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Masters Degrees (Critical And Cultural Theory)

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Critical theory has become increasingly important as a way of understanding and intervening in cultural debates. Read more

Overview

Critical theory has become increasingly important as a way of understanding and intervening in cultural debates. This programme will allow you to read the work of critical theorists from different fields and approaches with sensitivity and critical insight, as well as exploring the complex dynamics of literature, culture and politics.

You’ll develop your knowledge of research methods in critical and cultural studies through a core module and you’ll choose from a range of options allowing you to explore theories and thinkers that suit your own interests. You can even choose one module from elsewhere in the School of English, giving you the chance to broaden the scope of your understanding.

With the support of active researchers and access to our extensive library and research resources, you’ll be able to learn more about the evolution of critical and cultural debates, while gaining high-level skills that are valuable in a range of careers.

You’ll learn in a stimulating environment with access to excellent resources for your research. The world-class Brotherton Library has extensive holdings to support the study of literature, and our Special Collections are full of archive and manuscript material. The University Library offers full training to help you make the most of them, equipping you with valuable skills in the process.

The degree is also available to study part-time over 24 months. The part-time MA may be of special interest to those who are working in related fields as part of their career development.

Course Content

A core module in your first semester will develop your understanding of research methods in critical and cultural theory, as well as allowing you to build and improve your research skills. You will also take three option modules, one in semester one and two in semester two. At least two of these modules should be related to critical and cultural theory. Your third option module can be taken from the full range on offer across the School of English.

Throughout the programme, you’ll use different theoretical lenses to explore the complex relationships between art, culture and politics with a specific focus on literature. You’ll also specialise in an area of critical and cultural theory of your choice when you complete a dissertation or research project, which you’ll submit by the end of the programme.

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This programme takes a philosophical, theoretical and historical approach to cultural studies, exploring the work of cultural criticism, reception and production through new critical perspectives, interdisciplinary insights and a vast spectrum of applications and opportunities. Read more

Overview

This programme takes a philosophical, theoretical and historical approach to cultural studies, exploring the work of cultural criticism, reception and production through new critical perspectives, interdisciplinary insights and a vast spectrum of applications and opportunities.

We study the major traditions of cultural theory, including semiology, deconstruction, feminism, psychoanalysis, and Frankfurt School theories of the aesthetic, the media and technology. This training enables you to shape your thinking critically and develop your interests in a rigorously analytical context.

These theoretical and historical perspectives allow us to tease out the critical charge embedded in the notion of culture itself, and the transformative potential of creative and critical work in the arts and humanities.

Close reading and textuality are at the heart of the course, encouraging you to think critically about issues of modernity and postmodernity, the postcolonial, subjectivity and sexuality.

The degree is also available to study part-time over 24 months. The part-time MA may be of special interest to those who are working in related fields as part of their career development.

Diverse and Dynamic

Founded in 1987 (as MA Cultural Studies), and situated in the School of Fine Art, History of Art & Cultural Studies, this programme appeals to students from across the humanities who are interested in a broad range of objects and genres including literature, film and the visual arts, performance, music, and philosophy.

You’ll work alongside students in different creative and critical disciplines and benefit from the diverse research interests of our tutors. It’s a dynamic environment where you’ll gain valuable knowledge and skills in a city with a vibrant cultural life.

Leeds University Library is one of the major academic research libraries in the UK with extensive print, online and manuscript collections. The University Library offers a comprehensive training programme to help you make the most of them. The School houses Parallax, published by Taylor and Francis, an internationally distributed journal of cultural theory and analysis.

Course Content

The two modules that sit at the heart of this course will develop your understanding of cultural theory over time.

You’ll develop an understanding of the ideas of “commodity” and “commodity fetish” that are central to the study of consumer culture, as well as issues around language, sign and discourse and subjectivity. Then you’ll put this into the context of the development of cultural studies, focusing on thinkers from Rousseau to Kant and Homi Bhabha. You’ll use film and other texts to explore these ideas.

