore and develop ideas for their Personal Project on an individual basis during the first year, using time between common elements and course project requirements. By the end of the year students should have developed a clear direction for their second-year Personal Project.

Second Year

During the second year students are expected to pursue their Personal Projects and produce work that will reflect the context of their anticipated professional practice.

The major part of the second year is devoted to the Personal Project. The student is responsible for progressing the work, according to a schedule of development that is subject to a timetable of deadlines for delivery and review throughout the second year. Completed work is presented in the RCA Show.

Critical & Historical Studies

The RCA provides a unique environment for postgraduate art and design students to reflect upon their own practice, and to engage with students from their own and other disciplines. The role of Critical & Historical Studies (CHS) is to support the studio programmes in enabling these critical engagements to take place. The courses offered by CHS to first year studio-based MA students propose an intellectual framework within which they can begin to establish a coherent relationship between theory and practice.

In the autumn and spring terms there are a series of College-wide seminars and lectures. The autumn term series will relate to your particular discipline (though it is possible to elect to join a series being offered to students on other programmes) whereas the spring term series will be more broad-based and cross-disciplinary in nature.

In the spring and summer terms, a CHS tutor will give you individual tutorials to support the development of a dissertation which is submitted at the start of the second year. The dissertation should be between 6,000–10,000 words in length – this is a major piece of work and you will be not be able to submit for the Final Examination until you have passed this assessment.

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