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Masters Degrees (Dress)

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The Masters in Dress & Textile Histories provides you with the skills to research and interpret the history of dress and textiles. Read more
The Masters in Dress & Textile Histories provides you with the skills to research and interpret the history of dress and textiles. Drawing on the knowledge of interdisciplinary academic and curatorial experts, the programme combines taught and research components based on a combination of theoretical and object based approaches. Working with museum collections, archives and historic interiors you will also be given a unique insight into the curation, interpretation and preservation of historic dress and textile collections.

Why this programme

◾The programme provides you with a unique opportunity within the UK to study historic dress and textiles, enabling you to develop knowledge and understanding of theory and practice in dress and textile histories in a critical and/or historical context
◾Scotland has a rich textile heritage and Glasgow is the ideal city in which to study dress and textile history, as there are internationally significant object and archival collections in the city and close by, including the National Museums Scotland, Paisley Museum and Art Gallery, and the Scottish Business Archives at the University of Glasgow.
◾You will have privileged access to primary source material, objects and archives, including at the University of Glasgow’s Hunterian Museum and Art Gallery and Glasgow Museums.
◾The work placement option will enable you to develop your professional expertise within the heritage sector.

Programme structure

The taught component consists of three core courses and three optional courses running over two semesters. This is followed by a period of supervised research and writing of a dissertation.

A number of study visits are built into the programme, introducing important local collections.

Teaching is delivered by a combination of in-house specialist and visiting scholars and experts. The lectures are enhanced by seminar discussions, some based in museums and galleries, giving you the opportunity to present your ideas and discuss them with classmates in a supportive yet challenging environment.

Core courses

◾Framing Dress and Textile Histories
◾Research Methods in Practice
◾Museums and the Making of Dress and Textile Histories

Optional courses

◾The Birth of Modern Fashion? Textiles and Dress, 1680 - 1815
◾Understanding Textiles
◾Victorian Visions: Dress and Textiles c.1837-1901
◾Material Cultures

You may also choose from the following options run by History of Art:
◾Work placement
◾Independent study

Or from the following options in the College of Arts:
◾A Humanities Advanced Technology and Information Institution (HATII) course : 2D Digitisation (Theory and Practice)
◾A course from elsewhere in the College of Arts, subject to the approval of the programme convenor.

Study trip

These courses are supported by a self-funded four day study trip in semester 2. Previous trips have included Manchester (2012), Leeds (2013) and London (2014-16).

Dissertation

Submitted at the end of August, the dissertation (or other substantial piece of work) encourages independent work and the application of acquired research skills. It is expected that MLitt dissertations should make a contribution to some aspect of the subject. The dissertation is 15,000 words in length (including footnotes but excluding bibliography) and will be an in-depth critical exploration on a topic chosen in consultation with the tutors and the programme convenor.

Career prospects

The attributes you gain will be attractive to employers from museums, the heritage sector, art dealers and auction houses. You could also get into theatre, film and television production as a costume researcher/designer. The programme also offers an excellent foundation upon which to progress to PhD studies and an academic career.

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The History of Design and Material Culture MA focuses on both objects from everyday life and representations of them since the eighteenth century as a basis for research and analysis. Read more
The History of Design and Material Culture MA focuses on both objects from everyday life and representations of them since the eighteenth century as a basis for research and analysis.

The course allies theory and practice in seminar-based discussions that embrace various methodological issues and perspectives, including Marxism, discourse theory, phenomenology, semiology, museology, gender, race, class, memory and oral testimony. Depending on the material you analyse in your essays and seminars, as well as the dissertation topic you choose, you can also emphasise your own intellectual and subject-specific interests.

Since its inception in the late 1990s, the MA has garnered a national and international reputation as one of the pioneering and most successful programmes of its kind. As a research-led course, it harnesses the academic expertise of staff with a recognised wealth of teaching and research excellence in subject areas such as fashion and dress history, the history and theory of advertising, photography and the mass-reproduced image, and heritage and museum studies.

Under guidance, you will be encouraged to explore the relationship between theory and practice and to develop your own skills as an independent researcher, thinker and writer.

