• Swansea University Featured Masters Courses
  • Imperial College London Featured Masters Courses
  • Regent’s University London Featured Masters Courses
  • Leeds Beckett University Featured Masters Courses
  • Xi’an Jiaotong-Liverpool University Featured Masters Courses
  • University of York Featured Masters Courses
  • University of Edinburgh Featured Masters Courses
Queen’s University Belfast Featured Masters Courses
University of Sussex Featured Masters Courses
University of Kent Featured Masters Courses
University of Hertfordshire Featured Masters Courses
Swansea University Featured Masters Courses
"digital" AND "curator"×
0 miles

Masters Degrees (Digital Curator)

  • "digital" AND "curator" ×
  • clear all
Showing 1 to 15 of 27
Order by 
On this MA you will interrogate digital culture as you develop and think through your own projects in our bespoke Centre for Cultural Studies media lab. Read more
On this MA you will interrogate digital culture as you develop and think through your own projects in our bespoke Centre for Cultural Studies media lab. You will undertake research and writing that incorporates contemporary art, software studies, critical theory, philosophy and cultural studies. http://www.gold.ac.uk/pg/ma-digital-culture/

Our modes of art, experimentation, work, sociability, politics and economies are changed in tandem with the development of digitality. Many of us are now continuously wired into our networks for fun, at work, and at home. We often find ourselves at the margins of networked relationships where different flows of power form from the residue we leave behind in electronic memories. On one hand we find ourselves policed by the ability to sort large amounts of information on the move, on the other, new spaces grow from technical innovation, experimentation and artistic methods.

Join our MA Digital Culture and help create new insights within these logics. Your writing and projects will be supported in an interdisciplinary environment. You do not necessarily need to have an initial project in mind, nor a technical background, just an enthusiasm for learning and experimentation. Each year we have a very lively mix of students who bring prior experience from across the arts, humanities, and sciences.

The MA in Digital Culture helps students develop and realize innovative projects and prepare for, or to create a bridge towards, a critical career in the cultural, creative, educational, analytical, and computational sectors.

This program is based on the research excellence in cultural studies (Scott Lash), software studies (Matthew Fuller), media philosophy (Luciana Parisi) and critical practices (Graham Harwood).

The MA in Digital Culture grew out of the prior MA Interactive Media: Critical Theory and Practice.

Contact the department

If you have specific questions about the degree, contact the Centre for Cultural Studies.

Modules & Structure

We use art methodologies alongside those from computing and cultural theory. A key method adopted in the Lab is to make the space between theory and practice ambiguous. The class makes and explores things, attempting to explain the phenomena being looked at or thought about. Explanation in this context is not necessarily a reduction of phenomena to literature or a system of logics, but can instead be thought of as knowledge incorporated into a thing that we create, look at or point to, through figuring out a proposition.

In practice this means we may:

-Learn MySQL databases and explore how their integral model of entities and relations create new forms of governance and aid in the performance of different scales of power
-Build simple telephony systems while taking inspiration from early/current data networks and their relationship to cultural change, resource wars and political insurrection
-Explore systematic failure within computation by exploring hacking and security issues such as creating fork bombs, doing penetration testing and reviewing the need for cryptography post-Snowden

We actively work with cultural theory in a world with computation as a central pillar. The Digital Culture Unit in the Centre for Cultural Studies, under whose auspices this programme is run, has been a pioneer of practice-led theory. This method pursues a form of working on projects that at the same time undertakes research and writing that incorporates contemporary cultural theory, philosophy and cultural studies. The Masters, therefore, is also ideal for students with primarily theoretical interests who wish to ground these with concrete knowledge and experience.

Building on the Digital Culture Unit's research excellence in software studies, media philosophy and digital art, students will learn to employ cutting edge research and practice-based methodologies to enhance their own skill set. The programme gives you the opportunity to develop critical and speculative theoretical and practice-based research on the ways computational media technologies are embedded in the technical, cultural, aesthetic, and political structures of society and how we interact with them. The applications of such work are highly diverse. The degree helps students to prepare for or to create a bridge towards a critical career in the cultural, creative, educational, analytical, and computational sectors.

Skills

You'll develop skills in:

Theoretical and practice-based research methodologies
Software and hardware production including basic electronics, programming, networking, telephony, relational database analyses
Group working skills
Event planning and production

Careers

The programme helps students to prepare for a critical career in the cultural, creative, educational, analytical, computational sectors.

Find out more about employability at Goldsmiths.

What our alumni are doing now

-Joao Wilbert (2008/9) has a background in web design and is now a Creative Technologist working at Google Creative Labs. http://www.jhwilbert.com
-Maria Beatrice Fazi (2008/9) has a BA in Philosophy and is now completing her PhD on Computation and Aesthetics at the Centre for Cultural Studies.
-Lisa Baldini (2010/11) is a New York based curator. In 2012 she has curated Code of Contingency.
-Loes Borges (2010/11) has a BA in Media and Cultural Studies and is now lab manager at the Digital Art Lab in Zoetermeer, (NL). http://www.loesbogers.com
-Tom Keene (2011/12) has a BA in Fine Arts and is now collaborating with Furtherfield, London-based media arts organisation, co-director of Brixton Remakery, a community-led recycling initiative. http://www.theanthillsocial.co.uk
-Marcos Chitelet (2011/12) has a BA in Design and is co-founder of the design agency DID, as well as political web platform Sentidos Comunes, and FaceEnergy, a start-up developing projects on energy efficiency for the city of Santiago, Chile.

Prizes and awards

In 2011, Alexandra Sofie Joensoon and Cliff Hemmet – both students from the MA – won a prestigious prize at the media arts festival Ars Electronica. Alex and Cliff created a low cost DIY telephony server together with sex workers activist group X-talk. Today the project is a platform for critical reflection on how communication practices and structures are materialised in the sex industry.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

Read less
The programme provides you with an understanding of contemporary information and records management issues. It pays special attention to the management of digital records and electronic resources, and how to manage these alongside analogue resources. Read more
The programme provides you with an understanding of contemporary information and records management issues. It pays special attention to the management of digital records and electronic resources, and how to manage these alongside analogue resources.

