“Science fiction, fantasy, musicals, and period films offer the most obvious platform of eye-catching design, but it should be remembered that even if the subject is contemporary, or the style emulates documentary, we are still witnessing an illusion which has been designed.”
Peter Ettedgui — Production Designer
The MA Film Production course is for gifted and emerging filmmakers seeking to learn on the job, to go beyond the short film, to define themselves as artists within a working film production crew, and to gain that vital production experience demanded by the industry.
Work Placements | In line with the courses’s emphasis on industry experience, you will be encouraged to undertake, seek out short-term work opportunities in your field. These can occur when your pathway is normally not involved in a particular production stage, for example with production designers during post-production. This opportunity is available for all students, Home/EU and for International, details can be found on our Working during and after page. The experience you and other students gain through this work out in the industry enhances and -compounds the learning and collaboration on the course.
MA Film Production (Producing)
MA Film Production (Directing)
MA Film Production (Production Design)
MA Film Production (Cinematography)
MA Film Production (Editing)
MA Film Production (Sound Design)
MA Film Production (Documentary)
MA Film Production (Screenwriting)
Mirroring the working patterns of film production these named awards also reflect the degree of physical production engagement for these disciplines. With Producers, Directors and Documentary makers taking their films through all the stages from first idea, through to development, pre-production, production, post, and on right through to delivery to the audience. Whilst the disciplines of Production Design, Cinematography, Editing, Sound Design, and Screenwriting, over that same time period, will be engaged in the physical production, post of two or more films.
For the Portfolio Short Films made on the course, the budgets are seed funded. For other units, all the basic costs of materials and equipment are covered.
This course is part of Bournemouth Film School, along with BA (Hons) Film Production, MA Animation Production, BA (Hons) Animation Production, as well as BA (Hons) Visual Effects Design and Production. Together we make up the largest film school outside of London and one of few UK CILECT members.
All students are taught on specific discipline-focused and dedicated pathways. Allowing students to enhance their skills and knowledge and their ability to focus on their chosen pathway, together with its specific relation to the key aspects of the work of film production. Between course production blocks, all students are encouraged to seek out short work opportunities in the industry.
The experience gained enhances group learning and collaboration on the course. In their fourth term students undertake an industry pitching process, designed to overlap with the new student intake further increasing opportunities for group learning.
Structured in a way that builds systematically and in a logical sequence that mirrors the film industry, the course consists of four overlapping units, each building in complexity and demand. For the producing, directing and documentary pathways this will involve six or more shoots, and twelve or more shoots for the other pathways, as their numbers on the course are organised to facilitate this production engagement. This again mirrors industry experience for these pathways.
Cinematic Storytelling
This unit consists of two production blocks. The first block involves a number of exercise shoots in which student also involve themselves in script continuity and first AD roles.
The second block is a location/studio shoot of a script devised and developed by students during the unit. For this block and other productions; the BA (Hons) Film Production course students and graduates will be a valuable crewing option. All MA pathways collaborate together on these shoots.
Virtual Effects Project
This explores the realisation of expansive, action, cast heavy, costly sequence, beyond the scope of the short film. Scenes normally only possible on a large budget production which even then would be achieved by a mix of live action and computer generated imagery, such as in the opening scene of Les Miserables.
Through collaboration with the BA Visual Effects and MA Animation courses, the MA Film Production students produce a virtual action sequence using the industry standard software to cover a demanding and expansive scene of this scope.
This will then be edited, reviewed and analysed by the cohort together with experienced practicing directors, editors, producers, VFX designers and stunt arrangers. Use of green screen is an integral part of the unit. AUB has a branch of Framestore, Europe’s leading VFX company, on campus.
Portfolio Short Film
A short film shot over a week, or number of days to be determined by budget and negotiation. Using studio and/or location and image capture with Arri Film or Alexa Digital cameras. This film will be based on a script, or devised material that has been developed on the course. The expectation is that these films will have the potential to be entered into festivals.
Research and Project Development
This unit is about the genesis and development of long form/feature projects, beyond the scope of the short film. Graduates will take this out into the industry as part of their career progression. Over the first three terms this story/theme driven work for the pathways, includes research into process, feasibility and practice studies.
Bridge to the Industry
A two-day production block for this unit enables the shooting of a teaser or pilot scene. Furnished with these active projects, with industry networking, with a Portfolio Short Film and the experience gained on the course, graduates of the MA Film Production course will have a real bridge to the industry and to career development and progression.
