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Oxford University's Master of Studies in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialization, and critical and creative breadth. Read more
Oxford University's Master of Studies in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialization, and critical and creative breadth.

The emphasis of this postgraduate creative writing course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces his or her creative work in the context of a global writerly and critical community. The master's degree in creative writing offers a clustered learning format of five Residences, two Guided Retreats and one Placement over two years. The research Placement, a distinguishing feature of the course, offers between one and two weeks' hands-on experience of writing in the real world. Students may undertake their placement in a literary agency, a publishing house, the offices of a literary periodical, a theatre company, a screen production company, or other relevant organization. Placement organisations have included Macmillan, Initialise Films, Random House, the BBC, the Literary Review, AM Heath, Pegasus Theatre, the Poetry Society, and Carcanet.

The virtual open event for this programme is available to watch at http://www.conted.ox.ac.uk/cwopenday. The open event features acting Course Director Jane Draycott and course administrator Rebecca Rue, who discuss the programme, its requirements and the student experience. Participants' questions were texted in and answered during the event. A FAQ of all the questions and their answers is available at the top of this section.

The MSt has a blog, a resource for Oxford events, calls for submission, competitions, news, interviews and more, which is available at http://blogs.conted.ox.ac.uk/mstcw/.

"The Oxford MSt enables you to fast-track your career in writing."
- Fortuna Burke

"… the freedom to explore and experiment… has been fundamental to my development as a writer."
- Clare Tetley

"The range and variety of the group … offers truly exciting opportunities for the kind of exchanges that really accelerate your development as a writer."
- Michael Schuller

"What does the course offer? Self-discipline, professionalism and confidence."
- Abigail Green-Dove

"My life has been so enriched and expanded. My writing evolves daily through the tools that you gave me. Not to mention the wonderful friendships formed throughout our two years together."
- Lindsay Moore

"The Masters in Oxford, while encouraging creativity, raised the bar on the quality of the finished work and gave me the discipline to be a professional."
- Bette Adriaanse

"I doubt there’s a more suitable MSt in the United Kingdom for work which challenges boundaries and takes risks."
- Jennifer Thorp

Students and alumni have won a wide range of prizes. These successes include winning the Gregory O’Donoghue Prize, the Writers’ Village International Short Fiction Award 2014, the Parallel Universe Poetry Competition, the Martin Starkie Prize, the International Jane Martin Poetry Prize, the Heritage Arts Radio play competition, the Cascade Pictures Writer’s Couch pitching competition, first prize in the Poetry Book Society Student Poetry Competition, the Miracle Poetry Competition, Best Photography Book Award from POYi (Pictures of the Year international), and the Yeovil Literary Prize for Poetry. Two alumni have won the Oxford University’s DL Chapman Memorial Prize, another was a finalist in the 2013 Writers at Work Fellowship Competition, and another won the London Fringe Festival’s Short Fiction Award. Alumni have been awarded a Toshiba Studentship, a Hawthornden Fellowship, and funded residencies at the Banff Centre, Canada, and at the Expansionists Project, Whitstable.

Students and alumni have had their work shortlisted across the genres for, among others, the Asham Award, the Bridport Prize, the Bridport Prize for Flash Fiction, the Fish Flash Fiction prize, the Yeoville Literary Prize, the Oxonian poetry prize, the Fish Short Story Prize 2013, the Big Issue in the North’s New Writing Award, the Oxonian review, and the Aesthetica Creative Writing Competition. A 2010 graduate was short-listed for the Crime Writers’ Association Debut Dagger award 2011. Two alumni were longlisted for the Dylan Thomas Prize, and one was shortlisted. An alumnus’ debut novel also made the longlist for the Not the Booker Prize.

Visit the website https://www.conted.ox.ac.uk/about/mst-in-creative-writing

Destinations

Many of our graduate students have signed with agents, and each year a number go on to undertake doctoral study in creative writing or English Literature. Our graduates have obtained positions in publishing, media and the creative arts industries, as well as teaching positions in tertiary education.

The MSt has enjoyed a very strong application field since its inception, attracting record interest in recent years from a global constituency of writers. The course`s emphasis on critical analysis as well as on writerly and creative excellence attracts students of commensurately strong academic potential as well as of significant creative promise. This combination of academic rigour and creativity is a central distinctive feature of the course. The resulting emphasis on exploration and the development of an individual writerly voice serve to attract particularly talented students from around the world as well as a strongly diverse group of UK students of varied backgrounds and ethnicity.

Continuing education and life-long learning in Oxford have been formally linked to the collegiate system of the University since 1990, when Kellogg College, the University’s 36th college, was established. Please consult http://www.kellogg.ox.ac.uk/.

Who should apply?

We are looking for writers with a proven record of commitment to their craft. You should be a keen reader, and bring an open-minded, questioning approach to both reading and writing. You will not necessarily have yet achieved publication, but you will have written regularly and read widely over a sustained period. You will be keen to dedicate time and energy and staying-power to harnessing your talent, enlarging your skills, and aiming your writerly production at consistently professional standards. It is likely you will have a first degree, or equivalent, although in some cases other evidence of suitability may be acceptable.

For applicants with a degree from the USA, the minimum GPA we normally seek is 3.6 out of 4.0. We do not seek a Graduate Record Examination (GRE) or GMAT score. Although a GRE or GMAT score is not a formal requirement, if one is available it should be supplied.

The high number of contact hours are concentrated into Residences and Retreats. Students should be at a stage in their writing where, with appropriate guidance, they can undertake agreed assignments, projects and essays between meetings. There is a dedicated Course Website for provision of up-to-date information; contact and exchange between students; and contact between students and tutors. The course, however, is not a ‘distance-learning’ course, and tutors, while being happy to help with questions or problems, do not offer regular weekly ‘office hours’.

The M.St is unlikely to be suitable for those who are just starting out on their writerly and critical development.

If you have any doubts about whether the M.St is right for your stage of development, please consult the website for information on our Undergraduate Diploma in Creative Writing https://www.conted.ox.ac.uk/dipcw

What does the course cover?

The first year concentrates equally on prose (fiction and narrative non-fiction), poetry and drama. There is a significant critical reading and analysis component, which is linked to the writerly considerations explored in each of the three genres. Students are expected to engage fully with all three genres, in a spirit of exploration and with the aim of discovering what impact and relevance unaccustomed genres have for the development of their individual writerly voice. This necessarily involves undertaking assignments and exercises in areas that are new to students, and do not relate directly to any work they may have in progress. Students may be able to continue with their own longer term pieces-in-progress but the concentration of year 1 teaching is on producing new work, and the exercises and assignments, which should take priority, reflect this emphasis.

