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Today’s audiences can watch documentaries and factual programming at cinemas and art galleries, on television and iPhones, or via YouTube and Vimeo. Read more
Today’s audiences can watch documentaries and factual programming at cinemas and art galleries, on television and iPhones, or via YouTube and Vimeo. Technological innovation and the digital revolution have changed the way we think and talk about factual content. This MA course focuses on the creative, technical and industry skills you need to develop documentaries and factual programming across the contemporary media landscape. We will teach you how to film reality from a variety of perspectives, understanding and sometimes challenging traditional interpretations of the documentary and its delivery. The course will equip you with the necessary skills, conceptual approach, and mindset for a career in the creative media industries.

Hands-on practical experience. Gain training and production experience in producing, directing, camera operation, sound and editing.

Real-life experience. Produce a documentary/factual project for an external industry client and work alongside the award-winning production facility, Met Film Production known for its critically acclaimed documentaries: Sour Grapes and the 2016 Grierson Trust winner – How To Change the World.

Learn how to film reality. Through practical work explore the creative, conceptual and ethical approaches to filming reality and documenting the experiences of real people.

Industry awareness. Build your understanding of the contemporary industry landscape for documentaries and factual programming, including commissioning, financing, distribution and exhibition, festivals, and the emerging world of interactive and transmedia digital content.

Professional feedback. Pitch your projects to industry professionals and receive ‘real world’ feedback and guidance to further develop your projects.

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This MA will develop your skills and creative vision in documentary production. It enhances your understanding of the historical context and contemporary modes of documentary production against a backdrop of the wider issues in media production- http://www.gold.ac.uk/pg/ma-filmmaking-screen-documentary/. Read more
This MA will develop your skills and creative vision in documentary production. It enhances your understanding of the historical context and contemporary modes of documentary production against a backdrop of the wider issues in media production- http://www.gold.ac.uk/pg/ma-filmmaking-screen-documentary/

This Masters, a pathway of the MA Filmmaking, will encourage your understanding of the politics, aesthetics and ethics of documentary production, and the nature and diversity of documentary practice in contemporary society.

What we offer

The programme is housed in a new purpose-built media facility equipped with state-of-the art teaching spaces including a range of digital cameras, Avid Media Composer, Final Cut Pro and Adobe Premiere Film Editing suites, Animation, Digital Special Effects, Pro Tools Audio Postproduction suites.

You will be able to make your own documentaries, learning and refining research, interviewing, self-shooting and editing techniques – but also have the unique opportunity to be part of a programme that includes specialised producers, cinematographers, editors, sound recordists and sound designers, so that you can develop the scope and range of your filmmaking by collaborating with them.

You work on at least two films during the year, culminating in a major production towards the end of the degree. In addition you can attend classes in related disciplines such as Cinematography and Editing and may collaborate with students across other specialisations on film projects. This framework is designed to provide you with a breadth of filmmaking knowledge combined with a high level of expertise in your chosen filmmaking discipline.

The MA encourages you to develop:

an awareness of documentary production techniques, ethics and aesthetics
specific filmmaking and production management skills
technical skills (including camera, lighting and sound editing)
an understanding of the workings of the media and their broad cultural and social impacts

Our former students have gone on to win awards including:

Best Documentary at the Exposures Film Festival
Postgraduate Factual Prize at the Royal Television Society Student Awards
Student Award at the One World Media Awards
They've also launched their own film festivals, worked on critically acclaimed films and documentaries, and have had their work screened at the London International Documentary Festival, National Geographic's All Roads Film Festival and Open City, the London Documentary Festival.

Our students say...

"From first-hand coaching from industry experts, access to the newest facilities and cameras, to fantastic mentoring – it was the perfect course to develop my skills and prepare me for a career in documentary filmmaking."
"The different theory courses provided both the history and ethics when filming documentary as well as providing artistic inspiration to approach reality in an innovative way."

Quality

The MA is one of only two MAs in the UK to receive the Creative Skillset tick. The tick is a kitemark of quality that identifies a course that will effectively prepare you for a career in the creative industries, and which benefits from strong links with industry.

Contact the department

If you have specific questions about the degree, contact Daisy Asquith.

Modules & Structure

How you will learn

You will be taught the skills to be able to self-shoot and edit, but will also have the chance to work with specialised camera-people, editors and producers. You complete several short films and exercises, then make your own 15-25 minute documentary, during which you will fully explore research methods, visual and thematic storytelling, experimental and multi-platform formats and much more.

For two terms you will spend a full day a week in specialised contact with your specific programme convenor, plus a further day in Screen Lab working with colleagues across the programme in a Talent Campus-style project-led learning structure with:

Masterclasses
Pitches
Role-plays
Exercises aimed at using your skills specialism in a variety of live shoot situations
You will also have a variety of research projects to undertake, as well as other module options.

Screen Lab

You will also advance your collaborative skills by working in teams with both fiction and documentary producers and cinematography, sound and edit students, on a variety of projects and at least three scheduled films across the year.

You will leave the programme with a diverse portfolio of work that may span a variety of formats – essay or diary film, web and multi-platform content, activist or campaign film, longer form feature-documentary

Screen School options

As well as your Screen Documentary specialism, you will undertake three short courses to enhance your other skills and critical approaches.

Skills & Careers

If you are passionate about fashioning an exciting career for yourself as a filmmaker in an environment that promotes innovative filmmaking, this course is for you.

Our alumni are active in the film, media and cultural industries around the world, working and winning awards as documentary producers and directors.

Other entry requirements

Please note that unless you are exempted (Please check your status with our Admissions Team: ) overseas students require an English language qualification of IELTS 7.0 in order to be considered for a place on the MA Filmmaking programme.

If you have not yet achieved IELTS 7.0, we advise you to sit your IELTS exam at the earliest opportunity and to submit your application immediately after receiving your result. The annual IELTS deadline for the programme is April 30th.

Because funding deadlines and requirements vary around the world, applications are considered on a rolling basis and places on the programme fill up across the recruitment cycle. For this reason, we strongly advise you to submit your completed application as early as you can.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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On this course, you will learn how to research and produce original television documentaries. During your time with us, you will receive expert instruction and guidance on the concepts, techniques and processes key to the documentary form. Read more
On this course, you will learn how to research and produce original television documentaries. During your time with us, you will receive expert instruction and guidance on the concepts, techniques and processes key to the documentary form. And you will produce your own documentaries, collaborating with your fellow students in production teams.

Key benefits:

• Learn cutting-edge production techniques using the latest technologies at MediaCityUK
• Combine elective modules to suit your specialism
• Collaborate with the broadcast industry through live-industry briefs and media projects.

