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Masters Degrees (Drawing)

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Introduction. MA Drawing at Wimbledon College of Arts is aimed at students who want to explore and interrogate the practice of drawing. Read more

Introduction

MA Drawing at Wimbledon College of Arts is aimed at students who want to explore and interrogate the practice of drawing.

Content

What students can expect from the course:

- A course that promotes drawing for a purpose, focusing on process and cross-disciplinary dialogues that centre on communicating ideas to an audience, client or user

- To develop their drawing, discursive skills and agendas through a re-orientation of their practice

- Collaborations across and between diverse disciplines and courses at the College

- To have access to rich research sources such as Wimbledon’s Jocelyn Herbert Archive, the Stanley Kubrick Archives and University of the Arts London Centre for Drawing

- To benefit from the College’s established relationships we have with Tate Britain, The British Museum, Ashmolean Museum, The Royal Academy, The Sir John Soane Museum and the V&A drawing collections

- To explore a range of practices and disciplines where new languages and methodologies can be developed, including: architecture,

art, cartography, dance, design, engineering, performance, the sciences and writing

Structure

Unit One:

This will comprise of input from a range of practitioners from diverse disciplines, encouraging discussion of drawings purpose, its currency and potential for communicating and problem solving. This may include input from scientists, architects, writers and performers exploring the boundaries of drawing.



Unit Two:

This unit will focus on defining and developing themes from Unit One via individual or collaborative research questions. The unit will allow students to set up identifiable internal or external collaborations, and establish specific targets. The collaborative process can be used to resolve issues across and between disciplines.



Unit Three:

Will allow students to further develop their individual research questions, and explore and define practical methodologies to articulate drawing for a purpose.



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Created to challenge and inspire the next generation of theatre designers, the Theatre Design MA course at Bristol Old Vic Theatre School delivers intensive vocational training, enabling talented designers to develop their creative and technical ability in set and costume design for performance. Read more
Created to challenge and inspire the next generation of theatre designers, the Theatre Design MA course at Bristol Old Vic Theatre School delivers intensive vocational training, enabling talented designers to develop their creative and technical ability in set and costume design for performance.

The Theatre Design MA course has just four places on offer in each intake, students receive focused individual mentoring and support from the BOVTS team and high-profile visiting professionals, all set in the environment of an integrated company staging fourteen productions a year.

The course duration is four terms; starting in April the course runs until July the following year.

The full time course is aimed at multi-skilled postgraduate level students. We encourage applicants with a range of experience and previous training in Theatre, Art and Design, (Architecture, Costume, Graphics, Interiors, Film Design, Painting, Sculpture, Drama and Theatre). We do not limit entry to students with previous training, although the majority of applicants come from degree courses. A comprehensive portfolio of artwork is required at interview.

Collaborative working with students from a range of disciplines at BOVTS, design students are offered at least three leading design positions on public productions at a variety of respected venues – from The Bristol Old Vic Theatre to the Brewery Theatre.

Master-classes and workshops with visiting professional practitioners help build a thorough understanding of the subject, these include script analysis, life and figure drawing, model making, technical drawing, CAD, Photoshop and model photography. Specialist lectures cover theatre design and costume history. Research and practical work are supported by site and production visits including trips to theatre design events and exhibitions.

An extensive portfolio of industry-standard work can be achieved over the course of four terms, including staged productions and theoretical projects. Students leave BOVTS with the skills, knowledge and confidence to build careers as professional designers. There are end of year exhibitions at the Royal West Academy of Art in Bristol and in London.

Inspiring leadership by Head of Design Angela Davies, who is an award-winning theatre designer with high-level industry links. The course equips its graduates for entry into prestigious Theatre Design competitions such as the Linbury Prize for Stage Design and the RSC’s trainee scheme. BOVTS graduates held 5 out of the 12 final places in the Linbury Prize 2013.

Applications are accepted at least one year in advance of the course start date. The four-term course starts at the beginning of the summer term and completes at the end of the summer term of the following academic year.

Recent graduates have held design positions at the RSC, Pilmlico Opera, Bristol Old Vic, The Brewery Theatre and the Tobacco Factory, The Finsborough Theatre The Vault Festival and with Kneehigh Theatre Company.

To receive more information on course structure and highlights, please contact

Course Outline

Term 1
- Intensive skills-based classes from professional practitioners, including model-making and technical drawing
- Theatre script analysis and period research workshops
- Exploration of the collaborative creative process with a professional director and the MA Directors at BOVTS on the Theatre and Short Play Project
- Master-classes in advanced model-making techniques, technical drawing, an introduction to Photoshop and model photography
- Production and site visits.

Term 2
- Continued exploration of the design process through to presentation with meetings with a visiting professional on the Opera Project
- Regular design tutorials with additional workshops and classes to extend understanding.
- Theory is put into practice by designing the set or costumes for a BOVTS Spring production
- Collaborative working with a staff or visiting director and the BOVTS production teams for professional theatre venues

Term 3
- Design presentations and exploration of the production process through to full stage realisation.
- Close collaboration with actors, stage managers, technicians and scenic artists
- Work with the BOVTS MA Directors to complete production designs for the Brewery Theatre
- Skills classes and support in CAD and Photoshop and an introduction to portfolio design.

Term 4
- Series of small-scale productions for the Brewery Theatre
- Work begins on summer productions, exploring the role of set or costume designer in-depth
- More independent working with mentoring and support through the process
- Development of CV and professional portfolio
- Preparations for the end of year exhibitions at the Royal West Academy of Art, Bristol and London
- Exhibitions and Industry interviews with professional practitioners from a range of theatre disciplines, providing networking opportunities and pathways to work

PLEASE NOTE THAT APPLICATIONS ARE FOR APRIL 2016 ENTRY AND WILL CLOSE ON 27TH FEBRUARY 2015 AT 4PM.

Offline Applications
Please contact:The Admissions Office, 1-2 Downside Road, Bristol BS8 2XF.

