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Important information. academic review of Manchester Metropolitan University Cheshire campus. Manchester Metropolitan University has been undertaking a review of the long-term future of academic provision at its Cheshire campus. Read more
Important information: academic review of Manchester Metropolitan University Cheshire campus

Manchester Metropolitan University has been undertaking a review of the long-term future of academic provision at its Cheshire campus. It has now been confirmed that the University will withdraw from the Cheshire campus. This means that we expect the campus to close in the summer of 2019.

As the withdrawal from the campus will be a phased process we are still pleased to receive applications for one year full time postgraduate taught courses starting in 2017 on the Cheshire campus. We also continue to welcome applications for part time postgraduate courses of two years in duration in the Exercise and Sport Science department starting in 2017. Applications for courses that are expected to take longer than two years to complete are currently on hold.

Please visit our website for the latest information on the review: http://www.cheshire.mmu.ac.uk/campusreview



MA by Research in Contemporary Arts suits artists (emergent and professional) from a range of disciplines – which may include dance, drama, live arts, theatre, music and creative writing – who wish to develop a focused critical inquiry around their practice. The scope of the proposed research project is aligned with specialist expertise of staff in the Contemporary Arts Department, and developed under supervision with an appropriate supervisory team. Whether your own practical work (practice-as-research) or the work of others becomes the focus of your research inquiry you will be supported in determining suitable research methods and methodologies towards the development of your Praxis project, which will also include critical and reflective writing. You can expect an exciting and varied arts environment with good facilities and excellent technical support. A large, mixed-disciplined student community and exemplary Contemporary Arts Centre provision add to our unique agenda.

With well-established links to the professional world, this versatile and effective programme has broad appeal. A suitable choice for professional practitioners wishing to develop their careers, its multi-disciplinary content coupled with practice based research is also ideal preparation for work in the arts in higher education.
In addition, it is highly appropriate for those wishing to engage in practice as research and to go on to study at MPhil or PhD level.
Contemporary Arts With routes in dance, drama, live art, theatre, music, visual arts and writing MA by research

Features and Benefits

•Track record of graduates producing innovative work within and between arts subject domains.
•Access to excellent drama/performance spaces, ranging from the intimate to the large-scale, plus dance studios, specialist music studios, writing rooms and a new media suite.
•Have a look at our excellent facilities and find out more about the department on our website

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Led by Dr Mel Jordan, Reader in Art & the Public Sphere, the Contemporary Art Practice programme has specialist pathway leaders in order to facilitate a distinct engagement with specific areas of contemporary art practice. Read more

Led by Dr Mel Jordan, Reader in Art & the Public Sphere, the Contemporary Art Practice programme has specialist pathway leaders in order to facilitate a distinct engagement with specific areas of contemporary art practice. The programme is delivered through four pathways: Critical Practice (led by Jeremy Millar), Moving Image (led by Jane Wilson), Performance (led by Professor Nigel Rolfe) and Public Sphere (led by Mel Jordan).

The Contemporary Art Practice programme enables us to incorporate practices that exceed the specificity of the well-established disciplines of Fine Art at the Royal College of Art. Contemporary Art Practice engages with contemporary modes of art production, dissemination and debate. It facilitates specialisation through its pathway structure enabling students to engage with a particular approach to developing their own art practice. The teaching methodology we employ is not technologically or materially determined however students are expected to utilise appropriate and specific means in which to manifest their ideas. Contemporary Art Practice students have access to all facilities within the School of Fine Art.

Critical theory has emerged as an essential intellectual framework for art criticism but what is its potential as a tool within the production of contemporary art? Studio-based and primarily focused on supporting the development of the artistic practice of its students, the Critical Practice pathway offers regular seminars exploring emerging ideas and bodies of theory as well as opportunities to work with organised forms of knowledge such as public archives and institutions.

Moving Image is aimed at artists using film and video, and practitioners working in the areas of documentary film, film and fiction cinema as well as practitioners who wish to draw upon, challenge and re-map established realms of Moving Image based practices. The diversity of approaches employed in the Moving Image pathway reflects the new reality of contemporary moving image.

Performance happens in the ‘here and now’ and not the ‘there and then’. Unlike many practices, where time is historic, and the image presented is necessarily an archive or record, ‘being and doing’ are more immediately significant in live time, and the expectation is that – in the contemporary – artists are often presenting work that is not made in advance but rather happening now!

Public Sphere is a major research area in the School, and the pathway supports expanded engagement with art and its publics as well as art’s social function. Social art practices have featured as a key force in the rise of the global biennale as well as being utilized by the Occupy Movement. Therefore questions about public space, participation, collaboration and collective action are becoming essential principles within the production of contemporary art both in terms of practice and theory.

Your application should be for MA Contemporary Art Practice and you will have to specify in which Pathway you wish to study: Critical Practice, Moving Image, Performance or Public Sphere. 

The programme offers:

  •  specialisation through its pathway structure enabling students to engage with a particular approach to developing their own art practice through the pathways of Critical Practice, Moving Image, Performance and Public Sphere   
  •  a commitment to developing and foregrounding the conceptual and social ideas in an individual students practice   
  •  a teaching methodology which is not technologically or materially determined that encourages students to utilise appropriate and specific means for making contemporary fine art now   
  • a teaching structure that incorporates content-led approaches to the teaching of Fine Art through lectures and seminars to enable students’ engagement with the histories, theories and expanded practices of Fine Art
  • individual and group tutorial and cross school group crits, facilitated by leading practitioners and thinkers
  • a critical discursive environment in which to discuss contemporary issues for thinking about, making and displaying contemporary fine art 
  • a flexible studio space that can be utilised collectively or individually 
  • access to a range of technical facilities across the school of Fine Art including the Moving Image Studio, traditional and digital printmaking, photography and wood and metal workshops 
  • access to college-wide technical workshops
  • an on-going programme of off-site events, exhibitions and commissions
  • opportunities for teaching placements, exhibitions, overseas travel and international exchanges (including Paris and Kyoto)


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This unique international laboratory programme brings diverse individuals into collaborative research, acknowledging the challenges of creating original, performer-driven theatre in today's complex, globalised culture- http://www.gold.ac.uk/pg/ma-performance-making/. Read more
This unique international laboratory programme brings diverse individuals into collaborative research, acknowledging the challenges of creating original, performer-driven theatre in today's complex, globalised culture- http://www.gold.ac.uk/pg/ma-performance-making/

In over 3 decades there has been a creative surge in hybrid live performance worldwide. This has been the work of solo artists, ensembles, auteurs and performer-directors across creative fields, who have redefined boundaries and stretched the artistic and social imagination into new spaces, both literally and figuratively.

