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Masters Degrees (Film Making)

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*Subject to validation. The MA in Film Making offers students the opportunity to create sophisticated, professionally produced, expertly crafted films. Read more

*Subject to validation

The MA in Film Making offers students the opportunity to create sophisticated, professionally produced, expertly crafted films. The students’ practical and theoretical understanding of film making will be advanced by internationally renowned lecturers and award winning film makers, and is geared towards fostering committed film makers - those who come with film stories in mind and who have a strong desire to realise films with a distinct voice.

Students will have access to industry standard equipment, including high end cameras, a professional on-campus film studio, edit suites with requisite post-production software and sessions with a variety of film makers and professionals who span industry and beyond. Within the context of a highly structured production environment, students will be encouraged to experiment creatively, and explore the art of filmmaking through the craft of script writing (during which they will be able to realise a full-length feature script), expand their technical expertise and futureproof by consolidating a specialism. They may explore methods of working with actors, directing styles and the rehearsal process, as well as evolve their engagement with contributors and documentary subjects. Critical and theoretical perspectives will contextualise and underpin their experience of viewing and of making, and students are encouraged to think of their film production portfolio in terms of both career advancement and personal exploration.

As part of the course students will undertake a final major project in which they will be able to realise a quality, festival-ready short in any genre/form, which they can use to demonstrate their professional range of skills. They will also leave the course with a feature length script, which will enable them to develop a relationship with agents, and give them a full length feature project with which to launch themselves into the film making market.

Study style

A hands-on, practical course delivered through lectures, workshops, critiques, masterclasses and one-to-one tutorials make up the core of the teaching practice. All classes are delivered on two days of the week, thus allowing for work, travel and other commitments. Assessment is both practical and written.

Learn how to create sophisticated, professionally produced, expertly written, personal films

Join our team of film makers and explore the world of film making on a course which offers the perfect balance of creativity, craft and theory.

Experience a range of field trip opportunities

Join our International/European field trips to major film festivals to see works by established and emerging film makers with our BA Film Production cohort.

Benefit from our Creative Skillset accreditation which demonstrates the industry-relevant, high quality degrees

Work in the excellent multi-platform facilities of our expanding media centre to realise a series of personally developed film works which will make you festival-ready and underpin your future career development.

Industry links

Benefit from our Creative Skillset accreditation, links to film festivals and industry, as well as visits from specialists/practitioners who will provide insider knowledge on this rapidly evolving field.

Careers

  • Director
  • Producer
  • Cinematographer
  • Editor
  • Scriptwriter
  • Sound Designer
  • Independent Film Maker


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This course will enable you to develop film production skills with both digital and analogue equipment, as well as knowledge of the theories of contemporary cinema. Read more

This course will enable you to develop film production skills with both digital and analogue equipment, as well as knowledge of the theories of contemporary cinema. The focus is placed firmly on developing clear and simple storytelling techniques that go beyond arbitrary formal categorisations of drama, documentary or genre. The course takes its inspiration from forms of cultural production that have challenged conformity, including the work of artists, musicians, painters and performers, and the movements of Italian neo-realism and the developing cinemas of Africa, Latin America, South Korea and Iran.

Key features

  • This course encourages you to synthesise your personal experience, critical knowledge and craft skills to express yourself through moving pictures.
  • Your studies will be split broadly into 75 per cent practice and 25 per cent theory.
  • As well as the personal tutor scheme, we also run a pioneering peer-mentoring scheme in which recent MA graduates provide one-to-one assistance in the use of equipment and software.
  • Staff on this course are practising filmmakers.
  • The course is informed by practice and research in black music and cinema, neo-realist cinema, experimental filmmaking, performance and dance, storytelling, participative documentary and ghetto cinema.

What will you study?

You will study the basic principles of filmmaking, develop an understanding of the nature and potential of visual storytelling, and discover the importance of sound, lighting and the screenplay. You will also gain a sound knowledge of theories and ideas that can help in the interpretation of your own work and that of other filmmakers. You will produce a portfolio of moving-image projects to illustrate your technical ability in cinematography, sound recording, editing and writing/direction.

You will be able to use high-definition digital video camcorders, DSLRs and Macs running Final Cut Pro and Adobe Creative Cloud to apply classical and independent principles with contemporary technology; 8mm, super8 and 16mm film cameras are also available to explore analogue forms of filmmaking (students who wish to use our analogue cameras will have to cover their own stock and processing costs).

Assessment

Film production projects, critical journal, essays, and seminar presentations.

Work placement scheme

Many postgraduate courses at Kingston University allow students to do a 12-month work placement as part of their course. The responsibility for finding the placement is with the student; we cannot guarantee the placement, just the opportunity to undertake it. As the work placement is an assessed part of the course, the work placement is covered by a student's tier 4 visa. Find out more about the postgraduate work placement.

Core modules

  • Film Making 1
  • Film Making 2
  • Film Making 3 (Dissertation)
  • Film Writing
  • Sound and Vision


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This programme takes a project-led, practice-based approach to studying for an MA in Film Directing (Documentary) which integrates practical film making with analysis of contemporary film practice. Read more

This programme takes a project-led, practice-based approach to studying for an MA in Film Directing (Documentary) which integrates practical film making with analysis of contemporary film practice. Students choose to make a creative documentary or a non -fiction film which defies genre definition and pushes the boundaries of narrative. We develop these through workshops and tutorials. Our students work within an integrated framework that helps them question the form of their films and enables them to find the right language for their storytelling.

The programme encourages ways of working as a film community that foster the important exchange of ideas, with inspiration from international visiting film makers through Scottish Documentary Institute and support from our team of documentary practicioners. All tutors are top professionals currently working within the industry as directors, producers, editors, cinematographers or sound designers. A newly built Avid edit teaching space, and a new screening space helps us encourage a fresh approach to emerging technologies.

Graduate films do well internationally regularly winning BAFTAs, RTS Awards and awards at international festivals. Over the last five years students have received an Oscar nomination for an MA film made here and an Oscar shortlist for a film made by a recent graduate. We work closely with the Scottish Documentary Institute, the University’s internationally-acclaimed research centre in documentary film making.

The aim of the Film Directing programmes at ECA is to:

  • challenge boundaries, encourage original thought, and develop intellectual and critical approaches to making films
  • combine the contemporary energy and discipline of current creative approaches to film practices with the professionalism of industry practices, in order to produce innovative and grounded work
  • facilitate the interrelationship between different cultural traditions, traditional and emerging screen technologies, and classical and non-traditional cinematic genres and conventions.
  • provide postgraduate education in film making that constitutes a clear progression from undergraduate education whilst maintaining distinctiveness from industrial training- that gives scope for taking risks
  • foster filmmakers able to work and compete internationally

Programme structure

This programme is project-led and delivered through workshops and regular individual tutorials. It integrates practical studio work with theoretical and written studies from the Screen cultures course (see separate description) which is run independently from the Film Department.