Tel: 0117 973 3535.
Email: .

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A central element of the course is the application and testing of communicative drawing, as well as drawing with identified purpose and intent. Read more

A central element of the course is the application and testing of communicative drawing, as well as drawing with identified purpose and intent. An intense and productive process of enquiry and investigation, focusing on the acquisition of fluency, clarity and coherence in expressing visual narrative, will form your core practice.

The techniques and technologies which form the practice-based mechanisms of illustration are also key, with the aim of achieving a dynamic, sophisticated and confident application of process. You will actively explore printmaking, digital painting, creative software and all forms of natural media. Drawing will also form a methodology for research and investigation, supported by lectures and workshops, and delivered by illustration staff who have a wide range of industry and publishing experience. You will be guided in intellectual and critical enquiry through practice, lectures and reflective study.

The programme encourages enterprise and promotion alongside personal development. You will have opportunities to print, publish and disseminate your work in collaborative and personal publications for our imprint, ‘The Pittville Press,’ which is actively promoted at book fairs and publishing events. A series of intensive tutorials will direct you towards a creative portfolio strategy relevant to your personal aims.

Modules

  • Narrative Drawing
  • Research and Context
  • Professional Development
  • Mechanisms and Methodology
  • Major Project (Illustration)

Study style

Assessment is 100% by coursework

Personal Support

The development of each student's creative practice in intensively supervised by professional artists

Print and publish your work

You will have opportunities to print, publish and disseminate your work in collaborative and personal publications for our imprint, ‘The Pittville Press,’ which is actively promoted at book fairs and publishing events in the UK and internationally. You can also publish work through our Cheltenham Illustration Awards.

Advanced research and scholarship

The programme offers a breadth and richness of experience, enabling you to reach your full potential and meet the challenges of advanced research and scholarship.

Careers

  • Freelance illustrator
  • Author/illustrator/graphic novelist
  • Roles in games art, character design, concept art, animation, storyboarding and visualization for production design
  • Education - teaching in FE and HE
  • Artist
  • Printmaker


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Do you have a strong drawing ability and want to study concept art and develop a range of specialist skills?. Course details. This course focuses on games and animation but is also suitable for students interested in related areas such as film, comics and illustration. Read more

Do you have a strong drawing ability and want to study concept art and develop a range of specialist skills?

Course details

This course focuses on games and animation but is also suitable for students interested in related areas such as film, comics and illustration. You will undertake project based course work supported by dedicated staff with a wealth of practical experience of both the commercial and academic worlds.Your teaching is supported by close links to industry. In previous years we have had a range of visiting lecturers – a senior concept artist from Double Negative, an art director from Ubisoft, the director of Atomhawk and representatives from Dreamworks and Microsoft. We have also had visits from a range of freelancers specialising in areas such as character design, storyboarding and matte painting. Industry experts are actively involved in setting you tasks and providing feedback

There are two routes you can choose from to gain an MA Concept Art for Games and Animation:

  • full-time - 2 years with advanced practice (September start)
  • full-time - 1 year (September start) or 16 months (January start)

What you study

The postgraduate course covers specialist areas – character design, environment design and storytelling. You also focus on core drawing skills including regular life drawing classes. The course concludes with a final project – we support you to create a brief that enables you to specialise in your chosen area of interest.

You develop the cognitive and technical skills to equip you for enterprise, employment and further academic research. As a graduate, practising artist and designer or mid-career professional, you can engage in reflective creative practice at an advanced level.

Course structure

Core modules

  • Character and Environment Design
  • Concept Art Practice
  • Drawing for Concept Artists
  • Master's Project: Concept Art for Games and Animation
  • Visual Storytelling

Modules offered may vary.

Teaching

How you learn

You experience a number of different approaches to learning and teaching including:

  • lecture sessions
  • tutorial and practical sessions
  • workshops and studio sessions
  • freelance sessions and workshops
  • online and blended delivery
  • self-directed study.

Critical reflection is key to successful problem solving and essential to the creative process. To develop your own reflective practice at an advanced level, you test and assess your solutions against criteria that you develop in the light of your research.

How you are assessed

You are assessed through the production of a portfolio of creative work and a written report. Feedback is given during lectures and tutorials, and using online methods.

Employability

From the beginning of your programme, we prepare you for a career in industry. In addition to your taught classes, we create opportunities for you to meet and network with our industry partners through events such as our ExpoSeries, which showcases student work to industry. ExpoTees is the pinnacle of the ExpoSeries with over 100 businesses from across the UK coming to the campus to meet our exceptional students, with a view to recruitment.

Advanced practice

There are a number of internship options, including:

  • Vocational internship – spend one semester working full-time in industry or on placement in the University. We have close links with a range of national and international companies who will offer you the chance to develop your knowledge and professional skills in the workplace through an internship. Although we cannot guarantee internships, we will provide you with practical support and advice on how to find and secure your own internship position. A vocational internship is a great way to gain work experience and give your CV a competitive edge.
  • Research internship – develop your research and academic skills by undertaking a research internship within the University. Experience working as part of a research team in an academic setting. Ideal for those who are interested in a career in research or academia.


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interdisciplinary opportunities we offer create an engaging professional experience investigating the practice and discourse of fine art. Read more

interdisciplinary opportunities we offer create an engaging professional experience investigating the practice and discourse of fine art. You can choose areas of specialism in drawing from the archive, art in space and place and curating art, alongside your own studio work.

Full-time students use our purpose-built studio space. You have access to a wide range of workshops and technical expertise from all areas of media and fabrication. These include • sculpture • painting • live art • drawing • computer programming • metalwork • video editing • dark rooms • sound studios • film production equipment • printmaking.

Our teaching staff are experts in fine art and art education who not only exhibit their work but also contribute to conferences, journals and publications at national and international levels.