In each semester you’ll also have the chance to specialise when you choose from a range of optional modules. From Derrida and deconstruction to medieval art, representations of the Holocaust, technology and the media, Jewish culture and aesthetic theory, you’ll be able to focus on topics that suit your personal interests.

At the same time, you’ll build your knowledge of research methods and improve your own skills. To demonstrate all you’ve learned, you’ll work towards presenting your research at a symposium in Semester 2 and complete a dissertation on a topic of your choice.

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The MA in Cultural Policy, Relations and Diplomacy is a trans-disciplinary programme that addresses the theory and practice of cultural policy, cultural relations, and cultural and public diplomacy- http://www.gold.ac.uk/pg/ma-cultural-policy-relations/. Read more
The MA in Cultural Policy, Relations and Diplomacy is a trans-disciplinary programme that addresses the theory and practice of cultural policy, cultural relations, and cultural and public diplomacy- http://www.gold.ac.uk/pg/ma-cultural-policy-relations/

This broad area of study and the terminology applied to it is fluid and expanding. Having culture as the underlying thread, the programme explores areas such as:

arts policy and management
globalisation
cultural relations
public diplomacy
cultural and arts diplomacy
external communications
place branding
This will provide a unique perspective into this field of study, and will examine topics such as mobility of cultural practitioners, cultural identity, intercultural dialogue, mutuality, propaganda, soft power, hegemony, influence and perceptions.

Goldsmiths' location in provides you with a unique experience of living in a multicultural world city, which is of great relevance to the study of cultural policy, relations and diplomacy.

You'll study in the Institute for Creative and Cultural Entrepreneurship (ICCE). ICCE's individual and institutional links with an extensive network of organisations, policy advisors and cultural practitioners in those areas in London and in Europe allow you to experience exceptional research and study resources.

Industry links

ICCE’s established organisational links include, for example, the British Council, Visiting Arts, EUNIC London Hub and Demos. ICCE is also a member of ENCATC (the leading European network on Cultural Management and Cultural Policy education). The Institute is also responsible for fostering the sharing of information and discussion of issues related to international cultural relations across disciplines on the JISCMail list cultural-relations-diplomacy.

Expert staff and invited professionals

Our staff and invited academic and professional experts will enhance your learning. They'll discuss relevant literature and will present case studies and practical examples with local, national and global dimensions involving a range of individuals and organisations, including corporations, governments, international bodies and NGOs.

Contact the department

If you have specific questions about the degree, contact ICCE.

Modules & Structure

This MA is a 180-credit programme consisting of four 30-credit modules and a 60-credit dissertation.

The two main modules of the programme, Cultural Policy and Practice and Cultural Relations and Diplomacy are complemented by a module on Contemporary Issues in Cultural Policy that brings to the fore present themes that require further study.

The fourth module of the programme is an option from a selection of modules covering arts engagement, media, business, languages and politics - this is designed to allow you to tailor the programme to your own particular skills and/or interests.

The teaching methodologies used in these modules will be conducive to creative and independent in-depth and collaborative learning. They'll culminate in the production of a final dissertation in which you will explore in detail a topic building on your interests and knowledge.

The programme allows and encourages you to engage in work placements while attending the modules. These are not a formal part of the programme, but some support will be provided building on ICCE’s extensive experience of internship management and network of contacts.

Skills

Graduates of this programme develop a wide range of skills and competencies.

