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Masters Degrees (Ma Film)

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“Science fiction, fantasy, musicals, and period films offer the most obvious platform of eye-catching design, but it should be remembered that even if the subject is contemporary, or the style emulates documentary, we are still witnessing an illusion which has been designed.”. Read more

“Science fiction, fantasy, musicals, and period films offer the most obvious platform of eye-catching design, but it should be remembered that even if the subject is contemporary, or the style emulates documentary, we are still witnessing an illusion which has been designed.”

Peter Ettedgui — Production Designer

The MA Film Production course is for gifted and emerging filmmakers seeking to learn on the job, to go beyond the short film, to define themselves as artists within a working film production crew, and to gain that vital production experience demanded by the industry.

Work Placements | In line with the courses’s emphasis on industry experience, you will be encouraged to undertake, seek out short-term work opportunities in your field. These can occur when your pathway is normally not involved in a particular production stage, for example with production designers during post-production. This opportunity is available for all students, Home/EU and for International, details can be found on our Working during and after page. The experience you and other students gain through this work out in the industry enhances and -compounds the learning and collaboration on the course.

NAMED AWARDS AVAILABLE IN

MA Film Production (Producing)

MA Film Production (Directing)

MA Film Production (Production Design)

MA Film Production (Cinematography)

MA Film Production (Editing)

MA Film Production (Sound Design)

MA Film Production (Documentary)

MA Film Production (Screenwriting)

Mirroring the working patterns of film production these named awards also reflect the degree of physical production engagement for these disciplines. With Producers, Directors and Documentary makers taking their films through all the stages from first idea, through to development, pre-production, production, post, and on right through to delivery to the audience. Whilst the disciplines of Production Design, Cinematography, Editing, Sound Design, and Screenwriting, over that same time period, will be engaged in the physical production, post of two or more films.

For the Portfolio Short Films made on the course, the budgets are seed funded. For other units, all the basic costs of materials and equipment are covered.

This course is part of Bournemouth Film School, along with BA (Hons) Film ProductionMA Animation ProductionBA (Hons) Animation Production, as well as BA (Hons) Visual Effects Design and Production. Together we make up the largest film school outside of London and one of few UK CILECT members.

Course content

All students are taught on specific discipline-focused and dedicated pathways. Allowing students to enhance their skills and knowledge and their ability to focus on their chosen pathway, together with its specific relation to the key aspects of the work of film production. Between course production blocks, all students are encouraged to seek out short work opportunities in the industry.

The experience gained enhances group learning and collaboration on the course. In their fourth term students undertake an industry pitching process, designed to overlap with the new student intake further increasing opportunities for group learning.

Structured in a way that builds systematically and in a logical sequence that mirrors the film industry, the course consists of four overlapping units, each building in complexity and demand. For the producing, directing and documentary pathways this will involve six or more shoots, and twelve or more shoots for the other pathways, as their numbers on the course are organised to facilitate this production engagement. This again mirrors industry experience for these pathways.

Cinematic Storytelling

This unit consists of two production blocks. The first block involves a number of exercise shoots in which student also involve themselves in script continuity and first AD roles.

The second block is a location/studio shoot of a script devised and developed by students during the unit. For this block and other productions; the BA (Hons) Film Production course students and graduates will be a valuable crewing option. All MA pathways collaborate together on these shoots.

Virtual Effects Project

This explores the realisation of expansive, action, cast heavy, costly sequence, beyond the scope of the short film. Scenes normally only possible on a large budget production which even then would be achieved by a mix of live action and computer generated imagery, such as in the opening scene of Les Miserables.

Through collaboration with the BA Visual Effects and MA Animation courses, the MA Film Production students produce a virtual action sequence using the industry standard software to cover a demanding and expansive scene of this scope.

This will then be edited, reviewed and analysed by the cohort together with experienced practicing directors, editors, producers, VFX designers and stunt arrangers. Use of green screen is an integral part of the unit. AUB has a branch of Framestore, Europe’s leading VFX company, on campus.

Portfolio Short Film

A short film shot over a week, or number of days to be determined by budget and negotiation. Using studio and/or location and image capture with Arri Film or Alexa Digital cameras. This film will be based on a script, or devised material that has been developed on the course. The expectation is that these films will have the potential to be entered into festivals.

Research and Project Development

This unit is about the genesis and development of long form/feature projects, beyond the scope of the short film. Graduates will take this out into the industry as part of their career progression. Over the first three terms this story/theme driven work for the pathways, includes research into process, feasibility and practice studies.

Bridge to the Industry

A two-day production block for this unit enables the shooting of a teaser or pilot scene. Furnished with these active projects, with industry networking, with a Portfolio Short Film and the experience gained on the course, graduates of the MA Film Production course will have a real bridge to the industry and to career development and progression.



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This specialist programme will enable students to develop advanced knowledge and skills in film production, developing through the course a career specialism in directing, editing, production, camera or sound production. Read more

This specialist programme will enable students to develop advanced knowledge and skills in film production, developing through the course a career specialism in directing, editing, production, camera or sound production.

The programme is distinctive as students will learn and study within the complex and immersive environment of a conservatoire drama school, with substantial access to highly talented acting students and the industry-standard facilities required of this high level vocational training. The skills and experience gained in their chosen area of specialism will enable them to seek employment in the professional film, television and independent film production industry on successful completion of the course.

