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Masters Degrees (Jewellery)

We have 38 Masters Degrees (Jewellery)

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The best contemporary jewellery combines excellent craftsmanship with strong conceptual and critical thinking. This stimulating new course will expand your approach to jewellery practice and challenge you to consider how collaboration and interdisciplinary projects can shape future ways of working and making. Read more
The best contemporary jewellery combines excellent craftsmanship with strong conceptual and critical thinking. This stimulating new course will expand your approach to jewellery practice and challenge you to consider how collaboration and interdisciplinary projects can shape future ways of working and making.


Why study MA Jewellery Futures at Middlesex?

At Middlesex we take a highly practical and critical approach to Jewellery that ensures that you spend the majority of your postgraduate study researching and making. This combination of in-depth analysis and hands-on experience will enable you to draw on a diverse range of expertise and resources while questioning and developing your practice in a contemporary context for a stimulating and successful career.Based in our University's £80 million Art and Design School, our course features state-of-the-art facilities with dedicated studio space for each of our MA students to ensure that we cater for a diverse range of interests and ambitions. With opportunities to collaborate with students from across the School, you'll be part of a supportive and interdisciplinary environment of artists who are shaping the future of creative industries worldwide with their award-winning, innovative work.

This course is flexibly designed to put you at the centre of your learning by using a range of teaching and assessment approaches that take into account your individual interests, abilities and ambitions in jewellery.

Course leaders Helen Carnac and Tim Carson are practising artists who have exhibited internationally, known also for developing thought about new practices. You will be encouraged to look at jewellery practice as more than an isolated solo activity, considering the anthropological, sociological, economic, political and geographic aspects that influence the field. You will explore how jewellery underpins and enables human sociability, engagement and interaction, and how it comes to impact other disciplines.

You will develop your work through individual and interdisciplinary projects, making full use of the many collaboration opportunities available at Middlesex. You will also be supported by some of the best facilities and equipment in the country, with technical tuition on a range of modern and traditional art and design tools.

Course Highlights

- World-class teaching from some of the UK's leading artists, curators, practitioners who have substantial experience in building successful careers with their artistic talents
- Innovative facilities that allow you to experiment and develop your individual approach to jewellery using a wide range of contemporary and traditional equipment, spaces and software
- Exhibition opportunities off-site to create networking opportunities, build industry links and explore new ways of working and creating
Direct access to London's art and craft world with valuable industry links to a range of galleries, high-profile creators, libraries and collections to enhance your research and inform your practice
- Flexible module structure to meet the needs, ambitions and abilities of each student whatever stage you are at in your creative career
- Access to networking opportunities, world-leading research and expertise through the Lansdown Centre for Electronic Arts (LCEA) and Art & Design Research Institute (ADRI) on campus

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Our. MA Contemporary Jewellery course. celebrates the contribution of individual artists and designer-makers. It enables you to extend the boundaries of your practice by examining cutting edge ideas in jewellery which you've not been exposed to before. Read more

Our MA Contemporary Jewellery course celebrates the contribution of individual artists and designer-makers. It enables you to extend the boundaries of your practice by examining cutting edge ideas in jewellery which you've not been exposed to before.

As a student on this course, you'll be free to explore a variety of materials and to experiment with scale, form, ornament and body adornment in our dedicated facilities.

Our course is responsive to a wide range of topics and creative disciplines, including fine art, fashion, design and photography. It's designed to encourage you to explore the relationship between jewellery and other related disciplines.

Conceived as a breeding ground for experimentation and innovation, this MA is an excellent opportunity for you to develop cutting edge work and develop your individual style.

Working alongside creative practitioners from a variety of different design backgrounds, you'll receive specialist tuition through a combination of lectures, seminars, workshops and tutorials. You'll be expected to present your work-in-progress regularly at formal reviews.

Emphasis will be placed on your personal development through the production of your individual jewellery project.

Facilities

At UCA Rochester we have dedicated workspaces for postgraduate students, as well as an extensive range of books, journals, special collections and online resources.

Industry Partners

The course is based at UCA Rochester, and our jewellery courses at this campus have strong industry links.

You're encouraged to build personal contacts and networks through competitions, exhibitions and publishing.

Careers

There are numerous potential career options for graduates of this course.

Our alumni work as:

-Practising jewellers

-Artists

-Designers/makers

-Arts administrators or in design consultancies, galleries and designer outlets.