Why this programme

-The programme is designed for those with a vocational interest in records management, archives and digital curation. It will prepare you to work in these fields, and give you a thorough grounding for continuing with research.
-You will complete a two-week work placement in an archive, records management or digital repository.
-As a graduate you will be eligible to be accredited by both the Archives & Records Association and CILIP (Chartered Institute of Library and Information Professionals), providing valuable professional recognition in both the archive and library fields.

Programme structure

You will develop skills in the core competencies of archives, records, and information management, creating and managing digital records, digital curation and preservation issues, archival theory, user needs, and description,
cataloguing, and navigation.

The programme consists of six courses spread over two semesters. You will take courses in:
-Archives and records information management
-Records and evidence
-Description, cataloguing and navigation
-Management, curation and preservation of digital materials.

Optional courses include:
-2D digitisation
-Law for cultural heritage institutions
-Archives and records theory
-Records and the transition to the digital
-Palaeography
-Phenomenology.

To graduate with the MSc you will also need to complete a course in research methods and professional studies, and produce a dissertation.

Career prospects

As a graduate, you will be well placed for a career as an archivist, records manager or digital curator within a variety of public and private organisations.

Positions held by recent graduates include Assistant Archivist and Records Manager.

Read less
Mission Statement. The MAS program prepares professionals to exercise creativity, integrity and leadership in designing, implementing and promoting programs and systems for the creation, organization, management, preservation and effective use of records and archives. Read more
Mission Statement: The MAS program prepares professionals to exercise creativity, integrity and leadership in designing, implementing and promoting programs and systems for the creation, organization, management, preservation and effective use of records and archives.

Program content focuses on:
- Nature of records and archives
- The life-cycle of records from creation to preservation
- Records systems and archival systems
- Selection of records and their acquisition in archives
- Intellectual control of records and archives and provision of access
- Records, archives and the law
- Ethical and professional responsibilities
- History of record-keeping and archives

Graduates may find work in such positions as:
Archivist; digital archivist; archives curator; archives advisor; manuscripts processing archivist; electronic records archivist; audiovisual archivist; data/digital curator; e-discovery advisor; privacy and information officer; records and information manager; records administrator/specialist; records analyst; records policy and program officer; records/preservation system designer; research officer; security specialist; and others.

Quick Facts

- Degree: Master of Archival Studies
- Specialization: Archival Studies
- Subject: Specialty
- Mode of delivery: On campus
- Program components: Coursework + Options
- Faculty: Faculty of Arts
- School: School of Library, Archival and Information Studies

Read less
This track equips you to look at culture, language and history through the lens of digital methods. We are witnessing many exciting new trends in information technology. Read more
This track equips you to look at culture, language and history through the lens of digital methods.

We are witnessing many exciting new trends in information technology. The vast amount of digital data that is available nowadays opens up new research questions and opportunities for real life applications.

This Digital Humanities Master's track offers a systematic way to incorporate information technology in humanities research.It trains students with a humanities background for the growing number of research and job opportunities that require processing of digital information. It reflects on the underlying theory and the impacts on our culture and society. It offers courses for creating, analyzing and visualizing humanities data. Finally, you will be skilled to work with professional databases, programming scripts, and statistical tools.

In addition to the 60 ects programme, an optional internship for 30 ects that will be noted on your diploma is highly recommended.

The courses in the programme are organised according to three specializations: Theory (Understanding Digital Humanities; Data in Society; Software and Data as Culture), data processing (Creating Data, Analyzing Data, Visualizing Data) and skills (Database Development, Coding for Humanities, Thesis Preparation).

Job examples

Career prospects:
- Digital curator
- Cultural designer
- Information architect
- Data scientist
- Metadata analyst

Read less
The contemporary art scene is evolving as artists respond to new disciplines and techniques and challenge the boundaries of their practice. Read more
The contemporary art scene is evolving as artists respond to new disciplines and techniques and challenge the boundaries of their practice. The place of art in society is changing as increasingly varied audiences interact with creativity in new ways. MA Curation at NUA is a pioneering course - the first to respond to this changing sector and to equip professionals with the broad skills and contextual understanding needed by the 21st century curator.

Focused above all on the public exhibition of contemporary art, MA Curation at NUA also recognises curation in its most enquiring sense as a way of bringing together and relating ideas, images, objects and texts for public exhibition. This intellectually stimulating course enables students to be creative and open to new ways of working as they begin to define your own specialism. Through practice and research, students are invited to experiment with curation for traditional and innovative public exhibition spheres, including;
• museums, galleries and public spaces
• digital arts, moving image and performance
• print, digital media and the internet

Through ‘hands-on’ practice throughout the course, students on MA Curation will develop key sector skills in the management of collaborative projects; the ability to lead and work within a team and an understanding of the importance and use of networks. The course will encourage students to question the ethical responsibilities of the curator and reflect on controversy within the arts.
MA Curation at NUA is distinguished by an emphasis on practical curatorial experience. Curation is understood in its broadest and most forward-thinking sense as a process of bringing together objects, still and moving image and/or texts into a coherent whole. The course appeals to a range of applicants, including graduates in Fine Art and Art History and those from non-art backgrounds with an interest in curatorial practices.

NUA has a strong reputation for high quality curatorial practice, having staged the prestigious Eastinternational between 1991-2009. The Gallery at NUA provides a showcase for exhibitions of international contemporary art and design and plays a central role in the MA Curation programme. Recently the Gallery at NUA has showcased work by artists including: Grayson Perry, Gilbert and George, Jake and Dinos Chapman, Damien Hirst, Jeremy Deller and Rachel Whiteread. MA Curation students have the opportunity to curate in the Gallery and encouraged and supported to engage in local and national opportunities.

The University has productive links with the Tate and Hayward Gallery as well as with galleries in the region. Tutors and industry guests encourage professional understanding as you develop your appreciation of location and audience and the communication of ideas, meaning and information. You will become accustomed to liaising between artists, dealers, galleries and agents as you progress on your curatorial career.

