• University of Bristol Featured Masters Courses
  • Ulster University Featured Masters Courses
  • University of Surrey Featured Masters Courses
  • Birmingham City University Featured Masters Courses
  • University of Derby Online Learning Featured Masters Courses
  • Xi’an Jiaotong-Liverpool University Featured Masters Courses
  • Northumbria University Featured Masters Courses
De Montfort University Featured Masters Courses
Buckinghamshire New University Featured Masters Courses
University of Leeds Featured Masters Courses
Cass Business School Featured Masters Courses
Cardiff University Featured Masters Courses
"metal"×
0 miles

Masters Degrees (Metal)

We have 85 Masters Degrees (Metal)

  • "metal" ×
  • clear all
Showing 1 to 15 of 85
Order by 
Jewellery & Metal (J&M) forms part of the School of Material. Within this context we are committed to exploring the rich and diverse field of adornment and object culture. Read more

Jewellery & Metal (J&M) forms part of the School of Material. Within this context we are committed to exploring the rich and diverse field of adornment and object culture. We encourage an open-minded approach that in principle embraces all materials. But it is metal that constitutes the technological core of our subject and we believe that a deepening understanding of the metal elements is key in these developments; the Periodic Table is our reference in expanding our activity within the subjects of jewellery and metalwork.

The attitude of Jewellery & Metal has shifted from a purely object-centred focus to a wider scope, questioning and exploring issues centred on the human condition. We are responsive to the rapidly changing social and cultural landscape, and draw on history and technology in nurturing intellectual and creative skills directed at understanding and pushing forward jewellery and objects of human making. The rich and extensive bodies of knowledge associated with object-making and jewellery underpin an approach that is outward-looking, open to the wider discourse on commodity objects, connecting to contemporary life.

As applied artists, being in control of the making process either by using our hands or through digital technologies is very important, it is our way of making sense of the world. As individuals we are fascinated with the rich and diverse materials and resources the world has to offer, and through the individuality of our personal visions we make our contribution to the bigger picture.

Jewellery & Metal provides an environment for exploring, in practical and theoretical ways, what it means to be an applied artist today. We see our role as challenging norms and questioning conventions, interrogating the role and purpose of objects and adornment through the development of a personal approach to researching, experimenting, designing and making in the context of an increasingly complex object culture.

The growing importance and interdisciplinary character of our distinctive discipline within material culture gives the applied arts an added vibrancy and relevance. We believe the physical act of making has an essential role to play in an increasingly virtual world, but we also embrace digital technologies and the virtual and believe that creating a dialogue between these worlds provides the applied arts with one of its most fertile testing grounds at this time.



Read less
Get paid to do a Masters with the. Centre for Global Eco-Innovation. at. Lancaster University. and. Ames Goldsmith (UK) Ltd. One year enterprise-led funded Masters by Research, Ref. Read more

Get paid to do a Masters with the Centre for Global Eco-Innovation at Lancaster University and Ames Goldsmith (UK) Ltd.

One year enterprise-led funded Masters by Research, Ref. No. 85

·        Get paid £15,000 tax-free

·        Have your tuition fees reduced. Your partner company pays £2,000 towards your fees, meaning UK/EU students pay £2,260, and International students pay £15,945.

·        Be part of the multi award winning Centre for Global Eco-Innovation with a cohort of 50 talented graduates working on exciting business-led R&D.

·        The Centre is based at Lancaster University, so you will gain your Masters from a Top Ten University, recognised as The Sunday Times University of the Year 2018.

·        Finish in a strong position to enter a competitive job market in the UK and overseas.

New energy systems and promoting a transition to a circular economy are amongst the greatest challenges of the current generation. 

This project offers the opportunity to gain a masters qualification working in collaboration with a leading supplier of precious metals. Understanding gained through this project will be in high demand as vehicle manufacturers seek to innovate to make fuel cell technology affordable. The project degree fees are sponsored, and you are paid a stipend whilst undertaking the research.

Fuel cells are becoming increasingly vital sources of power, with predictions for markets to surge in the next 20 years. A fuel cell includes a membrane impregnated with precious metals using Proton Exchange Membrane (PEM) technology. Applications include electrolysers, trains, stationary power and fuel cell vehicles.

The aim of this project is to explore methods of recycling fuel cell membranes (MEA) safely in order to separate the reusable precious metal content from other products that may damage the environment. Currently, precious metals can only be recovered through a process of burning and releasing hazardous compounds. Fuel cells and electrolysers are part of the green energy revolution. This project aims to provide a recycling solution that will recover more useful valuable metals that can feed directly back into the production process.

The successful applicant has the opportunity to explore the leaching and deposition kinetics of some of the components not previously studied, such as iridium. This will likely involve techniques and equipment such as rotating discs, ring disc electrodes and electrochemical quartz crystal microbalance. The team will use this work to design a process / reactor, which allows the validation of the performance.

This project would suit a chemical engineering or chemistry graduate.

Enterprise and collaborative partners

This Masters by Research is a collaborative research project between Lancaster University and Ames Goldsmith (U.K.) Limited. Supervised by Dr Richard Dawson and Dr Fabrice Andrieux of Lancaster University and colleagues from Ames Goldsmith (U.K.) Limited and Ceimig Limited. Ames Goldsmith is a major supplier of silver-based products and refining services to the electronics, medical, photographic, mirror, waste treatment and catalyst industries.

Apply Here

To apply for this opportunity please email with:

·    A CV (2 pages maximum)

·    Application Form

·    Application Criteria Document

·    Reference Form

This project is part funded by the European Regional Development Fund and is subject to confirmation of funding. For further information about the Centre for Global Eco-Innovation, please see our website.

 

Deadline:           Midnight Tuesday 19th June 2018

Start:                    October 2018



Read less
Be part of a lively popular-music research community that embraces everything from metal music to film scores and work alongside performers, composers and studio producers. Read more

Be part of a lively popular-music research community that embraces everything from metal music to film scores and work alongside performers, composers and studio producers.

You will join peers with backgrounds in cultural studies, sociology, music and the creative arts to explore today's local live music scene and its connection to the wider industry. From researching gigs and events to composing scores for film and television, you will discover how a variety of communities fuse together to create this vibrant and expanding scene.

