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The course is an exciting, long-standing, and successful academic course that benefits from the expertise of world-class academics, outstanding library resources, and a unique location with medieval roots in the legend. Read more
The course is an exciting, long-standing, and successful academic course that benefits from the expertise of world-class academics, outstanding library resources, and a unique location with medieval roots in the legend. Research skills taught during the first semester will enable students to engage with a variety of interdisciplinary approaches and sources, ranging from theoretical, historical and cultural aspects of the Arthurian myth.

Background
Arthurian Literature is an established area of expertise in the School of English at Bangor University and has been taught here for over three decades. A long-standing record of teaching, research and publication attests to its vitality; the main specialists in the field are Dr Raluca Radulescu, whose work has focused on Malory, Arthurian romances and chronicles, especially through a cultural approach, and Professor PJC Field, currently President of the International Arthurian Society, and world-renowned for his work on the Arthurian legend through the centuries. However the course also draws upon the expertise available in other periods of literature within the School of English and other schools in the College of Arts and Humanities, ranging from post-medieval approaches in the School of English, or medieval Welsh, History and Archaeology, and Music. Staff in these areas contribute regularly to the teaching of Arthurian topics ranging from the medieval period to the present, including music and modern film adaptations.

Why Bangor for Arthurian Studies?
The attractiveness of the MA in Arthurian Literature at Bangor lies in its flexible, though comprehensive, approach to the study of this area. Students may choose to specialise in either the medieval or the post-medieval period but they will be required to take both modules with these titles in order to benefit from the wide coverage of the Arthurian legend they provide. At the same time they can enjoy all the benefits of one-to-one supervision in the Open Essay options, while also developing their research skills in the Introduction to Literary Theory, Scholarship and Research Module (shared with the MA in English). Moreover, in-depth introductions to the study of medieval palaeography and codicology are available by collaboration with other relevant schools and disciplines, as a preparation to PhD level (see collaborative doctoral training scheme in palaeography and codicology organised by Dr Raluca Radulescu).

Students usually participate in the activities of the Centre for Medieval Studies, including the annual international postgraduate conference, ‘Medievalism Transformed’, the bi-weekly Institute for Medieval and Early Modern Studies seminar series (http://www.imems.ac.uk/) and the online postgraduate journal.

Structure
The MA in Arthurian Literature consists of two parts. Part One must be successfully completed before proceeding to the second part, the dissertation. The Diploma, which consists of Part One of the MA programme, aims to develop learner autonomy to the point where the student is capable of beginning a scholarly dissertation at MA level.

Compulsory Modules:

Part One

Introduction to Literary Theory, Scholarship and Research (30 credits), which develops knowledge of literary theory and research methods.
Medieval Arthur (30 credits), exploring the Arthurian myth from the earliest archaeological evidence to the end of the fifteenth century, with a view to examining its evolution in a variety of the socio-political contexts, as well as material culture.
Post-Medieval Arthur (30 credits), addressing the Arthurian myth and legends from the early modern period onwards, paying attention to the way the story was shaped in different centuries
Optional Modules:

Open Essay (30 credits): Supervised essays on topics of the student’s own choice.
Advanced Latin for Postgraduates (20 credits)
Manuscript and Printed Books (30 credits): An introduction to the study of medieval and early modern palaeography and codicology, in co-operation with the Bangor University Archives and Special Collections, which include the library of Bangor Cathedral
Subject to availability, students may choose relevant modules in medieval Welsh literature/Welsh Arthurian literature offered in the School of Welsh.
Part Two

Dissertation (60 credits): a substantial piece (20,000 words) of scholarly research, on a subject of your own choice and discussed in detail with a chosen supervisor. It will involve a series of one-to-one supervisory meetings during the summer, once Part 1 has been completed successfully.
Research Links with Industry
A collaboration with the tourist attraction ’King Arthur’s Labyrinth’ at Corris has led to fully funded Access to Masters MA places on this degree programme. The course also maintains links with people and organisations beyond Bangor: these might include guest speakers and visits to sites of literary interest.

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This diverse and flexible programme offers you a wide array of choice to explore the wealth of literature in English across periods and geographies. Read more

This diverse and flexible programme offers you a wide array of choice to explore the wealth of literature in English across periods and geographies.