The first semester, Design Studio is organised round a series of micro-films which lead to a growing awareness of film language and enhancement of technical skills to creatively support filmic vision. Cinematography and sound workshops are delivered by visiting lecturers. Directorial voice is built up also through tutorials in which an idea for a graduating film is developed and evolved. Awareness of current international documentary practice is built through regular seminars and screenings, collaborations with Film Festivals such as Take One Action and also supported by Scottish Documentary Institute. This is also to inspire students to push boundaries in their approach to narrative structure and visual language and not to get locked in conventional approaches. We want to encourage bold work that takes risks. At the end of the first semester all students pitch their films using a trailer or short excerpt from their research material. They also develop a treatment with feedback from tutorials.

Semester two is spent preparing and shooting the graduate film and is backed up with edit tutorials as well as project support from weekly meetings with a tutor. Students also receive seminars in production process including contracts.

Semester three is when the film is edited and finished with input from group crits, tutorials. Students also attend or often volunteer with Edinburgh Film Festival and the Edinburgh Pitch in order to observe and engage with key players from the international documentary world through hearing feedback from commissioning editors.

Alongside the ECA learning structure, students also have a pool of potential collaborators from Screen Academy Napier including the possibility of working with cinematographers, editors and producers.

Career opportunities

Our students go on to a wide range of roles, including producer, director, writer, production or location manager, researcher, editor, assistant director, cinematographer, or journalist. Graduates have found work directing for the BBC and making work internationally for top broadcasters and film funds. Related fields include advertising, community films, academia or film development agencies.

Creative Skillset

MA/MFA Film Directing has been awarded the Creative Skillset Tick, the industry kitemark of quality, following a rigorous assessment process by experts working in the Creative Industries. The Creative Skillset Tick is awarded to practice-based courses which best prepare students for a career in the industry. Screen Academy Scotland is one of only 3 Screen Academies in the UK along with National Film School and London Film School.



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Develop your creativity and prepare for a career in film while gaining hands-on experience at Screen Academy Scotland on this Creative Skillset accredited course. Read more
Develop your creativity and prepare for a career in film while gaining hands-on experience at Screen Academy Scotland on this Creative Skillset accredited course.

This course has been designed to help you embark on a career as a professional fiction film-maker in one of the following disciplines:

• directing
• cinematography
• editing
• sound
• producing

Teaching is through a combination of collaborative shared modules and modules that are geared to each individual discipline. You’ll spend about half your time focusing on your chosen discipline and the other half acquiring general film making skills.

The year culminates in a major project module in which you’ll work in your chosen discipline on one or more short fiction films.

See the website http://www.napier.ac.uk/en/Courses/MA-Film-Postgraduate-FullTime

What you'll learn

Coursework consists of a large number of practical exercises and projects that will deepen your technical, creative and professional film making skills.

As an Edinburgh Napier student, you’ll have access to Screen Academy Scotland, an active film-making hub in Edinburgh. It offers great scope for collaboration with some 200 or so students engaged in diverse film activities.

At the Screen Academy, you’ll have access to a complete range of professional production and post-production equipment, including Arri Alexa, HDCam, Super 16 mm, Avid, Final Cut Pro, Pro-Tools and a dubbing facility. You'll be supported by tutors who themselves have significant experience in the industry.

The Screen Academy is a professionally equipped facility and we expect student work to aspire to a level that is close to industry standard. It's one of only three Film Academies in the UK accredited by Creative Skillset, the film industry’s skills body, giving our graduates significant credibility in the industry.

In addition, Screen Academy students can buy an industry pass at a heavily-discounted rate to attend screenings, master classes and networking events at the Edinburgh International Film Festival in June.

This course will advance your knowledge of your chosen specialist area as well as giving you a rounded understanding of other film making disciplines. The emphasis on professional skills will help maximise your chance of success.

Previous graduates have had their films screened at festivals around the world, including Venice, Beijing, Kolkata and Edinburgh. Many have gone on to win awards and commissions for TV and feature film projects.

This is a one year full-time course starting in September and is split up into three trimesters.

Modules

• Motion Graphics
• VFX
• Sound for Film 1
• Sound for Film 2
• Collaborative Techniques for Film 1
• Creative Practice for Film and TV
• Script Workshop 1
• Writing and Screen Project Development
• The Business of Screen Project Development
• Collaborative Techniques for Film 2
• Creative Practice for; Cinema
• Critical Film Study
• Masters Film Project

Study modules mentioned above are indicative only. Some changes may occur between now and the time that you study.

Careers

On completion of this course, we would expect graduates to be ready to take up an entry level job in the industry, or in the case of outstanding students, set themselves up as an independent practitioner as either a director, producer, cinematographer, editor or sound designer.

High achieving students on the programme who would like to continue their studies will have the opportunity to apply for the MFA Advanced Film Practice. This provides a further year of intense, project-based film-making.

How to apply

http://www.napier.ac.uk/study-with-us/postgraduate/how-to-apply

SAAS Funding

Nothing should get in the way of furthering your education. Student Awards Agency Scotland (SAAS) awards funding for postgraduate courses, and could provide the help you need to continue your studies. Find out more: http://www.napier.ac.uk/study-with-us/postgraduate/fees-and-funding/saas-funded-courses

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The MA Film with Practice is a taught programme suitable for graduates in film, practitioners who want to advance their practice in an intellectually stimulating environment and non-film graduates with a passion for film practice demonstrated though amateur filmmaking. Read more
The MA Film with Practice is a taught programme suitable for graduates in film, practitioners who want to advance their practice in an intellectually stimulating environment and non-film graduates with a passion for film practice demonstrated though amateur filmmaking.

The programme is taught by award-winning filmmakers, internationally recognised film scholars and includes masterclasses from film industry professionals.

Visit the website https://www.kent.ac.uk/courses/postgraduate/343/film-with-practice

About the Department of Film

The Film Department at the University of Kent is known for its excellence in research and teaching. Arts at Kent (including Film) was ranked 1st in the UK for research power in the 2014 Research Excellence Framework (REF). One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.

Studying film as a postgraduate at the University of Kent will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campus-based film culture. We currently offer expertise in North American, European and Latin American cinemas. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives, as well as with digital media and practice by research.

In 2014, the University opened a new 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.