Whether developing your songwriting and music editing techniques in our studios or organising events and liaising with artists at Leeds Festival, you will gain the hands-on experience employers are looking for while gathering evidence to carry through into your major research project.

With its combination of research and practice, your course will provide the perfect springboard to discover the interconnectivity of popular music and culture and engage with the vibrant and varied music scene in Leeds.

Course Benefits

As well as having access to modern, professional music studios, you will benefit from being taught by a highly-skilled and experienced teaching team, including Professor Karl Spracklen who is Secretary of the International Society for Metal Music Studies and the Editor of Metal Music Studies.

You will also have the chance to network with industry professionals during our guest lecture series. Previous speakers have included Leeds Festival boss Melvin Benn and chart-toppers Rudimental. We also have fantastic links with local and national music, arts and festival organisations, which help ensure you get the most from your course.

Artist in Residence Programme

The Artist in Residence programme gives our students an opportunity to work with professional artists and gives them a taste of what is it like to work on a professional music project. So far we have welcomed artists Chris T-T, Ian Prowse, I Monster, Tom Williams and Utah Saints.

Core modules

  • Popular Music as Leisure & Culture
  • Researching Popular Music & Culture
  • Popular Music Analysis
  • Popular Music in Contemporary Culture
  • Final Individual Project

Option modules

  • Studio Production Skills
  • Creative Music Production
  • Music Industries in Context
  • Music Industries in Practice

Job prospects

With more festivals and independent production companies than ever before, understanding the links between popular music, culture and the rapidly changing music industry is increasingly important, whether you are a researcher or practitioner. You could use the course to further your research interests by studying for a PhD or take up employment opportunities in sound engineering, performance, teaching, songwriting, production, music for film and television, music journalism, marketing and PR or events organisation.

  • Performer
  • Songwriter
  • Sound Technician
  • Events Organiser


Read less
The course philosophy for MA Fine Art - Contemporary Dialogues is that of experimentation, offering a challenge to conventional notions of medium-specificity in order to properly facilitate your ‘style' of expression and your inherent interests. Read more
The course philosophy for MA Fine Art - Contemporary Dialogues is that of experimentation, offering a challenge to conventional notions of medium-specificity in order to properly facilitate your ‘style' of expression and your inherent interests.

Course Overview

MA Fine Art within the Contemporary Dialogues portfolio offers an exciting and innovative re-thinking of Postgraduate provision that reflects the strategic thinking of Swansea College of Art. The portfolio facilitates migration between diverse thematic disciplines, exploring new ideas and conceptual approaches to allow young artists and designers to confront the issues that face society today and into the future.

The portfolio’s ethos of collaborative dialogues through material practices provides an innovative model of design, fine and applied arts education. This development allows students from all pathways to experience and share creative practices and innovative mind-sets through inter-disciplinary and trans-disciplinary dialogues. This ethos is enhanced within each programme to stimulate ‘collaborative’ practices and experimentation across a broader spectrum of specialist fields, developing graduates with the contextual awareness, creative thinking and technical skills to operate at the forefront of their discipline.

During the course of your studies you will be supported by specialist staff, leading professionals and practicing artists through lectures, seminars, workshops and tutorials. We have exceptional traditional and digital facilities, housed in spacious purpose-build workshops. Through these, we encourage creative freedom within all of our students and support you in challenging conventional thinking and established practices and facilitate new technological advances across a broad range of disciplines. We have found that through collaborative experimentation and innovative design thinking our students are able to produce work that meets the challenges and respond to the demands of the 21st century.

Facilities include:
-Firing kilns for glass and ceramics
-Printmaking, Screen Printing and Digital Textile Technologies
-Traditional and Digital Stitch
-Wood, Metal, Clay
-Cutting Etching and Engraving Technologies - Waterjet, Laser, Plotter
-3D Printing and CNC
-Chemical and Digital Darkrooms
-Specialist computer facilities with commercial standard software

Modules

Core Modules
-Collaborative Dialogues (20 credits)
-Co-Existent Perspectives (20 credits)
-The Thought Experiment (20 credits)
-Explorative Research Praxis (60 credits)
-Confirmative Praxis (60 credits)

Key Features

Students use the Master's Programme for all kinds of reasons; to gain an extra qualification, to achieve a higher and more sophisticated level of practice, as well as to have supported research and development time in order to elevate themselves to a more professional plateau with their artwork. Students from the Master's Programme have gone on to many varied careers in teaching and lecturing positions, in community arts and the cultural industries in general. Lots have continued to practice as artists and some have progressed to PhD study.

The programme has access to well equipped workshops including a resin, plaster, wood, metal and ceramic.
 Beyond this specialist equipment, you will also have access to an extensive range of facilities including an excellent library, open-access computer suites and workshops in other areas within the art school. 
We currently have two research centres within the faculty. These research centres provide staff with research opportunities and access to high technology resources, they provide students with placement opportunities while also developing the creative industries infrastructure in the region, which will benefit graduating students.

The Creative Industries Research and Innovation Centre was established in 2005 and is a knowledge transfer centre for projects that support the creative industries in Wales.

Current projects include Moving Image Wales, which supports the digital media industry, the Textiles Technologies Project, which supports the textiles and apparel industries, CIME, which supports business through creative intervention and SATnet, which provides a link between artists and businesses in the science and technology sectors. In addition, IPCRES is also based in CIRIC and is developing and disseminating research about durational and event-based practices.

Alongside the numerous projects operating within CIRIC, there is also a Design Bureau, with water jet cutting, laser cutting and fabric printing services. The Centre for Lens Arts and Science Interaction is a research centre based within The Dynevor Centre for Art, Design, and Media at University of Wales Trinity Saint David, Swansea (formerly Swansea Metropolitan University). CLASI aims to encourage and promote interdisciplinary research projects, which stimulate research, innovation, and experimentation across photographic, digital and electronic arts. A strong emphasis is placed on research strands where the histories, philosophies and practices of art and science intersect. The definition of art and science is intentionally broad and the centre is aligned with SATnet and CIRIC.

Read less
The course philosophy is that of experimentation, offering a challenge to conventional notions of medium - specificity in order to properly facilitate your ‘style' of expression and your inherent interests. Read more
The course philosophy is that of experimentation, offering a challenge to conventional notions of medium - specificity in order to properly facilitate your ‘style' of expression and your inherent interests.