Course structure

The History of Design and Material Culture MA draws on the wide-ranging academic expertise of staff in the fields of the history of decorative arts and design, dress history, material culture, museology and social history.

It stimulates innovative and interdisciplinary study in the history of design and material culture in both their western and non-western contexts, considering the relationship between local, national and international patterns of production, circulation, consumption and use.

The course is delivered through a combination of lectures, seminars, study visits and tutorials. Considerable emphasis is placed on student involvement in the weekly seminar readings and discussions within the two thematic core modules, Exploring Objects and Mediating Objects.

Based at Pavilion Parade, a Regency building overlooking the famous Royal Pavilion, teaching takes place close to the seafront and city centre amenities.

Syllabus

• Exploring Objects

The Exploring Objects module introduces you to a series of different research methods and historiographical approaches, as you interrogate and make sense of designed objects in terms of how they are designed, produced, circulated, consumed and used in everyday life. It covers the period from the late eighteenth century to the present time and typically involves discussion and debate on the following themes, theories and methods: Marxist and post-Marxist historiography; production and consumption; gender and taste; phenomenology; object-based analysis; the use of archives; and 'good writing/bad writing'. It also introduces you to the academic rigour of postgraduate dissertation research.

• Mediating Objects

This module complements Exploring Objects by focusing on the mediation between 'this one' (the object itself) and 'that one' (the object as represented in word and image). On one level, it examines how objects are translated in various texts and contexts, from museum and private collections to photographs, advertisements, film and fiction. On another level, it examines how objects are transformed through the embodied processes of everyday rituals such as gift-giving and personal oral and collective memories. The module therefore deals with the idea of intertexualities and how the identities of things and people are phenomenologically bound up with each other. By extension, you examine objects in relation to ideas concerning sex, gender, class, generation, race and ethnicity.

• Dissertation

The centrepiece of your MA studies, the dissertation is a piece of original writing between 18,000 and 20,000 words on a research topic of your own choosing. It allows you to pursue a specific research topic related to your own academic and intellectual interests in a given area of the history of design and material culture, for example fashion and dress, textiles, ceramics and glass, product design, interior design and architecture, graphic communications, advertising and photography, film, museums, collecting and curating, and design pedagogy. The dissertation is largely based on primary research, often using specialist archives and surviving historical material.

Facilities

This course makes use of the University of Brighton Design Archives, which include the archives of the Design Council, Alison Settle, FHK Henrion and the South of England Film and Video Archive.

Close professional contact with national institutions such as the Victoria and Albert Museum, as well as with local collections and centres of historical interest (such as Brighton’s unique Royal Pavilion and Brighton Museum and Art Gallery, with its internationally famous collection of decorative art from the 1890s onwards), present research opportunities for students registered on the course.

The course is closely linked to our arts and humanities research division through a joint research lecture series, and we have successfully encouraged high achievers to register for the MPhil/PhD programme.

The student environment also includes the thriving postgraduate Design History Society as well as opportunities for conference presentation, professional contact and career development in the field.

Careers and employability

The course has an extremely healthy track record in helping students to take up careers in related areas of employment and further study. Many of our postgraduates have succeeded in finding work as lecturers, curators, journalists, designers and design consultants, while many others have pursued doctoral research, most often also securing prestigious funding from the AHRC (Arts and Humanities Research Council).

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A unique course that creates an opportunity to explore both the theoretical aspects and practical challenges of curating contemporary fashion and historical dress in a wide range of formats and locations. Read more

Introduction

A unique course that creates an opportunity to explore both the theoretical aspects and practical challenges of curating contemporary fashion and historical dress in a wide range of formats and locations.

Content

MA Fashion Curation is a unique opportunity to investigate the ways in which fashion and dress can be collected and displayed, and offers the opportunity to engage with theoretical discussions and debates that underpin this exciting and growing discipline. Fashion exhibitions are a key part of the national and international landscape of contemporary society, attracting some of the largest audiences to major museums. Fashion exhibitions have also become increasingly visible in department stores, galleries and the wider community. This shift represents the growing status of the curator as a central cultural mediator.