Knowledge and understanding

You'll be able to:

Describe and understand a range of practices, policies, structures and systems in the cultural policy and international cultural relations areas involving a variety of stakeholders (individuals, NGOs, foundations, corporations, governments, international and supranational organisations)
Define and understand the use of theories and key concepts in cultural policy, cultural relations and cultural and public diplomacy, such as culture, identity, globalisation, soft power, hegemony, influence, propaganda, mutuality, trust, intercultural dialogue, nation building/branding
Discuss the importance of cultural policy in relation to international cultural relations
Understand the diverse and changing relationships between culture/arts, politics and international relations
Build on your existing experience and/or interest to develop knowledge within cultural policy and international cultural relations

Cognitive and thinking skills

You'll be able to:

Analyse and evaluate the role of the 'actors' and their practices, as well as the structures and systems framing cultural policy and international cultural relations
Discern how to apply a range of trans-disciplinary concepts and theories to the understanding of policies, practices, structures and systems in the areas of cultural policy, cultural relations and cultural diplomacy
Identify and critically analyse contemporary issues
Build on your existing experience and/or interest to further develop analytical, critical and conceptual skills within cultural policy and international cultural relations

Practical skills

You'll be able to:

Analyse public policies in the areas of culture and international cultural relations at micro and macro levels
Devise, develop, conduct and deliver an independent piece of research relevant to cultural policy and international cultural relations, using a self-reflective approach
Demonstrate the origins of your thinking in cultural policy and international cultural relations by adequately referencing sources that have been evaluated for credibility, objectivity, accuracy and trustworthiness
Communicate effectively and succinctly through oral presentation and express yourself in writing for academic and other audiences, employing when necessary the appropriate ICT tools and skills

Key transferable skills

You'll be able to:

Share and exchange expertise and skills with other students and the tutors on the course employing effective written and oral communication skills
Demonstrate you are an independent and creative learner able to exercise initiative and personal responsibility for your own learning and planning processes
Conduct research methodically to find an answer that is complete, accurate and authoritative
Work effectively as part of a team

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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The MA Cultural Geography (Research) is celebrating its 20th birthday in 2015-2016. The course was founded in 1995 as one of the first masters programmes in the world to offer students focused engagement with the then emerging sub-discipline of Cultural Geography. Read more
The MA Cultural Geography (Research) is celebrating its 20th birthday in 2015-2016. The course was founded in 1995 as one of the first masters programmes in the world to offer students focused engagement with the then emerging sub-discipline of Cultural Geography.

Twenty years later and Cultural Geography is one of the most dynamic sub-disciplines in contemporary geography. Our course reflects this dynamism. We combine core concepts with research methods training and interdisciplinary scholarship and practice. We develop this alongside innovative placements and research engagements with some of world’s top cultural institution, located on our doorstep in London.

Thematically cultural geography focuses on the interconnections between place,landscape, environment, mobilities and identity, and thus has profound relevance for the contemporary world. Our graduates go onto work in a range of sectors, including the arts and cultural sector, publishing, planning and urban policy, private and public sector research work as well as many carrying on to further doctoral study.

As profiles of our recent students (https://landscapesurgery.wordpress.com/2014/11/13/maculturalgeography/) show, the course attracts a diverse range of students from a range of backgrounds, not just those with geography degrees.

To see more about the activities around the MA Cultural Geography at Royal Holloway, please look at our research group blog Landscape Surgery - https://landscapesurgery.wordpress.com/ .

See the website https://www.royalholloway.ac.uk/geography/coursefinder/maculturalgeography.aspx

Why choose this course?

- This well established course aims to provide research training and practice at Master’s level in Human Geography, with a particular emphasis on Cultural Geography; to prepare you for independent research at doctoral level in Human Geography; and to develop specialised knowledge and understanding of research, particularly involving cultural analysis, interpretation and practice.

- The course has a strong track record in gaining Research Council Funding for students. This includes ESRC 1+3 funding as well as funding from AHRC TECHNE. Please see the funding opportunities page for further details.

- The MA in Cultural Geography (Research) combines the vibrant research of the outstanding Social and Cultural Geography group with cutting edge teaching. The quality of our course was recognised by our external examiner as offering a gold-standard for the sector. Our teaching was nationally recognised by the student nominated award for “Best Teaching Team” (Arts and Humanities) at the National Prospects Post-Graduate Awards (2013).

