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This intensively taught programme is designed for artist filmmakers who want to develop their practice and their professional networks to a level that enables them to work within the art and film worlds. Read more

This intensively taught programme is designed for artist filmmakers who want to develop their practice and their professional networks to a level that enables them to work within the art and film worlds.

This course is a twelve-month, intensively taught practice-based MA aimed at graduates and/or artists working within the field of moving image who wish to achieve a professional level in their practice with the support of an Art Department that has an exceptionally high concentration of accomplished artist filmmakers.

The programme is centred around the individual experience and knowledge that each student brings to the programme toward developing them as highly reflective and committed practitioners, as artist filmmakers who want to innovate in the expanding field of moving image within the context of artists’ film production, exhibition, reception and distribution.

The programme aims to enhance students’ professional potential by subjecting the process of thinking about, making, and exhibiting moving image works to critical scrutiny, reflection and discussion. Applicants apply with a proposal for a moving image project to ensure that they are suitably equipped to benefit from a focused, practice-based, student-centred curriculum.

Students are encouraged and supported to develop their own areas of interest and research through their primary project and dissertation, the development of which is supported through one-to-one tutorials with core staff and guest lecturers, as well as through seminars, lectures, screenings, study visits and a professional development programme that includes mentoring, master classes and workshops with leading professionals and affiliated organisations from within the international field of artists’ film and moving image.

Modules & structure

How The Programme Is Structured

There is one route for successful completion of the MA Artists’ Film & Moving Image programme: one full time calendar year.

Students accepted onto the programme will already have outlined their key interests in their project proposal. It is from this starting point that you will be supported in developing your project through various teaching modes, including tutorials, seminar presentations, research skills training, workshops, mentoring and master classes with relevant professionals, which continue across the three terms of the programme.

Teaching is largely constituted of student-centred learning, guided independent research and studio practice, taking place across the Autumn, Spring and Summer terms leading to a final degree exhibition in July. The remainder of the summer is meant for completion of the dissertation, which is submitted at the end of August.

The programme has three core summative modules that run simultaneously. All parts of the programme are mandatory. There are no optional modules on the programme.

Modules:

What You Will Be Expected to Achieve

You will be expected to complete a significant moving image project over the duration of the programme, which will be exhibited in a Final Degree Exhibition, alongside a Research Portfolio and a Dissertation. By working on and realising these three achievements you will develop a unique combination of practical, cognitive and analytical skills that will enable you to critically and constructively analyse your own practice in relation to a wider historical and contemporary context, and act upon this understanding through your practice and writing.

You will be expected to integrate the various taught elements across the modules on the programme toward working independently to develop your project, and to engage with the opportunities afforded by the programme to develop your professional practice as artist filmmakers.

You will develop a body of historical and theoretical knowledge that enables you to think and write critically about contemporary artists' film, exhibition strategies, distribution networks and its social and cultural contexts.

Assessment

Students will be assessed by project presentations leading to three examination elements: Research Portfolio, Final Degree Exhibition, and Dissertation. All three elements must be passed to successfully complete the programme.

The degree of MA Artists’ Film & Moving Image is awarded to students who have successfully passed all three elements of assessment.

Download the programme specification. If you would like an earlier version of the programme specification, please contact the Quality Office.

Please note that due to staff research commitments not all of these modules may be available every year.

Skills & careers

The MA Artists’ Film & Moving Image is designed to provide you with an understanding and experience of artists’ moving image practice that has a breadth of outcomes and a variety of transferable skills in the knowledge that the professional field demands creative and practical flexibility.

Students completing the programme should be able to establish themselves as practitioners of significance in the field of contemporary art, film and moving image and related professions, including: independent artist filmmakers, academics, teachers, curators, writers, critics, as well as institutional and independent innovators.

Throughout the duration of the programme you will be introduced to and work alongside leading professionals from within the field of Artists’ Film, through workshops, seminars and one-to-one meetings. This will contribute to your establishing your own professional network, as well as providing significant experience and understanding of the processes of production, display and distribution of artists’ film and moving image.

The Department of Art has a long and continuing record of alumni establishing professional careers and achieving considerable success in the field, including nominations to and winners of the Derek Jarman Award, the Turner Prize and the Oscars, alongside and in addition to alumni who show their work internationally at museums, public and commercial galleries, as well as on national television, international film festivals and biennales.



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MRes Art. Moving Image focuses on the history, theory and practice of contemporary artist moving image. The programme is dedicated to the development of new discourses within an expanded field of practice, encompassing artists, curators, writers and scholars. Read more

Introduction

MRes Art: Moving Image focuses on the history, theory and practice of contemporary artist moving image. The programme is dedicated to the development of new discourses within an expanded field of practice, encompassing artists, curators, writers and scholars. As a collaboration delivered in association with LUX, the programme offers a critical engagement with, and the professional development of, ideas around artists' moving image, in terms of exhibition, distribution, publishing, education, and research.

Content

MRes Art allows you to address a specialist area of fine art research and to explore the relationships between your chosen specialism and the broader fine art community in the context of our Fine Art Programme.

Synergies in our Fine Art Programme - incorporating MA Fine Art, MA Art and Science, MA Photography, MRes Art: Exhibition Studies, MRes Art: Moving Image, and MRes Art: Theory and Philosophy - create a dynamic context for exploring practices and issues within contemporary culture.

In its extended full-time mode MRes Art gives you the flexibility to access London's richly varied opportunities for work and study while maximising your personal and professional development.

MRes Art prepares you to work particularly in the academic and research contexts of professional environments, to undertake PhD study, or pursue independent research. The course benefits from links with relevant professional and academic organisations in London and internationally and from the varied expertise of its research staff.

The three pathways provide a focus for your study while also enabling you to explore shared ground and questions of disciplinary territories and boundaries.

