• Coventry University Featured Masters Courses
  • St Mary’s University, Twickenham Featured Masters Courses
  • University of Derby Online Learning Featured Masters Courses
  • Cardiff University Featured Masters Courses
  • Goldsmiths, University of London Featured Masters Courses
  • University of Glasgow Featured Masters Courses
  • Xi’an Jiaotong-Liverpool University Featured Masters Courses
  • New College of the Humanities Featured Masters Courses
De Montfort University Featured Masters Courses
University of Worcester Featured Masters Courses
Imperial College London Featured Masters Courses
Ulster University Featured Masters Courses
Northumbria University Featured Masters Courses
"knitting"×
0 miles

Masters Degrees (Knitting)

  • "knitting" ×
  • clear all
Showing 1 to 8 of 8
Order by 
The increased understanding and use of textiles as both a decorative and technical material has led to a rapid expansion of the industry into areas such as architecture and engineering. Read more
The increased understanding and use of textiles as both a decorative and technical material has led to a rapid expansion of the industry into areas such as architecture and engineering.

This merging of textiles technology and aesthetics is complex and requires designers who are able to converse with engineers and scientists, handling technical information as well as expressing conceptual design ideas.

Through established links with the DR-i (Design Research Initiative) and Brighton's School of Pharmacy and Biomolecular Sciences, this MA is designed to stimulate such diversity in textile design thinking. We are seeking talented students who are keen to push the boundaries and perception of what we understand textiles to be.

This course is suitable both for recent graduates interested in furthering their skills or exploring new areas and markets, and for experienced designers who want to challenge their practice in a creative environment.

Due to the open and explorative nature of the course, students from non-textiles backgrounds such as 3D craft design, fine art, materials development, engineering and science are welcome to bring a fresh viewpoint and build on their existing specialist knowledge.

Semester 1

The first semester is made up of three modules and serves as a foundation to your learning experience, imparting key research skills, exploration beyond your discipline and initial explorative practice-based enquiry.

• Practice-Based Enquiry (Part One)
Spanning semesters one and two, this module provides a reflective environment for rigorous explorative practice-based enquiry and the development of design concepts identified in the self-initiated project proposal submitted at interview. Increasingly informed by research and critical awareness skills developed in the supporting modules, you will explore and reflect on novel design concepts and the application of practice-based research methods. You will also be encouraged to engage with live research, industry contacts and collaborative projects.

• Research Skills and Training
Through a series of lectures and seminar groups with active researchers, you will explore the value of research within a practice-based design context. You will develop research skills and an understanding of different methodologies and how research can be used as a design tool.

• Options module
Placed in the first semester to maximise the potential areas of study, the options module takes advantage of the range of subjects and learning experiences available from across the college. This module allows you to tailor your study and learning experience to complement and inform your specific area of interest from an early stage. Learning alongside students from varied disciplines, you will be able to explore areas of personal interest from subjects including design history, sustainable design, professional practice, and historical and critical studies.

Semester 2

The second semester encourages you to explore diverse cross-disciplinary sources to inform and contextualise your research project before focusing on your final proposal.

• Practice-Based Enquiry (Part Two)
Continuing from initial explorations in Practice-Based Enquiry (Part One), you will develop an increasingly focused, reflective body of work that demonstrates applied research methodologies and an understanding of their position within a broader textiles and industry context. You will conclude the module with a final 500-word proposal to define the area of study that you will undertake in your thesis.

• Creative and Contextual Enquiry
Informed by the learning undertaken in semester one, you will critically engage with and reflect on your subject area, exploring diverse cross-disciplinary influences that inform your practice. Through the use of relevant research methods, this creative contextual enquiry will stimulate awareness and rigorous critical evaluation of cultural, technological and research debates, both within and outside of your discipline.

Semester 3

In the third semester, you will fully integrate your previous learning into the realisation of your thesis.

• Practice-Based Textile Design Thesis
During this self-directed module, you will put into practice the skills acquired throughout the programme of study, working towards the realisation of the final proposal submitted at the end of semester two. You are expected to rigorously explore and fully resolve a body of practice-based textile design inquiry, which should be positioned at the forefront of your academic or professional discipline and advance design thinking within your stated field.

The module contains planned lectures, group seminars and individual tutorials delivered by lecturers who are active researchers or innovative design practitioners. You will have access to a diverse range of lecture series and conferences held at the university as well as exhibitions and trade fairs relevant to your study.