- The programme includes cutting-edge conceptual teaching in themes such as theories of place and space, postcolonial geographies, geographies of knowledge, mapping and exploration, landscape, memory and heritage, geographies of consumption, material geographies, geographies of embodiment, practice and performance, critical urbanisms and creative geographies.

- At RHUL we are known for our commitment to collaborative research, offering you the chance to develop your seminar and tutorial-based learning alongside world leading cultural institutions. These include the Science Museum, V&A Museum, Museum of London, British Library, Natural History Museum, Royal Botanic Gardens Kew, Institute for International Visual Arts, and the Royal Geographical Society.

- You will be well prepared to continue to a PhD, building on the research you have completed on this course.

Department research and industry highlights

Social and Cultural Geography at Royal Holloway emphasises the cultural politics of place, space and landscape. The Group's research stresses theoretically informed and informative work, values equally contemporary and historical scholarship, and engages with diverse geographical locations within and beyond the UK.

SCG is home to a large and intellectually vibrant postgraduate community. There are around 40-50 postgraduates in the Group at any time. Many of the past graduates of the MA and SCG PhDs are now established academics in their own right.

SCG is well-known for its collaboration with a range of cultural institutions beyond the academy; recent partners include the the Science Museum, Victoria and Albert Museum, National Maritime Museum, British Library, British Museum, Museum of London and the Royal Geographical Society. The Group also has a tradition of including creative practitioners within its activities, as artists in residence, as research fellows and through participation in major research projects.

Many leading journals are edited by group staff, including Cultural Geographies, the Journal of Historical Geography, Geoforum, History Workshop Journal and GeoHumanities. Please see the Landscape Surgery blog for further information on Social and Cultural Geography activities at RHUL.

Course content and structure

The programme consists of four elements, all assessed by coursework.

- Element 1: Contemporary Cultural Geographies
This is a programme of seminars on current ideas, theory and practice in Cultural and Human Geography. It includes the following themes: theories of place; colonial and postcolonial geographies; biographies of material culture; embodiment, practice and place; geographies of consumption; culture, nature and landscape; space, politics and democracy; cultures of politics.

- Element 2: Methods and Techniques in Cultural Geography
This consists of a programme of workshops devoted to research methodologies and techniques in Cultural Geography. It includes research strategies and project design; reflexivity and ethics; ethnographic research; social survey; qualitative data analysis and computing; visual methodologies; interpreting texts; interpreting things; interpreting movement; negotiating the archives; the arts of cultural geography.

- Element 3: Research Training
You will be introduced to the culture of research in Human Geography and provided with a broad training for independent research within contemporary cultural geography. This element supplements the more specialised research training in research techniques in Element 2, and culminates in a 5,000 word research proposal for the Dissertation.

- Element 4: Dissertation
You will produce a substantial (15-18,000 word) research dissertation, under supervision.

On completion of the course graduates will have:
- advanced knowledge and expertise in the field of Cultural Geography and its current research questions
- advanced knowledge in the ideas, approaches and substantive themes of contemporary Cultural Geographies
- advanced knowledge of the research methods and techniques of Cultural Geography
- knowledge of the culture of research.

Assessment

Assessment is by coursework only. Formative feedback and detailed ongoing discussion of work before final submission is a central part of the teaching ethos of the course. Students also have significant autonomy in the selection of topics for coursework and dissertation allowing them to develop particular interests and specialisms.

Contemporary Cultural Geographies (Element 1)
Assessed by two course essays of up to 5,000 words (25% of final mark).

Methods and Techniques in Cultural Geography (Element 2)
Assessed by two workshop reports of up to 5,000 words (25% of final mark).

Research Training (Element 3)
Assessed by a 5,000-word dissertation proposal and satisfactory completion of modules taken in the element (Pass required).