This specialist programme will enable students to develop advanced knowledge and skills in film production, developing through the course a career specialism in directing, editing, production, camera or sound production.
The programme is distinctive as students will learn and study within the complex and immersive environment of a conservatoire drama school, with substantial access to highly talented acting students and the industry-standard facilities required of this high level vocational training. The skills and experience gained in their chosen area of specialism will enable them to seek employment in the professional film, television and independent film production industry on successful completion of the course.
The course will run for 38 weeks and recruitment will be limited to five students. Each will develop their own distinct specialism within a production team (director, editor, producer, camera, sound production) and they will work together as a unit across four of the five core modules.
These modules are:
1. Moving Image Production
2. Drama Production for the Small Screen
3. Short Film Production (Client-led Film)
4. Short Film Production (Drama)
5. Preparation for Working in the Film Industry
The fifth module is taken individually through a specialist industry placement related to the student’s designated specialism.
The overall aims of the programme are:
• To enable students to develop specific technical and project management skills in film production, primarily drama;
• To enable students to learn skills in leadership and creative problem-solving;
• To enable students to develop a specialism within the key areas of film production (directing, editing, producing, camera, sound production)
• To develop a high level of personal, social and environmental responsibility in working to professional schedules, disciplines and practice, including risk assessment and carbon emission reduction.
• To provide experience and build confidence to engage with industry professionals and develop their career management skills;
A copy of the rules and regulations governing the course is available consult the BOVTS policies and procedures page.
This module map provides a list of the modules that make up your course.
Each module is worth a specified number of credits, enabling you to cover key subject knowledge while developing your own interests.
Optional Modules: There are no optional modules for this award
Interim Awards: PG Cert Film Production (60 Credits), PG Dip Film Production (120 Credits)
Credit requirements: 180 credits from the above modules for MA Film Production
Award: MA Film Production
Students learn within a conservatoire environment in which they are regarded as professionals in training. At this Masters level in Film Production, there is an expectation that they will develop a high level of problem solving skills, engage at an advanced level of critical evaluation of their practice and acquire the creative thinking required of film makers working in a practical, complex creative and employment-focused environment.
Students are immersed in this challenging environment, which demands great attention to detail, independent thinking, and collaborative working combined with diplomatic negotiating and leadership skills.
The programme is practical and career focused. It is integrated with the school’s other programmes during productions, as well as within the professional environment. The programme features a high level of one-to-one teaching by specialist professionals.
The learning is immersive and singular in its focus on high level specialist professional employability as a main learning outcome.
The learning is intensive with students taught and supervised by teaching staff at least 30 hours per week across the 38 weeks of the programme.
To apply for entry to the MA Film Production programme in October 2018, you will need to use the UCAS Conservatoires.
To apply for this course please click here: click here to apply via the UCAS website in a new tab
Applications open on the 1 September 2017 and close on 28th February 2018.
Please note that UCAS Conservatoires is a different application system to UCAS Undergraduate.
Applying Through UCAS Conservatoires
Although UCAS Conservatoires (previously CUKAS) offers many advantages, it was originally designed to handle applications for music programmes at UK conservatoires and is in the process of being adapted to meet the needs of drama applicants.
We are working with UCAS Conservatoires and other drama schools to ensure this happens as quickly as possible but, in the meantime, you may find the following notes helpful.
Additional Guidance on How to Apply
Registration and Audition Fees
There is a one-off registration fee of £25 to register (for entry 2018) to use the service. The Bristol Old Vic Theatre School also charges an audition administration fee of £35 to cover the cost involved in arranging and delivering auditions/interviews. Both fees are payable through UCAS Conservatoires.
Personal Statements
We recommend that you pay particular attention to the information you provide in your personal statement on your application form in order to give us as full a picture as possible of your relevant experience and reasons for applying.
Application Dates
You can apply through UCAS Conservatoires from the 1 September 2017. The equal consideration deadline for applications to the MA Film Production programme is 15 January 2018. However our applications for this course will close on 28th February 2018.
If you have any further queries please contact the Admissions Department to discuss: [email protected]
Deferred Entry
We are unable to consider applications for deferred entry.
