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Some of the major innovations in performance practices over the past hundred years have been drawn from scenographic developments. Read more

ABOUT MA SCENOGRAPHY

Some of the major innovations in performance practices over the past hundred years have been drawn from scenographic developments. This MA/MFA approaches scenography from multiple practical and theoretical perspectives to create new opportunities for performance design experimentation and authorship.

This is a dynamic course for highly motivated artists and practitioners looking to extend their practice and for those wishing to develop design-led processes for and within performance. Students will engage with scenography through immersion in the process of relating bodies with space, sound, light and objects.

Students will discover, discuss and engage with past and present approaches to performance design informed by a variety of disciplines, for example, video, puppetry, architecture, choreography, sound and scientific enquiry. Existing skills and practice will
be challenged, extended and refined as students investigate speculatively the creative use/misuse of tools and media. Concerned with the body, movement, spatiality and temporality, the course includes a particular attention to, and interrogation
of, the scenographer’s subjective and physical approach to design processes.

There is a mix of collaborative and independent work, exploring the interplay of conceptual and practical thinking. This includes undertaking experimental and laboratory-based case studies, as well as studying the histories and theories of perception, representation and aesthetics within historical and philosophical frameworks.

Drawing on the expertise of current staff and visiting fellow researchers and practitioners, students explore a range of methods in the design studio/rehearsal room and the lecture theatre and have the opportunity to present their work through performance and exhibition. Students work within Central’s existing studio system alongside other courses and, through negotiated learning agreements, in professional contexts.

ASSESSMENT

This is by practical conceptions and realisations, written assignments and research presentations.

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The MA in Literary Studies pathway in Postmodern Writing offers students a dynamic engagement with literary responses to postmodernism. Read more
The MA in Literary Studies pathway in Postmodern Writing offers students a dynamic engagement with literary responses to postmodernism. The course provides a firm grounding in the latest developments in the highly topical field of postmodern writing. It also offers the key skills to undertake your own detailed research project successfully. Thus a special feature of the MA pathway in Postmodern Writing is the combination of the study of postmodernism alongside the development of key transferable skills. As a student on this MA scheme, you will have free access to both the University’s superb library and information technology resources and to the unrivalled collections of the National Library of Wales.

See the website http://courses.aber.ac.uk/postgraduate/literary-studies-post-modern-writing-masters/

- Assessment:
Assessment takes the form of: a research proposal, including a related bibliographic element; a case study; examined oral presentations; and 6,000-word assignments. In the third semester, each student will complete a MA Dissertation of 15,000 words which deals specifically with an area of Postmodern Writing.

Overview

You will study two core modules, together with two option modules. A specialist MA module in postmodern writing provides a rigorous and detailed interrogation of particular developments in this important area of literature. The course covers a range of research preparation skills including exploiting library resources, using electronic journals and other IT skills, building a bibliography, researching and writing a proposal, structuring a dissertation, developing and sustaining an argument, footnotes and referencing, and oral presentation skills. The course will also ask you to engage with different kinds of 'textuality', or aspects of the literary text, which need to be taken into account in the study of literature at postgraduate level.

An important part of the course is the writing of a 15,000-word Dissertation on an aspect of Postmodern Writing of particular interest to you. Aberystwyth University takes great care in assigning students a supervisor whose interests will be matched as closely as possible to your own.

The department has a proud tradition of research excellence, as demonstrated in the most recent Research Excellence Framework (2014) assessment. It found that 97% of research assessed was found to be of international standing or higher.

- Application Details
In addition to completing the standard University application package (How to apply), candidates are asked by the Department to supply the following supplementary documents:

1. A letter of application (1 side of A4) that explains why you want to enrol on the Literary Studies (or the particular Literary Studies pathway) MA. It should include a brief account of your academic study to date, touching on relevant literary/critical issues as appropriate – you might mention, for example, the authors to whose work you are particularly drawn, the topics and ideas that are of special significance to you, and the methodologies you have found particularly valuable in your encounter with literary works. The account will be important in helping us to arrive at a decision about your general suitability for the programme.

2. A representative sample of critical work, written during the past three years, of no more than 3000 words. You are allowed to send work submitted as part of a previous degree.

Employability

Qualification: MA in Literary Studies, pathway in Postmodern Writing 

This degree will suit you...
- If you have a specific interest in Post-modern Writing
- If you want rigorous training for future work as a research
- If you are interested in the theoretical and historical debates behind literary studies.

- Employability:
The MA in Literary Studies, pathway in Postmodern Writing provides you with both an in-depth knowledge of Postmodern Writing and key transferrable skills. Thus it provides a natural entry for further academic study for a PhD and to a range of employment opportunities. Specialist modules on research techniques, presentation, analysis, professional standards of writing and oral presentations provide you with core skills that are highly valued by a diverse range of employers. The creative industries are an increasingly important part of the modern economy and this degree is an excellent stepping stone to a career in a broad range of fields in the arts, literature, journalism and many more.

- Key Skills and Competencies:
Study Skills
You will learn how to gain access to the relevant literature and materials in this field and how to use them in critical discussion of the issues covered by this subject and in relation to your own specific needs. Practical advice is given in research methods and sources.

The ability to quickly assemble, assimilate, interpret and present a broad range of information is a skill which is keenly sought by many employers from the civil service to journalism, to industry and commerce.

- Self-Motivation and discipline:
Studying at MA level is a very disciplined process. You will be guided and aided by expert University staff, but you will be expected to conduct your own scholarly research and work independently. The final Dissertation in particular teaches you how to employ your own skills and knowledge to produce high standards of work. The practice of self-motivation and discipline will prepare you for what will be expected in the working world.