Dissertation (Element 4)
Assessed by submission of a completed dissertation of 15-18,000 words. (50% of final mark).

Employability & career opportunities

Throughout the MA we spend time exploring possible career trajectories with our students.

This includes working on PhD applications – over 50% of our students go onto do PhDs and many go into academic position thereafter.

We also run a series of placement days with key cultural institutions in and around London including, British Library, Royal Geographical Society and Kew that help students develop skills, experience and contacts.

In recent years our graduates have entered a range of sectors, including the creative industries (advertising and marketing), the museum and research sectors (British Library, National Archive, and research assistantships in various academic projects).

We offer a series of course and activities to support career development:

1) Transferable Skills sessions

During the course staff on the MA not only teach key ideas and research methods, but also help students hone a series of transferable skills. As well as writing and presentation skills, activities on Element three enable the development of team-working and delegation skills. We also hold a series of dedicated skills sessions during the course including social media skills and networking skills run both by staff and by specialists from the careers office.

2) Career Development sessions and workshops

Both staff on the MA and the specialist staff at RHUL career centre offer tailored career development sessions. These might involve talking about developing an academic career, exploring careers in the cultural sector, as well as generic skills such as preparing your CV and developing a Linkedin profile.

3) Cultural Engagements and Placements

Staff on the MA course make the most of their research links with arts and cultural organisations to help students develop placement based work during their course.

Element three activities are designed to help students build up their CVs but also their contacts, and we are happy to help arrange shorter placements during element 1 and 2 pieces or longer-term placements for dissertation work. Past placements have seen students working with a range of key cultural institutions in and around London including the Royal Geographical Society, Kew Gardens, Furtherfield Digital Media and The British Museum.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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This programme offers you the chance to study a range of theories in depth. It engages with modern literary theory, psychoanalytical theory, political theory and theories of visual and aesthetic experience. Read more
This programme offers you the chance to study a range of theories in depth. It engages with modern literary theory, psychoanalytical theory, political theory and theories of visual and aesthetic experience.

You reflect on these areas of thinking in themselves and as they relate to particular literary texts, to post-enlightenment philosophy and to other relevant areas of culture and experience. It is for those interested in writing, reading, language, art, the self, literature and discovering more about the relations between literature and philosophy.

The MA in Critical Theory offers a choice of two core courses that survey a wide range of modern theoretical approaches, and a range of taught options covering postcolonial theory, theories of art, modern approaches to comparative literature, deconstruction and a chance to work in depth on a single key theoretical text and the writings it refers to.

Visit the website https://www.kent.ac.uk/courses/postgraduate/216/critical-theory

About the School of English

The School of English has a strong international reputation and global perspective, apparent both in the background of its staff and in the diversity of our teaching and research interests.

Our expertise ranges from the medieval to the postmodern, including British, American and Irish literature, postcolonial writing, 18th-century studies, Shakespeare, early modern literature and culture, Victorian studies, modern poetry, critical theory and cultural history. The international standing of the School ensures that we have a lively, confident research culture, sustained by a vibrant, ambitious intellectual community. We also count a number of distinguished creative writers among our staff, and we actively explore crossovers between critical and creative writing in all our areas of teaching and research.

The Research Excellence Framework 2014 has produced very strong results for the School of English at Kent. With 74% of our work graded as world-leading or internationally excellent, the School is ranked 10th out of 89 English departments in terms of Research Intensity (Times Higher Education). The School also received an outstanding assessment of the quality of its research environment and public impact work.

Course structure

You take two modules in the autumn term and two in the spring term; one core module (FR866: Literature and Theory) and three optional modules. You are also expected to attend the Faculty and School Research Methods Programmes.