Vibrant and supportive learning environment

The course offers a supportive community to foster your practice and your ambitions as a fine art professional. It is particularly suitable if you are • open-minded • ambitious • keen to experience new personal challenges that expand your creative development • interested in understanding all areas of the fine art discipline.

You are encouraged to create experimental and innovative works and to engage with the critical context of art in our time. Dialogue with peers, practicing artists and structured teaching throughout the course enables you to identify your practice within the wider field of fine art to achieve new goals, develop networks and find new inspirations to enrich your creative ambitions.

Excellent creative resources

We have a comprehensive range of technical resources and an excellent programme of high profile guest artists from across the visual arts spectrum to stimulate debates on issues of art and culture. If you are doing your work placement in another European country there may be funding available through the Erasmus programme.

Dynamic and creative art community

Fine art students work and exhibit in the heart of Sheffield's Cultural Industries Quarter. The course has links with • Sheffield Contemporary Arts Forum • studio groups such as S1 and Bloc • Yorkshire Art Space Society • the Showroom Cinema • Site Gallery.

Sheffield has a dynamic and vibrant creative community. We work collaboratively with artists and curators, as well as researchers and students in other areas. You have access to a network of public galleries, art organisations and artist-run spaces. Opportunities for exhibiting and publishing take place throughout the year.

MA and MFA study

MA and MFA students complete the same modules during the course except that MFA students complete an extra project module. The MFA project encourages you to develop professional skills that help you to identify, instigate, and deliver projects with external partners, such as communities, galleries or businesses. You find a project partner, agree a brief and then deliver the project to a professional standard.

This course is part of the Sheffield Institute of Arts (SIA), an amazing, diverse community of makers – where staff, students and partners work as equals to deliver real innovation and creativity. SIA opened in 1843 and is one of the UK's oldest Art and Design Schools. We have recently moved into the Head Post Office, a redesigned Grade II listed building. It includes state-of-the-art workshops which provide you with a unique studio-based learning environment in the heart of the creative community.

Course structure

Core modules

  • Research directions and critical studies

In this module you extend your knowledge of the range of approaches to research that have been used in art, and those that derive from other disciplines. You are introduced to an advanced range of contemporary critical theories, and examine key texts embodying these theories. Principles of research planning and the theory and practice of information searching ensure you are ready to effectively carry out your own research and critical practice.

  • Advanced art practice

During this studio-based module, you produce a body artwork in preparation for an exhibition. Your work may manifest itself across a range of contemporary art practices arising from individual intellectual and creative concerns. You have access to specialist workshop surgeries where you can seek individual support and advice to further your practical work.

  • Art

On this module you produce a body of work in any chosen media form. It draws together strategies of research, professional practice and critical thinking to form an advanced, mature, informed and professional practice. The module holds together these key aspects to reflect, and enable transition into, the wider contemporary art world.

Optional modules

You select from options that are led by research active staff who will introduce you to their own professional interests including • art writing • curating art • art in space and place • drawing from the archive • gallery – public realm: making art inside and out

MFA core module – MFA students only

  • Studio methods

You reflect on and consider methodologies of fine art to develop an individual method of making.

  • Art and its publics

Your work on this final MFA project involves public presentation of your work supported by a mentor who guides you as you make the leap into the professional world.

Assessment

Self-negotiated models of examination enable students to present agreed bodies of work for self and peer group assessment as well as evaluation by tutors.

Employability

We provide a learning environment that supports your individual needs while developing your involvement in the wider art world.

You are regularly involved in a range of exhibition, curatorial, performance, screening and publishing projects at regional, national and international levels.

You gain confidence to exploit opportunities for practicing artists and work in associated fine art-related culture. You can also register for further study at MPhil/PhD level within our Art and Design Research Centre.

Graduate successes include

  • Andrew Cooke was commissioned by Art Sheffield 08 for the Millennium Gallery in Art Sheffield. His work and the exhibition were reviewed in the Guardian.
  • Lesley Guy exhibited work in Amsterdam and Sheffield, while also developing a review column in the Metro newspaper




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The. MArch Master of Architecture. at AUB explores the possibilities of architectural practices that conceive and articulate diverse processes of community development and transformation. Read more

The MArch Master of Architecture at AUB explores the possibilities of architectural practices that conceive and articulate diverse processes of community development and transformation.

The MArch course is for you if you are looking for something different and fresh in your route to becoming an architect in a changing world.

Our course explores the possibilities of new architectural practices that make, innovate and collaborate, exploring diverse processes of community development and transformation.

About the course

MArch aims to produce: performative, projective enablers and architecture, cutting into societies deepest darkest myths; building interventions in the utopias and dystopias past, present and future; and launching architectural careers and journeys via its laboratory practice, where the body and somatic practice is at the fore.

The periphery is important geographically, as from there you can see the centre. Both the urban region, the rural and the coast has a a great surface for interventions. Join the eclectic global and local, MArch student body, be ready to catch a big one from the Piers and the Portland Stone cliffs or disappear into the New Forest (Mirkwood) to live like a hobbit.

The urban density of the AUB campus has seen the insertion of an amazing Drawing Studio by visiting professor, honorary fellow and alumni Professor Sir Peter Cook. The RIBA award winning building was opened by Zaha Hadid. Her practice is now closely involved with the development of Pavilion Gardens in Bournemouth, the MArch is shadowing this work.

Studios and Facilities

At AUB, our studios work in a way that mirrors industry, with students working together in a high-energy environment. You’ll work in our recently renovated studios and have access to 3D workshops with manual and digital manufacturing equipment.

You’ll also be able to make use of our makers lab – a shared creative space also used by Modelmaking students – and designed to give the the space to create.

The AUB Workshop is situated on campus and can be accessed by any student. Onsite technicians are on hand to help students make use of the fantastic facilities such as:

  • Laser cutting and 3D printing
  • Fabric and textile printing
  • Spray room
  • Plastics room
  • Resin and casting room
  • Plaster and sculpting room
  • Large Metal shop
  • Large Wood working and traditional machinery

You’ll also be welcome to use the printmaking room – located with the Fine Art studios. Where, the University has gained a number of traditional presses, including letter press, etching, relief, lithography and silk screen printing. There are dedicated areas for exposure, screen washing and acid etching – and new presses are added all the time.