Visit the website: http://www.salford.ac.uk/pgt-courses/media-production-tv-documentary-production

Suitable for

Graduates with an Honours degree or applicants with relevant experience in the broadcast / communications industries. You should want to develop your critical understanding and creative skills in the field. And your aim will be to pursue a career in documentary film-making or creative-media production.

Programme details

With opportunities to engage closely with industry, the course develops the skills and techniques required to work in the media, while encouraging independent creative content production.

Format

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings.

The aim is to support your learning with an effective blend of theory and creative practice, and to encourage ownership of your learning through self-directed projects.

Module titles

• Creative Development Projects
• Media Theory and Practice
• Collaborative Projects
• Advanced Production Practices
• Major Project: Practice Research Project
Or
• Major Project: Dissertation

Assessment

Methods of assessment depend on the module and elective pathway you are taking. They include:

• Creative projects portfolios and productions
• Live briefs
• Critical reflections
• Presentations
• Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

Career potential

In previous years, a large number of graduates from this course have moved into broadcasting jobs as camera operators, editors, sound assistants, researchers and assistant producers. Former students are currently employed at the BBC, ITV, Channel 4 and independent companies across the UK.

How to apply: http://www.salford.ac.uk/study/postgraduate/applying

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On this course you will learn the research, scriptwriting and production skills that you will need to produce polished, professional wildlife documentaries. Read more
On this course you will learn the research, scriptwriting and production skills that you will need to produce polished, professional wildlife documentaries.

Key benefits:

• Work towards a fulfilling career in an exciting field with the potential for travel
• Learn from respected filmmakers via a series of masterclasses
• Develop the creative and technical skills you will need to produce striking and informative wildlife documentaries – this is a Skillset-accredited course.

Visit the website: http://www.salford.ac.uk/pgt-courses/wildlife-documentary-production

Suitable for

Graduates who have a passion for using video documentary techniques to communicate scientific knowledge about wildlife and the environment. The programme will provide students with a unique interdisciplinary interaction between sciences and creative arts.

Programme details

During your time with us, you will learn specialist wildlife-production techniques, including long-lens and time-lapse photography and close-up sound recording. There is a strong emphasis on professional practice, and your projects will be expected to measure up to scientific scrutiny, as well as exhibition and broadcast standards.

Format

As well as lectures and seminars, you will attend masterclasses given by expert practitioners with links to the television industry. Plus you will take field trips to a range of animal habitats, where you will work on individual and group projects.

The course will employ a range of teaching and learning strategies in order to meet learning outcomes. These will include:

• Lectures
• Seminars
• Camera, sound and editing skills practice and assessment
• Analysis of case studies
• Student-led independent research
• Student-led project work and field trips.

This strategy will be integrated with an assessment strategy based on outcomes, students' reflective self-assessments and learning plans. Assessment methods will include production exercises and portfolios, projects, critical essays and a dissertation project.

Module titles

• Wildlife Biology, Ecology and Behaviour
• Media Theory and Practice
• Wildlife Research Skills
• Wildlife Research Skills
• Advanced Production Practices
• Major Project: Practice Research Project
or
• Major Project: Dissertation

Assessment

Each module within the course uses and combines a number of different assessment criteria. The following styles are used within the course modules:

• Reports
• Presentations
• Essay
• Practical project
• Research Portfolio

Career potential

The course is ideal for those wishing to pursue careers in all aspects of wildlife documentary production, including directing, producing, script-writing, photography, sound recording and editing. A number of graduates are now working within the TV industry both in the UK and abroad, including several independent companies and ITV, all within wildlife documentary.

The majority of past students have found jobs in the television industry. Examples include:

• Ex-students are working for the BBC Natural History Unit as researchers and assistant producers.
• Ex-students are working for ITV, producing short films from their wildlife images catalogue
• A student is working as an assistant cameraman for a leading wildlife independent company
• One student is working as a producer for Portuguese TV
• Other graduates have jobs as field assistants (currently working in the arctic on a major wildlife film), runners and film librarians
• A student is making web-based programmes for Cornwall TV
• All are connected with wildlife and nature film-making

How to apply: http://www.salford.ac.uk/study/postgraduate/applying

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Investigative journalism is at a crossroads in theory and practice. Crises of ethics and funding have brought profound changes to the nature of long form journalism, the ways in which it is produced and the institutions that invest in it. Read more
Investigative journalism is at a crossroads in theory and practice. Crises of ethics and funding have brought profound changes to the nature of long form journalism, the ways in which it is produced and the institutions that invest in it. This innovative MA brings together leading practitioners and institutions to deliver advanced training in emergent investigative newsgathering and publishing skills applicable to a range of professional contexts, within and beyond journalism. At the same time, the degree introduces students to critical accounts of the the media's watchdog function and journalism's evolving social role.

In partnership with the Centre of Investigative Journalism (which provides bespoke training workshops for the degree's core courses) and Google (which has provided funding assistance for scholarships), this MA addresses new challenges whilst also reflecting the constants that underpin investigative journalism ethics and storytelling. Above all, it presents an opportunity to both study and do investigative journalism, under the guidance of award-winning journalists and experienced academics.

Guest lecture profiles

You will be taught by a mix of academics, writers, investigative journalists, editors and bloggers, including:

Ewen MacAskill

Ewen is The Guardian's defence and intelligence correspondent. In 2013 he was among the first journalists to meet NSA whistleblower Edward Snowden and, as a result of his reporting on global surveillance, he was named co-recipient of the 2013 George Polk Award. The same reporting also contributed to the prestigious Pulitzer Prize for Public Service, awarded jointly to The Guardian and the Washington Post in 2014. Ewen was featured prominently in Laura Poitras' Oscar-winning documentary Citizenfour and he will be portrayed by British actor Tom Wilkinson in the upcoming biopic Snowden, directed by Oliver Stone.

Iain Overton

Iain is Director of Policy and Investigations for the London-based charity Action on Armed Violence. As well as a writer, Iain is also an investigative journalist and documentary maker who has won a number of awards, including 2 Amnesty Media Awards, a Peabody Award and a BAFTA Scotland. In 1998 he was appointed senior producer of BBC Current Affairs and in 2009 he became the founding editor of the Bureau of Investigative Journalism where he produced a number of high-profile documentaries, including Iraq War Logs based on the military intelligence files leaked by Chelsea Manning.

Siobhan Sinnerton

Siobhan is a Commissioning Editor for News and Current Affairs at Channel 4, before which she spent 4 years at the award-winning Quicksilver Productions. Two of those were as Series Editor on Unreported World, Channel 4’s flagship foreign affairs strand and as an executive producer on Dispatches and First Cut. Previously, Siobhan was a producer-director on both Unreported World and Dispatches and worked at ITV/Granada making a wide range of documentaries and current affairs.