Course structure

This programme includes two dedicated film practice modules and a dissertation by Film Practice that includes the making of a fiction film. You also choose two modules from the existing Film MA to create a practice-theory mix that accommodates your own interests.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

FI819 - Digital Film Practice: Key Skills (30 credits)
FI820 - Independent Project Development (30 credits)
FI812 - Advanced Film Theory (30 credits)
FI813 - Film History (30 credits)
FI815 - Film and Modernity (30 credits)
FI811 - Conceptualising Film (30 credits)
FI899 - Dissertation by Film Practice (60 credits)

Assessment

Assessment at MA level is 100% course work: that means you will be assessed through essays, treatments, project proposals, seminar participation and a dissertation by film practice.

Programme aims

The programme aims to:

- Develop the understanding and skills possessed by students entering the programme to a notably higher level of sophistication and achievement (appropriate to an M-level award) than would be expected at degree level, such that all leave the programme with a substantial analytic, critical and practice-based understanding of Film.

- Develop the ability of students to think independently, argue with clarity and force, initiate and complete creative work and to discern areas of research and practice-led research within the field.

- Provoke reflection on practical, critical and theoretical approaches to Film and its context.

- Nurture intellectual and creative skills through written work (essays, dissertations, treatments, scripts), creative practice (DV films) as well as in the context of interpersonal interaction (seminars, research papers, supervision, filmmaking processes).

- Develop existing and new areas of teaching informed by and in response to developments in film practice, research and scholarship.

- Provide an excellent quality of higher education

- Attract outstanding students irrespective of race, background, gender, and physical disability, from both within the UK and from overseas.

- Support national and regional economic success by producing graduates in possession of key knowledge and skills, with the capacity to learn.

- Provide opportunities for the development of personal, communication and research skills and other key skills appropriate for both graduate employment in industry or further study.

- Provide learning opportunities that are enjoyable experiences and involve realistic workloads, based within a combined research and practice-led framework

- Offer appropriate support for students from a diverse range of backgrounds

- Provide high quality teaching in a supportive environment with appropriately qualified and trained staff?

Research areas

Research in both theory and practice is currently centred in five broad areas:

- national cinemas – form and history: North American, European, Latin American
- the moving image in a digital context
- documentary film
- film aesthetics
- avant-garde and experimental cinema.

Centre for the Interdisciplinary Study of Film and the Moving Image
The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.

Careers

Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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MA Film & Television at Falmouth University reflects and interrogates the highly fluid nature of the contemporary screen media environment. Read more
MA Film & Television at Falmouth University reflects and interrogates the highly fluid nature of the contemporary screen media environment.

Our MA is distinguished from traditional courses in that it specifically addresses the diversity and crossover of today's film and television culture with the aim of producing adaptive thinkers and highly creative practitioners. Our academic focus engages and interrogates film and television's status in the 21st century, which is often defined in terms of the digital age and digital culture.

On the course you will be required to examine, interpret and contest the notion of digital culture historically, socially, politically and artistically through both your research and creative practice. You will interrogate the increasingly blurred boundaries between film and television, art and technology, production and consumption, with the outcome being a fracturing of traditional categorisations. We reflect an era in which screenwriters Aaron Sorkin (Newsroom, The West Wing) and Lena Dunham (Girls, Tiny Furniture) experiment with dialogue and narrative, while conceptual artists Sam Taylor-Wood (Nowhere Boy, Love You More) and Steve McQueen (12 Years a Slave, Shame) have shifted from the art gallery to the cinema. Directors such as Ben Wheatley (A Field in England, Sightseers) and companies such as Curzon and Film4 are making use of multi-platform release schedules, and brands including HBO, Amazon and Netflix are shaping the very nature of not only what, but how, we watch. MA Film & Television understands this fundamentally shifting zeitgeist.

In examining industrial structure and visual form you will theorise the shifting dynamics of an age where anyone with a phone and a laptop has the ability to record, edit and disseminate visual projects. Such 'democratisation' has arguably made both creative uniqueness and clear industry pathways less discernable, but has provided a new and fruitful framework for those who have the ideas, talent, dedication and adaptability to embrace such immense transitional potential. However, despite these multitudinous transformations attributed to digital culture, the ethos of our MA contends that fundamental skills remain the basis of both sound academic work and creative practice. Rather than being fearful of what is to come, or nostalgic for the past, this course gives you the confidence to look at film and television critically, and acquire cutting edge creative skills in order to produce intelligent, innovative and inspirational visual work.

Our philosophy is one of flexibility, so you'll shape the curriculum around your own interests, whether in theory, creative practice, or a combination of the two. Drawn from the fundamentals of history, theory and criticism, our theoretical strand develops tomorrow's cineastes, cultural commentators, journalists and academics. This also underpins our approach to practice. The most successful film and television makers are students of their chosen medium, highly knowledgeable of historical legacy and social-political context. You'll not only learn how to develop, write, produce, shoot, record, direct and edit well, but why, philosophically and creatively, your ideas are worth being made.

Visit the website https://www.falmouth.ac.uk/film-television-ma

How the course is taught

Our passion is reflected both in the teaching and research track record of our academics, our industry connections and visiting speakers, and the quality of our film and television professionals. Crossing disciplinary areas such as cultural studies, sociology, journalism, English, philosophy and, of course, film and television studies, our MA offers academically-minded students comprehensive supervision and guidance for moving onto PhD research.

Industry and academic links

We have a strong visiting lecturer programme with recent guests including critics Dr Mark Kermode, Professor Linda Ruth Williams and Dr Will Brooker. Our practice tutors are active writers, producers, directors, editors, sound designers and cinematographers who create substantive work across all screen media. We have a wide range of contacts and industry specialists who contribute to the course, including Tony Grisoni (writer of Southcliffe, Red Riding, and How I Live Now), Mary Burke (producer of For Those in Peril, Berberian Sound Studio and The Midnight Beast), and James Henry (writer for Campus and Green Wing).

Falmouth University also recently hosted the Channel 4 Talent Day and we are active in developing work placements and internships for our students. We have sent many of students to Warp Films and TwoFour since 2009, and regularly update our webpages with work experience opportunities and jobs. Our graduates have proceeded to further study and jobs across the film and television industry, for HBO, Sky, ITV, Disney and have worked on major feature films, most recently including About Time (Richard Curtis, 2013) The World's End (Edgar Wright, 2013), The Double (Richard Ayoade, 2014) and Disney's forthcoming Cinderella (Kenneth Branagh, 2015). Falmouth University's MA in Film & Television is for students who to place themselves at the cutting edge of screen culture.

Course outline

The course is divided into three semesters of 15 weeks. Each semester offers the fundamentals vital to every academic and practitioner, and elective choices so you can shape your own learning.