Taught by leading, established practitioners in the field and with a strong emphasis on industry lectures, workshops, visits and collaborations, the MA focuses heavily on the core professional skills needed to stand out in the competitive field of curation. Students are expected to develop a thorough understanding of current debates in contemporary art, design and media practice. Through expert tuition and regular interaction with students on other postgraduate courses at NUA, students will hone their research and critical interpretation skills.

Unit Tutor, Dr Krzysztof Fijalkowski contributes to the MA Curation and Postgraduate Research programmes at NUA. He is active as a researcher, writer, translator, curator and artist, with particular interests in the history and theory of Dada and Surrealism. Krzysztof also works on the BA Fine Art course, combining teaching in the studio and responsibility for many of the course’s Contextual Studies elements, with a special interest in the crossovers between writing, theory and practice.

Professor of Curation and Art History, Lynda Morris supervises Phd Research students and is the Senior Tutor on the MA Curation course. Professor Morris is the Curator of EASTinternational - the international open submission exhibition - which has been realised in collaboration with a series of eminent invited selectors since 1991. Her activities as a curator and a writer have been concerned with issues of perception, conceptual art, and resistance in art and politics. She was responsible for the first UK exhibitions of several now well-recognised artists including Agnes Martin (1974), Bernd & Hilla Becher (1974-75) and Gerhard Richter (1977). Professor Morris is a Principal Investigator for the major AHRC funded research project 'Picasso; Peace and Freedom' with Tate Liverpool, the Albertina (Vienna) and the Louisiana (Copenhagen). Professor Morris is currently working on a book and recently curated the exhibition As It Was As It Is Now for the Herbert Foundation Ghent 2014 and The Life Room and the City: John Wonnacott & John Lessore at Norwich Castle Museum and Art Gallery.

MA Curation is relevant to applicants looking to achieve a high level of professional understanding and ability and applications are welcome from outstanding students from diverse disciplines including Fine Art, Design, Film and Moving Image, Art/Design History and those interested in communicating ideas across the arts and sciences to new and existing audiences.

Scholarship and funding information is available. Norwich will be taken over by a festival of contemporary art in key venues across the city in the summer of 2016, as one of four host cities for the 8th edition of the British Art Show. The biggest touring exhibition of contemporary art in the UK has selected Norwich University of the Arts (NUA) as its lead partner in Norwich. See NUA website for details: http://www.nua.ac.uk

Read less
This MA gives practitioners and theorists the opportunity to research and develop the new boundaries of image-making made possible by technological change within the context of post-industrial culture- http://www.gold.ac.uk/pg/ma-photography-electronic-arts/. Read more
This MA gives practitioners and theorists the opportunity to research and develop the new boundaries of image-making made possible by technological change within the context of post-industrial culture- http://www.gold.ac.uk/pg/ma-photography-electronic-arts/

This programme joins theory and practice, equipping you to develop and achieve highly effectively in the new image media culture. Practice uses both digital and analogue technology, still and durational as well as the study and production of interactivity.

The programme allows for specialisation in photography and/or electronic arts – which, in addition to still photography, can include interactive, durational and internet work – but encompasses a broader interpretation of practice.

You'll look at the meaning, production and distribution of images, and the relationship between theory and practice in the context of debates about post-modernism and beyond.

You also participate in enabling sessions in photography:

medium/large format cameras
portable and studio lighting technologies and their use
film technology
cinematography
digital imaging
output systems and processes
and/or in electronic arts:

computer and video graphics
post-production
computer-aided design
digital publishing
animation
animatics
2D and 3D computer animation
still and durational image production and manipulation
web construction
interactivity
There is an MRes which follows the MA into a second year, in order to develop your work/voice. This will count as the first year of a PhD. Find out more about the MRes.

Contact the department

If you have specific questions about the degree, contact the convenor Nigel Perkins.

Modules & Structure

This programme uniquely joins theory and practice in a way that will equip you with the tools and the vision to develop and achieve highly effectively in the new image media culture. Practice uses both digital and analogue technology, still and durational as well as the study and production of interactivity.

You will study

Photography: Durational & Still; Analogue & Digital
Electronic Imagery: Motion & Still
Visualisation: Stand-alone & Interactive
The programme draws on a broad range of cultural references and technical practices. It offers the opportunity to take stock of evolving practices and developments in image media culture, and is structured to develop the intellectual imagination within each individual student. This is achieved through a combined study of practice and theory, with extensive instruction through ‘enabling sessions’ which engage technical familiarity; core tutorials; secondary tutorials; Issues in Media and Culture and additional theory course options.

Recognising the rapidly changing definitions and context of these practice areas,and the value/positioning of traditional practices, these categories may also be understood through a variety of practices which involve image construction and presentation both still and durational, including: film/video, animation, interactivity, installations, motion graphics, and hyperspace constructs, as well as evolving new exploratory categories.

The programme provides an opportunity to develop and/or research aspects of visual style, and draw on a broad range of cultural references as well as aesthetic and technical approaches engaged through ‘Practice Theory Sessions’, visiting lectures and the Issues in Media and Culture course. Fundamental to the programme is the space that it creates to make it possible for you to explore, question, change and consolidate your work and your ideas.

Assessment

Original portfolio submission; coursework and essays.

Tutorials

This course is interested in the development of the individual voice. To this end, there are two types of tutorial:

Core tutorials - which deal with overall development
Secondary tutorials - these are tutorials for each specific area of photographic media

Skills

You'll develop specific practice skills to a high level, and the articulation/understanding of the pleasures of media consumption.

Careers

Graduates from the programme are extremely successful, with finalists working commercially, developing as artists or continuing to enlarge their academic knowledge. During the course particular attention is given to the development of the individual voice. This, plus students' exposure to a range of technologies, means that our graduates can step into the arena of their choice, or sometimes of their making.