MA Fashion Curation will equip you with the skills to enter this fast paced and growing field. A key aspect of this course is the practical skills and experience gained in staging a live fashion-related exhibition. This group project presents students with an exciting collaborative opportunity to explore a range of approaches, mediums and practices that constitute the roles required in realising a curatorial project.

The changing possibilities of curating and the curator are introduced and examined through seminars, workshops, and lectures, given by LCF researchers and lecturers and key industry professionals. Students are encouraged to undertake internships whilst on the course and past placements have been at Victoria and Albert Museum, Museum of London, Kerry Taylor Auctions, Alexander McQueen Archives, Rambert Dance Company Archives, Museum of the City of New York and Metropolitan Museum of Art, New York. Taught by a team of internationally renowned curators, including Professor Amy de la Haye and Professor Judith Clark, this course makes full use of fashion-related collections and archives both within and outside London to explore the issues and concerns that consume today's fashion curators. Areas that are explored with the MA include: displaying dress; creating 'stories' from objects; writing texts to target audiences; model-making; collecting, handling and archiving garments.

Our growing number of alumni can now be found in a perse range of organisations, including museums, galleries, universities, as well as developing freelance careers as consultants, archivists and curators.

Structure

15 months level 7 180 credits

Term One

The Past and Future of Fashion Curation (40 credits)
Research Methods (20 credits)

Term Two

Collect/Recollect (40 units)
Collaborative Unit (20 credits)

Term Three

Masters Project (60 credits)

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Inventing Modern Art enables you to understand how painting, design and architecture took new forms and meanings in an age of radical social, scientific and technological change. Read more
Inventing Modern Art enables you to understand how painting, design and architecture took new forms and meanings in an age of radical social, scientific and technological change. Working with leading experts, you will learn to interpret these from theoretical as well as object-based approaches.

Why this programme

◾World-leading resources, from Charles Rennie Mackintosh’s School of Art to the Burrell Collection and The Hunterian, home to the world’s largest public Whistler display.
◾State-of-the-art collections access at the new Kelvin Hall Study Centre, and tuition by specialists including the Mackintosh and European Modernism Academic Curator.

Programme structure

The programme offers a wide-ranging mix of taught and research components, and is taught by a team including the Academic Curator in Mackintosh studies and European Modernism, and experts in the Enlightenment, Whistler, Impressionism, the Vienna Secession, and dress history.

The 20-credit core course on 'Research Methods in Practice' is taken by all students in Semester 1, and provides an introduction to the key techniques and principles of advanced art-historical study and research. This provides a foundation for the programme's other components, which consist of:
◾A compulsory dissertation (60 credits; 15-20,000 words, including footnotes and bibliography). This is submitted in August and written under the guidance of a specialist tutor. It provides opportunity for self-directed research on a topic chosen by the student in consultation with the programme convener and the tutor.
◾Five individual option courses, each worth 20 credits. These enable you to study particular themes or artistic movements in depth, and, if desired, also to obtain work experience. They include opportunities for first-hand engagement with relevant work in local collections and the new Kelvin Hall Collections Study Centre, and are selected from the following list.

Some courses are taught in Semester 1 and some in Semester 2 (not all are available each year):
◾Whistler, Impressionism, and European Avant-Gardes
◾The Artistic House
◾The Birth of Modern Fashion? Textiles and Dress, 1680-1815
◾Victorian Visions: Dress and Textiles c. 1837-1901
◾Cultures of Collecting
◾Provenance
◾Work Placement
◾Independent Study
◾Semester Abroad (Ecole du Louvre, Paris)
◾Research Forum

One or more of your option courses may be chosen from those available in other College of Arts subjects, to create a distinctive interdisciplinary emphasis within your degree. The programme convener will give guidance on choices relevant to your personal goals and interests.

Career prospects

The programme provides a strong foundation for work in the museum, heritage, and education sectors, as well as in media, publishing, and arts administration. Its distinctive object-based study sessions and field trips introduce you to key professionals, whilst the placement option provides 'live' work experience - an essential first step in much arts employment. Our Art History Masters' graduates have secured curatorial posts at institutions including the Palace of Westminster, V&A Museum, Ironbridge Museum, and Thomas Jefferson's Monticello, as well as specialist positions with film and TV companies and auction houses. For those interested in an academic career, the dissertation component provides essential preparation for doctoral research.