The course will run for 38 weeks and recruitment will be limited to five students. Each will develop their own distinct specialism within a production team (director, editor, producer, camera, sound production) and they will work together as a unit across four of the five core modules.

These modules are:

1. Moving Image Production

2. Drama Production for the Small Screen

3. Short Film Production (Client-led Film)

4. Short Film Production (Drama)

5. Preparation for Working in the Film Industry

The fifth module is taken individually through a specialist industry placement related to the student’s designated specialism.

The overall aims of the programme are:

• To enable students to develop specific technical and project management skills in film production, primarily drama;

• To enable students to learn skills in leadership and creative problem-solving;

• To enable students to develop a specialism within the key areas of film production (directing, editing, producing, camera, sound production)

• To develop a high level of personal, social and environmental responsibility in working to professional schedules, disciplines and practice, including risk assessment and carbon emission reduction.

• To provide experience and build confidence to engage with industry professionals and develop their career management skills;

A copy of the rules and regulations governing the course is available consult the BOVTS policies and procedures page.

Module map

This module map provides a list of the modules that make up your course.

Each module is worth a specified number of credits, enabling you to cover key subject knowledge while developing your own interests.

  • Module Number: UAMN96-30-M, Module Name: Moving Image Production
  • Module Number: UAMN97-45-M, Module Name: Drama Production for the Small Screen
  • Module Number: UAMN98-45-M, Module Name: Short Film Production – Client-led Film
  • Module Number: UAMN99-45-M, Module Name: Short Film Production – Drama
  • Module Number: UAMNA5-15-M, Module Name: Preparation for work in the Film Industry

Optional Modules: There are no optional modules for this award

Interim Awards: PG Cert Film Production (60 Credits), PG Dip Film Production (120 Credits)

Credit requirements: 180 credits from the above modules for MA Film Production

Award: MA Film Production

Teaching and Learning

Students learn within a conservatoire environment in which they are regarded as professionals in training. At this Masters level in Film Production, there is an expectation that they will develop a high level of problem solving skills, engage at an advanced level of critical evaluation of their practice and acquire the creative thinking required of film makers working in a practical, complex creative and employment-focused environment.

Students are immersed in this challenging environment, which demands great attention to detail, independent thinking, and collaborative working combined with diplomatic negotiating and leadership skills.

The programme is practical and career focused. It is integrated with the school’s other programmes during productions, as well as within the professional environment. The programme features a high level of one-to-one teaching by specialist professionals.

The learning is immersive and singular in its focus on high level specialist professional employability as a main learning outcome.

The learning is intensive with students taught and supervised by teaching staff at least 30 hours per week across the 38 weeks of the programme.

How to Apply

To apply for entry to the MA Film Production programme in October 2018, you will need to use the UCAS Conservatoires.

To apply for this course please click here: click here to apply via the UCAS website in a new tab

Applications open on the 1 September 2017 and close on 28th February 2018.

Please note that UCAS Conservatoires is a different application system to UCAS Undergraduate.

Applying Through UCAS Conservatoires

Although UCAS Conservatoires (previously CUKAS) offers many advantages, it was originally designed to handle applications for music programmes at UK conservatoires and is in the process of being adapted to meet the needs of drama applicants.

We are working with UCAS Conservatoires and other drama schools to ensure this happens as quickly as possible but, in the meantime, you may find the following notes helpful.

Additional Guidance on How to Apply

Registration and Audition Fees

There is a one-off registration fee of £25 to register (for entry 2018) to use the service. The Bristol Old Vic Theatre School also charges an audition administration fee of £35 to cover the cost involved in arranging and delivering auditions/interviews. Both fees are payable through UCAS Conservatoires.

Personal Statements

We recommend that you pay particular attention to the information you provide in your personal statement on your application form in order to give us as full a picture as possible of your relevant experience and reasons for applying.

Application Dates

You can apply through UCAS Conservatoires from the 1 September 2017. The equal consideration deadline for applications to the MA Film Production programme is 15 January 2018. However our applications for this course will close on 28th February 2018.

If you have any further queries please contact the Admissions Department to discuss: 

Deferred Entry

We are unable to consider applications for deferred entry.



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The MA Film with Practice is a taught programme suitable for graduates in film, practitioners who want to advance their practice in an intellectually stimulating environment and non-film graduates with a passion for film practice demonstrated though amateur filmmaking. Read more
The MA Film with Practice is a taught programme suitable for graduates in film, practitioners who want to advance their practice in an intellectually stimulating environment and non-film graduates with a passion for film practice demonstrated though amateur filmmaking.

The programme is taught by award-winning filmmakers, internationally recognised film scholars and includes masterclasses from film industry professionals.

Visit the website https://www.kent.ac.uk/courses/postgraduate/343/film-with-practice

About the Department of Film

The Film Department at the University of Kent is known for its excellence in research and teaching. Arts at Kent (including Film) was ranked 1st in the UK for research power in the 2014 Research Excellence Framework (REF). One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.

Studying film as a postgraduate at the University of Kent will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campus-based film culture. We currently offer expertise in North American, European and Latin American cinemas. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives, as well as with digital media and practice by research.

In 2014, the University opened a new 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.