You then write a theory-based dissertation between the start of the Summer Term and the end of August.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

FR866 - Literature and Theory (30 credits)
FR807 - Postmodern French Detective Fiction (30 credits)
EN889 - Literary Theory (30 credits)
EN897 - Advanced Critical Reading (30 credits)
FR872 - Theories of Art in Modern French Thought (30 credits)
CP808 - Writing the Self: Autobiography in the Modern Period (30 credits)
CP810 - Comparative Literature in Theory and Practice (30 credits)
EN852 - Colonial and Postcolonial Discourses (30 credits)
EN857 - Body and Place in the Postcolonial Text (30 credits)
TH831 - Spirituality and Therapy (30 credits)
TH833 - Contemporary Critical Approaches to the Study of Religion (30 credits)
EN876 - Dickens and the Condition of England (30 credits)
EN888 - Extremes of Feeling: Literature and Empire in the Eighteenth Century (30 credits)
EN818 - American Modernism 1900-1930 (Teaching Period I) (30 credits)
EN832 - Hacks, Dunces and Scribblers: Authorship and the Marketplace in the Eig (30 credits)
EN835 - Dickens, The Victorians and the Body (30 credits)
EN842 - Reading the Contemporary (30 credits)
EN850 - Centres and Edges: Modernist and PostcolonialQuest Literature (30 credits)
MT864 - Reading the Medieval Town: Canterbury, an International City (30 credits)

Assessment

The course is assessed by coursework for each module and by the dissertation which accounts for a third of the final grade.

Programme aims

This programme aims to:

- extend and deepen through coursework and research your understanding of modern literary and critical theory

- study the reading-practices, analytic tools and vocabularies of modern critical thought

- develop your independent critical thinking and judgement

- introduce you to the research methods that facilitate advanced theoretical study of literature

- provide a basis in knowledge and skills if you intend to teach critical theory, especially in higher education

- develop your understanding and critical awareness of the expressive and analytical resources of language

- offer scope for the study of critical theory within an interdisciplinary context, notably that provided by philosophy

- develop your ability to argue a point of view with clarity and cogency, both orally and in written form

- examine this writing in the wider context of literature, culture and philosophy

- provide teaching which is informed by current research and scholarship and which requires you to engage with aspects of work at the frontiers of knowledge

- develop your research skills to the point where you are ready to undertake a research degree, should you so wish.

Careers

Many career paths can benefit from the writing and analytical skills that you develop as a postgraduate student in the School of English. Our students have gone on to work in academia, journalism, broadcasting and media, publishing, writing and teaching; as well as more general areas such as banking, marketing analysis and project management.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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The Cultural and Critical Theory MA will give you a sophisticated appreciation of the limits of human understanding, the interdependence of philosophy and theory, and the implications of these for political action, aesthetic sensibility and representation in art and activism. Read more
The Cultural and Critical Theory MA will give you a sophisticated appreciation of the limits of human understanding, the interdependence of philosophy and theory, and the implications of these for political action, aesthetic sensibility and representation in art and activism.

The course offers three distinct pathways:

- Aesthetics and Cultural Theory
- Globalisation, Politics and Culture
- Philosophy and Critical Theory

All pathways provide for the development of an advanced understanding of specialist areas in cultural and critical theory, and effective preparation for doctoral research.

The core course, delivered during the autumn and spring terms, is complemented by a research methods module and two elective modules that offer opportunities for study across the range of humanities provision.

The course culminates in the submission of a specialist 20,000-word (or equivalent) project, which allows you to apply your advanced philosophical and theoretical understanding to an issue or text of your choice.

Taught courses are delivered with a maximum size of 12 students. Supervision for the project, and for pre and post-essay tutorials, is on a one-to-one basis with the appropriate tutor.

Areas of study

Delivered during the autumn and spring terms, the core course consists of a common lecture line and two modules in aesthetics and cultural theory, philosophy and critical theory, or political and cultural globalisation, depending on your chosen specialist area.

You also take a research methods module, which prepares you for the research project by considering the various approaches taken by relevant disciplines, interrogating the requirements of MA-level research and addressing how your intended research topic might best be refined.