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Investigate fashion, dress and style in culture and society. Examine the evolving relationship between fashion and film. MA Fashion Cultures offers a unique experience in fashion education at postgraduate level. Read more

Introduction

Investigate fashion, dress and style in culture and society. Examine the evolving relationship between fashion and film.

Content

MA Fashion Cultures offers a unique experience in fashion education at postgraduate level.

The course has two specific but interrelated pathways: History and Culture; and Fashion / Film. On this course you will have the opportunity to study fashion and dress within its historical, social and cultural contexts. A dynamic in-depth exploration of theoretical and methodological perspectives will give you a grounding in the history of fashion and an underpinning of social and cultural theory for both pathways. You will then undertake more specialised study on your chosen pathway. On the History and Culture pathway you will investigate fashion as object, representation and practice through an interdisciplinary approach from both historical and contemporary perspectives. On Fashion/Film you will investigate the ongoing changing relationship between fashion, costume and forms of film as well as the relationship between cinema and consumption within a global context. While you will choose one pathway, you will have the opportunity to attend the lectures for the other pathway if you wish to, so you can gain the fullest possible understanding of a variety of disciplines and their impact upon visual and material cultures.

The pathways are led by renowned experts in their respective fields, and they are supported by research fellows, professors, authors, curators and historians who contribute to the course. Based in one of fashion’s most important cities, our students benefit from access to the special collections and archives of many leading institutions in London, including the V and A, Museum of London and the British Film Institute. You will also have the opportunity to work with other graduate students from the Culture and Curation Programme on some units of the course.

We attract students from a wide variety of academic and industry backgrounds, some of whom have completed theory-based first degrees, while others come with practice-based backgrounds. After completing their Masters studies, some students from both former courses have progressed to higher level research degrees, and others have established themselves in a number of related fields including curation, visual merchandising, styling, archiving, fashion buying, lecturing and research.

Structure

Block One September to January

Social and Cultural Theories (20 credits) (both pathways)
Fashion Histories (20 credits) (both pathways)
Research Methods (20 credits) (both pathways)

Block Two February to May:

Cycles of Fashion (20 units) (History and Culture pathway), or
Fashion, Stardom and Celebrity Culture (20 credits) (Fashion / Film pathway), or
Sustainability and Fashion (20 credits) (either pathway)

Gendering Fashion (20 credits) (History and Culture pathway), or
Film Concepts, Global Cinema (20 credits) (Fashion / Film pathway), or
Consumer Behaviour and Psychology (20 credits) (either pathway); Collaborative Unit (20 credits) (both pathways)

Block Three May to September: Masters Project (60 credits) (both pathways)

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A graduate degree in apparel and textiles enables students to pursue careers in higher education, business, and government. The program prepares students for careers in college teaching, research, extension, education administration, marketing, consumer service, product development/evaluation, and entrepreneurship. Read more

GRADUATE STUDY IN APPAREL AND TEXTILES

A graduate degree in apparel and textiles enables students to pursue careers in higher education, business, and government. The program prepares students for careers in college teaching, research, extension, education administration, marketing, consumer service, product development/evaluation, and entrepreneurship. Emphasis is placed on the development of analytical skills and problem-solving skills and equips graduate students for continued intellectual and career growth. Graduates receive the degree of Master of Science in human environmental sciences, with a major in clothing and textiles.

Visit the website http://www.ctd.ches.ua.edu/graduate-program.html

PROGRAM OF STUDY

Students in the graduate program may concentrate in the behavioral aspects of clothing; the international aspects of textiles and apparel; or historic costume and textiles. The faculty assists each graduate student in planning an individualized program suited to the student’s career goals. The program requires a minimum of 30 semester hours of graduate courses. A graduate course in statistics must be completed successfully. Graduate students are encourages to participate in research and service activities of the faculty as a means of developing direction for the graduate program. Since graduate courses in the department have prerequisites, students should contact the Department of Clothing, Textiles and Interior Design for information about minimum preparation for graduate study.