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Cities are core to human political, social, and economic life (Storber, 2013) and there is significant and growing academic debate and empirical research around the role and effect of city living. Read more

Cities are core to human political, social, and economic life (Storber, 2013) and there is significant and growing academic debate and empirical research around the role and effect of city living. There are also significant questions raised in real world governance, planning and public policy around cities, both in the developed world (for instance, policy debate around the devolution agenda in the UK, specifically in terms of Greater Manchester) and in BRICS (for example, spatial planning issues for growing Chinese cities (reflected in the international conference being held this year in China urban development at the Bartlett School of Architecture, UCL).

The programme aims to contribute to this debate, drawing our key research strengths, and maximising our position in Manchester and within the devolution agenda. The programme will be interdisciplinary, teaching will be research led (drawing on our best research areas), and will include practical and vocational opportunities through a proposed project-based element in partnership with Manchester City Council. The programme design recognises that international students, particular those with an interest in urban policy from BRIC countries, may need language and academic skills support before they join the main programme. It also provides data analysis modules, using real big data available to the university through the Big Data Centre. 

Urban studies is a growing area for PGT programmes in the UK and the USA. Such programmes are either located in town planning (leading to professional certification, and not directly relevant to this proposal), or in the social sciences (geography, public policy/administration, sociology). A small number of these are interdisciplinary, though typically do not include architecture and social sciences as proposed here, positioning this course as one of the leading courses in its field. Additionally, the University of Mancheser has recently launched the Manchester Urban Institute, drawing together a number of research centres looking at the urban as a unit of analysis/focus of empirical research, and placing Manchester as a leading city in the area of Urban Studies. This does link to a number of existing PGT programmes, largely single disciplinary and/or in town planning/architecture.



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This is an intensive, vocational course with strong professional links to the industry, offering a maximum of four students, with high levels of painting and drawing skills, the opportunity to develop their careers as scenic artists. Read more

This is an intensive, vocational course with strong professional links to the industry, offering a maximum of four students, with high levels of painting and drawing skills, the opportunity to develop their careers as scenic artists. The skills and techniques acquired on this course are to the level necessary for theatre, television, film and animation industries..

During the year students acquire an understanding of professional practice and standards, and gain in-depth skills and experience in scenic art techniques and their application, combined with the practice of managing a scenic art department.

The Course has 3 very intensive terms during which students paint the sets for the School’s six main house public productions, offering them the opportunity to see their finished work used on stage in a wide range of public performances and venues. Teaching is led by the School’s Head of Scenic Art in collaboration with visiting industry professionals who provide master-classes in a range of skills and techniques that include; life drawing, portraiture, perspective, marbling, wood-graining, polystyrene carving and painting for animation. The scenic art students work collaboratively with the School’s other production departments, and most especially with design students. Furthering their introduction to the industry, work placements with principal companies are arranged during the course; particular attention is placed on students developing their own professional portfolio. Upon graduation students will showcase their work in a public exhibition and be interviewed by some of the UK’s leading industry practitioners. In a freelance industry most of our graduates begin working as assistants for scenic artists, scenic workshops and large theatre companies, eventually becoming supervising scenic artists themselves.

Recent graduate employment includes: The Royal Opera House, The Royal Shakespeare Company, Cardiff Theatrical Services, The Royal National Theatre, Northern Ballet, TR2 Plymouth, Richard Nutbourne - Cool Flight Ltd, Rocket Scenery, Cameron Mackintosh’s National and International Tour of ‘Mary Poppins’, Disney's ‘Aladdin’ and ‘Frozen’ on Broadway. Festival work includes ‘Boomtown’ and ‘Glastonbury’. Film work includes: Wes Anderson's ‘Isle of Dogs’ (UK release - March 2018), Tim Burton's ‘Frankenweenie', Aardman Animations' ‘Shaun the Sheep’, ‘Pirates’ and ‘Early Man’ TV work includes: 'Will' for TNT’, ‘Crazy Face’ for Netflix and 'Good Omens' for the BBC. 



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Course content. Our innovative programme attracts teachers from West Sussex, East Sussex, Brighton & Hove, Hampshire, Portsmouth, Surrey and the Isle of Wight. Read more

Course content

Our innovative programme attracts teachers from West Sussex, East Sussex, Brighton & Hove, Hampshire, Portsmouth, Surrey and the Isle of Wight.

We have developed a strong collaboration with local authorities and partners to ensure that it supports both local and national requirements and we involve national and international experts to work with us in delivering a relevant and up-to-date programme.

The programme is strongly rooted in work-based practice, equipping SENCOs to evaluate and develop effective leadership and management of SEND provision.

The National Award is required to be at Masters level and you will be awarded a Postgraduate Certificate in Professional Practice with 60 Masters level credits on completion of the programme.

The practical and interactive sessions are an opportunity for SENCOs to meet and discuss topics including:

  • the statutory and regulatory context for SEN and the implications for practice in the school or setting (including requirements for the Local Offer)
  • the principles and practice of leadership in different contexts
  • how a SEN and/or disability affect pupils’ participation and learning
  • strategies for improving outcomes for pupils with SEN and/or disabilities
  • working strategically with senior colleagues and governors
  • leading and developing colleagues and promoting improvements in teaching
  • evaluating evidence about learning, teaching and assessment in relation pupils with SEN to inform practice
  • drawing on external sources of support and expertise
  • developing, implementing and monitoring systems
  • using person-centred approaches to build on and extend the experiences, interests, skills and knowledge of children and young people with SEN and/or disabilities
  • encouraging family leadership with parents and carers as equal partners in their child’s achievement, progress and well-being

Our facilities

You will study for your PGCiPP at our Bognor Regis Campus. Over the past few years, we have redeveloped both of our campuses so that you have the best facilities available for your degree.

