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Masters Degrees (Cultural Industry)

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The MA in Cultural Policy, Relations and Diplomacy is a trans-disciplinary programme that addresses the theory and practice of cultural policy, cultural relations, and cultural and public diplomacy. Read more

The MA in Cultural Policy, Relations and Diplomacy is a trans-disciplinary programme that addresses the theory and practice of cultural policy, cultural relations, and cultural and public diplomacy.

This broad area of study and the terminology applied to it is fluid and expanding. Having culture as the underlying thread, the programme explores areas such as:

  • arts policy and management
  • globalisation
  • cultural relations
  • public diplomacy
  • cultural and arts diplomacy
  • external communications
  • place branding 

This will provide a unique perspective into this field of study, and will examine topics such as mobility of cultural practitioners, cultural identity, intercultural dialogue, mutuality, propaganda, soft power, hegemony, influence and perceptions.

Goldsmiths' location provides you with a unique experience of living in a multicultural world city, which is of great relevance to the study of cultural policy, relations and diplomacy.

You'll study in the Institute for Creative and Cultural Entrepreneurship (ICCE). ICCE's individual and institutional links with an extensive network of organisations, policy advisors and cultural practitioners in those areas in London and in Europe allow you to experience exceptional research and study resources.

Industry links

ICCE’s established organisational links include, for example, the British CouncilVisiting ArtsEUNIC London Hub and Demos. ICCE is also a member of ENCATC (the leading European network on Cultural Management and Cultural Policy education). The Institute is also responsible for fostering the sharing of information and discussion of issues related to international cultural relations across disciplines on the JISCMail list cultural-relations-diplomacy.

Expert staff and invited professionals

Our staff and invited academic and professional experts will enhance your learning. They'll discuss relevant literature and will present case studies and practical examples with local, national and global dimensions involving a range of individuals and organisations, including corporations, governments, international bodies and NGOs.

Modules & structure

Overview

This MA is a 180-credit programme consisting of four 30-credit modules and a 60-credit dissertation. 

The three main modules of the programme, Cultural Policy and Practice, Cultural Relations and Diplomacy I: Foundations and Cultural Relations and Diplomacy II: Explorations provide a strong basis to explore the complexity of this area of study, which is complemented by a varied module offer from across College that brings to the fore related and intersecting themes.

The fourth module of the programme is an option from a selection of modules covering arts engagement, media, business, languages and politics - this is designed to allow you to tailor the programme to your own particular skills and/or interests. 

The teaching methodologies used in these modules will be conducive to creative and independent in-depth and collaborative learning. They'll culminate in the production of a final dissertation in which you will explore in detail a topic building on your interests and knowledge.

The programme allows and encourages you to engage in work placements while attending the modules. These are not a formal part of the programme, but some support will be provided building on ICCE’s extensive experience of internship management and network of contacts.

Core modules 

Option modules

Skills

 Graduates of this programme develop a wide range of skills and competencies.

Knowledge and understanding

You'll be able to:

  • Describe and understand a range of practices, policies, structures and systems in the cultural policy and international cultural relations areas involving a variety of stakeholders (individuals, NGOs, foundations, corporations, governments, international and supranational organisations)
  • Define and understand the use of theories and key concepts in cultural policy, cultural relations and cultural and public diplomacy, such as culture, identity, globalisation, soft power, hegemony, influence, propaganda, mutuality, trust, intercultural dialogue, nation building/branding
  • Discuss the importance of cultural policy in relation to international cultural relations
  • Understand the diverse and changing relationships between culture/arts, politics and international relations
  • Build on your existing experience and/or interest to develop knowledge within cultural policy and international cultural relations

Cognitive and thinking skills

You'll be able to:

  • Analyse and evaluate the role of the 'actors' and their practices, as well as the structures and systems framing cultural policy and international cultural relations
  • Discern how to apply a range of trans-disciplinary concepts and theories to the understanding of policies, practices, structures and systems in the areas of cultural policy, cultural relations and cultural diplomacy
  • Identify and critically analyse contemporary issues
  • Build on your existing experience and/or interest to further develop analytical, critical and conceptual skills within cultural policy and international cultural relations

Practical skills

You'll be able to:

  • Analyse public policies in the areas of culture and international cultural relations at micro and macro levels
  • Devise, develop, conduct and deliver an independent piece of research relevant to cultural policy and international cultural relations, using a self-reflective approach
  • Demonstrate the origins of your thinking in cultural policy and international cultural relations by adequately referencing sources that have been evaluated for credibility, objectivity, accuracy and trustworthiness
  • Communicate effectively and succinctly through oral presentation and express yourself in writing for academic and other audiences, employing when necessary the appropriate ICT tools and skills

Key transferable skills

You'll be able to:

  • Share and exchange expertise and skills with other students and the tutors on the course employing effective written and oral communication skills
  • Demonstrate you are an independent and creative learner able to exercise initiative and personal responsibility for your own learning and planning processes
  • Conduct research methodically to find an answer that is complete, accurate and authoritative
  • Work effectively as part of a team

Find out more about employability at Goldsmiths



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The MA Cultural Geography (Research) is celebrating its 20th birthday in 2015-2016. The course was founded in 1995 as one of the first masters programmes in the world to offer students focused engagement with the then emerging sub-discipline of Cultural Geography. Read more
The MA Cultural Geography (Research) is celebrating its 20th birthday in 2015-2016. The course was founded in 1995 as one of the first masters programmes in the world to offer students focused engagement with the then emerging sub-discipline of Cultural Geography.

Twenty years later and Cultural Geography is one of the most dynamic sub-disciplines in contemporary geography. Our course reflects this dynamism. We combine core concepts with research methods training and interdisciplinary scholarship and practice. We develop this alongside innovative placements and research engagements with some of world’s top cultural institution, located on our doorstep in London.

Thematically cultural geography focuses on the interconnections between place,landscape, environment, mobilities and identity, and thus has profound relevance for the contemporary world. Our graduates go onto work in a range of sectors, including the arts and cultural sector, publishing, planning and urban policy, private and public sector research work as well as many carrying on to further doctoral study.

As profiles of our recent students (https://landscapesurgery.wordpress.com/2014/11/13/maculturalgeography/) show, the course attracts a diverse range of students from a range of backgrounds, not just those with geography degrees.

To see more about the activities around the MA Cultural Geography at Royal Holloway, please look at our research group blog Landscape Surgery - https://landscapesurgery.wordpress.com/ .

See the website https://www.royalholloway.ac.uk/geography/coursefinder/maculturalgeography.aspx

Why choose this course?

- This well established course aims to provide research training and practice at Master’s level in Human Geography, with a particular emphasis on Cultural Geography; to prepare you for independent research at doctoral level in Human Geography; and to develop specialised knowledge and understanding of research, particularly involving cultural analysis, interpretation and practice.

- The course has a strong track record in gaining Research Council Funding for students. This includes ESRC 1+3 funding as well as funding from AHRC TECHNE. Please see the funding opportunities page for further details.

- The MA in Cultural Geography (Research) combines the vibrant research of the outstanding Social and Cultural Geography group with cutting edge teaching. The quality of our course was recognised by our external examiner as offering a gold-standard for the sector. Our teaching was nationally recognised by the student nominated award for “Best Teaching Team” (Arts and Humanities) at the National Prospects Post-Graduate Awards (2013).