Here are just some examples of the sorts of careers graduates have gone onto:

Art Director
Artist
Animator
Senior Interactive Designer
Head of Creative Department
Head Technical Creative, Experimental Film and Dance
Commercial Photography (fashion, editorial, photobooks, social, advertising)
Director (commercial narrative)
Director Of Photography
Installation Artist
Interactive Artist
Producer
Curator

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

Read less
Study alongside like-minded students in a creative environment on a dynamic course that explores the theories and new ideas in contemporary art, graphic design and curating. Read more
Study alongside like-minded students in a creative environment on a dynamic course that explores the theories and new ideas in contemporary art, graphic design and curating. You can choose to specialise in one of the three areas, with your previous experience, study interests and career aspirations determining your choice.

We will build your awareness of contemporary ideas in art, graphic design and curating, and we will develop your working relationships by giving you the opportunity to take part in projects and events in the region and beyond. You can also take part in studio production and a final exhibition where you will showcase your work.

You will be involved in a programme of weekly seminars and workshops, as well as project work alongside your peers, encouraging you to debate contemporary practice. Previous students have taken part in events and collaborations at Leeds Art Gallery, The Photographers' Gallery in London, the European Exchange Academy in Germany and Ecole des Beaux-Arts in Paris.

- Research Excellence Framework 2014: twice as many of our staff - 220 - were entered into the research assessment for 2014 compared to the number entered in 2008.

Visit the website http://courses.leedsbeckett.ac.uk/artdesign_ma

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

You could pursue a career in both public and commercial galleries, museums and design studios, working as an exhibiting artist, publisher, designer, professional photographer or museum curator. You will develop your skills of self-promotion and entrepreneurship and you could also continue your studies, with the option of working towards an MPhil or PhD.

- Artist
- Designer
- Professional Photographer
- Gallery Curator

Careers advice: Our dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit our careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

The course utilises global networks by entering into relationships with art institutions, magazines, embeds course projects in major exhibitions and collateral art and design projects. Senior Lecturer, Peter Lewis is a professionally acknowledged international curator with world leading research, invited as artist and curator by major international galleries and museums. Through these connections students' practices are introduced directly through the art and design industry.

The course visiting lecturers include Andy Edwards, a leading graphic designer; Peter Suchin, art critic for Frieze, Alan Dunn, curator, Helen Cross, author, Nooshin Farhid, Iranian filmmaker. Students are encouraged to meet with artists after the lecture to discuss their work. Also the journal /seconds, edited and published by Peter Lewis, with an editorial board of world leading researchers, provides students access to the debates and theories that will enable their developing practice.

You will have access to the studios and workshops of the award-winning Broadcasting Place building at our University, equipped with everything from the latest Macs and software to letterpress and printmaking workshops, photographic darkrooms, a digital print unit, animation workspaces and 3D construction facilities. You will have access to a range of cameras, lighting, video and sound recording equipment. In addition the course is supported by the virtual spaces of a dedicated e-portfolio web site that students use to upload work, gain feedback from their tutors and to interact with other students.

Facilities

- Library
Our Library is one of the only university libraries in the UK open 24/7 every day of the year. However you like to study, our Library has you covered with group study, silent study, extensive e-learning resources and PC suites.

- Broadcasting Place
Broadcasting Place provides students with creative and contemporary learning environments, is packed with the latest technology and is a focal point for new and innovative thinking in the city.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

Read less
The MA Surface Pattern Design course offers a unique MA experience in Wales, with its distinctly design driven flavour, tailored to address live briefs; shaping students to pursue employment; launch themselves as freelancers or establish enterprises. Read more
The MA Surface Pattern Design course offers a unique MA experience in Wales, with its distinctly design driven flavour, tailored to address live briefs; shaping students to pursue employment; launch themselves as freelancers or establish enterprises.

The MA is practice based, fast paced and built on the long established success and ethos of our BA Honours Surface Pattern Design programme.

Course Overview

The Contemporary Dialogues portfolio offers an exciting and innovative re-thinking of Postgraduate provision that reflects the strategic thinking of Swansea College of Art. The portfolio facilitates migration between diverse thematic disciplines, exploring new ideas and conceptual approaches to allow young artists and designers to confront the issues that face society today and into the future.

The portfolio’s ethos of collaborative dialogues through material practices provides an innovative model of design, fine and applied arts education. This development allows students from all pathways to experience and share creative practices and innovative mind-sets through inter-disciplinary and trans-disciplinary dialogues. This ethos is enhanced within each programme to stimulate ‘collaborative’ practices and experimentation across a broader spectrum of specialist fields, developing graduates with the contextual awareness, creative thinking and technical skills to operate at the forefront of their discipline.

During the course of your studies you will be supported by specialist staff, leading professionals and practicing artists through lectures, seminars, workshops and tutorials. We have exceptional traditional and digital facilities, housed in spacious purpose-build workshops. Through these, we encourage creative freedom within all of our students and support you in challenging conventional thinking and established practices and facilitate new technological advances across a broad range of disciplines. We have found that through collaborative experimentation and innovative design thinking our students are able to produce work that meets the challenges and respond to the demands of the 21st century.

Facilities include:
-Firing kilns for glass and ceramics
-Printmaking, Screen Printing and Digital Textile Technologies
-Traditional and Digital Stitch
-Wood, Metal, Clay
-Cutting Etching and Engraving Technologies - Waterjet, Laser, Plotter
-3D Printing and CNC
-Chemical and Digital Darkrooms
-Specialist computer facilities with commercial standard software

Modules

Core Modules
-Collaborative Dialogues (20 credits)
-Co-Existent Perspectives (20 credits)
-The Thought Experiment (20 credits)
-Explorative Research Praxis (60 credits)
-Confirmative Praxis (60 credits)

Key Features

MA Surface Pattern Design will provide a design-focused and student-led experience with its main aims to enhance creativity, innovation, design, making skills, advance contextual understanding and employability.

The multi-disciplinary programme will appeal to recent graduates of our own undergraduate programme and graduates of similar courses; to those wishing to change careers within the creative industries or to those wishing to revisit academia and the subject area.

Students will have a designated studio space and access to the existing Surface Pattern workshops and specialist facilities.

Students will benefit from a strong practice based grounding in the key areas of traditional and digital surface pattern design before exploring the wider possibilities that the MA portfolio will offer to advance their practice.