Course structure

This programme includes two dedicated film practice modules and a dissertation by Film Practice that includes the making of a fiction film. You also choose two modules from the existing Film MA to create a practice-theory mix that accommodates your own interests.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

FI819 - Digital Film Practice: Key Skills (30 credits)
FI820 - Independent Project Development (30 credits)
FI812 - Advanced Film Theory (30 credits)
FI813 - Film History (30 credits)
FI815 - Film and Modernity (30 credits)
FI811 - Conceptualising Film (30 credits)
FI899 - Dissertation by Film Practice (60 credits)

Assessment

Assessment at MA level is 100% course work: that means you will be assessed through essays, treatments, project proposals, seminar participation and a dissertation by film practice.

Programme aims

The programme aims to:

- Develop the understanding and skills possessed by students entering the programme to a notably higher level of sophistication and achievement (appropriate to an M-level award) than would be expected at degree level, such that all leave the programme with a substantial analytic, critical and practice-based understanding of Film.

- Develop the ability of students to think independently, argue with clarity and force, initiate and complete creative work and to discern areas of research and practice-led research within the field.

- Provoke reflection on practical, critical and theoretical approaches to Film and its context.

- Nurture intellectual and creative skills through written work (essays, dissertations, treatments, scripts), creative practice (DV films) as well as in the context of interpersonal interaction (seminars, research papers, supervision, filmmaking processes).

- Develop existing and new areas of teaching informed by and in response to developments in film practice, research and scholarship.

- Provide an excellent quality of higher education

- Attract outstanding students irrespective of race, background, gender, and physical disability, from both within the UK and from overseas.

- Support national and regional economic success by producing graduates in possession of key knowledge and skills, with the capacity to learn.

- Provide opportunities for the development of personal, communication and research skills and other key skills appropriate for both graduate employment in industry or further study.

- Provide learning opportunities that are enjoyable experiences and involve realistic workloads, based within a combined research and practice-led framework

- Offer appropriate support for students from a diverse range of backgrounds

- Provide high quality teaching in a supportive environment with appropriately qualified and trained staff?

Research areas

Research in both theory and practice is currently centred in five broad areas:

- national cinemas – form and history: North American, European, Latin American
- the moving image in a digital context
- documentary film
- film aesthetics
- avant-garde and experimental cinema.

Centre for the Interdisciplinary Study of Film and the Moving Image
The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.

Careers

Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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Degree programme description. This MA offers you the opportunity to explore key aspects of film analysis, theory, history and practice. Read more
Degree programme description
This MA offers you the opportunity to explore key aspects of film analysis, theory, history and practice. If you have already studied film at undergraduate level, you will be able to deepen your knowledge here. If this is your first in-depth engagement with film, you will be introduced to some of the liveliest and most important chapters in the history of cinema. You will be able to pursue your own particular interests in a dissertation on a topic of your choice. The MA also includes an element of practical work and the study of production practices.

From the earliest days of British cinema, London was the location of most British studios and it remains the national focal point for studying film.
Our provision at Queen Mary is enhanced by our proximity to major cultural centres such as the British Film Institute, which includes the BFI Southbank, National Library and National Archive, the Institute of Contemporary Arts and the Ciné-Lumière at the French Institute. The MA attracts high numbers of well-qualified applicants from the UK and overseas each year. It is both a valuable qualification in its own right and particularly useful for applicants wishing to study subsequently for an MPhil or PhD in Film Studies.

Degree programme outline
The core module spans two semesters and provides an introduction to film analysis and theory, an overview of national and transnational cinemas (focusing on films from the USA, Britain, France, Germany, Spain, Italy, Russia and Latin America), and an outline of film history during the twentieth century. You will also be introduced to aspects of film production and practice, including the technology of photography and its use in the feature film, cinematography and the continuity system and its relationship to the development of directorial style.

You can also choose two single-semester optional modules from a range including:
• 9/11 and American Film
• Auteur Direction
• Comedies of Desire
• Films of Powell and Pressburger
• Film History: Hollywood and the Second World War
• Frame, Space, Time: Approaches to the Experiences of Film
• History, Fiction and Memory in French Cinema
• Hollywood’s Vietnam
• Introduction to Film Archives
• Married to the Mob?: Mafia representations in Hollywood and Italian Cinema
• Moving Landscapes: Film Geography and Contemporary European Cinema (subject to approval)
• Paris on the Screen
• Sighting Gender and Sexuality in Latin American Film.

You may be permitted to take one option offered as part of another MA programme in the School or within the Faculty of Arts, provided that the MA convenor agrees that this would be beneficial for your intellectual development and research plans. In the case of options outside the School, admission to such modules requires the further agreement of the module convenor. This arrangement is also extended to include an option offered as part of the MA in Global Cinema and the Transcultural at SOAS, the MA in Screen Studies at Goldsmiths, the MA in History of Film and Visual Media at Birkbeck, the MA in Film Studies at UCL, or the MA in Contemporary Cinema Cultures at KCL.

Assessment
You will submit three essays for the core module, one of 2,000 words and two of 3,000 words, and one 4,000-word essay for each of the two options. At the end of August you will submit a dissertation of 10,000 to 12,000 words.