- The programme includes cutting-edge conceptual teaching in themes such as theories of place and space, postcolonial geographies, geographies of knowledge, mapping and exploration, landscape, memory and heritage, geographies of consumption, material geographies, geographies of embodiment, practice and performance, critical urbanisms and creative geographies.

- At RHUL we are known for our commitment to collaborative research, offering you the chance to develop your seminar and tutorial-based learning alongside world leading cultural institutions. These include the Science Museum, V&A Museum, Museum of London, British Library, Natural History Museum, Royal Botanic Gardens Kew, Institute for International Visual Arts, and the Royal Geographical Society.

- You will be well prepared to continue to a PhD, building on the research you have completed on this course.

Department research and industry highlights

Social and Cultural Geography at Royal Holloway emphasises the cultural politics of place, space and landscape. The Group's research stresses theoretically informed and informative work, values equally contemporary and historical scholarship, and engages with diverse geographical locations within and beyond the UK.

SCG is home to a large and intellectually vibrant postgraduate community. There are around 40-50 postgraduates in the Group at any time. Many of the past graduates of the MA and SCG PhDs are now established academics in their own right.

SCG is well-known for its collaboration with a range of cultural institutions beyond the academy; recent partners include the the Science Museum, Victoria and Albert Museum, National Maritime Museum, British Library, British Museum, Museum of London and the Royal Geographical Society. The Group also has a tradition of including creative practitioners within its activities, as artists in residence, as research fellows and through participation in major research projects.

Many leading journals are edited by group staff, including Cultural Geographies, the Journal of Historical Geography, Geoforum, History Workshop Journal and GeoHumanities. Please see the Landscape Surgery blog for further information on Social and Cultural Geography activities at RHUL.

Course content and structure

The programme consists of four elements, all assessed by coursework.

- Element 1: Contemporary Cultural Geographies
This is a programme of seminars on current ideas, theory and practice in Cultural and Human Geography. It includes the following themes: theories of place; colonial and postcolonial geographies; biographies of material culture; embodiment, practice and place; geographies of consumption; culture, nature and landscape; space, politics and democracy; cultures of politics.

- Element 2: Methods and Techniques in Cultural Geography
This consists of a programme of workshops devoted to research methodologies and techniques in Cultural Geography. It includes research strategies and project design; reflexivity and ethics; ethnographic research; social survey; qualitative data analysis and computing; visual methodologies; interpreting texts; interpreting things; interpreting movement; negotiating the archives; the arts of cultural geography.

- Element 3: Research Training
You will be introduced to the culture of research in Human Geography and provided with a broad training for independent research within contemporary cultural geography. This element supplements the more specialised research training in research techniques in Element 2, and culminates in a 5,000 word research proposal for the Dissertation.

- Element 4: Dissertation
You will produce a substantial (15-18,000 word) research dissertation, under supervision.

On completion of the course graduates will have:
- advanced knowledge and expertise in the field of Cultural Geography and its current research questions
- advanced knowledge in the ideas, approaches and substantive themes of contemporary Cultural Geographies
- advanced knowledge of the research methods and techniques of Cultural Geography
- knowledge of the culture of research.

Assessment

Assessment is by coursework only. Formative feedback and detailed ongoing discussion of work before final submission is a central part of the teaching ethos of the course. Students also have significant autonomy in the selection of topics for coursework and dissertation allowing them to develop particular interests and specialisms.

Contemporary Cultural Geographies (Element 1)
Assessed by two course essays of up to 5,000 words (25% of final mark).

Methods and Techniques in Cultural Geography (Element 2)
Assessed by two workshop reports of up to 5,000 words (25% of final mark).

Research Training (Element 3)
Assessed by a 5,000-word dissertation proposal and satisfactory completion of modules taken in the element (Pass required).

Dissertation (Element 4)
Assessed by submission of a completed dissertation of 15-18,000 words. (50% of final mark).

Employability & career opportunities

Throughout the MA we spend time exploring possible career trajectories with our students.

This includes working on PhD applications – over 50% of our students go onto do PhDs and many go into academic position thereafter.

We also run a series of placement days with key cultural institutions in and around London including, British Library, Royal Geographical Society and Kew that help students develop skills, experience and contacts.

In recent years our graduates have entered a range of sectors, including the creative industries (advertising and marketing), the museum and research sectors (British Library, National Archive, and research assistantships in various academic projects).

We offer a series of course and activities to support career development:

1) Transferable Skills sessions

During the course staff on the MA not only teach key ideas and research methods, but also help students hone a series of transferable skills. As well as writing and presentation skills, activities on Element three enable the development of team-working and delegation skills. We also hold a series of dedicated skills sessions during the course including social media skills and networking skills run both by staff and by specialists from the careers office.

2) Career Development sessions and workshops

Both staff on the MA and the specialist staff at RHUL career centre offer tailored career development sessions. These might involve talking about developing an academic career, exploring careers in the cultural sector, as well as generic skills such as preparing your CV and developing a Linkedin profile.

3) Cultural Engagements and Placements

Staff on the MA course make the most of their research links with arts and cultural organisations to help students develop placement based work during their course.

Element three activities are designed to help students build up their CVs but also their contacts, and we are happy to help arrange shorter placements during element 1 and 2 pieces or longer-term placements for dissertation work. Past placements have seen students working with a range of key cultural institutions in and around London including the Royal Geographical Society, Kew Gardens, Furtherfield Digital Media and The British Museum.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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Our MA in Culture Industry will allow you to explore the interface between contemporary economics and culture, from the scale of a start-up or artwork to that of governmental policy, a city, or the global marketplace. Read more

Our MA in Culture Industry will allow you to explore the interface between contemporary economics and culture, from the scale of a start-up or artwork to that of governmental policy, a city, or the global marketplace. It will also provide the approaches in critical and theoretical analysis that will enable you to conduct further academic research in areas ranging from art history to urban studies and critical theory.

Taking full advantage of the UK’s leading role in the creative industries, and London’s status as a world city, this course creates opportunities for you to:

  • make projects
  • go on field trips
  • do placements
  • carry out academic learning and research
  • meet leading creative practitioners and theorists

This will give you first-hand experience of the fast moving creative economy, as well as giving you indispensable skills in understanding that economy from a cultural, philosophical and political standpoint.

Engage with the cultural sector

Within the accelerated climate of digital networks and globalisation, the forms and behaviour of culture are mutating, converting the workshop into the handheld device and the cinema and gallery into the bedroom. This course is aimed at creative practitioners, entrepreneurs and theorists wanting to experiment with these changes, and set them into a historically and discursively rich framework.

Through participant observation, critical theory, and playful experiment, the course will not just prepare you for a career in the cultural sector, but help you to engage with it imaginatively, critically and tactically.

Placements

Placements are student-led and supported by the research and organisational network of the course leaders. Students on the MA in Culture Industry have undertaken placements at the BBC, Stephen Graham Gallery, White Cube gallerySHAPE ArtsChinatown Oral History ProjectMaximum Rock n Roll, the British CouncilBlack Dog PublishingResonance FMGlasgow BiennaleLondon Architecture WeekGlastonbury FestivalLondon Film Festival, the British MuseumSouth Bank CentreGrizedale Arts, the Japan Foundation, the London Anime and Gaming Con, and Sound and Music.

