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Masters Degrees (Imagination)

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Introduction. Read more

Introduction

Contemporary culture is characterised by nothing if not a reawakened interest in the Gothic, be that in the form of the current vogue for horror film, in the heightened preoccupation with terror and monstrosity in the media, the extraordinary success of writers such as Stephen King and Stephenie Meyer, or in manifestations of an alternative Gothic impulse in fashion, music and lifestyle.

As the countless adaptations and retellings of texts such as Mary Shelley’s Frankenstein (1818; 1831) and Bram Stoker’s Dracula (1897) in our own day attest, the Gothic, though once relegated to a dark corner of literary history, has assumed a position of considerable cultural prominence.

The MLitt in The Gothic Imagination at the University of Stirling provides students with the unique opportunity to steep themselves in the scholarly appreciation of this mode, providing a rigorous and intensive historical survey of its literary origins and developments, and charting its dispersal across a broad range of media and national contexts. In so doing, the course equips its graduates with the necessary theoretical vocabulary to address, and critically reflect upon, the Gothic as a complex and multi-faceted cultural phenomenon, while also preparing them for further postgraduate research in the rich and vibrant field of Gothic Studies. In addition to these subject-specific objectives, the MLitt in The Gothic Imagination also provides its graduates with several invaluable transferable skills, including critical thinking, theoretical conceptualisation, historical periodization and independent research.

Key information

- Degree type: MLitt, Postgraduate Diploma, Postgraduate Certificate

- Study methods: Part-time, Full-time

- Duration: Full-time; MLitt-12 months, Part-time: MLitt-27 months,

- Start date: September

- Course Director: Dr Timothy Jones

Course objectives

- The MLitt in the Gothic Imagination consists of four core modules, two option modules, and a dissertation. Across these components, the course aims to provide students with a rigorous grounding in the work and thematic preoccupations of the most influential Gothic writers, both historical and contemporary. Supplemented by relevant historical and theoretical material throughout, the course aims to provide as rich and varied an exposure to the academic study of the Gothic as possible.

- The first two core modules seek to provide a searching historical overview of the genesis and development of the Gothic aesthetic, taking students systematically from the circulation of the term ‘Gothic’ in the political and aesthetic discourses of the late seventeeth and eighteenth centuries, through the late eighteenth-century writings of Horace Walpole, Ann Radcliffe, Matthew Lewis and Charlotte Dacre, and into the nineteenth-century fictions of writers such as Charles Maturin, Mary Shelley, Charles Dickens, the Brontës, Sheridan Le Fanu, Robert Louis Stevenson, Bram Stoker and Oscar Wilde.

- The second and third core modules, on Gothic in modern, modernist and postmodern writing, include texts by authors such as Gaston Leroux, Algernon Blackwood, H.P. Lovecraft, Djuna Barnes; Mervyn Peake, Shirley Jackson, Stephen King, Anne Rice, Joyce Carol Oates, Toni Morrison and Patrick McGrath.

- Option modules vary from year to year, depending on student interest and demand. Recent option topics have included the Gothic on the Romantic Stage; Nineteenth-century American Gothic; Transmutations of the Vampire; The Gothic in Children’s Literature; Monstrosity; The Female Gothic; Queer Gothic; and Gothic in/and Modern Horror Cinema.

- At the dissertation stage, students are encouraged to undertake independent, supervised research on any particular interest within Gothic studies that they might wish to pursue. Subject to the agreement of the course director, a creative writing dissertation may be undertaken at this stage.

English language requirements

If English is not your first language you must have one of the following qualifications as evidence of your English language skills:

- IELTS: 6.0 with 5.5 minimum in each skill

- Cambridge Certificate of Proficiency in English (CPE): Grade C

- Cambridge Certificate of Advanced English (CAE): Grade C

- Pearson Test of English (Academic): 54 with 51 in each component

- IBT TOEFL: 80 with no subtest less than 17

For more information go to English language requirements https://www.stir.ac.uk/study-in-the-uk/entry-requirements/english/

If you don’t meet the required score you may be able to register for one of our pre-sessional English courses. To register you must hold a conditional offer for your course and have an IELTS score 0.5 or 1.0 below the required standard. View the range of pre-sessional courses http://www.intohigher.com/uk/en-gb/our-centres/into-university-of-stirling/studying/our-courses/course-list/pre-sessional-english.aspx .

Delivery and assessment

Two hours of seminars per module per week, plus individual consultations and supervisions with members of staff. Assessment is by means of a 4,000-word essay for each core module, and a variety of skills-based assessments (such as presentations; portfolios; blog-entries) for optional modules. All students complete a 15,000-word dissertation on a topic of their choice once optional and core modules have been completed.

Employability

With course-work assessed solely by means of independently devised, researched and executed essays, the MLitt in The Gothic Imagination equips students with a number of the skills and abilities that are prized and actively sought after by employers across the private and public sectors. These include the ability to process and reflect critically upon cultural forms; the ability to organise, present and express ideas clearly and logically; the ability to understand complex theoretical ideas; and the ability to undertake extended independent research.

Previous graduates of the course have gone on to pursue successful careers in such fields as teaching, publishing, research, academia, advertising, journalism and the film industry.

The 15,000-word dissertation that is submitted towards the end of the course allows students to devise, develop, support and defend their own academic ideas across an extended piece of written work; addition to the skills of independence, organisation and expression fostered by this exercise, the dissertation also provides an excellent point of entry into more advanced forms of postgraduate research, including the Doctoral degree.



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Apply your imagination by framing an original and personal research project and question existing assumptions and boundaries in one or more of the creative disciplines. Read more

Introduction

Apply your imagination by framing an original and personal research project and question existing assumptions and boundaries in one or more of the creative disciplines. Investigate your ideas through a series of real-world interventions and obtain feedback from end-users and key practitioners.

Content

MA Applied Imagination in the Creative Industries is of the Culture and Enterprise programme. Our learning and teaching approaches are based on the methodologies of peer learning, reflective practice and action research. Many postgraduate courses around the world make use of these techniques, but MA Applied Imagination in the Creative Industries places them at the very heart of its learning strategy.

We utilize a two-step strategy to enable you to develop and apply new creative knowledge.

Unit One: Imagination

During Unit One, you work in groups or teams, learning from each other, and forming genuine communities of practice where knowledge, skills and understanding are shared in an environment which closely resembles professional creative practice. The varied cultural, educational and professional backgrounds of our students accelerate the development and interaction of these communities.

Unit Two: Application

Unit Two further develops your grasp of reflective practice – the ability to evaluate and learn from your own experience, and to apply the understanding gained from such reflection to the future development of a project. Reflection is further honed through discussion with peers, tutors and external experts, as well as through the use of a diary or reflective journal. The planning and development of a major action research project – achieved by making planned interventions in the outside world – strengthens students’ contacts within, and understanding of, the creative industry of their concern.