Assessment

The main modes of assessment used on this programme are; studio projects, written assignments and seminar presentations.

Assessment at postgraduate level is reflected by your ability to reformulate and use relevant methodologies and approaches to address problematic situations that involve many interacting factors. It includes taking responsibility for planning and developing courses of action that initiate or underpin substantial change or development, as well as exercising broad autonomy and judgement. It should also reflect an understanding of the relevant theoretical and methodological perspectives and how they affect your area of study or work.

Career Opportunities

We strive to ensure a sustainable future in Surface Pattern for our graduates through a rigorous programme underpinned by skills in employability, creative enterprise and professional studies.

There are opportunities to undertake work placements and address live briefs. Most recently our students have completed briefs with M&S, Tigerprint, Hallmark and Freshwest design companies.

Students are encouraged to establish links with industry and engage in collaborative projects. There is also the option to study abroad with the Erasmus programmes currently running with Universities in Barcelona, Norway and Sweden.

The programme has an excellent track record in design competitions, awards and industry events such as Indigo (Paris) and New Designers.

Graduates from the Surface Pattern programmes have been extremely successful and continue to be recruited in a highly competitive market. Employment roles for graduates from the programme are varied and wide reaching and include:

Freelance working for textiles for fashion studio, fashion brands, designers, retail, interiors studios, on bespoke commissions for clients, producing own name products, large-scale design retail operation. Also formal employment as textiles designer, designer within design brand or retail operation, Stylist, Trend forecasting, Buyer for design related operations, Visual Merchandising. Also employment within arts organisation, museum, gallery, Curator, Self-employed designer maker supplying galleries, retail outlets, selling through high-end craft events, or own website.

Read less
This course is for people who want to pursue their passion for particular areas of Fine Art, at an advanced level and with professional support. Read more
This course is for people who want to pursue their passion for particular areas of Fine Art, at an advanced level and with professional support.

Course overview

This course is built around your personal interests and aspirations. It allows you to push the boundaries of creativity, within a framework of academic rigour and contextual research.

Given the strong practical element in the course, we invite applicants to share their portfolios and aspirations with us at interview stage. We are eager to explore how to develop each person’s individual interests and passions in Fine Art.

During the course, we encourage you to develop your personal practice through research, critiques, analysis and questioning. We also tackle issues that face Fine Art professionals, from fundraising to self-presentation, as part of boosting your employability.
At Masters level, the specialisms of tutors are an important factor. Sunderland’s research expertise includes painting, printmaking, studio-based drawing and collage, sculpture, collaborative practice, art in architecture, video and digital art.

By the end of the course, you will have prepared and participated in a public exhibition. Your work will form a Masters-level portfolio that excites and impresses potential clients, collaborators and employers.

Graduates from Sunderland have gone on to work throughout the creative industries. A Masters qualification not only opens doors in the workplace but also helps you progress more rapidly once your career is underway.

To find out more about the part time version of this course, please view this web-page: http://www.sunderland.ac.uk/courses/artsdesignandmedia/postgraduate/fine-art-part-time/

Course content

The content of the course is shaped by your personal interests with guidance and inspiration from Sunderland's supportive tutors. Modules on this course include:
-Fine Art 1 (60 Credits)
-Fine Art 2 (60 Credits)
-Fine Art 3 (60 Credits)

Teaching and assessment

Compared to an undergraduate course, you will find that this Masters requires a higher level of independent working. The course aims to stretch your creativity and maximise your sense of personal fulfilment.

We use a wide variety of teaching and learning methods which include lectures, seminars, critiques, workshops and practical demonstrations. These are supported by a range of guest speakers from diverse academic and industry backgrounds. You will also have high levels of contact with tutors who give regular feedback and support.

We organise field trips and visits to galleries and art events throughout the UK. Destinations include cities such as London, Edinburgh and Liverpool. There are also opportunities to visit international venues in places such as New York, Barcelona, Venice and Berlin.

Facilities & location

The facilities at our Priestman Building include state-of-the-art teaching space, generous studio space and a fantastic Arts and Design Library. Facilities include:
-Workshops for wood, metal and printmaking
-Project spaces
-Student gallery
-Digital studio with video, sound editing and screening facilities
-Digital suites with open-access Apple Macs
-Digital sewing and embroidery facilities

Arts and Design Library
Our Arts and Design Library has a specialist collection of over 120,000 books, CD-ROMs, videos, slides and one of the largest electronic information networks in the sector. The experienced library team provide a high-quality service and are sensitive to the requirements and working methods of Arts and Design students.

Journals and research
We subscribe to a comprehensive range of print and electronic journals so you can access the most reliable and up-to-date articles. Some of the most important sources for your course include:
-Art Full Text + Art Abstracts, which is a major resource for media and arts information
-Design and Applied Arts Index, which covers journals featuring both new designers and the development of design and the applied arts since the mid-19th century
-British Universities Film and Video Council (BUFVC), which provides resources for the production, study and use of film and related media
-JSTOR (short for ‘Journal Storage’), which provides access to important journals across the humanities, social sciences and sciences
-Lexis, which provides access to legal information as well as full-text newspaper articles
-Screen Online (BFI), which is an online encyclopaedia of British film and television, featuring clips from the vast collections of the BFI National Archive

Employment & careers

Postgraduates are highly employable and, on average, earn more than individuals whose highest qualification is an undergraduate degree. On completing this course, you will be equipped for roles throughout the media and cultural industries, for example as a practitioner, curator or educator. Opportunities could include arts development, public arts projects, community art organisations, social and art therapy support units, galleries and festivals.

Recent Sunderland graduates have also set up their own creative businesses, undertaken commissions and exhibited their work regionally and nationally.

During the course we encourage you to gain industry experience which will enhance your skills, build up a valuable network of contacts and boost your employability. Past placements have included exhibition work in a range of public contexts such as galleries, schools and hospitals.

A Masters degree will also enhance career opportunities within Higher Education and prepare you for further postgraduate studies.