The second year offers specialisation in a single genre, again accompanied by a significant critical element focused around issues of interest to the individual student and related to the genre of choice.

Your specialisation choices are as follows:

- The novel
- Short fiction
- Radio drama
- TV drama
- Screenwriting
- Stage drama
- Poetry
- Narrative non-fiction

In year 2, the specialisation in the genre of students’ choice provides an opportunity for significant concentration on either new work, or, subject to consultation with supervisor, on existing work-in-progress.

Find out how to apply here - http://www.ox.ac.uk/admissions/graduate/applying-to-oxford

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This unique MA will enhance your critical understanding of the musical theatre as a popular entertainment genre- http://www.gold.ac.uk/pg/ma-musical-theatre/. Read more
This unique MA will enhance your critical understanding of the musical theatre as a popular entertainment genre- http://www.gold.ac.uk/pg/ma-musical-theatre/

It will help you to sharpen your practical skills as a creative artist. On a practical level, it will assist you in working as a freelance writer, composer or producer of musical theatre.

The MA focuses on the dramaturgy of the musical as a key factor in the future development of the genre.

Expert professionals are regularly employed as visiting tutors, to maintain direct links with the industry.

You follow one of the two pathways as either:

-producer
-writer or composer

You undertake an analytic case study of a musical or production, a placement project and dissertation (producers), and a creative project involving either book and lyrics or music for a short original musical (writers and composers). Producers share some classes with students on the MA in Arts Administration and Cultural Policy.

Contact the department

If you have specific questions about the degree, contact the Department of Theatre and Performance Secretary.

Modules & Structure

You undertake an analytic case study of a musical or production, a placement project and dissertation (producers), and a creative project involving either book and lyrics or music for a short original musical (writers and composers). Producers share some classes with the MA in Arts Administration and Cultural Policy.

You elect to follow one of two pathways on the programme – Producers, or Writers and Composers. In each case, the programme involves five separate modules:

1. Genre study – autumn and spring terms, both pathways.
This module runs for 20 weeks. It begins in autumn with an historical survey of the development of the American musical, from ‘Showboat’ (1927) to ‘Sweeney Todd’ (1979). It continues in the spring term with a look at new forms of musical theatre that have resulted from the fragmentation of the classic tradition of ‘book’ musicals, with the innovation of the ‘concept’ musical, the impact of rock musicals, the ‘invasion’ of Broadway by the British ‘megamusical’ and the subsequent globalisation of the market by Cameron Macintosh and Disney.

2. Case study – autumn and spring terms, both pathways.
This module involves a 15-week introduction to the different structural components (book, music, lyrics, choreography, scenography) and industrial factors (producers, marketing, technology, conomics)
determining the production of musicals today. The module is taught by a range of professional and academic experts with a variety of different perspectives on the subject.

3. Shared complementary/contextual module 1 – autumn term.

Students choose one of these modules:

4. Shared complementary/contextual module 2, - ‘Musical Theatre and Society’
5. Creative project/dissertation – spring and summer terms, both pathways.

Assessment

Genre study is assessed by two 3,000-word essays; the case study is assessed by means of a 4,000-word essay. The nature and form of creative projects, dissertations and research/placement projects are agreed with the Module Convenor during the programme.

Skills

You will develop a critical understanding of the collaborative processes involved in the creation of musical theatre in the UK and USA.

Composers and librettists/lyricists will achieve an enhanced ability to engage with the integration of dramaturgical and musical components of musical theatre writing, and a comprehension of the various factors involved in working within the industry.

Producers will acquire an overall perspective on the industrial and organisational factors involved in musical theatre production, including methods of theatre marketing, systems of arts funding and policy, and a working knowledge of the strategies involved in producing a small-scale musical.

Producers will also develop skills of leadership and teamwork and the ability to develop and critique their own approaches to working in musical theatre production.

Careers

Typical careers for graduates of this MA include:

musical theatre composer
librettist
lyricis
tproduce
marketing manager
production assistant

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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With a full programme of workshops and critical study, this MA provides a forum for you to work on your own writing in different genres while being supported by published practitioners. Read more
With a full programme of workshops and critical study, this MA provides a forum for you to work on your own writing in different genres while being supported by published practitioners. The Writers' Workshop will encourage you to develop your writing 'voice' through engagement with fellow students across a range of genre (in fiction or creative non-fiction), while the Special Study module enables you to specialise in one genre, such as fiction, non-fiction, poetry, drama or screen writing.

This MA aims to give you the knowledge and confidence to enter the cultural debate and to begin to identify outlets for your own writing.

What will you study?

You will have the opportunity to develop your creative writing skills in general, or specialise in a chosen genre. You will also study literary criticism and theory and will look at the professional elements of writing, such as copy-editing and how to get your work published.
Assessment

Portfolios of exercises, edited and revised creative writing with evidence of extensive drafting, essays, presentations, research projects, substantial piece of creative writing of publishable standard.

Course structure

Please note that this is an indicative list of modules and is not intended as a definitive list.

Core modules
-Creative Dissertation
-Special Study: Workshops in Popular Genre Writing
-Structure and Style
-Ten Critical Challenges for Creative Writers
-Writers' Workshop

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This is an exciting and dynamic time for documentary practice; in recent years there has been a renaissance in documentary, seeing huge developments in both technology and form. Read more
This is an exciting and dynamic time for documentary practice; in recent years there has been a renaissance in documentary, seeing huge developments in both technology and form. Documentary stories are now being told via telecommunications, in cinemas, on TV, and online.

In this contemporary course you will be provided tuition in the technological, ethical and intellectual developments in this recent boom in theatrical, broadcast and cross platform documentary. You will be taught by award winning documentary filmmakers and high profile TV, film and cross platform commissioners. Tutors Marc Isaacs , Helen Littleboy and Victoria Mapplebeck, are all active filmmakers with excellent industry contacts and through collaborating with them on work in progress you will gain a unique learning opportunity that will provide genuine vocational experience. We also welcome regular guest lecturers, giving students a direct link to industry professionals and the opportunity to learn from their substantial experience and expertise.