Within the vibrant environment of Goldsmiths, and with all the stimulus that London offers culturally, practising or emerging practitioners develop compositional, critical, technical and management skills and strategies for forging independent and self-motivated careers. Our graduates work as practitioners, teachers and cultural leaders worldwide.

On the programme you will conceive, research, construct and deliver your ideas and articulate what motivates these. Teaching is rigorous and interdisciplinary. You study with distinguished international artists as well as scholars within a praxis ethos where theory informs creativity and vice versa. The emphasis throughout is on encouraging collaboration across disciplines and cultures, and on contextualising practice within its social, political and architectural environment.

Physical training, scenographic/environmental exploration and hands-on introduction to technologies (lighting, video and sound) support composition and artistic experimentation. You identify your own practice within the historical and contemporary field, and write critically and creatively. You archive your practice digitally, and on graduation will have developed a portfolio of projects. You are guided on professional development by the Live Art Development Agency (LADA) and the Institute for Cultural and Creative Entrepreneurship (ICCE) at Goldsmiths.

The programme enjoys a wide international professional network of organisations, commissions, venues and festivals of benefit to students. You study both at Goldsmiths and ArtsAdmin. Click here for a full list of artists associated with the programme as permanent and guest tutors.

"The MA in Performance Making at Goldsmiths attracts artists from all over the world seeking to develop their skills, creativity, pragmatics and independence. Taught by distinguished professionals, it encourages original, collaborative research into new forms, new imperatives and new contexts for live performance. As such it makes an invaluable contribution to the culture of performance."

Lois Keidan, Director: Live Art Development Agency, London

Contact the department

If you have specific questions about the degree, contact the Department of Theatre and Performance Office.

Modules & Structure

This is a praxis programme on which you gain 180 CATS (credits).

Practical Study- 30 credits
Performance Making A and B- 60 credits
MA in Performance Making Dissertation- 60 credits
Contextual Theory- 30 credits

Skills

You will become conversant, confident and skilled in a range of methodological practices as well as compositional strategies for independent theatrical, dance theatre and live art creation.

Your critical and analytical skills in interpreting artistic practice will be tested in a range of verbal, written and oral ways. Your study of your own body as a creative instrument will be complemented by learning the principles of scenography and film narrative.

You will research intellectually and produce theoretically informed writing. You will learn to contextualise your own practice and interests in the contemporary field of performance both in the UK and internationally, and to articulate such practice.

Overall you will learn how to research, construct and deliver your ideas performatively and how to advocate your own projects to producers, venues, funders and other agencies.

Careers

Graduates work in a wide variety of professional contexts globally as commissioned performance makers, directors, project leaders, programmers, teachers and academic researchers.

The programme has launched international production companies and collaborations whilst the many organisations employing them include:

Dreamthinkspeak
Station House Opera
Marie Gabrielle Rotie Productions
The Clod Ensemble
Corridor
Lift
The Royal Court Theatre
The Gate Theatre
The Globe Theatre
Goossun Art-Illery
Northern Stage
The Royal National Theatre
The Beijing Academy
BAC
Bernie Grant Arts Centre
Artsadmin
Shunt
Hackney Empire
Greenwich Dance Agency
The Convenor’s Company
Athletes of the Heart

And a range of international commissions and festivals including Edinburgh Festival and Brighton Fringe.

What some of our alumni are doing now

http://www.taniaelkhoury.com
http://www.niabarge.com
http://www.liveartgardeninitiative.org.uk/mariallanderas.html
http://www.2divide.weebly.com
http://www.palimpsest.weebly.com
hekayet.com/chirin.htm
http://www.zoukak.org

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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The Critical Writing in Art & Design MA programme in the School of Humanities provides unique opportunities for postgraduate students to develop high-level writing, research and analytical skills in the setting of one of the world’s most dynamic art schools. Read more

The Critical Writing in Art & Design MA programme in the School of Humanities provides unique opportunities for postgraduate students to develop high-level writing, research and analytical skills in the setting of one of the world’s most dynamic art schools. Combining workshop models of teaching and learning, and ‘live’ projects with leading arts organisations, the MA provides the skills required for a successful career in the arts or a research degree. For 2017/8, we are introducing some exciting new areas of specialisation within the programme.

The programme is committed to the idea that writing – of all kinds – is a creative practice that requires imagination as well as good literary skills and expert knowledge. Students on the MA are presented with many opportunities to develop and apply the skills required by various writing formats from the review and catalogue essay, to fiction and other forms of speculation. The unique structure of the programme allows for specialisation and the freedom to explore novel approaches to writing. 

The Critical Writing in Art & Design programme combines lectures, specialist writing workshops and ‘crits’ as well as live projects with external partners. Previous partners have included the Royal Opera House, Kettle’s Yard in Cambridge and Turner Contemporary in Margate. Recognising that the media is undergoing considerable change, the MA also offers opportunities to work with professionals working print and online publishing, broadcasting and podcasting. Students on the programme enjoy opportunities to share classes and to work on shared projects with other students across the RCA including our sister programme, the Critical Practice pathway in the Contemporary Art Practice programme in the School of Fine Art.   

Founded in 2010, the Critical Writing in Art & Design programme will launch a set of new specialisms in autumn 2017: Publishing and New Media; Creative Writing; and Art Theory. Students follow a shared, core programme as well as their chosen specialism. This will enable students to develop focused and expert skills within the RCA’s new 15-month MA framework. The specialisms allow a close focus on the particular needs of individual students, delivered through small group seminar teaching and one-to-one tutorials.

Graduates of the Critical Writing in Art & Design programme have published their MA work as books for publishers around the world including MIT Press, China Machine Press, and Zero Books. Others write regularly for the art press (including titles such as Art Monthly, Frieze and Eye Magazine). Some graduates of the programme have gone on to doctoral study at the University of Oxford, the University of Manchester and Goldsmiths. Others work in editorial positions in art and design magazines, or as curators and programmers in galleries and museums and other arts organisations in Europe, China and North America. 

Critical Writing in Art & Design students have a strong track record of producing ‘live’ publications with the support of the programme. These include the Albertopolis Companion produced by the graduating class of 2015 or ARK: Words and Images from the Royal College of Art Magazine 19501978, an anthology from 2014. Other live projects include Of and For Turner Contemporary, a series of texts exploring a remarkable building on the Kent coast. Students on the programme are encouraged to publish their writing on a dedicated Critical Writing in Art & Design website during their studies.