- Transferable Skills:
The MA in Literary Studies, pathway in Postmodern Writing provides you with key skills which are transferable to all areas of employment. When you graduate you will be able to structure and communicate ideas efficiently, write for and speak to a range of audiences, evaluate and organize information, work effectively with others, work within timeframes and to specific deadlines.

Find out how to apply here http://courses.aber.ac.uk/postgraduate/literary-studies-post-modern-writing-masters/#how-to-apply

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This multidisciplinary, visual theory-based course is established around the belief that visual literacy and the impact of visual forms of thinking and working now play significant roles in society. Read more
This multidisciplinary, visual theory-based course is established around the belief that visual literacy and the impact of visual forms of thinking and working now play significant roles in society. The course introduces you to a range of historical and contemporary debates that inform the theories and practice of visual culture, and enables you to develop a conceptual framework within which to evaluate the role of the visual arts, and other forms of visual production, in contemporary society and culture.

You will acquire creative and professional research skills, such as the ability to work from exhibitions, art works and institutional archives, to be able to operate within different artistic and conceptual frameworks.

Course content

This Masters balances historical and theoretical debates in the field of visual culture studies with a rigorous interrogation of cultural practices across a range of topics, including: activism and popular politics; contemporary visual arts, capitalism and culture; globalisation and new media technologies; institutions and their archives; and the material culture of the city. The course also draws upon the cultural institutions and intellectual resources of central London, and has established contacts with other galleries and organisations for work placements.

Modules

The following modules are indicative of what you will study on this course.

Core modules
-DISSERTATION
-VISUAL CULTURE: PRODUCTION, DISPLAY AND DISCOURSE
-VISUAL CULTURE: THEORETICAL AND CRITICAL PERSPECTIVES

Option modules - Choose four from:
-CAPITALISM AND CULTURE
-ENGAGING THE ARCHIVE
-EXHIBITING PHOTOGRAPHY
-INTERPRETING SPACE
-REPRESENTING WORLD CULTURES
-URBAN CULTURES
-WORK PLACEMENTS IN CULTURAL INSTITUTIONS

Associated careers

Graduates will be equipped for roles in the creative industries, including museum and gallery work, education, arts administration and marketing, or could pursue further study to PhD level. The course is also suitable for practising artists wishing to further their research.

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This practice-based course is designed and delivered through collaboration with the museum and heritage sector and in partnership with a number of institutions, sites and agencies reflecting the diversity of the sector, including. Read more
This practice-based course is designed and delivered through collaboration with the museum and heritage sector and in partnership with a number of institutions, sites and agencies reflecting the diversity of the sector, including: Museum Development East Midlands, East Midlands Museums Service, Nottingham City Museums and Galleries, Museum of the Mercian Regiment, The Canalside Heritage Centre, The Galleries of Justice Museum, the National Videogame Arcade, and Barker Langham.

Why choose this course?

Museum and Heritage Development is a progressive, interdisciplinary course that combines the academic interrogation of museums and heritage as ideas, organisations and experiences with creative, practice-based approaches to their ongoing development in the 21st Century.

The course encourages and supports you to re-think and re-imagine museums and heritage through critical engagement and reflection and experimentation and creative practice; to develop the confidence and courage to see yourself as a scholar-practitioner leading the field. In doing so the course integrates academic and professional practice of what is an increasingly international, interdisciplinary field with the intention of establishing a new benchmark in postgraduate provision.

Special features

The course is developed and delivered through collaboration and engagement with leading organisations within the city, the region, the UK and internationally. You will work on live projects throughout the taught elements of the course as the core component of your academic and professional development. This is further supported by guest keynote speakers, visiting professors, field visits, and professional student mentors from organisations across the region.

A strong international dimension to understanding museums and heritage runs throughout the course and is supported by an optional not-for-credit international field visit, in addition to case studies and literatures encountered in the classroom. Museum and Heritage Development introduces students to the realities of professional practice whilst at same time providing opportunities to speculate on the future of the field.

Working with Barker Langham, a leading international museum and heritage consultancy, each academic year culminates with a Degree Show; an exhibition in Nottingham based on the ideas and work students have developed during the taught components of the course.

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The MA in Theology and Religion serves both the specific needs of students focussed on progressing towards doctoral research and those of students looking to continue relatively broad-based studies in Theology and Religion to Level four, perhaps in support of a career in teaching. Read more
The MA in Theology and Religion serves both the specific needs of students focussed on progressing towards doctoral research and those of students looking to continue relatively broad-based studies in Theology and Religion to Level four, perhaps in support of a career in teaching.

Course Structure

Choice of one of the three core modules, Three option modules, Dissertation.