Read less
This innovative course benefits from collaborative relationships with museums and galleries of national and international significance, notably the Holburne Museum, Bath; Spike Island, Bristol; Arnolfini, Bristol; and Bristol City Museum and Art Gallery. Read more
This innovative course benefits from collaborative relationships with museums and galleries of national and international significance, notably the Holburne Museum, Bath; Spike Island, Bristol; Arnolfini, Bristol; and Bristol City Museum and Art Gallery.

It covers a wide range of curatorial approaches, from management of the historical collection to creative curating of contemporary art, craft and design. The course takes a broad view of curatorial practice and the programme includes consideration of activities in the private domain of the domestic interior, and in virtual reality, as well as commercial treatments, such as shop window display.

COURSE STRUCTURE AND CONTENT

The course is offered in both full and part-time modes. It is normally one year, (3 trimesters) in duration in full time mode or 6 trimesters in part-time mode. The first two trimesters comprise taught sessions and assessed projects, while the Master’s Project in the final part of the course is by negotiated project. Completion of the first 2 modules on the course leads to the award of the Postgraduate Certificate, and completion of the first 4 modules leads to the award of the Postgraduate Diploma. Subsequent completion of the MA double module leads to the award of MA Curatorial Practice.

MODULES

Research Methodologies - Part one introduces generic research methodologies with part two considering subject specific material, analysis and evaluation techniques.

The Role of the Curator - The Role of the Curator considers the changing role of the curator and the ‘politics’ of curating. It addresses developments in critical theory and their impact on curatorial practices and includes topics such as representing communities, ethnicities, gender issues, ‘interventions’, gallery learning, the ‘post-museum’ and creative curating.

Collections and Collecting - This element of the course considers private activities in the domestic interior, as well as public collections and their management. It covers material culture, the urge to collect, the collection as shrine, oral history and its methods, object studies, research in the archiving and management of historical collections, with the collection at the Holburne Museum in Bath providing an important case study.

Cultures of Display - The module looks at public and private modes of display. As well as considering a range of museum and gallery practices, it includes studies in domestic display, commercial display and digital display.

Master’s Project - The Master’s Project is capable of accommodating a variety of approaches for assessment. Examples might include (but are not restricted to) the traditional written dissertation, perhaps drawing on historical or archival case studies, research into and/or curating of an exhibition in a particular venue, and forms of digital production, such as the construction of a museum or gallery specific web site.

TEACHING METHODS AND RESOURCES

The MA adopts a ‘practice-led’ approach; while some sessions are delivered by university academics at the Corsham Court Centre, others are delivered by our collaborators and relate to particular case studies or collections. There are field trips to museums and galleries in the Bath/Bristol area and opportunities to work alongside museum and gallery professionals on selected in-house activities. ‘Real life’ projects can be pursued in response to assessment assignments, especially in relation to the final ‘Master’s Project’ double module.

ASSESSMENT METHODS

• The ability to deal with complex issues in the area of curatorial practice history, theory and context, effectively employing skill in analysis and synthesis as necessary.
• The ability to independently plan and implement research activities in the subject fields of curatorial practice, demonstrating professionalism, self-direction and originality.
• The ability to effectively propose and curate exhibitions, drawing on research and understanding.
• The ability to initiate and contribute to debate and discussion in relation to curatorial practice.
• The capacity to advance knowledge, learning and skills in the subject fields of curatorial practice.

CAREER OPPORTUNITIES

Typical career destinations include:
• Curatorial work in museums and galleries
• Freelance curatorship
• Galleries/Arts administration
• Public Art
• Critical writing, such as exhibition reviews and catalogue essays

Read less
Discover, research and experiment with different photographic processes and disciplines using our industry-standard facilities. Supported by a team of photographers, visual artists and theorists, you’ll develop your critical understanding of this art form, and prepare for a career in today's global photography industry. Read more
Discover, research and experiment with different photographic processes and disciplines using our industry-standard facilities. Supported by a team of photographers, visual artists and theorists, you’ll develop your critical understanding of this art form, and prepare for a career in today's global photography industry.

Overview

Our course will help you define your photography practice and become a critical practitioner.

You’ll learn to experiment, to carry out research and disseminate your work. The course focuses on the relationship of practice to research and research to practice, the role of sequence and series in developing your visual language, the relationship between text and image, and the latest important issues in photographic theory and practice.

You’ll explore the global industry that is modern-day photography, and form an understanding of current debates and opportunities.

Your work will be supported by a team of experienced photographers and researchers with wide-ranging interests and specialisms. You’ll receive guidance on many photographic processes, from documentary and fine art to institutional or historical critique, and traditional or found photography to digital technical innovation. And we'll be able to offer expert advice on your future career.

Teaching times: 10am-1pm and 2pm-5pm Wednesdays (full-time); 10am-1pm or 2pm - 5pm Wednesdays (part-time).

Careers

Our course will prepare you for many roles in the photographic industry and beyond: photographer, yes, but also picture researcher, assistant, lecturer, curator or art critic. You might choose a 'portfolio career' and combine your photography work with other activities. Either way, you’ll have developed the skills to use a comprehensive range of approaches and technologies which, combined with projects such as symposium and exhibition organisation, will prove invaluable in many roles.

With our focus on international practice, you'll be able to develop new contacts and networks, and seek out international employment opportunities. If you’re from a country where the visual media has untapped potential, you’ll be in a position to contribute to its development.

Core modules

Process and Practice as Research
Photography: Experimental Practice
Photography: International Perspectives
Master's Dissertation Art and Design
Master's Project: Art and Design

Assessment

You’ll show your progress through a combination of methods that reflect the learning outcomes of each module. These include portfolios of practical and written work, reflective commentaries, symposium contributions, and a 6,000-work dissertation.

Specialist facilities

You’ll have access to our state-of-the-art digital facilities (including CGI HDRI lab), colour and black-and-white darkrooms, photographic studios, a printmaking studio and laser-cutting facilities, with full inductions and training available. You’ll be able to use our digital imaging resources, darkrooms and studios on an open access basis. Other Cambridge School of Art facilities, such as letterpress and 3D workshops, will be available to you once you’ve had training. You can book one-to-one tutorials during the week and use specialist equipment with the support of our technicians.