Whether you want to pursue the interests developed during your degree, fill gaps in your knowledge or prepare for a future in research, you’ll have opportunities to sharpen your research skills and specialise in aspects of literary studies that suit your interests.

You can bring together English, American and postcolonial literatures to create an eclectic mix of research-led modules, from Arthurian legend to Shakespeare and psychoanalysis. It’s also a good starting point for exploring wide-ranging research interests that cut across periods and cultures.

You’ll be taught by tutors who are expert researchers in their fields and benefit from access to our world-class Library and Special Collections. It’s an exciting and dynamic environment in which to study some of the world’s greatest literature.

Course content

From the beginning of the programme you’ll start to develop your research skills, as a core module introduces you to the methods and approaches involved in researching literature and helps you to prepare for writing an independent research project / dissertation and for your future career.

You’ll also choose from our broad range of optional modules, which could mean you focus on topics such as American fiction in the 19th century, the memoir, the Brontës, Shakespeare or many others. Alternatively you may choose two of your optional modules from the School of English and a third from elsewhere in the University (subject to availability and agreement from the module tutor).

You’ll choose further optional modules in Semester Two. However, throughout the year you’ll also work on your research project or dissertation: a chance to showcase all the skills you’ve acquired by independently researching a literary topic of your choice. You’ll submit this by the end of the programme in September.

If you choose to study part-time, you’ll take fewer modules in each year and study over a longer period.

Course structure

Compulsory modules

  • Studying English: Research Methods 30 credits
  • Research Project 60 credits

Optional modules

  • Caribbean and Black British Writing 30 credits
  • Arthurian Legend: Medieval to Modern 30 credits
  • Africas of the Mind 30 credits
  • Reading (with) Psychoanalysis 30 credits
  • So Where do you come from? Selves, Families, Stories 30 credits
  • The Brontes 30 credits
  • Fictions of Citizenship in Contemporary American Literature 30 credits
  • The Enigmatic Body of Modernism 30 credits
  • Shakespeare's Tyrants 30 credits
  • Poetry of Catastrophe: Reading Paul Celan 30 credits
  • Global Indigeneity 30 credits
  • Feeling Time 30 credits
  • The Magic of Mimesis 30 credits
  • Romantic Ecologies 30 credits
  • The Literature of Crisis: Politics and Gender in 1790s Britain 30 credits
  • Turks, Moors, and Jews: Staging the Exotic in the Renaissance 30 credits
  • Victorian New Media 30 credits
  • Literature and the Politics of Language 30 credits
  • War, Mourning, Memory: 1914-1939 30 credits
  • Writing Identities: Criticism, Creativity, Practice 30 credits

For more information on typical modules, read English Literature MA Full Time in the course catalogue

For more information on typical modules, read English Literature MA Part Time in the course catalogue

Learning and teaching

You’ll generally have two-hour weekly seminars in each module where you discuss the themes and issues arising from your reading, and you’ll be able to enhance your learning by attending the wide range of research seminars and talks by visiting speakers that we arrange throughout the year. You’ll also benefit from supervisions throughout semester 2 with your dissertation supervisor.

However, independent study is a vital part of the degree as it allows you to build your skills and explore your own ideas.

Assessment

Most of our MA modules are assessed with a single essay of around 4,000 words, which you’ll submit at the end of the semester. You’ll usually also be required to submit unassessed essays to gain feedback on your work and give presentations on your reading in seminars. The research project/dissertation is 12,000-15,000 words in length.



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This interdisciplinary degree will equip you with a broad understanding of historical and cultural aspects of the medieval world, as well as the skills to conduct high-level research. Read more

This interdisciplinary degree will equip you with a broad understanding of historical and cultural aspects of the medieval world, as well as the skills to conduct high-level research.

Core modules will develop your ability to read Medieval Latin and decipher palaeography, giving you the skills to transcribe, translate and analyse primary sources. You could even learn another medieval language such as medieval French or Old Norse. You’ll also focus on areas that interest you when you choose from optional modules on interdisciplinary themes across literature, history, art history, cultural studies and theology and religious studies, and study specialist modules offered by Schools across the University.

The Institute for Medieval Studies sits at the heart of the University, with impressive research resources and a wide range of expertise among its teaching staff. You’ll gain the skills and knowledge to explore the medieval period in the home of the International Medieval Congress.