Your Unit Two project becomes an individual creative journey. For each student the journey is unique in its scope and ambition, but should have the potential to place you at the heart of contemporary practice and debate within your chosen field of interest.

Structure

45 weeks full-time or 90 weeks part time over two years. Rated at 180 credits, and comprises 2 units:

Unit 1 (60 credits)

15 weeks full time, 30 weeks part time.

Unit 2 (120 credits)

Follows the completion of Unit 1 and runs 30 weeks full time, 60 weeks part time.

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The MLitt in Theology, Imagination and the Arts is a one-year taught programme run by the. Institute for Theology, Imagination and the Arts (ITIA. Read more

The MLitt in Theology, Imagination and the Arts is a one-year taught programme run by the Institute for Theology, Imagination and the Arts (ITIA), part of the School of Divinity. The course is designed to provide a broad introduction to postgraduate work in the field of theology and the arts. It can be taken as self-contained programme of study or as a grounding for those intending to pursue doctoral research in this field.

Highlights

  • A unique training programme for artists wishing to reflect on the theological dimensions of their work, and for theologians wishing to explore the place of art within theological thought and practice.
  • An ideal stepping stone towards the Institute's PhD programme, which centres on a three-year independent research project.
  • Engages with diverse forms of culture of different eras, including literature, drama, the visual arts and music.

Teaching format

The programme consists of three taught modules taken over two semesters followed by a 15,000-word dissertation written over three months during summer.

Modules are interdisciplinary in nature, integrating various artistic media and theological themes, and are taught through weekly lectures and seminars with class sizes typically ranging from 6 to 12 students. Assessment comprises a combination of coursework and written examination.

Students attend ITIA’s weekly research seminar, and may, if they wish, enrol in language classes and attend other lectures, seminars and reading groups as appropriate. The School offers classes in Hebrew, Greek and Latin, which are open to all students.

Further particulars regarding curriculum development.

Modules

Each module typically comprises:

  • four hours of weekly lectures and seminars
  • coursework assessment
  • a three-hour written exam

For more details of each module, including weekly contact hours, teaching methods and assessment, please see the latest module catalogue which is for the 2017–2018 academic year; some elements may be subject to change for 2018 entry.



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Specifically dedicated to continental philosophical approaches to creativity and imagination, this programme is one of a kind in the UK. Read more
Specifically dedicated to continental philosophical approaches to creativity and imagination, this programme is one of a kind in the UK. It is designed to provide you with an understanding of the roles of creativity and imagination in artistic, social and cultural contexts. You will be encouraged to think critically about the ways in which creativity and imagination have been neglected concepts and how they are immensely relevant today in understanding our historical situation.

Why study Philosophy at Dundee?

This programme provides a year-long study on philosophical approaches to understanding the nature of creativity and its significance within recent social and cultural contexts. It mainly focuses on Continental philosophy, with particular emphasis, for example, on Deleuze, Foucault, Gadamer, Heidegger, Nietzsche, Ricoeur and Sartre. Topics of study include faculties of imagination, idleness and leisure, the image, phenomenology of the imagination, the origin of art, play, and the unconscious.

In addition to engaging with a variety of key sources in Continental philosophy, students will also explore related areas, such as psychoanalysis, sociology and theology. This course is a pathway on the MLitt in Humanities with Specialisation programme.

What's so good about Philosophy at Dundee?

As a student in the Philosophy department, you will be a member of an active postgraduate community where students regularly participate in research seminars, reading groups and conferences.

Philosophy's Postgraduate Work-in-Progress Seminars are a forum for MLitt, MPhil and PhD students to present and discuss their work. Students are also encouraged to organise and participate in specialist reading groups. In recent years, staff and students have met to examine Kant's Critique of Judgement, Schopenhauer's World as Will and Representation, and Deleuze's Francis Bacon: the logic of sensation.

There are also regular research seminars, with papers given by invited international and UK speakers, reflecting the Philosophy Section's research specialisms in both continental and analytic fields.

Who should study this course?

This programme is ideal for if you wish to pursue doctoral studies in continental philosophy in relation to aesthetics, art, the philosophy of technology, and socio-political problems. It is also well suited to students training to be artists and wishing to gain a better understanding of philosophical examinations of artistic practices. You are not expected to have a previous degree in philosophy. However, you should be prepared to think and write philosophically with respect to close analysis of texts and the formulation of your own arguments.

How you will be taught

A variety of teaching methods will be used, including: small group teaching, supervised research, tutorial sessions, seminars, presentations, invited speakers and discussion groups. Students will be supervised on a yearlong module in an area of research independently selected by the student. Learning methods will include essay assessments, abstracts, and an annotated bibliography. Non-assessed methods include oral presentations at seminars and an annual conference hosted by the School of Humanities.

What you will study

Students take the following core modules and the Philosophy dissertation.

Philosophies of Imagination
Economies of Creativity
Self-Directed Study
All students must attempt the dissertation. Students whose dissertation fails to satisfy the examiners will be awarded the PG Diploma, provided that the taught elements of the course have been successfully completed.

How you will be assessed

Written coursework/continuous assessment (essays, abstract, annotated bibliography): 66%
Dissertation of approx. 10,000-12,000 words: 34%

Careers

For students interested in doctoral studies, teachers seeking training to Masters level and those working in creative industries, the Dundee philosophy programme is the only Scottish university specialising in Continental philosophy. It therefore provides its graduates with a unique opportunity. Because the department has a highly regarded international reputation for its research, any graduate wishing to pursue a doctorate in Continental philosophy will be well situated to continue. Our recent postgraduate students have been successful in obtaining funding from the AHRC, the Carnegie Trust, the UK Overseas Research Scheme, and the Royal Institute for Philosophy.

Postgraduates and Postdoctoral Research Fellows in the Department have gone on to academic posts in Philosophy and related disciplines in Britain, Ireland and the United States.

However, due to the non-vocational nature of a Philosophy degree many students also enter jobs unrelated to their course of study. For these students this course provides them with an opportunity to further develop their written presentation skills, as well as the ability to work independently and plan independent research and study.

Graduates will therefore benefit should they wish to pursue careers in such fields as teaching, creative industries, journalism, media, politics, risk management.

Learn more about careers related to the Humanities on our Careers Service website.

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An invitation. A ship is setting sail from England. It’s a very old, very particular kind of ship. It’s the magnificent, creaky timbered, curly roped, burgundy sail kind. Read more

An invitation

A ship is setting sail from England.

It’s a very old, very particular kind of ship.