Virtual Media Space

Visit our Postgraduate Virtual Media Space to find out more about our courses, see what it's like to study at UCA and gain access to our campus virtual tours.



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Jewellery & Metal (J&M) forms part of the School of Material. Within this context we are committed to exploring the rich and diverse field of adornment and object culture. Read more

Jewellery & Metal (J&M) forms part of the School of Material. Within this context we are committed to exploring the rich and diverse field of adornment and object culture. We encourage an open-minded approach that in principle embraces all materials. But it is metal that constitutes the technological core of our subject and we believe that a deepening understanding of the metal elements is key in these developments; the Periodic Table is our reference in expanding our activity within the subjects of jewellery and metalwork.

The attitude of Jewellery & Metal has shifted from a purely object-centred focus to a wider scope, questioning and exploring issues centred on the human condition. We are responsive to the rapidly changing social and cultural landscape, and draw on history and technology in nurturing intellectual and creative skills directed at understanding and pushing forward jewellery and objects of human making. The rich and extensive bodies of knowledge associated with object-making and jewellery underpin an approach that is outward-looking, open to the wider discourse on commodity objects, connecting to contemporary life.

As applied artists, being in control of the making process either by using our hands or through digital technologies is very important, it is our way of making sense of the world. As individuals we are fascinated with the rich and diverse materials and resources the world has to offer, and through the individuality of our personal visions we make our contribution to the bigger picture.

Jewellery & Metal provides an environment for exploring, in practical and theoretical ways, what it means to be an applied artist today. We see our role as challenging norms and questioning conventions, interrogating the role and purpose of objects and adornment through the development of a personal approach to researching, experimenting, designing and making in the context of an increasingly complex object culture.

The growing importance and interdisciplinary character of our distinctive discipline within material culture gives the applied arts an added vibrancy and relevance. We believe the physical act of making has an essential role to play in an increasingly virtual world, but we also embrace digital technologies and the virtual and believe that creating a dialogue between these worlds provides the applied arts with one of its most fertile testing grounds at this time.



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This course asks you to question not only your own practice, but also the essence of what we understand as jewellery itself. Jewellery’s function is diverse and complex, from personal adornment to political statement, and the materials and processes that reflect this are as equally diverse. Read more
This course asks you to question not only your own practice, but also the essence of what we understand as jewellery itself. Jewellery’s function is diverse and complex, from personal adornment to political statement, and the materials and processes that reflect this are as equally diverse.

The wearable object, perhaps more than any other, has manifold relationships with people, its rich history is loaded with social significance and visual language. This route calls students to question the ways in which, jewellery communicates, and the role the wearable plays in contemporary society.

Exploration of both hands-on and digital innovation is encouraged in the development of design, making and communication practices. There is access to an extensive range of material and CAD/CAM workshop facilities and opportunities to experience a diverse range of creative cultures, including related design and craft disciplines such as Graphic and Fashion Design.

Design Network

Based in the heart of the School of Art, MA/MFA Design: Jewellery is part of an innovative design network — a community of staff and students exploring design ideas in a discursive, cross-disciplinary studio environment. Critically informed practical designers, the group works experimentally, inspired by new insights and possibilities.

While studying towards a particular qualification at MA/MFA level, students experience their subject in the broader context of contemporary design practice.

Specialist Environment

Dedicated spaces for the postgraduate community have been developed to enable the postgraduate community to flourish. These spaces, for thinking and practice, are located centrally within the School of Art, allowing easy access to an extensive range of workshops where the combination of traditional and state of the art equipment opens up a world of exciting possibilities.

Course Content

The MA Design: Jewellery is made up of four units totalling 180 credits.

The programme is designed to help you acclimatise to the challenges of MA level research and practice, enabling you to identify and describe a clear direction for your postgraduate design study.

You will be encouraged to develop design propositions that encompass key design issues and have complexity and ambition, taking full consideration of the relative contextual drivers.

You will also be encouraged and supported to extend your experience in the professional sphere either through a practical project, research context, exchange, work experience, or other negotiated professional set of interactions with an external partner, groups of students and creative industry.

Towards the end of the programme you will undertake a major project to consolidate your past research and practice into fully realised collections, pieces, proposals, business plans, or exhibitions – whatever means is appropriate to the work. You will also have developed a strategy for the continuation of your practice located and contextualised to the profession or discipline.

If you choose to progress to MFA Design: Jewellery award you will study a further two units of 60 credits each.

