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Masters Degrees (Master Of Fine Arts)

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The Master of Fine Arts (MFA) by research is designed to provide graduate visual artists with the opportunity to develop their art practice within the structure of a research culture. Read more
The Master of Fine Arts (MFA) by research is designed to provide graduate visual artists with the opportunity to develop their art practice within the structure of a research culture.

You will develop a level of proficiency, self-direction and focus through investigating a proposed area of research, and will be encouraged to produce work of an original and speculative nature. Your research supervisor will provide personalised and dedicated attention to the development of your research outcomes.

You can complete the Master of Fine Arts by creative work and research paper culminating in a substantial exhibition, screening, performance or installation of creative works, and a research paper on an area of relevance to the creative work; or by thesis in the field of art theory, art history, cultural studies or professional studies in visual art.

It is assumed that those entering this degree are trained and competent in their particular field and are seeking to extend their practice at a higher level.

To ask a question about this course, visit http://sydney.edu.au/internationaloffice/

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The M.F.A. in Design for Theatre is an intensive graduate program intended to prepare students for design in the professional theatre in Canada. Read more

Master of Fine Arts

The M.F.A. in Design for Theatre is an intensive graduate program intended to prepare students for design in the professional theatre in Canada. The Program can accommodate very few students, and admission is competitive.

Instruction in the M.F.A. Design for Theatre program centres around a core of studio classes emphasizing development of the designers' graphic, conceptual, and research skills. In addition, Design for Theatre students may assist faculty and other practicing designers on projects outside the University, design theatre productions at UBC and elsewhere, and work in film. The program generally takes two or three years to complete, and culminates in a design thesis/theses.

The M.F.A. Directing program is a professionally-oriented intensive graduate program, intended for those who wish to extend and enhance their directing practice. The Directing program can accommodate very few students, and admission is competitive.

Theatre Practice

Theatre at UBC is recognised as one of Canada’s foremost academic Theatre programs. Located on the spectacular UBC campus in Vancouver, British Columbia, we offer a comprehensive range of degrees in the study of Theatre and the opportunity to learn in an interdisciplinary environment combining Film, Creative Writing, Music, Digital Media and other university disciplines. Our approach encourages students to bring leading edge theory and research together with practice in the staging of innovative new works, national premieres and classics from the world stage.

Our faculty of accomplished artists and scholars in residence ably support students’ imaginative, technical, and intellectual development equally as they prepare to embark on a life in theatre and related arts.

Quick Facts

- Degree: Master of Fine Arts
- Specialization: Theatre
- Subject: Arts, Social Sciences and Humanities
- Mode of delivery: On campus
- Program components: Coursework + Options
- Faculty: Faculty of Arts

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The Aberystwyth MA in Fine Art and Art History is a full-time, modular degree designed for students who wish to study art through a balanced programme of technical practice and study. Read more
The Aberystwyth MA in Fine Art and Art History is a full-time, modular degree designed for students who wish to study art through a balanced programme of technical practice and study. It will suit students who wish to explore working as professional artists or art academics. You will develop your practice of art as an intellectual pursuit and a professional discipline, whilst at the same time extending your knowledge and experience in art history. This course will train you in research methodologies and stimulate vigorous intellectual inquiry in the subject while requiring of you commitment to training, practise and individual creativity.

Aberystwyth University’s Fine Art and Art History course features a number of modules which will encourage you to direct your studies into areas of art which particularly fascinate you. This course of study is designed to enable you to delve deeply into your chosen specialism, whether that focuses on specific materials, styles, time periods or locations. The School of Art at Aberystwyth provides supervision and specialist knowledge in a huge range of subjects including British art, ceramics, contemporary painting, graphic arts (including book illustration and much more), Nineteenth Century European Art, museum and gallery studies, the visual culture of Religion, Wales and Art, and Women’s Art, Crafts and Design.

Most staff of the School of Art are practising artists and art historians who have exhibited and published widely in their field. Postgraduate teaching at Aberystwyth springs from staff research interests in both Fine Art and Art History. The School has spacious painting studios, print workshops, darkrooms, art galleries, a reference room for its art collections, and a wing of the building is designated for postgraduate studios. The School also runs its own Private Press to allow students to carry through illustration projects and it also produces books, catalogues and papers by both staff and students

The Aberystwyth School of Art is committed to excellence in both studio practice and academic study, and is rapidly become one of the UK’s most popular places to study and creatively explore Art. Writing in the Guardian, journalist Miles Brignall concluded that the twice-yearly MA Art History Exhibitions at Aberystwyth are among the top four ‘pick of the shows’ UK-wide. Aberystwyth was the only institution he selected outside London.

See the website http://courses.aber.ac.uk/postgraduate/fine-art-and-art-history-masters/

Suitable for

This degree will suit you:

- If you wish to develop your personal, creative, productive, and imaginative artistic abilities;
- If you wish to be stimulated by vigorous intellectual inquiry into Art;
- If you aim to pursue a career in Art or serious effort to exhibit your work in public and critical arenas;
- If you wish to develop a conceptual, practical and historical framework for your art.

Course detail

The Aberystwyth MA in Fine Art and Art History provide you with an excellent opportunity to develop your artistic skills, understanding and technical aptitudes as you strive to pursue your art. In every area of this course, technical, stylistic, and conceptual experimentation is enthusiastically encouraged and you will be encouraged to contribute to the School’s academic knowledge of art history through your own research. You will also have the opportunity to submit articles for publication to contextualize your practice and develop your engagement with critical and public opinion. In the most recent Research Excellence Framework assessment (2014) it was found that 75% of publications were of an internationally recognised standard or higher.

One of the central strengths of this course is your personal development as an artist. You will be challenged to experiment, test hypotheses, and extend your field of action in preparation for exhibitions. You will develop a portfolio of work that is a creative and imaginative interpretation of subject matter demonstrating the acquisition and refinement of technological dexterity and stylistic sophistication. You will also benefit from gaining new insight into careers in fine art, defining concepts of the subject and the crucial importance of professional identity.

Upon graduation from the MA in Fine Art and Art History, you will have demonstrated artistic excellence, personal rigor and critical engagement with yours and others’ work, which will define you as an artist. You will be well-prepared for the realities – both creative and practical – of life as a professional artist.

Format

The course is a full-time programme, taught over one year, and is divided into two parts over three semesters. In part one, you will study a number of core modules, together worth a total of 120 credits, whilst directing your own study in part two where you will explore and resolve your chosen artistic problem, culminating in the second of your two public exhibitions. This study is equivalent to a Master’s dissertation project and is worth 60 credits.

The subject of this final public exhibition will be agreed in consultation with your supervisor(s) and, in tackling it, you will be encouraged to develop and sustain a self-initiated programme of work. Subject to the satisfactory completion of the study modules and exhibition, the MA in Fine Art and Art History is awarded. The descriptions relating to all the study modules can be found in the "at a glance" tab.