MRes Art: Moving Image is the first course of its kind. Founded on a strong link with LUX, a key UK agency (based in London) for the support and promotion of artists' moving image practice, the pathway provides an opportunity to focus on theoretical and historical study of artists' moving image. Despite artists' moving image being one of the most visible and fastest growing contexts for visual arts practice, there is no existing centre of scholarship in this area and, at this time, practice runs far ahead of discourse. While huge amounts of work are being made and shown, the specific language to describe and respond to it critically remains underdeveloped.

MRes Art: Moving Image develops in-depth knowledge and exploration of artists' moving image as an evolving and discursive field of study. The postgraduate course presents an integrated series of screenings, seminars and set readings of key works, which together address a range of theoretical positions and historical contexts.

Structure

MRes Art: Moving Image lasts 60 weeks structured as two consecutive periods of 30 weeks each (i.e. two academic years) in its 'extended full-time mode.'

MRes Art: Moving Image is credit rated at 180 credits, and comprises four units:

Unit 1 (40 credits) and Unit 2 (20 credits) run concurrently and last 15 weeks.
Unit 3 (40 credits) follows after the completion of Units 1 and 2 and runs for a further 15 weeks up to the end of year one.
Unit 4 (80 credits) runs for 45 weeks, concurrently with Unit 3 to the end of year one, and then continuing to the end of year two.

All four units must be passed in order to achieve the MRes but the classification of the award of MRes is derived from the marks for units 3 and 4 only.

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Our innovative MA in Film and Television builds on its prestigious heritage as the longest running degree programme of its kind in the UK. Read more

Our innovative MA in Film and Television builds on its prestigious heritage as the longest running degree programme of its kind in the UK. We aim to equip you with wide-ranging skills, knowledge and critical awareness to meet your career aspirations in sectors in which moving images play a central role. Our curriculum incorporates an exciting variety of learning and teaching activities designed to foster your capacity for researching and rigorously analysing different aspects of film, television and moving images. You will have the opportunity to develop key skills for communicating about and with moving images across a range of contexts and platforms. You can choose to have a broad-based learning experience in film, television and moving image, or you can specialise in moving image curation and screenwriting via our suggested pathways.

The core teaching team consists of members of the Westminster School of Media, Arts and Design. The course has close links with the Centre for Research and Education in Arts and Media (CREAM), the leading research centre in the UK for arts and design, whose members include internationally renowned filmmakers, film and television theorists and historians, and moving image artists and curators. We combine research-enhanced teaching with classes delivered by film and television industry and moving image art professionals, in order to make sure that you develop the skill sets and the full range of critical awareness that is in demand and to deliver an exciting learning experience for you.

The course combines core and optional taught modules. The design and delivery of our taught modules draw on CREAM’s research excellence in documentary, Asian and European cinema, moving image curation, and television history. The coursework requirements for some modules are research essays or a combination of research essays and research-informed blog posts and presentations. Other modules require a broad range of research-informed professional modes of writing such as a screenplay treatment, a curatorial proposal or an exhibition review. You will also undertake a substantial piece of independent research as a major part of your MA studies. In order to provide you with the flexibility to undertake a piece of independent research suited to your career aspiration, the final project module offers you the choice between writing a traditional dissertation or completing a theoretically-informed professional project such as a curating a film programme, writing and producing a series of themed blog posts, or writing a long-form screenplay.

Course structure

The course is taught in two modes: full-time and part-time.

Full-time Postgraduate students study 180 credits per year. For the award of MA in Film, Television and Moving Image, you must complete two core taught modules, four optional modules and a 60-credit final project module, for a total of 180 credits.

The course structure includes two suggested pathways for those wishing to specialise in film programming and moving image curation, or in screenwriting.

The following modules are indicative of what you will study on this course

Core modules

Core modules provide you with a set of key skills for the theoretical, critical and reflective understanding of moving images.

  • Final Project (core)
  • Key Concepts in Film, Television and Moving Image (core)
  • Contemporary Issues in Moving Image and Screen Studies (core)

Optional modules

Optional modules give you the freedom to choose areas of specialisation. The course leaders can advise on which modules best fit your interests. You have the choice to pursue specialised interests through your choice of optional modules and coursework assignments. If you are not sure which optional modules to choose or fit your interests best, or which types of final project work to produce to best develop your area of specialisation, you should discuss this question individually with the course leaders and you should aim to do so early on in the academic year.

The course structure includes two suggested pathways for those wishing to specialise in film programming and moving image curation, or in screenwriting.

  • Cinema Distribution and Exhibition
  • Documentary Aesthetics, Sites and Spectatorship
  • Film Programming and Moving Image Curation
  • Introduction to Scriptwriting
  • Longform Screenplay Preparation and Short Documents
  • Modern and Contemporary European Cinema
  • Researching Histories in Asian Cinema
  • Television Art: Aesthetics and Quality

Industry links

We have strongly developed links with key London exhibition and research venues such as the BFI SouthbankICALux and Close-Up, as well as key critics, theorists, curators and festivals. We offer field visits to these sites as well as festivals like the Rotterdam Film Festival.

Career path

Our graduates have found employment in small- and large-scale film and television companies as filmmakers, producers, distributors, and exhibitors. Others have gone on to organise film festivals, or to work in film-related magazines and journals as well as in international arts and culture sectors. Some of our recent graduates have gone on to pursue academic careers as researchers or doctoral students at the University of Westminster and elsewhere. As the UK’s longest-running postgraduate programme in film and television several of our alumni are pioneers of the discipline of film and television studies.



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The pathway is delivered in partnership with key clinical specialists to ensure that it is clinically relevant and delivered using appropriate expertise drawn from the higher education and hospital sectors. Read more

The pathway is delivered in partnership with key clinical specialists to ensure that it is clinically relevant and delivered using appropriate expertise drawn from the higher education and hospital sectors.