Film Production is a major component of Vancouver’s economy, as well as in cities across the globe. UBC has an over 40-year history of training some of Canada's (and the world's) brightest filmmakers and technicians. The MFA in Film Production focuses on the areas of directing, screenwriting and producing live action narrative or documentary film for students who already have a comprehensive background in filmmaking and wish to pursue a specific creative or intellectual vision in an academic environment. The Joint MFA in Film Production and Creative Writing offers the same film production education but with an additional focus on screenwriting. Students in the Joint degree take additional coursework in screenwriting through the Creative Writing program and are required to write the script for their thesis film. Our graduate and student work has screened at film festivals across the globe, and graduates have had key roles in films as diverse as District 9, 65 Red_Roses, and The Editor.
The film industry employs 36,000 people in Vancouver and pumps over $1 billion dollars into the local economy. UBC maintains partnerships and agreements with post-production facilities, rental houses, and professional and union organizations to facilitate student work, education, networking, and post-grad opportunities. Our faculty includes Rachel Talalay, a working director who has film and television credits in the US, the UK and Canada. Furthermore, students have the option to learn from and collaborate with UBC’s top-tier Creative Writing department and Theatre and Film Studies programs.
UBC offers the only Master’s Degree in Film Production and Creative Writing in Western Canada, and is one of the few MFA Film Production programs in the world to require an undergraduate degree in film production to be considered. Our courses are advanced and small; only 1-2 students are accepted every year out of the 30-40 that apply.
UBC MFA Film Production and Creative Writing graduates can be found working in the film industry as producers, screenwriters, and directors. Some also choose to pass on what they have learned by working as instructors and professors at educational institutions. Many serve on the boards of film organizations or serve on juries at film awards.
Film Production is a major component of Vancouver’s economy, as well as in cities across the globe. UBC has an over 45-year history of training some of Canada’s (and the world’s) brightest filmmakers and technicians. The MFA in Film Production focuses on the areas of directing, screenwriting and producing live action narrative or documentary film for students who already have a comprehensive background in filmmaking and wish to pursue a specific creative or intellectual vision in an academic environment. Our graduate and student work has screened at film festivals across the globe, and graduates have had key roles in films as diverse as District 9, 65 Red_Roses, She's a Boy I Knew and The Editor.
The film industry employs 36,000 people in Vancouver and pumps over $1 billion dollars into the local economy. UBC maintains partnerships and agreements with post-production facilities, rental houses, and professional and union organizations to facilitate student work, education, networking, and post-grad opportunities. Our faculty includes Rachel Talalay, a working director who has film and television credits in the US, the UK and Canada. Furthermore, students have the option to learn from and collaborate with UBC’s top-tier Creative Writing department and Theatre and Film Studies programs.
UBC offers the only Master's Degree in Film Production in Western Canada, and is one of the few MFA Film Production programs in the world to require an undergraduate degree in film production to be considered. Our courses are advanced and small; only 1-2 students are accepted every year out of the 30-40 that apply.
UBC MFA Film Production graduates can be found working in the film industry as producers, screenwriters, and directors. Some also choose to pass on what they have learned by working as instructors and professors at educational institutions. Many serve on the boards of film organizations or serve on juries at film awards.
On this programme, students develop a practical and critical approach to the relationship between film production workflows, digital film technology, and creative practice. The programme seeks to develop students' creative abilities to a high professional standard, preparing them for employment in increasingly dynamic film and media sectors, and to facilitate film projects that foreground the importance of practice-based research, expertise and experimentation.
The MA route allows students to refine a critical approach to creativity in areas such as writing, directing, and producing; the MSc focuses on creative technological agendas in areas such as cinematography, editing, and VFX. To find out more about the MA/MSc in Film Production visit our blog at http://blogs.gre.ac.uk/filmproduction.
From October to April, you will attend three core courses (Cinematography 1, Production Practice, Film Research Workshop) and choose four courses from the following options: Cinematography 2, Film Screenwriting, VFX, Directing Screen Performance, Sound Design and Editing. From May to September you will undertake a final project.
You will use digital camera equipment current in the industry, including RED, Canon C300 and Arri Alexa systems. Teaching takes place in brand new film production facilities in the Stockwell Street building, which includes studios, post-production suites, and a sound studio.
Year 1
Students are required to study the following compulsory courses.
Students are required to choose 30 credits from this list of options.
Year 1
Students are required to study the following compulsory courses.
Year 2
Students are required to study the following compulsory courses.
Students are required to choose 30 credits from this list of options.
Students are assessed on their film project work and creative portfolios.
