This pathway of the MA in Literary Studies will centre on the study of the theory and practice of comparative literature.
The core module, Studies in Comparative Literature and Criticism, will introduce you to the history, main concepts, and debates of comparative literary theory, complementing these with close readings of a wide range of texts from different periods, media (verbal, visual, filmic), and from diverse cultural, geographic and linguistic backgrounds, thus giving you the opportunity to engage in detailed comparative readings.
While the core module gives you a strong grounding in comparative literature, you also have the opportunity to pursue your wider interests thanks to the flexible structure of the MA, by studying three options from the large provision of the department, choosing at least one of these in an area that is relevant to comparative studies. Both the core module and the options are taught by leading specialists of the subject.
You will be able to further develop your own comparative reading skills and reflections through a 15,000-word dissertation to be submitted at the end of your programme of study.
Although at least a reading competence in another language will be useful (but is not compulsory), and you will be invited to read texts in the original whenever you can, all texts will be studied in English, in English translation, or with English subtitles.
The convenor of this pathway is Professor Lucia Boldrini.
You also take three option modules. Please visit the website for more information
You'll develop transferable skills, including:
Graduates of this programme have gone on to pursue careers in:
Find out more about employability at Goldsmiths.
The programme will deepen your knowledge and understanding of the history and theory of modern and contemporary art, and prepare you for further research and/or a range of careers in the art world.
The MSc combines academic study, including compulsory courses on Research, Theories & Methods and Cultures and Politics of Display alongside option courses on critical subjects and themes, with more practical, vocational elements, appropriate to studying in a major international art centre.
There is a mixture of group teaching, individual tutorials and supervision, and research seminars. You will be taught by research-active staff, including leading experts in their fields. You are also expected to undertake independent study and research.
Formal assessment is by means of academic essays, a dissertation, and project work where appropriate.
The optional internship involves learning by direct practical experience. The MSc is offered full-time or part-time.
Students will acquire knowledge and understanding in the field of modern and contemporary art, as well as transferable research skills. The programme offers the possibility of an internship in a museum or gallery.
The comprehensive nature of this programme, including the specialised courses it offers, will equip you for further research in this fascinating field, and perhaps an academic or curatorial career. In helping you gain vocational skills, experience and contacts, the optional internship can open doors to a career in a museum, gallery or other cultural institution.
This exciting, intellectually rigorous programme gives you the opportunity to develop the study of literature from a variety of perspectives through a number of flexible pathways.
The pathways you can take are:
These enable you to combine theoretical angles with the close reading of a wide range of texts, from different media (literary, filmic, visual), periods, and cultural, geographic and linguistic backgrounds – though all texts will be studied in English, in English translation, or with English subtitles.
Each of the seven pathways centres around a core module which will ground you in the specific features of the period/region/theoretical discipline covered.
Pathway in Comparative Literature & Criticism - Studies in Comparative Literature & Criticism
Pathway in Modern Literary Theory - Theories of Literature & Culture
Pathway in Modern Literature - Modern Literary Movements
Pathway in Literature of the Caribbean & its Diasporas - Literature of the Caribbean & it Diasporas
Pathway in American Literature & Culture - American Literature & Culture: Critical & Theoretical Concepts
Pathway in Romantic and Victorian Literature & Culture - Nineteenth-Century Literature: Romanticisms
Pathway in Shakespeare: Early & Modern - Shakespeare and the Early Modern
A Study Support Workshop will run a number of sessions throughout the year, including sessions on, for example, resources, essay-writing at Master's level, planning and developing dissertation projects.
You will also be able to take part in GLITS, the department's weekly research seminar; in LINKS, the London Intercollegiate Network for Comparative Studies; and in the many activities organised by the Graduate School and other Goldsmiths departments.
Around the core module you choose three option modules from the wide range of options taught in the Department to reflect your own particular interests. You may also take the core module of another pathway as one of your options.
In addition, you also undertake a dissertation.
For core and option module details, see the pathway pages.
Extended course essays; dissertation of 15,000 words.