Course Overview

The Contemporary Dialogues portfolio offers an exciting and innovative re-thinking of Postgraduate provision that reflects the strategic thinking of Swansea College of Art. The portfolio facilitates migration between diverse thematic disciplines, exploring new ideas and conceptual approaches to allow young artists and designers to confront the issues that face society today and into the future.

The portfolio’s ethos of collaborative dialogues through material practices provides an innovative model of design, fine and applied arts education. This development allows students from all pathways to experience and share creative practices and innovative mind-sets through inter-disciplinary and trans-disciplinary dialogues. This ethos is enhanced within each programme to stimulate ‘collaborative’ practices and experimentation across a broader spectrum of specialist fields, developing graduates with the contextual awareness, creative thinking and technical skills to operate at the forefront of their discipline.

During the course of your studies you will be supported by specialist staff, leading professionals and practicing artists through lectures, seminars, workshops and tutorials. We have exceptional traditional and digital facilities, housed in spacious purpose-build workshops. Through these, we encourage creative freedom within all of our students and support you in challenging conventional thinking and established practices and facilitate new technological advances across a broad range of disciplines. We have found that through collaborative experimentation and innovative design thinking our students are able to produce work that meets the challenges and respond to the demands of the 21st century.

Facilities include:
-Firing kilns for glass and ceramics
-Printmaking, Screen Printing and Digital Textile Technologies
-Traditional and Digital Stitch
-Wood, Metal, Clay
-Cutting Etching and Engraving Technologies - Waterjet, Laser, Plotter
-3D Printing and CNC
-Chemical and Digital Darkrooms
-Specialist computer facilities with commercial standard software

Modules

-Collaborative Dialogues (20 credits)
-Co-Existent Perspectives (20 credits)
-The Thought Experiment (20 credits)
-Explorative Research Praxis (60 credits)
-Confirmative Praxis (60 credits)

Key Features

Students use the Masters Programme for all kinds of reasons; to gain an extra qualification, to achieve a higher and more sophisticated level of practice, as well as to have supported research and development time in order to elevate themselves to a more professional plateau with their artwork. Students from the Masters Programme have gone on to many varied careers in teaching and lecturing positions, in community arts and the cultural industries in general. Lots have continued to practice as artists and some have progressed to PhD study.

The programme has access to well equipped workshops including a resin, plaster, wood, metal and ceramic.
Beyond this specialist equipment, you will also have access to an extensive range of facilities including an excellent library, open-access computer suits and workshops in other areas within the art school. 
We currently have two research centres within the faculty.These research centres provide staff with research opportunities and access to high technology resources, they provide students with placement opportunity whilst also developing the creative industries infrastructure in the region, which will benefit graduating students.

The Creative Industries Research and Innovation Centre was established in 2005 and is a knowledge transfer centre for projects that support the creative industries in Wales.

Current projects include Moving Image Wales, which supports the digital media industry, the Textiles Technologies Project, which supports the textiles and apparel industries, CIME, which supports business through creative intervention and SATnet, which provides a link between artists and businesses in the science and technology sectors. In addition, IPCRES is also based in CIRIC and is developing and disseminating research about durational and event based practices.

Alongside the numerous projects operating within CIRIC, there is also a Design Bureau, with water jet cutting, laser cutting and fabric printing services.

 The Centre for Lens Arts and Science Interaction is a research centre based within The Dynevor Centre for Art, Design, and Media at Swansea Metropolitan University. CLASI aims to encourage and promote interdisciplinary research projects, which stimulate research, innovation, and experimentation across photographic, digital and electronic arts. A strong emphasis is placed on research strands where the histories, philosophies and practices of art and science intersect. The definition of art and science is intentionally broad and the centre is aligned with SATnet and CIRIC.

Read less
Glass has remarkable properties; its transparency, durability and versatility have been explored in architectural and artistic contexts for thousands of years. Read more
Glass has remarkable properties; its transparency, durability and versatility have been explored in architectural and artistic contexts for thousands of years. Recent technological advances provide continuing opportunities for creative application. Its unique properties of transparency and interaction with light gives MA Glass students the opportunity to explore new possibilities and build specialist knowledge as a material for the future.

Course Overview

The MA Glass programme within the Contemporary Dialogues portfolio offers an exciting and innovative re-thinking of Postgraduate provision that reflects the strategic thinking of Swansea College of Art. The portfolio facilitates migration between diverse thematic disciplines, exploring new ideas and conceptual approaches to allow young artists and designers to confront the issues that face society today and into the future.

The portfolio’s ethos of collaborative dialogues through material practices provides an innovative model of design, fine and applied arts education. This development allows students from all pathways to experience and share creative practices and innovative mind-sets through inter-disciplinary and trans-disciplinary dialogues. This ethos is enhanced within each programme to stimulate ‘collaborative’ practices and experimentation across a broader spectrum of specialist fields, developing graduates with the contextual awareness, creative thinking and technical skills to operate at the forefront of their discipline.

During the course of your studies you will be supported by specialist staff, leading professionals and practicing artists through lectures, seminars, workshops and tutorials. We have exceptional traditional and digital facilities, housed in spacious purpose-build workshops. Through these, we encourage creative freedom within all of our students and support you in challenging conventional thinking and established practices and facilitate new technological advances across a broad range of disciplines. We have found that through collaborative experimentation and innovative design thinking our students are able to produce work that meets the challenges and respond to the demands of the 21st century.

Facilities include:
-Firing kilns for glass and ceramics
-Printmaking, Screen Printing and Digital Textile Technologies
-Traditional and Digital Stitch
-Wood, Metal, Clay
-Cutting Etching and Engraving Technologies - Waterjet, Laser, Plotter
-3D Printing and CNC
-Chemical and Digital Darkrooms
-Specialist computer facilities with commercial standard software

Modules

-Collaborative Dialogues (20 credits)
-Co-Existent Perspectives (20 credits)
-The Thought Experiment (20 credits)
-Explorative Research Praxis (60 credits)
-Confirmative Praxis (60 credits)

Key Features

Students use the Master's Programme for all kinds of reasons; to gain an extra qualification, to achieve a higher and more sophisticated level of practice, as well as to have supported research and development time in order to elevate themselves to a more professional plateau with their artwork.