This route is focused on the continuation of your practice aligned to the research and selection of appropriate public or professional venues and platforms to disseminate a significant body of work. You will be required to produce work for a public audience in the most relevant and appropriate form along with any implicit publicity and dissemination material.

Resources

We have developed a dedicated postgraduate area occupying an entire floor of the main School of Art building, offering an exciting space to be, both intellectually and practically. The centre is located in the newly refurbished Chatham Tower with studios, design laboratories, seminar rooms and extensive workshops that form the nucleus of this vibrant, cross-disciplinary learning environment.

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Our. MA Jewellery course. gives design professionals and graduates the opportunity to deepen their skills and experience in the areas of jewellery, to refine specific areas of research. Read more

Our MA Jewellery course gives design professionals and graduates the opportunity to deepen their skills and experience in the areas of jewellery, to refine specific areas of research.

This course is suited to highly motivated and talented people who wish to work at the forefront of their creative discipline. It's a project-led and studio-based course with close tutorial guidance.

Rigorous research will encourage you to explore a wide range of approaches, from traditional to contemporary influences of art, craft, design and technology.

As a student on MA Jewellery, you'll benefit from teaching by leading specialist designers, artists and crafts people. You'll get to create a range of objects and experiment with different materials and processes, to develop your creative thinking.

Throughout the course, you'll work closely alongside students from other fields such as textiles, ceramics, metalwork and glass. This will enable you to broaden your knowledge and incorporate elements from various disciplines into your own practice.

Our Farnham campus offers extraordinary facilities with extensive workshops and equipment to support your study. It's also home to the Crafts Study Centre - a purpose-built museum, research centre and gallery dedicated to crafts.

Facilities

UCA Farnham provides first-rate facilities with extensive workshops and equipment to support your study. It's also home to the Crafts Study Centre - a purpose-built museum, research centre and gallery dedicated to crafts.

Industry Partners

This course has excellent support from:

-Worshipful Company of Ironmongers

-The Goldsmiths' Company

-The Worshipful Company of Pewterers

-Association of Contemporary Jewellery

-Jewellers and Silversmiths Network

-The New Ashgate Trust.

Careers

Our course will equip you with a host of valuable and transferable skills. Upon successful completion, you might decide to become a self-employed artist, or forge a career within the craft and design industries, for example.

Recent graduates work as:

-Artists

-Designers

-Makers

-Arts administrators

-Gallery curators

-Teachers

-Writers.

Virtual Media Space

Visit our Postgraduate Virtual Media Space to find out more about our courses, see what it's like to study at UCA and gain access to our campus virtual tours.



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This course focuses your practice on an industry sector and broadens your career and research horizons. Your chosen project becomes a vehicle for developing your creative abilities and analytical skills, and for locating your work in the professional world. Read more

Introduction

This course focuses your practice on an industry sector and broadens your career and research horizons. Your chosen project becomes a vehicle for developing your creative abilities and analytical skills, and for locating your work in the professional world.

Content

MA Design: Ceramics, Furniture or Jewellery is part of the Product, Ceramic and Industrial Design programme. Ceramics, furniture and jewellery design share rich cultural histories and traditions of practice. Each is concerned with what can be described as 'intimate architecture' - a physical relationship of the artefact with the body.

The role of design practitioners is changing as a result of emergent technologies, global marketing, the internationalisation of production, and a rising interest in a 'bespoke approach' or 'craft content' within design.

Designers need to be able to think creatively and strategically about the identity of products and their cultural backgrounds and to support their ideas with innovation, commercial thinking and ethical questioning. MA Design: Ceramics, Furniture or Jewellery (by Project) develops your creative abilities, imagination and expertise in relation to real design world demands by linking formal design approaches with practice-led research.

The postgraduate course is achieved in the context of your own personal project, explored and developed according to your individual pathway choice, in a stimulating, supportive, creative and collaborative environment.

Structure

MA Design: Ceramics, Furniture or Jewellery lasts 60 weeks structured as two consecutive periods of 30 weeks each (i.e. two academic years) in its 'extended full-time mode'.

MA Design: Ceramics, Furniture or Jewellery is credit rated at 180 credits, and comprises 2 units. Unit 1 (60 credits) lasts 20 weeks. Unit 2 (120 credits) runs for 10 weeks in the first year and 30 weeks in the second year.

Both units must be passed in order to achieve the MA, but the classification of the award of MA derives from your mark for Unit 2 only.

