This highly-regarded taught programme offers the opportunity to engage in cross-disciplinary investigation of various aspects of cinema and moving image culture, and has diverse routes available via theoretical, vocational and practice-based perspectives to provide a uniquely flexible course. These routes allow students to combine vocational, theoretical and practice-based modules as preferred.
Theoretical modules involve study of British, American, European, Far Eastern and Middle Eastern Cinemas. Here, students will examine how film and television texts produced in these regions relate to their historical, social, and cultural contexts through a variety of critical and theoretical approaches, which range from aesthetics as cinematic discourse to the implications of terrorism for film and its audiences.
Vocational choices, which are available throughout, include Teaching Film and Media, Becoming an Academic, Film Festivals, Film Festivals Independent Study (that offer opportunities to attend a film festival, and to be involved in film festival organisation) and Film Journalism, supported by expert film critics, that develops skills required for the writing of film reviews and articles in journals such as Sight and Sound.
There are practice-based options to undertake experimental and documentary film production, and scriptwriting.
Full time students normally attend lectures for 9-11 hours per week, and part-time students attend 3-6 hours per week, depending on module choices. Most modules run on Thursdays so that a full time student might expect to attend from 10am – 9pm on Thursdays
Students are assessed via a diverse range of assignments including:
Course Specific Cost:
Course costs are at the usual MA rate with 20% discount for UoW graduates. The module Film Festivals requires an additional flat rate cost of £350 to over hotel, travel and festival entrance fee to a national/international Film Festival. Any additional cost for attendance at a film festival will be met by the university
Most of the modules are delivered at Light House Media centre which houses 2 purpose built cinemas. Otherwise, teaching is at other appropriate venues on City Campus. All teaching on the MA Film and Screen is informed by staff expertise, with their research directly underpinning each module. This expertise is reflected in the significant number of high-quality publications produced by Film and Media Staff who contributed successfully to REF2014.
Who will teach you on this course:
Dr Fran Pheasant-Kelly, Reader in Screen Studies, Faculty of Arts and Course Leader MA Film and Screen: teaches Space, Place and Culture in American Cinema, Screens of Terror, Becoming an Academic, and Far Eastern Cinemas
Dr Stella Hockenhull, Reader in Film and Television Studies, Faculty of Arts: teaches Picturing Britain and Screening Horror
Dr Eleanor Andrews, Senior Lecturer in Film Studies, Course Leader BA Film and Television Studies, Faculty of Arts: teaches Screening the Holocaust and Beyond
Dr Gavin Wilson, Lecturer in Film and Television Production, Faculty of Arts; teaches Film Festivals
Dr Peter Robinson, Principal Lecturer and Head of Marketing, Innovation, Leisure and Enterprise, University of Wolverhampton Business School
Dr Aleksandra Galasinska, Reader in Discourse and Social Transformation, Faculty of Arts: teaches Poetics and Practices of Polish Cinema
Dr Maria Urbina, Senior Lecturer in Multi-media Journalism, Faculty of Arts; teaches Film Journalism
• The opportunity to study Film Studies at an advanced level.
• An emphasis on international and transnational cinemas.
• Both core and specialist modules are assessed by essay.
• Two specialist modules provide you with the opportunity to transfer and apply the theoretical knowledge and research skills acquired in the core module to a more concrete level of intellectual investigation, focusing on the creation of meaning and aesthetic value in the context of global dynamics of cultural production and distribution.
• The specialist modules vary annually and reflect current staff research interests. Emphasis throughout the year is placed on individual research.
* Film Studies was ranked first in Scotland for world leading and internationally excellent research in the UK Research Excellence Framework 2014.
* Senior expertise of high profile scholars, such as Professor Robert Burgoyne, Professor Richard Dyer, Mr Jean Michel Frodon and Professor Dina Iordanova, all internationally known and respected leaders in the field .
* Regular visits from high-profile film critics, film. The most recent have been celebrated Chilean filmmaker Patricio Guzmán, who in April 2015 visited the Department and attended a screening of two of his films, followed by a Q&A session.
* The new programme in Global Cinema: Managing and Cultural Curation, is offered out of the Institute for Global Cinema and Creative Cultures (IGCCC: http://www.st-andrews.ac.uk/globalcinema ) which capitalise on achievements, global connections and on our reputational advantages as leaders in the study of global culture, film circulation and film festivals.
In learning and teaching, St Andrews sets the highest of standards and attracts students from all over the world with understandably high expectations. In its first five-yearly review in 2009, the Department’s teaching provision achieved the highest possible commendation. Teaching and research are closely co-related, and postgraduate teaching is informed by the staff’s research activity.