PROGRAM FACULTY

At present, we have faculty doing research in the following areas:

- Dr. Marcy Koontz has been exploring the scholarship of engagement in higher education for the several years. Her work focuses on the implementation and assessment of meaningful sustainable projects that engage students in the local community - from preservation of cultural heritage resources to helping develop and implement innovative programs that address community issues from a design perspective. Her previous research focused on emerging technologies with an emphasis on the application of advanced computer graphics software in the field of apparel and textiles, and developing and constructing advanced computer-based curricula for apparel and textiles instruction.

- Dr. Amanda J. Thompson's topics of research include textile science issues, historic and archaeological textile analysis, and cultural interpretation of textiles and the crafts that support textiles. She also is working with alternative fibers and 3D printing and its use in textiles.

- Dr. Michelle (Xiao) Tong's current research interests include soft-goods branding management, E-commerce, international marketing and international trade of textiles and apparel products.

- Dr. Virginia Wimberley's research deals with application of microscopy and other analytical methodology to the analysis of pre-historic, historic and contemporary dress and textiles for their contributions to the material culture. She has worked on Native American prehistoric collections from Ohio, Georgia and Alabama. Currently she is starting an investigation of the role of clothing in sex role stereotyping by preschool children.

FACILITIES

The Department of Clothing, Textiles and Interior Design maintains the Carolyn Stewart Historic Costume Collection and the Comer Historic Textiles Collection for use in teaching and research. The University’s research facilities include the Mary Harmon Bryant Hall which is the repository for the department’s historic costume and textile collections with the Mary Harmon Moman Doll Collection and the Wade Hall and Greg Swem Quilt Collection, as well as other University collections; Amelia Gayle Gorgas Library, which belongs to the selective Association of Research Libraries; Central Analytical Facility; and the Seebeck Computer Center. Excellent computing capabilities exist within the College. Campus agencies that foster interdisciplinary research include the Small Business Development Center, the Capstone International Center, the Hess Institute, and the Institute for Social Science Research.

Find out how to apply here - http://graduate.ua.edu/prospects/application/

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This fascinating course examines many different aspects of the ancient Greek and Roman worlds – their literature, history, philosophy, archaeology, languages and material cultures – through a scholarly tradition that is both fast-moving and long-standing. Read more

MA in Classical Studies

This fascinating course examines many different aspects of the ancient Greek and Roman worlds – their literature, history, philosophy, archaeology, languages and material cultures – through a scholarly tradition that is both fast-moving and long-standing. You will investigate the different disciplinary fields of Classical Studies, bringing you into direct contact with a wide range of fragmentary evidence from classical antiquity such as surviving texts and artefacts, which you’ll examine from multiple theoretical and methodological perspectives. You will also acquire and develop research skills that will enhance your knowledge of the ancient Graeco-Roman world and prepare you for independent study, culminating in a dissertation.

Key features of the course

•Explores the question of ‘how we know what we know’ about the ancient civilisations of Greece and Rome
•Takes an interdisciplinary approach to the study of ‘the ancient body’, including birth, death, ancient medicine, dress and beauty
•Draws on cutting-edge research by members of the Classical Studies department
•Concludes with a substantial piece of independent research on a topic of your choice.

This qualification is eligible for a Postgraduate Loan available from Student Finance England.

Modules

To gain this qualification you require 180 credits as follows:

Compulsory modules

• MA Classical Studies part 1 (A863)
• MA Classical Studies part 2 (A864)

The modules quoted in this description are currently available for study. However, as we review the curriculum on a regular basis, the exact selection may change over time.

Credit transfer

If you’ve successfully completed some relevant postgraduate study elsewhere, you might be able to count it towards this qualification, reducing the number of modules you need to study. You should apply for credit transfer as soon as possible, before you register for your first module. For more details and an application form, visit our Credit Transfer website.