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Running from February to September, this intensive, six month postgraduate jewellery course will help familiarise students with the key practical processes, techniques and terminology within contemporary jewellery and related products. Read more

Summary

Running from February to September, this intensive, six month postgraduate jewellery course will help familiarise students with the key practical processes, techniques and terminology within contemporary jewellery and related products.

This course caters for students looking to top up their skills before taking an MA, as well as art and design graduates looking to specialise in jewellery.

Students will benefit from outstanding workshop based development from expert staff. The course combines theory and practice.

Students will develop their skills and work in workshops to produce pieces of a professional standard jewellery and related products. Lectures and seminars will be backed up by industry and cultural visits.

Students will be taught by an experienced jewellery designer-maker, and have access to first class studios five day a week, with intensive, full-day tutorials three days per week.

Modules

The course consists of two modules. Each module consists of a nominal 300 hours of study time

Materials and Processes (Conventions and Innovation);
Self-Initiated Project.

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Course description. If you are a highly motivated individual this course prepares you for a career working at the forefront of jewellery and metalwork. Read more

Course description

If you are a highly motivated individual this course prepares you for a career working at the forefront of jewellery and metalwork. You build upon existing craft traditions, extending them in response to the needs of our rapidly changing society both in terms of function and style.

Your work on the course is project led and studio based. You develop and apply advanced skills using traditional and new technologies in the field. You also carry out research through practical and theoretical investigation.

Your individual project work includes research and creative work which explores your study topic. This is supported by lectures and seminars dealing with professional practice issues and reviewing progress. You also take part in regular group and individual tutorials.

This culminates with your final project that demonstrates you can deal with difficult contemporary questions and take a leading role in your profession as a designer.

There are opportunities to participate in study trips and visits to design conferences and debates.

Excellent facilities and creative resources

You have access to a huge range of creative resources to experiment and engage with including • 3D printing for rapid prototyping • state-of-the-art hardware and software • photography studios • a creative media centre • a gallery • well-equipped workshops.

You also have access to our award-winning learning centre featuring a specialist art, design and media library and extensive online resources.

Research-led expertise

We are one of the oldest established art and design institutions in the UK, renowned for producing internationally recognised research. Your projects are supported by lecturers who are reknowned specialists in jewellery and metalwork.

You benefit from a strong relationship between the masters design programme and the University’s Art and Design Research Centre which has gained international recognition for its work in both practice-based and strategic research. This has led to an approach to postgraduate study in design which emphasises the role of research in professional practice.

Vibrant and supportive learning environment

During the course you regularly take part in constructive critical debates about your own work and that of your peers. You need to communicate your research, ideas and designs in ways that are appropriate to professional leadership.

You study alongside MA and MFA Design students for part of your course and benefit from a vibrant, international, collaborative and supportive postgraduate environment.

Sheffield: an international centre for excellence in metalwork

Sheffield is famous not only for its innovative steel and tool industries but also for being at the leading edge of the design and production of contemporary metalwork, silversmithing and tableware.

MA and MFA study

MA and MFA students complete the same modules during the course except that MFA students complete an extra project module. The MFA project encourages you to develop professional skills that help you to identify, instigate, and deliver projects with external partners, such as communities, galleries or businesses. You find a project partner, agree a brief and then deliver the project to a professional standard.

We are normally asked to shortlist applicants before recommending a small number to apply. If this happens, we consider your interview, portfolio of work, academic qualifications and learning aims. We aim to pick people whose abilities and aims are relevant for the company and who are most likely to be successful in a competitive interview.

This course is part of the Sheffield Institute of Arts (SIA), an amazing, diverse community of makers – where staff, students and partners work as equals to deliver real innovation and creativity. SIA opened in 1843 and is one of the UK's oldest Art and Design Schools. We have recently moved into the Head Post Office, a redesigned Grade II listed building. It includes state-of-the-art workshops which provide you with a unique studio-based learning environment in the heart of the creative community.

Course structure

FULL-TIME STRUCTURE

Semester one

• project 1 • theory supporting practice

Semester two

• project 2 • negotiated project

Semester three

• major project

Semester four – MFA students only

• MFA project

PART-TIME STRUCTURE

Semester one (year 1)

• theory supporting practice • negotiated project

Semester two (year 2)

• project 1 • project 2

Semester three (year 3)

• major project

Semester four – MFA students only (year 4)

• MFA project

Assessment

Assessment and feedback are vital parts of the learning process in creative disciplines. Most assessment is through individual project work which combines research and creative practice.