A feature of this pathway is its clinical focus and its flexibility to support students who are reporting or planning to report in a range of imaging modalities and anatomical systems. By the end of the pathway, students will be able to apply their medical image reporting skills, of their chosen area of practice, within the clinical environment, ensuring that technically correct imaging reports are generated.

Typical areas of practice include reporting of the musculoskeletal system, chest, abdomen, cranial CT, and gastrointestinal systemStudents should be practicing in the area for which they intend to study, for example cranial CT students must have access to clinical CT facilities.

The University of Bradford has a long tradition in Medical Image Reporting education and this experience is utilised in the delivery of this pathway. The Radiographic Image Reporting (RIR) Certificate pathway was first validated in 1996 subsequently developing to support reporting across a wide range of Medical Imaging examinations and has proved to be a popular choice of study demonstrating its continued clinical relevance and benefit to healthcare professionals.

What you will study

Modules

Learning and assessment

The course sits within the MSc in Medical Imaging programme and the Faculty of Health Studies SSPRD framework, and upon successful completion of this MIR course students can continue their studies by registering for additional modules from the Medical Imaging or School module portfolio, to obtain a postgraduate Diploma or Masters Degree. This part-time pathway is designed to be studied over a one year period and consists of two 30 credit modules, commencing in early September with the Principles of Reporting module, followed in February with the Medical Image Reporting module.

A `block' attendance format is utilised as well as significant “directed” clinical study, with support from your host department and distance support from the academic team in the delivery of the clinical and academic learning. This is consistent with the other named pathways within the MSc in Medical Imaging programme and is popular with students who benefit academically from the concentrated period of time that can be devoted to their studies. There are two blocks of academic learning for the Principles of Reporting module and two blocks for the Medical Image Reporting module.

The module content and learning outcomes have informed the methods of delivery. Students will have opportunity to engage with learning through a range of teaching methods including lectures, tutorials, group work, directed study, and, in the case of the clinical module, guided clinical learning.

This wide range of teaching approaches ensures that students can consolidate learning through a range of activities. In particular, small group learning and discussion of clinical cases promotes problem solving skills and peer education, skills necessary for clinical practitioners aspiring to work at an advanced level of practice. While away from the University, students can access course materials and engage in online discussions and learning activities through the University's Virtual Learning Environment (VLE).

A range of assessments are incorporated into the programme, but there is a requirement to complete a clinical audit of reports which must achieve 95% concurrence during audit, measured against the standard report of the host department.

Career prospects

One of the University of Bradford's goals is to equip all our students with the attributes and capabilities to be confident and capable in their life beyond university.

The University is committed to helping students develop and enhance employability and this is an integral part of many programmes. Specialist support is available throughout the course from Career and Employability Services including help to find part-time work while studying, placements, vacation work and graduate vacancies. Students are encouraged to access this support at an early stage and to use the extensive resources on the Careerswebsite.

Discussing options with specialist advisers helps to clarify plans through exploring options and refining skills of job-hunting. In most of our programmes there is direct input by Career Development Advisers into the curriculum or through specially arranged workshops.



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The Image Appreciation programme, approved by the Society and College of Radiographers, offers knowledge and expertise to enable qualified healthcare professionals to carry out clinical image appreciation, acting as autonomous professionals, and use the results in the overall management of the patient. Read more

The Image Appreciation programme, approved by the Society and College of Radiographers, offers knowledge and expertise to enable qualified healthcare professionals to carry out clinical image appreciation, acting as autonomous professionals, and use the results in the overall management of the patient.

Overview

Image appreciation is becoming a more significant feature of healthcare practice across a wide range of roles. This Postgraduate Diploma course is open to radiographers and a wide range of other healthcare professionals. It offers the opportunity to develop knowledge and expertise to enable qualified healthcare professionals to carry out clinical image appreciation, acting as autonomous professionals, and use the results in the overall management of the patient. The skills obtained are transferable to all NHS Trusts and are recognised overseas.

The two year, part-time course aims to equip you to meet the ever-changing needs of this fast-developing sector, and much of the course content is delivered by experienced radiologists and clinical specialists. You will also have ample opportunity to work in clinical settings with plenty of hands-on experience.

Throughout your studies, you will be immersed in all aspects of radiography practice (both practical and theoretical) that will help you gain invaluable skills that you will use in the further advancement of your profession.

If you successfully complete sufficient modules for the Postgraduate Diploma in Image Appreciation (Pg Dip), you have the opportunity to proceed to the dissertation stage. If successful you will be eligible for the award of an MSc degree in Radiography.

The course is structured in a modular format, with modules run in short blocks of two to three days. Each module is credit rated at M-level according to the Credit and Qualifications Framework for Wales. Students may leave with any number of credits according to how many modules they successfully complete. The course can be studied on a part-time basis, with students completing 60 credits in one year for the Postgraduate Certificate (Pg Cert) or 120 credits over two years for the Postgraduate Diploma (Pg Dip). Alternatively, you can register to study one or two modules per year on a sessional basis.

Distinctive features

  • The course is approved by the Society and College of Radiographers.
  • The opportunity for you to learn in a School that is well respected within the radiography profession.
  • The involvement of research-active and clinical staff in course design and delivery.
  • The emphasis on independent learning in a research-led environment.
  • The emphasis on acquisition of high quality clinical reasoning skills and the development of innovative ideas.
  • Flexibility of delivery, permitting you to pursue professional careers in radiography whilst studying part-time, or to take a career break and complete on a full time basis.
  • The opportunity for you to work with experts in imaging, radiotherapy and oncology and other health related disciplines.
  • Additional free-standing non-profession-specific modules are available to complement the profession-specific modules.
  • You will have access to an imaging suite with computed radiography system and PACS.
  • Some teaching is given through the interpretation of medical test results.
  • A variety of assessment methods to include; presentations, practical, written assessments, coursework, reports, exams and reflective assignments.
  • You will have the opportunity to develop a robust support network.