The project itself normally consists of 18-20,000 word dissertation (or 12,000 words alongside a video, an installation or studio-based work) in which you apply your knowledge of cultural or critical theory to an issue or text of your choosing. Your work towards this submission is supported by one-to-one project supervision.

The elective modules can take one of three forms:

- a module from another MA course in the humanities programme, or from elsewhere in the College of Arts and Humanities
- a Higher Education Teaching and Learning Course in which you shadow a tutor in the delivery of a module on the undergraduate programme
- a 10,000-word extended essay with regular one-to-one tutorial supervision.

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The aim of the programme is to offer grounding in the theories on Cultural Studies which draws on Marxism, Structuralism, Post-Structuralism, Post-Marxism, Feminism, and Post-Modernism and their use, application and adaption in the cross-cultural contexts of Africa, Asia and the Middle East. Read more
The aim of the programme is to offer grounding in the theories on Cultural Studies which draws on Marxism, Structuralism, Post-Structuralism, Post-Marxism, Feminism, and Post-Modernism and their use, application and adaption in the cross-cultural contexts of Africa, Asia and the Middle East. It provides an examination of the main historical concepts in Western culture such as ideology, power, class, identity, race, nation, subjectivity, representation, and memory and how these are challenged by scholars working in non-Western cultures of Africa, Asia and the Middle East. The aim is to explore the different and plural cultural histories and memories of these contexts to which Cultural Studies must adapt.

Theoretical paradigms covered will reflect on issues of class, ‘race’, gender, sexuality, ethnicity, representation and religion. The course will investigate central questions of epistemology and methodology in relation to the application of Cultural Studies theories in non-Western contexts. The programme is theory and practice based and therefore, it draws on case studies from a diversity of cultural practices, genres and contexts to elucidate complex theoretical concepts and challenge their limitations and/or validity in the context of Asia, Africa and the Middle East.

The programme aims to equip students with sufficient knowledge to understand and evaluate the way in which Cultural Studies theories and methods are used in cross-cultural contexts and hence develop analytic skills for undertaking their own research projects.

Visit the website http://www.soas.ac.uk/cclps/degrees/macultstud/

Structure

The Programme will consist of modules valued at 3 units and a dissertation of 10,000 words.

Full-time students will be allowed to enrol for four units during term one (part-time students two or three), if one of the units is a language acquisition unit. At the end of term one they will have to withdraw from one unit, leaving units to the value of three (pro rata for part-time students) and a dissertation.

MA Cultural Studies Programme Specification 2012/2013 (pdf; 40kb) - http://www.soas.ac.uk/cclps/degrees/macultstud/file53952.pdf

Employment

A postgraduate degree in Cultural Studies from SOAS provides its students with expertise in non-European cultures, in-depth regional knowledge, and strong research and critical analysis skills. As well as subject expertise, Postgraduate students are equipped with the transferable skills needed to continue in research as well as the skills needed to enable them to find professional careers in the private and public sectors. These include familiarity with methods of research; the ability to absorb and analyse large quantities of information; organisational skills. A postgraduate degree is a valuable experience that provides students with a body of work and a diverse range of skills that they can use to market themselves with when they graduate.

For more information about Graduate Destinations from this department, please visit the Careers Service website (http://www.soas.ac.uk/careers/graduate-destinations/).

The Department

The SOAS Centre for Cultural, Literary and Postcolonial Studies (CCLPS) exists to promote the disciplines of Comparative Literature, Cultural Studies and Postcolonial Studies in relation to Africa, Asia and the Middle East. The Centre is housed in and administered by the Faculty of Languages and Cultures, but as a Centre dedicated to interdisciplinary study it is not subordinate to any single Department in the Faculty, either administratively or intellectually.

Many theorists and scholars in the different disciplines of Comparative Literature, Cultural Studies and Postcolonial Studies are stressing the need for a move toward the study of non-European literatures and non-European aesthetic and cultural practices. The range of expertise in non-European literatures and cultures offered at SOAS aims to respond and contribute to current critical and theoretical debates in these disciplines.