Entry requirements
Applicants will normally be expected to have been awarded (by the time they are actually beginning the MA course) a first- or upper-second-class degree (or international equivalent) in a relevant field of study, for example in Literature, History, Film and Media, or Cultural Studies.

Career opportunities
Doing an MA is an essential prerequisite for an application to enrol for a PhD. If you are not interested in pursuing an academic degree, you will find that many varied opportunities may arise for which the MA in Film will be an appropriate training: media, teaching, PR, etc. There is no specific career for which the MA at Queen Mary is specifically designed to cater.

Further information
http://www.sllf.qmul.ac.uk/postgraduate/

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The programme offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it. Read more
The programme offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it.

It is taught by experts in Film and seeks to engage you with the key elements that make up the diverse nature of film and moving images.

The programme allows you to spend your first term at our Canterbury campus with full access to its excellent academic and recreational facilities, before relocating to our Paris centre for the spring term, studying in the heart of historic Montparnasse.

Visit the website https://www.kent.ac.uk/courses/postgraduate/19/film-paris

About the Department of Film

The Film Department at the University of Kent is known for its excellence in research and teaching. It was ranked second in the UK for research power in the most recent Research Assessment Exercise (RAE). One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.

Studying film as a postgraduate at the University of Kent will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campusbased film culture. We currently offer expertise in North American, European and Latin American cinemas. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives, as well as with digital media and practice by research.

In 2014, the University opened a new 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.

Studying film as a postgraduate at the University of Kent in Paris will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campus-based film culture. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives.

Modules

During the first term, you take two 30-credit taught-course modules from your chosen MA pathway. You then spend the second term in Paris, studying two modules from a choice which varies from year to year.

Modules available on this programme may include:
FI812 - Advanced Film Theory (30 credits)
FI813 - Film History: Research Methods (30 credits)
FI821 - Film and Modernity (Paris) (30 credits)
FI998 - Dissertation:GPMS (60 credits)

During the spring term you are free to construct your own programme from across the range of modules available, making it as focussed or as inter-disciplinary as you like. You have plenty of time during the autumn term to make informed decisions about your programme of studies in Paris.

You are encouraged to make full use of the city’s cultural resources and to integrate these into your studies which means you will be able to explore and discover connections between history, literature, the visual arts and other media.

Assessment

Assessment is by coursework and the dissertation.

Programme aims

The programme aims to:

- develop your understanding and skills to a notably higher level of sophistication and achievement (appropriate to an Master’s level award) than would be expected at degree level, such that you leave the programme with a substantial analytic and critical understanding of film and film studies

- develop your understanding and skills to the level necessary for entry into a research programme in film

- develop your ability to think independently, argue with clarity and force, to discern areas of research interest within the field and be able to frame viable research questions

- allow you to spend your first term in Canterbury, studying modules in film, and to spend your second term in Paris developing your interest in cinema within the context of city often seen to be central to the aesthetic developments of filmmaking and critical approaches central to the history of the discipline

- consider the impact of French critics and filmmakers on the wider discipline of film

- provoke reflection on areas of critical and theoretical approaches to French cinema and its context

- nurture the intellectual skills cited above in the context of written work (essays and dissertations) as well as in the context of interpersonal interaction (seminars, research papers, supervision)

- provide access to enhanced intercultural awareness and understanding through the opportunity to study in Paris

- provide opportunities for the development of personal, communication and research skills and other key skills appropriate for graduate employment both in industry and in the public sector.

Research areas

Research in both theory and practice is currently centred in five broad areas:

- national cinemas – form and history: North American, European, Latin American
- the moving image in a digital context
- documentary film
- film aesthetics
- avant-garde and experimental cinema.

Centre for the Interdisciplinary Study of Film and the Moving Image
The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.

Careers

Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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The programme offers a thorough grounding in postgraduate-level film. We will be pleased to consider applications from applicants with either a background in Film or a related humanities subject. Read more
The programme offers a thorough grounding in postgraduate-level film. We will be pleased to consider applications from applicants with either a background in Film or a related humanities subject.

It is taught by experts in Film and seeks to engage you with the key elements that make up the diverse nature of film and moving images.

The Film MA can also be studied between Canterbury and Paris, with the first term at our Canterbury campus and the spring term at our centre in Paris. It is also available in Paris only where you spend the entire year in the French capital.
https://www.kent.ac.uk/paris/programmes/index.html

About the Department of Film

The Film Department at the University of Kent is known for its excellence in research and teaching. It was ranked second in the UK for research power in the most recent Research Assessment Exercise (RAE). One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.

Studying film as a postgraduate at the University of Kent will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campusbased film culture. We currently offer expertise in North American, European and Latin American cinemas. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives, as well as with digital media and practice by research.

In 2014, the University opened a new 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

FI811 - Conceptualising Film (30 credits)
FI812 - Advanced Film Theory (30 credits)
FI813 - Film History (30 credits)
FI815 - Film and Modernity (30 credits)
FI998 - Dissertation:GPMS (60 credits)

Assessment

Assessment is by coursework and the dissertation.