Eliot Higgins (AKA 'Brown Moses')

Eliot is a renowned citizen journalist and blogger, known for using open sources and social media to investigate international conflicts. He first gained mainstream media attention by identifying weapons in uploaded videos from the Syrian conflict. At the time, Eliot was an unemployed finance and admin worker who spent his days taking care of his child at home. He has since won praise from human rights groups and journalists from around the world and has been profiled by The Guardian, The Independent, The Huffington Post and The New Yorker magazine, as well as the subject of television features run by Channel 4 and CNN International. In 2014 he started a new website, Bellingcat, which mobilises citizen journalists to investigate current events using open data.

Dr Justin Schlosberg

Justin is Lecturer in Journalism and Media at Birkbeck and programme director for the MA Investigative Reporting. His research takes a critical look at mainstream media coverage of a number of national security controversies, including alleged corruption in the British arms trade, the death of intelligence whistleblower David Kelly, and the release of diplomatic cables by Wikileaks. His forthcoming book Media Ownership and Agenda Control: The Hidden Limits of the Information Age will be published by Routledge in 2016.

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The Master in International Screenwriting and Production is a graduate program that aims at creating professional scriptwriters, story editors and producers, providing them with a thorough understanding of the audiovisual industry and a strong knowledge of the storytelling techniques, which are the heart of every project of feature film and television series. Read more
The Master in International Screenwriting and Production is a graduate program that aims at creating professional scriptwriters, story editors and producers, providing them with a thorough understanding of the audiovisual industry and a strong knowledge of the storytelling techniques, which are the heart of every project of feature film and television series.

The MISP is a full-time intensive course, with a maximum enrollment of 42 students. The diploma, issued by Università Cattolica, is recognized as a first level Master’s degree by the Italian Government.

Learning objectives

The MISP will allow students to acquire the required knowledge to work in the entertainment industry, both as writers and/or professionals working in production or distribution companies, TV networks, talent agencies or as production assistants.

Students will receive a comprehensive and high level training which effectively combines the academic expertise of university professors with the professional know-how of high-ranking professionals with international profiles.

Career opportunities & professional recognition

Graduates from the MISP are exposed to a wide range of career opportunities. Graduates have both the theoretical knowledge and the methodological tools suited to pursue professional and managerial careers as:

● Screenwriters or creative producers of television series and feature films;

● Authors of TV entertainment programs and documentaries, copywriters, creators of video games and web series, writers of comic books and novels and fiction editors in publishing companies;

● Story editors and script consultants;

● Supervisors of evaluation, acquisition and programming of TV shows;

● Professionals working in different areas of the television and film industry (physical production, distribution, acquisition, product placement, etc.)

Guest Lecturers

Here is a list of some Professors and Guest Lecturers:

● Eleonora Andreatta - Director TV series and TV dramas for Rai Fiction

● Luca Bernabei, CEO Lux vide, Rome

● Armando Fumagalli, Director of the Master, professor of Semiotics and History of Cinema, UCSC; script consultant for Lux vide

● Robin Lyons - Animation Writer and Producer – Calon (UK)

● Luca Manzi - Writer for novel, theatre and television, and co-founder of the Master Program

● Cristiana Nobili - Director, Original Live Action Production, Disney Europe, Middle East and Africa (London)

● Paolo Sigismondi, professor of Global Entertainment, Annenberg School of Communication, University of Southern California, Los Angeles

● John Truby - Screenwriter and script doctor for Disney, Universal, Sony Pictures, Fox, HBO, BBC

Curriculum

● Screenwriting theory (8 ECTS/ CFU)

● Script analysis and project evaluation (8 ECTS/ CFU)

● Writing techniques for audiovisual products (12 ECTS/ CFU)
- Screenwriting practice: treatments, scenes and dialogues, scripts, pitches.
- The writing of genres and adaptation.
- Writing for different formats: comic books, novels, documentaries, entertainment TV shows, advertising, the web, mobile media, and transmedia projects.
- Screenwriting and production of animation projects.

● The audiovisual industry (4 ECTS/ CFU)
- Industries and audiences.
- TV acquisition and programming and film distribution
- The physical production: pre-production, shooting, post-production, contracts and budgeting.

● Communication ethics (4 ECTS/ CFU)

Final project

Three months before the end of theoretical classes, the students will have to choose between one of the following careers: screenwriting or production. The students, who choose the screenwriting career, will have to write and deliver a final project from which the writing abilities developed during the program should emerge. Typically,the final project takes the form of a script for a feature film, which can either be an original idea or an adaptation.

The final project can be written in English, Italian, French or Spanish. The students, who choose the production career, will have the opportunity to undertake an internship within an established production or distribution company, a TV network, an advertising agency or on a film set.

Industry related

The MISP aims at providing its stu- dents with the adequate knowledge, wide-ranging skills and contacts to meet the requests of an increasingly global and varied audiovisual industry.

Alumni achievements

In previous years, alumni from MISP (which, until 2015, was taught in Italian: Master in Scrittura e produzione per la fiction e il cinema) have been working as writers and producers for top rating TV series and highly successful feature films, or as writers of best selling novels, published in many countries; many of them have been working in high-ranking audiovisual companies such as Cattleya, Disney, Endemol, Focus Features, Freman- tle, Lux Vide, Mediaset, RAI, SKY, among others. They work not only in Italy, but also in London, Los Angeles, Madrid, New York, Paris, etc.

Employment opportunities

The MISP aims at providing the students with a 360 degree education in the audiovisual field, so as to create pro- fessionals able to tackle both creative and organizational/managerial tasks and work in wide-ranging professional environments.

Scholarships

All scholarships are assigned on a merit basis and will be mostly given to students who apply by the priority deadline. Some scholarships may also target specific geographic regions.

Scholarship value: €4000

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Documentary filmmaking is constantly evolving and with the rise of internet and social media, there are countless places for filmmakers to publish their work. Read more
Documentary filmmaking is constantly evolving and with the rise of internet and social media, there are countless places for filmmakers to publish their work. This course will help you find an audience for your idea and support you in turning your vision into a bold and innovative film.

At the Northern Film School you will have the opportunity to explore and communicate a subject you are passionate about. We support all types of filmmaking from campaigning and issue-led films to observational and character pieces and experimental films to wildlife documentaries. You will develop and pitch your ideas and successful ones will be made into Masters Projects and given real production budgets.

Workshops will train you in the craft and technical aspects of filmmaking: producing and directing, camera, sound, and editing. Using our industry-standard facilities you will produce films of integrity and importance.