From 2017, the programme is primarily located in the RCA's newest facilities in White City



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This programme prepares you to teach art and design in secondary schools. You are shown how to plan, resource and organise art lessons, and how to monitor, record, evaluate and assess the art practices of students- http://www.gold.ac.uk/pgce/secondary-art-design/. Read more

This programme prepares you to teach art and design in secondary schools. You are shown how to plan, resource and organise art lessons, and how to monitor, record, evaluate and assess the art practices of students- http://www.gold.ac.uk/pgce/secondary-art-design/

We encourage you to create exciting, questioning and stimulating learning environments.

You'll explore how young people develop their own forms of exploration, expression and communication.

You'll learn about current educational initiatives and agendas and wider political and conceptual issues related to art and design education and how to design, develop, resource and organise art and design lessons, and how to monitor, record, evaluate and assess the art and design practices of young people.

A central philosophical position of the Goldsmiths PGCE is the importance and essential element of your practice as an artist/designer/craftsperson and how this can contribute to your development as an educator.

School Direct

It is also possible to study this course via our School Direct programme. Please visit our School Direct page to see which schools offer this subject.

Additional costs

As well as your PGCE fees, you will have to cover your travel costs to your school placements.

We produce reading packs electronically and in hard copy format. There’s a small charge for the hard copy reading packs. You may also be asked to contribute towards trips and some materials for your modules.

Contact the department

If you have specific questions about the degree, contact Department of Educational Studies.

Structure

College-based work

There are practice-based Art and Design workshops, lectures and seminars and individual and group tutorials, which are conducted by Goldsmiths lecturers, artist teachers and gallery/arts educators.

The content of the lectures and seminars focus on current issues including:

contemporary art and design practices

learner identities

visual and place-based pedagogies

inclusive strategies for learning

political and conceptual issues in art and design

artist teacher identities

assessment and evaluation of Art and Design

designing and developing opportunities for learning

School-based work

During the Autumn Term you are placed in a secondary school Art and Design department to observe, participate in and teach alongside experienced teachers.

You'll visit a primary school to develop an understanding of younger children’s work and how the Art and Design curriculum is taught.

During the Spring and Summer terms you are placed in a second school, where you will experience a sustained experience of teaching in which you develop competence in the Professional Standards.

Throughout the course you will develop and implement Art and Design practices in all Key Stages of the curriculum including post-16.

Department

We have been training teachers since 1904, and have established a reputation for excellence in this field.

Educational Studies

We see education as a window through which to view the world, and as something with the power to define who we are and how we live

As a department we’re interested in seeing what education can tell us about the social, political and economic forces of our times. And what these forces mean for the everyday lives of individuals and groups.

We place a strong emphasis on active and collaborative learning, and we'll train you to become a reflective and socially conscious teacher.

Teaching placements

We have partnerships with many London schools, offering you the chance to gain teaching practice in socially mixed, multi-ethnic urban classrooms.

Support

We offer a high level of support through a system of school and personal tutoring.

Research

Staff in the department carry out world-leading research – we're ranked 8th in the UK for the quality of this research.**

**Research Excellence Framework 2014, Times Higher Education research intensity subject rankings

It delves into areas including culture and identity, gender, multilingualism, and youth cultures, and why we maintain a commitment to social justice and inclusion.

Learning & Teaching

A range of teaching methods are employed across the PGCE programmes, including:

• Taught subject sessions

• Taught General Professional Study sessions

• Practical workshops

• Core lectures

• Group tutorials/seminars

• Individual tutorials

• Individual and group presentations

• Supported self-study

As with the other PGCE courses, you’ll be given the opportunity to work with children in a wide range of contexts. These might include focused interventions with individuals or groups, or larger scale events for the community.

How to apply

You apply for this PGCE through the UCAS Teacher Training website. Our institution code is G56 GOLD.

Please take a look at the information on applying, including the specific qualifications or experience you need for this course.

There's no closing date for primary or secondary applications, but we advise you to apply early to avoid disappointment.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.



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Prepare for a career as a professional artist. Independently develop your practical work, research skills and critical thinking, with support from our experienced staff and visiting artists. Read more
Prepare for a career as a professional artist. Independently develop your practical work, research skills and critical thinking, with support from our experienced staff and visiting artists. Test out your ideas in a professional environment and gain invaluable experience of exhibiting, curation and collaboration.

See the website http://www.anglia.ac.uk/study/postgraduate/fine-art

Overview

Our Master’s course will allow you to investigate a range of approaches used in fine art, from painting, sculpture, and printmaking, to more contemporary media such as photography, video, digital media, installation, sound and performance.

You’ll spend much of your time working and researching independently - but you’ll also learn about recent theories, contexts and practices in lectures, seminars and one-to-one tutorials.

We’ll give you the chance to test out your ideas in a professional environment, and to pick up important transferable skills for your career through group and individual presentations and critiques, exhibiting, curation and critical writing.

Here at Cambridge School of Art, you’ll be supported by lecturers who are themselves experienced artists. So as well as having access to artists who are working across many disciplines at the forefront of contemporary art practice, you’ll receive invaluable advice and direction for your future career.

Teaching times: Tuesdays and Wednesdays from 10am-5pm (full-time); Wednesdays 10am-5pm in Year 1 and Tuesdays 10am-5pm in Year 2 (part-time).

Careers

As well as preparing you for work as a practising artist, you’ll pick up skills and knowledge that will equip you for other roles. Our past students now enjoy careers in further and higher education, museum and gallery management, public arts projects, artist in residence schemes and fellowships opportunities, both in the UK and abroad.

Or you might decide to continue on to a research degree, like our PhD Fine Art.

Our links with local art organisations, such as Aid & Abet, Changing Spaces, Wysing Arts Centre and Cambridge Artworks, will give you the chance to take part in professional exhibitions, portfolio reviews and live projects.

You’ll also have access to events such as Creative Front Futures, which will give you a taste of the different creative industries, and be able to take part in Fine Art Professional Practice and networking initiatives for both students and alumni.

Our Fine Art Research Unit (FARU) runs fortnightly lectures that will give you a chance to hear contemporary artists and staff talk about their work, and engage in debates about art practice. Recent speakers have included Phillip Allen, Juan Bolivar, Rebecca Fortnum, Danny Rolph, Hayley Newman, Günter Herbst, David Kefford, Cally Spooner, Tim Ellis, Andrew Grassie, Lilah Fowler, Jemima Brown, Caroline Wright and Matthew Derbyshire.

Core modules

Process and Practice as Research
Acts and Discourses
Fine Art: Critical Practice
Master's Dissertation Art and Design
Master's Project: Art and Design

Assessment

On most of our core modules, you’ll demonstrate your progress through visual research outcomes supported by a written evaluative statement, except for the Master’s Dissertation where you’ll submit a 6,000-word contextual essay.