It’s the magnificent, creaky timbered, curly roped, burgundy sail kind. You’ve seen bigger ships surely, and certainly more streamlined, but this one is hard to get over. It’s the kind that straightens your back and brings a tear to your eye as you shyly lift your gaze to its regal shape. This is the kind of ship that shouldn't exist anymore. 

Standing on the dock in the dusking light, you can hear singing carried over the waves, and excited laughter. Figures are calling to you from the deck, beckoning to you, calling to you in your old names. These are the names no one should know, the ancient names, how can this possibly be happening?

The evening moon is emerging from behind clouds. But let us lean forward, the captain is lifting her lantern: To all scholar-explorers and heretical investigators … there is something pressing to say, something urgent. This is an invitation.

We are setting sail to un-map the world.

Join us for this voyage … the world’s first postgraduate programme in Myth and Ecology – The Mundus Imaginalis.

Background

In a time when every square inch of the globe seems to be neutered, quartered and googled, we intrepids are journeying out to glimpse the Otherworld that is secreted most wonderfully in this one - to peer into the steaming foliage and bright feathered world that still exists underneath the grid - whilst we still can. The hour is late.

This is an Otherworld that wriggles in your fist like the archaic trout of the smoky Thames and disappears (carrying all of Shakespeare in its scales) when we attempt to tell it what-it-is. This right-by-our-side Otherworld causes ink to slide off the page and evaporate when we produce the T-square too avidly.

We set sail to do nothing less ambitious than to court the mysteries: the small and gentle ones, the elaborate and complex gnashing teethed ones, the ones you glimpsed at the edge of your garden when you were little. We set sail to un-map our presumption that we know what the earth is.

When we un-map the world, we start the un-colonising of our own imagination and we move from personal fantasy to an imagination that is bigger than ourselves. We understand that psyches don’t only dwell within, we dwell amidst them, and their imagination help create our reality every day. When we un-map the world it starts to talk back to us, we begin to trail not trap. We start to witness not just thinking about the earth, but thoughts from the earth.

Our travels through the waters of time and place will bring us to people and traditions where the weaving of the human and non-human are at their most permeable, their most acute and most sophisticated. In the end, we will trade our tired maps for the best compass of all, the one that really matters - a truth north - what the Troubadours called ‘the educated heart’. It is time, as the poets say; ‘to think in ways we’ve never thought before’. It is time to trade comfort for shelter.

Make no mistake, study awaits. An un-gridded world reveals not just knowledge but wisdom, an un-mapped world will reveal not chaos but cosmos. With that wisdom, with that cosmos, comes tangible learning and focused application. Be prepared. This will be the most exacting journey. Take not one single step towards the gangplank without knowing that we take no passengers. So, here we stand on the dock. It is night, but the scholar-explorers are preparing to raise anchor. The captain leans forward with her lantern one more time, peers towards us and asks:

“Shall we go?”

Aboard The Ship


This is a residential and immersive postgraduate programme that takes imagination seriously. It is delivered by Schumacher College, and is validated by University of Wales Trinity Saint David and led by mythologist Dr Martin Shaw and anthropologist Dr Carla Stang. Carla brings her knowledge of different cultures, her fieldwork and phenomenological study, Martin brings mythology and two decades of work as a wilderness rites-of-passage guide. As they rove through mythology, anthropology, philosophy and poetics, they will also invite guest teachers on a module by module basis.

This is a year-long programme where you will walk in and out of other centuries. It will be a deep and exacting study of image, cosmology, storytelling, myth and lived experience that reaches out to an earth that is profoundly more than human. From Amazonia to Siberia, from the Hermetic, Troubadour, Sufi and Romantic faiths and traditions, we are journeying out to study cultures that celebrate a world ensouled, alive and radiating intelligence.

The main counterweights of the year will be a progression through western mythologies (many hidden or barely remembered), and the lived philosophy of the Mehinaku people of Amazonia. There will be the study of many other lifeworlds, together with which we will learn how people in different times and places have and do respond to an earthy consciousness of extraordinary wonder, regarding such as both magical and utterly ordinary. Such experiential study is how we will begin to tune our ear.

Cloistered in the beautiful setting of the Dartington estate and upon the wild moors of Devon, England, is the chance to apprentice to subtle and often secret knowledge, the reason being that we are living in a time when many of these secrets need to become public, need to be practiced and need to be lived. In doing so we encounter the wonder of ordinary reality and that far from being a rarefied state available to only a few, we will find that a dynamic relationship to what the neo-platonists called the ‘Anima Mundi’- is our natural state.



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From Shakespeare to Hollywood, as a culture we are fascinated by crime. Discover what makes crime captivating with City’s Criminology and Criminal Justice MSc. Read more
From Shakespeare to Hollywood, as a culture we are fascinated by crime. Discover what makes crime captivating with City’s Criminology and Criminal Justice MSc.

Who is it for?

This degree is for independent, critical thinkers who want to work, or are working, within criminal justice or want to undertake further research. Many of our students have undergraduate criminology degrees, and come from universities across the world. Often they want to continue their learning or specialise within a specific subject area. Students also come from other science, humanities and legal backgrounds and from within the criminal justice system. Research methods form a key component of the programme so having an interest in data collection and analysis is valuable.

"To understand crime in the 21st century you have to have specialist criminological knowledge. We don’t just focus on the criminal act; we look at the societal reaction to crime and the cultural narratives that exist around it. At City we will encourage you to develop your criminological imagination but also to use it." - Professor Eugene McLaughlin

Objectives

At City we believe crime is multi-dimensional, which is why this MSc course brings the victim into focus, not just the offender. The criminal mind is complex and our understanding of it matters – not just to the individual, but also to their family, the community and wider society at large.

We live in a criminogenic global society; one that is producing new forms of crime, and new criminal opportunities. City’s Criminology and Criminal Justice MSc course unpicks the power of the criminological imagination within this society.

This is not a Masters that focuses purely on criminal justice or crime control – instead we emphasise cutting-edge theoretical analysis and methodological training, so you can research the contemporary significance of crime and see how it can be a powerful marker of social and institutional change.

Originally part of City’s MA in Human Rights, this degree offers a distinctive perspective on the relationship between criminology and human rights violations. It is global in outlook because, by its nature, crime is transnational and is taught by eminent criminologists who author the books that appear on reading lists across the country.

Here are some of the questions the course poses:
-Why don’t more people commit criminal acts?
-What does crime tell us about the society in which we live?
-Why is crime considered abnormal but at the same time central to news, fiction and popular culture?
-What would a victim-centred justice system look like?

Academic facilities

When it comes to studying criminology, London is an amazing facility. It is one of the most sociologically diverse laboratories offering a wide range of accessible resources. From the myriad centres of policy, justice and media to the endless range of public events, at City you can become a researcher in a global city. As part of the University of London you can also become a member of Senate House Library for free with your student ID card.