You'll develop transferable skills, including:
Graduates of this programme have gone on to pursue careers in:
Find out more about employability at Goldsmiths.
The curriculum of this programme is under review for the 2018/19 academic year. Programme structure and course availability is subject to change.
This programme encourages creative, holistic and practical knowledge of this increasingly polymathic field, grounding practical schooling in criticism, art writing and curating in knowledge of key histories and theories of contemporary art. The programme addresses issues raised by the practices of contemporary art, criticism and curating as a means of encouraging you to contribute both critically and practically.
Artists think and act. Being contemporary means engaging with multiple perspectives and different ways of learning. Students of contemporary art theory conduct research in relation to a broad range of creative, cultural and historical contexts in ways that are speculative, writerly, philosophical, organisational, social and economic.
Students apply aesthetics, art theory and criticism, art historiography, anthropology, and critical theory to engage with contemporary art’s variety of media, technologies, images, artefacts, tactics, texts, cultural contexts and professional practices.
Coursework is based on a strategy of blended learning, combining the latest open-source educational technology with more conventional face-to-face lecture, seminar and workshop-based teaching methods. Particular emphasis is placed on the importance of peer learning; group work, field work and experiential learning.
Research projects are student-led, personalised and supervised by a team of academic staff who aim to support whichever direction is most appropriate to your interests, skills and strengths. Theory students form an integral part of our graduate school, writing, producing and commissioning projects in a family of media and adapting approaches drawn from an increasingly wide array of disciplines.
The programme aims to provide you with both an overall level of expertise in recent developments in art practices and theories, and a high degree of specialisation within this field, culminating in an original Research Project. As such, the programme has the following specific aims:
This programme will enable you to develop the creative, organisational and economic knowledge required for a career in the contemporary art world, as a critic or a curator. You will also be qualified to teach studio art and theory in higher education and to work as a self-employed artist.
How is meaning attributed to biblical texts? By following Radboud University’s Master’s specialisation in Biblical Exegesis you will be well-equipped with analytical instruments to discern the crucial decision points in giving meaning in a text. Core concepts in Bible texts are explored in connection to their cultural and historical context.
Students will also investigate and discuss the relation between Bible texts and ethics. How do the texts aim to change the behaviour of their readers? These texts are a crucial point of reference for theological reflection and provide direction in contemporary society and church.
Students are expected to read the Old Testament and the New Testament in their original languages and will be taught to understand these books in the original context in which they were written. They will be handed the necessary tools to study the biblical texts, focussing on such aspects as grammar, sentence structure, literary devices and plot construction. And since these texts function in distinct cognitive environments, students will get acquainted with various ancient Near Eastern and ancient Eastern Mediterranean frameworks of experiencing and thinking.
Although heavily focussed on the Old and New Testament, students will learn skills that can be used to analyse any kind of text. This programme can therefore be compared to other academic literary subjects in that students are taught the general skills of literary criticisms as well as contextualisation. Important to note is the academic approach; students will be able to critically and thoroughly analyse texts. Graduates of Biblical Exegesis will be able to provide explanations and give meaning to the foundational texts of Judaism and Christianity, whether they do that in their role as researcher, spiritual caregiver, pastoral care worker, journalist, policy maker, or educator.
See the website http://www.ru.nl/masters/biblicalexegesis
- This Master’s specialisation offers a beautiful mix of literary criticism and theological reflection.
- A distinctive characteristic of Biblical Exegesis at Radboud University is the unique combination of cognitive linguistics with literary criticism.
- Attention is equally given to both the Old and the New Testament and the relationship between their language, cultural framework and historical context.
- Thanks to electives, students have plenty of room to choose a direction that meets their professional and academic interests. Taking a few seminars from the other theology disciplines of choice (History of Church and Theology, Practical or Systematic Theology) is mandatory to broaden students general knowledge on Theology.
- The third year is aimed at training students for a specific profession. Students can choose research (English), education (Dutch), religion and policy (Dutch) or spiritual care (Dutch).
- Teaching takes place in a stimulating, collegial setting with small groups, allowing for ample opportunity for questions and discussion.