Specialist facilities

You’ll have the chance to experiment with many different art forms, making use of our MA studios, printmaking and 3D/sculpture workshops, photography dark rooms, and computer suites for video production and digital imaging. You’ll also have access to three brand new Mac suites with Adobe Creative Suite software, plus high-quality 27-inch monitors.

If you're a full-time student, you'll have an individual studio space to work in. If you're part-time, you'll need your own external studio facility, but may be able to negotiate some temporary on-site space for specific projects. Whether you're full-time or part-time, you'll be based in our MA studios and we'll encourage you to make full use of them both during and outside of formal teaching times. You can also arrange to use the studios on weekday evenings and at weekends during term-time.

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Led by some of the country's leading teachers and practitioners in the field, this course is designed for aspiring playwrights and dramaturgs as well as those who want to gain an intensive, hands-on training in playwriting. Read more
Led by some of the country's leading teachers and practitioners in the field, this course is designed for aspiring playwrights and dramaturgs as well as those who want to gain an intensive, hands-on training in playwriting.

Studying at the UK's largest drama department, you will enhance your skills in writing for performance by developing your own plays in a variety of different forms and styles, from stage to radio, the traditional single-authored play to writing for devised theatre and live art. Students will be taught by experienced, professionally-produced and published playwrights. Recent visitors to the college have included Simon Stephens, April de Angelis, Roy Williams, Dennis Kelly, Martin Crimp, David Eldridge, Linda McLean, David Greig, Howard Barker, Michael Frayn and Duncan Macmillan.

All students complete an independently-researched dissertation, which offers a further opportunity to develop your own area of specialist interest.

The class is normally taught in the College’s London base in Bedford Square.

See the website https://www.royalholloway.ac.uk/dramaandtheatre/coursefinder/maplaywriting.aspx

Why choose this course?

- The 2008 Research Assessment Exercise ranked the majority of the Department's research activities as world-leading (4*) or internationally excellent (3*).

- Royal Holloway has the largest Drama Department in the UK with 25 academic members of staff working at the cutting edges of the discipline.

- We foster an excellent research environment and support a vibrant community of postgraduate and doctoral students.

- The topics taught reflect the research excellence of the course faculty and our distinctive commitment to nurturing critically-informed practice.

- You will benefit from a range of unique performance spaces which include a traditional Japanese Noh theatre, a fully equipped black box studio and the substantial Victorian Boilerhouse.

Department research and industry highlights

- The department has strong links with a range of theatre companies, organisations and practitioners and regularly invites visiting speakers and practitioners to work with students.

- There are a number of active research groups in the department that organise a range of activities each year addressing specific subject areas and research questions.

- Members of the academic staff are leading researchers in the field of theatre and performance practice.

Course content and structure

You will study three core course units and complete a dissertation.

Core course units:
- Playwriting (25%)
This unit is taught over the two teaching terms and assessed through a portfolio of theatrical and performance texts, accompanied by written analysis of this work.

- Making Performance Texts (25%)
You will explore alternative means of generating performance text – for devising, live art, physical theatre, for example. Support will be offered through intensive practical workshops by visiting practitioners.

- Theatre Contexts, Histories, Practices (25%)
This unit examines the relationship between theatre theory and practice and is assessed through practice and written work.

- Dissertation (25%)
Students on the MA Playwriting programme write a full-length play with an accompanying substantial essay (6-7000 words). This work is supported by a non-weighted methodologies course.

On completion of the course graduates will have:
- enhanced and applied their skills as reflective playwrights
- worked in a range of different theatrical/dramaturgical contexts
- developed their understanding of contemporary playwriting and its contexts
- explored the scope of theatre studies and its critical and research methodologies
- developed their ability to undertake independent research and analysis.

Assessment

Assessment is carried out by a variety of methods including essays and performance analyses, practical projects as well as a final dissertation. Practical projects are sometimes carried out in a group and may include an element of assessment for an individual’s contribution to group working and direction. You will undertake a summer term practical project.

Employability & career opportunities

Our graduates are highly employable and, in recent years, have entered many different drama and theatre-related areas, including careers in professional theatre, training and education. This course also equips you with a solid foundation for continued PhD studies and many of our students go on to advanced research.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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The course offers students the opportunity to study theatre and performance studies in a dynamic research environment in the heart of London. Read more
The course offers students the opportunity to study theatre and performance studies in a dynamic research environment in the heart of London. From avant-garde drama to political action, queer performance, live art, dance, cultural tourism, and the spectacles of the West End, you will be introduced to a range of theatre and performance theories and practices.

Ideal for students who have recently completed an undergraduate degree in Theatre, English or related fields, or spent time engaging in performance practice or work in related industries.

Key benefits

- Unrivalled location at the heart of London allows students regular access to a wide range of theatre and performance events, including performances, seminars, and research centres.

- Dynamic intellectual community offered by King’s College London and surrounding institutions, supplemented by regular invited artist and academic speakers or artist residents.

- Core modules providing a strong foundation in theatre and performance studies, plus the opportunity to create an individualised course of study through selected options.

Visit the website: http://www.kcl.ac.uk/study/postgraduate/taught-courses/theatre-and-performance-studies-ma.aspx

Course detail

- Description -

The programme offers students the opportunity to study theatre and performance studies in a dynamic research environment in the heart of London. From avant-garde drama to political action, queer performance, live art, dance, cultural tourism, and the spectacles of the West End, students will be introduced to a range of theatre and performance theories and practices in an expanded field.

Students will take a core module in Theatre and Performance Theory, which will provide them with systematic understanding and critical awareness of current problems and new insights in the field, and the ability to critically evaluate current research and advanced scholarship in the discipline. Students will also take a core module in Theatre and Performance Research Methods in the second semester, which will provide them with the research skills and techniques needed to undertake advanced research and scholarship in the field, and enable them to evaluate and critique various methodological approaches to practice-based and scholarly research.

- Course purpose -

Ideal for prospective students who have recently completed an undergraduate degree in Theatre, English or related fields, or spent time engaging in performance practice or work in related industries. The programme invites considered reflection on performance and performativity, emphasising close reading, research, and interdisciplinary approaches to theatre and the arts.

- Course format and assessment -

Lectures, seminars, and optional workshops; essays; dissertation; lab-based research projects (as relevant); independent study; tutorials.

Career Prospects:

Graduates may go on to work in arts practice and related industries, including museum, curatorial, and archival work; production; dramaturgy; journalism; performance; and theatre and performance-related arts management and administration. Graduates may also pursue further research in the field at doctoral level.