Visit the website http://courses.leedsbeckett.ac.uk/documentary_filmmaking_ma

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

This course will prepare you for the collaborative environment of documentary filmmaking. You will gain the experience and knowledge you need to interpret your ideas and give them exposure to new audiences. Your technical and creative skills will allow you to make films you care about, helping you to make your voice heard and paving the way for your future as a filmmaker.

Careers advice:
The dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit the careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

As the first and only film school in the UK to receive JAMES accreditation, our Northern Film School (http://www.northernfilmschool.co.uk/) is the ideal environment to explore your ideas and creativity. Our industry-standard facilities and experienced staff will give you the support you need to make your passion a visual reality.

You will be joining a strong and successful group of graduates, many of whom have won Oscars and BAFTAs for their work. The prestige of the Northern Film School will set you up to achieve your ambitions and our reputation will provide you with the foundation to becoming a successful documentary filmmaker. We have contacts with the BBC, ITV and Channel Four and strong connections to Sheffield International Documentary Festival where you will have the opportunity to showcase your work.

Martin John Harris

Senior Lecturer

"The world of documentary is vast and it can often be difficult to decide the route you want to take as a filmmaker. What is most important is that you have an idea - with this starting point we can help you make the right type of documentary."

Martin is an award-winning film editor and documentary collaborator. He was a film editor at the BBC for seven years before working as a freelance editor on dramas and documentaries for major broadcasters. His work includes the BBC series 'Bombay Railway', winner of a Royal Television Society (RTS) award for Best Documentary in 2008, and feature length documentary 'Bloodshot: The Dreams and Nightmares of East Timor' which won the RTS award for Best Documentary in 2013.

Facilities

- Electric Press
Based at the Electric Press, our Northern Film School has dedicated facilities and equipment for you to use. These include studios, camera and grip equipment, lighting equipment, edit suites for post-production and a 75-seat HD viewing theatre.

- Film Studios
There are two production studios within our Electric Press building. The studios are of a significant size, giving you the opportunity to explore film set design and prop building.

- Sound recording & editing equipment
We have an extensive range of professional sound equipment from the likes of Sennheiser, Sound Devices and Tascam. All edit stations are equipped with ProTools software and AVID editing software.

There is a sound recording studio in Electric Press and access to larger facilities elsewhere in our University.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

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The MA Radio Documentary is designed to fulfil the need for radio and audio producers who can create high-quality programmes across different platforms in today's fast-paced digital age. Read more
The MA Radio Documentary is designed to fulfil the need for radio and audio producers who can create high-quality programmes across different platforms in today's fast-paced digital age. Offered in partnership with the BBC, you will have the opportunity to work alongside experienced producers in different fields. As well as giving you the chance to put your skills into practice, you'll also gain real-world understanding of the cultural industry and its supply chain.

The course is appropriate for graduates with a passion for radio and an interest in journalism. It offers a unique industry-aligned path of study for those who want to develop a sustainable career in radio or production in the cultural industries sectors. It is also suitable for those already working in the cultural or creative sectors who wish to develop a specialist knowledge and understanding of radio documentary production, and enhance their employability.

Course detail

Based at the arts-focused Bower Ashton Studios, this full-time course will immerse students into radio for the digital age. Through a mix of practical and critical analytical learning, you will develop the skills required to work across many areas of radio, including journalism, content production, podcasting and documentary making.

There is a strong emphasis on developing your technical skills alongside those needed to compete in the business of radio, such as commissioning, pitching and getting documentaries to air. You will also gain experience through placements in some of Bristol's most innovative cultural organisations, and work on your own projects with mentoring from industry.

Structure

The course benefits from Bristol's rich activity in the cultural and media industries. In addition to teaching from faculty staff, guest speakers from the BBC and independent media production companies will play a key role in delivering the course.

You will be assigned live briefs to prepare for professional commissions in the public and private sectors. BBC staff will help design the live briefs to prepare you for professional commissions, whether for the BBC or commercial clients. You will be expected to work to real deadlines under real-world conditions, giving you the understanding needed to step into entry level posts in all aspects of radio and audio content production.

Format

This course provides a distinct and bespoke learning experience. Both practical and theoretical teaching is delivered by highly esteemed current and former BBC radio production professionals.

You will be taught through a combination of lectures, seminars and expert-led technical workshops in audio collection techniques, sound, recording, radio studio work and digital editing using industry-standard software.

There will be field visits to documentary producers and regular guest speakers from the BBC to enhance learning and bring valuable industry insight.

Placements

Students will take part in a work shadowing scheme. This will allow you to see the day-to-day workflow of producing radio documentaries.

You will be encouraged to take up placements on multi-platform outlets to gain insights across all relevant digital media.

Indicative partners include Watershed, Arnolfini, Ujima Radio and BBC News.

Assessment

You will be assessed through a combination of practical work, research portfolios, exams, essays and presentations.

Careers / Further study

We aim to equip you with the skills and understanding suitable for entry level posts in the radio factual broadcast sector including documentary, formats and presenter-led features.

The course partnership with the BBC brings opportunities for engagement, collaboration and ultimately employment. The BBC highly values the talent, fresh ideas and enthusiasm of our students.

Successful graduates go on to secure work in production companies and post-production facilities as broadcast assistants, junior researchers, production assistants and studio managers.

There are also options to teach and to progress to PhD study.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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This course gives you unique access to the television journalism industry with 96% employment rate in the TV or related industry and tailored work placements every week. Read more
This course gives you unique access to the television journalism industry with 96% employment rate in the TV or related industry and tailored work placements every week.

Who is it for?

This course is suitable for students with a first degree looking to become good all-round television journalists capable of working in newsrooms, on multi-media and in documentaries and current affairs. Applicants should have an interest in video and TV films and have a broad general knowledge including lifestyle, sport and politics. While this course is NOT about TV presenting, it’s important that you aren’t afraid to be in front of the camera and even more important that you are keen to write and provide material for others to present. Vitally, you should want to communicate using moving pictures and be excited by the wonderful world of television!

Objectives

The MA in Television Journalism has unparalleled contact with the TV industry and each Wednesday in term one and two, students work in the TV journalism industry. The course is designed for 30 students subdivided into teaching groups of 15 with daily personal contact with Professor Lis Howell, and award winning film maker Sally Webb. The documentary legend David Lloyd (formerly commissioning editor of Channel Four current affairs programmes) and ABC news producer Mike Trew make up the team. Students make half hour documentaries in teams of three in term three and these films have won awards like Guardian Young Journalists of the Year; The BJTC documentary award; and been re-worked for broadcast on BBC 2’s ‘Newsnight’. The course is grounded in news production but also branches out with a Question Time programme which has included guests such as Jeremy Corbyn; Stephanie Flanders; Jon Snow and Yasmin Alibi Brown plus may more.