- Radboud University and its Theology department are Roman Catholic in origin, but its Master’s programme in Theology is open to all students. Our students have very diverse religious and cultural backgrounds.
Students of the Master’s specialisation in Biblical Exegesis are taught critical engagement with the Bible. Engagement because students are invited to involve themselves in these texts and in their academic examination. Critical because the analyses will often open up their minds to the fact that Jewish and Christian traditions of interpretations have developed over time, sometimes in ways that distance themselves from the biblical texts’ meanings in their original contexts. Students will get an in-depth understanding of Christian traditions and values and will be encouraged to analyse them thoroughly. They will come to understand that things came to be as they are due to choices made in the past. Students will see that both Bible and tradition have been and will be formative for our present engagements.
In a globalising world more and more institutions require skills in theological communication and hermeneutics. Biblical Exegesis students know how to analyse important texts. Our graduates have an analytical attitude and the strong empirical skills to formulate critical theological perspectives on questions of meaning of life and a viable civil society in our contemporary situation. In addition, the programme teaches you how to think independently and critically about the way Christian doctrine can give meaning contemporary issues.
The Master’s programme Theology has a strong emphasis on career prospects by allowing students to focus on one professional path in their third year: research, education, spiritual care or religion and policy.
The Hebrew, Aramaic, and Greek texts that are analysed in this Master’s specialisation found their origin in cultures of the ancient Near East and the ancient Eastern Mediterranean. These cultures differ greatly from our present day cultures. It is, therefore, a challenging task to understand the meanings of these texts in their contexts of origin and their original conceptual frameworks, to acknowledge their textual composition and aims, as well as their intended social and religious functions. It requires linguistic, literary, cultural, social, ethical, historical, and hermeneutical research. That is why the development and application of research methods plays such an important role in biblical exegesis.
How is meaning is attributed?
In the Master’s specialisation in Biblical Exegesis, students learn how to apply the instruments of textual explanation at an advanced level. Both diachronic analysis (text criticism, historical linguistics) and synchronic analysis (literary criticism) are taught and applied. The central question students engage with is how meaning is attributed in a text. Students will therefore become well equipped to discern the crucial decision points in attributing meaning.
See the website http://www.ru.nl/masters/biblicalexegesis
This programme takes a philosophical, theoretical and historical approach to cultural studies, exploring the work of cultural criticism, reception and production through new critical perspectives, interdisciplinary insights and a vast spectrum of applications and opportunities.
We study the major traditions of cultural theory, including semiology, deconstruction, feminism, psychoanalysis, and Frankfurt School theories of the aesthetic, the media and technology. This training enables you to shape your thinking critically and develop your interests in a rigorously analytical context.
These theoretical and historical perspectives allow us to tease out the critical charge embedded in the notion of culture itself, and the transformative potential of creative and critical work in the arts and humanities.
Close reading and textuality are at the heart of the course, encouraging you to think critically about issues of modernity and postmodernity, the postcolonial, subjectivity and sexuality.
Diverse and dynamic
Founded in 1987 (as MA Cultural Studies), and situated in the School of Fine Art, History of Art & Cultural Studies, this programme appeals to students from across the humanities who are interested in a broad range of objects and genres including literature, film and the visual arts, performance, music, and philosophy.
You’ll work alongside students in different creative and critical disciplines and benefit from the diverse research interests of our tutors. It’s a dynamic environment where you’ll gain valuable knowledge and skills in a city with a vibrant cultural life.
Leeds University Library is one of the major academic research libraries in the UK with extensive print, online and manuscript collections. The University Library offers a comprehensive training programme to help you make the most of them. The School houses Parallax, published by Taylor and Francis, an internationally distributed journal of cultural theory and analysis.
The two modules that sit at the heart of this course will develop your understanding of cultural theory over time.
A core module in Cultural Theory offers an introduction to key paradigms, focusing on theories of the commodity, language, discourse, subjectivity and sexuality.