Students' projects

Our students’ projects are very diverse, and have included exhibitions, publications, websites, photographic projects, market stalls, travel guides, films, novels, app prototypes, ethnographies, and community resource projects.

Modules & structure

Core modules

Recommended option modules

You take option modules to the value of 30 credits. This could include:

Assessment

Essays; project report and documentation/placement report and documentation; research lab participation.

Download the programme specification. If you would like an earlier version of the programme specification, please contact the Quality Office.

Please note that due to staff research commitments not all of these modules may be available every year.



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MA Design for Cultural Industries is an innovative programme for students who want to develop their career in cultural and creative sectors. Read more

What is this programme about?

MA Design for Cultural Industries is an innovative programme for students who want to develop their career in cultural and creative sectors. Through the application of design theory and practice, incorporating new technologies into the discourse, students will be able to create or initiate solutions and experiences in the context of the cultural industries.

This MA programme provides its graduates with the advanced skills necessary to confront their professional challenges and move forward in this highly competitive industry. Integrating materiality and object interpretation through applied imagination, developing innovative creative-thinking, enterprise skills and research-led projects, the programme's multidisciplinary and critical approach gives students a distinctive insight into the collaborative nature of these industries.

The programme is relevant for those wishing to pursue an advanced career in cultural and creative organisations such as private and social enterprises, design agencies, museums, galleries and research centres. The programme will also be applicable to artists, curators, designers and policy-makers wishing to advance their design thinking by bringing their own projects to life, or create outputs for their own clients and industry partners.

Graduates of the MA Design for Cultural Industries will be equipped with advanced skills to go to wide range of leadership or senior creative roles in the cultural and creative industries, both in the private and public sector. With an international outlook, our graduates will be sought after across an array of arts, design, events, culture, entertainment, media and creative technology departments globally.

The career paths that our graduates can look forward to include arts and cultural management, design management, policy making, curatorship (museum, gallery, festival), creative direction, education advisory, cultural publishing and art/design criticism. Alternatively, the programme can inspire graduates to open their own cultural start-ups or work for international consultancy firms. Graduates of the programme can also develop academic profiles and research interests to go into teaching or advanced study at MPhil and PhD level.

Visit the website http://www2.gre.ac.uk/study/courses/pg/art/des-cul-ind OR http://blogs.gre.ac.uk/design-for-cultural-industries/

Who is this programme for?

This MA programme is relevant for those wishing to pursue an advanced career in cultural and creative organisations such as private and social enterprises, design agencies, museums, galleries and research centres. The programme will also be applicable to artists, curators, designers and policy-makers wishing to advance their design thinking by bringing their own projects to life, or create outputs for their own clients and industry partners.

How is the programme organised and what will I learn?

The programme is run in two modes: full-time over one year and part-time over two years, with the taught content made up of core and option courses totalling 180 credits.

Core courses
* Experience Design (XD) - 30 Credits
* Materiality & Interpretation - 30 Credits
* Design Management and Cultural Enterprise - 30 Credits
* MA Final Project - 60 Credits

Option courses (two to choose from):
* Curatorial practice - 15 Credits
* Coding in Creative Contexts- 15 Credits
* Sound Design- 15 Credits
* Social Media and SEO - 15 Credits

What do students do after this programme?

Graduates of the MA Design for Cultural Industries will be equipped with advanced skills to go to wide range of leadership or senior creative roles in the cultural and creative industries, both in the private and public sector. The career paths that our graduates can look forward to include arts and cultural management, design management, curatorship (museum, gallery, festival), creative direction, education advisory, cultural publishing, policy making, and art/design criticism. Alternatively, the programme can inspire graduates to open their own cultural start-ups or work for international consultancy firms.

Graduates of the programme can also develop academic profiles and research interests to go into teaching or advanced study at MPhil and PhD level.

How are we taught?

Typically, in full-time mode, you can expect 10 hours attendance per week over two days in a class of around 15-20 students. Teaching is a mixture of studio work, seminars, lectures and workshops. The full-time mode should only be considered by students who are able to dedicate at least 25 hours per week to the programme. The part-time mode is recommended for students in full-time employment.

How do I apply for this programme?

Apply directly on our website (link below). Selected applicants will be invited to attend a personal or skype interview. We recommend early applications, as the places are limited. Overseas applications for this course should be received no later than the end of July for entry in September to allow the sufficient time for visa applications.

Where can I find more information?

For more information, please see the course page at our online prospectus and take a look at the CPDA website.

MA Design for Cultural Industries Blog: http://blogs.gre.ac.uk/design-for-cultural-industries

MA Design for Cultural Industries Prospectus Page http://www2.gre.ac.uk/study/courses/pg/art/des-cul-ind

Department Website and Student Work http://cpda.gre.ac.uk

How to Apply: http://www2.gre.ac.uk/study/apply/pg

For more information, you can also contact Programme Leader Dr. Isil Onol by email:

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The Master of Cultural Economy is a program built on the recognition that contemporary culture is a growing economy. Music, film, new media, computer games, publishing, music, the visual and performing arts, tourism, crafts, design and fashion all offer dynamic careers now and in the future. Read more
The Master of Cultural Economy is a program built on the recognition that contemporary culture is a growing economy. Music, film, new media, computer games, publishing, music, the visual and performing arts, tourism, crafts, design and fashion all offer dynamic careers now and in the future. Policymakers at city, national and international levels understand that the benefits of the cultural economy go beyond monetary value and are essential for social well-being. Cultural pursuits are the markers of contemporary civilised societies. 'Cultural economy' helps you understand how the cultural and the economic fit together – for without the culture, there would be no economy.

The Master of Cultural Economy offers an individual roadmap to dynamic careers in the independent arts and creative/cultural industries; working in cultural policy, governance and community development; and/or seeking to place cultural economies in an historical context, and its implications for contemporary practice.

The course offers a research or internship project component, which provides the opportunity to work in interdisciplinary contexts to combine theory and practice in responding to local and global issues at individual, community, corporate and government levels. For instance, you may participate in the unit Shanghai City Lab, a unique program aimed at immersing students in the cultural economy of Asia's new global metropolis.

As a student in the Master of Cultural Economy, you will be taught by academic staff who are widely regarded as leading experts in their respective fields. Further, you will attend regular presentations from a range of policymakers, industry practitioners, cultural activists, urban planners and community groups. These include Renew Newcastle and Renew Australia; Melbourne cultural policy representatives; live music campaigners; cultural consultants working with indigenous groups; and creative industry practitioners and advisors.

Visit the website http://www.study.monash/courses/find-a-course/2016/cultural-economy-a6004?domestic=true

Course Structure

The course is structured in three parts. Part A. Foundations for advanced cultural economy studies, Part B. Core Master's study and Part C. Advanced expertise. All students complete Part B. Depending upon prior qualifications, you may receive credit for Part A or Part C or a combination of the two.

[Note that if you are eligible for credit for prior studies you may elect not to receive the credit.]

PART A. Foundations for advanced cultural economy studies
These studies will introduce you to cultural economy studies at advanced undergraduate or graduate level. They are intended for students whose previous qualification is not in a cognate field.