Learning and assessment

How will I be taught?

You will mainly be taught through workshops, image viewing, tutorials and seminars. Lectures are used in order to present material, particularly that pertaining to personal research activities or scholarship. However, this is followed up by appropriate opportunity to discuss and evaluate the ideas presented.

Self-directed study forms an important part of the course, and this will be tested in a formative way through discussion in tutorials and seminars.

How will I be supported?

The University offers a wide range of services and activities designed to support students. These include a student counselling service, a student advisory service, crèche and day facilities, sport and exercise facilities, as well as campus information, library and IT services.

This programme gives you the opportunity to share ideas with health professionals. As well as developing your own intellectual abilities, this sharing of ideas enables you to learn and benefit from the experiences of others. Opportunity is given for this sort of discussion and exchange of ideas through seminars and tutorials.

All students are given a named personal tutor following registration onto the programme, who is able to assist with any pastoral care as well as advice on writing style, grammar and academic mentoring.

All modules within the programme make extensive use of Cardiff University’s Virtual Learning Environment (VLE) Learning Central, on which students will find course materials, links to related materials and assessment exemplars.

For students whose first language is not English there are open access English Language courses available. These are 5 week courses run on a first come first served basis and cost an administration fee of £25.

Career prospects

Throughout your studies, you will be immersed in all aspects of radiography practice (both practical and theoretical) that will help you gain invaluable skills that you will use in the further advancement of your profession.

The course offers the opportunity to develop knowledge and expertise to enable qualified healthcare professionals to carry out clinical image appreciation, acting as autonomous professionals, and use the results in the overall management of the patient.

The skills obtained are transferable to all NHS Trusts and are recognised overseas.



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The MSc Medical Imaging and Radiation Sciences course and its four specialised pathways is designed to enable you to enhance your current knowledge and understanding in the field of diagnostic and therapeutic radiography and give you opportunities to challenge and critically evaluate your professional practice. Read more

About the course

The MSc Medical Imaging and Radiation Sciences course and its four specialised pathways is designed to enable you to enhance your current knowledge and understanding in the field of diagnostic and therapeutic radiography and give you opportunities to challenge and critically evaluate your professional practice. The aim is to advance your skills as a professional and develop your career so that you can practice safely, effectively and legally.

The Image Interpretation pathway is designed for students who want to develop competency in the extended role of image interpretation and helps you specialise in this specific area of practice. Clinical modules are offered in musculoskeletal reporting. Other specialist reporting areas can be taken via the independent study modules.

See the website http://www.herts.ac.uk/courses/msc-medical-imaging-and-radiation-sciences-image-interpretation

Course structure

The MSc Medical Imaging and Radiation Sciences: image interpretation pathway is modular in structure. If you wish to collect credits towards and award or a qualification see below the award and credit requirements:
- Postgraduate certificate - 60 credits
- Postgraduate diploma - 120 credits
- Masters degree - 180 credits

To complete a Masters degree award for this course you need to collect the following credits:
- Research modules - 60 credits
- Image interpretation modules - minimum 30 credits
- Optional interprofessional modules - maximum 90 credits

Teaching methods

Modules are facilitated by a variety of experienced lecturers from the University as well as external lecturers.

Delivery of modules incorporates blended learning which aims to combine e-learning activities with campus based learning. You need to have access to a suitable personal computer and a good reliable Internet connection (broadband recommended). Most modern PCs or Macs (less than 3 years old) should be suitable. If you have any queries or need any additional support with IT skills, the School employs an e-learning technologist who will be pleased to help and advise you. Please contact the module lead for details.

Assessment methods include objective structured clinical examinations (OSCEs), clinical portfolios, case study presentations, oral presentations and written presentations.

Work Placement

A recognized clinical placement which provides access to medical diagnostic images is a requirement for the clinical competency modules within the image interpretation pathway. The University cannot offer to provide clinical placements for students.

Professional Accreditations

Accredited by the College of Radiographers

Find out how to apply here http://www.herts.ac.uk/courses/msc-medical-imaging-and-radiation-sciences-image-interpretation#how-to-apply

Find information on Scholarships here http://www.herts.ac.uk/apply/fees-and-funding/scholarships/postgraduate

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The International Master Program in Image Processing and Computer Vision provides specialized training in a field of increasing importance in our daily lives. Read more

The International Master Program in Image Processing and Computer Vision provides specialized training in a field of increasing importance in our daily lives. It is essential in domains such as medicine, surveillance, industrial control, remote sensing, e-commerce and automation. The program covers a wide range of methods in computer vision thus guaranteeing highly-qualified graduates in this field. Three partner universities, with internationally recognized experience in these domains, have pooled their complementary expertise and developed this international postgraduate cooperation initiative.

The result is a high-quality, strongly recognized, triple Master degree that respects the 120 ECTS syllabus, and is well adapted to job market criteria. In order to benefit from the knowledge of these three partner universities and their professors, students spend an entire semester in each university.