Placements

MA TV have tailored placement each Wednesday. There is no doubt that the size of the City cohort means unique networking opportunities with present students and 4,000 alumni but at the same time every student is given personal help to achieve a job in broadcasting. Every student counts. Organisations that have taken our students for placements include:
-ABC
-Al-Jazeera
-BBC
-Blakeway Productions
-Blink
-CTVC
-Flame
-Hardcash Productions
-ITN
-ITN Sport (Olympics)
-NorthOne
-October Films
-OR Media
-Plum Films
-politics.com
-Reuters
-Sky
-Talkback

Academic facilities

In 2014 we completed a £12m development projects for our Journalism facilities. These facilities were developed in consultation with experts from the BBC and ITN, and were praised by the BJTC. Our facilities include:
-A television studio: enabling simultaneous multi-media simulated broadcast and a major expansion in the number of news and current affairs programmes produced.
-Four radio studios: enabling an increase in output and the potential to explore a permanent radio station.
-Two radio broadcast newsrooms: high-tech facilities that enable you to learn how to produce a radio programme.
-Two digital newsrooms: impressive modern facilities that enable you to learn the skills required to produce newspapers, magazines and websites.
-Two TV editing and production newsrooms: state-of-the-art facilities that enable you to learn about TV production.

Teaching and learning

All MA Journalism courses at City are practical, hands-on courses designed for people that want to become journalists. As a result, much of your coursework will be journalistic assignments that you produce to deadline, as you would in a real news organisation.

Some courses are taught in lecture theatres but most are small-group workshops that allow you to develop your journalistic skills and knowledge with the support of our expert academics. Teaching hours are between Mondays to Fridays during working hours, and occasionally outside those times.

Assessment

Assessments vary from module to module but include coursework, practical work both in groups and individually, a Final Project, a written timed test, and essays.Activities include lectures, practical work in groups and individually, personal tutorials, and independent learning

This pathway is taught by professors, senior lecturers and lecturers, with industry practitioners as Visiting Lecturers, and a number of key industry visiting speakers.

Modules

All of our Television Journalism MA students must undertake underpinning core modules in Ethics, Rules and Standards and a Final Project. As a Television Journalism student you will have specialist core and elective modules that complement these projects.

Core modules
-Ethics, Rules & Standards (30 credits)
-Final Project (30 credits)
-Newsgathering for TV and Radio (30 credits)
-Newsdays Production (30 credits)
-Studio Production for TV or Radio (15 credits)
-UK Media Law (15 credits)
-Political Headlines (15 credits)

Elective modules
-Journalism Innovation (15 credits)
-Social & Digital Journalism (15 credits)

Career prospects

Our postgraduate courses have 96% employment rate across the journalism courses according to graduates responding to the 14/15 DLHE survey. Alumni include BBC’s Sophie Raworth and famous names such as:
-Dermot Murnaghan (Sky News)
-Barbara Serra (Al Jazeera)
-Jo Whiley (BBC Radio)

Recent graduates of the MA Broadcasting include:
-Ramita Navai, Emmy Award-winning documentary maker
-Chris Mason (BBC Political Reporter)
-Isobel Webster (Sky News)
-Darren McGaffrey (Sky News)
-Minnie Stephenson (ITN)
-Cordelia Lynch (Sky News Washington)

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This programme is unique in teaching the collective history of science, medicine, environment and technology. It is also unique as it offers modules that combine imperial, ethical, and military history with general areas of history of science and medicine. Read more
This programme is unique in teaching the collective history of science, medicine, environment and technology. It is also unique as it offers modules that combine imperial, ethical, and military history with general areas of history of science and medicine.

You learn from experts working in these diverse fields, being taught how different societies, cultures, and races have conceptualised disease, reacted to changes in environment and created different technological artefacts and scientific knowledge. You are introduced to the major and recent historiographical and methodological approaches, become familiar with the main archives in the UK and encouraged to approach the history of medicine, science, environment and technology from past as well as contemporary concerns.

Visit the website https://www.kent.ac.uk/courses/postgraduate/83/history-of-science-medicine-environment-and-technology

About the School of History

The School of History at the University of Kent offers a great environment in which to research and study. Situated in a beautiful cathedral city with its own dynamic history, the University is within easy reach of the main London archives and is convenient for travelling to mainland Europe.

The School of History is a lively, research-led department where postgraduate students are given the opportunity to work alongside academics recognised as experts in their respective fields. The School was placed eighth nationally for research intensity in the most recent Research Excellence Framework, and consistently scores highly in the National Student Survey.

There is a good community spirit within the School, which includes regular postgraduate social meetings, weekly seminars and a comprehensive training programme with the full involvement of the School’s academic staff. Thanks to the wide range of teaching and research interests in the School, we can offer equally wide scope for research supervision covering British, European, African and American history.

At present, there are particularly strong groupings of research students in medieval and early modern cultural and social history, early modern religious history, the history and cultural studies of science and medicine, the medicine, the history of propaganda, military history, war and the media, and the history of Kent.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

HI878 - Methods and Interpretations of Historical Research (30 credits)
HI866 - Science and Medicine in Context (30 credits)
HI817 - Deformed, Deranged and Deviant (30 credits)
HI827 - Home Front Britain, 1914-18 (30 credits)
HI857 - Geiger Counter at Ground Zero: Explorations of Nuclear America (30 credits)
HI881 - Museums, Material Culture and the History of Science (30 credits)
HI883 - Work Placement (30 credits)

Assessment

All courses are assessed by coursework, and the dissertation counts for half the final grade (comprising one third assessed preparation, two thirds actual dissertation).

Programme aims

This programme aims to:

- place the study of texts, images and documentaries in their historical contexts, at the centre of student learning and analysis

- ensure that students of the history of science, medicine, environment and technology acquire a comprehensive knowledge and understanding of the historical modes of theory and analysis

- enable you to understand and use concepts, approaches and methods of the history of science, medicine, environment and technology in different academic contexts and develop an understanding of the differing and contested aspects between, and within, the relevant disciplines

- develop your capacities to think critically about past events and experiences

- encourage you to relate the academic study of the history of science, medicine, environment and technology to questions of public debate and concern

- promote a curriculum supported by scholarship, staff development and a research culture that promotes breadth and depth of intellectual enquiry and debate

- assist you to develop cognitive and transferable skills relevant to your vocational and personal development.