The Institute for Medieval Studies (IMS) has access to excellent resources, both in the University and beyond. The world-class Brotherton Library contains extensive facsimiles and microfilms of primary materials as well as a wide range of online resources.

Its Special Collections also contain a wide range of manuscript, archive and early printed material, including the Melsteth Icelandic Collection, archives of the Yorkshire Archaeological Society, the old library of Ripon Cathedral, and the manuscripts and incunabula of the Brotherton Collection.

Leeds is also home to the Royal Armouries and its extensive medieval collections, while the West Yorkshire Archives are dotted around the region and the British Library has a Document Supply Centre in nearby Boston Spa.

This programme is also available to study part-time over 24 months.

Course content

Core modules throughout the degree will allow you to develop important research skills, equipping you to work with primary sources. You'll gain a working knowledge of medieval Latin and could even choose to learn another medieval language. You'll also develop your understanding of research methods and bibliography and explore palaeography.

Then you'll build on this foundation with your choice of interdisciplinary optional modules, to explore areas that interest you, and even choose from some modules offered by other Schools on historical, literary or art historical topics. You'll also demonstrate the skills you've acquired in your dissertation, where you'll undertake independent research on a topic of your choice and submit your work by the end of the programme.

If you choose to study this programme part-time, you'll study over a longer period and take fewer modules in each year.

Course structure

Compulsory modules

  • Introduction to Medieval Latin 30 credits
  • Intermediate Medieval Latin 30 credits
  • Research Methods and Bibliography 15 credits
  • Palaeography: Reading Medieval Manuscripts 15 credits
  • Medieval Studies Dissertation 30 credits

Optional modules

  • The Margins of Medieval Art 30 credits
  • Encountering Things: Art and Entanglement in Anglo-Saxon England 30 credits
  • The Origins of Postcolonial England 30 credits
  • Culture and Identity in the Later Fourteenth Century 30 credits
  • Old and New Beliefs in Medieval Scandinavia: From Pagan to Christian 30 credits
  • Arthurian Legend: Medieval to Modern 30 credits
  • Making History: Archive Collaborations 30 credits
  • Bede's Northumbria 30 credits
  • Gender, Sex, and Love: Byzantium and the West, 900-1200 20 credits
  • Lifecycles: Birth, Death and Illness in the Middle Ages 30 credits
  • Medieval German Language 30 credits
  • Old and Middle French 30 credits
  • Advanced Medieval Latin 30 credits
  • Medieval English 30 credits
  • Old Norse 30 credits
  • Vikings, Saxons and Heroic Culture 30 credits
  • Warfare in the Age of the Crusades (1095-1204) 30 credits
  • How to be a Saint in the Middle Ages: Saints' Cults and their impact on culture and society (500-1500) 30 credits
  • Religious Communities and the Individual Experience of Religion, 1200-1500 30 credits
  • The Medieval Tournament: Combat and Spectacle in Western Europe, 1100-1600 30 credits
  • The Holy Land under the Franks: The Kingdom of Jerusalem and its Enemies, 1099-1187 30 credits
  • Medieval Bodies 30 credits
  • Preaching History: Understanding Sermons as Literature and Historical Source 30 credits

For more information on typical modules, read Medieval Studies MA Full Time in the course catalogue

For more information on typical modules, read Medieval Studies MA Part Time in the course catalogue

Learning and teaching

IMS tutors are experts in their fields, and their cutting-edge research will inform your teaching. To help you make the most of their expertise, all IMS modules are taught in small groups.

You may study skills modules in seminar groups of 12 or more students, but languages and other interdisciplinary options are usually taught in tutorials of up to eight students. You’ll also have one-to-one meetings with your supervisor during your dissertation.

Assessment

Depending on the modules you choose, you’ll be assessed by a range of methods to develop skills that are useful across the field of medieval studies. These will include transcriptions, bibliographies, essays, reports, translations and occasionally exams.

Career opportunities

This degree is excellent preparation for further study in related fields. It will also equip you with advanced research, communication and analytical skills that are valuable to employers in a wide range of careers such as in museums and business.