Program structure

All students follow the same curriculum with some optional courses. The program is organized as follows:

Semester 1: PPCU, Budapest, Hungary

  • Functional Analysis (5 ECTS) – Compulsory
  • Parallel Computing Architectures (3 ECTS) – Compulsory
  • Numerical Analysis 1 (4 ECTS) – Compulsory
  • Basic Image Processing Algorithms (5 ECTS) – Compulsory
  • Data mining (5 ECTS) - Compulsory
  • Stochastic Signals and Systems (4 ECTS) – Optional
  • FPGA-based Algorithm Design (5 ECTS) – Optional
  • Biomedical Signal Processing (4 ECTS) – Optional
  • Programming Methodology (5 ECTS) – Optional
  • Intelligent Sensors (3 ECTS) – Optional

Semester 2: UAM, Madrid, Spain

  • Applied Bayesian Methods (6 ECTS) – Compulsory
  • Biomedical Image Processing and Applications (6 ECTS) – Compulsory
  • Biometrics (6 ECTS) – Compulsory
  • Video Sequences Analysis for Video Surveillance (6 ECTS) – Compulsory
  • Tutored Research Project 1 (6 ECTS) - Compulsory

Semester 3: UBx, Bordeaux, France

  • Image and Inversion (6 ECTS) – Compulsory
  • Variational Methods and PDEs for Image Processing (6 ECTS) - Compulsory
  • Advanced Image Processing (3 ECTS) - Compulsory
  • Video and Indexing (3 ECTS) – Compulsory
  • Image Acquisition and Reconstruction (3 ECTS) – Compulsory
  • IT Project Management (3 ECTS) – Compulsory
  • Tutored Research Project 2 (6 ECTS) – Compulsory

Semester 4: Internship in academic or industry laboratory

Strengths of this Master program

  • International program taught by experts from three different universities in Europe.
  • Triple Master degree.
  • International mobility period in three countries.

After this Master program?

After graduation, students have access to career opportunities such as engineers or further research as PhD students.

Their educational background makes them attractive candidates for companies in the following areas: E-commerce, Medical imaging, Personal assistance, Automation, Industrial control, Security, Post-production, Remote sensing, Software publishing.



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This MA gives practitioners and theorists the opportunity to research and develop the new boundaries of image-making made possible by technological change within the context of post-industrial culture. Read more

This MA gives practitioners and theorists the opportunity to research and develop the new boundaries of image-making made possible by technological change within the context of post-industrial culture.

This programme joins theory and practice, equipping you to develop and achieve highly effectively in the new image media culture. Practice uses both digital and analogue technology, still and durational as well as the study and production of interactivity.

The programme allows for specialisation in photography and/or electronic arts – which, in addition to still photography, can include interactive, durational and internet work – but encompasses a broader interpretation of practice.

You'll look at the meaning, production and distribution of images, and the relationship between theory and practice in the context of debates about post-modernism and beyond.

You also participate in enabling sessions in photography:

  • medium/large format cameras
  • portable and studio lighting technologies and their use
  • film technology
  • cinematography
  • digital imaging
  • output systems and processes

and/or in electronic arts:

  • computer and video graphics
  • post-production
  • computer-aided design
  • digital publishing
  • animation
  • animatics
  • 2D and 3D computer animation
  • still and durational image production and manipulation
  • web construction
  • interactivity

There is an MRes which follows the MA into a second year, in order to develop your work/voice. This will count as the first year of a PhD. Find out more about the MRes.

Modules & structure

This programme uniquely joins theory and practice in a way that will equip you with the tools and the vision to develop and achieve highly effectively in the new image media culture. Practice uses both digital and analogue technology, still and durational as well as the study and production of interactivity. 

You will study

  • Photography: Durational & Still; Analogue & Digital
  • Electronic Imagery: Motion & Still
  • Visualisation: Stand-alone & Interactive

The programme draws on a broad range of cultural references and technical practices. It offers the opportunity to take stock of evolving practices and developments in image media culture, and is structured to develop the intellectual imagination within each individual student. This is achieved through a combined study of practice and theory, with extensive instruction through ‘enabling sessions’ which engage technical familiarity; core tutorials; secondary tutorials; Issues in Media and Culture and additional theory course options.

Recognising the rapidly changing definitions and context of these practice areas,and the value/positioning of traditional practices, these categories may also be understood through a variety of practices which involve image construction and presentation both still and durational, including: film/video, animation, interactivity, installations, motion graphics, and hyperspace constructs, as well as evolving new exploratory categories.

The programme provides an opportunity to develop and/or research aspects of visual style, and draw on a broad range of cultural references as well as aesthetic and technical approaches engaged through ‘Practice Theory Sessions’, visiting lectures and the Issues in Media and Culture course. Fundamental to the programme is the space that it creates to make it possible for you to explore, question, change and consolidate your work and your ideas.

Assessment

Original portfolio submission; coursework and essays.

Learning & teaching

Tutorials

This course is interested in the development of the individual voice. To this end, there are two types of tutorial:

  • Core tutorials - which deal with overall development
  • Secondary tutorials - these are tutorials for each specific area of photographic media

Skills

You'll develop specific practice skills to a high level, and the articulation/understanding of the pleasures of media consumption.

Careers

Graduates from the programme are extremely successful, with finalists working commercially, developing as artists or continuing to enlarge their academic knowledge. During the course particular attention is given to the development of the individual voice. This, plus students' exposure to a range of technologies, means that our graduates can step into the arena of their choice, or sometimes of their making.

Here are just some examples of the sorts of careers graduates have gone onto:

  • Art Director
  • Artist
  • Animator
  • Senior Interactive Designer
  • Head of Creative Department
  • Head Technical Creative, Experimental Film and Dance
  • Commercial Photography (fashion, editorial, photobooks, social, advertising)
  • Director (commercial narrative)
  • Director Of Photography
  • Installation Artist
  • Interactive Artist
  • Producer
  • Curator

Find out more about employability at Goldsmiths



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Image and signal processing affect our daily lives in an ever-increasing way. Participate in designing this fascinating technology and shape IT‘s future function in business and society. Read more

Image and signal processing affect our daily lives in an ever-increasing way. Participate in designing this fascinating technology and shape IT‘s future function in business and society. Today‘s networked devices for image and signal generation provide a historically unmatched volume of raw data for automated decision making and control systems. The demands are high: How can we design new tools and software in order to best distil useful information? A lot of interesting research and development projects in the private and the public sectors are calling for your expertise. Alternatively, this degree will open career tracks in universities and research labs.