Programme aims

The programme aims to:

- develop your understanding and skills to a notably higher level of sophistication and achievement (appropriate to an Master’s level award) than would be expected at degree level, such that you leave the programme with a substantial analytic and critical understanding of film and film studies

- develop your understanding and skills to the level necessary for entry into a research programme in Film Studies

- develop your ability to think independently, argue with clarity and force, to discern areas of research interest within the field and be able to frame viable research questions

- provoke reflection on areas of critical and theoretical approaches to cinema and its context

- nurture the intellectual skills cited above in the context of written work (essays and dissertations) as well as in the context of interpersonal interaction (seminars, research papers, supervision)

- attract outstanding students irrespective of race, background, gender, and physical disability, from both within the UK and from overseas

- develop existing and new areas of teaching in response to the advance of research and scholarship within the subject, as well as new developments in filmmaking practice.

Research areas

Research in both theory and practice is currently centred in five broad areas:

- national cinemas – form and history: North American, European, Latin American
- the moving image in a digital context
- documentary film
- film aesthetics
- avant-garde and experimental cinema.

Centre for the Interdisciplinary Study of Film and the Moving Image
The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.

Careers

Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.


Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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Our Film programme, taught in Paris, offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it. Read more

Our Film programme, taught in Paris, offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it.

It is taught by experts in Film and seeks to engage you with the key elements that make up the diverse nature of film and moving images.

Our programme is the only Film MA offered by a British university in Paris and taught in English. You will spend the entire year in the French capital, which will allow you to participate in excursions to prominent cultural locations and make use of research resources that are only available in Paris, such as the French Cinémathèque. You will study film at postgraduate level within the context of a city that is central both to the development of filmmaking practices and to critical and theoretical approaches to the cinema.

Students interested in taking this MA as a part-time option would take two modules each year (one per term), plus the dissertation in the final year.

The Film MA can also be studied between Canterbury and Paris, with the first term at our Canterbury campus and the spring term at our centre in Paris. You can also study the programme at Canterbury only.

About the Department of Film

The Film Department at the University of Kent is known for its excellence in research and teaching. Arts at Kent (including Film) was ranked 1st in the UK for research power in the Research Excellence Framework (REF) 2014. One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.

Studying film as a postgraduate at the University of Kent in Paris will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campus-based film culture. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives.

https://www.kent.ac.uk/arts/film.html

Studying at the Paris School of Arts and Culture

The Paris School of Arts and Culture is a specialist, postgraduate centre located in the heart of Paris. We offer interdisciplinary, flexible programmes, taught in English, which take full advantage of all the cultural resources Paris offers. Study trips to the city’s museums, art exhibitions, archives, cinemas and architectural riches are an integral part of your studies.

The interdisciplinary nature of the School means you can choose modules from outside your subject area, broadening your view of your subject. As part of our international community of students and staff, you can take part in regular seminars and talks, write for the student-run literary magazine or help to organise our annual student conference.

Find out more about studying in Paris: https://www.kent.ac.uk/paris/

Course Structure

The programme consists of research training, three compulsory 30-credit modules and one 30-credit subject option, plus a dissertation.

You spend the autumn and spring terms viewing and discussing films in modules that are designed to address a range of practical and theoretical issues, including authorship, genre, stardom, style, modernity, nationalism and internationalism. Seminars also cover debates in philosophy and film theory on the nature of filmic representation and its relationship to language, art, emotion, and consciousness.

Our postgraduate programme in Paris will allow you to focus more on French cinema and its context, and to consider the impact of French critics and filmmakers on the wider discipline of Film Studies. In the summer term you will complete your one-year MA by writing a dissertation of up to 15,000 words on a topic agreed with tutors.

Careers

Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.

https://www.kent.ac.uk/arts/whychooseus/employability/index.html



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Develop your creativity and prepare for a career in film while gaining hands-on experience at Screen Academy Scotland on this Creative Skillset accredited course. Read more
Develop your creativity and prepare for a career in film while gaining hands-on experience at Screen Academy Scotland on this Creative Skillset accredited course.

This course has been designed to help you embark on a career as a professional fiction film-maker in one of the following disciplines:

• directing
• cinematography
• editing
• sound
• producing

Teaching is through a combination of collaborative shared modules and modules that are geared to each individual discipline. You’ll spend about half your time focusing on your chosen discipline and the other half acquiring general film making skills.

The year culminates in a major project module in which you’ll work in your chosen discipline on one or more short fiction films.

See the website http://www.napier.ac.uk/en/Courses/MA-Film-Postgraduate-FullTime

What you'll learn

Coursework consists of a large number of practical exercises and projects that will deepen your technical, creative and professional film making skills.

As an Edinburgh Napier student, you’ll have access to Screen Academy Scotland, an active film-making hub in Edinburgh. It offers great scope for collaboration with some 200 or so students engaged in diverse film activities.

At the Screen Academy, you’ll have access to a complete range of professional production and post-production equipment, including Arri Alexa, HDCam, Super 16 mm, Avid, Final Cut Pro, Pro-Tools and a dubbing facility. You'll be supported by tutors who themselves have significant experience in the industry.

The Screen Academy is a professionally equipped facility and we expect student work to aspire to a level that is close to industry standard. It's one of only three Film Academies in the UK accredited by Creative Skillset, the film industry’s skills body, giving our graduates significant credibility in the industry.

In addition, Screen Academy students can buy an industry pass at a heavily-discounted rate to attend screenings, master classes and networking events at the Edinburgh International Film Festival in June.