Core Modules

One of the following:
-The Bible and Hermeneutics
-Classic Texts in Christian Theology
-Social Scientific Methods in the Study of Religion
AND
-Dissertation

Optional Modules

Optional Modules in previous years have included (2-3 choices from):
-Advanced Hebrew Texts
-Advanced Aramaic
-Middle Egyptian
-The Old Testament Pseudepigrapha and the New Testament
-The Bible and Hermeneutics
-Paul and his Interpreters
-Gospels and Canon
-Patristic Exegesis
-Patristic Ecclesiology
-Christian Northumbria 600-750
-Classic Texts in Christian Theology
-The Anglican Theological Vision
-Liturgy and Sacramentality
-Conceiving Change in Contemporary Catholicism
-Twentieth-Century Catholic Theology
-Christian Gender
-Principles of Theological Ethics
-Theology, Ethics and Medicine
-Social Scientific Methods in the Study of Religion
-Ritual, Symbolism and Belief in the Anthropology of Religion
-Literature and Religion
-Catholic Social Thought
-Ecclesiology and Ethnography
-Doctrine of Creation

Plus up to 1 choice from:
-Selected modules from the MA in Theology and Ministry programme
-Level 3 undergraduate module, or any Level 1 – 2 language module offered by the Department of Theology and Religion, taken in conjunction with the Extended Study in Theology & Religion module
-30 credits from another Board of Studies (including appropriate credit-bearing language modules offered by the University’s Centre for Foreign Language Study)

Learning and Teaching

Most MA teaching is delivered through small group seminars and tutorials. These exemplify and encourage the various skills and practices required for independent scholarly engagement with texts and issues. Teaching in the Department of Theology & Religion is ‘research led’ at both BA and MA levels, but particularly at MA level. Research led teaching is informed by staff research, but more importantly it aims to develop students as independent researchers themselves, able to pursue and explore their own research interests and questions. This is why the independently researched MA dissertation is the culmination of the MA programme. Such engagement with texts and issues is not only an excellent preparation for doctoral research, it also develops those skills of critical analysis, synthesis and presentation sought and required by employers.

Many MA classes will contain a ‘lecture’ element, conveying information and exemplifying an approach to the subject-matter that will enable students to develop a clear understanding of the subject and improve their own ability to analyse and evaluate information and arguments. Seminars enhance knowledge and understanding through preparation and interaction with other students and staff, promoting awareness of and respect for different viewpoints and approaches, and developing skills of articulacy, advocacy and interrogation. Through small group discussions and tutorials, feedback is provided on student work, with the opportunity to discuss specific issues in detail, enhancing student knowledge and writing skills.

The Dissertation module includes training in generic research skills, from the use of the Library to issues in referencing and bibliography. The subject specific core module introduces students to questions of interpretation and argument in the disciplines encompassed by theology and religion, and helps them to develop their own interests and questions that will issue in the MA dissertation. The latter is a piece of independent research, but it is fostered and guided through individual tutorials with a supervisor, with whom students meet throughout the academic year.

Other admission requirements

*The two principal exceptions to this rule are as follows: graduates of other disciplines who have studied at undergraduate or equivalent level in one or more of the areas in which they hope to work, through their first degrees, through training for the ministry of the churches, and so on; students from overseas universities who have successfully reached a point in their theological studies comparable with completion of a British BA at the standard noted above - for example, on the German model, passing the Zwischenprüfung or Kolloquium and two semesters at the Hauptseminar level.

When applying, please ensure that your two chosen referees send their confidential academic references (using the reference form [Word]) to us in a timely manner. Please note that we are unable to accept ‘open’ references submitted by yourself. The referees may send the references by email directly from their institutional email addresses to provided they are signed, or by post to the address provided on the reference form.

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This course focuses on the context and interpretation of biblical and pseudepigraphal texts, along with the study of biblical languages. Read more
This course focuses on the context and interpretation of biblical and pseudepigraphal texts, along with the study of biblical languages. Durham has a long tradition of outstanding biblical scholarship, providing a wide range of distinctive approaches to biblical studies, including historical, critical and theological.

Course Structure

The Bible and Hermeneutics core module; three option modules; dissertation.
Core Modules:
-The Bible and Hermeneutics
-Dissertation

Optional Modules
Optional Modules in previous years have included:
2-3 choices from:
-Advanced Hebrew Texts
-Advanced Aramaic
-Middle Egyptian
-The Old Testament Pseudepigrapha and the New Testament
-Gospels and Canon

Plus up to 1 choice from:
-Paul and his Interpreters
-Patristic Exegesis
-Patristic Ecclesiology
-Christian Northumbria 600-750
-The Anglican Theological Vision
-Classic Texts in Christian Theology
-Liturgy and Sacramentality
-Conceiving Change in Contemporary Catholicism
-Twentieth-Century Catholic Theology
-Christian Gender
-Principles of Theological Ethics
-Theology, Ethics and Medicine
-Social Scientific Methods in the Study of Religion
-Ritual, Symbolism and Belief in the Anthropology of Religion
-Literature and Religion
-Catholic Social Thought
-Ecclesiology and Ethnography
-Doctrine of Creation
-Selected modules from the MA in Theology and Ministry programme
-Level 3 undergraduate module, or any Level 1 – 2 language module offered by the Department of Theology and Religion, taken in conjunction with the Extended Study in Theology & Religion module
-30 credits from another Board of Studies (including appropriate credit-bearing language modules offered by the University’s Centre for Foreign Language Study)

Learning and Teaching

Most MA teaching is delivered through small group seminars and tutorials. These exemplify and encourage the various skills and practices required for independent scholarly engagement with texts and issues. Teaching in the Department of Theology & Religion is ‘research led’ at both BA and MA levels, but particularly at MA level. Research led teaching is informed by staff research, but more importantly it aims to develop students as independent researchers themselves, able to pursue and explore their own research interests and questions. This is why the independently researched MA dissertation is the culmination of the MA programme. Such engagement with texts and issues is not only an excellent preparation for doctoral research, it also develops those skills of critical analysis, synthesis and presentation sought and required by employers.