We offer a range of paid opportunities for you to gain experience that can really help with your career plans. You’ll be able to provide a mock tutorial for first-year undergraduates during their induction week, or become an academic mentor for final-year students as they complete their dissertations to gain experience of teaching, one-to-one communication and people management.

We also run several paid one-year internships throughout the year on projects such as the International Medieval Bibliography, IMS website and the International Medieval Congress to gain practical experience.

Read more about Employment in IMS



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Graduates of the Production Management Diploma go on to create successful and award winning work. Recent credits include Guy Ritchie's King Arthur. Read more
Graduates of the Production Management Diploma go on to create successful and award winning work. Recent credits include Guy Ritchie's King Arthur: Legend of the Sword, Bridget Jones's Baby, Christopher Nolan's Dunkirk and The Night Manager. If you would like to follow in their footsteps and get your own credits on top productions, apply today!

‘I wish this course had been around when I started as a Production Manager, as I would have made a lot less mistakes!’ Sue Vertue, Producer Sherlock

-Two scholarships from Sargent-Disc available.
-Delivered in partnership with BBC.
-Intensive training with practical experience on fiction films, TV Entertainment shows, documentary and animation films at the NFTS.
-Industry work experience placements.
-Course developed to meet Industry demand.
-Plenty of hands-on practice – in both locations and in studios.
-Unlike other schools, all production costs are met by the School.
-Places still available for the course starting September 2017

COURSE OVERVIEW

This course commences in September each year. So what does it take to be a Production Manager? An individual who can multi-task, be dynamic, communicate well and stay calm under pressure. Someone who is creative with budgets but keeps a sharp eye on the bottom line; someone who knows enough about Health and Safety to protect the cast and crew but not detract from getting the right shot; someone who knows about the best locations at the best price - and who knows production from start to finish!

This course combines intensive training with practical experience on fiction films, TV Entertainment shows, documentary and animation films at the NFTS and industry work experience placements.

CAREER PROGRESSION

Most production managers are freelance, moving from contract to contract, and may find themselves working anywhere in the UK, or even abroad. As a production manager, you could also work for independent production companies on feature films, documentaries, or TV shows, become a Line Producer or progress to Head of Production.

New NFTS graduates are sought-after and typically find employment soon after completing their courses. NFTS alumni are some of the most successful people working in UK film and television today, and many of our students make contacts while at the NFTS which continue in the professional world.

Sargent-Disc generously provide scholarships to support the training of talented individuals in the field of Production Management for Film & TV: http://www.sargent-disc.com/sargent-disc-uk/news-insights/news/nfts-scholarship-update.aspx

CURRICULUM

Covering the key skills required by Production Managers in today’s rapidly-changing environment, this course alternates workshops with practical experience on a range of NFTS productions including TV entertainment shows (live and multi-camera studio shoots), dramas, animation and documentary films.

The course has been developed to meet industry demand and NFTS students are engaged in more productions as part of the curriculum than any of our competitors. Unlike other schools, all production costs are met by the School and productions are given cash production budgets.

The course covers these key skills recognised by the Industry:
-Extensive instruction and practice on scheduling & budgeting
-Health & Safety training including Production Safety Passport qualification
-Production Management for location and studio shoots
-First Aid for Film & TV Production
-Cash flow management and cost reporting
-Location Management
-Shooting abroad
-Research
-Contracts, copyright and legal
-Child licensing
-Post Production routes & delivery for film & television

This course includes opportunities for work experience throughout the year. Previous students have enjoyed placements at Film4, Eon, Carnival Films, Endemol, Kudos, Dragonfly and Revolution Films. Television productions include Big Brother, Come Dine With Me, The BBC Proms, Babylon, 24-Live Another Day and Downton Abbey and feature films such as the Bond films: SkyFall and Spectre, Assassin’s Creed, and Star Wars: The Force Awakens.

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This course gives you unique access to the television journalism industry with 96% employment rate in the TV or related industry and tailored work placements every week. Read more
This course gives you unique access to the television journalism industry with 96% employment rate in the TV or related industry and tailored work placements every week.

Who is it for?

This course is suitable for students with a first degree looking to become good all-round television journalists capable of working in newsrooms, on multi-media and in documentaries and current affairs. Applicants should have an interest in video and TV films and have a broad general knowledge including lifestyle, sport and politics. While this course is NOT about TV presenting, it’s important that you aren’t afraid to be in front of the camera and even more important that you are keen to write and provide material for others to present. Vitally, you should want to communicate using moving pictures and be excited by the wonderful world of television!