Teaching and learning

We will teach you through a combination of lectures, interactive workshops and seminars, in the first and second term (September-April). This is supplemented by insight from external visiting criminologists, criminal justice charities, research agencies and, in some cases, retired criminals. This gives you the opportunity to ask questions, debate your ideas and present your own evidence around particular arguments.

During the dissertation phase of the degree you also have the chance to visit the Central Criminal Court (otherwise known as the Old Bailey) and in some cases undertake a prison visit. One student is currently in New York, researching the New York Police Department, as part of her dissertation on the stresses of being a police officer in 2016.

The majority of postgraduate sociology modules are assessed by coursework. However, if you choose to study some modules outside of the department you may have different assessment methods so please check this carefully. You will need to gain a minimum pass mark of 50% in all assessment components.

The dissertation marks the point in the course where you begin to take hold of your research and let your criminological imagination come into play. The dissertation (of 15,000 words) accounts for one third of the total marks for the Criminology and Criminal Justice MSc degree. By the end of the first term you will have to start considering your dissertation topic. You may already know you area of focus, but we offer guidance and support through dissertation workshops.

Modules

You will take three 30-credit compulsory core modules and two 15-credit elective modules. You can then choose from two of four elective modules to hone your degree towards your own area of interest. In the final part of the course you take part in a dissertation workshop and produce a dissertation over the summer period.

The first module, ‘Analysing crime’ makes up the course’s theoretical base. You then research contemporary developments in criminal justice and penal policy within the second core module. At this point in the course you get to choose from a number of elective modules covering diverse topics including the dark side of media notoriety and celebrity, and the criminal mind. All these modules draw on the School’s research strengths making them unique to City.

Core modules
-Analysing crime
-Criminal justice policy and practice
-Research Workshop
-Dissertation

Elective modules
-The criminal mind
-Victims: policy and politics
-Developments in communication policy
-Celebrity

NB: Elective module choices are subject to availability and timetabling constraints.

Career prospects

The Criminology and Criminal Justice course is taught by internationally recognised experts and prepares you for careers across the public, private and voluntary sectors.

From research to policy development and from the security services to the criminal justice system and victim support, you will have a wealth of employment options once you graduate. Previous graduates are now working in:
-The Metropolitan Police
-The National Probation service
-The UK Foreign Office
-The prison service
-Education
-Mental health
-Criminal justice charitable sector
-Doctoral research
-Prison Service

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This interdisciplinary Masters course draws on studies in mythology, psychology, anthropology, theology, esoteric philosophy, a range of wisdom traditions and the arts. Read more

This interdisciplinary Masters course draws on studies in mythology, psychology, anthropology, theology, esoteric philosophy, a range of wisdom traditions and the arts.

It offers a discerning investigation into seemingly non­rational modes of knowing, exploring the cosmological sense of the sacred, the widespread practices of symbol interpretation and the cultural role of the creative imagination.

Visit the website: https://www.canterbury.ac.uk/study-here/courses/postgraduate/myth-cosmology-and-the-sacred.aspx

Course detail

The overall aim of the course is to encourage critical, imaginative and creative ways of engaging reflexively with some of the most important questions of our time, such as the debate between science and religion, the nature of sacred reality, and the foundations of spiritual, religious and ritual experience. To do this we explore theories of knowledge and consciousness, oracular and divinatory practices (ancient and contemporary), and the cultural expression of myth in landscape, poetry, art and music.

The course has been highly praised as an outstanding example of transformative learning, as it brings personal reflection and creativity to bear on the study of spirituality in the broadest sense. It brings to the fore issues of connectivity, sustainability, ecological awareness, and the engagement of the imagination in the aid of individual, community and global understanding, wellbeing and harmony.

Canterbury is a perfect venue to study this course, with its ecclesiastical heritage, rich literary history, beauty of landscape and architecture, and easy access to both London and the continent.

Suitability

The course will appeal to all those seeking to develop and enrich their lives through the study of the history, philosophy and practices of Western sacred and esoteric traditions, and will be of particular interest to teachers, practitioners and therapists in the fields of contemporary spirituality and wellbeing who would like to engage more deeply with both the foundations of their work and their own self-knowledge.

There are many areas for potential further study, and we now have a thriving graduate environment with MPhil/PhD researchers pursing topics as diverse as the music of the spheres, Freemasonry, conflict resolution, alchemical symbolism, transformative learning and intuitive reading methods.

Content

The four taught modules, comprising seminars, learning journal groups and workshops take place at alternate weekends, in term time, from October to March, with optional workshops in the summer term.

The Creative Project assignment and dissertation module take place from April to September (for full-time students) and April to the following September (for part-time students). Each teaching weekend includes an open lecture by a visiting speaker. There are also optional sessions on Friday afternoons (compulsory for Tier 4 students).

The four taught modules will address the following topics:

• Theories and Methods

• Symbol and Imagination

• Oracular and Divinatory Traditions

• Spirit and Psyche

• Creative Project

• Learning Journal

• Dissertation

Format

Teaching methods include seminars, lectures and workshops. Students can expect eight hours of teaching each study weekend, plus two hours of learning journal groups. They also receive individual supervision for each taught and research assignment, and eight hours of research preparation seminars.

They will attend two days a year for creative project presentations and a variety of optional workshops will be offered. There will also be an open public lecture at each study weekend, on the Saturday evening, which they are encouraged to attend, and optional Friday afternoon seminars on a variety of themes.

Assessment

Four essays of 4,000 words (20 credits each), one creative project review of 4,000 words, one learning journal write-up of 4,000 words (20 credits each) and one dissertation of 12-15,000 words (60 credits).

What can I do next?

Most of the students on this course are mature adults with established careers. However, possible career opportunities might include teaching, counselling and mentoring, spiritual and wellbeing guidance, alternative healing and therapies, writing and media, the arts, and further research.

How to apply

For information on how to apply, please follow this link: https://www.canterbury.ac.uk/study-here/how-to-apply/how-to-apply.aspx

Fees and Funding

See our postgraduate fees and funding page to discover the loans, scholarships and bursaries available.

View https://www.canterbury.ac.uk/study-here/fees-and-funding/postgraduate-fees-funding/postgraduate-funding.aspx



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Working across the disciplines of architecture, art and cultural geography, our Architectural and Urban Design MA combines critical debate and creative practice to help you develop as a designer who will plan the urban environments of the future. Read more
Working across the disciplines of architecture, art and cultural geography, our Architectural and Urban Design MA combines critical debate and creative practice to help you develop as a designer who will plan the urban environments of the future.