What you'll do

- Study block 1
Foundation
The first semester consists of three core units, offering a diverse entry point to all aspects of the study of film and television, and the interrelationship of theory and practice:

Theorising Contemporary Film & Television Culture (Theory)

In this module you will explore the theoretical conceptualisations of film and television in the context of contemporary academic thought and popular discourse around the concept of digital culture. We will start from a point of questioning the multi-layered and contested effects of digital culture on film and television as discrete forms. You will consider the interrelationship and fusion between media in terms of production, distribution and exhibition examining the advent of new forms of representation and interaction. But we will also look at how traditional notion of film and television are being preserved and even being popular as a reaction to the effects of the digital. The module will also assess and interrogate the economic and technological developments of a more integrated and interactive media environment in terms of the cross-pollination of form and content, and socio-cultural effects on contemporary audiences.

Film & Television Industry Case Study (Theory/Practice)

In this module you will explore the industrial parameters of contemporary film and television based around the experience and expertise of current professionals. The module will utilise the School of Film & Television's many industry links to bring in guest speakers from the BBC, Channel 4, Sky, TwoFour Broadcast, Warp Films, Sheffield Doc Fest, Cornwall Film Festival, Doc Heads, BFI, Pinewood Studios, Dogbite and EngineHouse VFX. You will then have an opportunity to question these professionals about their respective sectors as a basis for a case study. Alternatively, you can investigate the sector/practitioner of your own choosing, with tutor support. The module will also contain workshops on the fundamentals of creative industry research and methodology. The module is designed so that you learn both the challenges and values of networking, and researching specific job roles and industry backgrounds in order to effectively plot your own career trajectory.

Creative Practices (Practice)

This module will engage you in the production workflow, focusing on how creative, professional and technical roles shape a final film or television project. Your weekly seminars and workshops will guide you through pre-production, production and post-production processes, enabling you to devise, develop and produce a short filmed project as part of a small crew of four to six students. You will, therefore, develop your technical skills and production practices in order to devise and deploy modes of creative practice which may include, but are not limited to, research and development, screenwriting, production management, producing, directing, cinematography, lighting, editing and the recording and design of sound.

- Study block 2
Specialisms
The second semester gives you the opportunity to specialise, choosing from a ranging of theory, practice or combination modules. Assessment of combination modules is either through an academic essay or a practice project. Potential optional modules include:

- Cultural Studies to Digital Sociology (Theory/Practice)
- Screen Futures (Theory/Practice)
- Globalisation in Film & Television (Theory/Practice)
- Factual Film & Television (Theory/Practice)
- Screenwriting for Film & Television (Theory/Practice)
- Work Placement (Theory/Practice)

- Study block 3
Expertise
Depending on your chosen specialism, in the third semester you'll produce either:

- Dissertation (Theory)
- Film & Production Portfolio (Theory/Practice)
- Conceptual Project (Theory/Practice)

Facilities

The purpose-built film school facilities include:

- 116-seat cinema, with Christie M Series HD projection (as used in Vue cinemas) and 7.2 surround sound

- Equipment store with a range of Blackmagic, Red, Panasonic, JVC, GoPro, Canon DSLR and C100 cameras and lenses, jibs, tracks and dollies

- Digital production suites equipped with Final Draft (screenwriting), Movie Magic (production management) and a range of edit software, including Adobe Creative Cloud/Suite, Final Cut and AVID

- Avid Unity MediaNetwork Edit server

- Recording and sound edit studios equipped with Pro Tools audio editing and Foley traps

- 14x8m TV studio with three studio cameras, full gallery facility, Chromatte grey screen, blue/green screen and full lighting rig

- Centroid 3D (Pinewood-networked) Motion Capture studio/research lab

- Virtual Studio using the latest technology

- 23,500-title TV and film library

Experience you'll get

- Highly flexible, student-focused curriculum

- Mentoring with industry professionals

- Opportunities for placement and work experience

- Creative environment for collaboration

- Using industry-standard software

- A vibrant visiting speaker programme

- Student experience-centred ethos

Assessment

- Continuous assessment with no formal examinations
- Core theory based on written assignments
- Core practice assessed on visual project and accompanying portfolios
- Elective modules all with theory/practice options
- Dissertation and/or major project in final semester

Careers

- Research, teaching or postgraduate study in art/humanities subject areas

- All technical/creative roles linked with direction, production, cinematography, editing, sound, lighting; writing for the screen; film and television criticism; research for film and TV

- Film and TV marketing, distribution and sales – digital and social media content/distribution

- Film festival and arts curatorship – media-based project management

Find out how to apply here - https://www.falmouth.ac.uk/apply

Visiting Us

We hold open days throughout the year so you can meet current students and staff, view our campuses and facilities, and find out more about studying at Falmouth.

Find out more - https://www.falmouth.ac.uk/open-days

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This unique MA programme is based in a university but run by leading film practitioners, ensuring that you not only receive the highest-quality practice-based learning, but you do so in a university research environment where you learn to understand the world we live in. Read more

This unique MA programme is based in a university but run by leading film practitioners, ensuring that you not only receive the highest-quality practice-based learning, but you do so in a university research environment where you learn to understand the world we live in. You have your own camera equipment throughout and there are two dedicated Mac Editing suites for this degree.

About this degree

Students will learn to devise a visual research project; to apply anthropological and social science approaches to documentary film work; to think critically about the relationship between form and content in ethnographic/documentary practice; using our professional level equipment, to master the technical skills needed to produce different kinds of films of different lengths for varied audiences; and to critically view and review film material.

Students undertake modules to the value of 180 credits.

The programme consists of one core module (60 credits), two optional /elective modules (30 credits) and a project/diary (90 credits).

Core modules

  • Practical Ethnographic and Documentary Filming and Editing
  • Students without a social science background at either undergraduate or Master's level also take Social Anthropology or another social science foundational module in term one as agreed with the tutor.

Optional modules

Students choose two of the following:

  • Anthropology and Photography
  • Documentary Film and the Ethnographic Eye
  • The Story and I - Finding the Form and/or Time and the Staged Index
  • One of the practical film-related options offered as part of Film Studies MA according to provision
  • One of the film history modules taught in the School of Slavonic & East European Studies (SSEES), or Departments of History or English, (for example, Russian Cinema in SSEES), details to be confirmed
  • An Anthropology or other social science module from the Faculties of Social & Historical Sciences, or Arts & Humanities
  • An Anthropology or other social science module from the Faculties of Social & Historical Sciences, or Arts & Humanities

Dissertation/report

A major practical film project and diary allowing the students to demonstrate their mastery of the skills of documentary film-making in a film of 20–35 minutes.