On graduating, our students are skilled in creative and professional documentary practice. We have one of the highest employability rates amongst UK Universities and our graduates have gone on to become award-winning filmmakers and journalists.

This is a split campus course, taught in both Egham and Bedford Square in central London.

See the website https://www.royalholloway.ac.uk/mediaarts/coursefinder/madocumentarybypractice.aspx

Why choose this course?

- We have had regular lectures from award winning filmmaker Marc Isaacs, Channel 4 commissioner Kate Vogel and Emily Renshaw Smith, commissioner of Current TV. Forthcoming guest lectures include BBC Director Adam Curtis, feature director Chris Waitts and Matt Locke, Commissioning Editor for New Media and Education at Channel 4.

- Guest commissioners provide students with knowledge of and links to current commissioning strategies. Several of our invited commissioners have subsequently worked with our students on developing their projects.

- You will have exclusive 24-7 access to six purpose-built editing rooms equipped with Final Cut Studio 2 on Mac Pro editing systems. Our Location Store provides an equipment loan and advisory support service with a lending stock that includes twenty Sony HVR-V1E cameras, twenty Sennheiser radio microphone kits and a selection of professional quality sound recording and lighting equipment.

- With access to the latest digital recording and editing equipment, and covering areas from authorship to authenticity, this course offers you an in-depth study of creative production, taking you from conception through commissioning to research, composition and exhibition.

- You will be provided with excellent tuition in self-shooting documentary filmmaking techniques. You will be able to meet the growing demand for self-shooting directors and producers in both the independent and commercial documentary industries.

Department research and industry highlights

- TRENT is an exciting and innovative collaborative project between the British Universities Film and Video Council (BUFVC) and Royal Holloway, University of London (RHUL) and funded by the Arts and Humanities Research Council (AHRC). Led by John Ellis the project brings together the nine existing online databases hosted and curated by the BUFVC which provide important film, radio and television material along with accompanying metadata and contextual information for academics, students, teachers and researchers. This project brings together all the material contained in these databases, yet Trent is not simply a master database. Instead it foregrounds creative searching through a common interactive interface using real-time ‘intelligent’ filtering to bringing disparate databases into a single search and discovery environment whilst maintaining the integrity and individual provenance of each.

- The EUscreen project is major funded EU project which aims to digitise and provide access to European’s audio-visual heritage. This innovative and ambitious three year project began in October 2009 and the project consortium is made up of 28 partners from 19 European countries and is a best practice network within the eContentplus programme of the European Commission. The Department of Media Arts at Royal Holloway’s is responsible for the content selection policy for EUscreen and those involved include John Ellis, Rob Turnock and Sian Barber.

- Video Active is a major EU-funded project aiming to create access to digitised television programme content from archives around Europe. It involves collaboration between the Department of Media Arts at Royal Holloway and Utrecht University, and eleven European archives including the BBC, to provide access to content and supporting contextual materials via a specially designed web portal. The team from the Department of Media Arts, who are John Ellis, Cathy Johnson and Rob Turnock, are responsible for developing content selection strategy and policy for the project.

- Migrant and Diasporic Cinema in Contemporary Europe is an AHRC-funded international Research Network, led by Daniela Berghahn, which brings together researchers from ten UK and European universities, filmmakers, policy makers and representatives from the cultural sector. The Research Network explores how the films of migrant and diasporic filmmakers have redefined our understanding of European identity as constructed and narrated in European cinema. The project seeks to identify the numerous ways in which multi-cultural and multi-ethnic presences and themes have revitalised contemporary European cinema by introducing an eclectic mix of non-Western traditions and new genres.

- Lina Khatib was awarded an AHRC Research Leave Grant to complete a book on the representation of Lebanese politics and society in Lebanese cinema over the last thirty years. The study focuses on cinema’s relationship with national identity in the context of the Civil War and the post-war period in Lebanon.

- Gideon Koppel was awarded an AHRC Research Leave Grant to complete his feature-length documentary portrait of a rural community in Wales, The Library Van, which has been partly funded by the Arts Council of Wales.

Course content and structure

You will study three core units during the year.

Core course units:
- From Idea to Screen
From Idea to Screen introduces the practice of documentary film making - exploring eclectic notions of the genre, from the conventional to those more associated with fine art. The course tutors also use their own work which is deconstructed across all its constituent parts idea, conception, pre-production planning, and research, shooting and post-production. Ideas to Screen will explore ways of translating observations and ideas into imagery – both visual and aural. There will be an emphasis on experimental forms of narrative – at time crossing the boundaries between fine art and documentary. For the final and assessed project in this unit, each student will be asked make a video ‘portrait’ of a character.

- Foundations of Production
Contemporary documentary production requires managerial and business skills as well as creative ones. This unit will instruct you in the industrial skills required for the production of video, television and multimedia documentary. These include researching the market, writing proposals, acquiring funding for development and production, drafting contracts, drawing up budgets, copyright clearance, and marketing.

- Major Documentary Production – Dissertation
Developing out of study, research and practice from previous units, you will direct and produce a substantial documentary production. This is the largest assignment in the course and is appropriately weighted. The unit is tutorial based.

On completion of the course graduates will have:

- gained invaluable experience of both authored and commercial documentary production

- the ability to develop their own ideas, preparing them for the documentary industry but also finding ways to reinvent it

- an understanding of documentary film genre and its changing boundaries as well as the changing technologies and their impact on the genre

- an advanced understanding of the processes of making a documentary film from initial concept to final form and the various stages of production.

- an awareness of the institutions and mechanisms of the UK film and television industry

- a critical knowledge of the current and changing platforms for documentary film, from cinema to television and the internet.

Assessment

Assessment is carried out by a variety of methods including project work, photo essays and written production papers.

Employability & career opportunities

On graduating, our students will be skilled in creative and professional documentary practice. We have one of the highest employability rates amongst UK Universities and our graduates have become award-winning filmmakers and BBC journalists; recently one of our alumni Charlotte Cook was appointed Strand Co -Coordinator of BBC’s prestigious Documentary Strand Storyville.

Our graduate students have won and been nominated for many awards including, The One World Broadcasting Trust Award and The Jerwood First Cuts Documentary. In 2009 two of our students, Aashish Gadhvi and Michael Watts won the One World Student Documentary Fund which funds challenging international documentary projects.

Syed Atef Amjad Ali has recently had his film The Red Mosque previewed at The Amsterdam International Documentary Festival. The Red Mosque was made with production funds Syed received from The Jan Virijman Fund and also from the One World-Broadcasting Award.