PART B. Core Master's study
These studies draw on best practices within the broad realm of cultural economy studies practice and research to further your understanding of the complex ecosystem in which cultural and economic goals and dynamics combine in ways that transgress traditional disciplinary and policy boundaries.

PART C. Advanced expertise
The focus of these studies is professional or scholarly work that can contribute to a portfolio of professional development. You have two options.

The first option is a program of coursework study where you select the units to suit your own interests. This option includes the opportunity to undertake an internship in the field.

The second option is a 24 point research thesis. Students wishing to use this Masters course as a pathway to a higher degree by research should take this second option.

Students admitted to the course, who have a recognised honours degree in a cognate discipline including humanities or social sciences, will receive credit for Part C, however, should they wish to complete a 24 point research project as part of the course they should consult with the course coordinator.

For more information visit the faculty website - http://www.study.monash/media/links/faculty-websites/arts

Find out how to apply here - http://www.study.monash/courses/find-a-course/2016/cultural-economy-a6004?domestic=true#making-the-application

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This unique cross-disciplinary and industry-oriented program is open to graduates who are passionate about the social and cultural dimensions of the built environment in the 21st century. Read more

This unique cross-disciplinary and industry-oriented program is open to graduates who are passionate about the social and cultural dimensions of the built environment in the 21st century.

Urban and cultural heritage is central to global cities today. The interpretation, management and conservation of urban and cultural heritage is increasingly a matter of urgency and significance for global cities and communities. Challenges for heritage professionals include the pressures of rapid urbanization; issues of economic, social and environmental sustainability; and social and cultural change.

Taking an international perspective on the heritage of buildings, cities and landscapes, the program will explore key heritage issues from around the world, with a particular focus on Australia and the Asia-Pacific region. It introduces students to the integrated skills and knowledge required to contribute to the burgeoning fields of urban and cultural heritage, and is suitable for students from a range of academic backgrounds and cultures.

The core subjects in the Master of Urban and Cultural Heritage examine contemporary and theoretical approaches to heritage policy, regulation and practice; new approaches to digital technologies and heritage; issues of heritage significance within historical and cross-cultural contexts; cultural heritage and its social and economic impacts, including tourism; and heritage reconstruction. Students will gain critical research and presentation skills in the analysis, documentation and management of heritage sites, landscapes and tangible and intangible cultural practices. Students also study a range of specialist electives, with the option to undertake a research project or industry internship. 

Key Features of the program include the examination of:

  • Heritage in a global context, with a focus on the Asia-Pacific
  • Heritage and Digital Technologies
  • Heritage, Natural Disasters and Reconstruction
  • Urban and Landscape Heritage
  • Heritage Interiors and Moveable and Intangible Heritage
  • Property, Construction and Heritage
  • Cultural and Historical Heritage Significance
  • Indigenous Cultural Heritage
  • Cultural Industries, the Arts, Tourism and Heritage

The program in unique in its approach, which includes:

  • Cross-disciplinary and integrated approaches to Heritage
  • Professional skills development in Heritage design, research, theory and presentation
  • Industry Partners involved in Specialist Teaching
  • Research by Heritage Thesis (25 points) and Heritage Project (12.5 points) modes
  • Heritage Internship available in long (25 points) and short (12.5 points) modes
  • Flexible course structure

The program will be coordinated by Professor Philip Goad and Professor Kate Darian-Smith with staff from the Faculty of Architecture Building and Planning and the Faculty of Arts.

Nested qualifications/exit points

Specialist study is available which will appeal to those looking for professional upgrade. These awards are: 

»   Specialist Certificate in Urban and Cultural Heritage (25 credit points of core subjects)

»   Graduate Certificate in Urban and Cultural Heritage (50 credit points of core subjects)

Following completion of the core subject stream students can choose to specialise through electives, take an industry internship or complete a minor research thesis.

Career outcomes

Heritage skills are in great demand throughout Australia and globally, including the Asia-Pacific region. The Master of Urban and Cultural Heritage is designed to complement existing professional skills in areas such as architecture, planning, archaeology and history as well as provide a pathway to a new career in the management, conservation and interpretation of heritage. It provides graduates with the cross-disciplinary skills to pursue careers locally and globally including:

  • Government and non-Government heritage agencies
  • Cultural and collecting institutions
  • Heritage sites
  • Municipal councils
  • Private practices in architecture, landscape architecture and planning
  • Social and urban planning and policy
  • Public history

Heritage Internship opportunities

Internships are offered in both short and long formats and are tailored to the unique skills, needs and interests of individual students. All Internships are subject to availability, acceptance by the host organisation and approval by the internship subject coordinator.



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This is a trans-disciplinary Masters that builds expertise in understanding the role played by the cultural sector (arts, theatres, heritage etc) in developing and managing tourism and hospitality as major engines of growth, regeneration and job creation in the 21st century. Read more

This is a trans-disciplinary Masters that builds expertise in understanding the role played by the cultural sector (arts, theatres, heritage etc) in developing and managing tourism and hospitality as major engines of growth, regeneration and job creation in the 21st century.

The programme offers the possibility of engagement with the study of the cultural sector in developing and managing tourism and hospitality.

Cultural policies designed to support the arts sectors to enhance high value added tourism and to increase lengths of stay and repeat visits are increasingly being adopted by governments worldwide with the support of the tourism and hospitality sector.

This degree applies to those wishing to work in the arts and tourism sectors or perhaps in galleries and theatres associated with the hospitality sector. It is also for art practitioners and cultural professionals who wish to develop careers involving cultural tourism, cultural policy, culture-led regeneration and destination, city and country branding. It is also relevant to work in NGOs or the cultural policy arms of government and intra-governmental organisations and consultancies.

Specialists from academia and industry

The MA is run by the Institute of Creative and Cultural Entrepreneurship (ICCE) and is designed for students from a variety of academic and professional backgrounds. It is taught by specialists from academia and industry, ensuring a high level synthesis of practice based knowledge and cutting edge research. Both the staff and student body at ICCE have extensive international experience, enhancing peer-to-peer learning and providing an excellent base for networking and gaining contacts worldwide.

Study in London

Studying the role of culture in tourism in a London setting is a unique experience, providing access to some of the world’s most renowned culture and event led regeneration projects that include the legacy of the London Olympics and many other major projects. ICCE also has links with an extensive network of organisations, businesses, policy advisors, consultancies and cultural practitioners that provide exceptional research and study opportunities, such as Creative England, Tourism Concern and visitbritain.org.

Tailor your interests

The Masters is flexible and you can tailor your interests by choosing options from other departments across the College, including Anthropology, Sociology, the Centre for Cultural Studies, Politics, English and Comparative Literature, Educational Studies, Media and Communications, Computing and the Confucius Institute for Dance and Performance.

Modules & structure

Core modules

Please visit the website to see the optional modules available



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Within a rapidly changing domestic and international environment, the work of arts and cultural managers is becoming more complex and significant. Read more

Within a rapidly changing domestic and international environment, the work of arts and cultural managers is becoming more complex and significant. The creative industries are growing rapidly and patterns of cultural work are changing. Cultural organisations and festivals are in a period of fundamental, pervasive and long-term change; managers must deal with a host of dramatic, often contradictory demands and  challenges. This leads to a situation where there is a need for graduates with more holistic and integrated perspectives regarding the management of cultural organisations and the political, economic, social and environmental conditions in which they function.