Contact time approximately 10-14 hours a week in the first two semesters. During semester three you will arrange your level of contact time with your assigned supervisor.

Assessment

The taught part of the course (Part 1) is delivered and assessed through lectures, student seminars, practical exercises and exhibitions. Successful completion of your exhibition (Part 2) leads to the award of an MA.

Employability

Every aspect of the Aberystwyth Master’s in Fine Art and Art History programme is designed to enhance your employability. Successful completion of this degree is in itself certain to do so by building your CV; but more significant is the hugely enhanced array of knowledge, abilities and skills with which you will graduate.

Your pursuit of personal development as an artist, coupled with increased critical faculties, will make you a strong candidate for any post where people and opinions meet. Likewise, the study skills, technical knowledge and hands-on experience of artistic processes will give you a tremendous advantage in employment within the Arts. Similarly, other modules will provide opportunities to gain experiences and transferrable skills. By managing the practicalities of exhibition preparation, installation, and curation, you also gain direct experience in every aspect of events and venue management. Though the conditions may be subject-specific, the skills you will learn in the process are highly marketable.

Whether your chosen career path points you towards drawing, painting or print work, or towards criticism, collecting, art journalism, your Masters Degree in Fine Art and Art History from Aberystwyth University will signal to prospective employers your commitment to personal excellence, professional rigour and technical innovation.

Professional Independence:

The course acknowledges the difficulty artists face in the transition from the requirements of a degree level course to the emerging independent direction required of professional practising artists. By playing an active, learning-based role in the operation of the School’s galleries, you will gain an insight into the work needed to sustain a busy gallery. You will stage public exhibitions in the School’s galleries and elsewhere, and part of the course’s assessment relates to your performance as a professional, exhibiting artist.

Studio work is designed to increase students’ technical possibilities, and the School is particularly well equipped in all areas of the graphic arts. The course seeks to assist the student by developing individual abilities and direction in a certain area of art practice to the highest standards possible. In addition to this subject-specific training, this MA is designed to give you a range of transferable skills that you can apply in a variety of situations. Whether this is further study, personal artistic pursuits or employment, you will be better equipped to pursue success in your chosen field.

Your work in the Contemporary Context:

This course does not operate in isolation, and you will examine your own work in the wider context of contemporary practice. As mentioned above, your assessed exhibitions will give you first-hand experience of the vital but often daunting rite of holding up your work for scrutiny by your tutors, peers, critics and the public. You will also encounter and engage with the debate in cultural theory regarding the interface between art practise, art theory and the concept of visual culture. By considering its implication for the study of fine art and art history, your course of study encourages you to improve your capacity for conducting a critical review of yours and others’ work through discussion, presentation and writing.

Find out how to apply here https://www.aber.ac.uk/en/postgrad/howtoapply/

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Still accepting applications for 2016/17. The MFA (Master of Fine Arts) at West Dean College is a two-year full-time programme of study designed to further advance students' capacities in practical, theoretical and professional domains, with an emphasis on specialist studio practice. Read more
Still accepting applications for 2016/17

The MFA (Master of Fine Arts) at West Dean College is a two-year full-time programme of study designed to further advance students' capacities in practical, theoretical and professional domains, with an emphasis on specialist studio practice. The two-year structure provides students with sustained periods of studio-based activity, with dissertation requirements coming early in the second year of study. The emphasis on practice is nonetheless informed and supported by theoretical and professional Study Units throughout the academic year. Whether specialising in a single discipline or working across media, MFA students will have time to develop and expand their studio work to the highest standards, bringing in relevant historical, theoretical and professional perspectives.

::MFA students can expect::

- Support in consolidating studio practice to a level appropriate for accomplished practitioners
- Access to facilities, workshops and expertise for the fabrication of artworks relating to the individual student's ambitions
- Opportunities to employ innovative approaches to studio practice through which conceptual ideas are tested and informed by use of selected media
- To gain a comprehensive understanding of techniques applicable to their own research and scholarship
- To develop originality in the application of knowledge, together with a practical understanding of how established techniques of research and enquiry are used to create and interpret knowledge in the Visual Arts
- To consolidate a systematic understanding and critical awareness of current debates in contemporary art practice
- To further develop aptitude for professional practice, independent research or employment, including opportunities for public exhibition
- To possess independence, self-reliance, as well as promotional enterprise skills, motivated toward professional practice or employment

::Learning Environment::

- Large individual studio spaces
- An excellent staff-to-student ratio with the possibility for weekly tutorial support
- A specialised programme of lectures, seminars and workshops
- Input from regular Visiting Lecturers and artists
- Expert support for a dedicated team of workshop technicians
- Professional development provision for gallery visits and other external events
- Contact with a regular series of professional Artists-in-Residence based in the Visual Arts studios throughout the academic year
- An immersive environment with rich connections to art history, particularly Surrealism, through the legacy of college founder Edward James

Programme Aims

The MFA programme Aims and Learning Outcomes are consistent with the descriptors for a
qualification at QAA Level 7, as defined in the QAA Quality Code for Higher Education (Part A,
Chapter 1).

The programme aims are to provide:

Practical:

1. Provide a stimulating and supportive learning environment for students to develop their
creative, intellectual and material practices

2. Provide facilities and support through which students can further develop their skills and fluency
to an advanced level as accomplished practitioners, gaining a comprehensive understanding of
techniques applicable to their own research or advanced scholarship

3. Enable students to achieve a comprehensive understanding and detailed knowledge of key
aspects of their field of study, as well as creative originality in their application

4. Encourage and support advanced experimental, creative approaches to studio work, much of
which is at, or informed by, the forefront of academic discipline, field of study or area of
professional practice (QAA Quality Code Part A, Chapter A1, p12)

Theoretical:

1. Provide a stimulating environment where advanced research methods and critical practices can
be articulated and where a comprehensive understanding of techniques applicable to personal
research and advanced scholarship can flourish

2. Increase student’s ability to deploy accurately advanced techniques of analysis and inquiry within
their chosen discipline

3. Enable students to articulate an advanced critical understanding of studio practice and its
contexts within contemporary visual art culture, much of which is informed by the forefront of
art practice and theory

Professional:

1. Provide support for personal and professional development, including development and
application of transferable skills such as self-management, decision-making, communication,
collaboration, problem solving, IT and research skills

2. Educate students to possess independence, self-understanding, self-reliance motivated toward
future learning, practice or employment

Facilities

All full-time Visual Arts students are provided with a large individual workspace in the Edward James Studios. In addition to specialist spaces dedicated to Painting and Drawing, Sculpture and Tapestry and Textile-based work, the studios also include Seminar Room, a materials and tool store, a small photographic darkroom, bookable exhibition and research spaces, plus an IT suite with digital editing software. A self-contained Print Room offers specialist facilities for etching, aquatint, monoprinting, woodblock and linocut. Students can work on a large-scale in the Sculpture Courtyard, which is also suitable for work in stone carving.

