This postgraduate directing course is for directors of theatre and live performance. You will be given the opportunity to direct productions in our theatres on campus and in Bath, whilst also working with a range of the MA and BA Acting and Drama students.
Our MA Directing programme helps you build a portfolio of performance experiences as part of Bath Spa University’s diverse theatre productions. From developing small companies, to managing large scale productions, and from classical to contemporary theatre, you’ll get a broad and advanced understanding of working in theatre today.
You’ll explore approaches to directing both through seminars and practical work. Alongside this you’ll develop an advanced understanding of actor training.
We’ll be dedicated to your individual development. You’ll receive support through tutorials and will embark on your own production work.
In the first trimester, the production module will support you as both director and actor as you work on selected speeches and scenes while also collaborating on larger productions. Weekly research seminars bring together history and current practice of directing along with advancing research skills needed for directors.
In the second trimester, the second production modules gives you the opportunity to create original work, working either with your own chosen cast, or with a university, or professional production. Additionally, you’ll take a Professional Collaboration module that provides both tools and experience to work with a wide range of artists.
In the third trimester, you can choose to undertake a more traditional written dissertation, a performance based dissertation or a mixture of the two. You might direct a production, lead workshops, or research into areas relating to directing as part of your dissertation. You can choose to work on your dissertation on-campus or by distance learning. You’ll benefit from one-to-one tutorials which can take place in person or online.
The degree is delivered through a variety of workshops, lectures, seminars, master classes, off-site visits, performance and production work, and through the Virtual Learning Environment, Minerva. We get professional actors and directors in to work with you; we have ever-expanding list of lecturers, specialists, artists and guest scholars.
Assessments could include performances, essays, literature reviews, written documentation of work, presentations, portfolios, leading workshops, written evaluations, rehearsal and practice blogs, written dissertations, practical dissertation projects, and critical play reviews.
For more information on teaching and assessment methods, please go to: https://www.bathspa.ac.uk/courses/pg-directing/
We currently give all students the opportunity to take part in a two week residency at Shakespeare's Globe. You’ll benefit from intensive, full-time training, leading to a production on the Globe’s stage.
You’ll have the opportunity to see a lot of theatre, as well as visit museums and theatres. Previous destinations have included Bath, Bristol, Stratford-upon-Avon and London. Other field trips may give you the chance to work with professional theatre groups and actors; we’ve previously rented studios in London for this purpose.
For more information on opportunities, please go to the course webpage: https://www.bathspa.ac.uk/courses/pg-directing/
This postgraduate course prepares you for work in film and television and related fields by bringing together the key artistic disciplines and skills needed to make high quality filmed drama. You will explore in detail Stanilavisky's unique scene study methodology which lies at the heart of Drama Centre’s conservatoire training. From storyboard to working on the subtext with the actors on set you will be enabled to develop your own distinct artistic voice.
At the heart of MA Screen: Directing is the growth of individual creativity, achieved through constant opportunities for working on camera-based projects with colleagues from other pathways. You will work on two filmed productions, in our film studio and on location. Supported by a professional producer, director of photography and editor. You will take an active part in a Mike Leigh type devising project where you will help shape the story's stimulated by the characters that the actors develop over nine weeks of intense rehearsal. You will understand the rhythm of a working film set and develop the confidence to use your own voice on future projects, confident in the knowledge that you know how to work creatively with actors. You will be given in depth preparation for the profession including interview technics and wide range of lectures from visiting professionals, such as agents, casting directors, working producers and directors.
MA Screen: Directing lasts 45 weeks over 12 months and is structured as units - class-based to begin with, but increasingly project-geared over time. This postgraduate course is intensive. You'll be expected to commit 35 hours per week to classes, rehearsals and shoots, and to your own independent preparation and learning.
Students who come to MA Screen: Directing expect a focused experience with a high level of autonomous learning. The MA course's practical elements contribute to the intensity of the experience, sharpening your professional ability to deliver on time, on budget and at an appropriate level.
MA Screen: Directing has a small intake. It collaborates closely with MA Screen: Acting to give you a broader understanding of the needs of the actor. Because we believe empathy with acting and actors is an integral part of directing, the early part of the MA course in particular engages with the discipline of acting.