In this century, glass as a material offers a unique place in design and architecture and there are very few institutions that offer the opportunity to explore this material, with particular reference to its applications in architecture. Swansea glass department has a long established reputation for glass and strong industrial links help underpin the educational experience for students. The history of the department enables a broad spectrum of approaches that draw on the historical, cultural and technological uses of this material. Glass in its many forms; mosaic, glaze, enamel and window façade covers a broad association of surfaces, which offers for the maker a rich and varied pallet. This is a hands-on course!

The main strands of the programme are: design and philosophy, material innovation and glass design. These themes are considered in the context of glass for the environment, to fulfill the need to develop innovative, sustainable and possibly universal solutions for a variety of architectural, public and private spaces.

The programme prides itself in newly equipped workshops that provide excellent specialist facilities including sandblasters, acid etching bay, cold working machinery, screen printing facilities for glass and an extensive range of glass and ceramic kilns for casting and decorative processing. Beyond this specialist equipment, you will also have access to an extensive range of facilities including an excellent library, open-access computer suites and workshops in other areas within the art school such as wood, metal, ceramics, 3D printing and water jet and laser cutting.

The teaching team consists of highly experienced glass artists and designers who are either engaged in professional practice or are research active, supported by industrially trained technical staff. This ensures that the course delivers a qualification and experience that is highly relevant to the changing needs of the industry and wider architectural glass community.

The department works closely with the Architectural Glass Centre, which often supports and advises the students on live commissions and commercial work. We also work with the CIRIC research centre within the faculty, with 2 members of this research centre specialising in glass. This provides research opportunities and access to high technology resources giving the students opportunities to link with creative industries infrastructure in the region as a potential starting point for future employment.

With an eighty year history the glass department benefits from strong support from Alumni and the local glass community as well as networks and connections from world-renowned glass artists.

Assessment

The main modes of assessment used on this programme are; studio projects, written assignments and seminar presentations.

Assessment at postgraduate level is reflected by your ability to reformulate and use relevant methodologies and approaches to address problematic situations that involve many interacting factors. It includes taking responsibility for planning and developing courses of action that initiate or underpin substantial change or development, as well as exercising broad autonomy and judgement. It should also reflect an understanding of the relevant theoretical and methodological perspectives and how they affect your area of study or work.

Career Opportunities

Students from the Master's Programme have gone on to many varied careers within the Architectural Glass Industry, Glass Studios, teaching and lecturing positions, in community arts and the cultural industries in general. Many have continued to practice as designers and artists and some have progressed to PhD study.

Possible career pathways have included:
-Establishing yourself as an artist, designer or maker
-Setting up a studio as a sole supplier or in a partnership with others
-Employed in specialist glass studios
-Engaging in freelance work on architectural and interiors projects
-Designing for industry or working in the glass industry
-Working on private and public commissions
-Working on art projects and community projects
-Other opportunities include arts administration, curating, teaching and mentoring, community work and arts editorial
-Continuation of studies to postgraduate level on our MA programme
-Further academic research leading to MPhil, or PhD is available

Read less
Led by Reader in Time-based Media Jordan Baseman, the Sculpture programme establishes a framework that encompasses the material, historical and theoretical conditions of sculpture where students are supported to develop their own practice. Read more

Led by Reader in Time-based Media Jordan Baseman, the Sculpture programme establishes a framework that encompasses the material, historical and theoretical conditions of sculpture where students are supported to develop their own practice.

Sculpture includes object-making, public art and social practices, site and space, performance, sound, film and video: but rather than consider the specific manifestations of sculpture we prefer to think of our position as a methodology from which to progress the production of art.

The Sculpture programme provides a structure that incorporates both individual and group tutorials, as well as a dedicated seminar programme. Critical reviews of student work are conducted consistently throughout the year, at the end of each term and we invite external visitors to contribute to these discussions when they become School-wide. Our students are eager, determined, inquisitive, ambitious – actively defining their own terms in regards to the ideas and actualities of Sculpture.

Sculpture occupies a purpose-built studio space at the RCA’s Battersea campus, alongside the other School of Fine Art programmes. Students have access to all specialist workshops across the College, including wood and metal workshops, spray rooms and our celebrated foundry, in which we facilitate casting with bronze, aluminum and iron. There are project spaces in which students can experiment with larger-scale production and display, as well as the practicalities of documentation. We have high-end computer suites with full 3D modeling facilities, alongside a number of still and moving image workstations. 

The programme offers:

  • associations with a broad constituency of artists, architects, designers and thinkers across the RCA, with the expectation that the wider discourse this community represents should be a dynamic foil to the work and development of all aspiring RCA Sculpture graduates
  • a teaching structure that incorporates individual and group tutorials, crits and seminars
  • a flexible space that can be adapted to various uses; there is also project space available for short bookings for exhibitions, documentation and to realise larger projects
  • a range of technical facilities, including wood and metal workshops, spray rooms and the celebrated Foundry casting in a range of metals including bronze, aluminium and iron, all housed in the Sculpture Building
  • dedicated high end computer room with full 3D modelling suite, retouching and moving image workstations, scanning and colour printing
  • access to college-wide workshop facilities and printmaking and photography digital printing and retouching suites
  • access to the Moving Image Studio
  • national and international exchange and residency opportunities, which have included Paris, Kyoto, Dusseldorf, the Hague and Edinburgh
  • an ongoing programme of off-site events, exhibitions and commissions


Read less
What's the Master of Mechanical Engineering all about? . The Master of Science in Engineering. Mechanical Engineering is a general training programme integrating all disciplines of basic sciences, engineering and technology. Read more

What's the Master of Mechanical Engineering all about? 

The Master of Science in Engineering: Mechanical Engineering is a general training programme integrating all disciplines of basic sciences, engineering and technology. An essential element of the mechanical engineering curriculum at KU Leuven is the direct training of each student in a real-life industrial or research setting. Following up on the design assignment in the Bachelor's programme, the Master's programme brings the student in close contact with the industrial reality.