Chung Yee Yu has won the Cinematography Award at Next Frame (A Touring Festival of International Student Film and Video) Chung Yee Yu has also won the Silver Award of Open Category of IFVA (The Hong Kong Independent Short Film & Video Awards)

Recent graduate Suzanne Cohen has just has her work selected for the BBC’s Film Network website; an interactive showcase for ‘new British filmmakers, screening three new short films in broadband quality every week, adding to a growing catalogue of great shorts’.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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This course encourages a lively environment where as a budding writer you can experiment, be imaginative and ambitious, as well as critically reflect on your practice. Read more

Why take this course?

This course encourages a lively environment where as a budding writer you can experiment, be imaginative and ambitious, as well as critically reflect on your practice.

You will have the opportunity to write literary novels, historical fiction, crime, science fiction, children’s stories, as well as screenwriting or short fiction – we encourage and respect all genres.

What will I experience?

On this course you can:

Be taught by lecturers with professional experience, many of whom are established practising writers
Complete a major project in the form of your own novel, screenplay or poem and learn about the market and current debates within differing genres in the process
Tap in to our Library’s vast selection of electronic resources, which can be accessed from anywhere with an internet connection

What opportunities might it lead to?

We continuously encourage you to seize as many opportunities as possible to make your writing visible to publishers and the public. Strengthening your creative writing skills on this course can lead to a variety of different creative career paths from roles in publishing to writing children’s books.

Alternatively, many of our graduates find roles within a variety of media industries and a number of them have gone on to study for PhDs or teaching qualifications.

Here are some routes our graduates have pursued:

Teaching
Writing
Journalism
PR

Module Details

The course consists of units focusing on creative practice, academic contexts and critical understanding. For the final stage of the course you will write a creative dissertation which can take the form of a novel (or portion thereof – 30,000 to 40,000 words in length), a collection of prose, poetry or a screenplay.

Here are the units you will study:

Writer's Workshop – Exploration: In this unit, you will be encouraged to experiment in differing genres to build confidence in writing and research.

Writer's Workshop – Resolution: During the course of this unit, you will research your chosen genre or idea and write a proposal and first chapters for the major project (dissertation). Your research and writing practice will be led by reading, discussion, debate and some substantial formative work that will eventually lead to the written proposal and/or opening chapters of a novel or pages of a screenplay or poetry.

Critical Reading for Creative Writers: This is an essay-based unit, in which you will explore critical approaches to the written word with oral presentations and researched essays.

Critical Thinking for Creative Writers: This unit allows you to approach a critical theory by relating it to your own creative writing, with reference to your major creative project. This unit is also essay-based.

The Final Project – The Creative Writing Dissertation: This unit will allow you to complete a major work in any genre (prose, poetry or screenplay) of up to 30,000 words (or equivalent). You will receive guidance and support from tutors throughout this unit of study.

Programme Assessment

Your learning will primarily be via workshop-based sessions where you will explore and develop your own writing as well as constructively contribute to the work of other writers around you. We aim to create a friendly atmosphere in which you will receive feedback to continually help evolve your creative writing style.

Your progress will be assessed by regularly submitted work and a final creative writing project in the form of a literary form or genre of your choice and geared to a specific market.

Student Destinations

You are encouraged to attend and read at ‘open mic’ sessions to develop performance skills. Previous students have found this invaluable not only when reading their own work aloud but also in professional practice. You are also encouraged to build a portfolio of work to show publishers and exhibit your work in other ways through creative blogs, or by submitting your work to online magazines and competitions.

On graduating, many of our students are equipped with the skills and confidence to continue to write and publish after the course has ended. This MA in Creative Writing can lead to a range of employment opportunities in publishing, editing, journalism and education.

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Add expertise to your talent and ideas and learn in the company of industry experts on this innovative, inspiring course for aspiring writers. Read more
Add expertise to your talent and ideas and learn in the company of industry experts on this innovative, inspiring course for aspiring writers.

If you want to make a career in writing, this course is for you. You already have talent and ideas, we’ll add the expertise you need to approach your chosen market with confidence, originality and skill. No ambitions are out of bounds: we love commercial genre fiction and literary experiments equally.

We aim to ensure our graduates are equipped to succeed - and to change the culture they choose to enter.

See the website http://www.napier.ac.uk/en/Courses/MA-Creative-Writing-Postgraduate-FullTime

What you'll learn

We take an innovative approach to the training and support of aspiring writers, driven by intellectual ambition and practical industry experience. There are four strands to the programme:

• developing narrative technique
• practising vocational skills (including abridgement, adaptation and collaborative creation)
• experimental, theoretical and personal development work
• regular one-to-one editorial mentoring

Uniquely, the course offers a dynamic range of cross-disciplinary options. Writing for graphic fiction, screenwriting, interactive media and creative non-fiction are all offered as specialisms, while our pioneering module in genre fiction covers crime, horror, fantasy and science fiction with YA options in each.

We host an exciting programme of lectures and master classes from award-winning authors and high-profile industry experts. In addition, an internationally recognised author joins us for 12 months as Writer in Residence, to develop new work alongside students, share experience and offer one-to-one consultations.

Our approach to full-length narrative development trains you to deploy a range of unique and dynamic pre-writing techniques invented by our programme. This energetic combination of conceptual development and critical self-reflection will transform you into a technically adept, purposeful writer ready to make your mark.

The course is taught by industry professionals Sam Kelly, a former literary agent and David Bishop, a successful working writer and former editor. In addition to campus facilities, our students have access to the Writers’ Room, a private workspace with Wi-Fi, available evenings and weekends. It houses an exclusive library of 2,000 hand-picked books, DVDs and graphic novels and is the venue for reading groups and social events.

The MA is piloting a Teaching Internship Scheme, offering selected graduates the opportunity to develop their teaching practice with the course for a further year.

Modules

• Creating Narrative – Writer’s Toolkit
• Innovation and Authorship
• Creative and Editorial Development
• Writing Practice – First Person Narrative
• Writing Graphic Fiction
• Writing Genre Fiction
• Creative Non-Fiction
• Interactive Media
• Major Project

Study modules mentioned above are indicative only. Some changes may occur between now and the time that you study.