Employability

There are many opportunities for employment or self-employment. We encourage you to take an enterprising approach and to strengthen your ability to develop your own business practice.

An increasing number of our graduates undertake further advanced study through research degrees (PhD) in the University’s Art and Design Research Centre, which has a leading position in the advancement of creative practice in design. Some of our graduates find employment in the University.

Sheffield is home to the largest concentration of creative production in the region. Support for creative industries in the city has encouraged home grown talent as well as practitioners relocating here.



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You’ll have the opportunity to create and present a significant body of work and will graduate with the confidence to establish yourself in our field as an independent maker or designer. Read more

You’ll have the opportunity to create and present a significant body of work and will graduate with the confidence to establish yourself in our field as an independent maker or designer.

This highly practical programme will see you exploring and developing your creativity through a variety of approaches, from the traditional practices of the goldsmiths’ and silversmiths’ trade to the contemporary influences of art, craft, design, technology and science.

You’ll work in a vibrant, well-equipped environment, with bench spaces and access to machine and CAD workshops and studios. You’ll also have access to the range of facilities across the University to explore your art in an interdisciplinary environment.

Programme structure

The MFA runs over two academic years and is four semesters long. You may have the opportunity to take part in an exchange with South Korea in semester 2 of Year 1. The programme culminates in an assessment of the production of a body of practical and written work on an agreed, self-initiated studio project.

Your study will combine practical studio work with theoretical and written studies, including professional practice elements to prepare you for employment in the industry, and a lecture/seminar series that will examine the wider context of your studies.

Career opportunities

Our connections both in the UK and abroad will provide you with valuable networks to help you establish your career.

Graduates typically establish their own studios or find work with jewellery companies/specialist employers, while many others become part of the next generation of leading academics and teachers at international schools.

We offer a programme that focuses on creating industry-ready professionals with students establishing their own studios or finding employment with international universities or well-known companies like the Scottish Goldsmiths Trust, the Scottish Gallery or the Dovecot Studios.

We have an impressive track record in annual competitions like the national Goldsmiths Company New Designers Award for Jewellery (won in 2014 and 2013), Talente, exhibitions in Munich, the postgraduate student categories of the Craftsmanship and Design Awards in London and invited exhibitions such as Silver Schools, 2010 in Legnica, Poland, the Cominelli Foundation 2012 exhibition, Italy and ‘CONNECT’ 2013, SOFA Chicago USA.



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With jewellery design processes and consumer markets always changing, our course equips you with the latest skills, knowledge and awareness to succeed in such a niche, rewarding industry. Read more

Course summary

With jewellery design processes and consumer markets always changing, our course equips you with the latest skills, knowledge and awareness to succeed in such a niche, rewarding industry. You’ll be trained to become a manager within this competitive sector, possessing the skills needed to create effective strategies.

You will examine different marketing ideas to ensure each product becomes a success. The jewellery industry relies on expensive materials like gold and platinum, and you’ll explore how these materials represent symbolic dimensions of luxury.

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The key emphasis of the Jewellery & Metal programme in the first year is on establishing a personal creative mindset. This happens through set projects and seminars. Read more

First Year

The key emphasis of the Jewellery & Metal programme in the first year is on establishing a personal creative mindset. This happens through set projects and seminars. The ideas and work are supported by individual tutorials and progress is evaluated at set formal points. additional course components are designed to complement and underpin this work, developing and deepening students’ understanding of their chosen subject and strengthening their confidence in their own creative language.

During the first year there are set projects running alongside the Personal Projects that address and explore design methodologies, context, presentation skills, technical and digital inductions, introduction to emerging technologies, visits, seminars and group crits as well as visits and live projects.

Students are expected to explore and develop ideas for their Personal Project on an individual basis during the first year, using time between common elements and course project requirements. By the end of the year students should have developed a clear direction for their second-year Personal Project.

Second Year

During the second year students are expected to pursue their Personal Projects and produce work that will reflect the context of their anticipated professional practice.

The major part of the second year is devoted to the Personal Project. The student is responsible for progressing the work, according to a schedule of development that is subject to a timetable of deadlines for delivery and review throughout the second year. Completed work is presented in the RCA Show.