How to apply: http://www.kcl.ac.uk/study/postgraduate/apply/taught-courses.aspx

About Postgraduate Study at King’s College London:

To study for a postgraduate degree at King’s College London is to study at the city’s most central university and at one of the top 21 universities worldwide (2016/17 QS World University Rankings). Graduates will benefit from close connections with the UK’s professional, political, legal, commercial, scientific and cultural life, while the excellent reputation of our MA and MRes programmes ensures our postgraduate alumni are highly sought after by some of the world’s most prestigious employers. We provide graduates with skills that are highly valued in business, government, academia and the professions.

Scholarships & Funding:

All current PGT offer-holders and new PGT applicants are welcome to apply for the scholarships. For more information and to learn how to apply visit: http://www.kcl.ac.uk/study/pg/funding/sources

Free language tuition with the Modern Language Centre:

If you are studying for any postgraduate taught degree at King’s you can take a module from a choice of over 25 languages without any additional cost. Visit: http://www.kcl.ac.uk/mlc

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The programme addresses what has become a significant need in the field by offering an innovative interdisciplinary approach to Creative Arts and Mental Health. Read more
The programme addresses what has become a significant need in the field by offering an innovative interdisciplinary approach to Creative Arts and Mental Health. The programme is taught by mental health professionals and specialists in live art, performance art, theatre and performance history. This MSc seeks to attract professionals in education, artists, and mental health practitioners who would like to learn in more breadth and depth how art and performance can be used to understand experiences of mental health and illness, and how arts offers critique and challenge to conventional practices that may be evidence based but still risk disempowerment. Art enables the stories of individuals and groups to be better embraced. Students will be offered core modules in mental health and in performance and then select optional practice-based modules in arts-based research and arts-programme evaluation and in live art and performance.

The course is delivered by experts in the centre for psychiatry and the drama department at QMUL, both leading research departments that rank amongst the top in the country.

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Are you an emergent theatre and performance maker wishing to advance your career as a practitioner, instructor or critic? Hone your performance skills and enhance your knowledge of performance training processes. Read more
Are you an emergent theatre and performance maker wishing to advance your career as a practitioner, instructor or critic? Hone your performance skills and enhance your knowledge of performance training processes. You’ll develop the confidence and ability to understand and analyse the nature of performance within a thriving artistic and research community. We’ll help you realise your potential through a deep level of practical investigation, experimentation and discovery.

Key features

-Take advantage of our stunning, new, multi-million pound, purpose-built performing arts facility, The House.
-Choose to study full time over one year, or take the flexible two-year part-time pathway to fit in with your career plans or other commitments.
-Work in a vibrant interdisciplinary arts and research community where you’ll mix with staff and students from across the arts faculty creating opportunities for collaborative performance and practice-based research. This includes colleagues from areas such as theatre and performance, dance, music and creative writing.
-Benefit from mentorship and teaching by highly skilled practitioners and scholars.
-Make use of the close links we have fostered with leading theatre companies and professional artists while you’re with us, and gain extra experience that will open up your career prospects.
-Engage with Plymouth’s vibrant theatre and performance scene with Peninsula Arts, Theatre Royal Plymouth and Barbican Theatre Plymouth, alongside events and workshops arranged by the department itself. In the past visitors have included included Action Hero, -Low Profile, John Nettles, Wildworks, Lone Twin, Earthfall and Robert Lyons.

Course details

You’ll take a series of modules taught through lectures, workshops and seminars. You’ll explore the larger implications of training in/for performance and specialise in a specific training of your choice (such as acting, live art or performance-making training). You’ll be offered support and mentorship from experienced staff and visiting practitioners. Staff expertise and research is in performance training, live art, improvisation, integrated performance practice, digital performance, contemporary cross-cultural performance, site-specific performance, somatic movement practice, and articulating practice as research. You’ll acquire a more sophisticated ability to reflect critically on performance practice, allowing you to realise your potential as a practical scholar. You’ll also work, with the guidance of your supervisor, to produce an artistic and/or academic thesis on a subject of your choice, underpinned by relevant research, analysis and critical reflection.

Core modules
-MAPR700 Researching Performance
-MAPR702 Final Major Project
-MAPT704 Training Processes: Doing
-MAPT705 Training Processes:Making

Optional modules
-MAPT703 Philosophies of Training
-MACH703 Choreography Lab 2: Choreographic Process and Development

Every postgraduate taught course has a detailed programme specification document describing the programme aims, the programme structure, the teaching and learning methods, the learning outcomes and the rules of assessment.

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This innovative MA programme combines a range of diverse approaches to making performance, drawing on devising, physical theatre, directing, socially engaged practice, solo work and live art. Read more
This innovative MA programme combines a range of diverse approaches to making performance, drawing on devising, physical theatre, directing, socially engaged practice, solo work and live art.

The MA will be delivered in partnership with major London cultural institutions, including the Lyric Hammersmith, where you'll take part in a low-residency intensive program of work at their impressive facilities.

The course is offered through a low residency model that makes it unique in the country, and particularly attractive if you wish to further your studies and enhance your career opportunities but cannot commit to a traditional full-time offering.

The course entails:

• Intensive practical modules, masterclasses and workshops led by industry professionals and delivered during residency weeks, when all the cohort comes together as a community
• Theoretical and critical e-learning and blended learning modules that run throughout the year, and which can be completed at a time to suit your particular needs.

Course content

The MA is made up of...

2 x 40 credit practical modules/intensive residencies
Residencies are delivered collaboratively with partner organisations

2 x 20 credit practical modules/intensive residencies
Residencies delivered collaboratively with a well known and respected industry professional from the UK or abroad, such as: Reckless Theatre, Little Bulb Theatre. Each practical residency module will be focusing on one specific area of contemporary performance practice as follows:

• Directing
• Devising and /or physical theatre
• Socially-engaged arts and/or collaborative practice
• Solo work and/or live art

2 x 20 credit theoretical modules
Creative research methodologies: an e-learning module where you'll be introduced to both traditional and non-traditional approaches to research including practice as research in performance
Research Project: you'll be supported to develop a 4,000-5,000 word written essay on a subject of your interest.

2 x 10 credit professional practice modules
Enterprise and new business models in the creative industries
The survivor’s guide to the creative industries: including sessions on skills in areas such as: fundraising, copyright, IP, developing and monetising cross/multi-platform work.