We pride ourselves on the quality of the learning environment we can offer our students. At the Bognor Regis Campus there is an integrated approach to the provision of learning resources and support. 

We offer a substantial collection of books, journals and other materials to help you further your research.

A range of study areas for group and quiet study including Wi-Fi areas for laptop use are available, or you can use our open access PC and Mac areas. We use an electronic learning environment with an expanding portfolio of online library resources from anywhere at any time.

Our brand new award winning Learning Resource Centre is at the heart of the campus hosting a modern library service with areas for quiet and silent study on both floors. Also situated in the LRC is the Support and Information Zone, Costa Coffee and over 80 open access work stations. 

An equipment loans centre offers laptops, tablets and other electronic devices for short and long term loans. The campus also offers purpose built classrooms for the teacher training courses, as well as lecture and seminar rooms.

Where this can take you

SENCOs who successfully complete the programme will be awarded a Postgraduate Certificate in Professional Practice (60 Masters level credits) and will have the opportunity to continue their study to a full MA qualification.

Indicative modules

The PGCiPP: National Award for Special Educational Needs Coordination is delivered part time over one year and includes nine study days and a conference, work-based research, peer support and access to the University library and online resources.

Sessions are aimed at equipping SENCOs to evaluate and develop effective leadership and management of SEND provision and improve the learning outcomes and achievements of pupils who have a special educational need and/or disability.

The practical and interactive sessions are an opportunity for SENCOs to discuss topics including:

  • the statutory and regulatory context for SEND provision and the implications for practice in the school or setting (including requirements for the Local Offer)
  • the principles and practice of leadership in different contexts
  • how SEND affect pupils’ participation and learning
  • strategies for improving outcomes for pupils with SEND
  • working strategically with senior colleagues and governors
  • leading and developing colleagues and promoting improvements in teaching
  • evaluating evidence about learning, teaching and assessment in relation pupils with SEND to inform practice
  • drawing on external sources of support and expertise
  • developing, implementing and monitoring systems
  • using person-centred approaches to build on and extend the experiences, interests, skills and knowledge of children and young people with SEND
  • encouraging family leadership with parents and carers as equal partners in their child’s achievement, progress and well-being

Teaching and assessment

The course is structured over one academic year and SENCOs come to the Bognor Regis Campus for one day each month. The interactive seminars include information on current legislation and policies, discussions on practical strategies for their implementation and opportunities for independent study.

You will be required to undertake assignments that are strongly rooted in evidence-based SEND practice in the work place and support you in achieving the Learning Outcomes for SENCOs (NCTL, 2014).

Assignment 1: Commentary (1000 words) A critical understanding of your current role as SENCO.

Assignment 2: Essay (3000 words) Using critical incidents to evaluation your leadership and management role in developing SEND provision in your workplace.

Assignment 3: Presentation (10 minute/2000 word equivalent) – outlining the small-scale research you will undertake in your workplace.

Assignment 4: Research Project (4000 words) on an aspect of SEND provision that promotes inclusive practice in the workplace.

Assignment 5: Portfolio (2000 words) At the end of the programme SENCOs prepare a portfolio of evidence to show how they have met the Learning Outcomes for SENCOs (NCTL, 2014). This will be a critical evaluation of your leadership and management development with supportive evidence from key stakeholders and the changes you have made to SEND provision and inclusive practice in the workplace.

Staff at the university offer support and guidance throughout the programme.

As students of the University, SENCOs also have opportunities to access the library and online resources during the study days and off campus.



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Providing meaning to fundamental questions and ideas that feature in science, culture and faith. The contemporary world is characterised by rapid innovations in science and technology. Read more

Providing meaning to fundamental questions and ideas that feature in science, culture and faith.

The contemporary world is characterised by rapid innovations in science and technology. These developments contribute to economic growth and prosperity, but simultaneously require positioning, and specifically people who can provide meaning and direction. Theologians are those people, as they are trained in systematic reflection of fundamental questions and ideas that feature in science, culture and faith. They can contribute to the dialogue between believing and knowing.

Radboud University aims to train such theologians. The central focus in the three-year Master's programme in Theology is on the tension between universal truth claims within belief systems and the diverse cultural contexts in which they are expressed. We are concerned with how the Christian faith addresses matters in society at large and with the public relevance of Christian beliefs and doctrines. Christian engagement requires an intellectual as well as a practical basis. We therefore seek to provide academic rigor to the conception of theology. It's about contributing to the welfare of society by drawing on the insights, resources and compassionate values of the Christian faith.

Graduates of the Master’s programme in Theology are employed in various leadership positions in dioceses, religious congregations, universities and colleges. In a globalising world more and more institutions require skills in theological communication and hermeneutics.

From broad to specialisation

Master’s students can choose to specialise in one of four disciplines of theology or to take a general theology programme in which all four disciplines are studied.

Specialisations:

History of Church and Theology

Analysing historical developments of Christian traditions and discipline, to better understand Christian belief in contemporary society. (Church History, Historical Theology, Canon Law)

Biblical Exegesis

Words, texts and meaning: Investigating the Old Testament and the New Testament in their historical contexts.

Practical Theology

Searching for traces of meaning in everyday practices, and looking beyond traditional shapes of religiosity. (Pastoral Theology, Missiology, Liturgical Studies, Intercultural Theology)

Systematic Theology

Drawing on the compassionate values and insights of the Christian faith to contribute to the welfare of society. (Fundamental Theology, Dogmatic Theology, Theological Ethics, Spirituality, Philosophy of Religion, Feminist Theology)

Graduates of the Master’s programme in Theology can specifically train to become researchers, policy makers, educators, pastoral care workers or spiritual counsellors. Other professions upon graduation include pastoral worker, journalist, curator and archivist.

See the website http://www.ru.nl/masters/theology

Why study Theology at Radboud University?