Students are encouraged to collaborate with other College departments - particularly the full-time programmes in the School of Conservation - making the most of the wide range of specialist knowledge, materials and equipment that is available. The Short Course programme also allows students to access a wide range of visiting tutors and specialist techniques that can further enhance their studies.

West Dean House and Estate offers students access to ambitious exhibition opportunities and unique research material. Students are able to submit site-specific proposals throughout the year and are encouraged to take part in the annual Open House event. The Edward James Collection is an outstanding resource for full-time students, given them access to a range of significant, even iconic, works of art as an ongoing source of inspiration and research.

The College's Arts and Conservation Library gives students access to thousands of specialist books, journals and databases to support their studies.

The Main House also contains West Dean Tapestry Studio, one of the world's leading producers of hand-woven tapestry. As well as having close contact with the expertise of Master Weavers and designers, students have access to the studio's Dye Rooms, a specialist facility for the dyeing of yarn. Find out more about the professional Tapestry Studio here - https://www.westdean.org.uk/study/school-of-creative-arts/tapestry-studio

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Offering an unprecedented 11 genres for potential study, students work in a learner-centered, workshop-driven program which offers an exciting breadth of choices, award-winning faculty and a setting in one of the world’s most beautiful and livable cities. Read more
Offering an unprecedented 11 genres for potential study, students work in a learner-centered, workshop-driven program which offers an exciting breadth of choices, award-winning faculty and a setting in one of the world’s most beautiful and livable cities.

We provide a two-year studio course of resident (on-campus) study in which apprentice writers are offered instruction by faculty who work in a variety of literary and dramatic forms.

The UBC Advantage

A Focus on Writing

We emphasize the creation and critical discussion of original writing rather than the study of literature or literary criticism. Readings are assigned or suggested by instructors where appropriate, but there is not a significant reading or criticism component to the degree.

Eleven Genres of Study

More than any other Creative Writing Program in the world. Study fiction, non-fiction, poetry, screenwriting, playwriting, radio drama, writing for children, lyric & libretto, graphic novel, new media writing and translation. Students work in at least three separate genres during the course of their degree – literary cross-training that makes our graduates more well-rounded writers and opens more doors for teaching and publication.

Award-winning Faculty

Our faculty members are all working writers, with multiple awards, international publication and production records to their names.

Quick Facts

- Degree: Master of Fine Arts
- Specialization: Creative Writing
- Subject: Creative and Performing Arts
- Mode of delivery: On campus
- Program components: Coursework + Thesis required
- Faculty: Faculty of Arts

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From all over the world! From Den Haag in the Netherlands to Santiago in Chile; from Gabriola Island, BC to Halifax, NS; from Brooklyn, NY to Portland, OR, we have students across North America and beyond. Read more

Optional-Residency MFA Program

Where are our students writing from?

From all over the world! From Den Haag in the Netherlands to Santiago in Chile; from Gabriola Island, BC to Halifax, NS; from Brooklyn, NY to Portland, OR, we have students across North America and beyond. They may live miles apart, yet they’re all intimately connected to a community of fellow writers through the Optional-Residency MFA program.
Join our community, wherever you’re writing from.
Take distance education classes online while remaining at home. Optional summer intensives on the Vancouver campus of UBC enable you to meet faculty and other students face-to-face, and provide a complement to the work performed online.
The Optional-Residency MFA Program mirrors our highly-regarded on-campus MFA. You graduate with the same degree, and are evaluated by the same criteria and standards.

The Optional-Residency Advantage

A Focus on Writing

We emphasize the creation and critical discussion of original writing rather than the study of literature or literary criticism. Readings are assigned or suggested by instructors where appropriate, but there is not a significant reading or criticism component to the degree.

Nine Genres of Study

More than any other Low Residency program. Study fiction, non-fiction, poetry, screenwriting, playwriting, writing for children, graphic novel, songwriting and translation. Students are required to work in at least three separate genres during the course of their degree – literary cross-training that makes our graduates more well-rounded writers and opens more doors for teaching and publication.

Study full-time or part-time

You can take up to five years to complete your degree, taking as little as one course per year if that’s all your schedule will allow.

Summer Residency

The residencies anchor the online courses, bringing students and faculty together at the beautiful Vancouver campus of UBC each July for ten days of workshops, seminars and community. The residencies are great experiences, but they are entirely optional. Some students complete their entire degree at a distance.

Workshops Online

The workshop format is at the core of the study of creative writing; online workshop critique is a powerful way for students to learn critical reading and writing skills and to make connections with other writers that will last beyond your time in school.
At the end of it all, you will emerge with a body of work in at least three different genres as well as your thesis, a book-length manuscript (or full length production) of your original creative work.

Quick Facts

- Degree: Master of Fine Arts
- Specialization: Creative Writing
- Subject: Creative and Performing Arts
- Mode of delivery: Online / Distance (100%)
- Program components: Coursework + Thesis required
- Registration options: Full or Part-time
- Faculty: Faculty of Arts

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Please visit http://creativewriting.ubc.ca/prospective-students/graduate/. - Degree. Master of Fine Arts. - Specialization. Creative Writing and Theatre. Read more
Please visit http://creativewriting.ubc.ca/prospective-students/graduate/

Quick Facts

- Degree: Master of Fine Arts
- Specialization: Creative Writing and Theatre
- Subject: Creative and Performing Arts
- Mode of delivery: On campus
- Program components: Coursework + Thesis required
- Faculty: Faculty of Arts

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The MFA program is dedicated to helping students understand both the making and theorizing of art against the background of the diverse intellectual environment of a major university, and within the context of local and international art communities. Read more
The MFA program is dedicated to helping students understand both the making and theorizing of art against the background of the diverse intellectual environment of a major university, and within the context of local and international art communities. The MFA degree is also the standard qualifying degree for teaching visual arts at the post secondary level. Most students are given the opportunity to teach foundation courses as Teaching Assistants, thus providing them valuable experience in visual arts instruction.

Students in the program may work in any area of contemporary art production including painting, drawing, printmaking, three-dimensional and installation work, photography, digital art, intermedia, video, performance, sound, or in any interdisciplinary form. The program does not include training in applied art, commercial art and design, graphic design, film or television.