This course has been developed in response to this need and is rooted in a belief that great leaders in the cultural sector will recognise the value of  management while acknowledging that approaches may need to be adapted to meet the particularities of cultural organisations and festivals. Through encouraging you to become critically reflective, the  course will develop your knowledge of the contemporary issues affecting the management of arts organisations and festivals while equipping you with the practical management skills that are essential for developing a career in the field.

Mindful of the need for students to develop vocational skills, a number of assignments are orientated towards developing the knowledge and skills required to become an effective practitioner in the field. In addition, students are required to arrange and undertake practical experience within cultural organisations to complement their studies.

This MA is designed as a conversion degree and we welcome applicants from non-business related subjects. It is suitable for both graduates who wish to add a vocational management emphasis to their first degree and those with equivalent professional qualifications or experience. It is likely to be of interest to those who studied the arts and humanities at undergraduate level or those with significant workplace experience who would like to gain a formal qualification in a flexible manner.

Teaching, learning and assessment

Teaching comprises a combination of lectures, seminars, tutorials, case studies, simulation exercises, field trips and projects. You will also be required to arrange a period of industry based learning. Your performance on the course will be assessed by essays, reports, exams, presentations and a dissertation or project (MA only). Normally, there are around 30 to 35 students enrolling on the course each year.

Teaching hours and attendance

Each module will require you to attend classes and carry out independent work. Most modules consist of two to three hours of class time each week of the semester. Where possible, all teaching takes place over two days per week. Your specific timetable will depend on whether you study full or part time. Flexible study options and a diverse curriculum mean that this course is suited to both those already working in the arts and those who are looking to start a career in the sector.

Links with industry/professional bodies

Part of our strength comes from our location; being based in Edinburgh means that the course has been developed over time in cooperation with key national cultural agencies and other bodies with a strategic interest in the development of arts organisations and festivals. Our location in the ‘festival city’ also allows for strong practical links between the course and the many arts, festival and cultural organisations based in and around Edinburgh, across Scotland and the UK.

Modules

15 credits: Critical Issues in Cultural Management and Policy/ Managing Cultural Projects and Festivals/ Marketing Cultural Organisations and Festivals/ Strategic Management and Finance/ Fundraising and Development in Cultural Organisations and Festivals/ People Management, Governance and Law/ Arts Management in Practice (subject to validation)/ Understanding Research/ Dissertation or project (60 credits) (MA only)

Careers

You will be qualified for a broad range of management positions within a wide spectrum of cultural organisations and festivals. Previous graduates have gone on to work in theatres, performing arts organisations, galleries, local government, and cultural agencies. In addition, many now work in festivals within the UK, Europe and internationally. Potential careers might include producing, fundraising, marketing, programming, or audience development, as well as many other roles across the cultural industries.

Quick Facts

  • International cohort of students working closely and collaboratively with staff.
  • Range of guest lecturers and field trips to key cultural organisations and festivals.
  • The only postgraduate course of its kind in Scotland.


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Over the past decades the creative and cultural industries have become the focus of a huge amount of research and critical debate. Read more
Over the past decades the creative and cultural industries have become the focus of a huge amount of research and critical debate. As digitisation transforms the media industries, from music streaming to on-demand TV, there has been an increasing recognition of the economic and cultural value of art, museums, video games and 'heritage'. This programme offers the unique opportunity to critically analyse these developments in a fully global context, across the full range of School of Arts courses in Media, Music and Art and Archaeology.

Alongside critical analysis and global expertise, you will benefit from practical hands-on experience in film production, sound recording, podcasting and broadcasting that will enable you to enhance your skill-set, in preparation for a career in the creative and cultural sector or for PhD level research.

Course detail

Students can tailor their studies to focus on particular regions, art forms or themes, choosing from the wide array of courses that reflect the unique regional focus available at SOAS, and gain access to world-leading experts on the music, culture and traditions of Africa, the Middle East and Asia. Alongside critical analysis and regional expertise students can choose from a number of practical hands-on courses, in sound recording, podcasting and broadcasting, that will enable them to enhance their skill-set.

This course has been designed for those seeking to work in some capacity in the creative and cultural sector - either as an artist or producer, or in cultural policy, development or analysis. It also suits anyone looking to establish a research profile in Global Creative and Cultural Industries.

You will have access to a wealth of study resources including the SOAS Library, one of the world's most important academic libraries, attracting scholars from across the globe.

Format and assessment

The MA has a core component comprising two half-unit courses, the first (‘Analytical Approaches to the Global Creative and Cultural Industries’) taken by all students, and the second allowing students to develop their expertise in a ‘pathway’, chosen from:

• ‘The Music Business’
• ‘Asia and Africa on Display: Objects, Exhibitions and Transculturation’
• ‘Studies in Global Media and Post-National Communication’
• ‘Global Film Industries’.

Practical/skills courses can then be chosen in multimedia (film/editing), sound recording, and digital and broadcasting communications; while optional, one of these will be required if a student elects to take the optional half-unit course ‘Directed Study in Industry’ but lacks appropriate skills training on entry.

‘Directed Study in Industry’ allows students to undertake an internship with an institution, organisation or enterprise.

Additional regional and theoretical courses are available from existing School of Arts and other SOAS MA/MMus programmes.

The Dissertation will be on a topic relating to the creative and cultural industries. It may either be on a theoretical topic or develop from the ‘pathway’ chosen by the student, and it has the option to incorporate multimedia materials.

Suitability

Students will likely fall into two types:

• The first group will typically be interested in pursuing careers as practitioners, managers, consultants, policy advisers and entrepreneurs in the creative and cultural industries in Europe, the Americas, the Middle East, Asia and Africa. Such students will typically take advantage of the potentials to hone practical/core skills, to develop their knowledge base about creative and cultural industries in a global context, and to maximise the ‘Directed Study in Industry’ opportunity.

• The second group will typically be more concerned with developing academic research in the creative and cultural sectors, and the intersections between industry, cultural policy and international development. Such students will most likely concentrate their programme of study on the regional and theoretical courses available.

The MA, then, is suitable for those seeking employment as practitioners, managers, consultants, policy advisers and entrepreneurs in the creative and cultural industries, and for those who aspire to a Research degree.

Postgraduate Open Evenings

You’ll be able to have one-to-one discussions with academics and current students. You can also attend specialist subject talks and take a tour of our campus.

Book now: http://www.soas.ac.uk/admissions/pg/openevenings/

Webinars

Our webinars give you an opportunity to hear and ask questions about the subject you’re interested in studying. We also cover topics such as making an application, Tier 4 Visa entry, fees and funding, scholarships, accommodation options as well as career related information.

Book now: https://www.soas.ac.uk/admissions/pg/webinars/

How to apply

Find out how to apply here: http://www.soas.ac.uk/admissions/pg/howtoapply/

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This programme provides an interdisciplinary grounding in the key economic, cultural and policy forces shaping the development of the creative industries at global, national and local levels. Read more

This programme provides an interdisciplinary grounding in the key economic, cultural and policy forces shaping the development of the creative industries at global, national and local levels. Theoretical and analytical depth is coupled with an emphasis on the realities of contemporary cultural production, in order to deliver both a rigorous academic experience and a foundation for a career in the sector.