Study support

Postgraduate resources
The resources for historical research at Kent are led by the University’s Templeman Library: a designated European Documentation Centre which holds specialised collections on slavery and antislavery, and on medical science. The Library has a substantial collection of secondary materials to back-up an excellent collection of primary sources including the British Cartoon Archive, newspapers, a large audio-visual library, and a complete set of British Second World War Ministry of Information propaganda pamphlets.

The School has a dedicated Centre for the Study of Propaganda and War, which has a distinctive archive of written, audio and visual propaganda materials, particularly in film, video and DVD. Locally, you have access to: the Canterbury Cathedral Library and Archive (a major collection for the study of medieval and early modern religious and social history); the Centre for Kentish Studies at Maidstone; and the National Maritime Collection at Greenwich. Kent is also within easy reach of the country’s premier research collections in London and the national libraries in Paris and Brussels.

Dynamic publishing culture
Staff publish regularly and widely in journals, conference proceedings and books. Among others, they have recently contributed to: Journal of Contemporary History; English Historical Review; British Journal for the History of Science; Technology and Culture; and War and Society.

Global Skills Award
All students registered for a taught Master's programme are eligible to apply for a place on our Global Skills Award Programme (http://www.kent.ac.uk/graduateschool/skills/programmes/gsa.html). The programme is designed to broaden your understanding of global issues and current affairs as well as to develop personal skills which will enhance your employability

Research areas

Medieval and early modern history
Covering c400–c1500, incorporating such themes as Anglo-Saxon England, early-modern France, palaeography, British and European politics and society, religion and papacy.

Modern history
Covering c1500–present, incorporating such themes as modern British, European and American history, British military history, and 20th-century conflict and propaganda.

History of science, technology and medicine
Incorporating such themes as colonial science and medicine, Nazi medicine, eugenics, science and technology in 19th-century Britain.

Careers

As the job market becomes increasingly competitive, postgraduate qualifications are becoming more attractive to employers seeking individuals who have finely tuned skills and abilities, which our programmes encourage you to hone. As a result of the valuable transferable skills developed during your course of study, career prospects for history graduates are wide ranging. Our graduates go on to a variety of careers, from research within the government to teaching, politics to records management and journalism, to working within museums and galleries – to name but a few.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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Although distant from us in time, the medieval is all around us, not only in physical remnants of the past (such as cathedrals and castles) and as the point of origin of many of our institutions (such as the monarchy, the church, and the university), but as the inspiration for poetry, novels, films, paintings, documentaries, and countless other expressions of our engagement with this period. Read more
Although distant from us in time, the medieval is all around us, not only in physical remnants of the past (such as cathedrals and castles) and as the point of origin of many of our institutions (such as the monarchy, the church, and the university), but as the inspiration for poetry, novels, films, paintings, documentaries, and countless other expressions of our engagement with this period.

The aim of this multi-disciplinary course is to introduce you to many different aspects of medieval society and culture while allowing you to concentrate on particular areas of interest. The course emphasises the skills that are required for postgraduate research, whether your focus is literary or historical, and provides you with an introduction to a wide range of source materials such as artefacts, archives, manuscripts, and printed sources.

See the website https://www.royalholloway.ac.uk/english/coursefinder/mamedievalstudies.aspx

Why choose this course?

- Both the History and English departments at Royal Holloway are large, research-based departments with staff of international standing. Teaching on this course derives from our cutting-edge research.

- In addition to staff in the departments of History and English, Royal Holloway also boasts medievalists in the fields of Music, Drama, French, and Italian. We offer a truly multi-disciplinary approach to the Middle Ages.

- Our link with the Museum of London provides opportunities for field trips, courses, research, and internships.

- As part of the University of London, we participate in the rich variety of events taking place in the Institute of Historical Research and the Institute of English Studies. Staff from the English Department also run the London Old and Middle English Research Seminar (LOMERS).

- You will have the opportunity both to pursue a wide range of disciplines in small groups and also to come together weekly to form a close-knit cohort. The result is not only enhanced research; it is a warm community of friendships.

Department research and industry highlights

Over the last few years the English Department at Royal Holloway has won a reputation as one of the most dynamic departments of English in the country. All members of staff are actively engaged in major research projects. This commitment to scholarly research means that our graduate programmes are inspired by the latest developments in literary studies. English is a varied and flexible subject and the diverse interests of the staff provide a wide range of exciting options for our students, from Old English and medieval literature to contemporary poetic theory and practice.

Noted for depth, breadth and innovation, the research output of the Royal Holloway History Department ranges from ancient to contemporary times, from Britain and Europe to America, the Middle and Far East and Australia, and from political history to economic, social, cultural, intellectual, medical, environmental, and gender history. In particular, the History Department has special strengths in social, cultural, and gender history, and in the history of ideas – with research that covers a notable range of countries, periods, and approaches.

On completion of the course graduates will have:

- a broad understanding of the Middle Ages based on relevant aspects of the disciplines (History, Literary Criticism, Languages, Museum Studies and Archaeology) which contribute to the course

- awareness of the interrelationship of political, cultural, and social change within medieval society

- a knowledge of the location and organisation of primary and secondary sources of evidence regarding the medieval period, and an understanding of how to deploy these effectively

- an understanding of how the human past may be studied through an examination of material remains

- an appreciation of the methodologies in the disciplines represented in the course and their application

- a systematic knowledge of a variety of techniques of enquiry and analysis used in the disciplines represented in the course

- mastery of the established principles and practice of research in medieval studies.

Assessment

Assessment is carried out by a variety of assessment methods, including coursework, essays, oral presentations, and formal examinations.

Employability & career opportunities

Our graduates are highly employable and, in recent years, have entered many areas, including careers as translators, museum curators, authors and teachers. This course also equips you with a solid foundation for continued PhD studies.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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This is a professional training course for working writers. Most scriptwriters work across several media, and the course reflects this. Read more
This is a professional training course for working writers. Most scriptwriters work across several media, and the course reflects this. All our tutors are award winning writers with an insight into what it takes to make it in the industry. We aim to turn out writers who understand the structure and craft of drama, have a finished script they can use as a calling card, know the industry in all its variety, and can pitch and sell their work.

The MA is taught in seventeen weekends of intensive workshops. It is not, however, ‘low residency’. There are as many hours of teaching as on Bath Spa University’s established MA in Creative Writing.

The course is taught at our beautiful Corsham Court campus where we have state of the art performance, capture and editing facilities. Our students also have opportunities to see their work for the stage performed and to shoot excerpts from their screenplays. We work closely with the School of Music and Performing Arts, and their students will have the opportunity to help act in and produce our work.

Although this is an intellectually challenging postgraduate course, there is no ‘academic’ side detached from the working side. Everything theoretical is geared to help the students as writers.