At St Andrews, we investigate cinema as a key form of cultural output and as the dominant type of creative expression. Focusing on the global dimension, our programmes cover key aspects of Film Studies through the lens of transnational cultural studies.
Film Studies at St Andrews is committed to questioning the traditional view of what is ‘normal’ cinema. We attempt to uncover the agendas (be they national, ‘western’, cultural, commercial, industrial, and so on) that define how we think about cinema, both in terms of the kinds of films we watch for pleasure, and those we study at university. There is much to be learned by studying what is produced at the margins of dominant societies, in addition to the canonical films of Hollywood and the European art house. We are interested in exploring the ways in which racial, ethnic, religious, and sexual subcultures conceptualise their identities. Similarly, we are keen to look at films produced at the periphery of established nations, co-productions between smaller players struggling to survive in the global marketplace and popular genre films often deemed unworthy of high-brow critical attention. Similarly, we
look at films that focus on transnational communities or appeal to international markets that deal with lesser-known histories and are made in foreign languages but are nonetheless worthy of critical examination and intellectual engagement.
Studying film at St Andrews will help you master a range of advanced research skills and acquire knowledge related to the construction and analysis of the moving image, the past and present day realities of various national and regional film traditions, the dynamics of the global film industry, and the theoretical approaches related to film.
The Department is housed in its own buildings, in North Street. They are within easy walking distance of the University Library, local cinema and town centre. The Department is well resourced with a dedicated teaching room. Recently the Department has started to use the wonderful facilities at the nearby Byre Theatre for most of our seminars, and for other film-related activities. MLitt classes are usually held at the Byre. A Film Studies Postgraduate Study Centre houses a DVD collection, postgraduate workspaces, viewing stations and off-air recording facilities.
At St Andrews you will be exposed to a rich and diverse film programme. Regular course-related film showings take place in a custom-built theatre. In addition, a range of screenings takes place across the University during term time, featuring films related to anthropology, international relations, and history.
St Andrews has excellent library provision, with book, journal and other information resources in Film Studies at a level consistent with an international centre of excellence. The Main Library hosts one of the best collections of international cinema on DVD and video (over 9,000 titles). The Library also holds over 1,000,000 print monographs, over 32,000 electronic books, and substantial journal title holdings in print and over 33,900 full-text electronic titles. Well over 2,000 monographs are classified under Film Studies and related subjects. There are holdings of approximately 100 film, television and media-related journals, of which about 65 are available electronically; there is also networked access to various databases, including Box of Broadcasts, Film Indexes Online and Film & Television Literature Index Full-Text.
In our media saturated culture, the opportunities for Film Studies graduates are remarkably diverse. Directly related are careers in academia, creative industries, development, distribution, film festival/cinema programming, and arts administration.
A Film Studies degree opens doors to many other spheres, including media management, film and TV research, journalism, publishing, advertising, cultural entrepreneurship, nongovernmental organisations, marketing, public relations and education. Recent destinations include: Junior Assistant Producer, European Tour Productions (IMG Media); Adjunct Instructor, SUNY (State University of New York) at Oswego; Consultant for Propel London Media.
This programme, available in both full-time and part-time study modes, offers you a broad-based understanding of how film, television and other screen media have developed and interacted across their varying histories.
It also gives you the opportunity to specialise in film exhibition and archival practice, in order to personalise your MA studies towards specific intellectual interests and future career hopes. The programme is unique in the way that it combines rigorous academic study with creative and practical opportunities, the latter offered both within certain option modules and via the two-month work placement.
This intermixing of the academic and the practical also enables you to take your interests further, into further postgraduate study, towards a career in teaching or into possible work opportunities in many areas of the media industries.
The programme has two other pathways: MA Film and Screen Media and MA Film and Screen Media (European Pathway).
The programme consists of the compulsory module Screen Media: History, Technology and Culture, a choice of option modules, a research project or placement and a dissertation.
The compulsory module is designed to introduce you to the basic methodologies and issues involved in the area concerned, as well as research skills and methods. The option modules allow you to pursue specific interests and areas of research.
A unique feature of the programme is the placement, which offers you the experience of working in a prominent media company or institution. Alternatively you can complete a research project which gives you the chance to undertake independent research and reflect on research methodologies.
You will complete the programme with a 15,000-word dissertation.
You will also have the option to take an intercollegiate module offered at another college of the University of London through the Screen Studies Group.
This programme takes a project-led, practice-based approach to studying for an MA in Film Directing (Documentary) which integrates practical film making with analysis of contemporary film practice. Students choose to make a creative documentary or a non -fiction film which defies genre definition and pushes the boundaries of narrative. We develop these through workshops and tutorials. Our students work within an integrated framework that helps them question the form of their films and enables them to find the right language for their storytelling.