Traditionally, screen director training fails to address the challenges of working with performers. Our Directing Pathway confronts that challenge while developing your individual approach and creative voice. The pathway features a programme of acting skills, an extended programme of directing skills, two filmed drama projects, a devised project, and an extended programme of professional preparation.
The MA course culminates in a series of short film projects produced in collaboration with the student actors. Projects are screened for an invited industry audience that includes agents and casting directors
This is a unique opportunity to work intensively with Katie Mitchell OBE, one of the most acclaimed, important and innovative directors in Europe. You will combine your professional training with academic research providing you with complementary creative and intellectual skills.
This course is a rigorous, intensive, demanding training in theatre directing where you will work with professional actors to develop your directing skills. You will have the chance to direct in our new purpose-build performance space, the Caryl Churchill Theatre, a 150-seat flexible theatre on three levels, designed by award-winning theatre architects Foster-Wilson.
Royal Holloway's Department of Drama, Theatre and Dance is internationally recognised for the quality of its creative arts programmes. The Department has produced several theatre companies with a growing international reputation, including Ad Infinitum, Forest Fringe, non zero one and Analogue.
Teaching and learning are primarily by means of intensive summer workshops, including eight hours of collaborative workshop and up to three hours of supervised rehearsal time a day for three weeks. These typically combine periods of seminar discussion with practical exploration and workshops. Where possible, these are student-led, with participants being encouraged to devise exercises engaging with the relevant issues and to direct their fellow-students.
Opportunities to visit theatrical performances and rehearsal rooms are also an important part of the programme, and you will be encouraged to use these as a basis for discussion and to deconstruct the performances they have seen from a variety of critical positions.
Assessment is by a variety of means including essays (both theoretical and critical) and etudes (practical directing exercises), practical projects as well as a final dissertation of 10-14,000 words. Practical projects are sometimes carried out in a group and may include an element of assessment for an individual’s contribution to group working and direction.
By the end of this course, you will have an enhanced understanding of the tasks and responsibilities of a director, and developed your abilily to work with actors and space. You will also have gained experience in working through the research and preparation necessary to direct a piece of theatre, and have the ability to research and articulate an extended analytic discussion of theatre directing.
Our graduates have started careers in professional theatre, film and television as well as training and education. If you come to the end of the course and find yourself curious about an area of study – or want to take your dissertation topic further – the MA is a perfect grounding for a PhD, which may be fully written or include a practice-based component.
The department gives you access to other creative areas of study like dance, media and art. Part of our reputation as a creative campus comes from this cross-pollination of studies and disciplines, so you'll have a good chance to push into those fields and gain knowledge of theatres and the performance scene in London and beyond. You'll leave the MA able to navigate an intense and growing field with credibility and creativity.
This programme takes a project-led, practice-based approach to studying for an MA in Film Directing (Documentary) which integrates practical film making with analysis of contemporary film practice. Students choose to make a creative documentary or a non -fiction film which defies genre definition and pushes the boundaries of narrative. We develop these through workshops and tutorials. Our students work within an integrated framework that helps them question the form of their films and enables them to find the right language for their storytelling.
The programme encourages ways of working as a film community that foster the important exchange of ideas, with inspiration from international visiting film makers through Scottish Documentary Institute and support from our team of documentary practicioners. All tutors are top professionals currently working within the industry as directors, producers, editors, cinematographers or sound designers. A newly built Avid edit teaching space, and a new screening space helps us encourage a fresh approach to emerging technologies.
Graduate films do well internationally regularly winning BAFTAs, RTS Awards and awards at international festivals. Over the last five years students have received an Oscar nomination for an MA film made here and an Oscar shortlist for a film made by a recent graduate. We work closely with the Scottish Documentary Institute, the University’s internationally-acclaimed research centre in documentary film making.
The aim of the Film Directing programmes at ECA is to:
This programme is project-led and delivered through workshops and regular individual tutorials. It integrates practical studio work with theoretical and written studies from the Screen cultures course (see separate description) which is run independently from the Film Department.