You will benefit from a supportive studio environment, two field trips and a variety of workshops and seminars, taught by active practitioners in architecture and urban design. You will engage with research on the analysis of cities and lead your own projects, speculating as to how cities will evolve and be used in the future.

The course is highly experimental and aims to stretch your imagination and critical ability. You will produce innovative portfolios and learn about the issues of global urban environments, expanding your knowledge beyond the usual subject boundaries.

Academic context

Urbanism and urban design are ambiguous terms that surround and reflect both the physical and mental attributes applied to the built environment.

The material of roads, pavements, buildings, railways, bridges and so on represents the physical. The mental is represented by narratives, histories, personal perceptions and anticipations.

The two sensibilities combine to form a layered knowledge of the city, which could be compared to a mature palimpsest or to semi-obscured archaeology. In this context, we study the city with emphasis on the space of the private realm and its seamless engagement with the public domain.

Why study with us?

• Experimental course that stretches your imagination and critical ability.

• Focus on the urban realm: the experiential aspect of cities and the gap between planned and lived.

• Field trips to cities including London, Berlin, Marseille, Glasgow and Edinburgh.

• Teaching staff who are also practitioners in architecture and urban design.

• Guest lectures from leading figures such as Anthony McCall, Stefano Rabolli Pansera, Katy Beinart and Peter Clash.

• Alumni network of professional architects, academics and urban designers.

Areas of study

The course is taught over 3 semesters over 12 months.

Design 1: Urban Strategies
This module introduces you to design strategies, methods and issues pertinent to your design studio, helping you to explore the potential of different approaches to design. There is a strong emphasis on the development of conceptual ideas and their correlation with the development of design strategy, helping you to articulate your individual position as a design practitioner.

Design 2
Design 2 aims to consolidate and extend the priorities, ideas and strategies established in Design 1. You will explore architectural and urban ideas in more depth and complexity. The emphasis here is on curiosity and speculation, supporting the development of methods to help with enquiry, reflection and debate.

Independent Project
The independent project runs concurrently and is concerned with your identification of places of ‘conflict’ and negotiations of space. The module encourages experimentation in a specific field of study. Students have developed projects in fields of architectural and artistic practice, creative design, techniques of communication or new technologies.

Critical Readings
The Critical Readings module will develop your skills in critical practice through an analysis of cultural, historical, theoretical and practical issues in architecture. It provides the opportunity to carry out initial investigations into the ideas that will drive your Masterwork project.

Research Skills and Training
Research Skills and Training introduces you to the challenges involved in designing, implementing and disseminating a research project. You will develop a written proposal that can inform the development of your Masterwork project, encouraging you to consider how your investigations contribute to the academic knowledge in your field.

Masterwork
The Masterwork is the final stage of study, requiring you to perform as a self-reflective critical researcher and lay down the foundations for innovation in your future practice. You will develop your project from an agreed research proposal, which may be either a text-based dissertation or a design-led research project with critical reflection. You will be asked to focus the areas of interest that have developed in your previous practice and studies, identify research questions and develop research methods, bringing critical investigation and creative responses together.

Facilities

• You will benefit from a new Masters Centre including studio space, tutorial areas and shared creative spaces.

• Modelling and construction workshops: timber and metal, dedicated 'wet' modelling bay, plastic dying facility, drill press, spray booth, vacuum former, strip bender, plastics oven, hot wire cutter and spot welder; further workshops available by arrangement with rapid prototyping and laser cutter.

• IT facilities include 3D paper and printer, plotters, scanners and a reprographics suite.

• Software includes Adobe suite (Photoshop, Illustrator, InDesign, Acrobat Professional), VW2010, Cinem 4D, Premiere, Blender, AutoCAD, Maya and Rhino.

• Library facilities include additional computing equipment, digital and hard copy specialist library facilities, and specialist collections.

Careers and employability

The Architectural and Urban Design MA gives you a deep understanding of the issues involved in contemporary practice. As you evolve your own specialist work, you will discover ways to reimagine and reshape the contemporary urban environment.

Our graduates have gone on to be professional architects, academics and urban designers in the UK, Vietnam, Russia, Palestine, Japan, Taiwan, Kenya, Turkey, Lithuania and other countries. Among our alumni are award-winning architects Wei Jiang and Quang Nguyen, who are based in Shanghai and London respectively.

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The MA Sociology at NTU has a distinctive and specialist focus on Public Sociology. This is a course that enables you to link theory, research and practice, develop in-depth knowledge and insights as well as gain the practical experience needed to build your skills as a Public Sociologist. Read more
The MA Sociology at NTU has a distinctive and specialist focus on Public Sociology. This is a course that enables you to link theory, research and practice, develop in-depth knowledge and insights as well as gain the practical experience needed to build your skills as a Public Sociologist.

Public Sociology awakens and empowers your sociological imagination by connecting what you study with the social issues and challenges faced by contemporary civil society. It not only gives you the opportunity to develop advanced and specialist knowledge of sociological theory and research: it supports and challenges you to use this knowledge in ways that directly benefits others. The course is designed and delivered by academic professionals with expertise in carrying out research for and with many different clients, groups and communities.

Why choose the MA Sociology?

- Work with local, national and international organisations to gain hands-on experience of using sociology to identify and address the big social challenges.
- Explore historical and contemporary issues and debates with a focus on social inequalities and social issues and develop an understanding of a range of global issues.
- Build your expertise as Public Sociologist through public engagement activities, projects, creative assessments and the dissertation.
- Be part of a lively and creative research culture with staff who have specialist interests in the study of disaster, youth, race, gender, crime and social class.
- Choose to study full-time or part-time.

Modules

Modules may include:

- Theorising Public Sociology
- Researching in and with Society
- Service Learning
- Contemporary Approaches to Public Sociology
- Dissertation.

For more information about the modules you may study on this course visit http://www.ntu.ac.uk/sociologyma

Delivery and assessment

The teaching and learning for the programme will involve a mixture of lectures, workshops, enquiry based learning, blended learning, and individual dissertation / project support to ensure that all students' develop a critical and in-depth understanding of key themes, issues and topics in a supportive environment.

Assessment will be through a variety of written forms: for example - traditional academic essays, a personal manifesto, reports, and through a presentation, as well as your dissertation.

Your future career

It is envisaged that you might be entering the course because at a later date you will seek employment within community development, charity and voluntary sectors, social entrepreneurship or public service fields. Graduates will also be well placed to pursue careers and training in a wide variety of professions such as teaching, politics, public administration, the social and health services, journalism, other areas of the media, law, publishing, accounting, marketing, human resources and management.

Graduates may consider continuing on to a MPhil / PhD program to continue the intellectual curiosity/imagination the MA will have fostered.