This programme is aimed at students preparing to make the transition from education to employment in the film industry. The film sector needs graduates with specialist expertise, but also creative thinkers who are deadline-driven and project-minded; capable of managing digital workflows in an enterprising manner, and taking initiative. This is the kind of approach we encourage and help our students to develop.
Got a passion for filmmaking? Want to improve your professional showreel and boost your employability? Southampton Solent’s MA Film Production programme is ideally suited to students who want to learn advanced filmmaking techniques, working in professional studios and collaborating with expert tutors on a range of projects.
This exciting course focuses on independent filmmaking and current practices in the film industry. Students will experiment with creative ideas from the outset, taking advantage of our industry-standard facilities, training and equipment.
Along the way students will be challenged to develop their own personal style of filmmaking, exploring new ideas and collaborating with other postgraduate students. Up-to-the-minute teaching and instruction help students to build on these skills and work towards their chosen career.
Students studying in the School of Media Arts and Technology benefit from a schedule of high calibre guest speakers and visiting fellows. Recent talks have been given by Anne V. Coates (Oscar winning editor), Paul Franklin (Oscar winner for visual effects on Inception), Brian Tufano (cinematographer on Trainspotting, Quadrophenia and Billy Elliot) and Sir Alan Parker (director of Fame, Evita, Bugsy Malone, The Commitments and Mississippi Burning).
Our graduates pursue a wide range of careers. Suitable roles for graduates include: production, journalism, marketing, teaching.
Solent’s MA Film Production is well-suited to those with a bachelor’s degree in a related subject, or those with extensive industry experience in advertising, marketing or design.
The course content is ideal for those wishing to learn advanced filmmaking techniques to enhance their existing role, or move into filmmaking.
Year one
Core units
Southampton Solent’s media academy offers a comprehensive media loans scheme, giving students free access to a range of modern filmmaking equipment including high-definition (HD) video cameras and DSLR full-frame cameras. Students are also able to access a wide range of top-quality lenses and lighting kits. Investment into 4K technology has already begun, giving students access to the latest professional standards. The media academy is also home to three green-screen studios, a large visual recording studio with capacity for 200 seated audience members and a range of industry standard post-production facilities.
Many past students are running their own production businesses, working as in-house practitioners or securing budgets for creative projects through crowd-funding. This course will help students prepare for careers in video production, post-production, directing, producing and cinematography.
We have well-established industry links with ITV, the BBC, Talent TV, Glastonbury and Creamfields, giving our students access to industry professionals and up-to-the-minute experience. Past students have worked on projects for B&Q, Fat Face, Ikea, Glastonbury, Cowes Week and Camp Bestival.
We also welcome regular guest lecturers from industry. Previous speakers have included directors Michael Apted and Alan Parker, producers Claire Lewis (7 Up) and Nik Powell (The Crying Game), cinematographer Brian Tufano (Trainspotting), editors Alex Mackie (CSI and Downton Abbey) and David Gamble (Shakespeare in Love) and television and radio presenter Zoë Ball.
We host key events for Southampton Film Week, which gives students the chance to meet and network with other industry professionals.
You’ll have the opportunity to gain work experience through our two production houses: Solent Productions and Solent Creatives, which work with a wide variety of clients and media organisations.
You could be involved in writing, researching and producing work, as well as in practical film production in the studio and on location.
This course is ideally suited for students progressing from undergraduate study, or professionals seeking to develop their career in filmmaking.
This course gives students the opportunity to develop a portfolio of production related skills by studying at DMU in Leicester and at Creative Media Skills (CMS), an independent training provider based at Pinewood Studios in Iver Heath, Buckinghamshire
Reasons to study International Film Production at De Montfort University:
Over the last 20 years, the UK has become a leading hub for the production of major fiction films, and UK trained specialists are some of the most respected in the world. You will gain production management skills by working with experienced film industry personnel and senior academic staff.
The content of the course has been developed in partnership with Creative Media Skills, meaning you can be assured that what you are learning is directly relevant to current industry practice. Throughout the course your time will be divided between campus at DMU in Leicester, and the CMS centre in Pinewood Studios, Buckinghamshire with one semester being taught at each location, and a third semester of guided independent study based at DMU.
During the course, you will be given the opportunity to pursue specialisation in a range of areas, including production design, art direction, directing, assistant directing, cinematography, hair and makeup, prosthetics and production management. You will be expected to work collaboratively in developing and realising a production by taking on a head of department role, which will be allocated by tutors.