Modules:

Collaborative residency 1: Directing (20 credits)
Collaborative residency 2: Socially Engaged Arts (40 credits)
Creative performance making (40 credits)
Creative Research Methodologies (20 credits)
Research Project (20 credits)
Enterprise and New Business Models in the Creative Industries (10 credits)
The Survivor’s Guide to the Creative Industries (10 credits)

Plus a choice of either:

Creative Practice as Research Project (40 credits)
Creative Placement (40 credits)

Assessment

Methods of assessment are both practical and written. They reflect professional working methods (e.g. a professional performance outcomes) as well as critical responses to the course content (e.g. through essays, reflective journals and research projects).

Teaching and learning

The low residency MA in Contemporary Performance Making is following the model based on the Visitors and Residents theory by David White (2015), which describes a continuum of modes of online engagement and learning. This has proven to be a useful way towards understanding individuals’ motivations when they use the web in differing contexts. We are proposing that no mode of engagement is better than another, so we offer a blended approach that includes intensive face to face residencies, alongside online meetings and content delivery. We want to acknowledge that in today’s fast-changing world it is important to employ different modes of learning that allow for flexibility and can support individual learners’ context, circumstances and preferences.

The innovative low residency model, which is currently unlike any other offerings in the UK within the field of Drama and Performance, entails short intensive practical modules, masterclasses and workshops led by industry professionals during the residency weeks, alongside theoretical and critical e-learning and blended learning modules that run throughout the year.

The collaborative aspect of this programme makes it unique in the market and particularly attractive to those who wish to expand their professional networks and diversify their techniques.

Between the intensive residencies you'll maintain contact with the University through monthly supervisory meetings with your personal adviser (either face to face or online), and through completing the online and blended learning modules.

Facilities

• Edric Theatre

A dedicated performance and rehearsal space with a 90-seat capacity that can be set up in numerous configurations. The main auditorium, 30-seat studio and backstage facilities are used by drama, performance and technical theatre students. Facilities are available for commercial hire.

• Borough Road Gallery

The gallery is a home for visual art and a unique part of the University's heritage. Opened in 2012, the Borough Road Gallery contains valuable and significant works of Post War British Art in a public collection, produced by the celebrated artist and teacher David Bomberg (1890-1957).

• Arts, music and cultural events in London

The University couldn't be better located being only a 10-15 minute walk from the Southbank Centre, National Theatre, BFI IMAX, Tate Modern, Royal Festival Hall, The Old Vic Theatre, The Young Vic and therefore the best of London's plays, performances, exhibitions and screenings.

Employability

You'll have the opportunity to develop your practice in a rich environment of practices and discourses, in an environment that exposes you to diverse feedback sources, and a genuine immersion in professional practice of an international standing.

You'll be presented with opportunities to develop skills not only in the areas of directing, socially engaged arts and so on, but also in your professional practice, including current areas such as creative methodologies, copyright, use of multi-platform content, and resilience in the creative industries market.

The part-time offering is suitable for mature students and professionals who wish to return to education in order to enhance their skills and career prospects.

LSBU Employability Services

LSBU is committed to supporting you develop your employability and succeed in getting a job after you have graduated. Your qualification will certainly help, but in a competitive market you also need to work on your employability, and on your career search. Our Employability Service will support you in developing your skills, finding a job, interview techniques, work experience or an internship, and will help you assess what you need to do to get the job you want at the end of your course. LSBU offers a comprehensive Employability Service, with a range of initiatives to complement your studies, including:

• Direct engagement from employers who come in to interview and talk to students
• Job Shop and on-campus recruitment agencies to help your job search
• Mentoring and work shadowing schemes.

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Inventing Modern Art enables you to understand how painting, design and architecture took new forms and meanings in an age of radical social, scientific and technological change. Read more
Inventing Modern Art enables you to understand how painting, design and architecture took new forms and meanings in an age of radical social, scientific and technological change. Working with leading experts, you will learn to interpret these from theoretical as well as object-based approaches.

Why this programme

◾World-leading resources, from Charles Rennie Mackintosh’s School of Art to the Burrell Collection and The Hunterian, home to the world’s largest public Whistler display.
◾State-of-the-art collections access at the new Kelvin Hall Study Centre, and tuition by specialists including the Mackintosh and European Modernism Academic Curator.

Programme structure

The programme offers a wide-ranging mix of taught and research components, and is taught by a team including the Academic Curator in Mackintosh studies and European Modernism, and experts in the Enlightenment, Whistler, Impressionism, the Vienna Secession, and dress history.

The 20-credit core course on 'Research Methods in Practice' is taken by all students in Semester 1, and provides an introduction to the key techniques and principles of advanced art-historical study and research. This provides a foundation for the programme's other components, which consist of:
◾A compulsory dissertation (60 credits; 15-20,000 words, including footnotes and bibliography). This is submitted in August and written under the guidance of a specialist tutor. It provides opportunity for self-directed research on a topic chosen by the student in consultation with the programme convener and the tutor.
◾Five individual option courses, each worth 20 credits. These enable you to study particular themes or artistic movements in depth, and, if desired, also to obtain work experience. They include opportunities for first-hand engagement with relevant work in local collections and the new Kelvin Hall Collections Study Centre, and are selected from the following list.

Some courses are taught in Semester 1 and some in Semester 2 (not all are available each year):
◾Whistler, Impressionism, and European Avant-Gardes
◾The Artistic House
◾The Birth of Modern Fashion? Textiles and Dress, 1680-1815
◾Victorian Visions: Dress and Textiles c. 1837-1901
◾Cultures of Collecting
◾Provenance
◾Work Placement
◾Independent Study
◾Semester Abroad (Ecole du Louvre, Paris)
◾Research Forum

One or more of your option courses may be chosen from those available in other College of Arts subjects, to create a distinctive interdisciplinary emphasis within your degree. The programme convener will give guidance on choices relevant to your personal goals and interests.

Career prospects

The programme provides a strong foundation for work in the museum, heritage, and education sectors, as well as in media, publishing, and arts administration. Its distinctive object-based study sessions and field trips introduce you to key professionals, whilst the placement option provides 'live' work experience - an essential first step in much arts employment. Our Art History Masters' graduates have secured curatorial posts at institutions including the Palace of Westminster, V&A Museum, Ironbridge Museum, and Thomas Jefferson's Monticello, as well as specialist positions with film and TV companies and auction houses. For those interested in an academic career, the dissertation component provides essential preparation for doctoral research.

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The aim of the course is to develop your critical and contextual practice, contemporary and innovative methodologies, cross-disciplinary and collaborative practices, and reflective studio-based practice. Read more
The aim of the course is to develop your critical and contextual practice, contemporary and innovative methodologies, cross-disciplinary and collaborative practices, and reflective studio-based practice.

During your time with us, you will be encouraged to undertake independent contextual and theoretical research that will improve your capacity for independent enquiry, creativity and professional practice.