Why this programme

  • You will be taught by the world leading teams in the Centre for Cultural Policy Research and the Adam Smith Business School. Frequent invited speakers will provide current industry insights from across the sector.
  • Glasgow offers an ideal environment for students studying the Creative and Cultural Industries. It is a culturally vibrant city, with thriving music, theatre, and visual art scenes, and the greatest concentration of creative industries in Scotland.
  • This programme is suitable for those working in or seeking to enter the cultural and creative industries. It is designed to develop your critical and analytical skills and your understanding of the ways in which policy trends, emerging business models and new working practices are combining to reshape the sector.

Programme structure

The taught element of this programme consists of six core courses, totalling 100 credits, and a slot in semester 2 in which you can take 1 or 2 course/s of your choice (totalling 20 credits). This structure allows you to develop key sector management skills and knowledge, while also providing space to tailor the programme to suit your interests and ambitions. You can choose two 10 credit options from a range offered by the Adam Smith Business School, strengthening the management component of your degree. Alternatively you can select an approved 20 credit option from another subject area. 

The teaching on the two largest core courses, Creative Industries and Cultural Policy (semester 1) and Contemporary Cultural Production (semester 2) is supported by a series of regular guest lectures, in which we invite practitioners, policy makers and key influencers from across the creative sector to share their perspectives.

Assessment is based primarily on individual written essays and assignments but also involves presentation. You will undertake academic research essays and report writing tailored to an industry brief, ensuring you develop a range of writing skills relevant to both academic and professional contexts.

In the summer period (April to August), you will complete a research dissertation (worth 60 credits) that will enable you to develop, investigate and present a substantial and original project of personal interest. The academic team within the Centre for Cultural Policy Research have extensive experience of conducting empirical studies within the creative sector, and are thus able to support a wide range of industry and policy related topics and research approaches.

Semester 1 core courses (totalling 60 credits)

  • Creative Industries and Cultural Policy (30 credits)
  • Managing Innovation and Creativity (10 credits)
  • Project Management (10 credits)
  • Research Methods 1 (10 credits)

Semester 2 courses (totalling 60 credits)

  • Creative Lives and Cultural Industries (30 credits)
  • Research Methods 2 (10 credits)
  • Optional course/s (worth 20 credits in total)

Semester 2 optional courses may include (subject to availability):

  • Business Finance (10 credits)
  • Digital Transformation (10 credits)
  • Processes of Entrepreneurship and Innovation (10 credits)
  • Internationalisation of SMEs (10 credits)
  • Intellectual Property Law (20 credits)
  • Festivals (20 credits)

Summer (April - August)

  • Dissertation (60 credits)

Some optional courses might not be available every year.

Career prospects

Whether you are seeking a management role in an established organisation or plan to pursue a more entrepreneurial path, this course will equip you with a critical understanding of the landscape within which cultural and creative industries operate, and enable you to develop the analytical skills necessary for a career in this growing sector.

At the same time, the programme offers an academically engaging and rewarding experience allowing you to embark on policy advisory and consultancy roles or to pursue further postgraduate studies.



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The course aims to produce and develop well-trained managers who are working in, or wish to follow, careers in the food industry. Read more
The course aims to produce and develop well-trained managers who are working in, or wish to follow, careers in the food industry. It promotes analytical and management skills by focusing on questions raised in relation to public policy issues, the commercial environment and the supply of foods which meet supply chain customer and consumer requirements. You will hone your personal skills and be able to engage in critical analysis and formulate and express sound arguments.

The course

Whether you live to eat or eat to live, the indisputable fact is that we all need to be regular consumers of food and drink. The food industry offers more than careers based solely on farms or in retail food outlets. It is vigorous and dynamic, with the adoption of new technology and the provision of new products satisfying ever changing consumer demands.

An important part of the sector’s success relies on an integrated approach and the close links which have been forged between growers, wholesalers, food processors and retailers. To be successful in today’s fast moving food industry students are provided with a combination of modules focusing on core subjects relevant to the food industry, as well as key priorities facing today’s food industry.

Once students have completed the taught modules they commence their research project, which gives the opportunity to pursue their own interests and provides a valuable addition to their skills set.

The course aims to produce and develop well-trained managers who are working in, or wish to follow, careers in the food industry. It promotes analytical and management skills by focusing on questions raised in relation to public policy issues, the commercial environment and the supply of foods which meet supply chain customer and consumer requirements. You will hone your personal skills and be able to engage in critical analysis and formulate and express sound arguments.

Modules include:
■ Food Processing, Quality and Safety
■ Food Product Development
■ Research and Information Skills
■ Principles of Finance
■ Managing People
■ Agri-food Supply Chain Strategy and Management
■ Food Security and Sustainability
■ Research Project

How will it benefit me?

On completion of the course at MSc level, students will be able to use and evaluate food industry management techniques and assess their relevance to commercial practice under different technical and cultural constraints. You will learn to appraise the dynamic legal, economic and political environment within which food businesses operate.

Students become skilled in collecting, analysing and interpreting qualitative and quantitative data, technical and commercial information, as well as evaluating and exploiting the latest developments in technology. You will learn to identify solutions to food industry management problems appropriate to local, national and international circumstances.

You will become competent at identifying and solving information management and communication problems encountered by food industry managers and will be able to critically review the existing knowledge of a sector specific topic and relate to a hypothesis which will advance that knowledge. Students also undertake strategic analysis, integrating a range of food industry management techniques.

Careers

Career opportunities in food industry management are very good both in the UK and internationally. Our Masters programme has been designed to produce well qualified individuals employable throughout the food industry. A large number of businesses visit the University every year to recruit new staff.

Careers could include procurement, logistics, market research, commercial or general management in the food industry.

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This course allows you to explore a wide range of films, contextual studies and critical debates, as well as the politics and cultural power of other media forms and institutions. Read more
This course allows you to explore a wide range of films, contextual studies and critical debates, as well as the politics and cultural power of other media forms and institutions.

Course overview

This Masters is for people who want to study films and culture at an advanced level. There is a high level of engagement with theories and practices of film studies and cultural studies, as well as a strong emphasis on rigorous research skills.

Given the importance of theory, an important attraction of this Masters is Sunderland’s research specialisms. These include star studies, performance, distribution and national cinemas, as well as sexualities, identities and how technology changes the way we experience the world.

The course is taught at the David Puttnam Media Centre on our Sir Tom Cowie Campus at St Peter’s by staff from Sunderland’s Centre for Research in Media and Cultural Studies (CRMCS), which promotes a lively and inclusive research environment. As part of the course, you will have the opportunity to attend CRMCS’s regular research seminar series, which hosts both visiting and internal speakers discussing their latest research. You will also have the opportunity to benefit from the centre’s annual programme of national and international conferences, symposia and other research events.

You will focus on areas that you find particularly fascinating while contextualising your interests within the wider field of film, media and cultural studies. The course culminates in a dissertation on a topic that you negotiate with tutors.

Throughout the course, you will refine your powers of analysis, research and communication. These skills are highly valued by employers and will boost your employability. Postgraduates earn more, on average than individuals whose highest qualification is an undergraduate degree.

Course content

The content of the course is shaped by your personal interests with guidance and inspiration from Sunderland's supportive tutors.