The international Joint Degree Master Programme„Applied Image and Signal Processing“ is conducted in English. The standard period of study is four semesters. The full program is worth a total of 120 points according to the ECTS (European Credit Transfer and Accumulation System). The academic degree of „Master of Science in Engineering“ (MSc) will be awarded upon successful completion of the programme.

From Theory to Practice (Curriculum)

The first semester is devoted to a concise study of the theoretical basis, the mathematical models and the algorithms used in image and signal processing. The second semester additionally focuses on geometric modelling, audio processing and digital media formats. Starting with the third semester, specific application scenarios are discussed and corresponding technologies are investigated in a number of elective courses.

Choose your Elective Courses

The elective courses comprise medical imaging, platform specific signal processing, data science, biometric systems, media security, computational geometry and machine learning.

Apply your Scientific Knowledge

In the third semester, students also start research on their master thesis and acquire profound IT-project management skills. The fourth semester is dedicated to the completion of the master thesis. An accompanying master seminar provides a forum for presenting and defending one‘s approach to a solution and the results obtained, i.e., for scientific discourse with faculty and peers.

Modules & Competences 

This Joint Degree Master Programme is designed to provide students with an in-depth professional and scientific training. Based on appropriate prior bachelor studies, this programme offers a thorough technical training in conjunction with research-driven teaching. It will make the participants familiar with introductory and advanced-level topics in the fields of image and signal processing, their formal and methodical basics, and with diverse fields of application. The sound knowledge and skills acquired in this programme qualify the alumni for diverse practical challenges in their professional work and empower them to contribute to future innovations in image and signal processing. A master thesis serves as a documentary proof of the student‘s ability to tackle scientific problems successfully on his or her own and to come up with a result that is correct with regards to contents and methodology. Furthermore the publication of Master Thesis is intended. Thus, this programme also paves the road to subsequent work in science and technology.



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Apply by: 1 August (International), 1 September (UK/EU). Digital signal and image processing lies at the heart of modern society – we all use mobile phones, watch digital tv and may soon ride in automated vehicles guided by embedded vision systems. Read more

Apply by: 1 August (International), 1 September (UK/EU)

Digital signal and image processing lies at the heart of modern society – we all use mobile phones, watch digital tv and may soon ride in automated vehicles guided by embedded vision systems.

All these technologies rely on signal processing methods and specialised hardware. This new MSc is designed to give you the specialised knowledge and skills needed in modern digital technology.

This course is for you if you have an undergraduate degree in Engineering, or if you’re a practising engineer and would like to update your knowledge and practical skills in the areas of digital signal processing and image processing.

Why choose this course?

How will I study?

You’ll study taught modules and work on an individual MSc project.

The modules are taught by a combination of lectures, seminars and practical laboratory work. Assessment is linked to the modules’ learning outcomes and involves unseen exam and/or coursework. The MSc project is assessed by a project dissertation and oral presentation.

MSc project

You’ll complete a substantial MSc project, which is often practical as well as theoretical. You may have opportunities to work with an industrial partner.

Some of our previous students’ project work has led to journal and conference publication, giving them a head start in their careers.

The project allows you to develop your skills as an engineer and will involve:

  • an in-depth study of an advanced topic in digital signal or digital image processing
  • further development of your critical awareness, creative thinking and project planning skills
  • enhancing your ability to describe complex technical issues clearly and concisely
  • developing your presentation skills to effectively communicate your work and ideas to senior colleagues within an organisation.

Project assessment can include interim reports, presentations and a dissertation. Some projects are undertaken in groups and replicate the type of professional teamwork expected in industry. Topics are generated from the academic research and industrial collaborations in our Department. A member of faculty supervises the project.

Modules

Core modules

Core modules are taken by all students on the course. They give you a solid grounding in your chosen subject and prepare you to explore the topics that interest you most.

  • MSc Individual Project
  • Advanced Digital Signal Processing
  • Cybernetics and Neural Networks
  • Digital Signal Processing Laboratory
  • Image Processing

Options

Alongside your core modules, you can choose options to broaden your horizons and tailor your course to your interests.

  • Fibre Optic Communications
  • Internet-of-Things
  • Mobile Communications
  • Real Time Embedded Systems
  • Reconfigurable System on Chip
  • Topics in Wireless Communications
  • Wearable Technologies

This course is currently subject to validation, in line with our procedures for assuring the quality of our degrees. This means that some course detail may change. The validation process will be concluded before the course starts.

Working while you study

Our Careers and Employability Centre can help you find part-time work while you study. Find out more about career development and part-time work

Careers

As a graduate, you’ll have the skills for a career in areas such as:

  • mobile and satellite telecommunications (where large industry players include Samsung, Vodaphone, Nokia and Arm Holdings)
  • aerospace (where large industry players include Airbus, Rolls-Royce and GE)
  • automotive (where large industry players include Jaguar, BMW and Continental)
  • defence and security (where large industry players include BAE Systems, QinetiQ and Thales)
  • healthcare (where large industry players include Siemens and GE).

The MSc is also an ideal entry point for doctoral research in the field of digital signal and image processing.



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This programme aims to disseminate medical image analysis knowledge, skills, and understanding, enabling effective and efficient medical image analysis which can be used both clinically and commercially. Read more

This programme aims to disseminate medical image analysis knowledge, skills, and understanding, enabling effective and efficient medical image analysis which can be used both clinically and commercially.

Covering the physics of imaging and related techniques, there is also focus on specialised content covering image processing and analysis.

Students will also be able to make use of the MATLAB computing environment and programming language.

This programme harnesses our expertise in image processing and analysis, which will allow learners to train in this field via an online learning environment.