Structure 

Three versions

The Master's programme in Mechanical Engineering has three versions:

  • A Dutch-language version for students who have already obtained a Master's degree of Engineering Technology: Electromechanical Engineering
  • A Dutch-language version for students who have completed their Bachelor's training at our Faculty or at another university with Mechanical Engineering either as a major or as minor.
  • An English-language version which mainly addresses foreign students, and to which admission is granted after evaluation of the application file.

Five modules 

The programme consists of five modules.

  • The first major component is the core module in mechanical engineering.
  • The second major component is one out of five options, which have been put together in a complementary way.

Three generic options 

  • Manufacturing and Management: modern techniques for the design and production of discrete components, CAD and computer integration in production, management techniques, maintenance and logistics of a production company.
  • Mechatronics and Robotics: mechatronics is the discipline in which the synergy of construction, sensing, actuation and control of machinery are concurrently defined and tuned for optimum integration
  • Thermo-technical Sciences: physical principles and analysis, design, construction and operation of combustion engines and thermal and flow machines, cooling machines, power plants, etc.

Two application oriented options

  • Aerospace technology: physical principles, analysis, design, construction, exploitation and operation of aircraft and space systems;
  • Vehicle technology: physical principles, design, analysis and production of cars and ground vehicles and of systems for ground transportation.

Elective courses 

The third and fourth components in the programme structure concern a set of elective courses, to be chosen from a list of technical coursesand from a list of general interest courses.

Master's thesis

The final component is the Master's thesis, which represents 20% of the credits of the entire curriculum.

Strengths

  • The department has a large experimental research laboratory with advanced equipment, to which Master's students have access. FabLab (a "Fabrication Laboratory") is also directly accessible for students.
  • The department has built up an extensive network of companies which recruit a large number of our alumni since many years already, from whom we receive lots of informal feedback on the programme.
  • In addition to their academic teaching and research assignments, several members of the teaching staff also have other responsibilities in advisory boards, in external companies, science & technology committees, etc. and they share that expertise with students.
  • The programme attracts a large number of students.
  • The programme offers students the choice between application oriented options and generic methodology oriented options.
  • Many courses are dealing with contents in which the R&D of the Department has created spin-off companies, and hence can offer very relevant and innovation driven contents.
  • The programme has a clearly structured, extensive and transparent evaluation procedure for Master's theses, involving several complementary assessment views on every single thesis.
  • Several courses are closely linked to top-level research of the lecturers, and they can hence offer up-to-date and advanced contents to the students.

International experience

The Erasmus+ programme gives students the opportunity to complete one or two semesters of their degree at a participating European university. Student exchange agreements are also in place with Japanese and American universities.

Students are also encouraged to learn more about industrial and research internships abroad by contacting our Internship Coordinator. Internships are scheduled in between two course phases of the Master’s programme (in the summer period after the second semester and before the third semester).

These studying abroad opportunities and internships are complemented by the short summer courses offered via the Board of European Students of Technology (BEST) network. This student organisation allows students to follow short courses in the summer period between the second and the third semester. The Faculty of Engineering Science is also member of the international networks CESAER, CLUSTER and T.I.M.E.

You can find more information on this topic on the website of the Faculty

Career perspectives

The field of mechanical engineering is very wide. Mechanical engineers find employment in many industrial sectors thanks to our broad training programme. Demand for this engineering degree on the labour market is very strong and constant. A study by the Royal Flemish Engineers Association, identifies the specific sectors in which graduated mechanical engineers are employed.

  • mechanical engineering: e.g. production machinery, compressed air systems, agricultural machinery
  • metal and non-metal products: a very wide range of products e.g. pressure vessels, piping, suit cases,...
  • off-shore and maritime engineering
  • automation industry
  • vehicle components, such as exhaust systems, drivetrain components and windshield wipers,...
  • development and production of bicycles
  • aircraft components, such as high lift devices, aircraft engines and cockpit display systems
  • building, textile, plastic, paper sector
  • electrical industry
  • chemical industry
  • environmental engineering and waste management
  • energy sector
  • financial, banking and insurance sector
  • communications sector
  • transportation sector: infrastructure and exploitation and maintenance of rolling stock
  • software development and vendors
  • technical and management consulting: large companies and small offices
  • education and research
  • technical and management functions in the public sector


Read less
The course philosophy is that of experimentation, offering a challenge to conventional notions of medium - specificity in order to properly facilitate your ‘style' of expression and your inherent interests. Read more
The course philosophy is that of experimentation, offering a challenge to conventional notions of medium - specificity in order to properly facilitate your ‘style' of expression and your inherent interests.

Course Overview

MA Textiles within the Contemporary Dialogues portfolio offers an exciting and innovative re-thinking of Postgraduate provision that reflects the strategic thinking of Swansea College of Art. The portfolio facilitates migration between diverse thematic disciplines, exploring new ideas and conceptual approaches to allow young artists and designers to confront the issues that face society today and into the future.

The portfolio’s ethos of collaborative dialogues through material practices provides an innovative model of design, fine and applied arts education. This development allows students from all pathways to experience and share creative practices and innovative mind-sets through inter-disciplinary and trans-disciplinary dialogues. This ethos is enhanced within each programme to stimulate ‘collaborative’ practices and experimentation across a broader spectrum of specialist fields, developing graduates with the contextual awareness, creative thinking and technical skills to operate at the forefront of their discipline.

During the course of your studies you will be supported by specialist staff, leading professionals and practicing artists through lectures, seminars, workshops and tutorials. We have exceptional traditional and digital facilities, housed in spacious purpose-build workshops. Through these, we encourage creative freedom within all of our students and support you in challenging conventional thinking and established practices and facilitate new technological advances across a broad range of disciplines. We have found that through collaborative experimentation and innovative design thinking our students are able to produce work that meets the challenges and respond to the demands of the 21st century.

Facilities include:
-Firing kilns for glass and ceramics
-Printmaking, Screen Printing and Digital Textile Technologies
-Traditional and Digital Stitch
-Wood, Metal, Clay
-Cutting Etching and Engraving Technologies - Waterjet, Laser, Plotter
-3D Printing and CNC
-Chemical and Digital Darkrooms
-Specialist computer facilities with commercial standard software

Modules

-Collaborative Dialogues (20 credits)
-Co-Existent Perspectives (20 credits)
-The Thought Experiment (20 credits)
-Explorative Research Praxis (60 credits)
-Confirmative Praxis (60 credits)

Key Features

Students use the Masters Programme for all kinds of reasons; to gain an extra qualification, to achieve a higher and more sophisticated level of practice, as well as to have supported research and development time in order to elevate themselves to a more professional plateau with their artwork. Students from the Masters Programme have gone on to many varied careers in teaching and lecturing positions, in community arts and the cultural industries in general. Lots have continued to practice as artists and some have progressed to PhD study.