This course will advance your knowledge of your chosen specialist area as well as giving you a rounded understanding of other film making disciplines. The emphasis on professional skills will help maximise your chance of success.

Previous graduates have had their films screened at festivals around the world, including Venice, Beijing, Kolkata and Edinburgh. Many have gone on to win awards and commissions for TV and feature film projects.

This is a one year full-time course starting in September and is split up into three trimesters.

Modules

• Motion Graphics
• VFX
• Sound for Film 1
• Sound for Film 2
• Collaborative Techniques for Film 1
• Creative Practice for Film and TV
• Script Workshop 1
• Writing and Screen Project Development
• The Business of Screen Project Development
• Collaborative Techniques for Film 2
• Creative Practice for; Cinema
• Critical Film Study
• Masters Film Project

Study modules mentioned above are indicative only. Some changes may occur between now and the time that you study.

Careers

On completion of this course, we would expect graduates to be ready to take up an entry level job in the industry, or in the case of outstanding students, set themselves up as an independent practitioner as either a director, producer, cinematographer, editor or sound designer.

High achieving students on the programme who would like to continue their studies will have the opportunity to apply for the MFA Advanced Film Practice. This provides a further year of intense, project-based film-making.

How to apply

http://www.napier.ac.uk/study-with-us/postgraduate/how-to-apply

SAAS Funding

Nothing should get in the way of furthering your education. Student Awards Agency Scotland (SAAS) awards funding for postgraduate courses, and could provide the help you need to continue your studies. Find out more: http://www.napier.ac.uk/study-with-us/postgraduate/fees-and-funding/saas-funded-courses

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Postgraduate students are supervised via a research team through regular meetings. Read more
Postgraduate students are supervised via a research team through regular meetings. Research supervision draws on wide staff interests in North American, European, and Latin American cinemas, offering opportunities to study projects based in aesthetic, conceptual and historical perspectives on film and digital media, as well as practice by research. For further details, see staff research interests (https://www.kent.ac.uk/courses/postgraduate/352/film-practice-by-research#!staff-research).

Research students participate in a series of regular events. These include work-in-progress seminars and professional development workshops, both of which are organised at School level. You are also able to enrol on the Graduate School’s Researcher Development Programme (https://www.kent.ac.uk/graduateschool/skills/programmes/tstindex.html).

Our research students also actively participate in a research seminar, which brings leading scholars and practitioners to Kent. We also hold an annual postgraduate presentation day.

Visit the website https://www.kent.ac.uk/courses/postgraduate/352/film-practice-by-research

About the Department of Film

The Film Department at the University of Kent is known for its excellence in research and teaching. Arts at Kent (including Film) was ranked 1st in the UK for research power in the 2014 Research Excellence Framework (REF). One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.

Studying film as a postgraduate at the University of Kent will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campusbased film culture. We currently offer expertise in North American, European and Latin American cinemas. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives, as well as with digital media and practice by research.

In 2014, the University opened a new 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.

Research areas

Research in both theory and practice is currently centred in five broad areas:

- national cinemas – form and history: North American, European, Latin American
- the moving image in a digital context
- documentary film
- film aesthetics
- avant-garde and experimental cinema.

Centre for the Interdisciplinary Study of Film and the Moving Image
The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.

Careers

Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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On the MA Film Production, the learning experience is built around practical production modules, underpinned by theory that explores key developments in the history of cinema.Our aim is to nurture filmmakers who can critically reflect on the form and content of both their own work, and the work of others in the field. Read more

On the MA Film Production, the learning experience is built around practical production modules, underpinned by theory that explores key developments in the history of cinema.Our aim is to nurture filmmakers who can critically reflect on the form and content of both their own work, and the work of others in the field

Course detail

The course is predominantly practical, with almost 70% of learning geared towards enabling you to produce documentary and experimental films. For those whose interest is academic, there is also the possibility to replace the double project practice module with a dissertation. The course closely tracks contemporary developments in digital cinematography and sound design, actively encouraging students to create transformative cinematic responses which cross the boundaries between documentary, experimental and fictive forms. This includes:

• lyrical

• Montage

• self-reflexive

• guerrilla

• poetic

• drama-documentary

approaches which challenge the existing output of broadcast, festival and on-line exhibition. Students produce several video sequences, plus two short films and one longer film.

The course examines the 'founding' traditions of documentary and experimental fiction associated with the Lumiere Brothers and Melies and explores overlaps and points of contact between them. The learning experience is built around practical production modules, underpinned by theory exploring key developments in the history of cinema. Our aim is to nurture filmmakers who can also critically reflect on the form and content of both their own work and the work of others in the field.

Modules

• Documentary Practice

• Film Theory

• Experimental Film and Video Practice

• Film and Media Cultures

• Project or Dissertation.

Format

The course blends theory and practice and is designed to help you build creative and critical bridges between the two, so each area of study informs and supports your other learning.

Almost 70% of the course is made up of practical workshops. These typically combine an examination of relevant film clips and approaches with discussions relating to their pros and cons. You will receive regular feedback with discussion on work in progress, test viewings with peers and staff, exhibition visits, and production of a final major piece of work. Throughout these modules, you will receive regular technical input and support.

Theory modules combine a range of approaches, including lectures, visits to the London Film Festival, student-led seminars, presentations and class discussions.