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“The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills up, imbues us totally. Read more
“The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills up, imbues us totally. There is no remedy for it”

Patrick Suskind, Le Parfum

The inescapability of a scent’s inebriation is very much akin to the power of attraction of a beautifully designed dress. It is with this idea in mind that newest postgraduate course of IFA Paris was built: offering an innovative approach to Perfume and Cosmetics management through the integration of its 20 years expertise in fashion.

The philosophy of the MBA in Perfume and Cosmetics Management revolves around 3 pillars:

Discovery:
Students are being immersed in a workshop environment allowing them to get an intensive and practical training fostering creativity while at the same time allowing them to discover each strategic components and stakeholders of the beauty industry

Experimentation:
While travelling between IFA’s campus locations in Paris and Shanghai our students are able to experience first-hand the intrinsic characteristics of emerging and mature markets thanks to IFA Paris learning by doing pedagogy.

Self-affirmation:
The overarching Capstone thesis reflects the students’ commitment to the development of a unique and individual project.

The MBA in Perfume and Cosmetics Management also takes advantage of the unique heritage and bi-cultural affiliation of IFA Paris as it “sits” perfectly at the confluence of a geographical dichotomy:

The West as the upholder of traditional luxury values:
Participants will spend 2 terms in Paris in order to have access to what the rest of the world considers as the birth place of luxury.

The East as the catalyst transforming the “Luxe DNA”:
Thanks to IFA Paris unique combination of campus rotation system and synergetic curriculum, participants will be able to explore the latest market and technological evolutions in the beauty industry in an area of the world (North Asia) considered as the most important source of growth.

The development of 7 special seminars provides participants with “windows” into unique activities or phenomenon of the beauty industry. They are organized across our campuses of Paris and Shanghai according to the market specificities of those 2 locations. While in France students will be exposed to the traditional art of perfume making through an immersive experience thanks to our Olfactory Lab and our seminar titled “Parfums a la Francaise”. During their rotation in Shanghai participants will discover the booming segment of skin care for men and explore the different invasive and non-invasive plastic surgery techniques. The ultimate goal is to offer participants the opportunity to improve their professional portfolio with experiences that will ultimately render their profile more sophisticated and attractive to potential employers.

Finally, from inception to graduation, and regardless of their location, Postgraduate students of IFA Paris will benefit from the support of a unique department called the “Career and Alumni Center”. The industry relation arm of IFA Paris’ academic courses is in charge of organizing bi-weekly guest lectures and field trips to attune our students with the latest trends in the beauty industry.

Capitalizing on strong collaborations with groups such as LVMH, Richemont or Kering, the Career and Alumni Center will give access to exclusive brand launch events, fashion shows, art exhibitions or professional trade-shows in order to build the students’ own professional network.

Our MBA Courses are structured with the ECTS framework in mind as set by the Bologna Convention. Upon completion of their studies participants will gather a total of 120 ECTS that they will be able to transfer if they wish to further their studies. The Course is also accredited by IDEL/IDEART* and is certified as “International Master”.
*For more information feel free to visit http://www.idel-labels.eu

Course structure

Our Perfume and Cosmetics Management course covers a wide range of modules clustered into five main module groupings:

Marketing and Management:

This grouping encompasses a series of modules that will be sequentially planned based on the structure of a marketing plan. The overall body of knowledge acquired by the students will prepare them to:

Analyse complex marketing challenges based on practical case studies
Allocate resources strategically to achieve pre-determined objectives
Craft brand DNAs allowing for the achievement of a sustainable competitive advantage

Business Issues:

The capacity to listen and interpret markets’ signals is a key component of today’s managers. It needs to be continuously cultivated. Within this module grouping students will discover the idiosyncrasies of the fashion industry from an economic and financial view point.

Distribution and Retail:

New technologies are shaping the cosmetics and perfume offering of the 21st century in ways that do not always relate to product innovation. A large part of the most recent innovations concern the distribution and retail sector, with interesting cross-overs between the Fashion and the Cosmetics and Perfume industries.

Cosmetics and Perfume Environment:

Is perfume still a luxury? Are socially responsible brands more impactful? How is the impact of the fashion industry in the development of the cosmetics and perfume industry?... This module grouping will challenge students and develop their critical thinking approach in regards with the industry.