Careers

Among our graduates’ achievements are:

• book deals
• representation by literary agents
• international and national competition wins
• publication in magazines and anthologies
• Edinburgh International Book Festival appearances
• paid editing and writing commissions
• performances and teaching
• working for national literary organisations

How to apply

http://www.napier.ac.uk/study-with-us/postgraduate/how-to-apply

SAAS Funding

Nothing should get in the way of furthering your education. Student Awards Agency Scotland (SAAS) awards funding for postgraduate courses, and could provide the help you need to continue your studies. Find out more: http://www.napier.ac.uk/study-with-us/postgraduate/fees-and-funding/saas-funded-courses

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Kingston University is proud to offer the first Master of Fine Arts in Creative Writing in the UK. This course offers talented and aspiring writers the chance to refine their skills under the tutelage of acclaimed professionals while receiving accredited training and experience in teaching in higher education. Read more
Kingston University is proud to offer the first Master of Fine Arts in Creative Writing in the UK. This course offers talented and aspiring writers the chance to refine their skills under the tutelage of acclaimed professionals while receiving accredited training and experience in teaching in higher education.

The unique combination of creative and practical skills provided on this course will prepare you simultaneously for a career as a publishing writer and an accredited teacher of creative writing.

Admissions to the MFA will based upon the quality of a writing sample as well as an assessment of your publishing potential.

What will you study?

The first year of the course involves writing workshops; modules examining literary genre and texts; the opportunity to take a module designed to prepare you for the world of publishing; and a 15,000-word dissertation, leading to the award of a masters degree. In the second year you progress to even smaller group writing workshops; modules to improve your skills of reading and textual analysis; and the chance to take a suite of modules culminating in the University's postgraduate teaching certificate. The extensive one-to-one supervision for the dissertation leading to the MFA (no less than the equivalent of 40,000 words) will be provided by one of the course's permanent staff, one of our writers in residence or an editor from a leading UK publishing company. There may also be the opportunity to gain experience assisting with Kingston University Press.

Creative Writing MFA students have the opportunity to undertake the Introduction to Learning and Teaching part 1 (ILT1) which is a non-accredited course run at Kingston University which aims to at support new colleagues and PhD students with teaching and learning.

Assessment

Book-length creative dissertation; critical reading log of approximately 4,500 words. You also take a series of unaccredited modules for which you will produce creative work, reading and teaching logs, critical commentary on selected texts and short essays.

Course structure

Please note that this is an indicative list of modules and is not intended as a definitive list.

Core modules
-Advanced Critical Reading
-Advanced Writers' Workshop
-MFA Dissertation
-Reading, Genre and Impact
-Special Study: Workshops in Popular Genre Writing
-Structure and Style
-Teaching and Writing Workshop
-Ten Critical Challenges for Creative Writers
-Writers' Workshop

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The MA in Popular Culture is a distinct, interdisciplinary MA programme that covers film, literature and cultural history. Read more
The MA in Popular Culture is a distinct, interdisciplinary MA programme that covers film, literature and cultural history. It will appeal if you are interested in popular culture in its critical and historical contexts and provides excellent preparation should you wish to pursue a research-based higher degree, such as a PhD, in the future.

Delivered by an enthusiastic team of cross-disciplinary specialists in popular culture research, the programme will provide you with the opportunity to undertake a comparative study of literature, history and film, working across subject boundaries. You will also develop the practical skills necessary to undertake work across subject boundaries and receive training in transferable research skills and methodologies.

What will I study?

The programme consists of two compulsory modules (20 credits each), four optional modules (20 credits each) and a compulsory dissertation (60 credits).

If you are interested in literature, the available options cover contemporary texts, including the genre fiction, journalism and print culture, and gender studies. Film-related modules focus on genre, identity and representation.

How will I study?

You will learn through a combination of lectures, seminars, tutorials and guided independent learning. Taught sessions take place between 6pm-9pm on weekday evenings. If you are studying full-time you will attend two evenings per week and if you are studying part-time you will attend one evening per week.

How will I be assessed?

You will be assessed through a combination of assignments which, depending on the modules you choose, may include essays, critical reviews, critical diaries, presentations, online discussions and research-based projects, as well as a 15,000-word dissertation.

Who will be teaching me?

You will be taught by a team of specialist tutors who are active researchers and committed teachers with interests in popular culture, literature, film, genre studies, modern history, gender studies, and history.

What are my career prospects?

Graduates in the humanities with a higher degree find employment in a wide variety of careers such as teaching, arts organisation and management, the heritage industry, publishing, advertising, journalism, libraries and learning centres or management/administration.

Alternatively, upon successful completion of the programme, you may wish to apply to progress onto a research degree such as an MPhil or PhD.

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This qualification is an exciting opportunity to develop your skills as a writer in fiction, poetry, creative nonfiction and scriptwriting for film, radio and the stage. Read more

MA in Creative Writing

This qualification is an exciting opportunity to develop your skills as a writer in fiction, poetry, creative nonfiction and scriptwriting for film, radio and the stage. You will be able to write in a genre of your choice and experiment with at least one other through practical and inspiring activities. You will hone your writing practice through sharing, reading and critiquing work in progress, and will work towards producing a substantial piece of your own creative writing to a professional standard.

Key features of the course

•Develop writing skills and awareness of approaches to writing
•Develop and hone sophisticated writing skills in at least one genre
•Develop a sound knowledge of, and ability in, a secondary genre
•Engage in sharing, critiquing and reviewing a variety of work
•Prepare a substantial piece of work to a professional standard.

This qualification is eligible for a Postgraduate Loan available from Student Finance England.

Modules

To gain this qualification you need 180 credits as follows:

Compulsory modules

• MA Creative Writing part 1 (A802)
• MA Creative Writing part 2 (planned for October 2017)

The modules quoted in this description are currently available for study. However, as we review the curriculum on a regular basis, the exact selection may change over time.

Credit transfer

If you’ve successfully completed some relevant postgraduate study elsewhere, you might be able to count it towards this qualification, reducing the number of modules you need to study. You should apply for credit transfer as soon as possible, before you register for your first module. For more details and an application form, visit our Credit Transfer website.

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The Master of Fine Arts in Writing program offers graduate students an intimate, personalized learning experience while taking advantage of San Francisco’s vibrant, eclectic literary scene. Read more
The Master of Fine Arts in Writing program offers graduate students an intimate, personalized learning experience while taking advantage of San Francisco’s vibrant, eclectic literary scene. Founded in 1986, the program is designed to instruct writers in creative techniques, nurture their individual development and vision, and help them thrive in the larger community of writers.