Modules on this course are:
-Film and Cultural Studies 1 (60 Credits)
-Engaging with Theory: Key Thinkers, Texts and Concepts (30 Credits)
-Research Methods in Film, Media and Cultural Studies (30 Credits)

Film and Cultural Studies 2 (60 Credits)
-Consumption and Everyday Life (30 Credits)
-Special Topic: Film, Media and/or Cultural Studies (30 Credits)

Film and Cultural Studies 3 (60 Credits)
-You will complete a supervised dissertation on a topic of your choice.

Teaching and assessment

All modules are team taught, drawing on the wide range of research specialisms of our staff.

Co-taught with MA Media and Cultural Studies, this MA enables you to contextualise your own work within the wider field of film, media and cultural studies, as well as pursue your own specific interest in film. This approach is excellent preparation if you are thinking of continuing on to PhD level. You will also be able to specialise and pursue your own specific interests film via choice of assignment questions on the taught modules and via negotiation of topics in the Special Topic and Dissertation modules.
Compared to an undergraduate course, you will find that this Masters requires a higher level of independent working.

We use a wide variety of teaching and learning methods which include lectures, seminars, critiques and workshops. Via CRMCS’s research seminar programme, these are supported by a range of guest speakers from diverse academic and industry backgrounds. From stage 2 you will be expected to engage in a greater degree in self-directed study in preparation for the stage 3 dissertation. Your tutors will also give regular feedback and support.

Assessment methods include essays, projects, presentations, and a dissertation.

Facilities & location

Our David Puttnam Media Centre is home to the Centre for Research in Media and Cultural Studies (CRMCS), which engages in world leading research, as well as hosting international visiting scholars, conferences, external speakers and two international refereed research journals.

Teaching rooms
We have well-equipped lecture and seminar rooms, with overhead projection and full internet access.

Cinema
There is a 203-seat cinema with full HD projection, 7.1 surround sound facility and the capability to play 3D feature films. We have a live Sky feed and off-air recording facility, including DVD and Blu-ray recording, plus extensive footage archive/library.

University Library Services
We’ve got a wide range of books, journals and e-books on relevant topics, with many more available through the inter-library loan service. The library buildings provide a variety of study spaces, IT facilities and experience library staff during core hours, with online services and support available at any time off-campus. In addition, both the St Peter’s and Murray libraries offer 24/7 access during main teaching weeks.

TV studios
We have two TV studios complete with green rooms and control rooms. Equipment includes four Steadicam rigs plus dolly, track and mini crane. We also have over 40 full HD tapeless field camera systems, comprising Sony EX1 and EX3 models, with associated location kits, lighting, field monitors and audio mixers.

Digital editing
There are 70 workstations with state-of-the-art HD Edit systems, including Final Cut Pro, Avid and Media Composer. There is also a digital audio postproduction area with four voiceover booths.

Radio studios
We have five radio studios including a transmission suite for Spark FM, our student-run community radio station. It broadcasts 24 hours a day, 365 days a year, with a target audience of 15-24 year olds.

Employment & careers

Postgraduates are highly employable and, on average, earn more than individuals whose highest qualification is an undergraduate degree. On completing this course, you will be equipped for a range of roles in the media and cultural industries. A Masters degree will also enhance career opportunities within Higher Education and prepare you for further postgraduate studies.

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This course allows you to examine the construction of meanings, experiences, identities and relationships in various contexts of social life, through advanced study of media practices and consumption. Read more
This course allows you to examine the construction of meanings, experiences, identities and relationships in various contexts of social life, through advanced study of media practices and consumption.

Course overview

This course is for people who want to explore the nature of the media and cultural power at an advanced level. There is a high level of engagement with theories of contemporary society, including cultural theory, modern television and popular culture.

Given the importance of theory, an important attraction of this Masters is Sunderland’s research specialisms. These include media power, sexualities, identities, and how technology changes the way we experience the world, as well as performance and distribution.
The MA is taught at the David Puttnam Media Centre on our Sir Tom Cowie Campus at St Peter’s by staff from Sunderland’s Centre for Research in Media and Cultural Studies (CRMCS), which promotes a lively and inclusive research environment. As part of the course, you will have the opportunity to attend CRMCS’s regular research seminar series, which hosts both visiting and internal speakers discussing their latest research. You will also have the opportunity to benefit from the centre’s annual programme of national and international conferences, symposia and other research events.

You will focus on areas that you find particularly fascinating while contextualising your interests within the wider field of film, media and cultural studies. The course culminates in a dissertation on a topic that you negotiate with tutors.

Throughout the course, you will refine your powers of analysis and communication. These skills are highly valued by employers and will boost your employability. On average, postgraduates tend to find jobs more easily than people whose highest qualification is an undergraduate degree. They also achieve higher total earnings in the long-run.

Course content

The content of the course is shaped by your personal interests with guidance and inspiration from Sunderland's supportive tutors. Modules on this course include:
Media and Cultural Studies 1 (60 Credits)
-Engaging with Theory: Key Thinkers, Texts and Contexts (30 Credits)
-Research Methods in Film, Media and Cultural Studies (30 Credits)

Media and Cultural Studies 2 (60 Credits)
-Consumption and Everyday Life (30 Credits)
-Special Topic: Film, Media and/or Cultural Studies (30 Credits)

Media and Cultural Studies 3 (60 Credits)
-You will complete a supervised dissertation on a topic of your choice.

Teaching and assessment

All modules are team taught, drawing on the wide range of research specialisms of our staff.

Co-taught with MA Film and Cultural Studies, this MA enables you to contextualise your own work within the wider field of film, media and cultural studies, as well as pursue your own specific interest in a particular area of the media. This approach is excellent preparation if you are thinking of continuing on to PhD level. You will also be able to specialise and pursue your own specific interests film via choice of assignment questions on the taught modules and via negotiation of topics in the Special Topic and Dissertation modules.

Compared to an undergraduate course, you will find that this Masters requires a higher level of independent working.

We use a wide variety of teaching and learning methods which include lectures, seminars, workshops and group work. Via CRMCS’s research seminar programme, these are supported by a range of guest speakers from diverse academic and industry backgrounds. From stage 2 you will be expected to engage in a greater degree in self-directed study in preparation for the stage 3 dissertation. You will also have high levels of contact with tutors who give regular feedback and support.

Assessment methods include essays, projects, presentations, and a dissertation.

Facilities & location

Our David Puttnam Media Centre is home to the Centre for Research in Media and Cultural Studies (CRMCS), which engages in world leading research, as well as hosting international visiting scholars, conferences, external speakers and two international refereed research journals.

Teaching rooms
We have well-equipped lecture and seminar rooms, with overhead projection and full internet access.

Cinema
There is a 203-seat cinema with full HD projection, 7.1 surround sound facility and the capability to play 3D feature films. We have a live Sky feed and off-air recording facility, including DVD and Blu-ray recording, plus extensive footage archive/library.

University Library Services
We’ve got a wide range of books, journals and e-books on relevant topics, with many more available through the inter-library loan service. The library buildings provide a variety of study spaces, IT facilities and experienced library staff during core hours, with online services and support available at any time off-campus. In addition, both the St Peter’s and Murray libraries offer 24/7 access during main teaching weeks.