The programme has access to well equipped workshops including a resin, plaster, wood, metal and ceramic.
Beyond this specialist equipment, you will also have access to an extensive range of facilities including an excellent library, open-access computer suits and workshops in other areas within the art school. 
We currently have two research centres within the faculty.These research centres provide staff with research opportunities and access to high technology resources, they provide students with placement opportunity whilst also developing the creative industries infrastructure in the region, which will benefit graduating students.

CIRIC The Creative Industries Research and Innovation Centre was established in 2005 and is a knowledge transfer centre for projects that support the creative industries in Wales.

Current projects include Moving Image Wales, which supports the digital media industry, the Textiles Technologies Project, which supports the textiles and apparel industries, CIME, which supports business through creative intervention and SATnet, which provides a link between artists and businesses in the science and technology sectors. In addition, IPCRES is also based in CIRIC and is developing and disseminating research about durational and event based practices.

Alongside the numerous projects operating within CIRIC, there is also a Design Bureau, with water jet cutting, laser cutting and fabric printing services.

 The Centre for Lens Arts and Science Interaction is a research centre based within The Dynevor Centre for Art, Design, and Media at Swansea Metropolitan University. CLASI aims to encourage and promote interdisciplinary research projects, which stimulate research, innovation, and experimentation across photographic, digital and electronic arts. A strong emphasis is placed on research strands where the histories, philosophies and practices of art and science intersect. The definition of art and science is intentionally broad and the centre is aligned with SATnet and CIRIC.

Assessment

Our students have access to a diverse range of equipment and resources, which in most cases are sufficient to complete their programme of study. We provide the basic materials necessary for students to develop their practical work within our extensive workshop and studio facilities. However, it is likely that art and design students will incur some additional costs to extend their investigation of their personal practice. For example, purchasing their own specialised materials and equipment, joining in optional study trips, and printing.

Read less
Programme description. The curriculum of this programme is under review for the 2018/19 academic year. Programme structure and course availability is subject to change. Read more

Programme description

The curriculum of this programme is under review for the 2018/19 academic year. Programme structure and course availability is subject to change.

This programme encourages practices that are speculative and reflective, supporting work in a range of media. It is concerned with ways of learning that are experiential – embodied through and understood by the acquisition of a practice.

During the late 20th century, developments within visual art introduced new processes and situations, which resulted in an expanded concept of artistic practice.

Media-related disciplines supported by the programme include sculpture, painting and printmaking, photography, audio-visual and new media. The programme also encompasses approaches to practice that are non media-specific, including intermedia, time-based arts, performance, installation, public art and art writing.

Programme structure

You may complete the MA in one year, or continue on to the MFA. You will have access to a designated studio space and a wide range of studio equipment, technicians and resources, including printmaking, metal, wood, casting, painting, photography, reprographic and digital facilities.

Our students often work in groups across subject areas in the School of Art and collaborate throughout the year on critical, creative and curatorial projects. This gives you a unique opportunity to integrate the fields of art practice, art writing and curating, culminating in an exhibition of your own work or in a research project of your own design.

We regularly organise field trips and offer short residency and project opportunities with our local and international partners.

The programme also involves the theoretical study of this family of media and approaches, drawing on related fields and methods.

Facilities

Students on this programme will benefit from studio-based learning in Edinburgh College of Art's (ECA) historic Lauriston Place campus, along with the exhibitions and events associated with a vibrant art college. The art college experience will be complemented by the University's extensive range of student support facilities, its libraries, student societies, and student accommodation.

Our purpose-built studios are adaptable, serving both as working studios and project and exhibition spaces. Our workshops and foundry provide excellent accommodation for working in wood, metal, mould-making, casting and carving and there are facilities for working with sound, digital imaging and video editing.

The programme develops from a broad to a specialist understanding of the technical resources and validating contexts in which artists work today, drawing inspiration and nourishment from the experience of our international student cohort.

Career opportunities

This programme enables you to develop an ambitious art practice as well as providing you with the organisational and economic knowledge required to thrive as a self-employed artist. You will also be qualified to teach studio art in higher education and to work in the contemporary art sector.



Read less
On this MA you will learn to think about your craft in new ways, understand research as a craftsperson and become increasingly expert in your chosen practice and profession. Read more

On this MA you will learn to think about your craft in new ways, understand research as a craftsperson and become increasingly expert in your chosen practice and profession.

Based within a thriving art college environment at the university's central Brighton Grand Parade campus, you will learn from experienced professionals in a welcoming atmosphere that allows craftspeople to discuss and develop their ideas as a community.

You will develop both your creative skills and your ways of thinking. You will work with people who understand craft both as a profession and as a personal expression. Your options within this specialist course can include extensive work with a wide range of materials and professions, with expert provision across metal, ceramics, polymers, wood and more.

Throughout the course you'll be doing research and experimentation using innovative thinking and approaches to craft practice. To get your masters degree, you'll demonstrate both how you work and how you think as a craftsperson, with an extended essay and craft-in-context modules allowing you to develop your ideas around your own practice and the wider context of your craft.

Our MA strives to help you towards exemplary creative output. Through exploration of the traditional discipline categories to the evolution of future interpretations and directions, you will be encouraged to fully engage with what the craft scene is today.

Why study with us?

  • Professional opportunities across the craft industry, with options in business and entrepreneurial practice, community outreach and work placements
  • Lecturers who are dynamic and active researchers, creative designers, craft practitioners and leaders in their fields – both nationally and internationally
  • Departmental expertise in a range of materials and professions, including furniture, ceramics, jewellery, product, polymers and metals
  • Cross-disciplinary exploration of sustainability, craft heritage, material experimentation, and environmental, medical and digital technologies
  • Fully equipped workshops in wood, metal, ceramics, polymers and composites, with digital technologies supported by a highly skilled team of technical demonstrators
  • Department that recognises, nurtures and demonstrates craft's role in and capacity for cultural, social, economic and environmental benefit

Syllabus

While focusing on the physical act of making, the Craft MA also covers the theory of craft, allowing practitioners to conceptualise and contextualise their practice with deeper insight. The history, theory and traditions of craft form a core component in every module, and are delivered through lectures, presentations and studio discussion groups.

