Study film and screen cultures while immersing yourself in the creative culture of London at film festivals, studios, galleries and pop-up cinemas. Our MA combines the study of mainstream and experimental film, contemporary television and the video-essay form, and includes the option to produce either a written or audio-visual dissertation.
This cutting-edge MA offers the opportunity for advanced studies in television and new media. Taught by leading figures in the field, the course allows you to engage with the most up-to-date research and to explore new approaches to audio-visual scholarship.
The programme includes first-hand engagement with cultural institutions across the city. Building on our links with festivals, studios, cinemas and galleries, this MA is not only about studying film theory but also about immersing yourself in the wealth of screen-related events and institutions the capital has to offer. In recent years, our students have been on trips to the London Film Festival, the British Film Institute, the Scalarama Cult Film Festival, the British Artists' Film & Video Study Collection, and the Tate Modern.
As a student you will also become a member of the Centre for Research in Film and Audiovisual Cultures (CRFAC) which means you will be able to engage with new and emerging research by attending a range of guest talks, conferences, media masterclasses and research seminars led by industry professionals. In recent years students have attended an exclusive preview of comedian and producer Omid Djalili’s film We Are Many, and gained advice on how to be a success in the filmmaking industry from BBC producer and director Jonathan Taylor, and the producer of Woody Allen’s Vicky Cristina Barcelona, Gareth Wiley.
Our alumni go on to have successful careers in film and media. Here is what a few are doing after studying Film at Roehampton.
You’ll develop your independent critical thinking by engaging in the programme’s four main areas:
Screen Cultures of London
In a series of visits to festivals, studios, cinemas and galleries, you will gain first hand engagement with cultural institutions across London.
Cult and Quality Television
You will interrogate the dynamic role of television within the shifting media landscape, focusing on contemporary US television drama.
Essay Films and Video Essays
You will combine history, theory and practice, be introduced to the Essay Film form and be equipped with the necessary skills to make your own video essays.
Transnational Cinemas from the Multiplex to the Web
You will undertake an in-depth examination of contemporary cinema through a global lens, taking in a variety of international films from big budget spectacles through to online films and mash-ups.
You will also choose between an academic dissertation and an audio-visual dissertation. The academic dissertation gives you the opportunity to deepen your research skills and knowledge about a topic of particular interest to you. The audio-visual dissertation will provide the opportunity to undertake an innovative combination of theory and practice through the production of an extended audio-visual essay alongside a written critical reflection.
Here are some of the varied range of modules we currently offer:
Compulsory and Required modules
Compulsory and/or required modules may change when we review and update programmes. Above is a list of modules offered this academic year.
Optional modules, when offered as part of a programme, may vary from year to year and are subject to viability.
‘After I completed my undergraduate degree in Munich, Germany, I really wanted to do my postgraduate abroad. I wrote to some lecturers from different universities, but the lecturers at Roehampton were really friendly and helpful, so I knew this was the place for me.
‘After I finish, I’d like to work as a radio or TV presenter. Now that I have learned so much about the world of media from my postgraduate, I feel perfectly prepared for this kind of job’.
Dani Rothgang, International MA Film and Screen Cultures student
Careers in cinema and festival programming, media research, curatorship and distribution. The MA also functions as a pathway to a PhD for those pursuing a career in academia.
This taught Master’s course, made up of four modules and a 12,000-word dissertation (split into two modules for PT students, with each module producing 6,000 words of work), responds to major transnational developments in contemporary media which have eroded the line between ‘producers’ and ‘consumers’, democratising media or leading to a lo-fi “cult of the amateur.” At the same time, social media platforms have become major economic players, raising questions over who benefits, and how, from the social activity they host. This MA focuses on the specialised, advanced study of current media developments: students will be able to analyse and critically reflect on the media world they inhabit, developing their expertise in participatory culture/social media and associated practices of fandom, activism, community-building, and creativity.
The course is targeted at those who wish to develop their understanding of specific kinds of digital media – involving people “formerly known as the audience” – and their social, economic and cultural contexts. It is designed to lead into PhD work for those wishing to progress to further Higher Education, as well as leading to a range of professional roles linked to participatory culture and social media.
For more information about our research areas of interest visit our Journalism and Media research pages - https://research.hud.ac.uk/research-subjects/journalism/
The two-year M.A. program offers students the opportunity to pursue Cinema and Media Studies through coursework and an M.A. thesis project. Students are expected to give primary attention to an area of expertise of their choice while training in the broader theoretical, critical, and historical contexts of the field.