Each MFA student receives his/her own private studio (approximately 250 square feet) and access to the department's extensive facilities including a state-of-the art Photo/Digital lab, Printmaking unit, and Workshop. MFAs participate in an intensive weekly studio seminar that is also a forum for critical discussions about leading issues in contemporary art, visual culture, and cultural theory. Students take additional academic coursework to enrich their particular focus, and present their Major Paper research and artwork to peers, faculty, and the public at their final oral presentation (occurring in the spring of their final year) and at a final critique (occurring during their graduation exhibition). Open Studios, interdepartmental critiques, and organised exhibitions showcase the students' art production and broaden their exposure to the local art scene and beyond.

Quick Facts

- Degree: Master of Fine Arts
- Specialization: Visual Arts
- Subject: Arts, Social Sciences and Humanities
- Mode of delivery: On campus
- Program components: Coursework + Major Project/Essay required
- Faculty: Faculty of Arts

Research focus

Students in the program may work in any area of contemporary art production including painting, drawing, printmaking, three-dimensional and installation work, photography, digital art, intermedia, video, performance, sound, or in any interdisciplinary form. The program does not include training in applied art, commercial art and design, graphic design, film or television.

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We are now reading applications for the January 2017 residency. The application deadline is Nov. 20, 2016. We are pleased to continue our merit-based scholarship program for incoming students. Read more
We are now reading applications for the January 2017 residency. The application deadline is Nov. 20, 2016.

We are pleased to continue our merit-based scholarship program for incoming students. Before the January 2017 residency, we will award merit-based scholarships in three separate rounds. In order to be considered for the first round, submit your application and supporting documents before Sept. 30, 2016.

Visit the website http://www.ut.edu/mfacw/

MFA in Creative Writing

The University of Tampa Master of Fine Arts in Creative Writing is a low-residency program designed to help poets, fiction writers and creative nonfiction writers advance their command of craft through exposure to literature from a writerly perspective and with supportive critique and mentoring. The course of individualized study covers four semesters over two calendar years, followed by a fifth culminating residency. Our program focuses on individualized instruction, while fostering the rich interplay of participation in an extended literary community; as working writers, all of us seek to deepen the understanding of writing as an ongoing engagement with discovery and transformation.

Students attend four, 10-day working residencies on UT’s historic campus in downtown Tampa, on the banks of the Hillsborough River. Each residency is followed by a semester-long one-on-one tutorial with a faculty mentor focused on the student’s written work and readings as negotiated in an individual plan of study. View a photo gallery of the inaugural class (http://www.facebook.com/media/set/?set=a.336373403051241.78945.268982289790353&type=1).

As part of the requirements for the degree, the student completes many drafts and revisions, resulting in the master's thesis, a substantial manuscript of original work in the selected genre. Along the way, the student reads and comments on works that have shaped the genre, completes a 25-page critical essay in the third semester and assembles an annotated bibliography that conveys the importance and influence of great writers on their own work. In the fifth, culminating residency, the student teaches a seminar on a pre-arranged topic of interest and gives a public reading of his/her own work. Each semester grade is pass/fail accompanied by a narrative evaluation composed by the student’s mentor. All students have the opportunity to serve in an editorial capacity on Tampa Review Online, the 100 percent MFA student-edited cousin of the award-winning Tampa Review.

Find out how to apply here - http://www.ut.edu/apply

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Would you like to develop your art practice in a vibrant research culture, supported by dedicated studio space and outstanding exhibition facilities?. Read more
Would you like to develop your art practice in a vibrant research culture, supported by dedicated studio space and outstanding exhibition facilities?

Developed in conjunction with BALTIC Centre for Contemporary Art, the BxNU (MFA) Master of Fine Art course is centred upon praxis – promoting active learning through practise-based artistic research, scholarship and critical reflection.

You will be given the unique opportunity to design and develop your own investigations, determining themes, questions and strategies and moving between experimentation and reflective analysis to production, presentation and publication.

Taught by a wide range of distinguished and internationally respected practitioners, you will undertake field trips and workplace visits, in addition to the option of a study abroad through the Erasmus Exchange programme.

This course offers the perfect opportunity for you to develop your professional skills and prepare for a broad range of jobs.

Learn From The Best

Directed by the BALTIC Professor, teaching is delivered by a network of internationally active artists, academics and curators who provide world-class teaching and mentorship in fine art practice and research.

You will be taught by BxNU partners, which includes the Master of Fine Art team and wider Northumbria University staff, the BALTIC Professor and curators from BALTIC Centre for Contemporary Art.

Throughout the duration of your course you will also benefit from subject-specific input from specialists from other University departments and external contributors.

When studying, you will be given the unique opportunity to discuss your work and receive feedback from a wide range of visiting artists, critics and BALTIC’s educational and exhibition teams, all of which boast extensive knowledge and experience within the contemporary art field.

Teaching And Assessment

A multi-discipline approach to fine art is encouraged when studying this course and all forms of artistic practice are welcomed. You will be encouraged to develop the full potential of your own individual skills through experimentation and critical reflection, with support throughout your development. Teaching is delivered via a range of methods including lectures, technical workshops, seminars, group critiques and individual tutorials.

A programme of studio critiques, seminars and exhibition visits will also enable you to develop the discursive and critical skills necessary to articulate issues relating to your practice.

Assessment is undertaken by a combination of studio/exhibition presentations, written submissions and oral presentations, which will be filmed by the BALTIC archive crew to allow you to assess your own performance whilst developing a personal archive of your work.

Field trips and an optional study abroad will also allow you to further enhance your skills and knowledge.

Module Overview
Year One
EF0126 - E.S.A.P. in FADSS Level 7 (Optional, 0 Credits)
VA7022 - Studio Practice 1 (Core, 30 Credits)
VA7023 - Studio Practice 2 (Core, 30 Credits)
VA7024 - Locating Practice (Core, 30 Credits)
VA7025 - Exhibiting Practice (Core, 30 Credits)

Year Two
EF0126 - E.S.A.P. in FADSS Level 7 (Optional, 0 Credits)
VA7026 - Public Output 1: Project Initiation (Core, 60 Credits)
VA7027 - Public Output 2: Project Resolution (Core, 60 Credits)

Learning Environment

Throughout the duration of your course you will have access to a wide range of leading facilities.

In addition to the unique provision for research and practice provided by PSN (Paper Studio Northumbria) and CSN (Colour Studio Northumbria), you will also have access to fully-equipped sculpture workshops (wood, metal, casting, ceramics), print workshops (screenprint, etching, lithography, cyanotype, drypoint, photo-etching, photo-intaglio, monoprint), analogue photography darkrooms (B&W and colour fine print & processor), photography studios, a Mac suite with 24 stations for digital imaging and video, digital output facilities with high resolution printers, conservation workshops and central media stores with online booking for still/moving image, sound and lighting equipment.

The use of technology is embedded throughout, utilising resources such as electronic reading lists and virtual seminars to connect you to national and international networks.

You will also benefit from our direct proximity to BALTIC’s stunning 300 square metre top floor galleries which are also the site for the MFA graduating shows.