- Students can choose a broad programme or choose to specialise in one of the four disciplines of Theology (Literary, Systematic or Practical Theology or Church History).

- With electives, students have plenty of room to choose a direction that meets their professional and academic interests. Taking a few seminars from the other theology disciplines of choice (Church History, Literary Theology or Practical Theology) is mandatory to broaden students general knowledge on Theology.

- The third year is aimed at training students for a specific profession. Students can choose research (English), education (Dutch), religion and policy (Dutch) or spiritual care (Dutch).

- Theology at Radboud University is a truly international Master's programme; many of our staff, students and alumni come from outside the Netherlands. We also cooperate with universities abroad in Kenya, Tanzania, India and Indonesia.

- The majority (88%) of our students graduate. This is because our staff knows how to motivate through excellent education and intensive supervision. As a Master's student you will have a personal tutor and you will work in an inspiring environment with excellent researchers.

- Teaching takes place in a stimulating, collegial setting with small groups, allowing ample opportunity for questions and discussion.

- Radboud University and its Theology department are Roman Catholic in origin, but its Master’s programme in Theology is open to all students. Our students have very diverse religious and cultural backgrounds.

Career prospects

In a globalising world, more and more institutions require skills in theological communication and hermeneutics. Theologians know how to formulate critical theological perspectives on questions of meaning of life and a viable civil society in our contemporary situation. Our graduates have an analytical attitude and the skills to make sounds judgements which will help them participate in debates in the public arena using arguments based on the Christian faith and can convey their faith in society. In addition, the programme teaches you how to think independently and critically about the way the Christian doctrine can give meaning to contemporary issues.

Our research in this field

Among the Theology staff there is a large variety of expertise; research is being conducted in all four disciplines of Theology. Staff members apply their latest research and those of their colleagues to their seminars.

- Church History

The research group Church History and the History of Christianity studies the history of Christians on the basis of historical methods and in critical deliberation with the other disciplines within theology and religious studies. They are primarily concerned with the historical questions of discipline and repression.

- Literary Theology

The research group Textual Sources of Judaism and Christianity focuses on the foundational texts of Judaism and Christianity: the Bible and texts that originated in the Jewish and Christian traditions of the first centuries of our calendar.

- Practical Theology

The research of the chair Empirical and Practical Religious Studies is conducted along two lines. The first is the transformation of life stories, discourse and transmission of religious and spiritual identity. The second line investigates the transformation of religion in processes of migration and conflict. Migration results in interaction between individuals with different religious identities and spiritualities.

- Systematic Theology

The research group Systematic Religious Studies also carries out research in the theological field and is concerned with issues relating to public theology. Accordingly, the research covers questions as, for example, whether the public sphere can be a locus of theology or whether theology can seriously contribute to cultural, political, or economic debates.

See the website http://www.ru.nl/masters/theology



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Crime, justice, policy, surveillance and law and order are key issues in the 21st Century. The Masters degree in Criminology is designed specifically to let you explore these and related topics in depth. Read more
Crime, justice, policy, surveillance and law and order are key issues in the 21st Century. The Masters degree in Criminology is designed specifically to let you explore these and related topics in depth. You will be encouraged to challenge established wisdom while studying the intellectual canon of the discipline.

At Liverpool Hope we are driven by a desire to not just be passive observers of criminological, social and criminal justice issues but to be active participants in it. This means that we pay special attention to the interests and goals of our postgraduate students who wish to pursue their studies here.

Drawing on our vibrant and developing research culture we offer an inter-disciplinary, contemporary and relevant degree programme, drawing expertise from our interest in current criminological trends in Britain, Europe and globally. Studying for a Masters in Criminology is guaranteed to be an intellectually interesting experience, challenging assumptions on contemporary questions around globalisation, environmental and green crime, state crime and the policing of protest to a critical analysis of the impact of gender, race and ethnicity, poverty and social exclusion on crime and criminal justice matters.

The Masters is a way of becoming a participant in criminological debate and analysis, whilst being supported in gaining an in-depth and critical understanding of the traditions and latest developments of the discipline.

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On this unique illustration course - the only one of its kind with a specific academic focus on authorial practice - you'll develop your own voice. Read more
On this unique illustration course - the only one of its kind with a specific academic focus on authorial practice - you'll develop your own voice. You'll learn to see your work as an evolving practice rather than as a response to an already defined concept or brief, as you challenge and re-evaluate your work with the help of teaching staff who are experienced practitioners.

As your authorial voice develops and you learn to identify your audience, you'll also be encouraged to take an entrepreneurial approach, thinking creatively about the outlets and options for your work. This professionalism is aided by the course's close relationship with independent publisher Atlantic Press, offering you opportunities to gain direct experience in the many aspects of producing and publishing graphic literature.

At the heart of this studio-based course is a belief that there is a need to reassert the characteristics of personal origination, ownership, storytelling and literary ideas within the medium of illustration. We'll help you gain the confidence to take ownership of your work, you'll develop new ideas and concepts driven by your desire to create a distinct, original, authorial voice.

You'll explore narrative and storytelling as defined by your developing voice, working on longer-term projects across a variety of mediums that suit your interests – including children's books, graphic novels, digital work and screen-based production. The course will also engage you with current ideas and thinking related to notions of authorship, encouraging you to draw inspiration from a diverse range of influences, providing further personal insight and direction for your practice.

Visit the website https://www.falmouth.ac.uk/illustrationma

Building professional experience

A unique feature of our MA is our relationship with Atlantic Press (http://www.atlanticpressbooks.com/). The specialist publishing house, based in Penryn, was founded 15 years ago by course leader Steve Braund. The partnership enables you to learn about the whole publishing process, from concept to realisation – as well as the practical aspects of printing, distribution and marketing. The close proximity of a publishing press also means that internships to students on the course are offered on a regular basis.