You can also borrow photographic, video and recording equipment from our Media Services Unit to use in your projects.

Read less
Push the boundaries of creative expression by developing your existing practice in areas such as art, graphics, sculpture, filmmaking, animation, sound and curating. Read more
Push the boundaries of creative expression by developing your existing practice in areas such as art, graphics, sculpture, filmmaking, animation, sound and curating. From working with practising arts on live projects and spending time using our outstanding facilities, to attending workshops, seminars and guest lectures, we'll help you gain the expertise you need to help drive your creativity forward.

You'll work on live projects and collaborations affiliated with external partners and agencies within our city, including Leeds City Art Gallery and The Henry Moore Institute, and beyond Leeds in cities such as Birmingham, London and Amsterdam. You'll also be partnered with a mentor - a renowned contemporary artist or curator - who will offer critical and constructive feedback, enabling you to reflect and improve your working practices.

Whether you're a recent graduate, someone who is looking to develop your own business further, or you're simply looking to reignite your passion for the creative arts, this short course is the ideal step which will allow you to research, develop and flourish in an area which is of particular interest to you.

Visit the website http://courses.leedsbeckett.ac.uk/art_design_professional

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

Our course is ideal if you are aiming to develop your skills as a practising artist, designer, curator, publisher, writer or filmmaker. You might also be looking to bridge the gap between undergraduate and postgraduate study, or are hoping to set up your own enterprise. You may also broaden your employment prospects through work undertaken with industry professionals during your time on the course.

- Gallery Curator
- Exhibition Manager
- Artist/Designer
- Studio Manager

Careers advice: The dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit the careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

Based in the centre of Leeds, you'll be right in the heart of a city that has a thriving and dynamic creative community. Through strong links with local galleries, exhibitions and creative centres, you will have access to some of the best and most contemporary artists in the region and be able to expand your industry contacts.

With 110 contact hours spread over just nine months, you'll have quality one-to-one time with your personal tutor, be able to share ideas in group tutorials, meetings and seminars, and will spend time in our 3D workshops, digital print, photography, printmaking and video-editing facilities all based on site.

This short course is a great way to build your expertise for professional use, re-engage your creativity and embrace a subject you're passionate about, or develop your skills before applying for one of our masters qualifications.

Core Modules

Creative Practice
Identify, propose and negotiate a planned programme of work which articulates your personal practice.

Strategies for Practice
Explore the professional context of creative practice and study the organisational, entrepreneurial and process issues relevant to you.

Marion Harrison

Senior Lecturer in Fine Art and Course Leader

"I have worked in the school of Architecture, Art and Design for 15 years and I am continually impressed by our students’ diverse and idiosyncratic approaches to art and design practice. This new intensive course hopes to continue this tradition and create a new space for graduating students to develop their professional practice."

Marion has teaching experience in both further and higher education. She has taught undergraduate and postgraduate students at Leeds Beckett University, University for the Creative Arts and Sint Lukas, Brussels. She has also been an adviser to an independent international art school in Berlin since 2004 and currently runs her own practice which includes curating radio broadcasts, printmaking and photography.

Facilities

- Library
Our libraries are two of the only university libraries in the UK open 24/7 every day of the year. However you like to study, the libraries have got you covered with group study, silent study, extensive e-learning resources and PC suites.

- Broadcasting Place
Broadcasting Place provides students with creative and contemporary learning environments, is packed with the latest technology and is a focal point for new and innovative thinking in the city.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

Read less
Our MA Photography course approaches photography as an expanded visual discipline. You'll be encouraged to confidently produce complex and extended photographic projects and engage with experimental and speculative approaches to making. Read more
Our MA Photography course approaches photography as an expanded visual discipline. You'll be encouraged to confidently produce complex and extended photographic projects and engage with experimental and speculative approaches to making.

We offer a dynamic and exciting environment for studying the critical theory of photography, and this course engages with practices of reading and writing about the image. MA Photography also pays close attention to the dissemination, exhibition and publication of photographic work.

We provide specialist digital and analogue facilities for large-format colour and black-and-white exhibition prints.

Our course offers a considered balance of support that develops practical skills and fosters a high standard of diverse critical approaches. You'll take risks, explore and develop your interest, and exchange, debate and discuss ideas. You'll respond to the diverse field of contemporary photography and explore practices of representation that engage with the still and the moving image, as well as performance and installation.

Your studies will be supported by a number of internationally renowned staff in a department that encourages experimentation. This will enable you to establish yourself as a rounded professional who can formulate ideas in a sophisticated framework whilst also being able to communicate to others, both visually and verbally.

We place a strong emphasis on publication, enabling you to find creative ways to disseminate your work beyond the academic context and into the public arena.

Facilities

Our range of equipment and technical support enables specialist and professional-grade work, whilst also encouraging experimental and speculative approaches to making.

Industry Partners

Our MA Photography course enjoys extensive links with a number of photographic, media and fine art professionals, curators, publishers, specialist printers and book designers. These connections enrich your experience through visiting lecturer and seminar programmes.

In the last three years, speakers on the course have included photographers and other creative practitioners such as:
-Ori Gersht
-Esther Teichmann
-Margaret Salmon
-Sarah Jones
-Matthew Stone
-Criodhna Costello
-Chris Coekin
-Carey Young
-Lisa Castagner
-Rod Dickinson
-Jo Longhurst
-Jason Evans
-Joseph Walsh
-Eva Bensasson

Additionally, creative professionals and industry links for our course include:
-Benedict Burbridge, editor of Photoworks
-Stuart Smith, book designer at Smith-Design
-Sarah James, writer at Art Monthly and Frieze
-Lucy Soutter, writer at Source
-Clare Grafik, curator of The Photographer's Gallery
-Jennifer Thatcher, Folkestone Triennial
-Jean Wainwright, writer at Art Newspaper
-Terry King, specialist printer
-Emily Pethick, directs The Showroom
-Robert Shore, editor of Elephant Magazine
-Edward Dorrian, organiser of Five Years
-Joyce Cronin, manages the Cubitt Gallery

Careers

Our postgraduate degree prepares you for your career through professional practice units, talks by visiting artists and portfolio reviews with figures from across the photographic industry. Career opportunities include:
-Freelance photography
-Fine art
-Fashion
-Advertising and editorial
-Post production/digital imaging
-Picture editing and research
-Curating
-Image, arts and community arts management
-Gallery administration

Graduates of MA Photography have gone on to win the Jerwood Photography prize; to exhibit their work in The Photographers' Gallery, Photofusion, ArtSway and the Geffyre Museum as well as publishing their outputs in different venues ranging from The Sunday Times Magazine to monographs with Dewi Lewis Publishing.