Terry Bamber, Assistant Director on 'Luther', Production Manager on five James Bond films, Visiting Professor in the Leicester Media School at DMU, said: “This new programme, taught with my colleagues at CMS, ensures students gain direct professional experience.”
During the first semester, you will work at DMU. This semester involves developing core skills in storytelling, screenwriting, directing, producing, image processing, sound recording and other camera based skills. You will take four, 15 credit modules during semester one:
You will be taught by DMU’s team of production experts and filmmakers in our multi-million pound Creative Technology Studios, and you will begin the process of developing a major project, and specialising in a production role.
During the second semester, you will work in the Creative Media Skills centre. Here you will finesse your skills in a more diverse range of areas, including production management and coordination, pitching, assistant directing, production management, script supervision, hair, make-up, costume, art department; working with actors and working in teams. You will also enter pre-production under the guidance of our expert staff. At Creative Media Skills, you will take two, 30 credit modules, which cover these various areas:
During this semester you will be expected to pitch film ideas to a panel of industry experts. The best of which will be selected as the major projects, which will become your focus in the third semester.
During the third semester you will work more independently at DMU to manage and deliver your final film project, with an accompanying reflective commentary. This project will demonstrate the skills and knowledge developed on the course, and will form the basis of your professional portfolio. You also have the option of taking an academic dissertation.
In addition to the major project, assessments take the form of practical coursework, written reports and presentations.
On the MA Film Production, the learning experience is built around practical production modules, underpinned by theory that explores key developments in the history of cinema.Our aim is to nurture filmmakers who can critically reflect on the form and content of both their own work, and the work of others in the field
The course is predominantly practical, with almost 70% of learning geared towards enabling you to produce documentary and experimental films. For those whose interest is academic, there is also the possibility to replace the double project practice module with a dissertation. The course closely tracks contemporary developments in digital cinematography and sound design, actively encouraging students to create transformative cinematic responses which cross the boundaries between documentary, experimental and fictive forms. This includes:
• lyrical
• Montage
• self-reflexive
• guerrilla
• poetic
• drama-documentary
approaches which challenge the existing output of broadcast, festival and on-line exhibition. Students produce several video sequences, plus two short films and one longer film.
The course examines the 'founding' traditions of documentary and experimental fiction associated with the Lumiere Brothers and Melies and explores overlaps and points of contact between them. The learning experience is built around practical production modules, underpinned by theory exploring key developments in the history of cinema. Our aim is to nurture filmmakers who can also critically reflect on the form and content of both their own work and the work of others in the field.
• Documentary Practice
• Film Theory
• Experimental Film and Video Practice
• Film and Media Cultures
• Project or Dissertation.
The course blends theory and practice and is designed to help you build creative and critical bridges between the two, so each area of study informs and supports your other learning.
Almost 70% of the course is made up of practical workshops. These typically combine an examination of relevant film clips and approaches with discussions relating to their pros and cons. You will receive regular feedback with discussion on work in progress, test viewings with peers and staff, exhibition visits, and production of a final major piece of work. Throughout these modules, you will receive regular technical input and support.
Theory modules combine a range of approaches, including lectures, visits to the London Film Festival, student-led seminars, presentations and class discussions.
The course combines elements of formative assessment with summative approaches, so you can draw insights from peers and tutors.
Our alumni have gone on to showcase work and win awards in film festivals in the UK and internationally and secure broadcasts of their work in a range of territories.
In recent years many alumni from the course found work with production companies, broadcasters or as independent filmmakers, either in the UK, in their own country or elsewhere. We encourage our alumni to be involved with students and staff on the course and have developed a detailed database of student and alumni production expertise, to facilitate networking and the formation of crews for professional and student productions.
We also offer students the opportunity to pursue more in-depth research interests by undertaking a PhD with us.
Click the following link for information on how to apply to this course.
Information about scholarships and bursaries can be found here.
The MA provides the requisite specialist techniques and advanced production skills which will equip students for a career in any of the major areas of the industry where moving image content production is focused: Film, TV, Games, Adverts and Trailers. Students are taught by working industry professionals and great emphasis is placed upon working to real-world briefs, to real-world deadlines and in a professional environment within a state of the art media technology facility.
For the first 12 months (24 for P/T) students will engage with lectures, research, analysis and skills development classes as they further develop their specialist and collaborative understanding. They will also be taught through technical and creative workshops and project development sessions. All will all be a part of the normal timetables activities. You will also be expected to undertake independent study and practical individual and group work outside of the timetabled sessions.