Critical & Historical Studies

The RCA provides a unique environment for postgraduate art and design students to reflect upon their own practice, and to engage with students from their own and other disciplines. The role of Critical & Historical Studies (CHS) is to support the studio programmes in enabling these critical engagements to take place. The courses offered by CHS to first year studio-based MA students propose an intellectual framework within which they can begin to establish a coherent relationship between theory and practice.

In the autumn and spring terms there are a series of College-wide seminars and lectures. The autumn term series will relate to your particular discipline (though it is possible to elect to join a series being offered to students on other programmes) whereas the spring term series will be more broad-based and cross-disciplinary in nature.

In the spring and summer terms, a CHS tutor will give you individual tutorials to support the development of a dissertation which is submitted at the start of the second year. The dissertation should be between 6,000–10,000 words in length – this is a major piece of work and you will be not be able to submit for the Final Examination until you have passed this assessment.

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This is an innovative course which develops creative potential and in-depth knowledge of theories, processes and techniques. Students will use a variety of materials, manufacturing techniques and processes. Read more

Summary

This is an innovative course which develops creative potential and in-depth knowledge of theories, processes and techniques.

Students will use a variety of materials, manufacturing techniques and processes.

The scope for design is very broad and builds on knowledge in the area of personal ornaments, body signification and decorative metal objects. There are also affinities with industrial design, fashion design, fine art and sculpture and content is often informed by philosophy, conceptualisation and critical theory.

Project-based activities will develop creative, design and making skills and enhance students' professional skills. Concepts and products will also be developed. Students will analyse problems and reflect on the relationships between personal objectives, cultural values, market identities, prototyping techniques and new technologies.

This course is divided into three trimesters to allow students to work towards a Postgraduate Certificate, Postgraduate Diploma or a Master's qualification.

Modules

PgCert: Research and Applied Practice.

PgDip: Creative Exploration; Specialist Research Enquiry.

Master's: Master Design Project.

Assessment

Studies include structured, project based learning activities which develop creative, design and making skills, research and investigative abilities, evaluation and independent learning to an advanced level; it includes individual and group tutorials, tutor-led and student-led seminars, lectures, and workshops as well as report writing and project work.

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This unique research degree is tailored to opening new opportunities in creative practice, professional and academic fields. The course provides unparalleled access to a range of resources within a stimulating and creative environment. Read more
This unique research degree is tailored to opening new opportunities in creative practice, professional and academic fields. The course provides unparalleled access to a range of resources within a stimulating and creative environment. You can choose from a number of subject areas, which you can browse in the carousel below. In the most recent (2014-15) Destinations of Leavers from Higher Education (DLHE) survey, 100% of graduates from this course were in work or further study within six months.

More about this course

The MA by Project is an innovative degree that gives you the opportunity to set your own agenda as a practitioner / researcher. You will be supported to develop and explore your practice through a self-directed research project, making your own work central to your programme of study throughout the duration of the course.

A core programme of research seminars are designed to open up a range of approaches to research and foster critical, analytical, reflective and evaluative skills. The course team and subject specialists will support you throughout the development and execution of your project. Workshops, presentations and seminars foster discussion and feedback from a multi-disciplinary community.

Projects are supported in the following subject areas: architecture and rapid change, architectural history and theory, cities, interiors, fine art, film and animation, furniture and product design, music, photography, silversmithing and jewellery, textiles and visual communication.

Outputs may take many forms, such as:
-Made objects in a variety of media (for example, painting, photography, printmaking, film, animation, silversmithing and jewellery, musical instruments, furniture, textiles)
-Documented actions such as performance art, live art, exhibitions, installations or events
-A design portfolio allied to one of our many design studios in architecture, cities, interiors, graphic design and illustration
-A written thesis investigating a theoretical or historical topic. This may take the form of a published output, an exhibition text, a case study or a PhD proposal

Resources

The Cass offers unparalleled facilities for designing and making. You will have access to specialist workshops, equipment and facilities all run by highly skilled staff.

Facilities include rapid prototyping, CNC routing, waterjet cutting, 3D printing, woodmill, furniture making workshops, musical instrument workshops, upholstery workshops, soft furnishing, finishing area, metal fabrication workshop, plastic and model making workshop, ceramics, silversmithing and jewellery workshops, restoration and conservation, AV/TV hire shop, recording studios, audio laboratories,editing suites, darkrooms, printroom, textiles workshop.

As well as a dedicated art and design library you will have access to libraries across the University. Our London location means that students are within reach of The National Art Library at the V&A, The British Architectural Library at RIBA, the British Library plus innumerable national and specialist collections.