Key benefits:

• Develop your knowledge and skills relating to current debates and practices
• Enjoy access to your own studio space and workshop support
• Tap into long-established associations with key creative and professional networks.

Visit the website: http://www.salford.ac.uk/pgt-courses/art-and-design-contemporary-fine-art

Suitable for

This course is for committed fine art or creative practitioners who wish to develop their personal practice to a higher, professional level. It actively encourages the pursuit of individual agendas for study and for personal choice of media/disciplines selected from the range of practices within the field of contemporary fine art.

Programme details

This course embraces a range and diversity of practices and aims to:

• Develop creative, critical, analytical and intellectual competencies informed by contemporary professional practice
• Develop an advanced understanding of research methods in general and those of importance to creative practice and industry in particular
• Enhance your knowledge and understanding of professional and collaborative frameworks
• Provide the opportunity to develop industry experience and understanding through contact by placement, project and/or contact with professional practitioners.

Format

This course uses a range of teaching and learning settings including lectures, seminars/workshops, tutorials, situated learning (e.g. ‘live’ projects) and independent learning. The combination of these aims is to develop an environment that allows students to progressively take ownership and direction of their learning so that they may develop as independent, life-long learners. The process of Masters level study, relating to an individual and independent arts practice, is one of dense critical self-reflection; this is achieved by including self-directed projects where students have the opportunity to negotiate their learning and assessment requirements.

Indicative to the course are:

• formal lectures
• seminar presentations
• workshops
• critical analysis and independent learning.

Award specific learning activities include exercises; team and peer-based learning, studio practice and critical seminar-events, site visits, visiting professionals, work placements, online activities and critical debates. Students will have the opportunity to engage in a range of course-work activities in order to foster active learning through contribution to participatory exercises and through formal and informal presentations of their work.

Semester 1

• Research Methods and Practice
• Specialist Practice

Semester 2

• Creative Contexts
• Practice in Context

Semester 3

• Negotiated Thesis/Major Project

Assessment

Assessment methods used on the course include:

• Practical, oral and written assignments (80%)
• Group presentations (20%)

You will be assessed throughout the course on:

• Body of work and contextual research: e.g studio/portfolio/exhibition/publication/etc.
• Reflective journals: log or sketch-book/statement/seminar or other presentation

Career potential

Our graduates have exhibited successfully in a range of venues and biennales. Many graduates establish themselves within the local creative economy and develop a studio presence in the region and beyond.

We encourage students to pursue an international profile and presence as soon as possible in support of their professional reputation. It is envisaged that opportunities via MediaCity will facilitate internationalization of practice on individual terms.

Many of our students succeed through related professions in: education, community development, healthcare environments or enterprise. Some graduates prefer to apply their creative practice to commissioning, consultancy or other professional outcomes.

The majority of our graduates continue with their creative careers. Graduates are particularly visible in the region – in group studios, exhibitions or events. Many graduates support their practice via teaching or demonstrator roles in further or higher education establishments. A number of graduates find work with museums or galleries. Our graduates are particularly proactive in initiating art-based projects – establishing new venues and curating group exhibitions, for example. A number are successful each year in securing artist residencies at home and abroad. It is envisaged that opportunities via MediaCity will further facilitate internationalization of practice on individual terms.

The School co-ordinates a range of enterprise projects and initiatives that can benefit graduating students, in order to assist their career opportunities or routes into self-employment.

How to apply: http://www.salford.ac.uk/study/postgraduate/applying

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Channel your creativity and join a multi-skilled team to develop the next generation of video games. On our arts-based MA, you’ll join the vibrant games and technology community based here in Cambridge that includes Guerrilla, ARM, Frontier Developments, Jagex and Ninja Theory. Read more
Channel your creativity and join a multi-skilled team to develop the next generation of video games. On our arts-based MA, you’ll join the vibrant games and technology community based here in Cambridge that includes Guerrilla, ARM, Frontier Developments, Jagex and Ninja Theory.

Your course will have a new home in Compass House, which will extend our campus along East Road. You’ll have the latest technology at your fingertips and be able to collaborate with other students on innovative projects to hone your skills.

See the website http://www.anglia.ac.uk/study/postgraduate/computer-games-development-art

If you have a degree in an art and design or computer games-related subject, our course will allow you to specialise in games art at Master's level.

Based in the inspiring environment of our new Compass House Games Centre, you’ll learn all about best practice in the games industry. We’ll encourage you to work in design production teams, tackling a series of creative and technical challenges with programmers and industry professionals. You'll develop your design skills and learn how to create and publish successful games across a range of platforms.

Cambridge accounts for nearly 20% of the UK computer games industry, so it's a great place to study as we enjoy excellent links with the major games developers in the area. What's more, our Computer Games Centre offers studio space to local indie developers, who'll share their knowledge and experience with you.

We're partners with the Global Science & Technology Forum, allowing our students access to cutting-edge research materials.

While you're studying, we'll encourage you to take on work placements and collaborate on live projects with the games industry. You’ll also have the chance to enter games events, such as Brains Eden, which Anglia Ruskin hosts every year.

This course runs in parallel with our MSc Computer Games Development (Computing), reflecting the multidisciplinary nature of games creation.

See the website http://www.anglia.ac.uk/study/postgraduate/computer-games-development-art

Careers

Our MA gives you the chance to specialise in the design and technical implementation of computer games, whether you already have a games-related degree, or you're a recent graduate of a non-games-related degree who's looking to move into this area. Our course is also suitable if you work in another creative industry and are looking to move into games design and creation.

The skills you'll learn on this course are relevant to other forms of games - including board games and educational games - allowing you to consider a number of career options.

Interactive computer games is a relatively new medium; as the industry grows, you’ll find more and more opportunities to use the computing and creative skills you'll hone while studying here.

Modules & assessment

Core modules:
Process and Practice as Research
Games Development 1
Games Development 2
Digital Arts - Experimental Practice
Master's Project: Art and Design

Assessment

You’ll show your progress through a combination of written and practical work, carried out individually and as part of a team.

What you'll study

Cambridge School of Art has been inspiring creativity since 1858 when it was opened by John Ruskin.

Engaging with current debates surrounding contemporary practice and with the state-of-the-art facilities, Cambridge School of Art houses light, bright studios, industry-standard film and photographic facilities, and 150-year-old printing presses alongside dedicated Apple Mac suites. Our digital art gallery, the Ruskin Gallery, exhibits both traditional shows and multimedia presentations, from national and international touring exhibitions and our own students.

We are the only university in Cambridge offering art and design courses at higher education level. A tight-knit community of artists, academics and over 900 students, we collaborate across our University, the creative industries, and other sectors. Cambridge is a centre for employment in the creative industries and there are rich opportunities for collaboration with the city’s entertainment, technological, scientific, arts and heritage industries.