Our two-and-a-half year program offers workshops and literature seminars in the genres of fiction, poetry, and nonfiction. The distinctive design of the program emphasizes the connection between reading and the students’ own writing and fosters collegial relationships among faculty and students in small classes. All courses are taught by accomplished practicing writers, so that both literature seminars and workshops pay detailed attention to craft.

Because cross-fertilization enriches creativity, students are free to take courses outside their primary genre and sample a range of cross-genre literature seminars. Because depth of understanding is crucial to successful writing, students also take seminars and workshops that focus exclusively on one genre — long fiction, short fiction, poetry, or nonfiction. Students’ work culminates in a creative thesis — a book-length manuscript that is conceived, composed, and revised with extensive faculty mentoring.

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*New for 2017, subject to final approval. Develop your own signature sound and production style, through this forward-thinking, cutting edge music composition and production course. Read more

*New for 2017, subject to final approval.

Develop your own signature sound and production style, through this forward-thinking, cutting edge music composition and production course. The MA Sound Production programme is tailored towards individuals who are keen to hone their composition and production skills inside an intertextual and cross-disciplinary framework that pushes at the stylistic boundaries of genre.

The content will cover aesthetic considerations as well as technology and techniques utilised in modern music making. The award is deliberately unbounded by genre and there are opportunities to take an interdisciplinary approach to sound production, including contemporary electronic music, studio and field recording, experimental music and sound design for composition.

COURSE STRUCTURE

The programme encourages interdisciplinary and collaborative working methods with students from the wider music community at Bath Spa, as well as visual media and other departments within the University. While the programme has a music production focus, it also covers key areas of practice such as:

• Sound design

• Electronic music composition

• Soundscape and field recording

• Traditional studio practices

• Sound engineering

• Spatial audio and sound design

• Composition for visual media

You won’t be expected to cover all of these areas. You’ll be able to use the course to develop an individually-tailored portfolio of skills, experience and top-level work across them.

The course is part of a suite of courses available across music and sound, operating alongside ‘sister’ pathways in Sound Design and Sound Arts, which allow further specialism in these areas.

For more information on the 'sister' pathways please refer to the website: https://www.bathspa.ac.uk/courses/pg-sound-production/

MODULES

In trimester one, you'll gain the skills you’ll need to fulfil the rest of the course. The Skills Portfolio module is built on the idea that you’ll already have technical skills in this area. It therefore allows you to choose a handful of skills projects from a large number of options – these cover skills right across the Sound Arts, Sound Design and Sound Production pathways and include (optional) elements of multimedia.

The Research Methodology and Context module develops skills in postgraduate-level research and writing. It is designed to give you the tools for an onward journey in academia, but not to be, in the colloquial sense, ‘academic’.

In trimester two, you’ll advance the knowledge gained in the the first trimester and begin exploring the intertextual possibilities of music composition. In addition, you’ll develop a creative project that will further extend the work undertaken on the trimester 1 Skills Portfolio module.

The module Intertextuality In Sound Production aims to capture and contextualise emerging trends and innovation at the forefront of sound production and composition, and develop composition skills that extend beyond the limits of genre.

Alongside the Sound Production modules there are additional optional modules that you can study from the other pathways. From the Sound Arts pathway, the Visual Music module explores the idea that musical thinking can be extended to the visual, and encourages students to develop multimedia projects that explore this idea. From the Sound Design pathway the Post Production module explores an industry-level workflow for audio post production for picture.

In trimester three, you'll complete the course with a independent research project. While most Masters level courses consist of a substantial written dissertation component, the MA Sound Production programme focuses more on high-level practical work and the concept of ‘practice as research’ through the creation of a large-scale practical project.

The project will fulfil the same function as the traditional dissertation; you’ll develop individual and original research, but through the creation of a portfolio of works, rather than through the written word.

For more information on modules and course structure please visit the course webpage: https://www.bathspa.ac.uk/courses/pg-sound-production/

TEACHING METHODS

Most modules are taught through small-group seminars and workshops, where you’ll benefit from close interaction with tutors and peers. The Major Project and parts of the other modules are taught through individual tutorials where the focus will be entirely on your own practice.

ASSESSMENT

You’ll be assessed entirely on coursework. The majority of this will be practical and creative work, including the dissertation-equivalent Major Project. Some practical projects are accompanied by short informal written assignments, and the for the Research Methodology and Context module you’ll produce a more substantial paper.

CAREER OPPORTUNITIES

You can use the course to develop an individually-tailored portfolio of skills. This will equip you for the current employment landscape, where a combination of traditional music roles are required alongside broader practice in sound and other media.The course also provides the breadth necessary for FE and HE teaching in the field, and provides the basis required for PhD research and beyond.



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This course will help you to bring a novel, book of poems, book of short stories or work of non-fiction as near to publishable quality as possible. Read more

This course will help you to bring a novel, book of poems, book of short stories or work of non-fiction as near to publishable quality as possible. Working with tutors and other writers on the course, you’ll develop your writing and build up a substantial body of work. Weekly workshops are taught by a strong team of published writers, and there are regular visits by literary agents, publishers, magazine editors and broadcasters, as well as other writers.

Due to the reputation of the MA in Creative Writing, we are able to recruit excellent students who form an exciting and mutually supportive community of writers every year.

COURSE STRUCTURE AND CONTENT

The course is modular and is currently offered for full-time study only.

You’ll learn:

• To plan a manuscript (a novel, collection of short stories, collection of poems or book of literary non-fiction) and complete it, or a substantial part of it, brought to publishable quality or as near as possible.

• To understand literary form, style and genre, as relevant to your chosen form of writing

• To acquire a variety of relevant writing techniques, and research techniques to support writing, and adapt them to your particular creative project.

• To understand and respond creatively to questions arising from the subject-matter, themes, genres, traditions and other literary contexts with which your chosen manuscript is engaged.

• To receive and give precise and sensitive critical feedback in workshop groups and one-to-one tutorials.

• To respond creatively to feedback provided by tutors and other students, adapting that feedback to your particular vision of your book.

• To understand choices and opportunities relevant to your chosen manuscript, including questions of how to place your work, and the role of agents, publishers and editors.