Research-Rich Learning

The Master of Fine Art course is centred around research-rich learning, with teaching delivered by internationally active artists, academics and curators. You will be mentored by this team, allowing you to develop an understanding of the wider professional context of exhibition and interpretation.

You will have access to the research environment at BALTIC 39, providing you with the opportunity to participate in the weekly postgraduate conversation, Talk Studio. The momentum and content of these sessions are tailored to the experimental open nature of the studio environment and driven by your own investigative processes.

Your own research is also important and you will be encouraged and supported to set up initiatives that actively contribute to the research environment of BALTIC 39. Currently this includes student-led initiatives such as reading groups, a performance group, a photographic research group and student-led ‘test-bed’ crit sessions.

Give Your Career An Edge

Our graduates are highly valued with employers thanks to the reputation of Northumbria University and our unique partnership with BALTIC Centre for Contemporary Arts.

On graduation you will be able to think and act independently, applying your disciplinary knowledge to complex issues in an imaginative, sustainable and reasoned manner whilst marry method, form and ideas. You will also possess an awareness of industry standards for presentation and communication.

Throughout your studies you will be encouraged to initiate opportunities to work with artists and arts organisations, in addition to bespoke opportunities initiated by staff teams. These opportunities include exhibitions, performance events, symposia and workshops which to date have included work in the UK, as well as Poland, The Netherlands, Northern Ireland and Stockholm.

Undertaking field trips and visits will also contribute to your employment prospects, with a study abroad further developing your experience, expertise and career prospects.

Your Future

The Master of Fine Art course will prepare you for a range of careers thanks to the diverse range of skills that you will acquire throughout your studies.

You may wish to pursue a broad range of jobs within the cultural sector, curating, professional research, teaching or doctoral studies.

The provision for enterprise or self-employment is delivered through professional exhibiting opportunities including grant and CV writing, developing your own web presence and testing writing with external stakeholders. You will also learn how to manage your time, resources and budgets.

Despite being a new programme, the Master of Fine Art course already boasts successful alumni , including Gethin Wyn Jones, currently a research fellow at the Royal Institute of Art, Stockholm and artist Joanna Hutton who was selected for EVA International, Ireland’s Biennial, less than a year after graduating.

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This MA provides a structured introduction to the postgraduate study of the history and philosophy of art. This programme allows you to spend your first term at our Canterbury campus with full access to its excellent facilities. Read more
This MA provides a structured introduction to the postgraduate study of the history and philosophy of art.

This programme allows you to spend your first term at our Canterbury campus with full access to its excellent facilities. For the spring term you relocate to our Paris centre to study in a historic corner of Montparnasse. This programme can also be studied in Paris only.

Particular focuses include contemporary art, photography, Renaissance art, medieval art, 18th-century British painting, 19th-century French painting, modernism, aesthetics and the philosophy of art and film. You may elect to take a Philosophy of Art & Aesthetics pathway, which draws on the expertise of our Aesthetics Research Group.

The programme is intended for graduates in art history, philosophy and cognate subjects, such as fine art. It gives you the opportunity to pursue your interest in visual art at advanced level, to develop a high level of expertise in topics in history and philosophy of art and to prepare for doctoral research in history of art or philosophy of art.

Visit the website https://www.kent.ac.uk/courses/postgraduate/99/history-and-philosophy-of-art-paris

About the Department of History & Philosophy of Art

The History & Philosophy of Art Department provides opportunities for graduate study with well-established researchers in the fields of art history, philosophy of art and aesthetics. Staff research covers contemporary art and aesthetics, modernism, theories of art, the historiography of art and the Cold War; biographical monographs, the photograph (in its historical, contemporary and critical contexts), and the historical interplay of image, theory and institutions from the Renaissance to the present (especially European and North American).

Developing areas of interest include the cultural and historical significance of the print, and the role of performance and new media in contemporary art practices. In particular, postgraduates have the opportunity to participate in the activities of the multidisciplinary Aesthetics Research Centre and the Art History and Visual Cultures Research Centre. There is also a full programme of visiting speakers from across the constituent subject areas within the School of Arts, which includes Film and Drama.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

HA838 - Key Concepts and Classic Texts in History and Philosophy of Art (30 credits)
HA841 - Modern Art in Paris (30 credits)
HA898 - History & Philosophy of Art Dissertation (60 credits)

Assessment

Assessment is by two assignments per module and the dissertation.

Programme aims

This programme aims to:

- provide you with a focused programme of taught postgraduate study in history and philosophy of art

- provide you with a taught foundation for subsequent postgraduate research

- enable you to acquire or deepen your knowledge and understanding of the historical and contemporary topics within the history of art and philosophy of art

- enable you to develop your art historical and philosophical skills beyond that expected of an undergraduate

- enable you to develop, articulate and defend art historical and philosophical ideas as they relate to art

- enable you to engage with historical and contemporary theoretical thought about the arts from art historical and philosophical perspectives.

Study support

Postgraduate resources
There is a large and wide-ranging library holding for History & Philosophy of Art, covering the fields of painting, sculpture, architecture, photography, aesthetics and contemporary visual communications. There is a substantial stock of periodicals, online access to e-journals and a slide library with well over 100,000 images, covering areas such as contemporary art, visual cultures, garden history and the film still, as well as traditional media. Kent is ideally located for access to galleries in London and on the continent.

In 2010, we moved into the purpose-built, and RIBA award-winning, Jarman Building located at the centre of the Canterbury campus. The new building is home to the Studio 3 Gallery and a range of teaching and social spaces as well as a dedicated postgraduate centre.

Support
All postgraduate students are offered research skills training and the opportunity to take part in reading groups and research seminars at departmental, school and faculty level. Research students have the added opportunity for funded conference attendance. There is also a dedicated student support office at our Canterbury campus, which can offer support and guidance throughout your studies, in addition to an office in Paris.

In recent years, several members of the History & Philosophy of Art Department, both full-time and part-time, have been awarded University prizes for excellence in student support, curriculum innovation and research-based teaching – an ethos which we seek to extend to the postgraduate community.

Dynamic publishing culture
Staff publish regularly and widely in journals, conference proceedings and books. Among others, they have recently contributed to: British Journal of Aesthetics; Art History; History of Photography; Journal of Aesthetics and Art Criticism; Journal of Visual Arts Practice; and The Philosophical Quarterly.

Global Skills Award
All students registered for a taught Master's programme are eligible to apply for a place on our Global Skills Award Programme (http://www.kent.ac.uk/graduateschool/skills/programmes/gsa.html). The programme is designed to broaden your understanding of global issues and current affairs as well as to develop personal skills which will enhance your employability

Research areas

The Department has a collective interest in developing interdisciplinary projects, including projects informed by art history and philosophy of art or aesthetics. Shared areas of research interest include: photography, art theory from the Renaissance to recent times and contemporary art.