The course will give you a grounding in all aspects of professional practice related to the work of an authorial illustrator. You'll also be encouraged to consider entrepreneurial approaches to your practice. At the end of the course, you'll mount a professional presentation of work from your negotiated MA project.

How the course is taught

Teaching takes place in the form of lectures, seminars, group critiques and workshops, supported by high-profile guest speakers. The Illustration Discourses lecture series considers authorial positions, related theories and their contexts. Both lectures and seminars will help inform your negotiated practical projects, whilst recording your studio practice in a research journal will aid self-reflection.

- Typical workshops

Research Journals
Creative Writing
Screen Printing
Life Drawing
Listening to Images
Book Art
Printmaking & Collography
Etching
Composition
Professional Practice
Table Top Book Binding
Visual Thinking
InDesign I
What are Archives?
Professional Practice, Networking & Entrepreneurship
Visual Narrative
Perspective
Book Design, Layout & InDesign
Bookbinding
Graphic Design

Course outline

This is a one-year course delivered over 45 weeks and divided into three 15-week study blocks. Alternatively, you can study part-time over two years, totalling 90 weeks.

Over the course of the year you'll be required to produce a sequence of three negotiated practical projects based on personal authorial illustration work.

The lecture and seminar series Illustration Discourses supports the practical work, running concurrently with a research journal, which builds connections and the opportunity to reflect on practice. You'll be expected to demonstrate progression; indicating the research, analysis, reflection and investigation necessary for the development of a successful and distinctive authorial illustration practice.

You'll also produce two analytical essays and deliver a presentation exploring areas of personal interest within the authorial context relating to your practice. These will show a consideration of audience awareness and the processes and development of your practice. In order to develop self-reliance the course allows you a good deal of freedom to develop your projects.

Facilities

- Individual studio space
- Full IT facilities
- Print room
- Comprehensive library facilities
- Access to specialist equipment

Assessment

- Assessment takes place at the end of each module
- Combination of visual, verbal and written assignments
- Final assessment takes place in September

Careers

Potential careers include:

- Commissioned or self-published illustrator
- Art director or creative director
- Illustration residencies
- Curatorial roles
- Teaching
- Further study

Interview and selection process

When you apply to join the course, we'll ask you to send us a study proposal and either samples of work or a link to your website or blog, if you have one. At interview we'll look for authorial illustration potential or capabilities, illustration ability, graphic skills, drawing skills, creative writing/storytelling potential, ideas and concepts. We really value meeting you in person but we can hold a telephone or Skype interview if this is not possible.

Falmouth Illustration Forum

Our respected annual Falmouth Illustration Forum recently celebrated its tenth anniversary with the publication of the world's first book devoted to the subject, The Authorial Illustrator (available from atlanticpressbooks.com (http://www.atlanticpressbooks.com/)). Each annual forum explores different aspects of authorial illustration and includes internationally renowned guest speakers.

View information about our forums here - https://www.falmouth.ac.uk/content/ma-illustration-open-forum-2014-witness-reportage-documentary

Find out how to apply here - https://www.falmouth.ac.uk/apply

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Your programme of study. A good MBA can really make you stand out for the top jobs in any type of business in fast paced major growth, transformation, innovation and operational change in any country and business discipline area. Read more

Your programme of study

A good MBA can really make you stand out for the top jobs in any type of business in fast paced major growth, transformation, innovation and operational change in any country and business discipline area. You develop insights across the top discipline functions such as finance, strategy, economics and project management, marketing, leading and managing people, supply chain and new business creation. These are all disciplines within themselves which you rapidly acquire skills and knowledge to manage successfully. These are essential disciplines to many known high street brands, service industries, online businesses and high growth start ups which ensure that if you start a business using existing skills or a new team that you are likely to provide a high growth enterprise very quickly. Alternatively you may have been employed within a sector undergoing a real transformation to prevent threat to business existence which involves you in making changes very quickly at operational level using the range of disciplines you learn.

In this situation you can overcome the threats quickly to ensure long term viability whilst managing short term risks to business and you can be a very sought after individual due to your ability to quickly assess what needs to be done with minimum impact to allow long term profitability. Many brands have recently been disrupted by mass communications and the rapid rise in online trading, some were able to quickly re-organise their business model to avoid going out of business, some were able to innovate and others relied on a wide variety of techniques to allow them to reinvent themselves. MBA positions are normally fast paced but very rewarding in terms of achievements and business satisfaction.

Aberdeen MBA - On Campus

The Aberdeen University MBA is a one year full-time management programme which covers all the main disciplines of business management. You take leading edge modules during our intensive summer school, which is run by visiting scholars, as well as our own expert staff at the University of Aberdeen Business School. In drawing upon the international expertise of research-active staff, the programme promotes the development of cross-disciplinary knowledge in preparing students for effective management careers in both the private and public sectors. You can take this programme over a year full time or two years part time with September or January start.

You may be able to continue working whilst you study, but there is also an online option which may help you manage your time much better whilst studying (below)

Courses listed for the programme

Semester 1

  • Accounting & Finance For Managers

Provides an understanding of accounting information and financial reporting and introduces key aspects of financial analysis to undertake accounting; ratio analysis, user-group specific tools, e.g. Z scores and credit ratings; accounting information, the stock market; forecasting and valuation.

  • Operations Management

You look at the management of capacity and inventory, production planning and control, project management and the management and improvement of quality.

  • Business Economics

You examine the ways in which economic theory may be applied to solve real business problems, focussing on aspects of economics vital to a student of business, to be comfortable with the tools of economic analysis as applied to the international, economic and business environments in which modern day businesses and policy makers have to operate.

  • Business Strategy & Organisation

Drawing mainly on microeconomics theories and applications in order to introduce students to many typical business situations.

Semester 2

  • Strategic Marketing
  • Marketing management and strategic planning across product and all communications areas of business
  • Managing People At Work
  • Management of people as a key element for organisational success
  • Managing Change and Innovation

You look at the context of innovation and change examining new product development (goods and services), innovation and change.