Many MA classes will contain a ‘lecture’ element, conveying information and exemplifying an approach to the subject-matter that will enable students to develop a clear understanding of the subject and improve their own ability to analyse and evaluate information and arguments. Seminars enhance knowledge and understanding through preparation and interaction with other students and staff, promoting awareness of and respect for different viewpoints and approaches, and developing skills of articulacy, advocacy and interrogation. Through small group discussions and tutorials, feedback is provided on student work, with the opportunity to discuss specific issues in detail, enhancing student knowledge and writing skills.

The Dissertation module includes training in generic research skills, from the use of the Library to issues in referencing and bibliography. The subject specific core module introduces students to questions of interpretation and argument in the disciplines encompassed by theology and religion, and helps them to develop their own interests and questions that will issue in the MA dissertation. The latter is a piece of independent research, but it is fostered and guided through individual tutorials with a supervisor, with whom students meet throughout the academic year.

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This course involves the study of historical and systematic theology across a range of Christian perspectives. Durham has long-established strengths in both Greek and Latin patristics, the medieval Church and Reformation, contemporary Catholic and Anglican theology, theological ethics, and philosophical theology. Read more
This course involves the study of historical and systematic theology across a range of Christian perspectives. Durham has long-established strengths in both Greek and Latin patristics, the medieval Church and Reformation, contemporary Catholic and Anglican theology, theological ethics, and philosophical theology.

Course Structure

Classic Texts in Christian Theology core module, Three option modules, Dissertation.
Core Modules:
-Classic Texts in Christian Theology
-Dissertation

Optional Modules in previous years have included:
2-3 choices from:
-Paul and his Interpreters
-Gospels and Canon
-The Bible and Hermeneutics
-Patristic Exegesis
-Patristic Ecclesiology
-Christian Northumbria 600-750
-The Anglican Theological Vision
-Liturgy and Sacramentality
-Conceiving Change in Contemporary Catholicism
-Twentieth-Century Catholic Theology
-Christian Gender
-Principles of Theological Ethics
-Theology, Ethics and Medicine
-Social Scientific Methods in the Study of Religion
-Ritual, Symbolism and Belief in the Anthropology of Religion
-Literature and Religion
-Catholic Social Thought
-Ecclesiology and Ethnography
-Doctrine of Creation

Plus up to 1 choice from:
-Advanced Hebrew Texts
-Advanced Aramaic
-Middle Egyptian
-Old Testament Pseudepigrapha and the New Testament
-Selected modules from the MA in Theology and Ministry programme
-Level 3 undergraduate module, or any Level 1 – 2 language module offered by the Department of Theology and Religion, taken in conjunction with the Extended Study in Theology & Religion module
-30 credits from another Board of Studies (including appropriate credit-bearing language modules offered by the University’s Centre for Foreign Language Study)

Learning and Teaching

Most MA teaching is delivered through small group seminars and tutorials. These exemplify and encourage the various skills and practices required for independent scholarly engagement with texts and issues. Teaching in the Department of Theology & Religion is ‘research led’ at both BA and MA levels, but particularly at MA level. Research led teaching is informed by staff research, but more importantly it aims to develop students as independent researchers themselves, able to pursue and explore their own research interests and questions. This is why the independently researched MA dissertation is the culmination of the MA programme. Such engagement with texts and issues is not only an excellent preparation for doctoral research, it also develops those skills of critical analysis, synthesis and presentation sought and required by employers.

Many MA classes will contain a ‘lecture’ element, conveying information and exemplifying an approach to the subject-matter that will enable students to develop a clear understanding of the subject and improve their own ability to analyse and evaluate information and arguments. Seminars enhance knowledge and understanding through preparation and interaction with other students and staff, promoting awareness of and respect for different viewpoints and approaches, and developing skills of articulacy, advocacy and interrogation. Through small group discussions and tutorials, feedback is provided on student work, with the opportunity to discuss specific issues in detail, enhancing student knowledge and writing skills.

The Dissertation module includes training in generic research skills, from the use of the Library to issues in referencing and bibliography. The subject specific core module introduces students to questions of interpretation and argument in the disciplines encompassed by theology and religion, and helps them to develop their own interests and questions that will issue in the MA dissertation. The latter is a piece of independent research, but it is fostered and guided through individual tutorials with a supervisor, with whom students meet throughout the academic year.

Other admission requirements

*The two principal exceptions to this rule are as follows: graduates of other disciplines who have studied at undergraduate or equivalent level in one or more of the areas in which they hope to work, through their first degrees, through training for the ministry of the churches, and so on; students from overseas universities who have successfully reached a point in their theological studies comparable with completion of a British BA at the standard noted above - for example, on the German model, passing the Zwischenprüfung or Kolloquium and two semesters at the Hauptseminar level. When applying, please ensure that your two chosen referees send their confidential academic references (using the reference form [Word]) to us in a timely manner. Please note that we are unable to accept ‘open’ references submitted by yourself. The referees may send the references by email directly from their institutional email addresses to provided they are signed, or by post to the address provided on the reference form.

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In this course, the focus is on religion in its anthropological and sociological perspectives. Read more
In this course, the focus is on religion in its anthropological and sociological perspectives. Durham has particular strengths in the study of Mormonism; death, dying and disposal; shamanism; religion and emotion; religion/faith and globalisation; religion and politics; contemporary evangelicalism and post-evangelicalism; and religion and generational change. It also boasts the Centre for Death and Life Studies and the Project for Spirituality, Theology and Health.

Course Structure

Social Scientific Methods in the Study of Religion core module, Three option modules, Dissertation.