Students will learn to process critical notes, to iterate their work and deliver a finished product on time, on budget and on brief. They will work collaboratively with post-graduate composers, directors, screenwriters and producers and they will have the opportunity to contribute to professional projects.
The degree programme will allow for study in:
Students will enter into a collaborative practice programme, engaging with industry professionals and drawing on teaching expertise within the Creative & Digital Technologies Department. Important elements of the programme will be supported by external experience at the BFI, International Film & Screenwriting Festivals and Conventions.
During the programme, and as part of the collaborative practice approach, MA students will be commissioned by the department to produce a professional quality short narrative film (10-15 minutes). They will receive a commercially viable budget and be expected to collaborate with other students across the programme and the wider department in successfully completing this commission.
Across the programme, but specifically the final 6 months, students are expected to immerse themselves in independent study and industrial interactions. You will be expected to be professional at all times and work towards establishing a professional network to assist in gaining career development opportunities.
This MA programme will enable you to start your career across a number of industries utilising the moving image in their content.
The creative industries of gaming, TV, film and advertising all require well trained and professionally aware creatives for the numerous hours of content produced.
You will also have the opportunity to consider further study and enter the academic research environment through a Professional Doctorate pathway.
Our established relationships with a number of commercial companies engaged with, or commissioning, content will allow for you to gain work placement opportunities.
Working collaboratively with both commercial and non commercial partners within the Engineering and Digital Technology Park, students will have direct access to industry on a regular basis.
A part time option is also available at 24 months plus 6 months independent study.
You will be taught by a range of experts in the fields of screenwriting, directing, producing, cinematography, picture editing and sound design. These will include well established and award winning filmmakers and a range of industry experts providing mentoring and master classes.
Summative assessment will take the form of written and practical coursework, presentations & screenings, portfolio and project work. Formative assessment in the Creative & Digital Technologies Department is carried out through peer to peer and tutor feedback on work either through submission, workshops or tutorials regularly across all modules.
A total of 180 credits are required to be awarded the MA.
Feedback on submitted work can be accessed through our VLE digitally or by collected hard copies of work from the Administration Office. We endeavour to complete marking and feedback on all assessed work within a 3 week period though some modules, due to complexity of assessment, may take slightly longer.
The MA Digital and Visual Communication offers study in a broad range of digital and visual communication theory and practice.
The Course attracts students from a wide range of disciplines and from all over the world, giving it a strong international flavour. The current cohort comes from as far afield as China, Nigeria, India, Saudi Arabia, Malaysia, Poland, Greece and Germany, as well as the UK.
The course gives you the opportunity to develop your creative design abilities but also equips you with marketing and branding skills and knowledge essential for a career in the competitive market place that is International Visual Communications.
Areas of specialism are:
This course is designed to develop your creative and intellectual abilities through the investigation of a bespoke project aligned to your own particular interests and aspirations. The course is intended to promote ‘Thinking practitioners’ who will be well positioned to take advantage of the opportunities available within the growing global industry of Digital & Visual Communication.
The course attracts students from all over the world as well as from the UK. Current students hail from China, India, Nigeria, Saudi Arabia, Malaysia, Germany and Greece. This course has a truly international perspective reflecting the global nature of the visual communications sector.
"Studying in an artistic environment where different design disciplines are working close together and the well-balanced level of guidance and independency really helped me to investigate and improve my work in graphic communications." Yvonne John
"As an Illustrator studying for my Master degree, The MA Digital and Visual Communications course and its layout has allowed me to further develop my work and to get it out there and more importantly noticed whilst giving me a greater knowledge and understanding of professional Illustration. As well as offering me excellent opportunities to communicate with those in the world of commercial publishing, This is largely down to the expert experience and brilliance of the staff and how they run the course." Matt Jones
“The course is Interesting and it broadens the mind of any MA student, especially to those who are involve in Advertising programme.” Mohammed Abba Aliyu
Employment opportunities include:
You will gain the intellectual and creative confidence to enable you to embrace the challenges and rewards of the Global Digital & Visual Communications industry. Through the investigation of a personally designed project you will have the opportunity to develop skills and knowledge to a Masters Level, culminating in a showcase exhibition and portfolio. Opportunities exist to further develop your portfolio through PhD study within the department. From the 2010 cohort three students have progressed successfully to our PhD programme.
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