Teaching and learning

The programme is delivered through a combination of practical tutorials, seminars and masterclasses and assessed by camera and editing exercises and a written piece.

Placement

We facilitate two types of placements. Firstly, we will enable short-term internships at the film companies with whom we already have relationships through Open City Docs. Secondly, as opportunities arise students can work on collaborative or other film-making projects, such as the Doc in a Day workshops or UCL film productions.

Further information on modules and degree structure is available on the department website: Ethnographic and Documentary Film (Practical) MA

Careers

The programme equips students for careers in:

  • mass media including broadcast, cinematic and web-based moving image
  • film and TV industry as camera operators, producers, directors, editors, researchers
  • academia – ethnographic research, visual media and culture
  • marketing and research
  • communication and other media
  • archives, as well as cultural heritage organisations.

Employability

The increasing demand for social and scientifically trained moving image specialists in the years ahead will continue, if not accelerate. Many of the graduates of our existing programmes now work in organisations such as Ipsos Mori film unit, independent production companies, BBC World Service and BBC Education.

Why study this degree at UCL?

This MA will allow you to benefit from UCL’s unique position in the heart of London, and from the many activities in film within UCL Anthropology. The programme is unique in using professional film-makers to teach within a truly pan-disciplinary university research environment. It provides outstanding access to camera and editing facilities.

UCL now houses London’s Global Documentary Film Festival, Open City Docs Fest, created by Professor Michael Stewart. You can participate in the curation and delivery of this festival; gain experience in the delivery of a major public arts event; and benefit from established partnerships with world-famous institutions such as the the Science Museum and the British Film Institute.

This degree provides three strands: non-fiction cinema and reportage based documentary; a 'Mixed Realities' strand (including VR, Augemented; and interactive documentary production).

Research Excellence Framework (REF)

The Research Excellence Framework, or REF, is the system for assessing the quality of research in UK higher education institutions. The 2014 REF was carried out by the UK's higher education funding bodies, and the results used to allocate research funding from 2015/16.

The following REF score was awarded to the department: Anthropology

68% rated 4* (‘world-leading’) or 3* (‘internationally excellent’)

Learn more about the scope of UCL's research, and browse case studies, on our Research Impact website.



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The programme offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it. Read more
The programme offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it.

It is taught by experts in Film and seeks to engage you with the key elements that make up the diverse nature of film and moving images.

The programme allows you to spend your first term at our Canterbury campus with full access to its excellent academic and recreational facilities, before relocating to our Paris centre for the spring term, studying in the heart of historic Montparnasse.

Visit the website https://www.kent.ac.uk/courses/postgraduate/19/film-paris

About the Department of Film

The Film Department at the University of Kent is known for its excellence in research and teaching. It was ranked second in the UK for research power in the most recent Research Assessment Exercise (RAE). One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.

Studying film as a postgraduate at the University of Kent will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campusbased film culture. We currently offer expertise in North American, European and Latin American cinemas. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives, as well as with digital media and practice by research.

In 2014, the University opened a new 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.

Studying film as a postgraduate at the University of Kent in Paris will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campus-based film culture. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives.

Modules

During the first term, you take two 30-credit taught-course modules from your chosen MA pathway. You then spend the second term in Paris, studying two modules from a choice which varies from year to year.

Modules available on this programme may include:
FI812 - Advanced Film Theory (30 credits)
FI813 - Film History: Research Methods (30 credits)
FI821 - Film and Modernity (Paris) (30 credits)
FI998 - Dissertation:GPMS (60 credits)

During the spring term you are free to construct your own programme from across the range of modules available, making it as focussed or as inter-disciplinary as you like. You have plenty of time during the autumn term to make informed decisions about your programme of studies in Paris.

You are encouraged to make full use of the city’s cultural resources and to integrate these into your studies which means you will be able to explore and discover connections between history, literature, the visual arts and other media.

Assessment

Assessment is by coursework and the dissertation.

Programme aims

The programme aims to:

- develop your understanding and skills to a notably higher level of sophistication and achievement (appropriate to an Master’s level award) than would be expected at degree level, such that you leave the programme with a substantial analytic and critical understanding of film and film studies

- develop your understanding and skills to the level necessary for entry into a research programme in film

- develop your ability to think independently, argue with clarity and force, to discern areas of research interest within the field and be able to frame viable research questions

- allow you to spend your first term in Canterbury, studying modules in film, and to spend your second term in Paris developing your interest in cinema within the context of city often seen to be central to the aesthetic developments of filmmaking and critical approaches central to the history of the discipline

- consider the impact of French critics and filmmakers on the wider discipline of film

- provoke reflection on areas of critical and theoretical approaches to French cinema and its context

- nurture the intellectual skills cited above in the context of written work (essays and dissertations) as well as in the context of interpersonal interaction (seminars, research papers, supervision)

- provide access to enhanced intercultural awareness and understanding through the opportunity to study in Paris

- provide opportunities for the development of personal, communication and research skills and other key skills appropriate for graduate employment both in industry and in the public sector.

Research areas

Research in both theory and practice is currently centred in five broad areas:

- national cinemas – form and history: North American, European, Latin American
- the moving image in a digital context
- documentary film
- film aesthetics
- avant-garde and experimental cinema.

Centre for the Interdisciplinary Study of Film and the Moving Image
The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.

Careers

Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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The Film. Theory and Practice MA provides you with a sophisticated understanding of films as systems of meaning. Your study covers areas such as film-making, historical cinema, screenwriting and narrative. Read more
The Film: Theory and Practice MA provides you with a sophisticated understanding of films as systems of meaning. Your study covers areas such as film-making, historical cinema, screenwriting and narrative.

The course will advance your knowledge of the musculature of cinematography and editing, and the nerve system of narrative conventions, authorship, genre, power, aesthetics, stardom and nationality. You can specialise in areas of film theory, or in film practice; the latter including screenwriting, film-making and cinema management.

You will develop your own scholarly approaches to film through exploring a range of positions in film studies, and a range of historical periods and national/transnational cinemas.

By the end of the course you will have acquired knowledge of a range of analytical and theoretical principles in film studies and an array of national/transnational cinemas, including:
-British
-Chinese
-French
-American
-North African
-Spanish and Latin American

If you choose to work in film production you will usually have a finished film within 12 weeks.

Our graduates have progressed into a variety of careers, including: academia, media and journalism, cinema management, and film production. Many of our MA students go on to PhD research.

The study of film has a long history at Newcastle. Our community of film scholars shares specialisms in:
-Film genre
-Film stardom
-Gender and ethnic identities in cinema
-Writing on film

Our research interests also range widely in Anglophone, French, Hispanic, East Asian and Middle Eastern cinemas.