TV studios
We have two TV studios complete with green rooms and control rooms. Equipment includes four Steadicam rigs plus dolly, track and mini crane. We also have over 40 full HD tapeless field camera systems, comprising Sony EX1 and EX3 models, with associated location kits, lighting, field monitors and audio mixers.

Digital editing
There are 70 workstations with state-of-the-art HD Edit systems, including Final Cut Pro, Avid and Media Composer. There is also a digital audio postproduction area with four voiceover booths.

Radio studios
We have five radio studios including a transmission suite for Spark FM, our student-run community radio station. It broadcasts 24 hours a day, 365 days a year, with a target audience of 15-24-year-olds.

Employment & careers

Postgraduates are highly employable and, on average, earn more than individuals whose highest qualification is an undergraduate degree. On completing this course you will be equipped for a range of roles in the media and cultural industries.

A Masters degree will also enhance career opportunities within Higher Education and prepare you for further postgraduate studies.

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The Rome Business School’s Master in Food and Beverage Management is the ideal academic course for professionals seeking a . Read more

The Rome Business School’s Master in Food and Beverage Management is the ideal academic course for professionals seeking a world-class degree programme in these disciplines, leading to a successful global career in the Food & Wine industry.

With the Rome Business School’s international perspective, the programme offers a unique learning experience and a global professional exposure, enabling participants to study in one of the best cities of the world or online. The programme’s quality teachingand networking services all contribute to make it the perfect fit for anyone who is looking to rise to the top in the world of food and beverage industry.

 

Objectives

In particular, on completing the programme, participants will be able to:

  • Identify and develop effective managerial strategies for food & beverage industry companies
  • Develop a business plan for food & beverage industry companies
  • Utilise the most advanced marketing techniques to promote food & beverage industry companies and products
  • Apply planning, financial management, and management control principles to the food & beverage industry
  • Understand and utilise project management techniques
  • Understand and apply process and supply techniques to the food & beverage context
  • Master the use of new technologies within food & beverage industry companies
  • Understand the food & beverage industry start-up ecosystem

 

Target Recipients

The Master in Food and Beverage Management is a course of excellence designed for young persons who wish to start a career in the Food & Wine industry, and to professionals in the food & beverage production chain and restauration industries —or in other sectors closely linked to them—who aspire to set out on a path to grow within their organisation, to start up an enterprise in an opportunity rich but ever more complex context, and/or to complete their training path by obtaining a certification specifically conceived for the food and beverage industry.

On completion of this training course, the attendees will be able to work, among other profiles, as:

  • Consultants for the creation of start-ups within the restauration industry
  • Consultants for corporate repositioning
  • Food & Wine Managers
  • Banqueting Managers
  • Hotel chain Retail & Sales Managers
  • Public Relations Managers

Contents

Introduction and Scenario

The Food and Beverage and Agri-Food System

Food and Beverage Industry Management

Basics of management: elements of corporate strategy and organisation

Economics and food company management

Marketing management and digital marketing

Accountancy and management control

Basics of Project Management

Business Planning

Human Resource Management

From the concept to the project: defining a project’s guidelines through the creation of the Concept

Geomarketing analysis

Aesthetic and functional design: identifying structural needs/required spaces and their distribution / defining a layout

Administrative requirements to set up a business / verifying the suitability of a location

Job Health and Safety: regulations and documents

 

Food Management

Retail & sales management

Supplier selection

Food cost control

Menu engineering

Restaurant and Kitchen layout

Practice Lab: visits to producers

 

Beverage Management

Retail & sales management

Supplier selection

Beverage cost control

Wine and beverage list engineering

Wine cellar layout

Practice Lab: visits to producers

 

Marketing and Communication for Food and Beverage

Food and Beverage industry marketing

Restauration services marketing

Digital marketing

Brand management – Image and Brand Identity

Food, Wine, and Mass Media – communication tools (food guides, industry publications/websites, newsletters)

Storytelling applied to Food & Wine products and services

Content management

Social media management for the Food and Beverage industry

Food & Wine audio-visual communication

Customer care

Food and Beverage events and the role of Public Relations

Case studies

Agri-food product marketing and brand management

Wine marketing and brand management

Marketing strategies applied to industry contents: case histories and testimonials

Food and Beverage industry innovation and strategies

Internationalisation strategies

New technologies: from production chain to service

Launching a start-up in the Food and Beverage industry

Extracurricular activities

As part of the course, a Cooking Teambuilding and/or Gastronomic Walking Tour event is organised in Rome’s Old Town to understand the cultural context within which the various made in Italy Food and Beverage service and restauration of excellence activities insert themselves, with the aim of understanding its various formats and business models.

 

Structure (12 months)

The Rome Business School’s Master’s Degree in Food and Beverage Management is structured in:

  • 6 months of lectures (twice a week)
  • 6 months of international internship and project work
  • Company visits
  • Personalized career services
  • Cultural programme
  • Seminars and events



Attendance formulas

The Master in Food and Beverage Management may be attended in the following formulas:

  • On Campus, at the Rome Business School Rome headquarters.
  • Online (Distance Learning), through a cutting edge e-learning platform with live lectures and a great teacher-student interaction.


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This multi-faceted course examines the structure and history of the cultural and creative industries and explores practical and theoretical issues facing cultural entrepreneurs, professionals and policy-makers. Read more

This multi-faceted course examines the structure and history of the cultural and creative industries and explores practical and theoretical issues facing cultural entrepreneurs, professionals and policy-makers. It uses a range of analytical tools from sociology, history and cultural studies, and draws on teaching, research and professional expertise from both King’s academics and professionals working in the field.

Key benefits

  • Located at the heart of London’s arts and media industries.
  • Guest lectures from industry professionals and researchers provide up-to-date knowledge of current debates and trends.

Description

Cultural & Creative Industries is a unique interdisciplinary course that draws on cultural theories, cultural history, digital culture, management, geography, cultural policy, gender and fashion. This exciting and contemporary course also makes use of our links with and proximity to Tate Modern, Southbank Centre and the British Film Institute. 

If you are seeking a career in the arts or creative industries, or if you are a professional looking to enhance your existing knowledge and career prospects, then this course is ideally suited for you. You can also use the training and skills we will give you to prepare for doctoral research in culture, media and creative industries. However, you should bear in mind that this is not a traditional media, communications or journalism studies course. If you want to follow a career in these areas, this course will only be relevant in so far as your interests relate specifically to the cultural and creative industries, such as performing and visual arts, cultural heritage, film, games and music.

Course purpose

Provides a critical understanding of the cultural and creative industries for graduates seeking a career in the arts or creative industries or for professionals wishing to enhance their existing knowledge and career prospects. Can also prepare students for doctoral research in the culture, media and creative industries. 

Whilst the course doesn't specifically cover media, communications or journalism studies it could be relevant in so far as your interests relate specifically to the cultural and creative industries (e.g. performing and visual arts, cultural heritage, film and music).

 Course format and assessment

Teaching

If you are a full-time student, we will provide 140 hours of teaching through lectures and seminars, and we will expect you to undertake 1,674 hours of independent study.

If you are a part-time student, we will provide 90 hours of teaching through lectures and seminars in your first year, and 50 hours in your second year. We will expect you to undertake 720 hours of independent study in your first year, and 954 hours in your second.

Assessment

We assess our modules through a combination of essays and coursework. Your dissertation will account for a third of your final grade.



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