The MA in Scriptwriting also offers each of its students a free copy of Final Draft scriptwriting software, a must for professional Scriptwriters.

COURSE STRUCTURE AND CONTENT

The course is full-time from October to September, or part-time over two years, and is taught in modules. The first trimester runs from October to January and there are two modules, each delivered in three intensive weekends.

One is the module on Dramatic Structure. This aims to give you an understanding of the full range of ways that plays and scripts can work. You are introduced to dialogue, character, genre, and the different media. But the emphasis is on how to tell a story - a well made plot. Students will read and view widely, but the academic side is not separate from the working side. This module is to help you write.

The other module in the first trimester is a workshop in Writing Theatre and Radio. This is delivered in three intensive weekends. All of the time is devoted to the students’ own work, and much of the time we work on our feet. At the end of the trimester each student finishes a 45 to 60 minute play or radio script, and a 3,000 word essay that explains the structure of that script.

The second trimester, from February to June, also has two modules. One is Professional Skills, again over three intensive weekends. All our experience is that the ability to write alone is not enough to make your way in the various industries of theatre, television, film and radio. You also need to be able to pitch, and to talk intelligently and flexibly about your own work and others’. One of our tutors facilitates this module, and various industry professionals come in for a day each to inform, rehearse and challenge you.

The other module this trimester is Workshop in Screenwriting, also over three weekends. Here you write a script for film or television. We pay particular attention to genre, to the visual and time requirements of the screen, and to writing for particular markets. At the end of this trimester each student finishes 50 to 60 minutes of TV, or a short film script, or a treatment for a full-length film plus at least 45 minutes of polished script.

The third trimester runs from June to the end of September. Here there is only one double module, the Final Script Workshop. The workshops meet over five intensive Saturdays.

In this module each student writes a full length play, a full length film script, or the equivalent in television or radio. This script can be a development and reworking of earlier pieces, but will often be completely new work. At the end of September students submit this script.

The final assessment is based on four things. The most important is this script. The second is a 1,500 word essay explaining exactly where in the market it is aimed and how it is shaped to fit that niche. The third is a cold pitch for this script. When we speak of the market, we are thinking quite broadly. Some students will want to write for Hollywood, British independent films, soap operas, or theatre. Others will want to write radio plays, documentaries, puppet shows, theatre in education, training videos or school plays. The emphasis is, however, always on getting your work to a stage where it is ready to be produced. The fourth is a practical realisation of a short excerpt of an original work stage, screen or radio play. Students are expected to co ordinate this realisation themselves with advice and support from their tutor and using the University’s resources.

TEACHING METHODS AND RESOURCES

All courses will be taught by intensive workshops. Over the years we have found this is far and away the most productive way of teaching writing. It is particularly suited to scriptwriting, which is very much a social and collective art.

Tutors and visiting professionals:
All of our tutors are writers working in the industry. Among those working on the course will be:

• Ursula Rani Sarma (Course Director) writer for theatre, radio and screen
• Steve May who writes radio and novels
• Lucy Catherine who writes theatre, television and film
• Robin Mukherjee who writes theatre, television and film
• Hattie Naylor who writes film, theatre, radio and opera libretti
• Jonathan Neale who writes theatre, radio and novels

In the second semester we have visits from several professionals in the industry. Each conducts a one-day workshop with students, outlining the industry and giving them rigorous practice in pitching their work. Typically, we will have an agent, a TV producer, a radio producer, a theatre director or literary manager, and a film script editor.

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Medical art encompasses a wide range of applications from patient communication and information to medical teaching and training. Read more
Medical art encompasses a wide range of applications from patient communication and information to medical teaching and training. It is also used by the pharmaceutical industry to aid in explanation of their products and by television companies in the production of documentaries.

This highly innovative one-year taught Masters course employs highly specialised tutors from scientific backgrounds alongside experienced medical art supervisors.

Why study Medical Art at Dundee?

Medical Art is the depiction of anatomy, medical science, pathology and surgery. This may include medical images, models or animations for use in education, advertising, marketing and publishing, conceptual work in relation to research, education and publishing and two or three-dimensional visualisation for the training of specific medical professionals.

Medical and forensic artists require technical and conceptual art skills alongside comprehensive medical and anatomical knowledge.

What's so good about studying Medical Art at Dundee?

You will benefit from the facilities of a well-established art college, whilst appreciating the newly-refurbished laboratories, a dedicated library and access to human material in a modern medical science environment.

Internships

Short term internships in forensic and medical institutes throughout the world will be offered to selected students following graduation. Internship institutes offer these internships based on the reputation of the course and its tutors and include the National Centre for Missing and Exploited Children (NCMEC), USA; the Turkish Police Forensic Laboratory, Ankara and Ninewells Hospital, Dundee.

How you will be taught

The course is delivered using traditional methods including lectures, practical studio sessions and small group discussions with an encouragement into debate and theoretical solutions to current problems.

What you will study

Students on both Forensic Art and Medical Art MSc's share joint modules with increasing specialisation. Students may carry out their semester three Dissertation module either at the University or from a working environment or placement.

The course is delivered using traditional methods including lectures, practical studio sessions and small group discussions with an encouragement into debate and theoretical solutions to current problems.

Medical Art students study:

Semester 1 (60 credits)
Anatomy - Head and Neck
Anatomy - Post Cranial
Life Art
Digital Media Practice
Research Methods

Semester 2 (60 credits)
Medical Art 1 - Image Capture and Creation
Medical Art 2 - Communication and Education
Medical-Legal Ethics

Semester 3 (60 credits) - dissertation and exhibition resulting from a research project undertaken either at the university or as a placement.

On successful completion of Semesters 1 and 2 there is an exit award of a Postgraduate Diploma in Medical Art.

How you will be assessed

Anatomy modules will be assessed by spot-tests and practical examinations and coursework. Medico-legal ethics will be assessed by both a written exam and coursework. All other modules will be assessed by coursework.

Careers

This programme aims to provide professional training to underpin your first degree, so that you can enter employment at the leading edge of your discipline. Career opportunities in medical art are varied and will depend on individual background and interests.

In medical art potential careers exist in the NHS as well as industry. Medical art and visualisation is a rapidly changing and broad discipline. Possible careers include:

NHS medical illustration departments producing patient information and illustration services for staff
E-learning
3D model making (including clinical/surgical skills trainers) companies
Digital art and animation studios
Publishing houses
Illustration studios
Medico-legal artwork
Freelance illustration and fine art applications
Special effects and the media/film world
Academia – teaching or research
PhD research

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This programme is for students who are passionate about early life, dinosaurs, mass extinctions, macroevolution, fossil preservation and understanding the palaeobiology of extinct organisms. Read more
This programme is for students who are passionate about early life, dinosaurs, mass extinctions, macroevolution, fossil preservation and understanding the palaeobiology of extinct organisms. It examines quantitative aspects of the fossil record and the history of life. The research-oriented MSc bridges the biology-geology divide and will provide you with a strong background for independent research to PhD level or for a career in museums, libraries, management or the media.