Careers

Arts postgraduates have gone on to work in a range of professions, from museum positions and teaching roles to marketing and gallery assistants. Our graduates have found work with Tate Britain, the V&A, Museum of Childhood and other arts, culture and heritage-related organisations.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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Would you like to apply your arts or applied sciences background to the conservation of fine art?. Northumbria University’s MA Conservation of Fine Art course is the only Master of Arts course in the UK that specialises in the conservation of easel painting and works of art on paper. Read more
Would you like to apply your arts or applied sciences background to the conservation of fine art?

Northumbria University’s MA Conservation of Fine Art course is the only Master of Arts course in the UK that specialises in the conservation of easel painting and works of art on paper.

Integrating a mix of fine art, science and forensic techniques, you will study a range of subjects including studio and work-based practice, conservation theory, science, technical examination, -preventive conservation and research training skills.

In addition to the core modules studied, you will have the option to undertake a work placement during years one and two in the UK or abroad.

Learn From The Best

This course is taught by a team of specialist academics who have extensive experience in the field of conservation, science and the Fine Art sectors.

Applying their specialist knowledge to their day-to-day teaching, the members of our staff are actively involved in research and consultancy - activities which are helping to define this exciting and complex profession.

We also engage with the wider conservation sector to ensure that the content of this course is in-line with professional standards and employer expectations.

Throughout the duration of this course you will receive ongoing support from our teaching staff to ensure you leave equipped with - the necessary skills and knowledge to successfully pursue a career within conservation or a related discipline.

Teaching And Assessment

Offering the opportunity for you to specialise in either works of art on paper or easel paintings conservation, this course consists of modules that will explore a range of key areas including conservation theory and practice, conservation science, art history and preventive conservation

You will leave with the technical skills required to undertake examinations, cleaning, structural repairs and stabilisation of works of art, in addition to an in-depth understanding of the historic significance artistic practice and materials play-in understanding artworks.

Significant emphasis is also placed on ethics and developing your skills in research development.

This course is primarily delivered through practical workshops where you will develop a wide range of skills using especially prepared materials and case studies selected from our unique archive collection. These activities inform and run parallel with work conducted on project paintings and other challenging artefacts.

Assessment methods focus on you applying your practical skills, academic concepts and theories to your project documentation and the authentically constructed materials that mirror real life scenarios. You will also undertake a dissertation to further demonstrate your knowledge and understanding of this subject.

Learning Environment

When studying the MA Conservation of Fine Art course you will be housed in a Grade II listed building in the heart of Newcastle city centre. You will be able to utilise techniques such as x-ray, infra-red reflectography, and ultraviolet florescence and false colour infrared photography to examine materials and artworks spanning centuries, in addition to gaining access to intriguing archives and cutting edge technology.

You may also have access to other advanced technologies such as UV fluorescence microscopy, polarised light microscopy (PLM), UV/VIS spectrophotometry, fourier transform infrared (FTIR), gas chromatography-mass spectrometry (GC-MS), high performance liquid chromatography (HPLC), x-ray fluorescence (XRF) spectroscopy, x-ray diffraction (XRD) and scanning electron microscopy coupled with energy-dispersive x-ray spectroscopy (SEM/EDX).

You will also receive ongoing support through our innovative e-learning platform, Blackboard, which will allow you to access learning materials such as module handbooks, assessment information, online lectures, reading lists and virtual gallery tours.

Research-Rich Learning

Research-rich learning is embedded throughout all aspects of this course and our staff are continuously involved and informed by fast-moving emerging developments in conservation research and ethical debates.

All of our staff possess individual specialisms, in areas such as the development and evaluation of conservation treatments for paintings, characterisation of artists’ materials and techniques, studies in material deterioration and comprehensive documentation of works of art.

Our team also collaborate with national and international research organisations.

When studying this master’s degree, you are encouraged to develop your own individual research skills to ensure you graduate with confidence in your own practical and academic experience. These skills are further enhanced when you undertake your dissertation under the guidance of your assigned tutor.

Give Your Career An Edge

This course has been developed to reflect national guidelines and ensure that you graduate with the necessary skills and knowledge to kick-start your career within this profession. There are also many additional opportunities available to further enhance your career edge whilst you study.

Throughout the duration of this course you will create a professional portfolio, which will include examples of practical work and displays of your intellectual achievement to provide a demonstration of your skills and enhance your performance at interviews.

In addition to completing a placement to further enhance your development you will also have the opportunity to present research papers at an organised symposium.

We actively encourage you to engage with professional bodies and attend key conferences to allow you to network with professionals who are already working within the profession, and you may also have the opportunity to advantage of our partnership with Tyne and Wear Archives and Museums, whose collection supports a number of activities. Our long standing links with the National Trust, Tate Britain and the estate of Francis Bacon have created exciting projects for our MA and PhD students.

Your Future

This course will equip you with a deep understanding of both the skills and knowledge required to work effectively in fine art conservation laboratories or conservation jobs across the world.

You may choose to work in galleries or museums, or progress your research to PhD level.

Recent illustrious alumni list, include Virginia Lladó-Buisán Head of Conservation & Collection Care Bodleian Libraries, Britta New, Paintings Conservator at the National Gallery in London and Eleanor Hasler, Head of Paper Conservation at Kew Gardens.

As your professional development is in-line with the current postgraduate professional standards for the Conservation of Fine Art, your access to postgraduate professional jobs within the conservation sector is likely to be enhanced.

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This exciting one-year studio practice MFA offers a combination of experienced teacher-practitioners , dedicated studio space and diverse workshops in a great London location. Read more
This exciting one-year studio practice MFA offers a combination of experienced teacher-practitioners , dedicated studio space and diverse workshops in a great London location. You’ll enjoy two opportunities to exhibit – at the famous Cass Summer Show and through an extensive group project commissioned with an established art or design organisation.

More about this course

This is new innovative and intensive MFA in a world leading capital of art and design: London is designed for graduates of art and design taking the next important step towards earning a living from the practice they love

This postgraduate MFA course is a taught degree, with lots of hands-on teaching and learning in workshop, studios and seminars, shaping your work towards practical and commercial outcomes as a professional practitioner.

You have access to great facilities throughout the year. At London Met we are famous for our specialist workshops: photography darkrooms, metalwork and woodwork workshops, ceramics room, printmaking studio, digital imaging equipment, textiles and sewing equipment, 3D printing and laser-cutting, photography resources, video and film editing facilities, a camera equipment hire shop and sound recording studios.

You‘ll learn to propose, research, develop and execute a master’s level project to the highest possible professional standards. You establish the framework of a professional practice: how to self-organise your practice in the world to achieve reputation and success.