Graduating students are able to nominate a specialism to be included within their degree award title to reflect either their project discipline or specific topic, eg MA by Project (Fine Art).

Assessment

At the end of each semester work is submitted for assessment.

Modular structure

The modules listed below are for the academic year 2016/17 and represent the course modules at this time. Modules and module details (including, but not limited to, location and time) are subject to change over time.

Year 1 modules include:
-Research Methods in Art, Architecture and Design (core, 40 credits)
-Research Project Development in Art, Architecture and Design (core, 40 credits)
-Research Project in Art, Architecture and Design (core, 60 credits)
-Theoretical Studies for Art, Architecture and Design (core, 20 credits)
-Contextual Studies: MA by Project (option, 20 credits)

After the course

The MA by Project can help you further your practice and develop new skills, extend your expertise and cultivate your professional profile, explore new avenues of thought and creative potential. You will be encouraged and supported in building a network of opportunities and developing external links that will help formulate the next stage in your career.

Past students have used the MA to launch new businesses as well as further their careers in a variety of professions. The MA by Project provides the opportunity to progress the theoretical development of your practice to a higher level and is therefore a suitable base for the development of a PhD.

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The Master in Luxury Goods Management - EMLUX is aimed at those students who wish to begin their career path in the luxury industry, a sector that requires both an understanding of the process of creativity and a solid managerial approach in order to succeed in an international multifaceted environment. Read more
The Master in Luxury Goods Management - EMLUX is aimed at those students who wish to begin their career path in the luxury industry, a sector that requires both an understanding of the process of creativity and a solid managerial approach in order to succeed in an international multifaceted environment. With a concrete approach, EMLUX allows you to understand the peculiar logic and strategies of luxury companies, who master the ability to craft products that are desired by clients worldwide.

Learning objectives

Starting from the necessary cultural foundations of luxury and the understanding of the utmost importance of craftsmanship and of the Métiers d’Art which are vital for this industry, EMLUX proceeds to unravel the managerial tools that dominate the functions of a luxury company, with a particular focus on brand and marketing management, communication, retail, finance and accounting, which are key to obtain economic stability and long term growth. Our cross-functional approach is the key for future managers who need to understand the implications and impact of company decisions.

Career opportunities & professional recognition

EMLUX allows you to acquire an overview of all the different functions of a luxury company so you will be able to under- stand the peculiarities of the companies that operate in this sector and choose the path for the professional growth that best suits your interests and passions.

Participants will therefore be exposed to the fundamentals needed to start the following careers:
● Marketing or brand manager
● Product manager
● Licensing manager
● Retail/wholesale manager
● Communication manager
● Area manager
● Buyer/merchandiser

Curriculum

● Luxury: definition, environment and characteristics – introductory course
● Sociocultural analysis of luxury
● Human resource management & business organization
● Cross cultural management & organization
● Marketing management
● Brand management
● Global integrated marketing communication
● Research techniques in the luxury industry
● Accounting, financial management and performance measurement
● Pricing and retail in the luxury industry
● Sales and customer relationship management
● Legal issues
● Supply chain strategy and network design
● Manufacturing, distribution & operations
● Product design and development
● Innovation & trends
● Basic Chinese plus either Italian or French language courses

The teaching method is based upon lessons, case analyses, company visits and presentations, group and individual work sessions, out-of class assignments and finalized by a Project Work with a practical approach to a managerial issue pertaining to the luxury industry. To complete the perspective on the luxury environment EMLUX activities include visits such as Baglietto (yachts), Damiani (jewellery), Van Cleef&Arpels (jewellery), Atelier Pino Grasso (fashion), Excelsior (concept store), etc.

Session in Paris

In addition, true to its international vocation, EMLUX has developed a session in Paris, France, with a focus on French luxury that during the past edition was in collaboration with the University of Sciences-Po. The session included not only lectures by French brands such as Lanvin and Chloé, but also a focus on the Champagne and jewellery market, with a visit to the Van Cleef&Arpels atelier and boutique.

Partner companies

EMLUX has been developed in collaboration with the Cologni Foundation of the Métiers d’Art and with the Fondation de la Haute Horlogerie.