This interdisciplinary programme is taught mainly in the School of Earth Sciences, along with some archaeology and biology units. You will engage in current debates in evolutionary biology, systematics and palaeobiology.

You will learn how to analyse problems quantitatively, and design experimental approaches to resolving questions in macroevolution and in the study of ancient organisms. First-hand training in research methods in palaeobiology involves laboratory techniques. In addition, you will learn a range of advanced skills throughout the programme, such as computer software use, numeracy, planning research, problem-solving and communication skills. You will learn multimedia techniques, including presentation of palaeontological data through talks, posters and formal written reports. A key aspect of the programme is preparing your projects for publication, and we provide continuing support to ensure as many projects as possible are published in leading international journals.

Programme structure

The first half of the programme consists of lectures, practical classes, tutorials and visiting speakers, designed to provide a firm foundation in the theory and methodology of the subject.

The programme comprises five core units which all students take, and a number of optional units of which students choose four. We recommend that biologists take some of the more geologically-orientated optional units, and that geologists take some of the biological optional units.

Core units
-Current Controversies in Palaeobiology and Macroevolution
-Scientific Communication
-Phylogenetic Methods in Palaeobiology
-Literature Review
-Research Methods in Palaeobiology

Optional units
-Biomechanics and Functional Morphology
-The Cambrian Explosion: the origin of animal body plans
-Early Human Origins
-Evolutionary Biology*
-Evolution of the Biosphere
-Geology for Research Palaeobiologists**
-Micropalaeontology
-Tree of Life
-Vertebrate Palaeobiology and Evolution

*Mandatory for non-biologists
**Mandatory for non-geologists

Careers

The degree is research-based, and about half the graduates go on to academic careers, usually starting with a PhD. The MSc is focused on methods, and you will learn the latest techniques in phylogenetics, biomechanics, and macroevolution training, which is highly sought after by PhD supervisors across the world.

The training in professional skills, including writing scientific papers, is also highly regarded. Some students have used the MSc as a means to go on to careers in museums, the media and education and now hold senior positions as curators and collection managers in national and regional museums. Graduates also work in making scientific documentaries, or are involved in science education at all levels.

Finally, some graduates have gone into commercial work in marketing, the oil industry and computing, where their practical skills in palaeobiology and communication have proved invaluable.

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Immerse yourself in hands-on filmmaking and real production budgets on this unique course. Creativity and collaboration are at the heart of our teaching, which takes place in our very own Northern Film School (http://www.northernfilmschool.co.uk/), giving you access to state-of-the-art equipment and facilities. Read more
Immerse yourself in hands-on filmmaking and real production budgets on this unique course.

Creativity and collaboration are at the heart of our teaching, which takes place in our very own Northern Film School (http://www.northernfilmschool.co.uk/), giving you access to state-of-the-art equipment and facilities. Designed to mirror real international, independent film production, this course gives you the opportunity to gain specialist knowledge of seven main areas - producing, screenwriting, directing, cinematography, production design, sound and editing.

The course is driven by filmmaking itself, but you will also focus on theory - we want you to think, research, discuss and watch films. We encourage ideas based around independent filmmaking and look for inspired stories and concepts on which to base our productions. We will also supply funding for your masters' project.

Whether your passion lies in making fiction, documentaries or experimental films, you will have the support of a teaching team with ongoing and extensive industry experience.

- Research Excellence Framework 2014: 38% of our research was judged to be world leading or internationally excellent in the Communication, Culture and Media Studies, Library and Information Management unit.

Visit the website http://courses.leedsbeckett.ac.uk/filmmaking_ma

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

Our course aims to give you a competitive edge in a challenging industry. We offer a route into film and television through working with tutors, mentors and visiting professionals and by developing your own creative abilities and work. We promote our graduation films on the international festival circuit, as well as giving you the opportunity to attend film festivals during the course.

- Creative Producer
- Cinematographer
- Screenwriter
- Director

Careers advice:
The dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit the careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

As film financing, production and distribution move away from old models our course prepares you for an industry that expects you to be self reliant and self-employed.

You will be taught by practising filmmakers with experience across documentary and fiction, from cinematography to editing, some of whom can boast BAFTA and Oscar nominations. As a consequence of relationships between staff and the industry, you will have the opportunity to learn from visiting filmmakers during guest lectures and workshops. The Northern Film School (http://www.northernfilmschool.co.uk/) is also a member of The International Association of Film and Television Schools (CILECT), an organisation of only the best film schools worldwide.

The School is the first and only film school in the UK to receive JAMES accreditation, in recognition of the professional expertise of our staff, the professional level of our facilities and the opportunities for our students to crew on professional shoots. JAMES represents creative and technical organisations across the media industries sector such as the Association of Professional Recording Services (APRS), the Music Producers Guild (MPG), UK Screen and UK Drama. On our JAMES approved course, you will be studying the latest in industry practice and gain access to professional contacts and work experience opportunities. JAMES described us as 'a benchmark against which all other film courses need to be measured'.

At the Electric Press in Leeds city centre where the School is based, you will have access to an impressive range of facilities. These include both 16mm and digital production equipment, two production studios, professional level edit suites, production offices, screening facilities, a props store and film and script archive.

Keith Dando

Senior Lecturer

"Our course aims to empower you to not just get into the industry but to 'be' the industry on a creative as well as business level, and to leave the course having made long lasting collaborative relationships."

Keith’s career has included work on short and feature films, television series and computer games in projects for the BBC, Channel Four, Channel Five and many independent film and TV companies. Keith has also co-written screenplays that have reached the finals in the prestigious Zoetrope and Final Draft screenwriting contests, and worked with upcoming and respected filmmakers such as Clio Barnard and Penny Woolcock.

Facilities

- Film Studios
Based in the Electric Press, our two expansive production studios, East and West Side enable the building of substantial film sets. This affords film students the opportunity to fully explore set design and prop building.

- Library
Our libraries are two of the only university libraries in the UK open 24/7 every day of the year. However you like to study, the libraries have got you covered with group study, silent study, extensive e-learning resources and PC suites.

- Broadcasting Place
Broadcasting Place provides students with creative and contemporary learning environments, is packed with the latest technology and is a focal point for new and innovative thinking in the city.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

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