There is a School wide, intensively marketed London PG Diploma exhibition at the University in June where you curate and showcase your work.

Finally, you test yourself in one of a series of group projects briefed by London art organisations and design companies. You work together with fellow postgraduates all summer to meet the requirements of the professional commission.

Would you like to test this course out?

This course has special ‘try-it-out’ days on Saturdays in September, November, February and April when our tutors workshop an aspect of the MFA course, as delivered. These ‘‘try-it-out’ days’ are free! See what this course is like by signing up for one of these special Saturdays!

Assessment

Full-time students will be assessed at up to three points in a year. Assessment will be by coursework only, with components that are measured for: subject knowledge; analysis; problem-solving and experimentation; management of own learning and personal professional development; skills in professional practice (CV, website, social media and communications); exhibition skills, production and installation; project skills, the production of online project documentation (including an online evaluative report, online project proposal and annotated research material) and two finished projects (Major Project and Collaborative Commission). Marking criteria are published to students. The assessors provide written online feedback on each assessment component at each assessment point in a standard template.

Modular structure

The course structure is designed to be completed in one year (two years if taken part-time). The modules all serve to create a major project exhibited in June, before a final summer spent entirely on a collaborative professional commission, briefed by an arts organisation or design company and undertaken in working group.

Throughout the year, students gain a variety of insights into the art or design worlds via guest lecturers from a wide range of public and private sector organisations, as well as case study reviews, workshops, exhibitions, events and site visits across London and further afield.

Modules include:
-Professional Practice & Networking
-Major Project and Exhibition
-Groupwork to Professional Brief

After the course

You can use this MFA as a qualification in establishing yourself as a professional, self-employed artist or designer. To do so, you must go on to use the experience gained in the qualification to self-organise and network to win contracts, commissions and shows. We have a professional practice and networking module designed to help you learn exactly for this purpose.

Or you can use the MFA qualification to gain work at major employers in the art and design sector such as Artsadmin, Pentagram, the Tate, the Royal Academy, Tom Dixon, Arts Council England, Heatherwick’s, the Venice Biennale, Sotheby’s or Conrans.

Alternatively, you can use the MFA to go on to study for an art and design PhD, an entry qualification that helps you get into a Higher Education art or design career, to teach and research anywhere in the world.

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The Master of Fine Art (MFA) programme caters for students who wish to develop their professional practice or knowledge within the discipline of Fine Art. Read more

Course Overview

The Master of Fine Art (MFA) programme caters for students who wish to develop their professional practice or knowledge within the discipline of Fine Art. Typically this might include teachers, practicing artists, community workers, arts administrators, or recent graduates in Fine Art who wish to further their professional practice.

The MFA is designed to respond to students who already have a practice and who are able to readily determine where they are in relation to a field and its histories of practices and ways of working. It is the role of the MFA to work outwards, as it were, towards a context for the students practice.

​The student focus will be on their development of Art Practice relevant to the CSAD Subjects of: Fine Art; Textiles; Ceramics; Artist Designer Maker; and Illustration.

The MFA curriculum is designed so that students in the field of Fine Art:
- Kick-start a career or develop an idea
- Develop professional skills
- Become able, professional and directed
- Have a trajectory towards progression to a future Professional Doctorate

Course Content

The MFA programme is offered as One Year Full Time.

The following Modules will be undertaken by MFA students:
- ART7007: Position (60 credits).
- ART7008: Exploration (60 credits)
- ART7009: Realisation (60 credits)
- ART7005: Research and Ideas Seminars (0 credits. All students must attend the year-long Research & Ideas Seminars which happen on a weekly basis.)

Exit points/Awards
- On completing the Context module (60 credits in total) students will be awarded a Postgraduate Certificate.
- On competing the Context and Exploration modules (120 credits in total) students will be awarded a Postgraduate Diploma.
- On completing Realisation in addition to the above, (180 credits in total) students will be awarded a Master’s Degree (Master of Fine Art).

Learning & Teaching

The MFA is taught through lecture and seminar with individualised supervisory meetings to develop a learning contract (part of the early Personal Development Planning process [PDP]) and an individualised programme of learning and individualised supervision towards a creative research outcome, defined and monitored by developing PDP. Our approach to learning and teaching is based on negotiation and dialogue, encouraging students to develop their own, self-directed project to a professional standard within a rigorous yet supportive academic environment.

To support this, each student is allocated a Personal Tutor and an additional subject-specialist member of staff (academic tutor) from within the design expertise in a respective design department. Together, they form the Supervisory Team. The CSAD web application form includes a personal statement, and an outline of the professional or research project that the student wishes to pursue at Masters level. This informs the allocation of personal tutor and subject-specialist member of academic staff (academic tutor) with whom the learning contract is established, which in turn forms the basis for the student’s personal plan, reflected on in the continuing PDP process.

There are opportunities for all MFA students to come together in common teaching and presentations, to engage in peer learning groups and peer review of work, and to reflect on the outcomes of these peer reviews in PDP. At several key stages in the MFA programme we stress the importance of self-directed and negotiated learning. This is in part a response to what we perceive to be a growing demand for programmes of study that allow students to integrate work, study, career, personal aspirations and other commitments.

All course documentation, including Cardiff Metropolitan University’s Research Studies Manual, CSAD’s Research Study Guide, the MFA Handbook with module descriptors, assessment guidelines and criteria, will be available as hard copy and electronically. In addition, lecture PowerPoint presentations and workshop-generated material, for example, paragraphs and textual or visual analyses composed during workshops, will be available on the Cardiff Metropolitan University Virtual Learning Environment (VLE).

Remote or electronic contact with staff will be available by email and/or VLE . The supervisory team will deliver, manage and monitor each student's progress through a number of individual and team meetings. Students will also be encouraged to form and maintain peer-learning groups, either face-to-face or online.

Learning will be supported through the use of the VLE, electronic communications, and other relevant methods. Any students requiring learning support are advised to contact Learning Support in Student Services. Throughout the programme, students are expected to maintain their own Personal Development Plan/Portfolio (PDP), intended to provide evidence of their knowledge and understanding in relation to the learning outcomes of each module, including the Research and Ideas Module.

Each 60 Credit module is typically delivered through:
- Seminars; workshops; lectures; personal and group tutorials, and supervised use of workshop equipment (100 hours).
- Directed study via virtual learning, e.g. Cardiff Metropolitan University Virtual Learning Environment or student blogs or wikis (100 hours).
- Self-directed study. (400 hours)

Assessment

For each module, assessment is in the form of:
- ART7007: Position (60 credits). Design practice, Website / blog & reflective commentary / report (Personal Development Plan/Portfolio - PDP)/ 4,000 words.
- ART7008: Exploration (60 credits) Portfolio Submission: Substantial body of practical work. PDP: 1,000-2,000 words
- ART7009: Realisation (60 credits) Final body of work in the form of a public presentation through exhibition. A 3000 word Critical Paper and Viva Voce.
- ART7005: Research and Ideas Seminars (0 credits). Assessed through PDP undertaken in the other modules.