Cosmetics and Perfume Lifestyle:

While our MBA Program does not aim at creating technicians we believe it is important for our students to be totally immersed within the environment of cosmetics and perfumes. This is why we have devised a series of groundbreaking seminars and workshops: to allow our students to experience the specificities of the future industry they’ll be working for. From a week in an olfactory lab to test and create perfumes to a foray into the crafting of perfumes “A La Francaise”, everything has been devised to provide a groundbreaking experiential learning.

The Foundation workshop will be taught over 2 full weeks (75 Hours) and comprise the following modules:

Principles of Marketing – 15 Hours
Quantitative Research Approaches – 15 Hours
Accounting Principles – 15 Hours
Working Methodology – 15 Hours
Project Management – 15 Hours

Student Workload:

522 Hours of Face-to-Face lectures
783 Hours of Self-Study
840 Hours of capstone project
200 Hours of industry contact and collaboration

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ISMM is very different to any other academic course. it combines traditional teaching material with a series of industrial visits, some of which will take place overseas. Read more
ISMM is very different to any other academic course: it combines traditional teaching material with a series of industrial visits, some of which will take place overseas. The course members work a full industrial week and conform to business dress codes. This intensive, practical programme gives direct experience of many different industries, cultures and working environments, and the projects present real challenges in genuine industrial and business environments. The aim of the course is to equip numerate graduates with the skills, personal development and industrial experience to be immediately effective in their early careers in industry.

ISMM will broaden your perspective and experience and open the door to a wide range of industrial careers. Many blue chip companies recognise the value of the course and target our graduates. Equally, for those who want to work in a smaller company, ISMM gives the confidence to start directly in a manufacturing engineering or management role. Those with entrepreneurial flair go on to set up their own companies.

The programme is structured around taught modules, company visits and in-company projects solving live business or technical problems. An overseas study tour offers a broader international context and the individual research thesis allows greater depth of study in a specific area of manufacturing.

See the website http://www.graduate.study.cam.ac.uk/courses/directory/egegmpimm

Course detail

During the year you will acquire a working understanding of the fundamentals of a business enterprise, with a particular emphasis on manufacturing disciplines. You will visit up to forty companies, large and small, chosen to cover all industrial sectors; you will absorb the different cultures and learn to identify strengths and weaknesses. By the end of the course you will be in a perfect position to choose your career direction.

Skills acquired during the course include:

- critical analysis;
- creativity – the generation of innovative solutions;
- evaluation of designs, processes and products;
- balancing theory and practice;
- problem identification, definition and solution;
- data gathering, evaluation and analysis;
- effective communication written, verbal and graphic;
- preparation of business and finance cases;
- presentation preparation and delivery;
- project management;
- report writing;
- a 'can do' attitude;
- teamworking;
- appreciating the responsibilities of leadership

Format

Teaching is delivered through a variety of media. During Cambridge termtimes, there will be traditional academic lectures and interactive seminars; the dissertation is based in one of the Institute for Manufacturing's research groups and will involve normal graduate-level supervision. However, much of the learning during the course takes place during the industrial visits (of which there are approximately forty annually), and on the projects themselves. During the projects, students can expect to receive substantial 'supervisory' feedback from their line managers and colleagues. Academic assessment of the course is split into three components: examinations on module material; assessment of project reports; examination of the dissertation.

Placements

In addition to the series of industrial visits, students will undertake four two-week industrial placements over the course of the programme. During this time they will be working on live business/technical issues relevant to the company, and will be treated as an employee. These placements will terminate in a presentation to the Senior Management of the company, and in the writing of a handover report that will be examined as part of the course assessment.

Assessment

All students will be required to write a dissertation of no greater than 15,000 words. Achieving a passing mark on this dissertation is a precondition for obtaining the degree.

All students are required to write four project reports, each of which will be based on two weeks of project work on an issue relevant to a host company.

Four taught modules will be assessed through written assessments under timed conditions.
At the discretion of the Examiners, candidates may be required to take an additional oral examination on the work submitted during the course, and on the general field of knowledge within which it falls.