The MA was renamed to “Cinema and Media Studies” from “Film Studies” for the cohort entering in September 2019. UBC’s MA in Film Studies existed between 1984 and 2018 and graduated nearly 50 students in that time.
Faculty research specialties include strengths in contemporary cinemas and media culture, one that highlights media and film theory, cult cinema, documentary studies, early cinema, feminist and post-feminist media studies, American, Canadian and European cinemas, television studies, and sound studies. There are particular strengths in contemporary Anglophone cinema and television products and cultures within a global context. Our students occasionally engage with professors and students in our renowned directing, design and film production graduate programs.
As a selective boutique program, we provide close mentorship of all accepted students. We are usually able to provide teaching assistant experience to MA students in our large first and second year undergraduate courses. Graduate students have the opportunity to work on the film studies journal Cinephile. The Visual Resources Centre provides access to nearly 10,000 DVDs. The Centre for Cinema and Media Studies in the Department occasionally sponsors visiting scholars. UBC has the second largest research library in Canada, including the 30,000 Videomatica collection, a unique resource.
Royal Holloway is a thriving centre for postgraduate research in Italian with particular expertise in Renaissance studies, cultural studies, Anglo-Italian cultural relations, 19th- and 20th-century art, Italian cinema and detective fiction, making it an ideal place to study for a postgraduate degree in Italian.
This degree enables you to independently explore your area of interest in real depth, it can also provide you with the chance to test or try out an area of study in preparation for doctoral study. Whilst you will be working independently, you won’t be alone, you will receive specialist one-to-one tuition throughout your degree. You will work closely with your specialist supervisor, or supervisors, to develop a clearly defined research topic and complete a 30,000-40,000 word dissertation.
You will be part of our research-led environment in which academic staff are working at the frontiers of their subjects. The breadth of our teaching and research expertise means that we are able to provide the latest thinking, expert support and intellectual challenges. We have a thriving Italian research environment, with topics ranging from the medieval and Renaissance periods to the contemporary 21st century. Recent research includes projects on The Italian Academies 1530-1700, The Cult of the Duce: Mussolini and the Italians 1918-2005, and Interdisciplinary Italy 1900-2020. Our academics would be pleased to hear from anyone interested in postgraduate research in their areas of expertise.
In addition to your dissertation you will undertake a taught course designed to equip you with an array of theoretical and historical approaches to the study of literature, art and culture. This will enable you to articulate, refine and persistently test your own approach to your chosen topic within this broader theoretical and methodological framework. You will also have access to skills training and enjoy the additional support of a dedicated Research Advisor.
Theories of Literature and Visual Culture
This module is taught across two terms. It provides you with knowledge of a range of historical and modern theoretical approaches to the study of literature and the visual arts. It refines your theoretical understanding and provides you with the methodological tools needed to proceed to PhD research if you so wish.
You will write a 30-40,000 word dissertation on a subject of your choice, receiving one-to-one support from your supervisor.
Theories of Literature and Visual Culture is assessed by an essay and presentation.
The dissertation is examined by a Visiting Examiner and includes a viva voce.
On graduation you will have a proven ability to undertake focused research, improved your written and oral presentation skills, and honed skills in critical analysis. In addition, you will have an understanding and a critical awareness of current problems and/or new insights in literature, film, cultural studies or the visual arts. All of the these skills will be appealing to employers and enable you to pursue your chosen career. Alternatively, you will also be in a strong position to continue onto doctoral study, having demonstrated that you have the self direction, originality and initiative required.
In recent years a number of our Modern Languages, Literature and Culture postgraduates have gone on to successful academic careers both in Britain and internationally in the fields of modern languages, critical theory and film.
Postgraduates have also embarked upon many interesting and successful careers outside academia – in the UK, continental Europe and the United States – including journalism at The Independent, work for NGOs, trade sales, publishing, professional translating, teaching, opera direction, museum curatorship, creative arts, and librarianship.
The distinctive emphasis of Goldsmiths' Department of History is a theorised, interdisciplinary and comparative approach to research.
The culture of the Department of History is open, friendly and accessible, and research students are encouraged to be innovative in their use of sources and methodologies.
Our staff is young and we are on the cutting-edge of our fields and the student-teacher ratio allows us to devote an unmatched amount of time to individual supervision. Find out more about staff in the department.
Find out more about research degrees at Goldsmiths.
Assessment is by thesis and viva voce.
Research in the Department of History is esteemed internationally. History staff publish books and articles with leading international publishers and journals and their research has been externally funded by the AHRC, the British Academy, the Panacea Society and Wellcome Trust.
Find out about individual Staff.
Our PhD students have taken up academic posts in history and related fields around the world; others are employed in the media and as researchers and teachers.