Core Modules

-Social Scientific Methods in the Study of Religion
-Dissertation

Optional Modules

Optional Modules in previous years have included:
2-3 choices from:
-Ritual, Symbolism and Belief in the Anthropology of Religion
-Theology, Ethics and Medicine
-Literature and Religion
-Christian Northumbria 600-750
-Ecclesiology and Ethnography

Plus up to 1 choice from:
-Advanced Hebrew Texts
-Advanced Aramaic
-Middle Egyptian
-The Bible and Hermeneutics
-The Old Testament Pseudepigrapha and the New Testament
-Paul and his Interpreters
-Gospels and Canon
-Patristic Exegesis
-Patristic Ecclesiology
-The Anglican Theological Vision
-Liturgy and Sacramentality
-Classic Texts in Christian Theology
-Conceiving Change in Contemporary Catholicism
-Christian Gender
-Principles of Theological Ethics
-Catholic Social Thought
-Doctrine of Creation
-Selected modules from the MA in Theology and Ministry programme
-Level 3 undergraduate module, or any Level 1 – 2 language module offered by the Department of Theology and Religion, taken in conjunction with the Extended Study in Theology & Religion module
-30 credits from another Board of Studies (including appropriate credit-bearing language modules offered by the University’s Centre for Foreign Language Study)

Learning and Teaching

Most MA teaching is delivered through small group seminars and tutorials. These exemplify and encourage the various skills and practices required for independent scholarly engagement with texts and issues. Teaching in the Department of Theology & Religion is ‘research led’ at both BA and MA levels, but particularly at MA level. Research led teaching is informed by staff research, but more importantly it aims to develop students as independent researchers themselves, able to pursue and explore their own research interests and questions. This is why the independently researched MA dissertation is the culmination of the MA programme. Such engagement with texts and issues is not only an excellent preparation for doctoral research, it also develops those skills of critical analysis, synthesis and presentation sought and required by employers.

Many MA classes will contain a ‘lecture’ element, conveying information and exemplifying an approach to the subject-matter that will enable students to develop a clear understanding of the subject and improve their own ability to analyse and evaluate information and arguments. Seminars enhance knowledge and understanding through preparation and interaction with other students and staff, promoting awareness of and respect for different viewpoints and approaches, and developing skills of articulacy, advocacy and interrogation. Through small group discussions and tutorials, feedback is provided on student work, with the opportunity to discuss specific issues in detail, enhancing student knowledge and writing skills.

The Dissertation module includes training in generic research skills, from the use of the Library to issues in referencing and bibliography. The subject specific core module introduces students to questions of interpretation and argument in the disciplines encompassed by theology and religion, and helps them to develop their own interests and questions that will issue in the MA dissertation. The latter is a piece of independent research, but it is fostered and guided through individual tutorials with a supervisor, with whom students meet throughout the academic year.

Other admission requirements

When applying, please ensure that your two chosen referees send their confidential academic references (using the reference form [Word]) to us in a timely manner. Please note that we are unable to accept ‘open’ references submitted by yourself. The referees may send the references by email directly from their institutional email addresses to provided they are signed, or by post to the address provided on the reference form.

Read less
The Master of Architecture provides a vibrant, challenging and expansive programme aimed at equipping you with the professional and creative skills for a successful career as an architect and leads to Royal Institute of British Architects (RIBA) Part 2 exemption. Read more

Why take this course?

The Master of Architecture provides a vibrant, challenging and expansive programme aimed at equipping you with the professional and creative skills for a successful career as an architect and leads to Royal Institute of British Architects (RIBA) Part 2 exemption. Through the design studios you will be exposed to a range of related architectural interests, including urbanism, landscape, practice, sustainability and culture, providing a cross-disciplinary learning environment that is appropriate in today’s professionally complex architectural world. We can also provide all incoming, full-time MArch students with funding toward a Course field trip.

What will I experience?

On this course you will undertake studio-based design projects, with opportunities to:

Engage with current collaborative projects with academic institutions in other countries – in the past these have included Turkey, Spain, Denmark and Australia
Work on projects with 'live' clients through our RIBA registered Project Office practice
Opt to study at a choice of European universities through the ERASMUS exchange scheme

What opportunities might it lead to?

This course is professionally accredited by the Architects Registration Board (ARB) and the Royal Institute of British Architects (RIBA). It is structured to ensure the integration and synthesis of contextual, technical and professional complexities inherent within the design process, helping you to engage with the prescribed ARB/RIBA criteria, and attain RIBA Part 2 exemption.

Module Details

The design curriculum is delivered through studios, each having a distinct research topic relating to the research and practice of the studio tutors. The studio topics and pedagogy provide a framework and guidance for student projects in Year One and support in Year Two as you develop your particular thesis questions into design propositions. Studios topics change annually in response to current issues in practice and society, challenging the architectural profession, and offering variety in scale,content and context in the UK and abroad.

Please see our proposed 2016/17 MArch studios below. You can find more information on our course blog and see output in our MArch Gallery.

MArch Studios 2016-17*

Latent Culture- Exploring the Reading, Mapping and Making of Place: Mapping, reading and drawing out, Studio 1 will explore cartography, archaeology, memory, narrative and material of place. Through a series of thematic studies – text and making based – the studio will bring together an understanding of place using artefacts, films, maps and narratives.

Littoral Landscapes: Change Labs for Coastal Experimentation: This studio will experiment with the ‘seeds’ of transformation, focussing on littoral landscapes – coastal villages, towns and cities in the UK and abroad. The studio is the Lab, the seeds are about speculation, growth, invention and entrepreneurialism - small changes which can lead to revolutions.

Urban Futures. Cities constantly change in response to changes in society: Today, major environmental and economic challenges we are facing require new models for the built environment that are capable to be resource efficient, adaptable to environmental modifications and designed to facilitate placemaking.