Scholarships

The School of Social Sciences offers a number of competitive scholarships for our full-time and part-time Masters courses. for more information please visit http://www.ntu.ac.uk/s3scholarships

Want to find out more? Come along to one of our postgraduate Open Evenings. For further details please visit: http://www.ntu.ac.uk/s3events

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Renewable energy is an essential and vital resource for the world’s future, and future there is an urgent need for engineers capable of solving the industry’s complex challenges in this field. Read more

About the course

Renewable energy is an essential and vital resource for the world’s future, and future there is an urgent need for engineers capable of solving the industry’s complex challenges in this field.

Studying Renewable Energy Engineering at Brunel provides graduates with the knowledge and skills to make a strategic real-world impact in the resolution of the world’s energy problems.

Graduates from Brunel’s MSc in Renewable Energy Engineering will develop:

- The versatility and depth to deal with new, demanding and unusual challenges across a range of renewable energy issues, drawing on an understanding of all aspects of renewable energy principles including economic assessment.

- The imagination, initiative and creativity to enable them to follow a successful engineering career with national and international companies and organisations.

- Specialist knowledge and transferable skills for successful careers including, where appropriate, progression to Chartered Engineer status.

Aims

Huge business incentives, markets and a wide variety of employment opportunities throughout the world are expected with the development of renewable energy resources as a substitute for fossil fuel technology.

The purpose of the MSc programme is to help meet this demand by cultivating qualified and skilled professionals with specialist knowledge in relevant technologies within the renewable energy sector.

The primary aim is to create Master’s degree graduates with qualities and transferable skills ready for demanding employment in the renewable energy sector. These graduates will have the independent learning ability required for continuing professional development and acquiring new skills at the highest level, and the programme also establishes a strong foundation for those who expect to continue onto a PhD or industrial research and development.

Initial programme learning outcomes

The programme will provide opportunities for students to develop and demonstrate knowledge and understanding, qualities, skills and other attributes in the following areas:

Knowledge and understanding of:

1.The principles and environmental impact of renewable energy technologies, including solar (thermal and electricity), wind, tidal, wave and hydro, geothermal, biomass and hydrogen.
3. The principles of energy conversion and appropriate thermodynamic machines.
4. The heat and mass transfer processes that relate to energy systems and equipment.
5. The principles, objectives, regulation, computational methods, economic procedures, emissions trading, operation and economic impact of energy systems.
6. The diversity of renewable energy system interactions and how they can be integrated into actual energy control systems and industrial processes.

At the cognitive thinking level, students will be able to:

1. Select, use and evaluate appropriate investigative techniques.
2. Assemble and critically analyse relevant primary and secondary data.
3. Recognise and assess the problems and critically evaluate solutions to challenges in managing renewable energy projects.
4. Evaluate the environmental and financial sustainability of current and potential renewable energy activities
5. Develop a thesis by establishing the basic principles and following a coherent argument.

In terms of practical, professional and transferable skills, students will be able to:

1. Define and organise a substantial advanced investigation.
2. Select and employ appropriate advanced research methods.
3. Organise technical information into a concise, coherent document.
4. Communicate effectively both orally and in writing.
5. Design and select renewable energy equipment and systems based on specific requirements/conditions.
6. Work as part of, and lead, a team.

Course Content

The taught element of the course (September to April) includes eight modules; delivery will be by a combination of lectures, tutorials and group/seminar work. A further four months (May to September) is spent undertaking the dissertation.

Compulsory modules:

Renewable Energy Technologies I-Solar Thermal and electricity systems
Renewable Energy Technologies II-Wind, Tidal, Wave, Hydroelectricity
Renewable Energy Technologies III-Geothermal, Biomass, Hydrogen
Power Generation from Renewable Energy   
Renewable Energy Systems for the Built Environment
Energy Conversion Technologies
Environmental Legislation: Energy and Environmental Review and Audit
Advanced Heat and Mass Transfer
Dissertation

Teaching

Students are introduced to subject material, including key concepts, information and approaches, through a mixture of standard lectures and seminars, laboratory practical, field work, self-study and individual research reports. Supporting material isavailable online. The aim is to challenge students and inspire them to expand their own knowledge and understanding.

Preparation for work is achieved through the development of 'soft' skills such as communication, planning, management and team work. In addition, guest speakers from industries provide a valuable insight into the real world of renewable energy.

Many of the practical activities in which the students engage, develop into enjoyable experiences. For example, working in teams for laboratory and field work and site visits. We encourage students to develop personal responsibility and contribution throughout the course. Many elements of coursework involve, and reward, the use of initiative and imagination. Some of the projects may be linked with research in CEBER, CAPF and BIPS research centres.

1 Year Full-Time: The taught element of the course (September to April) is delivered by a combination of lectures, tutorials and group/seminar work. From May to September students undertake the dissertation.

3-5 Years Distance Learning: The programme is designed to enable you to conduct most of your studies at home, in your own time and at your own pace. Students are supplied with a study pack in the form of text books and CD-ROMs; cut-off dates for receipt of assignments are specified at the beginning of each stage. Examinations can be taken either at Brunel University London or in the country you are resident in. The dissertation is carried out in one year.

Modules are assessed either by formal examination, written assignments or a combination of the two.

Assessment

Each module is assessed either by formal examination, written assignments or a combination of the two. Cut-off dates for receipt of assignments are specified at the beginning of the academic year. Examinations are normally taken in May. The MSc dissertation project leading to submission of the MSc Dissertation is normally carried out over four months (FT students) or one year (DL students).

Special Features

Excellent facilities
We have extensive and well-equipped laboratories, particular areas of strength being in fluid and biofluid mechanics, IC engines, vibrations, building service engineering, and structural testing. Our computing facilities are diverse and are readily available to all students. The University is fully networked with both Sun workstations and PCs. Advanced software is available for finite and boundary element modelling of structures, finite volume modelling of flows, and for the simulation of varied control systems, flow machines, combustion engines, suspensions, built environment, and other systems of interest to the research groups.

About Mechanical Engineering at Brunel
Mechanical Engineering offers a number of MSc courses all accredited by professional institutes as appropriate additional academic study (further learning) for those seeking to become qualified to register as Chartered Engineers (CEng). Accrediting professional institutes vary by course and include the Institute of Mechanical Engineers (IMechE), Energy Institute (EI) and Chartered Institute of Building Services Engineers (CIBSE).

Teaching in the courses is underpinned by research activities in aerospace engineering, automotive/motorsport engineering, solid and fluid mechanics, and energy & environment. Staff generate numerous publications, conference presentations and patents, and have links with a wide range of institutions both within and outside the UK. The discipline benefits from research collaboration with numerous outside organisations including major oil companies, vehicle manufacturers, and other leading industrial firms and governmental laboratories. We have links with at least six teaching hospitals and work with universities in China, Poland, Egypt, Turkey, Denmark, Japan, Brazil, Germany, Belgium, Greece, Italy and the US.