Craft Practice

This module provides a reflective and productive environment for you to create new and innovative approaches to combine theory, concept and practice through your own craft work. Together with your supervisors, you will formulate a written proposal to guide you towards your own working practice, while undertaking a set project to explore and identify audience and context.

Craft in Context

The Craft in Context module exposes you to contemporary craft debates, allowing you to explore and critically reflect on the process, context and definition of craft as a creative pursuit and investigative methodology. You will investigate how craft practice can relate to and affect cultural and social issues such as the environment, health and wellbeing, the economy, sustainability, ethics and education. You will test and challenge the value of your ideas within a wider social context.

Research Skills and Training

This module offers a broad-based introduction to research and introduces its relationship to your practice. The module seeks to place your own practice and academic work in context. A series of seminar/workshop sessions will introduce you to the range of key research methods and help you develop your own research plans.

Creative Enquiry

Through this practice-based module you will develop a personal portfolio of research – digital or conventional – to inform the creation of artefacts and/or products relevant to your own creative practice. You will be introduced to a range of creative research methods – notational, physiological and improvisational – which will critically challenge and further develop your current practice.

Masters project

The masters project represents the synthesis and culmination of the modules taken on the programme. You will undertake a rigorous investigation into your personally defined area of craft practice, with the final body of work realised through three-dimensional artefacts, objects or other related forms.

Your work will be defined and structured through the personal research statement and plan, which you will develop together with a member of staff. This process of informed individual authorship and ownership enables you, as a creative practitioner, to move forward and pioneer distinctive territories of expertise and insight.

Options

You will be able to choose from a range of modules from across our arts and humanities courses. Options include:

  • Sustainable Design Presents
  • Political Economy of Globalisation
  • Professional Entreprenurial Development
  • Fine Art: Mentoring
  • Historical and Critical Studies Dissertation
  • Professional Entreprenurial Development
  • Professional Experience with Industrial Placement

Making sure that what you learn with us is relevant, up to date and what employers are looking for is our priority, so courses are reviewed and enhanced on an ongoing basis. When you have applied to us, you’ll be told about any new developments through our applicant portal.

Careers and employability

After completing the course successfully, you will be able – as a master of your craft – to take opportunities across the craft professions, either in your own practice as an entrepreneur or in the use of craft for social and community engagement. Craftspeople find these opportunities in a range of fields including fine arts, design, museum curation, teaching, prop making and interior design. The course also provides a route into academia, teaching and research.



Read less
This is your chance to be at the forefront of the latest advances in 3D printing and advanced engineering design. Read more

Overview

This is your chance to be at the forefront of the latest advances in 3D printing and advanced engineering design. Whether you already hold a degree in engineering or have a related physical sciences, design or mathematical background, this course will develop your skills and knowledge in additive manufacturing to meet the demands of industry worldwide.

Covering a range of topics from product design to 3D CAD modelling, additive manufacturing strategy to engineering management, our course equips you with the end to end knowledge required to produce prototypes and products across a range of industries including the biomedical and aviation sectors.

Our impressive facilities will provide you with access to advanced computer based analysis and modelling software, together with leading-edge engineering facilities including 3D printers and a metal direct metal laser sintering machine.

Throughout the course, emphasis is placed on the development of problem-solving skills, together with those critical, analytical, interpersonal and computational skills, which are directly applicable to additive manufacturing engineering.

Recognising the importance of teamwork to the success of organisations and projects, the Course includes the development of the knowledge and skills required to effectively lead and manage teams. It also recognises the growing importance of environmental influences and the demands of health and safety.

Careers

Our course will help you develop a career in engineering, or give you an additional skills boost if you’re already working in the industry. You may want to work as a production or research engineer, mechanical designer or technical lead working directly in engineering and design or, use this degree as a step towards a career in operations, project management or consultancy. You’re also in the perfect position to continue your research with our Professional Doctorate in Science and Technology - http://www.anglia.ac.uk/study/postgraduate/professional-doctorate-in-science-and-technology

Assessment

You’ll be assessed in a variety of ways, including written assignments, portfolios, presentations, analysis reports and an Industry Based Project.

Where you'll study

Your faculty -

The Faculty of Science & Technology is one of the largest of five faculties at Anglia Ruskin University. Whether you choose to study with us full- or part-time, on campus or at a distance, there’s an option whatever your level – from a foundation degree, to a BSc, MSc, PhD or professional doctorate.

Whichever course you pick, you’ll gain the theory and practical skills needed to progress with confidence. Join us and you could find yourself learning in the very latest laboratories or on field trips or work placements with well-known and respected companies. You may even have the opportunity to study abroad.

Everything we do in the faculty has a singular purpose: to provide a world-class environment to create, share and advance knowledge in science and technology fields. This is key to all of our futures.

Visit your faculty - http://www.anglia.ac.uk/science-and-technology

Where can I study?

Chelmsford - http://www.anglia.ac.uk/student-life/life-on-campus/chelmsford-campus

Read less
Labelled by the European Institute of Innovation and Technology (EIT), AMIS is a Master program in Advanced Materials for Innovation and Sustainability which explores the theme of “Substitution of critical or toxic materials in products for optimized performance”. Read more

Labelled by the European Institute of Innovation and Technology (EIT), AMIS is a Master program in Advanced Materials for Innovation and Sustainability which explores the theme of “Substitution of critical or toxic materials in products for optimized performance”. It also covers the topics of “Material chain optimization for end-of-life products” and “Product and services design for the circular economy” - all of which are central themes of the AMIS. The primary focus of the AMIS program is metal and mineral raw materials. Bio-based and polymer materials are studied in view of their substitution potential. Other materials are also analyzed in the context of multimaterial product recycling. In addition, the AMIS program includes a solid package of courses and project work in innovation and entrepreneurship.