Read less
This MA provides a broad based training in social science approaches to the analysis of material and visual media. Read more
This MA provides a broad based training in social science approaches to the analysis of material and visual media: ranging from art, photography, film and media within visual anthropology, to consumption, museum anthropology and cultural heritage, landscape and genres (such as clothing and the built environment), within material culture.

Degree information

The programme covers a range of contexts such as production, exchange and consumption, and uses anthropological perspectives based on the comparative study of societies, historically and culturally. Skills training is given in social anthropological field research and analysis, and in specific methods for the study of material and visual forms.

Students undertake modules to the value of 180 credits.

The programme consists of one core module (45 credits), three optional modules (45 credits) and a research dissertation (90 credits).

Core modules
-Critical Issues

Optional modules - the following is a selection of possible option modules:
-Anthropology and Photography
-Advanced Topics in Digital Culture: Ethnographies of the Digital
-Documentary Film and the Anthropological Eye
-Anthropology of Art and Design
-Social Construction of Landscape
-Transforming and Creating the World
-Anthropology of the Built Environment
-Mass Consumption and Design
-Risk, Power and Uncertainty
-Anthropologies of Religion
-Issues in Power and Culture

Dissertation/report
All MA students undertake an independent research project which culminates in a 15,000-word dissertation.

Teaching and learning
The programme is delivered through a combination of lectures, group presentations and discussion, tutorials, independent directed reading, interactive teamwork, laboratory and practical work, video, film and web based courses. There will also be visits to museums, galleries and other relevant sites. Assessment is through coursework, unseen examination and the dissertation.

Careers

The programme can lead to careers in a wide range of areas such as architecture, media, commerce and aspects of development work where an emphasis on the material and visual environment is central.

Top career destinations for this degree:
-Senior Curator, Frifthdi School of Art, Design and Technology
-Research Executive, Basis Research
-Web Designer, Elena Boykova Sirakova
-MSc Anthropology, Københavns Universitet (University of Copenhagen)
-Associate Director, DA and Company

Employability
The programme is designed as an advanced research degree providing exposure to a vanguard and creative field within anthropology and related disciplines. Students learn how to apply ethnographic theory and methodology in material and visual culture to a wide range of case studies highlighting material culture in the wider world - ranging from art, through photography, clothing, consumption, cultural memory, monuments and the built environment.

The degree can lead to further doctoral research or careers in a wide range of areas such as architecture, media, museums, business and aspects of development work where an emphasis on the material and visual environment is central.

Why study this degree at UCL?

UCL Anthropology is the world's leading centre for the study of material and visual culture. We publish the Journal of Material Culture and several relevant book series, and have nine specialist staff in this field.

The department is one of the largest anthropology departments in the UK. Our excellent results in the 2008 Research Assessment Exercises and 2014 Research Excellence Framework show that we are the leading broad-based anthropology department in the UK.

Students are encouraged to take full advantage of the wider anthropological community in London and the department's strong links with European universities and international institutions.

Read less
Public history refers to the pursuit of historical understanding and interpretation in the public realm. MTSU was in the first wave of American universities to embrace the study of public history and now offers a master’s degree, doctorate, and advanced certificates. Read more
Public history refers to the pursuit of historical understanding and interpretation in the public realm. MTSU was in the first wave of American universities to embrace the study of public history and now offers a master’s degree, doctorate, and advanced certificates. Students pursuing the Master of Arts in History with a concentration in Public History may choose from five tracks: historic preservation and cultural resource management, museum management, archival management, oral history, and public archaeology. Master’s candidates are exposed to the myriad career possibilities associated with each specialty, helping them select the curriculum best suited to their interests and aspirations. The program carefully balances academic historical methods and scholarship; the intellectual foundations and nature of public history; and professional development in several areas. To prepare students for professional practice, the program partners with a number of on-campus centers and initiatives, including the Center for Historic Preservation, Albert Gore Research Center, Center for Popular Music, and Walker Library digital collections.

Career

Public historians work in a wide range of professional settings with public audiences of all ages. Potential employers include archives, museums, historic organizations, historical societies, historic sites, private consulting firms, and historical agencies at all levels of government. Examples of career possibilities with an advanced degree in public history include:

Architectural historian
Archivist
Author
College professor/instructor
Consultant
Cultural heritage manager
Cultural resources manager
Digital librarian/cataloger
Historic preservation planner
Historian
Museum/collections curator or administrator
Oral historian
Public archaeologist

Employers of MTSU alumni include:

Alabama Department of Archives and History
Advisory Council on Historic Preservation
American Association for State and Local History
Belle Meade Plantation
Belmont Mansion
East Tennessee Historical Society
Historic Home of T.R.R. Cobb
Historical Association of Catawba County, N.C.
History Center, Diboll, Texas
Huntsville (Ala.) Historic Preservation Commission
Jean Lafitte National Historical Park and Preserve
Land Trust for Tennessee
Manzanar National Historic Site
Maymont Foundation, Richmond, Va.
Metro Nashville Arts Commission
Mike Curb Archives
New South Associates
Ohio History Connection
President James K. Polk Ancestral Home
Rutherford County Archives
Tennessee Agricultural Museum
Tennessee Department of Transportation
Tennessee State Library and Archives
Thomason & Associates
Vicksburg (Miss.) Foundation for Historic Preservation
Williamson County Archives and Museum
War in the Pacific National Hist

Read less

Show 10 15 30 per page


Share this page:

Cookie Policy    X