You will have the opportunity to extend your skills through advanced textiles technology, working closely with expert technical demonstrators. Relevant placements or access to external study are negotiable on an individual basis, determined by the requirements of your proposal.

Facilities

Our facilities range from traditional hand looms, screen printing equipment and knitting resources to advanced industrial textile technologies, including a Mimaki TX2 digital printer, Dornier industrial 20 shaft electronic dobby, twin rapier Powerloom, TC1 Electronic Jacquard Loom and Shima Seiki industrial knitting machine. We also make use of Scotweave design software.

Other resources that you can use include a 3D body scanner, laser cutter, rapid prototyping machine, CNC router and plasma cutter, and 5 axis milling machine. You will have access to our facilities through specialist workshops in knitted, printed and woven textiles, which are run by a highly skilled team of technical demonstrators.

Careers and employability

Successful completion of the course signifies specialist and transferable skills in design and research, and will prepare you for work across the textiles and allied design industries. You could also choose to pursue research in the commercial sector or continue your studies at doctoral level.

Many graduates of the Textiles MA hold high-level design and trend forecasting positions at international companies including Abercrombie and Fitch, Donna Karan, DKNY, Burberry, Alexander McQueen, Cath Kidston, H&M, WGSN and Forpeople.

Others have forged independent careers in the industry, from establishing design labels such as Marchesa, (Keren Craig), Eley Kishimoto (Mark Eley) and Julien Macdonald to textile design studios and consultancies (Larch Rose and Woven Studios).

Read less
With more than 30 years' experience and an international reputation for excellence in fashion knitwear design, this course will encourage you to innovate through experimental research and practice. Read more
With more than 30 years' experience and an international reputation for excellence in fashion knitwear design, this course will encourage you to innovate through experimental research and practice. You'll devise an individual project, which could be focused around your career aspirations, or an experimental investigation into art, science and fabrication. We will support you with flexible and responsive teaching, helping you to explore and challenge the limits of fashion knitwear design.

Key features:

Devise an individual programme of study, based on your own interests and career aspirations.
Receive workshops in Computer Aided Design (CAD) knit, 2D / 3D design generation, creative pattern cutting, and fashion visualisation.
Apply for one of our Paul Smith Scholarships and have the opportunity to travel to Japan and study at Bunka Fashion College in Tokyo.
Work in our extensive facilities with access to hand flat and power knitting machines, including Shima Seiki and Stoll.
Benefit from the expertise of our academic staff, researchers and visiting designers such as Juliana Sissons, Simeon Farrar, Jo Cope, Moxham, and Christopher Raeburn.
Have the opportunity to join a European study trip to Antwerp and Paris.
Be selected to exhibit your work at New Designers in London, and SPINEXPO in Shanghai, China.
Work alongside other Fashion, Textiles and Knitwear Design students in our dedicated postgraduate studio.
Opt for a 20 credit point advanced research module if you're thinking of progressing to PhD or Professional Doctorate study.
Work with fellow students, practitioners and academic staff from different cultures and backgrounds.

Read less
This course gives you the opportunity to explore and develop your skills in the specialist areas of printed, embroidered, knitted, woven, laser cut or multimedia textiles. Read more
This course gives you the opportunity to explore and develop your skills in the specialist areas of printed, embroidered, knitted, woven, laser cut or multimedia textiles. You'll devise an individual project and we will support your creative thinking and experimentation, helping you to develop new or smart design concepts, fabrications and prototypes. Our extensive textile design facilities will give you the opportunity to use a range of traditional and computerised technologies.

Key features:

Devise an individual programme of study, based on your own interests and career aspirations.
Apply for one of our Paul Smith Scholarships and have the opportunity to travel to Japan and study at Bunka Fashion College in Tokyo.
Have access to a wide range of traditional and digital textile design equipment, including laser cutting, multi-head embroidery, Jacquard weaving, and Shima Seiki and Stoll power knitting.
Benefit from the expertise of our academic staff, researchers and visiting designers such as Dr Sarah Kettley, Karen Nicol, Angharad Mclaren, Ryan Wayne, Professor Jane Harris, Jo Cope and Moxham.
Have the opportunity to join a European study trip to Antwerp and Paris.
Be selected to exhibit at New Designers in London, and SPINEXPO in Shanghai, China.
Work alongside other Fashion, Textiles and Knitwear Design students in our dedicated postgraduate studio.
Opt for a 20 credit point advanced research module if you're thinking of progressing to PhD or Professional Doctorate study.