Assessment

The course combines elements of formative assessment with summative approaches, so you can draw insights from peers and tutors.

Career and study progression

Our alumni have gone on to showcase work and win awards in film festivals in the UK and internationally and secure broadcasts of their work in a range of territories.

In recent years many alumni from the course found work with production companies, broadcasters or as independent filmmakers, either in the UK, in their own country or elsewhere. We encourage our alumni to be involved with students and staff on the course and have developed a detailed database of student and alumni production expertise, to facilitate networking and the formation of crews for professional and student productions.

We also offer students the opportunity to pursue more in-depth research interests by undertaking a PhD with us.

How to apply

Click the following link for information on how to apply to this course.

Scholarships and bursaries

Information about scholarships and bursaries can be found here.



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MA Film is a practical course in the production of film drama, from development and finance to distribution and exhibition. It is designed for students who want a hands-on, industry-orientated course, in the creative, technical and practical aspects of digital film production. Read more
MA Film is a practical course in the production of film drama, from development and finance to distribution and exhibition.

It is designed for students who want a hands-on, industry-orientated course, in the creative, technical and practical aspects of digital film production.

Taught through a combination of tutorials, lectures, technical workshops, mentoring, masterclasses and work placements, the course allows you to focus on one key specialism and develop it at postgraduate level, while encouraging you to engage creatively with related disciplines and wider filmic processes.

Within the collaborative unit you have a choice of pathways where you can collaborate with external partners and other courses within UAL. These pathways could be realised through work placements, cross-disciplinary collaboration, initiatives towards the Major Project or a combination of activities.
The theoretical programme underscores all of the practical elements of the course and offers a shared process for students to explore both their own and each other’s work.
What to expect
The course aims to produce graduates who are self-reliant, highly motivated and able to successfully navigate this increasingly competitive industry.
Applicants must demonstrate developed skills and an understanding of their chosen specialism at application, with major and minor roles allocated accordingly.
STRUCTURE

Term One

Term one begins with the Statement of Intent, which is designed to prepare you for both the Dissertation and the Major Project, and helps you position your work within the wider filmic environment.

This unit combines guest lectures and student-led seminars on your specific discipline or field of practice. You will be encouraged to develop a strong dialogue within your groups and contribute shared and individual creative visions ahead of the Major Project.
Once the term is underway, you will begin the Major Project and undertake a Head of Department role, with a chosen specialism, on a fiction film of a prescribed length (max 30 minutes).
The Major Project provides an opportunity to sharpen your skills in one of six chosen specialisms (identified at application) on an ambitious production that spans the four terms of the course.

The specialism roles are:
Producer
Production Designer
Director
Director of Photography
Editor/VFX
Sound Mixer/ Designer
As a Head of Department, you will further develop team leadership skills, and balance individual and shared creative visions.

Term Two

In term two, the collaborative unit offers students the opportunity to engage in a specific collaboration with a related course at UAL or external partner, or in the form of a work placement.

UAL collaborations could provide opportunities to:
Work with LCC courses MA Documentary Film or MA Television in technical roles on documentary or television formats.
OR
Develop a funding and promotional strategy for the Major Project.
External collaborations could include:
Site-specific experimental work, developed in conjunction with a gallery or public body.
An agreed commission or campaign film for a charitable or commercial organisation.
A work placement in the relevant discipline.

Term Three

In term three, you will also undertake two Secondary Roles on course productions. These roles will enable you to explore associated aspects of your specialism, enhance your skillset and learn what it takes to effectively support a Head of Department.
The Secondary Roles are:
Production Manager
Locations Manager
Casting Director
Assistant Director
Set Dresser/Props
Camera Assistant
Gaffer
Script Supervisor
Sound Recordist/Boom Operator

Term Four

The Dissertation is a significant piece of research-based academic writing, designed to help students locate their work within the wider filmic environment.
Running throughout terms two and three, with a submission in term four, the 10,000 word Dissertation encourages you to reflect on your current practice/s, identify trends in the professional sphere and explore the production process.

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Our MA Film, Television and Creative Practice degree enables students to combine development of their creative skills in film and television production with a grounding in historical and theoretical approaches to the two media, all taught by staff with academic expertise and extensive industry experience. Read more
Our MA Film, Television and Creative Practice degree enables students to combine development of their creative skills in film and television production with a grounding in historical and theoretical approaches to the two media, all taught by staff with academic expertise and extensive industry experience.

Core modules on studying media, creativity and developing ideas, and video production are accompanied by a range of options covering areas such as television and reality, blockbuster cinema, and Asian film culture. All students work towards a dissertation-by-practice, an audio-visual project combining your intellectual and theoretical knowledge with your practical skills, supervised by a faculty member.

Our thriving postgraduate community benefits from regular conferences and events on campus, as well as workshops from visiting media professionals. Graduates from our MA programmes have gone on to rewarding careers in various fields, including in the film and television industries.

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This programme, available in both full-time and part-time study modes, offers you a broad-based understanding of how film, television and other screen media have developed and interacted across their varying histories. Read more

This programme, available in both full-time and part-time study modes, offers you a broad-based understanding of how film, television and other screen media have developed and interacted across their varying histories.