Objectives

The MA in Television Journalism has unparalleled contact with the TV industry and each Wednesday in term one and two, students work in the TV journalism industry. The course is designed for 30 students subdivided into teaching groups of 15 with daily personal contact with Professor Lis Howell, and award winning film maker Sally Webb. The documentary legend David Lloyd (formerly commissioning editor of Channel Four current affairs programmes) and ABC news producer Mike Trew make up the team. Students make half hour documentaries in teams of three in term three and these films have won awards like Guardian Young Journalists of the Year; The BJTC documentary award; and been re-worked for broadcast on BBC 2’s ‘Newsnight’. The course is grounded in news production but also branches out with a Question Time programme which has included guests such as Jeremy Corbyn; Stephanie Flanders; Jon Snow and Yasmin Alibi Brown plus may more.

Placements

MA TV have tailored placement each Wednesday. There is no doubt that the size of the City cohort means unique networking opportunities with present students and 4,000 alumni but at the same time every student is given personal help to achieve a job in broadcasting. Every student counts. Organisations that have taken our students for placements include:
-ABC
-Al-Jazeera
-BBC
-Blakeway Productions
-Blink
-CTVC
-Flame
-Hardcash Productions
-ITN
-ITN Sport (Olympics)
-NorthOne
-October Films
-OR Media
-Plum Films
-politics.com
-Reuters
-Sky
-Talkback

Academic facilities

In 2014 we completed a £12m development projects for our Journalism facilities. These facilities were developed in consultation with experts from the BBC and ITN, and were praised by the BJTC. Our facilities include:
-A television studio: enabling simultaneous multi-media simulated broadcast and a major expansion in the number of news and current affairs programmes produced.
-Four radio studios: enabling an increase in output and the potential to explore a permanent radio station.
-Two radio broadcast newsrooms: high-tech facilities that enable you to learn how to produce a radio programme.
-Two digital newsrooms: impressive modern facilities that enable you to learn the skills required to produce newspapers, magazines and websites.
-Two TV editing and production newsrooms: state-of-the-art facilities that enable you to learn about TV production.

Teaching and learning

All MA Journalism courses at City are practical, hands-on courses designed for people that want to become journalists. As a result, much of your coursework will be journalistic assignments that you produce to deadline, as you would in a real news organisation.

Some courses are taught in lecture theatres but most are small-group workshops that allow you to develop your journalistic skills and knowledge with the support of our expert academics. Teaching hours are between Mondays to Fridays during working hours, and occasionally outside those times.

Assessment

Assessments vary from module to module but include coursework, practical work both in groups and individually, a Final Project, a written timed test, and essays.Activities include lectures, practical work in groups and individually, personal tutorials, and independent learning

This pathway is taught by professors, senior lecturers and lecturers, with industry practitioners as Visiting Lecturers, and a number of key industry visiting speakers.

Modules

All of our Television Journalism MA students must undertake underpinning core modules in Ethics, Rules and Standards and a Final Project. As a Television Journalism student you will have specialist core and elective modules that complement these projects.

Core modules
-Ethics, Rules & Standards (30 credits)
-Final Project (30 credits)
-Newsgathering for TV and Radio (30 credits)
-Newsdays Production (30 credits)
-Studio Production for TV or Radio (15 credits)
-UK Media Law (15 credits)
-Political Headlines (15 credits)

Elective modules
-Journalism Innovation (15 credits)
-Social & Digital Journalism (15 credits)

Career prospects

Our postgraduate courses have 96% employment rate across the journalism courses according to graduates responding to the 14/15 DLHE survey. Alumni include BBC’s Sophie Raworth and famous names such as:
-Dermot Murnaghan (Sky News)
-Barbara Serra (Al Jazeera)
-Jo Whiley (BBC Radio)

Recent graduates of the MA Broadcasting include:
-Ramita Navai, Emmy Award-winning documentary maker
-Chris Mason (BBC Political Reporter)
-Isobel Webster (Sky News)
-Darren McGaffrey (Sky News)
-Minnie Stephenson (ITN)
-Cordelia Lynch (Sky News Washington)

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