Our graduates have a history of winning national and international awards and an excellent employment record. They include Pink Floyd's Syd Barrett and Dave Gilmour, Spitting Image creators Peter Fluck and Roger Law, and illustrator Ronald Searle, the creator of St Trinian's.

We’re part of the Faculty of Arts, Law and Social Sciences, a hub of creative and cultural innovation whose groundbreaking research has real social impact.

Facilities

Based at the new Compass House Computer Games Centre, a three-minute walk from our main Cambridge campus, you’ll have 24-hour access to a hub space with group work naturally forming a part of your studies.

The centre includes a start-up lab for small games companies, supported by Games Eden, the Cambridge Computer Games industry network. This will give you excellent opportunities to work in an entrepreneurial games environment.

All students on our Computer Games courses – undergraduate and postgraduate – have access to industry-standard PCs running Maya, 3DS Max, ZBrush, Mudbox, Motion Builder, After Effects, Unity 3D, and UDK. You’ll be able to use motion capture equipment, 3D monitors, VR equipment, graphics tablets, a render farm, HD cameras and digital SLRs (for HDRI capture).

Links with industry

Cambridge is home to nearly 20% of the UK’s computer games industry, including Sony’s Guerrilla Studios, ARM, Jagex, Ninja Theory, Frontier, Geomerics and a host of smaller indie developers. Our Computer Games Art department is a member of TIGA, the Business & University Games Syndicate, and a partner of the Global Science & Technology Forum, giving you access to cutting-edge research materials.

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Since the Department of History of Art's foundation in 1970, we have established ourselves as one of the world’s leading centres for advanced research in the field. Read more
Since the Department of History of Art's foundation in 1970, we have established ourselves as one of the world’s leading centres for advanced research in the field. We are proud of our team of staff and students whose impressive performance is critical to sustaining and enhancing the national and international reputation created by our distinguished alumni.

Cambridge itself is, from an art historical point of view, a stunning city in which to live and work. We make full use of Cambridge’s unique holdings of art and architecture, including the Fitzwilliam Museum (on our doorstep), Kettle’s Yard and the University Library as well as the College libraries. The Hamilton Kerr Institute at Whittlesford, a department of the Fitzwilliam Museum, is dedicated to the conservation of easel paintings and contributes to our teaching and research.

The MPhil in the History of Art and Architecture is a nine-month course providing advanced study and training in research in specialised areas of the subject. It is intended as a self-contained programme of art-historical study, but also serves as a preparation for students intending to proceed to doctoral research. Please note that this is a research degree with taught methodological elements, not a conversion course for students whose first degree lies in another subject.

The educational aims of the programme are:

- to provide teaching and learning to post-graduate students in the history of art and architecture in a range of fields linked to the research interests of the staff;
- to provide high-calibre students with training in relevant research skills and to offer excellent specialist supervision of their individual research in these fields;
- to provide a stimulating environment in which students can reach their full intellectual potential;
- to help students develop a wide range of intellectual abilities and skills which will enable them to make a significant contribution in their chosen careers and walks of life, including academic teaching and research.

Visit the website: http://www.graduate.study.cam.ac.uk/courses/directory/ahhamphaa

Course detail

On completion of the MPhil, students should have:

- made the transition in learning style and pace from undergraduate to postgraduate level;
- acquired the necessary research skills in the use of bibliographical, archival and museum resources as relevant to their field of study;
- gained practice in the use of the languages and archival skills relevant to their chosen research area;
- gained confidence in the choice and use of different methodological approaches and theoretical perspectives;
- refined their critical skills in the examination, recording and analysis of works of art and/or architecture, especially at first-hand (through travel and fieldwork if appropriate);
- gained experience in oral and written presentation, and in a sustained piece of research in the form of a dissertation of not more than 15,000 words;
- acquired the proficiency needed to present in writing a coherent and sustained piece of academic research.

Format

Teaching is delivered through a series of seminars held in the Faculty during the Michaelmas (Autumn) and Lent (Spring) Terms, focusing on salient critical and theoretical issues in the discipline, and organised into two parallel strands in each term. The seminars include presentations by MPhil students and other research students. Students may either take one option in each term, or follow the same course throughout. A taught course in visual culture offered at MPhil level by another university department (eg Classics, English, History, Modern and Medieval Languages) may be undertaken in addition to one of the two taught courses, with the approval of your supervisor and the Degree Committee of the Faculty of Architecture and History of Art. This needs to be discussed and arranged at the beginning of the Michaelmas Term.

Throughout the course, students are encouraged to undertake independent reading and study, in order to consolidate what is under discussion in the seminars. In addition, they attend the Department’s weekly public Graduate Research Seminar organised by the graduate students, the Department's fortnightly Medieval Seminars and other lectures and seminars in the Department and elsewhere in the University.

The syllabus is as follows:

- Attendance at two selected seminar courses in specialised areas of research, one in the Michaelmas (Autumn) Term and one in the Lent (Spring) Term;
- Attendance at the department's weekly graduate seminars;
- Attendance at classes in skills training and career development;
- Frequent individual consultation with the candidate's supervisor, who will guide the candidate's choice of topics and preparation of individual written work for essays, presentations and dissertation.

Each of the seminar courses runs over two terms (Michaelmas and Lent), with a different emphasis in each term. The seminars include presentations by MPhil students and other research students. Students may either take one option in each term, or follow the same course throughout. A taught course in visual culture offered at MPhil level by another university department (eg Classics, English, History, Modern and Medieval Languages) may be undertaken in addition to one of the two taught courses, with the approval of your supervisor and the Degree Committee of the Faculty of Architecture and History of Art. This needs to be discussed and arranged at the start of Michaelmas Term.

Assessment

- The dissertation of not more than 15,000 words represents 60% of the overall mark and is submitted at the end of May.
- Two essays of not more than 6000 words (one of which may include a literature review). The essays represent 40% of the total mark. One will be submitted at the end of the Michaelmas (Autumn) and one at the end of the Lent (Spring) terms respectively.

Continuing

To continue to read for the PhD following the course, MPhil in History of Art & Architecture students must achieve an overall average score of at least 70%. Continuation is also subject to the approval of the proposed research proposal, and, the availability of an appropriate supervisor.

How to apply: http://www.graduate.study.cam.ac.uk/applying

Funding Opportunities

There are no specific funding opportunities advertised for this course. For information on more general funding opportunities, please follow the link below.

General Funding Opportunities http://www.graduate.study.cam.ac.uk/finance/funding

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