The Master course intends to form knowledgeable designers of the most advanced models of relationship between the product development processes, market dynamics and technological developments. It also intends to complete the training of professionals in R&D, marketing and brand management in the furniture sector, offering them a better understanding of design management skills as a lever to create a competitive advantage.
The Master is based on the capacity of Italian companies, working in the furniture industry, to use design as a fundamental lever of competitive advantage and a structural element of corporate culture. The core of the program is focused on the knowledge generated from the advantageous relationships instilled between the Italian production system and the network of professions involved in design. The Master sets its cultural roots in the “Italian model” of rapport between enterprise and design, while also aiming to develop new knowledge in innovation that responds to the challenges posed by technological, social and market changes.
The program’s structure takes on a systemic vision of the role of design in the furniture industry, teaming new fields of interest to the traditional focus on product development, along with the growing importance of brands and its tangible and intangible elements of expression.
Product design covers a wide and diverse field, so our aim is to help you to become a creative, imaginative and versatile designer who can operate independently or as a member of a design team.
This course develops your existing knowledge and experience as a designer, and exploits our significant research expertise to enhance your own design and research skills to a new level.
You use your creative, practical and theoretical skills to investigate and propose new solutions in response to problems such as economic and environmental issues. In this way, you learn to design products and environments that respond to the needs of our rapidly changing society. You can pursue a wide area of investigation when developing your new products and systems.
There are opportunities to participate in study trips and visits to design conferences and debates.
You choose your own project content and this is supported by lectures and seminars dealing with professional practice issues and reviewing your progress. You also take part in regular group and individual tutorials.
Your final major project is the culmination of your research and studio-based design practice. It demonstrates that you can deal with difficult contemporary questions and take a leading role as a design professional.
We are one of the oldest established art and design institutions in the UK, renowned for producing internationally recognised research. Your projects are supported by lecturers who are design specialists in areas as diverse as medical products, materials development, furniture and sustainability.
Vibrant and supportive learning environment
During the course you regularly take part in constructive critical debates about your own work and that of your peers. You need to communicate your research, ideas and designs in ways that are appropriate to professional leadership.
You study alongside MA and MFA Design students for part of your course and benefit from a vibrant, international, collaborative and supportive postgraduate environment.
Excellent facilities and creative resources
You have access to a huge range of creative resources to experiment and engage with including • 3D printing for rapid prototyping • state-of-the-art hardware and software • photography studios • a creative media centre • a gallery • well-equipped workshops.
You also have access to our award-winning learning centre featuring a specialist art, design and media library and extensive online resources.
MA and MFA study
MA and MFA students complete the same modules during the course except that MFA students complete an extra project module. The MFA project encourages you to develop professional skills that help you to identify, instigate, and deliver projects with external partners, such as communities, galleries or businesses. You find a project partner, agree a brief and then deliver the project to a professional standard.
This course is part of the Sheffield Institute of Arts (SIA), an amazing, diverse community of makers – where staff, students and partners work as equals to deliver real innovation and creativity. SIA opened in 1843 and is one of the UK's oldest Art and Design Schools. We have recently moved into the Head Post Office, a redesigned Grade II listed building. It includes state-of-the-art workshops which provide you with a unique studio-based learning environment in the heart of the creative community.
• project 1 • theory supporting practice
• project 2 • negotiated project
• major project
Semester four – MFA students only
• MFA project
Semester one (year 1)
• theory supporting practice • negotiated project
Semester two (year 2)
• project 1 • project 2
Semester three (year 3)
• major project
Semester four – MFA students only (year 4)
• MFA project
Assessment and feedback are vital parts of the learning process in creative disciplines. Most assessment is through individual project work which combines research and creative practice. Assessment calls for both excellent creative work and well-documented research.
There are many opportunities for employment or self-employment. We encourage you to take an enterprising approach and to strengthen your ability to develop your own business.
The roles designers perform are wide reaching. Careers developed by some of our graduates include • independent design practitioner • maker or manufacturer • company employed designer • manager or buyer • professional researcher.
An increasing number of our graduates undertake more advanced further study through research degrees (PhD) in our Art and Design Research Centre which has a leading position in the advancement of creative practice in design.
Sheffield is home to the largest concentration of creative production in the region. Support for creative industries in the city has encouraged home grown talent as well as practitioners relocating here.
Focusing on innovative approaches to design you will be able to investigate textile practices without being constrained by a curriculum which segregates design specialisations.
Freedom to explore creative practice together with a proactive approach towards industry engagement, self-promotion and competition entry helps students gain placement opportunities and win awards every year, including New Designers, Bradford Textile Society and CAMAC Student Wallpaper Design.
Lectures and workshops with guests from textile design and fashion sectors such as Sarah Angold (Sarah Angold Studio), Sally Ann Wood (Cath Kidston) and Margo Selby encourage industry understanding. Trips to cities such as Paris and New York include studio and trade fair visits to further support you in identifying and developing your own career path or business venture.
We challenge conventional thinking about textile design practice and encourage and support you to push the boundaries of your practice through experimentation, critical reflection and skilful use of techniques and processes.
Textile Print and Dye Workshop
Long print tables with repeat furniture for screenprinting fabric lengths, heat presses, dye kitchen with steaming and washing facilities are included in the resources available.
Constructed Textiles Workshop
Resources include: digital sewing, embroidery and knitting machines with professional software, spinning wheels, tapestry frames, smocking machines, shaft table top looms, digital reactive and acid dye fabric printer, Epson 7000 digital disperse dye sublimation printer and Mimaki TX2 digital fabric printer.
Digital Design Workshop
Equipped with the Adobe Creative Suite. AVA professional textile design software is available for taught delivery and individual use.
General Technical Sessions
Optional software inductions available to all students introduce you to a wide range of creative possibilities and output options.
Media Resource Centre
For digital cameras, tripods, 35mm DSLRs, 35mm film cameras and lighting equipment.
Large-bed cutter for card, board and acrylic materials with associated digital design hardware and software.
The largest specialist are, design and media collection in the East of England including 32,000 books, 1,300 journal subscriptions and 3,000 DVDs.
The offer of entry onto a Masters Degree (MA) is based on an expectation that you have the potential to fulfil the aims of the course of study and achieve the standard required to successfully complete the award. Entrants should normally have achieved a BA (Hons)/BSc Degree of 2:1 or above (or its equivalent), in a subject related to your proposed course of study.
Applicants who hold a Degree from another discipline may also be considered for entry, subject to the submission of a satisfactory portfolio of art, design or media-related work in support of their application.
The majority of applicants to courses at NUA will be invited to attend an interview. This provides an invaluable chance to meet face-to-face and is the major factor in determining the success of your submission. The interview is an opportunity to assess your work and the suitability of your application and also provides you with a chance to assess NUA’s staff, campus and facilities and ask questions. The key focus of your application process is on your portfolio. Some courses may require additional entry requirements or passes in specific subjects.
For further information on this course, please visit our website - MA Textile Design.