Read less
Material culture and artefact studies combines the archaeological recovery and specialist examination of an object with its presentation, management and understanding within a cultural context. Read more
Material culture and artefact studies combines the archaeological recovery and specialist examination of an object with its presentation, management and understanding within a cultural context.

Why this programme

◾This MLitt in Material Culture & Artefact Studies will prepare you to participate at both a practical and theoretical level within the field of specialist artefactual analysis.
◾You will be able to undertake a work placement to gain valuable work experience in a museum, archaeological unit or other cultural institution.
◾You will benefit from the involvement of staff from Glasgow Museums, National Museums Scotland and other institutions within Scotland, and will have the opportunity to work with collections from local museums, including the University’s own Hunterian Museum and Art Gallery.

Programme structure

The taught component consists of core courses and optional courses, running over two semesters.

Assessment is normally focused on written performance, but oral presentation skills and other modes of assessment allow you to develop your writing skills in a number of formats. This is in addition to the practical emphasis on developing your ability to interpret and analyse artefacts.

For the MLitt you can opt to do either a dissertation or an extended work placement (assessed by work placement eportfolio and either a research report or a student exhibition design).

Core courses
◾Material culture in context
◾The process of artefact studies.

Optional courses include modules such as:
◾Lithic analysis
◾Independent study
◾Critical themes in the display and reception of objects
◾Early medieval artefacts
◾Viking and late Norse artefacts (AD 750-1350).
◾Optional courses drawn from Archaeology or from other programmes across the University can be taken by agreement with the programme convener.

Career prospects

The two strands to the degree enable you to prepare for further doctoral research whilst also providing opportunities for valuable vocational experience in a commercial environment.

The wealth of experience and knowledge provided by the interdisciplinary nature and focus of the degree and the networks and relationships developed during their time here, has stood past graduates in good stead upon graduation. They have found full-time positions with Historic Scotland, Headland Archaeology Ltd, Guard Archaeology Ltd. While others are working with various heritage organisations and some are continuing with their postgraduate studies.

Several of our international graduates have found employment working at the Smithsonian, Washington D.C and at the Pink Palace Museum, Memphis Tennessee. Others continue to work in the Cultural Resource Management sector. Several students have gone on to further doctoral research at Glasgow University and beyond, on prehistoric stone tools, Shetland lace knitting, Bronze Age ceramics and medieval settlement..

Read less
Guided by experienced staff and resourced with state of the art equipment, this course nurtures talent and develops directional womenswear designers whose cutting-edge fashion influences the future of the industry. Read more

Introduction

Guided by experienced staff and resourced with state of the art equipment, this course nurtures talent and develops directional womenswear designers whose cutting-edge fashion influences the future of the industry.

Content

MA Fashion Design Technology Womenswear seeks to recruit ambitious, creative designers who have a long-term fashion focus and wish to work for a key brand or set up their own label. Based primarily in London’s West End at John Prince’s Street and resourced by the specialist equipment at our other central sites, contemporary technology is at the core of this course.

CAD CAM, state of the art knitting machines and facilities for digital print, rapid proto-typing and laser cutting allow students to produce womenswear collections that innovate in the field.

By nurturing creativity and specialist research, the course enables individuals to produce high quality and innovative work through illustration, design, cutting and modern manufacturing.

Students are supported to develop collaborations with industry specialists and international fabric suppliers, a process that not only builds important contacts for the future but one that enriches student experience and refines design sensibility. Using diverse production techniques - from couture craftsmanship to futuristic experimentation - students are able to explore their own perspectives to form the basis of their MA collection. Guided by experienced staff, this also has the potential to incorporate a further specialism such as embroidery, knitwear or digital concepts.

Structure

15 months level 7 180 credits

Term One

Creative and Technical Innovation (40 credits)
Research Methods (20 credits)

Term Two

Collaborative Unit (20 credits)
Technical Analysis and Development (40 units)

Term Three

Masters Project (60 credits)

Read less
This exciting programme of study for students wishing to develop the craft and philosophy of costume design for live performance, screen or site-specific installation is unique in its approach. Read more

Applications for the MA are closed for 2016/17.

Programme description

This exciting programme of study for students wishing to develop the craft and philosophy of costume design for live performance, screen or site-specific installation is unique in its approach.

Our students develop their concepts and creativity by interpreting a text or exploring a theme, thinking about character, movement and the performance environment. Instruction in the skills of pattern cutting, textile manipulation, millinery, puppetry, set design, computer aided design, welding, knitting, illustration and life drawing help students expand their skills base.