Award-winning film-makers, Tina Gharavi and Ian MacDonald, bring a wealth of professional experience to the teaching of film production. We collaborate with the Tyneside Cinema to provide work experience opportunities and in-depth knowledge in film exhibition and distribution.

We have a thriving research culture in film. The Research Centre in Film and Digital Media organises a diverse range of activities such as visiting speaker series, student or staff-oriented conferences and symposiums, and Chinese and Spanish film festivals.

Work experience

In two optional modules: Exhibition Culture and Professional Placement, we collaborate with the Tyneside Cinema in providing opportunities for work experience.

You will also have the opportunity to get involved in the organisation of conferences and film festivals.

Facilities

You will have the opportunity to use Culture Lab, a complex for creative practice which includes a stock of film cameras and editing suites, as well as motion-capture, animation and sound-mixing technology.

The Language Resource Centre and Robinson Library hold large collections of international films and film magazines. You will also have access to a dedicated postgraduate suite including computers, workspaces, a kitchen and showers.

There are fantastic local film facilities including the Tyneside Cinema and British Film Institute Mediatheque. You will also have guided access to Tyne and Wear Archives.

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This course offers you the opportunity to combine hands-on experience of film making to a professional standard with sound theoretical underpinnings. Read more
This course offers you the opportunity to combine hands-on experience of film making to a professional standard with sound theoretical underpinnings.

You will study with world-class practitioners and academic experts and your final project will challenge you to make a film, which can be a fiction, a documentary piece of work, or a hybrid – or research and produce a dissertation.

During your studies you will meet leading filmmakers, film editors and industry executives and you should acquire all the transferable skills and specialist knowledge to do well in your chosen career.

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/creative-digital-film-production

Course detail

• Study with a dynamic and experienced team of acclaimed film-makers and published scholars on a course blending practice and theory
• Explore a range of areas including: cross-media approaches to story-telling, scriptwriting, production planning and development, digital film production, editing and post-production techniques, film history and theory
• Develop your industry network and future employment potential through meeting leading filmmakers, industry executives and academic experts
• Gain experience of making film to a professional standard, from scripting through to post-production and develop specialist knowledge of specific areas of the media - of particular value if you want to develop a career as an independent film maker or work in the television and film industries
• Benefit from a degree equipping you with a range of important transferable skills relevant to work in broadcasting, journalism, arts or media administration, governmental regulation of the media, research, marketing, sales and advertising or enable you to continue to MPhil and PhD research degrees.

Modules

• Practical Production Techniques
• Storytelling
• Insights and Interviews
• Film Analysis
• Practical Post-Production and Digital Effects
• Script to Screen
• Truth and Telling
• Project Development
• Digital Film Project

Assessment

The assessment philosophy of the MA in Creative Digital Film Production begins with understanding your individual starting position. Work will be diagnostic (often at the outset, as with proficiency in academic practice and writing), formative, summative and evaluative.

The procedures used for the assessment of your achievements will correspond with the knowledge, abilities and skills developed through your degree programme.

Careers

You will be encouraged to identify your strengths, interests and development needs in relation to the practices and conventions of both the media industry and of scholarship and research. You will also be encouraged to seek out active engagement with industry, which might lead to either freelance jobs or employment.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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Our Film programme, taught in Paris, offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it. Read more
Our Film programme, taught in Paris, offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it. Teaching ist by experts in Film and seeks to engage you with the key elements that make up the diverse nature of film and moving images. It is the only Film MA offered by a British university in Paris and taught in English.

You will spend the entire year in the French capital, which will allow you to participate in excursions to prominent cultural locations and make use of research resources that are only available in Paris, such as the French Cinémathèque. You will study film at postgraduate level within the context of a city that is central both to the development of film making practices and to critical and theoretical approaches to the cinema.

Students interested in taking this MA as a part-time option would take two modules each year (one per term), plus the dissertation in the final year. The Film MA can also be studied between Canterbury and Paris, with the first term at our Canterbury campus and the spring term at our centre in Paris. You can also study the programme at Canterbury only.

The programme consists of research training, three compulsory 30-credit modules and one 30-credit subject option, plus a dissertation.

You spend the autumn and spring terms viewing and discussing films in modules that are designed to address a range of practical and theoretical issues, including authorship, genre, stardom, style, modernity, nationalism and internationalism. Seminars also cover debates in philosophy and film theory on the nature of filmic representation and its relationship to language, art, emotion, and consciousness.

Our postgraduate programme in Paris will allow you to focus more on French cinema and its context, and to consider the impact of French critics and filmmakers on the wider discipline of Film Studies. In the summer term you will complete your one-year MA by writing a dissertation of up to 15,000 words on a topic agreed with tutors.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

FI812 - Advanced Film Theory (30 credits)
FI813 - Film History: Research Methods (30 credits)
FI821 - Film and Modernity Paris (30 credits)
FI998 - Dissertation:GPMS (60 credits)

Teaching and Assessment

Assessment is by coursework and the dissertation.

This programme is also available at Canterbury only or split site between Canterbury and Paris.
https://www.kent.ac.uk/courses/postgraduate/search/subject_category/Arts

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This practice-led MA offers the opportunity to advance your practical and theoretical understanding of media production processes in a professional and creative environment. Read more
This practice-led MA offers the opportunity to advance your practical and theoretical understanding of media production processes in a professional and creative environment.

The programme is informed by industry professionals and our academic team who are actively engaged in research, professional practice, film making and publishing. You will have the chance to develop the professional skills required by senior managers and professionals in the media and to cover the ethics, laws and regulatory frameworks that govern and affect the industry.

You will have the opportunity to develop your practical production skills in our Media Broadcast Centre. You will have the chance to tailor your learning to your interests and career aspirations by choosing to focus on the creative production of programmes in fiction, documentary or experimental forms across a wide range of media platforms.

How You Study

This course is designed to provide an educational context through practical workshops in production techniques, lectures and seminars, through which you will have the opportunity to develop an advanced level of creative, conceptual, technical, critical, organisational and research skills, all of which can be appropriate to employment in the media industries. Independent working engages with production projects, research and the completion of academic assignments.

Weekly contact hours on this programme may vary depending on the individual module options chosen and the stage of study.

Postgraduate level study involves a significant proportion of independent study, exploring the material covered in lectures and seminars. As a general guide, for every hour in class students are expected to spend two - three hours in independent study.

For more detailed information please contact the programme leader.

How You Are Assessed

Assessment is conducted using a range of strategies which include media productions, programme pitches, presentations, case studies and essays.