The programme encourages ways of working as a film community that foster the important exchange of ideas, with inspiration from international visiting film makers through Scottish Documentary Institute and support from our team of documentary practicioners. All tutors are top professionals currently working within the industry as directors, producers, editors, cinematographers or sound designers. A newly built Avid edit teaching space, and a new screening space helps us encourage a fresh approach to emerging technologies.
Graduate films do well internationally regularly winning BAFTAs, RTS Awards and awards at international festivals. Over the last five years students have received an Oscar nomination for an MA film made here and an Oscar shortlist for a film made by a recent graduate. We work closely with the Scottish Documentary Institute, the University’s internationally-acclaimed research centre in documentary film making.
The aim of the Film Directing programmes at ECA is to:
This programme is project-led and delivered through workshops and regular individual tutorials. It integrates practical studio work with theoretical and written studies from the Screen cultures course (see separate description) which is run independently from the Film Department.
The first semester, Design Studio is organised round a series of micro-films which lead to a growing awareness of film language and enhancement of technical skills to creatively support filmic vision. Cinematography and sound workshops are delivered by visiting lecturers. Directorial voice is built up also through tutorials in which an idea for a graduating film is developed and evolved. Awareness of current international documentary practice is built through regular seminars and screenings, collaborations with Film Festivals such as Take One Action and also supported by Scottish Documentary Institute. This is also to inspire students to push boundaries in their approach to narrative structure and visual language and not to get locked in conventional approaches. We want to encourage bold work that takes risks. At the end of the first semester all students pitch their films using a trailer or short excerpt from their research material. They also develop a treatment with feedback from tutorials.
Semester two is spent preparing and shooting the graduate film and is backed up with edit tutorials as well as project support from weekly meetings with a tutor. Students also receive seminars in production process including contracts.
Semester three is when the film is edited and finished with input from group crits, tutorials. Students also attend or often volunteer with Edinburgh Film Festival and the Edinburgh Pitch in order to observe and engage with key players from the international documentary world through hearing feedback from commissioning editors.
Alongside the ECA learning structure, students also have a pool of potential collaborators from Screen Academy Napier including the possibility of working with cinematographers, editors and producers.
Our students go on to a wide range of roles, including producer, director, writer, production or location manager, researcher, editor, assistant director, cinematographer, or journalist. Graduates have found work directing for the BBC and making work internationally for top broadcasters and film funds. Related fields include advertising, community films, academia or film development agencies.
MA/MFA Film Directing has been awarded the Creative Skillset Tick, the industry kitemark of quality, following a rigorous assessment process by experts working in the Creative Industries. The Creative Skillset Tick is awarded to practice-based courses which best prepare students for a career in the industry. Screen Academy Scotland is one of only 3 Screen Academies in the UK along with National Film School and London Film School.
You can specialise in either Film Practice or Film Studies. Our Film Practice PhD provides you with a unique opportunity to develop your film as a practice-led research project. Alternatively you can undertake a Film Studies, MPhil or PhD studying British, Algerian, Chinese, French or Latin American cinema.
As a Film Studies MPhil or PhD student you will form a crucial part of our research culture. Our thriving community of postgraduate students work across schools and disciplines. Research ranges from modern languages to English literature, English language, linguistics and arts and cultures.
We are keen to work with postgraduates in the major research projects listed below, or in the more general areas related to them. We supervise projects that span academic schools and sub-disciplines, ensuring the best fit between your interests and the expertise of our staff.
We organise an annual postgraduate conference for the Faculty of Humanities, Arts and Social Sciences and you can get involved in a number of film-related research seminars on campus, including:
You will benefit from the North Eastern Regional Film Seminar, which brings together film scholars from the Universities of Newcastle, Northumbria, Sunderland, Teesside, Durham and York for a one day symposium.
There is also the Film Factory, an exciting new film forum for students and staff, initiated by two PhD students from the School of Modern Languages, Gary Jenkins and Mani Sharpe. It consists of a series of film screenings followed by discussion and debate at the Culture Lab.
You will normally be taught on the Newcastle University campus. Attendance is flexible and agreed between you and your supervisors depending on the requirements of your research project.
You will have the opportunity to use Culture Lab, a centre for creative practice which includes a stock of film cameras and editing suites, as well as motioncapture, animation and soundmixing technology.
The Language Resource Centre and Peter Robinson Library hold large collections of international films and film magazines. You will also have access to a dedicated postgraduate suite including computers, workspaces, a kitchen and showers.
You will also have guided access to Tyne and Wear Archives.