MODULES

Each student will take two workshop modules, two context modules and a double module entitled 'The Manuscript':

In the first trimester ‘Professional Skills’ provides intensive group discussion and some plenary lectures. You’ll bring short pieces of writing to workshop groups consisting of a tutor and not more than seven other students. There are separate groups for prose and poetry. You’ll submit a manuscript proposal halfway through the module.

In trimester two, you’ll take a second workshop module in either prose or poetry.

Each context module explores connections between your creative writing and the wider world as represented by a theme or genre. Seminars are divided between considering set texts and workshopping your creative writing. You’ll take a context module in trimester one and another in trimester two.

In trimester three, ‘The Manuscript’ will be taught by means of one-to-one tutorials. This is the culmination of the course – the book, or substantial part of a book.

For more information on course structure and modules please go to: https://www.bathspa.ac.uk/courses/pg-creative-writing/

TEACHING METHODS

You’ll be taught in group workshops and seminars, one-to-one tutorials, plenary lectures and a residential weekend.

TUTORS

The teaching team in 2015-16 included the novelists Ian Breckon, Nathan Filer, Maggie Gee, Tessa Hadley, Samantha Harvey, Philip Hensher, Beatrice Hitchman,Tricia Wastvedt, Fay Weldon and Gerard Woodward, the poets Tim Liardet, Lucy English, Neil Rollinson and Sean Borodale, the historical novelists Celia Brayfield and Kylie Fitzpatrick, the nature writer and memoirist Richard Kerridge, the nature writer Stephen Moss, the travel writer Joe Roberts and the literary memoirist Gavin Cologne-Brookes.

ASSESSMENT METHODS

You’ll be assessed entirely by coursework: mainly creative writing, plus two short essays, a manuscript proposal and a short commentary on the manuscript in progress.

For more information on assessment please see the course handbook: https://www.bathspa.ac.uk/media/bathspaacuk/course-handbooks/course-handbooks/PG-Creative-Writing-Handbook-2016-17.pdf

CAREER OPPORTUNITIES

Current or former students have been awarded excellent contracts for novels; been long-listed for the Man Booker Prize, Orange Prize, Costa Prize and the Guardian First Book Award; received the Betty Trask Prize, Manchester Book Award and a W.H. Smith New Talent Award, and reached the best-seller lists.

ALLUMNI SUCCESS

In recent years, several current or former students have been awarded excellent contracts for novels; Two were long-listed for the Man Booker Prize, three for the Orange Prize, one for the Costa Prize and one for the Guardian First Book Award. One received the Betty Trask Prize; another the Manchester Book Award; another a W.H. Smith New Talent Award. One reached the best-seller lists. Student poets have had their poetry accepted for publication in numerous literary journals, including Ambit, Magma, London Magazine, Poetry Wales, PN Review and The Reader, among others, and have been placed in such competitions as the Bridport, the Frogmore, Mslexia, and Writers Inc. Janklow and Nesbit Ltd, a leading literary agency, awards an annual prize for the best novel or novel in progress by a student on the course.



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This programme focuses on computer-assisted translation to give you valuable experience of the localisation, project and terminology management tools that are used in professional practice. Read more

This programme focuses on computer-assisted translation to give you valuable experience of the localisation, project and terminology management tools that are used in professional practice. You’ll also work with students specialising in a wide range of languages to produce multilingual translation projects.

You can specialise in translation between English and one or two languages, including Arabic, Chinese, French, German, Italian, Japanese, Portuguese, Russian and Spanish. In addition, you’ll be able to choose from optional modules informed by the research of our experts on topics such as audiovisual translations, machine translation and genre analysis.

You’ll be taught by both leading researchers and contracted practitioners through our Centre for Translation Studies, to equip you with a good knowledge base and practical skills to launch an exciting career.

Specialist facilities

We have excellent facilities and resources to support your studies. Our Electronic Resources and Information Centre (ERIC) supports all of our translation programmes, complete with 59 high-spec PCs and a wide range of specialist software for translation and subtitling.

The Centre for Translation Studies is also constantly compiling and updating very large corpora of texts in digital form so you can analyse source texts and produce more idiomatic translations. If you want to try your hand at interpreting, you will have the option to do so in our state-of-the-art conference suites.

This programme is also available to study part-time over 24 months, or as a Postgraduate Diploma qualification.

Course content

You’ll focus on computer-assisted translation throughout this programme using a wide range of professional software tools. A core module will run throughout the year developing your skills through multilingual group projects, which also give you valuable experience of translation project management.

You’ll study another core module introducing you to approaches and research methods in translation studies, then choose optional modules to build your specialist written translation skills between English and one or two languages of your choice. You could also choose from any of the research-led optional modules exploring topics such as audio-visual translation or genre analysis.

Throughout the year, you’ll be sharpening your skills and developing your theoretical and practical understanding of translation. You’ll showcase this in your summer project, which you’ll hand in by the end of the course in September.

If you choose to study part-time, you’ll take fewer modules in each year and study over a longer period. If you take the PGDip, you’ll study the same content but without completing the summer project.

Compulsory modules:

  • Computer-Assisted Translation 45 credits
  • Methods and Approaches in Translation Studies 30 credits 

Learning and teaching

We use different teaching methods to help you develop a range of practical skills as well as a sound theoretical knowledge base. These include lectures and seminars, as well as practical classes where you’ll make the most of our facilities.

In addition, the Centre for Translation Studies runs a regular programme of Research and Professionalisation Talks from visiting speakers, many of whom are actually practicing translators, interpreters, subtitlers or project managers.

Assessment

You’ll be assessed using a wide range of methods. Translation tests are an important element, as are essays and individual and team projects. If completing the MSc you’ll also be assessed on your individual summer project, which can be either two long translation pieces or one short research project.

Career opportunities

A postgraduate qualification in Applied Translation Studies equips you with valuable skills that are increasingly important in a globalised world. You’ll also develop advanced IT, research, analysis and communication skills that are very attractive to employers across different industries.

Many of our students go straight into practice with their translation skills, whether they work in large organisations, small or medium-sized language service providers or as freelance translators. Others pursue related careers such as project management or administrative roles in language services. They work in organisations such as the UN and affiliated organisations, the European Parliament and European Commission, commercial enterprises and NGOs.

Careers support

We provide plenty of support to help you reach your career goals. We offer targeted careers advice and professional training throughout the programme, as well as events including workshops arranged with professional national and international organisations.

As a student at Leeds you’ll be able to enter the SDL Certification Program for free and obtain discounts on CAT and subtitling software to help you prepare for your career.