Women in Engineering and Computing Programme

Brunel’s Women in Engineering and Computing mentoring scheme provides our female students with invaluable help and support from their industry mentors.

Accreditation

The requirement of UK-SPEC reinforces the need for a recent graduate with a Bachelor degree to take an appropriate postgraduate qualification in order to become a chartered engineer (currently, an accredited Bachelors degree does not enable the graduate to proceed to Chartered Engineer status without additional learning at M level).

This MSc program will be compliant with the further learning requirements of UK-SPEC. Accreditation will be sought from the Institute of Mechanical Engineering (IMechE) and Energy Institute. As a result, it will appeal to recent graduates who have not yet obtained the appropriate qualifications but intend to become Chartered Engineers. Most importantly, it will appeal to Mechanical, Chemical and Building Services Engineering graduates who wish to specialise in energy, or suitably experienced graduates of related subjects such as Physics.

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The MA in 21st Century Media Practice (formerly Media Production MA) aims to provide the ground for producing new and innovative forms of practice in media production that are socially, politically, economically and ethically engaged with everyday life. Read more
The MA in 21st Century Media Practice (formerly Media Production MA) aims to provide the ground for producing new and innovative forms of practice in media production that are socially, politically, economically and ethically engaged with everyday life. Joining a participatory and engaged community of practice is what makes the course a special and stimulating experience.

WHY CHOOSE THIS COURSE?

The MA is committed to opening up media education and practice to current debates and the massive changes occurring within the media landscape.

You will be involved in practical hands-on projects throughout the course using our extensive media resources.

Projects are based on a structured approach to research, writing, presentation and production.

WHAT WILL I LEARN?

Skye plus video Students are taken seriously as media producers. The course offers a creative space in which experimental and innovative ways of working can be accommodated.

It is based in critical practice and invites the students to respond to the problems of media production now and how it has been shaped by key historical practitioners.

By making students as much aware of the historical contingencies as they are of the latest practical, technological and theoretical developments within the profession, the MA in 21st Century Media Practice seeks to equip them with the means to construct new forms of material imagination.

This imagination is, by definition, a form of shared social and political engagement with the world.

Modules
-Critical Media Praxis
-Emergent Media Praxis
-Sensory Praxis
-Narrative Forms
-Final Project

HOW WILL THIS COURSE ENHANCE MY CAREER PROSPECTS?

With its emphasis on media futures and media business, this MA is ideal for you whether you are a graduate continuing from your BA or someone in the industry who wants time and space in a supportive yet rigorous atmosphere to look at where and how you want to work next.

GLOBAL LEADERS PROGRAMME

To prepare students for the challenges of the global employment market and to strengthen and develop their broader personal and professional skills Coventry University has developed a unique Global Leaders Programme.

The objectives of the programme, in which postgraduate and eligible undergraduate students can participate, is to provide practical career workshops and enable participants to experience different business cultures.

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The course will help you to develop an understanding of contemporary design management. It prepares graduates for careers as design consultants, managers, researchers and design-led, change-makers in private and public organisations, as well as for doctoral study. Read more

The course will help you to develop an understanding of contemporary design management. It prepares graduates for careers as design consultants, managers, researchers and design-led, change-makers in private and public organisations, as well as for doctoral study. You will develop modes of thinking critical to the challenges design managers face across a range of real-world situations. The course explores design management from a range of future-oriented perspectives, including service design, design for sustainability, design strategy, and design and branding. An Imagination Lab – an intensive project-based design studio – enables students to undertake a deep dive into a complex design challenge.

You will study a range of modules as part of your course, some examples of which are listed below

• Design Research Methods

• Design Management

• Major Research Project

• Contemporary Issues in Design

• Imagination Lab

• Design and Business

• Design Directions



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Study a Master's in Painting in the Netherlands. You are keen to gain more insight into the innovative potential of painting in a rapidly changing world. Read more

Study a Master's in Painting in the Netherlands

You are keen to gain more insight into the innovative potential of painting in a rapidly changing world. You are aware of the forces of physicality and materiality in art work, and you take a painterly approach to conducting your experimental research into the functioning of perception psychology, cognition and imagination. A painting both reveals how ideas are imagined and shows how material is edited and used. Taking a painterly and critical approach means harnessing materiality to create new links and associations. By combining ideation and materiality, transforming your ideas into unexpected, meaningful and powerful images, you determine the meaning and significance of your work in contemporary society.

Past, present and future

All over the world, painting has been reinvented as a result of political changes, the digitisation of society, demand for a postcolonial perspective and the current runaway art market. Alongside its emphasis on materiality and ideation, the Painting programme responds to these developments by continually seeking a dialogue between different viewpoints on the past, present and future: between perception and cognition, image and language, stable and unstable media, old and new technologies and, in a broader sense, between art and science and both local and global forms of society. This allows us to collectively explore charted and uncharted territories whilst sharing our views and ideas, working in groups and learning from each other. At the same time, you will also embark on your own path, improving your knowledge and skills, and learning to reflect critically on your own position, role and work and on the world around you.

Hybrid practice

Students come to the Painting programme from a range of different areas, including art and design, but all share a fascination for painting. The mix of disciplines enables you to hone your artistic vision, working in a hybrid practice as a critical and engaged artist. As your art increasingly engages with the world, you will grow both as an individual and in your artistic practice, reinforcing the power of your imagination and exploring your own relationship to a transforming, technologically charged society.



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The Critical Writing in Art & Design MA programme in the School of Humanities provides unique opportunities for postgraduate students to develop high-level writing, research and analytical skills in the setting of one of the world’s most dynamic art schools. Read more

The Critical Writing in Art & Design MA programme in the School of Humanities provides unique opportunities for postgraduate students to develop high-level writing, research and analytical skills in the setting of one of the world’s most dynamic art schools. Combining workshop models of teaching and learning, and ‘live’ projects with leading arts organisations, the MA provides the skills required for a successful career in the arts or a research degree. For 2017/8, we are introducing some exciting new areas of specialisation within the programme.

The programme is committed to the idea that writing – of all kinds – is a creative practice that requires imagination as well as good literary skills and expert knowledge. Students on the MA are presented with many opportunities to develop and apply the skills required by various writing formats from the review and catalogue essay, to fiction and other forms of speculation. The unique structure of the programme allows for specialisation and the freedom to explore novel approaches to writing. 