The Emergent Studio: Architecture of, on and around the Edge: The Emergent Studio explores the idea of making architecture within cultural contexts that are not ‘our own’; always in a location that in some way exemplifies an edge condition. Our theoretical platform for exploring these conditions has been, and continues to be, rooted within phenomenology, drawing from the writings of the humane Nordic modernist tradition, in informing our methodologies of interrogation and design.

Portsmouth: The Anatomy of "The Island City”: This studio continues our reflections on Portsmouth's response to climate change induced rise in sea levels adding an analysis of infrastructures and their impact on developing Urban & Architectural visions for the city.

Tactical Urbanism: Tactical Urbanism will investigate, in a radical and provocative way, how a university environment will change in the future and create alternative and hypothetical social scenarios as starting point for your design project. The aim is not to create a futuristic environment but to challenge the current paradigms and try to address the real problems and issues that our society will face in a near 2050 future.

Coastal Latent Dynamics: Material Voids: This new studio will frame the architectural process, starting with a close up of the Micro (the detail, the material qualities of place, prototyping), continuing to a wide shot of the Macro (the notion of municipality in a coastal context) and then zooming into the Meso (dealing with the opportunities of voids, empty buildings and their environs).

*Please note: studio offers may change due to staff and student numbers.

Programme Assessment

You will be taught through a combination of individual and group tutorials in your selected studio, while year-wide units are lecture-based, complemented by seminars and workshops. Our studio-teaching method will mean that you will be working with tutors with professional and academic experience in their field and all unit programmes are complemented by contributions from external professionals.

Studio programmes will often entail shared sessions with European and, sometimes, other overseas institutions, in countries such as Denmark, Turkey, Morocco, Italy and Spain. Representatives of local public and private bodies and agencies frequently contribute to studio tutorials and crits. All this helps to ensure that your learning and studio research outputs can have regional impact and global reach.

Design assessment is through studio review (crit) as work progresses and portfolio assessment at the end of the academic year. ‘Taught’ units, in support of the design curriculum, are assessed through various forms of illustrated written coursework – both individual and group, such as reports and the Dissertation.

Student Destinations

Careers in architecture are demanding ever-increasing specialism and professional competence.

The unique learning experience we offer on this course will enable you to develop as an expansive, creative and professional individual capable of success in a range of creative and professional environments. The breadth of engagement with the discipline and range of studios ensures that you will become confident in responding to the demands of the profession. The regional, national and international destinations of the School’s alumni are testament to this, as are our graduate employment take-up statistics.

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The MA Creative Media is an innovative and a cutting edge masters programme at the University of Brighton, responsive to the fast changing and dynamic media and digital industries and economies. Read more
The MA Creative Media is an innovative and a cutting edge masters programme at the University of Brighton, responsive to the fast changing and dynamic media and digital industries and economies. The course provides students with conceptual, theoretical and applied knowledge suited to flexible skills development and application across a diverse range of sectors and professions including the creative media industries, arts, education and academia.

Students on the course will be able to critique and participate in media debates and practice through theory and key concepts. They will also develop their ability to deploy relevant cultural, social, theoretical, professional and practice-based frameworks that allow them to operate critically and successfully in creative and global media contexts and economies.

The MA Creative Media is distinctive in that it:

*offers flexible modes of study, through online distance or campus learning, full-time or part-time, with entry points in September and February
*gives students the option to complete the MA entirely through online distance learning
*allows students to choose multiple routes of study through the course with opportunities to specialise in a number of different areas
*combines creative media theory and practice to develop theoretical and professional skills with real world application
*provides cutting edge research-led teaching by subject experts
*attracts international students from a range of academic and professional backgrounds across the arts, humanities and creative media industries
*provides training for doctoral research

Who is the MA Creative Media designed for?

The MA Creative Media has broad relevance to students, mid-career professionals, those pursuing a new or developing interest in digital and creative media, and others hoping to add to an existing skill set of academic or practical knowledge. The course combines the digital fabric of learning with academic and applied interrogation of an extensive range of media-related developments in economy, society and culture.

The flexible modes of study (online, campus, full-time, part-time) combined with students' own choice of route through the course, makes the MA Creative Media particularly attractive to the following types of applicants:

Academics, teachers and educators

Those already working, or seeking to work, in education (at all levels), or those wishing to pursue an academic career, can further their media subject knowledge and expertise, with the option of proceeding on to doctoral study at the end of the Creative Media MA. Students can start the course directly from their undergraduate studies, or join after a few years outside of formal education. Many of the students on the Creative Media MA have come back into formal education following a period of time away. Through masters study at Brighton, they can reflect upon their existing educational and professional practices, and further their subject knowledge. The part-time and online distance mode of study is particularly suitable for students combining MA study with existing work commitments.

Creative media practitioners and professionals

Media professionals and practitioners from the digital media and creative industries, arts, broadcasting, policy and journalism can develop their theoretical and professional skills on the Creative Media MA, as a way of enhancing their career development. Students learn about a diverse range of disciplinary and professional paradigms, and how to write for different platforms, whilst critically reflecting upon their own professional practices. The part-time and online distance mode of study is particularly suitable for students combining masters study with existing work commitments.

Creative media managers and innovators

Those seeking to pursue a leading role in a cultural and creative organisation or independent creative businesses will gain strategic, conceptual and creative thinking, and entrepreneurial skills as well as a critical understanding of the nature of cultural industries and creative organisations which will advance your understanding of how to operate efficiently within the creative media sector. As an MA student you will have the opportunity to independently manage a creative media project or focusing on developing a business out of an existing creative media practice, whilst also reflecting on the process itself. The programme’s incorporation of cutting-edge scholarship within the realm of multi platform media and the digital economies will appeal to those with strong visions of the creative industries in the 21st century.