The University of Lincoln's policy on assessment feedback aims to ensure that academics will return in-course assessments to you promptly – usually within 15 working days after the submission date.

International students may require evidence of a media portfolio posted online.

Modules

-Final Project (MA Media, Film and Television Production)
-Human and Inhuman in the 21st Century (Option)
-Media Ecologies 1
-Media Ethics, Law and Regulation
-Media, Film and Television Production 1
-Media, Film and Television Production 2 & Final Project Pitch
-The Art and Craft of Film and Television

Special Features

Research
Media academics conduct internationally recognised research in a variety of topics, including Spielberg studies, film and medievalism, exploitation studies, and film and gender.

Industry Links
Many academic staff are current media practitioners who are engaged with professional bodies, such as the Royal Television Society, the British Society of Cinematographers and the British Association of Film, Television and Screen Studies, ensuring that course content is informed by the latest industry developments. BAFTA-winning television dramatist Neil McKay and documentary-maker Nick Gray are visiting professors in the School.

Visiting Speakers
Students on this course have the opportunity to hear from visiting guest speakers from many parts of the Film and TV industries. See here for details: http://www.lincoln.ac.uk/home/fm/abouttheschool/visitingspeakers/

Facilities
Students are based in our award-winning Media and Broadcast Production Centre, a specialist production environment with television and radio studios, video and audio editing suites, digital imaging, design and multimedia suites, a sound dubbing theatre, writers’ room, green screen room, colour finishing facility and photography studio.

Career and Personal Development

This programme aims to provide students with the opportunity to develop the high-level technical skills and knowledge required to establish careers in the media, film and television industries in roles including programme making, post-production and project management. Some students may choose to pursue careers in teaching or undertake a research degree at doctoral level.

The University Careers and Employability Team offer qualified advisors who can work with you to provide tailored, individual support and careers advice during your time at the University. As a member of our alumni we also offer one-to-one support in the first year after completing your course, including access to events, vacancy information and website resources; with access to online vacancies and virtual and website resources for the following two years.

This service can include one-to-one coaching, CV advice and interview preparation to help you maximise your future opportunities.
The service works closely with local, national and international employers, acting as a gateway to the business world.

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This innovative new course offers the opportunity to gain both the vital skills and critical awareness necessary to pursue a career in the diverse areas of contemporary film curation and exhibition, whether within the industry or within the field of research. Read more

This innovative new course offers the opportunity to gain both the vital skills and critical awareness necessary to pursue a career in the diverse areas of contemporary film curation and exhibition, whether within the industry or within the field of research. This could include curation within a museum or arts centre; festival management; exhibition, both theatrical and online; or cinema programming.

A range of placements with industry partners including The Tetley, a leading centre for contemporary art housed in the former Tetley brewery, and Leeds International Film Festival, will allow you to see this in action, providing you with the practical skills you need to successfully curate and exhibit films.

Classroom-based modules will explain the theory behind programming, archiving and film exhibition using case studies including cinemas, art galleries and festivals amongst others.

Course Benefits

You will be joining the Northern Film School, one of the best-known film and television schools in the UK, whose staff and students have been making innovative and award-winning films for more than 25 years. In this collaborative environment, you will work alongside filmmaking students, sharing ideas and inspiration with fellow creative professionals.

Industry visitors and successful alumni will visit to share their experiences and you will have the opportunity to build your networks through film festival visits and events at the University. Previous students have visited CineYouth Film Festival in Chicago and regularly show their work at Sheffield DocFest. Our academic staff have premiered their films at FrightFest. Leeds is also home to the Leeds International Film Festival, so you will have ample opportunity to see how a professional event is run by experiencing it yourself.

The School's research expertise will feed into your learning, helping you to understand the context of different audiences. For example, the Film School's CINAGE project which began in 2013, explores the EU's recommendations for healthy, active ageing by engaging older people in contemporary cinema.

You will be taught by expert staff including Visiting Lecturer Jason Wood who helped to develop the course. Jason is the Artistic Director of Film at HOME, Manchester. He is also a Research Professor of Film at Manchester School of Art and the co-director (with Simon Barker) of the experimental Ballard adaptation Always (crashing). Previous publications for Faber include: The Faber Book of Mexican Cinema, Nick Broomfield: Documenting Icons and The Curzon Faber Book of New British Cinema (with Ian Haydn Smith). He is currently completing a memoir with Green Gartside/Scritti Politti and writing a history of recent Iranian Cinema (both for Faber).

Keith Dando, who heads the School's taught postgraduate programmes, has an extensive range of experience in film marketing, distribution and exhibition. Keith has curated a nimber of film screenings, including Northern Film School showcases at the Leeds International Film Festival and The Royal Armouries, and was co-founder, director and programmer of the Liverpool Lesbian and Gay Film Festival.

Dr Steven Gerrard has spent many years developing collaborative projects with partners as diverse as Swansea Football Club, the Musuem of Welsh Life, and the National Trust.

There will also be guest lecturers and masterclasses by current industry film curators and programmers who will ensure that you are kept up to date with the latest developments in the sector as they are happening.

Core modules

  • Archive - Curation - Exhibition
  • Contextual Study: British Cinema
  • Experiential Learning
  • Developing Research in Film Curation & Exhibition
  • Enterprise & Creativity, Innovation & Cultural Economy
  • Critical Review
  • Final Project / Dissertation

Job prospects

With your specialist knowledge, you could enter a range of diverse careers with film and moving image at their heart. Areas such as film festival programming, archiving and restoration, museum curation, film exhibition and distribution (theatrical and online), community arts and cinema management will all be open to you.

  • Cinema / Festival Programmer
  • Museum Curator
  • Archive Researcher
  • Event Organiser


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We're in the middle of a documentary renaissance. Documentary stories are being told in cinemas, on TV, in galleries, on tablets and on mobile phones. … Read more

We're in the middle of a documentary renaissance. Documentary stories are being told in cinemas, on TV, in galleries, on tablets and on mobile phones. On this course you'll learn about the technology that's bringing improvements in documentary making, understand the ethical challenges that documentarians face, and face questions of authorship and authenticity. At Royal Holloway we nurture creative and challenging Filmmakers. The course offers a launch pad for outstanding careers in a growing field of filmmaking. 

You'll be taught by award-winning documentary filmmakers and commissioners: our tutors Marc Isaacs, Helen Littleboy and Victoria Mapplebeck, are all active filmmakers with industry contacts. They'll give you insight into what commissioners are looking for in documentaries today and you'll get real vocational experience by working on your own projects with established industry leaders.