Program structure

Mobility is integrated within the two-year program, during which students study at two of the consortium partner universities. Upon completion of the program, graduates are awarded 120 ECTS and a double degree delivered by two of the five partner institutions where they studied. Students begin the Master program at Grenoble INP, Aalto University or T.U. Darmstadt. In their second year, students specialize in another partner university:

  • To attend the specialization year offered at the University of Bordeaux, prospective students must attend the first year at either Aalto University or the Technical University of Darmstadt.

Year 2 specializations are the following:

  • University of Bordeaux: Advanced Hybrid Materials: Composites and Ceramics by Design
  • T.U. Darmstadt: Functional Ceramics: Processing, Characterization and Properties
  • Aalto University: Nanomaterials and interfaces: Advanced Characterization and Modeling
  • University of Liège: Nanomaterials and Modeling
  • Grenoble INP: Materials Interfaces: Surfaces, Films & Coatings

SEMESTER 1 TO 4 CONTENT

Master 1: Basic level competencies.

Mandatory courses in:

  • Fundamentals of materials science
  • Applied materials
  • Modelling tools and materials
  • Innovation, business and entrepreneurship.

Joint collaboration courses with AMIS partners:

  • Inno project I: business model development and the commercialization process of new technologies.
  • Summer camp: a week intensive course working in teams on industry case studies to create and produce new ideas, innovative technologies, improved products or services.
  • Internship: work experience in a company or research organization to develop a solution-focused approach by translating innovations into feasible business solutions and commercializing new technologies.

Master 2: Specialization year.

Mandatory courses in:

  • Advanced functional materials with a specialization in material interfaces, nanomaterials, ceramics or hybrids.

Joint collaboration course with AMIS partners:

  • Practical work on various industrial projects integrated with innovation and entrepreneurship contents.
  • Inno project II: a specialized approach on business model development and commercialization process of new technologies.

Master thesis:

  • A research and development experience in material science jointly supervized by the home university professors and the host partners. The results of the Master thesis will be defended during a presentation. Certain subjets may lead to setting up a business or a spin-off.

Strengths of this Master program

  • Develop expertise in the field of innovative and sustainable advanced materials.
  • Meet, study and work with relevant academic and non-academic contacts in the innovation and entrepreneurship ecosystem.
  • Gain a holistic view on value and process chains.
  • Acquire transferable skills through modern teaching methods. These transferable skills include: entrepreneurship, negotiation techniques, intellectual property, problem solving, working cooperatively and creatively, co-designing, and life cycle approaches.

After this Master program?

As a resource engineer, students may continue in the following fields:

Freelance and entrepreneurship:

  • Create a business or become a consultant

Resource industry:

  • SMEs in chemistry, exploration, green energy, machinery and plant construction, metal working industry, ceramics, environmental economy (R&D, product development, management, production, marketing and sales)

Research:

  • Universities, research institutions, lecturer or managerial position
  • Circular economy
  • Production, analytics, management, marketing and sales

And also:

  • Science journalism, consulting, project development and management, advisor to policy makers, administration, specialist agencies and media.


Read less
Project Objectives. To determine the effectiveness of the national competent authority for medical device regulation in Ireland. To investigate the role of the Health Products Regulatory Authority (HPRA), in the regulation of health care in Ireland by studying a number of product recalls as a case study. Read more

Project Objectives

  • To determine the effectiveness of the national competent authority for medical device regulation in Ireland
  • To investigate the role of the Health Products Regulatory Authority (HPRA), in the regulation of health care in Ireland by studying a number of product recalls as a case study.

Methodology proposed

The impact and effectiveness of the HPRA shall be determined by analysis of a number of case studies. An example of this would be, in 2003 De Puy a Johnson & Johnson company released a metal on metal hip replacement onto the market. In 2010 this medical device was recalled. The device was recalled due to the numbers revision surgeries required due to the failure of this specific medical device (hip replacement joint).

There are a number of identified challenges in regard to both the recall processes and regulatory procedures within the Irish health care sector. The first challenge identified pertained to the fact that the National Health Service (NHS) in England and Wales tracking systems found the issue, however the HPRA was unaware of any such issue.

Secondly, the application system used for the approval of this device, (510K) does not appear to be appropriate. This system is used for introducing essentially equivalent/ identical devices to ones already on the market, the level of failure here suggests that the decision to not perform clinical trials was questionable. Finally this specific product recall has been underway for an inordinate amount of time (2010 to present). While the recall is in place, patients are being tested for chrome and vanadium in their blood due to the degradation of this implant.

Assessment of the challenges associated with the recall and the possibility of highlighting other similar products and issues could lead to better regulation and thus safer medical devices/pharmaceuticals for all.

Expected outcomes: (e.g. deliverables & strategic impacts)

The proposed project will deliver high quality outputs in the form of journal publications and conference presentations.

The project will build new research links within healthCORE and provide initial steps towards development of a collaboration between healthCORE and socialCORE with significant potential to leverage external funding from sources such as horizon2020, Enterprise Ireland and EU funding schemes.



Read less
A manufacturing engineer produces high quality goods using the most cost effective methods while being conscious of any environmental impacts. Read more
A manufacturing engineer produces high quality goods using the most cost effective methods while being conscious of any environmental impacts. They need to be both analytical and creative, be able to work on their own intiative but also as part of a multi-displinary team. This course demonstrates how advanced manufacturing technology and operations management are integrated to improve productivity, reduce the costs of manufacture, and the delivery of products and services can be ensured.

The course covers many aspects of Industrial Engineering and Industrial Management. The wide range of optional modules will enable you to develop your interests in specific areas of technology including flexible manufacturing, rapid product development, and process capability, operations management including quality and supply chain management and also ergonomics and human factors.

Students will develop: the ability to communicate ideas effectively in written reports, verbally and by means of presentations to groups knowledge and understanding of industrial methods and the needs of manufacturing industries the ability to plan and undertake an individual project interpersonal, communication and professional skills.

Previous projects have included:
Evaluation of micromachining systems
Design for microassembly
Laser deposition in manufacturing
Lean applications in a local aeroengine manufacturer
Production of AI/TiC metal matrix composites
Electrical Discharge Machining Study of a machining allow for Aerospace Applications
Design of an innovative holding device for enabling the walking of a free-leg hexapod

Read less

Show 10 15 30 per page



Cookie Policy    X