We look forward to welcoming you to our Master of Arts Creative Media at the University of Brighton.

More information on our website.

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You’ll develop skills in textual and theoretical interrogation of narrative film, in both popular and art cinema. Close textual analysis of the moving image is supplemented by a range of optional national cinema studies, including Australian cinema and British visual culture. Read more

About the course

You’ll develop skills in textual and theoretical interrogation of narrative film, in both popular and art cinema. Close textual analysis of the moving image is supplemented by a range of optional national cinema studies, including Australian cinema and British visual culture. You’ll complete one core module, optional modules and a dissertation.

Your career

You’ll examine early modern texts, language and culture. Staff expertise includes palaeography, rhetoric, news writing, the sermon, drama, and issues of political, sectarian and national identity between 1400 and 1700. Modules (including modules from History) can be tailored to suit your interests. You’ll complete one core module, optional modules and a dissertation.

Cultural life

There is always something going on, and there are plenty of chances to get involved. We have extensive links with arts and heritage organisations including Arts Council England and Sheffield Theatres. Recent poetry readings featured Carol Ann Duffy and Ciaran Carson. Our Arts/Science Encounters events bring together musicians, writers, architects and academics to explore ideas. The English Society, run by our students, organises theatre trips, guest lectures, and seminars. Students also get the chance to take part in drama and readings.

First-rate facilities

We’re based in a brand new building at the heart of the campus. There are computer workstations especially for postgraduates and a DVD library with viewing facilities. Our theatre workshop is a fully equipped teaching/performance area with excellent film-viewing facilities and audio suites.

Specialist resources

The University Library subscribes to the major periodicals and full-text electronic archives, including Early English Books Online and Eighteenth-Century Collections Online. Special collections include an outstanding collection of Restoration drama, the Hope Collection of eighteenth-century periodicals, the Jack Rosenthal scripts collection, and papers of contemporary writers such as Anita Brookner, Marina Warner, Fay Weldon and Peter Redgrove.

Funding

There are a number of studentships and fee bursaries available, funded by the University. Deadlines for funding applications are usually in winter/early spring. For details, see our website.

Research training for PhD

If you intend to progress to a PhD, your course can be tailored to include essential research training. The same applies to students on the online course.

Part-time study

Part-time students usually take one taught module in each semester. In the second year, you’ll also take a dissertation module. For most courses, you’ll need to come in for one half-day per week. The MA Creative Writing is taught in the evening. Some modules, such as Theatre and Performance, may require greater time commitment. We try to be as flexible as possible to accommodate the different needs of our students.

Examples of optional modules

Modules may include: Analysis of Film; Approaches to the American Gothic (spring semester); Postwar British Drama, Film and Television.

Teaching and assessment

Teaching is by seminars. You’ll be assessed on your essays, coursework and a 15,000-word dissertation.

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The new Joint Erasmus Mundus programme in Flood Risk Management integrates the complementary topics of global changes and monitoring natural processes, modelling their behavior and interaction, formulating the decisions based on interrogation of these integrated models and implementing these decisions in the context of socio-economic and institutional framework. Read more
The new Joint Erasmus Mundus programme in Flood Risk Management integrates the complementary topics of global changes and monitoring natural processes, modelling their behavior and interaction, formulating the decisions based on interrogation of these integrated models and implementing these decisions in the context of socio-economic and institutional framework.

The subjects covered include hydrology, meteorology, monitoring, hydroinformatics, modelling, various types of flooding (fluvial, urban and coastal), risk management, spatial planning and socio-economic and institutional framework.

The Erasmus Mundus Programme in Flood Risk Management is offered by a consortium consisting of:

•UNESCO-IHE Institute for Water Education (the Netherlands)
•Technical University of Dresden (Germany)
•Technical University of Catalonia (Spain)
•University of Ljubljana (Slovenia)

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The traditional military threats which defined global security matters for the best part of the 20th century have been quickly replaced by new and re-emerging security challenges. Read more
The traditional military threats which defined global security matters for the best part of the 20th century have been quickly replaced by new and re-emerging security challenges. This programme offers you the opportunity to examine many of these contemporary threats.

Why this programme

-You will take a study visit to Brussels which offers the chance to experience security and political institutions like NATO and the European Commission and meet key security personnel.
-You will develop your knowledge of the security challenges impacting our rapidly changing social and political environment at a local, national and global level. These range from terrorism and cyber warfare to disease, migration and climate change.
-You can combine a broad spectrum of subject areas into your degree, including politics, sociology, Central & East European studies, war studies, archaeology, computing science, geography, law, business and education.
-You will have the opportunity to take part in policy development exercises: working with government officials and policy-makers to simulate the process of responding to major international security crises.
-The programme will also include a series of master classes from high profile professionals and academics working in the field of security.

Programme structure

You will take four core and selection of optional courses. You will also complete a dissertation as a piece of independent research. In addition to the general degree programme, you have the opportunity to study one of three specialised pathways

Core courses
-Comparative approaches to warfare and violent conflict
-International security and global politics
-Qualitative research methods OR Social sciences statistics
-Thematic issues in global security.

Optional courses You will supplement the core elements of the programme with a range of optional courses chosen from a broad list of optional courses.