It also gives you the opportunity to specialise in film exhibition and archival practice, in order to personalise your MA studies towards specific intellectual interests and future career hopes. The programme is unique in the way that it combines rigorous academic study with creative and practical opportunities, the latter offered both within certain option modules and via the two-month work placement.

This intermixing of the academic and the practical also enables you to take your interests further, into further postgraduate study, towards a career in teaching or into possible work opportunities in many areas of the media industries.

The programme has two other pathways: MA Film and Screen Media and MA Film and Screen Media (European Pathway).

HIGHLIGHTS

COURSE STRUCTURE

The programme consists of the compulsory module Screen Media: History, Technology and Culture, a choice of option modules, a research project or placement and a dissertation.

The compulsory module is designed to introduce you to the basic methodologies and issues involved in the area concerned, as well as research skills and methods. The option modules allow you to pursue specific interests and areas of research.

A unique feature of the programme is the placement, which offers you the experience of working in a prominent media company or institution. Alternatively you can complete a research project which gives you the chance to undertake independent research and reflect on research methodologies.

You will complete the programme with a 15,000-word dissertation.

COMPULSORY MODULES

INDICATIVE OPTION MODULES

DISSERTATION MA FILM AND SCREEN MEDIA

You will also have the option to take an intercollegiate module offered at another college of the University of London through the Screen Studies Group.



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This MA in Film and Media allows you to develop your critical and theoretical understanding of film and media through a range of approaches to the disciplines. Read more
This MA in Film and Media allows you to develop your critical and theoretical understanding of film and media through a range of approaches to the disciplines. You will acquire specialist subject knowledge, experience of advanced study, the practical skills necessary to undertake advanced research, and training in transferable research skills and methodologies.

Initially you will develop your research skills by studying the critical, theoretical and methodological approaches to film and media before selecting elective modules to tailor the programme to your own requirements. The programme culminates in the production of a written dissertation.

If you have interests in film, contemporary media and popular culture and/or if you wish to pursue a research-based higher degree in this subject area in the future then this is the programme for you.

What will I study?

The programme begins with two compulsory modules which interrogate key film studies, media theories and methodologies across the twentieth century. The modules also include integrated research training and are designed to help contextualise your own research.

On completion of these two compulsory modules you will select a number of optional modules to develop new skills and tailor the MA to your own specific expertise. Elective module themes may include transnational media, European cinema, screen genres, and the relationship between media, culture and identities.

Full-time students will complete taught modules at the end of the second semester and work on a compulsory dissertation/project over the summer, building on the skills and knowledge you have already acquired. If you opt to study the MA on a part-time basis, you will study the taught modules over two years and complete the compulsory dissertation/project at the end of Year 2.

How will I study?

The taught programme involves lectures, seminars, tutorials and case study work. Formal teaching will be augmented, where appropriate, by guest speakers.

While working on your project/dissertation during the summer you will meet with your supervisor for regular one-to-one meetings.

How will I be assessed?

You will be assessed through a variety of methods, from the traditional academic essay to reports, research portfolios and projects. To a large extent, your choice of research topic will determine the type of assessment employed.

Who will be teaching me?

You will be based primarily in the Department of Media and will be taught by experts in their respective fields. There is a vibrant research culture within the department with a regular programme of visiting speakers, professors and industry professionals.

What are my career prospects?

Once you graduate, you will be equipped with a highly desirable portfolio of transferable skills that will make you highly employable. Graduates may progress on to a wide variety of potential careers in areas such as arts organisation and management, journalism, libraries and learning centres, management/administration or teaching (further training required),. Alternatively, the skills and experience acquired through successful completion of this MA also provide essential preparation for progressing to research qualifications, such as an MPhil or PhD.

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This programme, available in both part-time and full-time study modes, offers you a broad-based understanding of how film, television and other screen media have developed and interacted across their varying histories. Read more

This programme, available in both part-time and full-time study modes, offers you a broad-based understanding of how film, television and other screen media have developed and interacted across their varying histories. It also gives you the opportunity to specialise in chosen areas of those media histories, in order to personalise your MA studies towards specific intellectual interests and future career hopes. The programme is unique in the way that it combines rigorous academic study with creative and practical opportunities, the latter offered both within certain option modules and via the two-month work placement.

This intermixing of the academic and the practical also enables you to take your interests further, into further postgraduate study, towards a career in teaching or into possible work opportunities in many areas of the media industries.

The programme has two other pathways: MA Film and Screen Media (European Pathway) and MA Film and Screen Media with Film Programming and Curating.

Why study this course at Birkbeck?

COURSE STRUCTURE

The programme consists of the compulsory module Screen Media: History, Technology and Culture, a choice of option modules, a research project or placement and a dissertation.

The compulsory module is designed to introduce you to the basic methodologies and issues involved in the area concerned, as well as research skills and methods. The option modules allow you to pursue specific interests and areas of research.

A unique feature of the programme is the placement, which offers you the experience of working in a prominent media company or institution. Alternatively you can complete a research project which gives you the chance to undertake independent research and reflect on research methodologies.

You will complete the programme with a 15,000-word dissertation.

COMPULSORY MODULES

INDICATIVE OPTION MODULES

DISSERTATION MA FILM AND SCREEN MEDIA

You will also have the option to take an intercollegiate module offered at another college of the University of London through the Screen Studies Group.



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