Read more about Careers and Employability



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This challenging and exciting programme will introduce you to key methods and approaches in translation studies, specialising in the processes and practices of audiovisual translation. Read more

This challenging and exciting programme will introduce you to key methods and approaches in translation studies, specialising in the processes and practices of audiovisual translation.

You’ll work between English and one or two languages, including Chinese, French, German, Italian, Japanese, Portuguese, Russian and Spanish. You’ll also have the chance to study modules informed by research taking place at our Centre for Translation Studies on topics such as computer-assisted translation, machine translation, interpreting and genre analysis.

Leading researchers work alongside contracted practitioners to equip you with a range of practical skills, as well as a solid understanding of the principles that underpin audiovisual translation. It’s an opportunity to gain the knowledge and skills to launch an exciting career in a growing industry.

Specialist facilities

We have excellent facilities and resources to support your studies. Our Electronic Resources and Information Centre (ERIC) supports all of our translation programmes, complete with 59 high-spec PCs and a wide range of specialist software for translation and subtitling.

The Centre for Translation Studies is also constantly compiling and updating very large corpora of texts in digital form so you can analyse source texts and produce more idiomatic translations. If you want to try your hand at interpreting, you will have the option to do so in our state-of-the-art conference suites.

This programme is also available to study part-time over 24 months, or as a Postgraduate Diploma qualification.

Course content

You’ll focus on computer-assisted audiovisual translation throughout this programme using a wide range of professional software tools. In addition to the processes and practices of professional audiovisual translation, core modules will introduce you to essential concepts in translation studies

In addition you’ll choose optional modules specialising in translation from one or two languages, while you can also choose from modules informed by the research of our experts in key areas such as computer-assisted translation, machine translation or genre analysis. You’ll also complete a summer project by the end of the programme in September, which could take the form of extended translations, a dissertation or subtitling project.

If you choose to study part-time, you’ll study over a longer period and take fewer modules each year.

Course structure

Year 1 Compulsory modules

  • Methods and Approaches in Translation Studies 30 credits
  • Audiovisual Translation: Processes, Strategies and Industry-Driven Practice 30 credits
  • Monolingual Subtitling 15 credits 

For more information on typical modules, read Audiovisual Translation Studies MA Full Time in the course catalogue

For more information on typical modules, read Audiovisual Translation Studies MA Part Time in the course catalogue

Learning and teaching

We use different teaching methods to help you develop a range of practical skills as well as a sound theoretical knowledge base. These include lectures and seminars, as well as practical classes where you’ll make the most of our facilities. In addition, the Centre for Translation Studies runs a regular programme of Research and Professionalisation Talks from visiting speakers, many of whom are actually practicing translators, interpreters, subtitlers or project managers.

Assessment

You’ll be assessed using a wide range of methods. Translation tests are an important element, as are essays and individual and team projects. You’ll also be assessed on your individual summer project, which can be either two long translation pieces or one short research project.

Career opportunities

A postgraduate qualification in Audiovisual Translation Studies equips you with valuable practical skills, underpinned by a solid theoretical foundation. You’ll also develop advanced skills in IT, research, communication and analysis that are very valuable to employers.

Graduates have launched careers in subtitling and translation in locations such as London, Hong Kong, Taipei and Tokyo. They work for organisations such as the BBC, UN, World Bank and World Trade Organization, as well as major translation companies. Many also go on to work as freelancers, making use of the experience and significant networks that they start to build at Leeds.

Careers support

We provide plenty of support to help you reach your career goals. We offer targeted careers advice and professional training throughout the programme, as well as events including workshops arranged with professional national and international organisations.

As a student at Leeds you’ll be able to enter the SDL Certification Program for free and obtain discounts on CAT and subtitling software to help you prepare for your career.

Read more about Careers and Employability



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The MA Creative Writing is an intensive course which treats your ambition as a writer seriously. Our students come from a range of backgrounds including the arts, teaching, law, journalism, history and writing. Read more

The MA Creative Writing is an intensive course which treats your ambition as a writer seriously. Our students come from a range of backgrounds including the arts, teaching, law, journalism, history and writing. The course is for anyone with an interest in or ambition towards writing.

Some of our most successful students include best-selling author of A Short History of Tractors in Ukrainian, Marina Lewycka, T.S. Eliot short-listed poet Frances Leviston and Radio 4 and BBC TV script writer Sharon Oakes.

Our internationally-acclaimed team of published writers teach in all areas of contemporary literary practice. They include

  • Chris Jones – Forward Prize nominee
  • Conor O'Callaghan – poet and novelist
  • Maurice Riordan – poet, former editor of Poetry London and The Poetry Review
  • Julianne Pachico – short story writer and novelist
  • Harriet Tarlo – environmental poet, editor and critic

The E.A Markham Award

The E.A Markham Award means that one student each year will study the course for free. The award covers the full-time study fees and is awarded solely on merit and potential. It is offered in memory of Professor E.A Markham, a respected tutor here who worked to shape the development of this course.

Download the E.A Markham award guidance for more information.

Short course – single modules

If you are not able to commit to the whole course, you can apply to take a single module. Choose a genre from the optional modules listed in the course content and apply as normal. Your portfolio needs to include examples of writing in your chosen genre. The credit you gain for completing one module will count towards the full MA should you choose to pursue this at a later date.

Publications and prizes

The Ictus Prize in Poetry is awarded to the best poetry collection – this consists of a small pamphlet publication. Every year, we publish Matter, a stylish anthology, edited and designed by students, and sold and promoted in bookshops. If you would like to receive a sample copy of this, email the course leader

Course structure

Core modules

  • The contemporary writer
  • The craft: poetry and short story
  • The craft: novel and script
  • The workshop
  • Writing up

Assessment

Submission of written work to specified word lengths with accompanying critical commentaries.

Employability

By enhancing your skills in writing, literary revision and reflection, you are preparing for a number of roles where knowledge of writing and the processes of writing are important such as

  • writers of fiction, poetry, script, children's writing and memoir
  • editing anthologies and journals online and in print
  • teaching creative writing at all levels including schools community groups adult education FE, HE and professional training
  • going on to further research at PhD and postdoctoral level at Hallam and elsewhere
  • writing for online forums writing blogs
  • taking up writers in residence posts
  • theatre in education
  • copyediting, proofreading, ghost-writing
  • organising literary festivals and events
  • scripting advertisements
  • reviewing online and in print


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