Pathways
Cyber security and intelligence
Provides you with the opportunity to examine how cyber issues and information communications technologies challenge the way states and citizens alike attempt to use and constrain information in a range of societies for security purposes. Specialised courses within this pathway include:
-Human-centred security
-Information systems and databases
-Systems and networks

Social and cultural perspectives
Provides you with the opportunity to examine global security from a critical perspective, reflecting on social and cultural aspects and constructions of 'security'. Important to this pathway will be an interrogation of the relationship between security, vulnerability and the ethics of care. Specialised courses within this pathway include:
-Critical perspectives on securities and vulnerabilities
-A range of related optional courses

Strategy and defence
Provides you with the opportunity to examine shifts in Western strategic thought in both a historical and contemporary setting. Particular attention will be given to how strategy and defence is currently developing within a new interdependent global context. Specialised courses within this pathway include
-Comparative approaches to warfare and violent conflict
-The American way of war: from Revolution to the War on Terror
-A range of related optional courses

Career prospects

You can move into careers such as working with governmental and non-governmental organisations, business and international/transnational organisations. Recent graduates have gone on to work for the BBC, the United Nations, the UK armed forces, a US based research agency and UK based private security and risk analysis companies. Others have gone to undertake a PhD.

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MA Fine Art determines and challenges the boundaries of art while locating theory at the centre of practice. In a dynamic learning culture that celebrates diverse backgrounds and ambitions, you’ll develop a critical art practice that will shape your career as an international artist. Read more

Introduction

MA Fine Art determines and challenges the boundaries of art while locating theory at the centre of practice. In a dynamic learning culture that celebrates diverse backgrounds and ambitions, you’ll develop a critical art practice that will shape your career as an international artist. The MA Fine Art studios are located in an independent building in Archway, so the course offer allows students a self contained studio building facilitating their independent working practices and self-organisation alongside all the benefits of the King's Cross campus.

Content

Synergies in our Fine Art Programme - incorporating BA Fine Art, MA Fine Art, MA Photography, MA Art and Science, MRes Art: Exhibition Studies, MRes Art: Moving Image, and MRes Art: Theory and Philosophy - create a dynamic context for exploring practices and issues within contemporary culture.

In its extended full-time mode MA Fine Art gives you the flexibility to access London's richly varied opportunities for work and study while maximising your personal and professional development.

MA Fine Art provides an extensive final unit of 120 credits (45 weeks) enabling continuous development and realisation of a significant programme of work.

MA Fine Art supports and is shaped by:

Diversity of professional directions, aspirations and cultural perspectives

Reflective research-based practice including writing as practice in fine art

An interrogation of what informs making and how making generates knowledge

Independent study and practice and critical reflection on definitions of art and its potential within social space

Exploration of the parameters of contemporary art, building on knowledge of the contexts and frameworks of practice

Dialogue to determine the conditions of possibility for contemporary art.

Structure

MA Fine Art lasts 60 weeks structured as two consecutive periods of 30 weeks each (i.e. two academic years) in its 'extended full-time mode.'

MA Fine Art is credit rated at 180 credits, and comprises 3 units. Unit 1 (40 credits) and Unit 2 (20 credits) run concurrently and last 15 weeks. Unit 3 (120 credits) follows after the completion of Units 1 and 2 and runs for 45 weeks.

Students successfully achieving Units 1 and 2 may exit at this point with the award of Postgraduate Certificate.

All three units must be passed in order to achieve the MA, but the classification of the award of MA derives from the mark for Unit 3 only.

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MA Communication Design is currently undergoing a name change to become MA Graphic Communication Design. If you are a prospective student, you will be applying to MA Graphic Communication Design with an updated curriculum. Read more
MA Communication Design is currently undergoing a name change to become MA Graphic Communication Design. If you are a prospective student, you will be applying to MA Graphic Communication Design with an updated curriculum.

Introduction

Graphic Communication Design is the carrier signal for the twenty-first century. MA Communication Design at Central Saint Martins brings together design-led and research driven approaches to an increasingly important practice and field of study. We take a critically informed and widely experimental approach to the production, form, and circulation of knowledge. We facilitate our students to become versatile makers, astute commentators, and positive agents of socio-economic, cultural, and technological change.

Content

In 1964, Canadian media theorist Marshall McLuhan famously flattened the distinction between ‘medium’ and ‘message’ and our understanding of communication has never been the same since. In the same year, British designer Ken Garland published the first version of the 'First Things First Manifesto' in which he challenged a new generation of graphic designers to reclaim purpose and meaning. Fifty years later, the time has come to more fully integrate and thus amplify these two powerful proclamations.

As the 'operating system of the 21st century', communication design touches every sphere of human and political interest, impacting profoundly on culture, technology, social justice, economics, the built environment, globalisation, policy, sustainability and much more. MA Communication Design promotes a shared exploration of an ever-changing subject whilst encouraging and supporting the development of individually negotiated projects.

Unit 1: Shared Language

This unit acts as an induction into the college and the subject. You will participate in a range of taught coursework including design briefs, workshop introductions, and history and theory lectures.

Unit 2: Communication question

The emphasis of this unit is interrogation of both your practice and the broader field. Tutorials and critiques focus on continuing your development of a well-contextualized body of written and visual outcomes.

Structure

MA Communication Design is offered in a two-year, 60-week, extended full-time (EFT) mode.

MA Communication Design is credit-rated at 180 credits, and comprises two units:

Unit 1 (60 credits) lasts 20 weeks and includes a range of taught coursework

Unit 2 (120 credits) lasts for 40 weeks, from term 3 in year one, and contains regular formative assessment opportunities.

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