Students work on developing a comprehensive understanding of fabric, costume design and cutting, while exploring the historical and dramatic perspectives of the discipline and the process of performance.

This creative freedom and the combination of the practical developing alongside the conceptual, provides our students with a wide range of skills and a flexibility valued and highly respected by the industry.

Postgraduate students are ideally placed to study the interaction between costume and the other arts such as fashion, textiles, jewellery, film and TV, animation, illustration, installation, music and dance, and to take part in collaborations inside and outside of the University.

Thanks to our extensive national and international links with theatre, dance, film, television and opera companies, plus our network of freelance designers, you’ll be supported in sourcing work experience and other hands-on opportunities that will give you real-world skills and experience.

Programme structure

This programme is assessed by the production of a body of practical and written work on an agreed, self-initiated topic which can take advantage of the many local and international performance-based opportunities.

This programme is project-led. Your study will combine practical studio work with theoretical and written studies, including professional practice elements to prepare you for employment in the industry, and a lecture/seminar series which will examine the wider context of your studies.

Career opportunities

Postgraduate studies in performance costume open up access to a wide range of work for the stage and screen. You will benefit from the superb reputation of this programme and may find employment within the spheres of drama, opera, film and television.

Our graduates have an outstanding record of success within the industry, most recently including a costume designer for British television series Downton Abbey.

Read less
Whether you want to explore innovative design, promote fashion internationally or set up your own label, we have the world-class facilities, practitioners and industry expertise to prepare you for an exciting career. Read more
Whether you want to explore innovative design, promote fashion internationally or set up your own label, we have the world-class facilities, practitioners and industry expertise to prepare you for an exciting career. Students can choose to work in any of the wide range of fashion areas, covering Fashion Design, Fashion Communication and Promotion, Jewellery and Accessories, or Fashion Textiles – our MA Fashion is uniquely structured to enable you to specialise while drawing on a broad range of resources and expertise.


Why you should study MA Fashion at Middlesex?

At Middlesex we take an innovative approach to Fashion that enables you to specialise while collaborating, experimenting, and enhancing your skills with students and staff from across the department. Taught by some of the UK's leading practitioners and technical experts, you'll explore your chosen area of Fashion within a contemporary framework that will equip you with the practical skills, business acumen and industry insights you need to succeed in today's global market.

Based in our £80 million Art and Design School, our course features state-of-the-art facilities and specialist workshops fitted with both new and traditional equipment to enable you to fully realise your visions. Through a combination of workshop enquiry, in-depth research and critical understanding of your practice, we ensure that you graduate with the skills, knowledge and body of work to advance your Fashion career in new, challenging and imaginative directions.

Course highlights:

- Exceptional facilities that are among the best in the country, including traditional fashion workshops and equipment for screenprinting, knitting, weaving, digital printing, embroidery, metalwork, photography, reprographics, film, laser cutting, 3D printing and more
- Flexibly designed module content to enable you to bring your interests and ambitions to every assessment, whether that's making textiles, designing jewellery, creating a book, producing a magazine, evolving an existing specialism you have, and more
- Despite being a new MA course we have an international reputation for high calibre graduates from our BA Fashion programmes who have gone on to work for Givenchy, Kenzo, Vivienne Westwood, Preen, Aquascutum and ASOS
- Opportunities to start your own label with recent examples including Boudicca, Christopher Raeburn and Ashley Isham
- Access to networking opportunities, world-leading research and expertise through the Art & Design Research Institute (ADRI) on campus

Read less
Fashion MA. Knit offers a specialism in an area for which Kingston University has recognised success. Students will follow the same programme as MA Fashion, however specialist projects will be offered within existing modules to those students wishing to specialise in knit. Read more
Fashion MA: Knit offers a specialism in an area for which Kingston University has recognised success.

Students will follow the same programme as MA Fashion, however specialist projects will be offered within existing modules to those students wishing to specialise in knit.

MA Fashion has close links with industry including:
-Evans Arcadia Group
-The Women's Institute
-Woolmark
-UKHKA (UK Hand Knitting Association)
-Abercrombie & Fitch

Kingston University has two digital knit machines with a fully trained knit technician. Facilities also include dubied machines, domestic knit machines, electronic linkers and overlockers.

Graduates can expect to accept positions as Knitwear designers, textile/swatch designer, fashion designer, yarn developer, research and development, retail and marketing.

Students who wish to follow the Fashion MA: Knit pathway should apply for Fashion MA and state their preference for Fashion MA: Knit at their interview.

Read less

  • 1
Show 10 15 30 per page



Cookie Policy    X