The Critical Writing in Art & Design programme combines lectures, specialist writing workshops and ‘crits’ as well as live projects with external partners. Previous partners have included the Royal Opera House, Kettle’s Yard in Cambridge and Turner Contemporary in Margate. Recognising that the media is undergoing considerable change, the MA also offers opportunities to work with professionals working print and online publishing, broadcasting and podcasting. Students on the programme enjoy opportunities to share classes and to work on shared projects with other students across the RCA including our sister programme, the Critical Practice pathway in the Contemporary Art Practice programme in the School of Fine Art.   

Founded in 2010, the Critical Writing in Art & Design programme will launch a set of new specialisms in autumn 2017: Publishing and New Media; Creative Writing; and Art Theory. Students follow a shared, core programme as well as their chosen specialism. This will enable students to develop focused and expert skills within the RCA’s new 15-month MA framework. The specialisms allow a close focus on the particular needs of individual students, delivered through small group seminar teaching and one-to-one tutorials.

Graduates of the Critical Writing in Art & Design programme have published their MA work as books for publishers around the world including MIT Press, China Machine Press, and Zero Books. Others write regularly for the art press (including titles such as Art Monthly, Frieze and Eye Magazine). Some graduates of the programme have gone on to doctoral study at the University of Oxford, the University of Manchester and Goldsmiths. Others work in editorial positions in art and design magazines, or as curators and programmers in galleries and museums and other arts organisations in Europe, China and North America. 

Critical Writing in Art & Design students have a strong track record of producing ‘live’ publications with the support of the programme. These include the Albertopolis Companion produced by the graduating class of 2015 or ARK: Words and Images from the Royal College of Art Magazine 19501978, an anthology from 2014. Other live projects include Of and For Turner Contemporary, a series of texts exploring a remarkable building on the Kent coast. Students on the programme are encouraged to publish their writing on a dedicated Critical Writing in Art & Design website during their studies.

From 2017, the programme is primarily located in the RCA's newest facilities in White City



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The Creative Writing MA course offers you the chance to follow one of three pathways, all distinct but all containing common elements. Read more
The Creative Writing MA course offers you the chance to follow one of three pathways, all distinct but all containing common elements: Fiction Writing; Poetry Writing; and Poetic Practice.

The first two of these options are designed to encourage you to develop and reflect on your work as a creative writer, in the context of contemporary and well-established literatures. Whether you choose the Fiction or the Poetry strand, you will be expected to make the most of your existing experience, but also to discover ways of going beyond the merely personal, and writing with an engaged sense of society. At the same time as you learn to stretch your imagination, you will also be encouraged to develop your technical and analytic skills, and in the process to sharpen you self-criticism. The pathway in Poetry focuses on innovative forms of expressions across many media, including sound, film installation and architecture.

All three Creative Writing pathways are taught in Bedford Square, in the heart of London’s Bloomsbury, in a building which is adjacent to the facilities of the University of London. The Fiction and Poetry pathways have now been running for nearly a decade, and have achieved an extremely high reputation. Many of our graduates have gone on to publish collections of poems, novels and short stories, and also to win awards. In 2012 alone, four of our graduates published their first novels, and one of our poets her first full collection.

It is unfortunately not possible to switch from one pathway to another in mid-course, or to mix and match. However, the MA may be studied full-time or part-time.

See the website https://www.royalholloway.ac.uk/english/coursefinder/macreativewriting.aspx

Why choose this course?

- Distinguished writers, including Giles Foden, Susanna Jones, Ben Markovits and Jo Shapcott, contribute to teaching on this course.

- You will benefit from small workshops in poetry and fiction writing of no more than ten people.

- Since launching in 2004 the course has produced many successfully published authors including Tahmima Anam, Adam O'Riordan, Sam Riviere and Kate Williams.

- You will make important contacts through guest lectures by leading figures in the industry.

- All teaching is done in central London, at premises in Bedford Square and Gower Street.

Department research and industry highlights

In the most recent RAE (2008), 90% of the work submitted by the department was judged to be of international standard with 30% assessed as world-leading (4*), 35% as internationally excellent (3*) and 25% as internationally recognised (2*). The department’s performance, in terms of 4* and 3* results, was ranked 11th equal. Overall, the department was ranked one of the top three English departments in London.

We have particular strengths in the following research areas:
- Medieval Studies
- Shakespeare and the Renaissance
- 17th and 18th Century Literature and Culture
- 19th Century Literature
- 20th Century Literature and Theory
- Postcolonialism
- Creative Writing and Practice-based Research.

Course content and structure

In the Autumn and Spring terms, you will meet for a three-hour workshop and a one-and-a-half-hour critical class each week.

Core course units:
- Fiction or Poetry
This is a weekly three-hour workshop,in either fiction or poetry writing, in which your work is discussed, and critical skills are developed. You will be involved in the regular production of new work for this unit.

- Practical Work Project
You will undertake a major writing project (under supervision) and produce a critical and/or theoretical piece of writing reflecting on your work.

- Supplementary Discourses: Core Course
This is a weekly seminar in the Autumn Term. It involves critical and theoretical reading designed to supply you with appropriate critical and theoretical discourse for discussing your own work and others.

- Reading as a Writer
This is a weekly seminar in the Spring Term. You will read a selection of contemporary fiction and poetry from the perspective of a writer.

- Dissertation
You are required to produce a major critical and/or theoretical dissertation relating to your literary interests and your Practical Work Project, under supervision.

On completion of the course graduates will have:

- developed the ability to experiment in their writing and discover new things
- become more ambitious and perceptive about their own work
- broadened their appreciation of traditional and contemporary work, and extended their powers of communication
- a greater knowledge of shaping their work for publication.

Assessment

At the beginning of the Spring term fiction writers will submit a 5,000-word piece of work and poets a portfolio of 12 pages. In addition, they will submit a 3,000-4,000 word essay arising from their work in Supplementary Discourses. They will be given feedback and then, at the beginning of the Summer term, resubmit improved versions together with a second piece of creative work, and a second essay in relation to Reading as a Writer. Part-time students hand their work in at the end of the relevant term instead of the beginning.

At the end of the course fiction students will submit a 15,000 word piece of work and poets a portfolio of 24 pages. In addition, students will write a dissertation of 10-12,000 words, relating to their creative work and to their wider literary interests, to be submitted with the portfolio. Part-time students will make these final submissions at the end of their second year.

Employability & career opportunities

A number of our Creative Writing students have become published authors or found work in publishing and allied professions. In addition, the Department has an impressive record for placing graduates in academic jobs; recently they have secured positions at the Universities of Edinburgh, Sussex and Leeds, Shakespeare’s Globe Theatre and the National University of Ireland.

The course also prepares graduates for successful careers in a variety of other fields, such as publishing, teaching, writing and journalism, administration and marketing.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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