Faculty & teaching staff

The following have lectured in the Master:
● Paolo Balistrieri, Head of Anti-counterfeiting for Southern Europe at Louis Vuitton Mallettier- LVMH Fashion Group
● Christopher Berry, author of The Idea of Luxury: a Conceptual and Historical Investigation
● Davide Castelvero, head of CRM Bottega Veneta
● Alberto Cavalli, Lifestyle and Luxury Goods Correspondent by Vedomosti, the leading Russian financial newspaper
● Michel Chevalier Professor at University Paris Dauphine; author of Luxury Brand Management, Luxury China: Opportunities and Market potential and Luxury Retail Management
● Marco De Angeli, Clients and External Relations Director at ABC
● Alberto Festa, President of Bulgari USA
● Pino Grasso, Haute Couture Embroiderer winner of the Prix Talent du Luxe et de la Création of the Centre du Luxe et de la Création Paris

● Paola Leoni, Founder and Managing Partner at Corporate Advisors
● Matteo Marzotto, President of Fiera di Vicenza, former CEO of Valentino and Vionnet
● Uché Okonkwo Executive Director at Luxe Corp, author of Luxury Fashion Branding and Luxury Online: Styles, Systems, Strategies
● Carl Rohde, Head of Science of the Times, Professor of trend-watching at Fontys University of Applied Sciences
● Andrea Rossi, CFO of Valextra
● Stefano Turconi, Sloan Fellow and Strategy Research Associate at London Business School
● Alessandro Varisco, General Manager of Moschino

International environment

EMLUX full-time, now in its third edition, is taught entirely in English by an international faculty to an international class of students. A key element to compete in the luxury environment that is international by nature and definition.

Cross-functional approach

Our program allows students not only to study all company functions through the lens of a company operating in the particular environment of luxury goods, but also to explore different sectors from fashion to jewelery & watches to yachts to accessories.

Leading professional faculty

Our program’s approach is aimed at teaching concrete strategies and tools.

Our faculty, which is a mix of academics and professionals from the luxury industry, is the ideal setup to obtain this objective.

Focus on luxury

All of the courses focus on both the peculiar strategies and approach of luxury companies in terms of marketing, communication, sales and retail, product development, customer care and operations, which differ highly from those of mass market goods.

Scholarships

All scholarships are assigned on a merit basis and will be mostly given to students who apply by the priority deadline. Some scholarships may also target specific geographic regions.

Scholarship value: €5000

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Whether you want to explore innovative design, promote fashion internationally or set up your own label, we have the world-class facilities, practitioners and industry expertise to prepare you for an exciting career. Read more
Whether you want to explore innovative design, promote fashion internationally or set up your own label, we have the world-class facilities, practitioners and industry expertise to prepare you for an exciting career. Students can choose to work in any of the wide range of fashion areas, covering Fashion Design, Fashion Communication and Promotion, Jewellery and Accessories, or Fashion Textiles – our MA Fashion is uniquely structured to enable you to specialise while drawing on a broad range of resources and expertise.


Why you should study MA Fashion at Middlesex?

At Middlesex we take an innovative approach to Fashion that enables you to specialise while collaborating, experimenting, and enhancing your skills with students and staff from across the department. Taught by some of the UK's leading practitioners and technical experts, you'll explore your chosen area of Fashion within a contemporary framework that will equip you with the practical skills, business acumen and industry insights you need to succeed in today's global market.

Based in our £80 million Art and Design School, our course features state-of-the-art facilities and specialist workshops fitted with both new and traditional equipment to enable you to fully realise your visions. Through a combination of workshop enquiry, in-depth research and critical understanding of your practice, we ensure that you graduate with the skills, knowledge and body of work to advance your Fashion career in new, challenging and imaginative directions.

Course highlights:

- Exceptional facilities that are among the best in the country, including traditional fashion workshops and equipment for screenprinting, knitting, weaving, digital printing, embroidery, metalwork, photography, reprographics, film, laser cutting, 3D printing and more
- Flexibly designed module content to enable you to bring your interests and ambitions to every assessment, whether that's making textiles, designing jewellery, creating a book, producing a magazine, evolving an existing specialism you have, and more
- Despite being a new MA course we have an international reputation for high calibre graduates from our BA Fashion programmes who have gone on to work for Givenchy, Kenzo, Vivienne Westwood, Preen, Aquascutum and ASOS
- Opportunities to start your own label with recent examples including Boudicca, Christopher Raeburn and Ashley Isham
- Access to networking opportunities, world-leading research and expertise through the Art & Design Research Institute (ADRI) on campus

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