  • You will gain hands-on tuition, classes, workshops and ongoing support from award winning directors, producers, editors, commissioners and film programmers
  • Be part of a challenging and dynamic production environment in which you will meet other aspiring directors, writers and producers, creating contacts and support that could last a lifetime
  • We bring in commissioners from the real world of documentary production to give you a full picture of what it takes to work as a documentarian. Some of our visiting commissioners have gone on to work with our students to develop their projects.
  • You will have the chance to workshop, develop and produce creative and original documentaries, gaining the skills, knowledge and contacts to see those projects go from idea to screen with an depth knowledge of documentary commissioning, across all platforms of distribution and exhibition
  • Draw inspiration from our location: taught predominantly at 11 Bedford Square, our creative hub close to the British Museum in London's Bloomsbury – plugging you right into the centre of a busy industry. You'll also have access to all of our facilities at our leafy Egham campus.
  • Make use of our exclusive 24-7 media labs and post-production rooms, complemented by our impressive range of professional location filming equipment, TV and sound studio facilities, supported by our committed and approachable technical team.
  • Access to work opportunities and internships in TV, cinema and cross platform production. Our students and alumni have worked on productions at BBC Storyville, Channel 4 and Reuters.

Guest Lectures and Guest Speakers include:

  • Nick Fraser – Commissioning Editor - BBC Storyville
  • Clare Paterson – Commissioning Editor - BBC Documentaries
  • Ollie Lambert – Award Winning Director
  • Films include: The Tea Boy of Gaza, Mum and Dad are Splitting Up and Syria ; Across the Lines
  • Pawel Pawlikowski – Award Winning Writer and Director
  • Films include: Ida, Last Resort, My Summer of Love , The Women in the Fifth and Tripping With Zhirinovsky

Course structure

Core modules

Ideas to Screen

In this module you will develop an understanding of the practice of documentary film making. You will look at eclectic notions of the genre, exploring the conceptual and formal challenges of creative documentary filmmaking, and examine ways of translating observations and ideas into both visual and aural imagery. You will also consider experimental forms of narrative, focussing on the the boundaries between fine art and documentary.

Foundations of Production

In this module you will develop an understanding of commissioning institutions and their political and financial structures. You will look at contemporary forms of distribution, from the internet to theatrical, and consider the three fundamental stages of production management in for documentary films - pre-production, production, and post-production. You will gain practical experience in the production of short taster tapes and the writing of proposals and treatments, covering the basics of budgets, schedules, copyright, legal compliance and marketing. You will also have the opportunity to participate in a number of field trips and attend sessions with industry experts.

Major Documentary Production

You will produce a substantial documentary production of 20-minutes in length. You will develop an understanding of documentary film genre and its changing boundaries, as well as emerging technologies and their impact on genre. You will look at the process of making a documentary film, from initial concept to final form, and the various stages of production. You will consider the current and changing platforms for documentary film, including cinema, television and the internet, and examine the ways in which the documentary industry is being reinvented.

Teaching & assessment

Assessment is carried out by a variety of methods including project work, photo essays and written production papers.

Your future career

Our students have gone onto become award winning Directors, Editors, Animators and Producers. Recent graduates have been nominated for and won many awards, including The London International Film Festival, BBC Storyville, International Women’s Film Festival, Open City Docs, CineGlobe and The One World Media Award.

Recent Graduates include:

Iris Lebrun - Whilst at Royal Holloway, Iris won a One World Broadcasting Award. Her film Feeding The Void, won First Prize at Open City Docs Fest. Iris was also selected for Mini Meet Market at Sheffield Doc Fest 2014 . Since graduating she has interned at BBC Modern Times and worked as an Editor on Text Me, a cross platform Documentary which won the 2014 Pixel Lab Award.

Masumi Higashi – Masumi’s film Motorbike Midwifes won a One World Broadcasting Award whilst she was at Royal Holloway. Motorbike Midwifes went on to win twenty Awards, including, BBC Storyville Prize for documentary narrative excellence at CineGlobe , Winner of the International Short Documentary Garden State Film Festival and The Gold Award Winner at the California Film Awards.

Jeong One Park. Jeong One's film Kung Fu Grannies won a One World Broadcasting Award and was nominated for a One World Media Award. Kung Fu Grannies went on to win: First Prize at the International Women’s Film Festival, Best Short Film at the Society for Visual Anthropology Film Festival and Best Short Film at the Cineffable France. Since graduating Jeong One has worked as an Editor and Producer at Channel 4, BBC and Reuters.



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This programme offers an exciting combination of both film-making practice and textual and historical approaches to the study of film and television. Read more
This programme offers an exciting combination of both film-making practice and textual and historical approaches to the study of film and television. As a student on this innovative programme, you will be taught the skills of film production, working intensively in small groups to explore aesthetic possibilities and gain insights into the craft and industry of screen media. You will also engage with critical perspectives and develop high-level research and analysis skills.

Optional units offer the chance to specialise in different areas of practical film-making and to gain a greater understanding of specific areas around the history and aesthetics of film and television. At the dissertation stage, you will have the opportunity to undertake a placement in creative industry, to undertake an in-depth study of film and television by means of a traditional dissertation, or to produce a mixed-mode investigation through film practice, either individually or in a team, supervised by one or more academic advisers.

The University of Bristol has more than 40 years of experience in this field and the programme draws on the expertise of world-leading scholars, expert practitioners and industry professionals. The Department of Film and Television hosts a series of research seminars and industry masterclasses that are targeted to enrich your studies. Facilities include a 200-seat cinema, production studio, animation and edit suites, seminar rooms and sound rooms.

Bristol is an excellent city in which to study film and television, with its varied cinema, television and digital media spaces, such as the Arnolfini, BBC Bristol, The Cube and Watershed Media Centre. Bristol's Harbourside is home to an array of film festivals, including the Encounters Short Film and Animation Festival, the Slapstick Festival, and the Afrika Eye Festival.

Programme structure

The programme has been designed to develop skills and knowledge cumulatively, while allowing you the opportunity to tailor your learning to your specific areas of interest.

In the first semester, you will be taught skills and techniques of formal analysis and practical film-making, providing the foundation for optional units across the year, such as Writing and Directing, Screen Histories, Television Forms and Making Short Fiction. Other options include Translation for Subtitling (Chinese-English), Screen Style and Aesthetics, and Making Short Fiction.

In the second semester, you will gain knowledge of research methods relevant to the dissertation stage, which includes the opportunity to undertake a placement in the film/TV industry, write an extended essay or produce a piece of practice (normally a short film) accompanied by individual written reflection.

Careers

Graduates of film and television at Bristol have taken up careers as film-makers, programme researchers, senior academics and broadcasting executives.

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