The first semester, Design Studio is organised round a series of micro-films which lead to a growing awareness of film language and enhancement of technical skills to creatively support filmic vision. Cinematography and sound workshops are delivered by visiting lecturers. Directorial voice is built up also through tutorials in which an idea for a graduating film is developed and evolved. Awareness of current international documentary practice is built through regular seminars and screenings, collaborations with Film Festivals such as Take One Action and also supported by Scottish Documentary Institute. This is also to inspire students to push boundaries in their approach to narrative structure and visual language and not to get locked in conventional approaches. We want to encourage bold work that takes risks. At the end of the first semester all students pitch their films using a trailer or short excerpt from their research material. They also develop a treatment with feedback from tutorials.
Semester two is spent preparing and shooting the graduate film and is backed up with edit tutorials as well as project support from weekly meetings with a tutor. Students also receive seminars in production process including contracts.
Semester three is when the film is edited and finished with input from group crits, tutorials. Students also attend or often volunteer with Edinburgh Film Festival and the Edinburgh Pitch in order to observe and engage with key players from the international documentary world through hearing feedback from commissioning editors.
Alongside the ECA learning structure, students also have a pool of potential collaborators from Screen Academy Napier including the possibility of working with cinematographers, editors and producers.
Our students go on to a wide range of roles, including producer, director, writer, production or location manager, researcher, editor, assistant director, cinematographer, or journalist. Graduates have found work directing for the BBC and making work internationally for top broadcasters and film funds. Related fields include advertising, community films, academia or film development agencies.
MA/MFA Film Directing has been awarded the Creative Skillset Tick, the industry kitemark of quality, following a rigorous assessment process by experts working in the Creative Industries. The Creative Skillset Tick is awarded to practice-based courses which best prepare students for a career in the industry. Screen Academy Scotland is one of only 3 Screen Academies in the UK along with National Film School and London Film School.
MetFilm School Berlin will be launching the MA Directing programme in October 2015. This programme will aim to provide students with practical work relevant skills, with teaching delivered by industry professional tutors.
The programme will be divided into six 20-credit modules followed by a 60-credit module. Students will complete a portfolio of filmmaking projects, plus a final Master’s Project. Students will attend a series of lectures screenings, seminars, practice-based exercises and workshops, as well as work independently to produce projects for their portfolio, demonstrating craft and creativity to an advanced degree. In addition, students will be required to conduct scholarly research as the basis of critical and reflective written work that links to their chosen field (Directing within screen arts). Students will also receive 1:1 tutorial support throughout the year.
This programme is designed to give students a comprehensive grasp of the creative and technical responsibilities of directors today within a historical, cultural and industrial context.
The programme takes directors through the process of production from script to screen focusing on the core elements of visual language, narrative storytelling and performance. Students will learn and practice a variety of directing styles, techniques and strategies for narrative as well as non-fiction storytelling. The goal of this programme is to develop the craft skills and technical proficiency that ultimately frees the director to take creative risks.
This programme is validated by The University of West London.
The MA Directing course equips you with a comprehensive skill set to work across all screen platforms – film, TV, commercials and online. During your studies you’ll do a unique industry project that will give you real-life experience with external clients, not offered by any other film school in the world.
- Practical. 70% of the curriculum is practical, hands-on experience. You will have an opportunity to work with professional actors, shoot on location and participate in moving camera exercises.
- Teamwork. Work collaboratively with students on other MA courses (Cinematography, Screenwriting, Producing etc.) as a creative crew to mirror the industry practice. Experience what it takes to deliver the project from start to finish, and develop your communication, negotiation, and project management skills.
- Real-life experience. Learn the importance of working to a creative brief as a director while doing a project for an external company. Our students have worked with companies like Mad Dog Casting, The Imaginarium, Jamie Oliver’s Food Tube and many others.
- Industry-facing. Learn from the best industry professionals, including Cinematographers, Casting Directors, Location Managers and Production Designers. Our recent guest speakers include Oscar-winning directors: James Marsh (The Theory Of Everything) and Pawel Pawlikowski (Ida).