The second core module, Cultural History, explores the genealogies of contemporary theory in relation to a longer tradition of cultural criticism that emerged, with modernity itself, in the 18th century. Emphasis is given to practices of close reading, the question of textuality and the case study.
You will develop an understanding of the ideas of ‘commodity’ and commodity fetish’ that are central to the study of consumer culture, as well as issues around language, sign and discourse and subjectivity. You will put this into the context of the development of cultural studies, focusing on thinkers from Rousseau to Kant and Homi Bhabha. You will use film and other texts to explore these ideas.
In each semester, you will also have the chance to specialise when you choose from a range of optional modules.
We provide an integrated course of training in advanced level research. The skills you will develop, combined with the specialist knowledge built through your optional modules, will ultimately be focused in your dissertation ― an independent and self-devised research project, which you will undertake with the guidance of your supervisor. In Semester 2, you will present some of your own research at the annual MA Symposium.
If you choose to study part-time, you will study over a longer period and take fewer modules in each year.
To help you benefit from the expertise of our tutors, we use a range of teaching and learning methods. These include seminars, film screenings, lectures, online learning and tutorials. Independent study is also a crucial component, allowing you to form your own ideas and develop your research and critical skills.
Assessment methods will vary depending on the modules you choose. However, among others they may include essays, in-course assessment, group and individual presentations, poster presentations and portfolio or e-portfolio work.
This programme will develop your critical and cultural awareness and expand your subject knowledge in theories and histories of culture. In addition, it will equip you with sophisticated research, analytical, critical and communication skills that will put you in a good position to succeed in a variety of careers.
Many of our graduates have also continued with their research at PhD level and secured external funding to support them – including AHRC scholarships. A large proportion of our former research students are now developing academic careers in the UK, Europe, Asia, USA and Australia.
Some have taken up posts working as curators and education staff in museums and galleries, as well as in journalism, publishing, arts marketing, public relations, university administration and teaching.
We encourage you to prepare for your career from day one. That’s one of the reasons Leeds graduates are so sought after by employers.
The Careers Centre and staff in your faculty provide a range of help and advice to help you plan your career and make well-informed decisions along the way, even after you graduate. Find out more at the Careers website.
Taking the wealth and diversity of London’s unique artistic culture as its prime focus, this unique programme opens up a variety of pathways to students looking to focus their interests in the broad field of theatre and performance. Shaped around a series of thematic investigations of the city’s unparalleled theatrical and cultural resources, you will be able to pursue a range of projects matched to your professional aspirations.
The programme engages with three basic approaches to study: viewing, making and writing, with students given the freedom to interpret key assessment tasks in line with their developing research and professional interests.
This is a flexible MA with full-time and part-time attendance options and which provides a sound practical and theoretical basis from which to move on to professional practice and training or further study at MPhil/PhD level.
You will join a welcoming and diverse postgraduate community in a well-established UK department of drama, theatre and performance which offers a range of opportunities to work on staff and student-led projects in addition to your own studies.
Viewing is at the heart of the programme, with regular collective attendance at a curated programme of events in London, during the Autumn and Spring terms, selected by the tutor team and provided without charge to students. Making connections between these events, you will explore a range of themes, genres and contexts that shape the performing arts in the city. This experience is supported by a programme of guided reading and discussion-based seminar sessions.
Making and Writing are the strands of the programme where you develop your own responses to these themed investigations, which act as the springboard for your own projects. You will have the freedom to choose from a variety of formats for your assessed work, which might include live performance, theatre criticism, photographic, video or sound-based work. You can choose to explore a variety of formats and approaches or focus your work on a particular type of practice. In the first term, you will be introduced to a range of creative and analytical research methods that are designed to support the development of your own interests, leading on to a proposal for a major project that you undertake during the second half of the year. Writing offers a pathway for students to explore forms of textual practice, including writing for performance, theatre criticism, performative writing, dramaturgical research and response. This approach also offers the possibility of developing new kinds of conversations between audiences, artists, producers and other constituencies in the performance cultures of the city.
The following are modules currently offered on the course:
This course develops students towards professional careers in the Arts as well as towards possible PhD or MFA study.