Students can expect to receive reports at least termly on the Cambridge Graduate Supervision Reporting System. They will have access to a University supervisor for their dissertation, and can expect to receive input from their line managers during project placements.

Continuing

The MPhil is a professional practice programme and is not specifically designed to lead on to doctoral research. Nevertheless, students wishing to apply for continuation to a PhD in Engineering at Cambridge would normally be expected to attain an overall mark of at least 70%.

How to apply: http://www.graduate.study.cam.ac.uk/applying

Funding Opportunities

Bursaries are available to two categories of applicant.

Category A: Bursaries of between £1,200 and £1,800 are available to successful applicants who either (i) have UK citizenship; or (ii) have settled status in the UK, and have been ordinarily resident in the UK and Islands (for a purpose other than full-time education) for the three years prior to the 1 September immediately preceding the course.

Category B: Successful applicants who have secured sufficient funding from studentship providers to cover the standard University Composition Fee rate, but not the additional cost, may receive a bursary to cover the discrepancy.

All eligible applicants will be considered for bursaries. Students in Category B may wish to contact the course email to ensure that their situation is noticed.

General Funding Opportunities http://www.graduate.study.cam.ac.uk/finance/funding

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The distinctive emphasis of Goldsmiths' Department of History is a theorised, interdisciplinary and comparative approach to research- http://www.gold.ac.uk/pg/mphil-phd-history/. Read more
The distinctive emphasis of Goldsmiths' Department of History is a theorised, interdisciplinary and comparative approach to research- http://www.gold.ac.uk/pg/mphil-phd-history/

The culture of the Department of History is open, friendly and accessible, and research students are encouraged to be innovative in their use of sources and methodologies.

Our staff is young and we are on the cutting-edge of our fields and the student-teacher ratio allows us to devote an unmatched amount of time to individual supervision. Find out more about staff in the department.

MPhil and PhD topics in the department currently include:

The Song of the Pen: Penny Romantic Literature 1839-89
The Freak Show in Nineteenth-Century Britain
British Women and German Prisoners of War in the 1940s
Decoding Dress in Interwar Detective Fiction
The British Diaspora - Race Return Migration and Identity in 20th Century Britain
Atatürk and his Cult - A Visual History, 1918-1968
Another Balkan Myth? The Extreme Right Wing in Serbia: Indigenous Phenomenon or Foreign Adaptation?
London Schools and Children, 1870-1920
The Seekers Found: Radical Religion during the English Revolution
Find out more about research degrees at Goldsmiths.

The MPhil programme offers the opportunity for the student to continue their research to a PhD.

Assessment is by thesis and viva voce.

Contact the department

If you have specific questions about the degree, contact Professor Jan Plamper.

Department

History at Goldsmiths is ranked 11th in the UK for the quality of our research**

**Research Excellence Framework 2014, Times Higher Education research intensity subject rankings

From the occult to dictators, from war to revolution, from madness to medicine, and from the body to ideas – this is history at Goldsmiths.

As a department we have a wide range of expertise covering all these areas and more. So as a student here you’ll be able to explore how people in past societies lived, loved, worked and worshipped.

For us, history isn’t just a sequence of events. We study the past thematically as well as chronologically. You’ll be thinking about the way history is informed by a wide range of other subjects and how knowledge of the past can help you to understand the world we live in today.

Skills & Careers

Our students have taken up academic posts in history and related fields around the world; others are employed in the media and as researchers and teachers.

How to apply

Before you apply for a research programme, we advise you to get in touch with the programme contact, listed above. It may also be possible to arrange an advisory meeting.

Before you start at Goldsmiths, the actual topic of your research has to be agreed with your proposed supervisor, who will be a member of staff active in your general field of research. The choice of topic may be influenced by the current research in the department or the requirements of an external funding body.

If you wish to study on a part-time basis, you should also indicate how many hours a week you intend to devote to research, whether this will be at evenings or weekends, and for how many hours each day.

Research proposals

Along with your application and academic reference, you should also upload a research proposal at the point of application.

This should be in the form of a statement of the proposed area of research and should include:

delineation of the research topic
why it has been chosen
an initial hypothesis (if applicable)
a brief list of major secondary sources

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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