  • The Leadership Challenge

Investigates how each of us behave in a leadership role to develop your behaviour and your method of leadership.

Semester 3

  • Strategic Financial Analysis
  • Key concepts of financial forecasting and analysis
  • Talking to Teams
  • Investigates how teams are shaped in terms of performance by their managers communication methods
  • People, Creativity and Change

The course helps you to understand the relationship between creativity and change within an organisation.

  • Supply Chain Management

You will gain a strong understanding of the supply chain.

  • Internationalisation

You will look at how globalisation affects the contemporary small business, trade and social capital.

  • Essential Human Resource Practise

The course helps you appreciate the links between HR procedures and organisational outcomes with practical issues faced by employees.

View this programme

Why study at Aberdeen?

  • Aberdeen is ranked as a Top 3 University for world leading research impact in Business and Management (REF 2014)
  • Teaching is informed by close links with industry and delivered by industry professionals in some cases
  • You gain top level operational management across special core functions required to drive business growth

Where you study

  • University of Aberdeen for the MBA (Aberdeen)
  • Online for the MBA (Global)
  • Full time and part time options available plus September, January available for the MBA (Aberdeen) and other options available for the Online MBA

International Student Fees 2017/2018

Find out about fees

*Please be advised that some programmes have different tuition fees from those listed above and that some programmes also have additional costs.

Scholarships

View all funding options on our funding database via the programme page

Living in Aberdeen

Find out more about:

Your Accommodation

Campus Facilities

Find out more about living in Aberdeen and living costs

You may also be interested in:



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This course, accredited by the Landscape Institute, provides an innovative design education involving opportunities such as participation in European and local consultancy within our Landscape Interface Studio. Read more
This course, accredited by the Landscape Institute, provides an innovative design education involving opportunities such as participation in European and local consultancy within our Landscape Interface Studio. All staff are ambitious and creative design practitioners and researchers. Our London location, local and European networks and international perspective provide the focus for contemporary design projects that address immediate and long-term landscape solutions in cities and their regions.

Key features
-Study visits, international workshops, external lectures, live projects, and London industry links, resources and institutions support a vibrant learning trajectory for your landscape architecture career ambitions.
-Working in the shared studio with MA Landscape & Urbanism and MLA students involves interdisciplinary collaboration and prepares students for co-disciplinary practice.

What will you study?

All design projects are developed as part of a personal portfolio that can be immediately useful in targeting employment. Design projects may include live competition briefs. Projects reflect critical challenges and potentials of contemporary landscape practice and the research and practice expertise of the teaching team, including water, places and people; community consultation in the public realm; time, transformation and experience; urbanism and professional practice. The modules may involve client contact, model making, mapping, drawing and digital media workshops. Critical thinking and expression is supported by the Landscape and Urbanism Theory module.

There is special commitment to processes of transformation and their communication, with an emphasis on learning through making in the Faculty's 3D workshop and on hand-drawing techniques to complement digital media presentation.

Assessment

Design projects and portfolio, professional practice project management report and practice review, seminar presentations, literature review, and landscape and urbanism manifesto.

Course structure

Please note that this is an indicative list of modules and is not intended as a definitive list. Those listed here may also be a mixture of core and optional modules.

Core modules
-Landscape Architecture Design Portfolio
-Professional Practice Process and Making
-Landscape & Urbanism Theory, Research and Representation
-Research Techniques

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Develop a critical understanding of the Celtic world in this interdisciplinary programme drawing on archaeological, historical, literary and mythological sources. Read more

Develop a critical understanding of the Celtic world in this interdisciplinary programme drawing on archaeological, historical, literary and mythological sources.

Overview

Develop a critical understanding of the Celtic world in this interdisciplinary programme drawing on archaeological, historical, literary and mythological sources.

Studying in a modern Celtic capital with experts from Archaeology, English, History and Welsh, you are additionally well-placed to access key specialist collections and western Britain’s major Celtic sites.

You will be able to critically assess the work of others and of your own, to engage effectively in debate at an advanced level, to plan, design and carry out a coherent research strategy, and to produce detailed and coherent reports and presentations.

The wide-range of transferable skills acquired are a particular strength for the pursuit of careers outside of archaeology and the heritage sector.

You will develop a critical understanding of people to whom the term Celtic has been applied, from the earliest European evidence through to the historical and literary evidence of early medieval Britain.

Distinctive features

  • Detailed concentration on the Celtic world
  • Literary, historical and archaeological approaches
  • Opportunities for interdisciplinary approaches
  • Expert supervision of dissertation topics
  • You may have the opportunity to build on your existing skill-set through participation in projects and excavations.
  • Specialist library facilities.
  • Cardiff's location in western Britain makes it geographically central to much of the material under discussion.

Learning and assessment

How will I be taught?

You will be taught through a mix of seminars, lectures and tutorials (depending on modules chosen). 

On successful completion of the taught elements of the programme you will progress to a dissertation of up to 20,000 words on a topic or theme of your choice (subject to the approval of your supervisor). 

Teaching is through the medium of English though there are many opportunities to learn Welsh.

How will I be supported?

You are assigned your own Personal Tutor.

We offer one-to-one time in set office hours during teaching weeks, and also welcome email contact. Additionally, you can make appointments to see your personal tutor or module leaders on a one-to-one basis about any issues. Our Professional Services team is also available for advice and support.

Your personal tutor is your contact point to discuss any problems arising from the course. Further queries should be addressed to the Course Director.

Career prospects

Graduates of this and similar degree programmes have embarked on careers in a range of professions from academia, the heritage sector, journalism and law to media research (media, commercial, academic), teaching and publishing. A significant number choose to continue studies at PhD level.

Recent graduate destinations include CADW, Church in Wales, Council for British Archaeology, Glamorgan Archives, Heritage Lottery Fund, National Trust, Tate Gallery, Welsh Assembly Government and a range of universities in the UK and overseas.



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