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Led by Dr Mel Jordan, Reader in Art & the Public Sphere, the Contemporary Art Practice programme has specialist pathway leaders in order to facilitate a distinct engagement with specific areas of contemporary art practice. Read more

Led by Dr Mel Jordan, Reader in Art & the Public Sphere, the Contemporary Art Practice programme has specialist pathway leaders in order to facilitate a distinct engagement with specific areas of contemporary art practice. The programme is delivered through four pathways: Critical Practice (led by Jeremy Millar), Moving Image (led by Jane Wilson), Performance (led by Professor Nigel Rolfe) and Public Sphere (led by Mel Jordan).

The Contemporary Art Practice programme enables us to incorporate practices that exceed the specificity of the well-established disciplines of Fine Art at the Royal College of Art. Contemporary Art Practice engages with contemporary modes of art production, dissemination and debate. It facilitates specialisation through its pathway structure enabling students to engage with a particular approach to developing their own art practice. The teaching methodology we employ is not technologically or materially determined however students are expected to utilise appropriate and specific means in which to manifest their ideas. Contemporary Art Practice students have access to all facilities within the School of Fine Art.

Critical theory has emerged as an essential intellectual framework for art criticism but what is its potential as a tool within the production of contemporary art? Studio-based and primarily focused on supporting the development of the artistic practice of its students, the Critical Practice pathway offers regular seminars exploring emerging ideas and bodies of theory as well as opportunities to work with organised forms of knowledge such as public archives and institutions.

Moving Image is aimed at artists using film and video, and practitioners working in the areas of documentary film, film and fiction cinema as well as practitioners who wish to draw upon, challenge and re-map established realms of Moving Image based practices. The diversity of approaches employed in the Moving Image pathway reflects the new reality of contemporary moving image.

Performance happens in the ‘here and now’ and not the ‘there and then’. Unlike many practices, where time is historic, and the image presented is necessarily an archive or record, ‘being and doing’ are more immediately significant in live time, and the expectation is that – in the contemporary – artists are often presenting work that is not made in advance but rather happening now!

Public Sphere is a major research area in the School, and the pathway supports expanded engagement with art and its publics as well as art’s social function. Social art practices have featured as a key force in the rise of the global biennale as well as being utilized by the Occupy Movement. Therefore questions about public space, participation, collaboration and collective action are becoming essential principles within the production of contemporary art both in terms of practice and theory.

Your application should be for MA Contemporary Art Practice and you will have to specify in which Pathway you wish to study: Critical Practice, Moving Image, Performance or Public Sphere. 

The programme offers:

  •  specialisation through its pathway structure enabling students to engage with a particular approach to developing their own art practice through the pathways of Critical Practice, Moving Image, Performance and Public Sphere   
  •  a commitment to developing and foregrounding the conceptual and social ideas in an individual students practice   
  •  a teaching methodology which is not technologically or materially determined that encourages students to utilise appropriate and specific means for making contemporary fine art now   
  • a teaching structure that incorporates content-led approaches to the teaching of Fine Art through lectures and seminars to enable students’ engagement with the histories, theories and expanded practices of Fine Art
  • individual and group tutorial and cross school group crits, facilitated by leading practitioners and thinkers
  • a critical discursive environment in which to discuss contemporary issues for thinking about, making and displaying contemporary fine art 
  • a flexible studio space that can be utilised collectively or individually 
  • access to a range of technical facilities across the school of Fine Art including the Moving Image Studio, traditional and digital printmaking, photography and wood and metal workshops 
  • access to college-wide technical workshops
  • an on-going programme of off-site events, exhibitions and commissions
  • opportunities for teaching placements, exhibitions, overseas travel and international exchanges (including Paris and Kyoto)


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Address the image world, find out how images create meaning, and discover what you can do with what you see on this eclectic MA programme. Read more

Address the image world, find out how images create meaning, and discover what you can do with what you see on this eclectic MA programme

If this degree were a film we’d be watching the beginning and the end. We think, like Walter Benjamin, that it’s in these moments – in their inception and their obsolescence – that you see the utopian possibilities of a form or social movement. 

The questions we ask

Are we in the midst of a beginning? What can we learn now from visual culture’s past? What’s happening to our bodies when we play a video game? What are the gestures involved in everyday life? How do our bodies relate to technology?

These are the kinds of topics we analyse on this MA. We want to go beyond the borders of a traditional film studies degree so we go back to the beginning of film history to explore what it meant to fashion yourself in an image, or for a society to see itself in an image. Then we explore how images gain meaning now, and where they’re going next. 

The processes we use

We’re interested in the evolution of the image, but also image culture. As photographs and films constitute more and more of our communication, we encourage students to try to put their thought into audio-visual form for some modules. 

For the MA’s Media Arts Pathway, you can make your own piece of work and submit it as part of the final project, the dissertation. Production values are not the focus for us. We’re interested in what you do with an idea.

The approach we take

We think learning is about trying to get hold of something you don’t know yet; wrestling with ideas you’re unsure of so as to work critically and imaginatively across multiple media forms. While we do look at films, we also investigate such things as contemporary gallery work, the city’s screens, computer and phone interactivity to reconsider our relationship to images.

We study our heritage of image taking and making not just to discover how that relationship has changed over time, but also to find jumping off points for own experimentation and try to create something new. 

As part of the University of London you also have the chance to explore one option from the MA Film & Media programmes at other universities. Find out more on the Screen Studies Group website.

Modules & structure

The MA offers two pathways:

MA Film and Screen Studies: Moving Image Studies Pathway

The moving image media today are a concentrated form of culture, ideas, socialisation, wealth and power. 21st-century globalisation, ecology, migration and activism fight over and through them. How have the media built on, distorted and abandoned their past? How are they trying to destroy, deny or build the future? This pathway explores new critical approaches that address the currency of moving image media in today's global context – their aesthetics, technology and politics. It seeks to extend the boundaries for studying moving images by considering a wider range of media and introducing students to a wider range of approaches for investigating moving images' past and present.