Support will be available through weekly small group seminars (normally no more than 16 students per group) after each lecture, exploring the theme of the lecture and allowing students to clarify their understanding. These sessions may also be run as workshops where practical demonstrations, involving student participation, are run.

This may include, for example, communal writing (via computer and data projector) or small group discourse analysis. Weekly tutorials will also be available.

Employability & Careers

The MFA programme acts as a gateway for students to enhance their careers as, or to become, established artist, designers, makers or architectural technologists, leading towards a career or to a Professional Doctorate in either art or design. Cardiff School of Art and Design offers Professional Doctoral programs in both Art and Design.

The MFA programme is designed to enable students to achieve the attributes of greater flexibility, adaptability, and individual responsibility and autonomy as professional artists, designers or researchers. It goes without saying that the MFA programme develops increasing creativity, self-reliance, initiative, and the ability to perform in rapidly changing environments as well as increasing competence with research skills and methods which will make graduates highly employable as academics and or researchers or enable them to develop an active and sustained practice as artists or designers.

The MFA is particularly focused on students who have already commenced their professional practice, designed about the provision of opportunities for ‘learning in employment’, and thus by implication exhibit the qualities necessary for employment.

All students’ will complete a portable ‘record of achievement’ and use their PDP to support employability and life-long learning, normally in the form of a blog, that integrates opportunities for self-reflection in programmes in order to help them develop as effective and confident learners.

Find information on Scholarships here https://www.cardiffmet.ac.uk/scholarships

Find out how to apply here https://www.cardiffmet.ac.uk/howtoapply

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The Masters in Fine Art will push you to develop your skills in your chosen medium, whether that is Illustration, drawing, painting, photography or printmaking. Read more
The Masters in Fine Art will push you to develop your skills in your chosen medium, whether that is Illustration, drawing, painting, photography or printmaking. You will become more confident as a creative practitioner of contemporary art as you explore your own styles and imaginative boundaries.

The Masters in Fine Art features a highly practical repertoire of modules which will encourage you to direct your studies into areas of art which particularly fascinate you. This course is highly practical, not only in the hands-on approach to Art itself, but also in studying the necessary practicalities of exhibition preparation, installation and evaluation.

See the website http://courses.aber.ac.uk/postgraduate/fine-art-masters/

Suitable for

This degree will suit you:

- If you wish to develop your personal, creative, productive, and imaginative artistic abilities;
- If you wish to work within one of the UK’s up-and-coming schools of Art;
- If you aim to pursue a career in Art or serious effort to exhibit your work in public and critical arenas;
- If you wish to develop a conceptual, practical and historical framework for your art.

Course detail

The Aberystwyth Masters in Fine Art provide you with an excellent opportunity to develop your artistic skills, understanding and technical aptitudes as you strive to pursue your art. In every area of this course, technical, stylistic, and conceptual experimentation is enthusiastically encouraged. You will also be able to participate in ‘Forum’ seminars to communicate orally and critically about your own and colleagues’ works. You will also have the opportunity to submit articles for publication to contextualize your practice and develop your engagement with critical and public opinion. In the most recent Research Excellence Framework assessment (2014) it was found that 75% of publications were of an internationally recognised standard or higher.

Upon graduation from the Masters in Fine Art, you will have demonstrated artistic excellence, personal rigor and critical engagement with your own and the work of other artists, which will define you as an artist. You will be well-prepared for the realities – both creative and practical – of life as a professional artist.

Format

The course is a full-time programme, taught over one year, and is divided into two parts over three semesters. In part one, you will study a number of core modules, together worth a total of 120 credits, whilst directing your own study in part two where you will explore and resolve your chosen artistic problem, culminating in the second of your two public exhibitions. This study is equivalent to a Master’s dissertation project and is worth 60 credits.

The subject of this final public exhibition will be agreed in consultation with your supervisor(s) and, in tackling it, you will be encouraged to develop and sustain a self-initiated programme of work. Subject to the satisfactory completion of the study modules and exhibition, the Masters in Fine Art is awarded. The descriptions relating to all the study modules can be found in the "at a glance" tab.

Contact time is approximately 10-14 hours a week in the first two semesters. During semester three you will arrange your level of contact time with your assigned supervisor.

Assessment

The taught part of the course (Part 1) is delivered and assessed through lectures, student seminars, practical exercises and exhibitions. Successful completion of your exhibition (Part 2) leads to the award of an MA.

Employability

Every aspect of the Aberystwyth Master’s in Fine Art programme is designed to enhance your employability. Successful completion of this degree is in itself certain to do so by building your CV; but more significant is the hugely enhanced array of knowledge, abilities and skills with which you will graduate.

Your pursuit of personal development as an artist, coupled with increased critical faculties, will make you a strong candidate for any post where people and opinions meet. Likewise, the study skills, technical knowledge and hands-on experience of artistic processes will give you a tremendous advantage in employment within the Arts. Whether your chosen career path involves illustration, drawing, painting, photography or printmaking, your Masters Degree in Fine Art from Aberystwyth University will signal to prospective employers your commitment to personal excellence, professional rigour and technical innovation.

Professional Independence:

The course acknowledges the difficulty artists face in the transition from the requirements of a degree level course to the emerging independent direction required of professional practising artists. By playing an active, learning-based role in the operation of the School’s galleries, you will gain an insight into the work needed to sustain a busy gallery. You will stage public exhibitions in the School’s galleries and elsewhere, and part of the course’s assessment relates to your performance as a professional, exhibiting artist.

Studio work is designed to increase students’ technical possibilities, and the School is particularly well equipped in all areas of the graphic arts. The course seeks to assist the student by developing individual abilities and direction in a certain area of art practice to the highest standards possible. In addition to this subject-specific training, this MA is designed to give you a range of transferable skills that you can apply in a variety of situations. Whether this is further study, personal artistic pursuits or employment, you will be better equipped to pursue success in your chosen field.

Your work in the Contemporary Context:

This course does not operate in isolation, and you will examine your own work in the wider context of contemporary practice. As mentioned above, your assessed exhibitions will give you first-hand experience of the vital but often daunting rite of holding up your work for scrutiny by your tutors, peers, critics and the public. You will also encounter and engage with the debate in cultural theory regarding the interface between art practise, art theory and the concept of visual culture. By considering its implication for the study of fine art and art history, your study programme encourages you to improve your capacity for conducting a critical review of yours and others’ work through discussion, presentation and writing.

Find out how to apply here https://www.aber.ac.uk/en/postgrad/howtoapply/

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