MA Film and Screen Studies: Media Arts Pathway

The most intense and extreme forms of media, experimental media arts, test to breaking point our established ideas and practices. From wild abstraction and surrealist visions to activist and community arts, they ask the profoundest questions about high art and popular culture, the individual and the social, meaning and beauty. This pathway explores these emerging experimental practices of image making and criticism. Students on this pathway are encouraged not just to study but to curate and critique past, present and future media arts by building exhibitions and visual essays of their own. Short practical workshops will enable students to make the most of the skills you bring into the course.

Structure

The MA consists of:

  • two core modules (60 credits in total) comprising one shared and one pathway-specific core module
  • option modules to the value of 60 credits
  • a dissertation (60 credits) on a topic agreed in conjuction with your supervisor (on the Media Arts pathway up to 50% of the dissertation can be submitted in audiovisual form)

Assessment

The MA is assessed primarily through coursework essays and written projects. Practical modules may require audiovisual elements to be submitted. It will also include a dissertation of approximately 12,000 words.

Skills & careers

Our graduates go on to work in areas such as programming and curating, film and video distribution, and film and television criticism, but many also create their own careers. Twenty per cent of our graduates pursue PhD degrees. 

Find out more about employability at Goldsmiths



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This course has been designed to offer a genuinely creative methodology and understanding of current and future potential for film experimentation in artists' moving image. Read more
This course has been designed to offer a genuinely creative methodology and understanding of current and future potential for film experimentation in artists' moving image. This places the programme at the forefront of postgraduate studies exploring moving image in its most creative form. The course offers a range of input from staff in filmmaking, and will enable you to develop a major body of practical work created within the context of a critical understanding of contemporary experimental film theory.

You will have access to our moving image resources and specialised filmmaking equipment, augmented by excellent technical and academic support. To complete a specific project brief, other materials will also be provided, enabling you to meet the learning outcomes of the course and/or project. However, if you choose to develop your own film options requiring additional resources, then you will have to meet any further costs associated with that. View a full list of our current moving image resources.

Key features
-The course provides an exploration of the relationship between film, moving image, sound and critical frameworks. This is supported by the excellent moving image resources at the Knights Park campus, including a moving-image studio, post-production facilities and high-end film equipment. One-to-one tutorials, seminars, exhibitions and discussion all feature in the programme.
-Taught by filmmakers, creative practitioners, curators and writers, including many off-site visits and visits by professional artists, filmmakers and curators. This includes the opportunity to participate in a public screening programme at BFI Southbank, and a seminar forum at FID Marseille International Film Festival.
-Every year, the course nominates a graduate to participate in the European workshop on artists' moving image at the Schermo dell'Arte film festival in Florence, where they receive professional mentoring.

What will you study?

The curriculum offers three distinct areas of critical and practical inquiry options, supported by a specialised seminar/lectures series: artists' moving image; independent film; and the materiality of film.

You will undertake self-initiated research supported by taught modules and an experienced group of research-active staff, and will explore the critical and historical frameworks within which experimental film work can be understood and conceptualised.

Assessment

Presentation and exhibition/screening/documentation, tutorials and seminar/discussion.

Course structure

Please note that this is an indicative list of modules and is not intended as a definitive list. Those listed here may also be a mixture of core and optional modules.

Core modules
-Project 1
-Theory – Seminar
-Experimental Filmmaking Practices
-Experimentation in Moving Image
-Masters Project (Exhibition and Research Publication)

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Audiovisual experiences are key drivers, not just for entertainment but also for business, security and technology development. Read more
Audiovisual experiences are key drivers, not just for entertainment but also for business, security and technology development. Video accounts for around 80 per cent of all internet traffic and some mobile network operators have predicted that wireless traffic will double every year for the next 10 years - driven primarily by video. Visual information processing also plays a major role underpinning other industries such as healthcare, security, robotics and autonomous systems.

This challenging, one-year taught Master’s degree covers a range of advanced topics drawn from the field of multimedia signal processing and communications. The programme covers the properties and limitations of modern communication channels and networks, alongside the coding and compression methods required for efficient and reliable wired and wireless audio-visual transmission. It provides students with an excellent opportunity to acquire the necessary skills to enter careers in one of the most dynamic and exciting fields in ICT.

The programme builds on the research strengths of the Visual Information Laboratory and the Communication Systems and Networks Group within the Faculty of Engineering at Bristol. Both groups are highly regarded for combining fundamental research with strong industrial collaboration and their innovative research has resulted in ground-breaking technology in the areas of image and video analysis, coding and communications. Both groups also offer extensive, state-of-the-art research facilities.

This MSc provides in-depth training in design, analysis and management skills relevant to the theory and practice of the communication networks industry. The programme is accredited by the Institution of Engineering and Technology until 2018, and is one of only a handful of accredited programmes in this field in the UK.

Programme structure

Your course will cover the following core subjects:
Semester One (50 credits)
-Coding theory
-Communication systems
-Digital filters and spectral analysis
-Mobile communications
-Networking protocol principles

Semester Two (70 credits)
-Digital signal processing systems
-Speech and audio processing
-Optimum signal processing
-Biomedical imaging
-Image and video coding
-Engineering research skills

Research project
You will complete a substantial research project, starting during Semester Two and completed during the summer. This may be based at the University or with industrial partners.

Careers

This one-year MSc programme covers all aspects of current and future image and video communications and associated signal processing technologies. It will prepare you for a diverse range of exciting careers, not only in the communications field, but also in other areas such as management consultancy, project management, finance and government agencies.

Our graduates have gone on to have rewarding careers in some of the leading multinational communications companies, such as Huawei, China Telecom, Toshiba, China Mobile and Intel. Some graduates follow a more research-oriented career path with a number of students going on to study for PhDs at leading universities.

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