The mission of the CCLPS is therefore to promote research on non-European cultures and literatures in the disciplines of Comparative Literature, Cultural Studies and Postcolonial Studies, with the aim of having an impact on the debates and of eventually reinvigorating and pioneering certain dimensions of the disciplines. The SOAS CCLPS also aims to promote comparative critical thought and postgraduate research in critical methods derived from the study of non-European literatures and aesthetic and cultural practices, in addition to written literatures in European languages.

The SOAS CCLPS provides an administrative and intellectual home for the School’s MA Comparative Literature, MA in Cultural Studies and MA in Postcolonial Studies, as well as the MPhil/PhD programmes in these three disciplines. The Centre places its emphasis on the acquisition of critical theoretical skills and in-depth regional knowledge across disciplines. Members of the Centre and current research students work on an exceptionally wide range of topics, both theoretical and critical. Supervision for research students can be provided across this wide range. MPhil/PhD students may register for a degree in Comparative Literature, Cultural Studies or Postcolonial Studies while being supervised by an associate member based in a SOAS department.

The Centre organises a training programme in the three disciplines for research students, in coordination with the faculty wide Research Training Seminar, which is supported by regular Centre seminars. The Centre also liaises with other discipline-based centres and departments over the following MA degree programmes offered faculty wide: MA African Literature, MA Chinese Literature, MA Japanese Literature, MA Korean Literature, MA Arabic Literature, MA Gender Studies, MA Theory and Practice of Translation.

Membership of the SOAS Centre for Cultural, Literary and Postcolonial Studies is open to all academic staff and students at SOAS as well as to individuals based in other higher education institutions in the UK with an academic interest in the disciplines of Comparative Literature, Cultural Studies and Postcolonial Studies. Membership will operate on an annually renewable basis. Members will be listed under the following headings: Steering Committee, SOAS Staff (listed by discipline), SOAS Postgraduates (listed by discipline), International Advisory Board (to be invited by Chair through Steering Committee), Visiting Scholars and Affiliated Scholars. An up-to-date list of current members will be maintained by the Centre and will be subject to the Data Protection Act.

Find out how to apply here - http://www.soas.ac.uk/admissions/pg/howtoapply/

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This innovative, interdisciplinary MA provides students with a comprehensive introduction to the critical tradition that shapes today’s human and social sciences. Read more
This innovative, interdisciplinary MA provides students with a comprehensive introduction to the critical tradition that shapes today’s human and social sciences.

Taught by an interdisciplinary team with expertise in areas such as literary theory, continental philosophy, psychoanalysis, cultural studies and political theory, the course will appeal to students, especially those graduating from cultural studies or general humanities degrees, who are interested in further studies that emphasise theoretical approaches while maintaining a focus on their application to contemporary cultural events and practices.

The largely seminar-based teaching allows students to actively engage with thinkers as diverse as Raymond Williams, Stuart Hall, Pierre Bourdieu and Jean Baudrillard, whilst exploring key critical theoretical discourses in the humanities and their application to concrete cultural practices.

Students join a thriving postgraduate community and are encouraged to take part in the Department’s various reading groups, Work in Progress seminars, visiting speaker lectures, and research seminars which combine to create a lively, intellectually stimulating, and supportive learning environment.

Course Structure

The MA in Critical Theory and Cultural Studies may be followed one year full-time or two-three years part-time – and we do our best to accommodate the needs of part-time students.

Full-time students take two core modules in the first semester and two optional modules in the second semester – one of which can be chosen from another related MA programme – and submit a dissertation. Part-time students complete this allocation within 24-36 months.

Core modules may include:
• Cultural Studies: Theory and Practice
• Material Cultures and Everday Life
• Research Skills
• Social and Political Theories
• Subject and Sign after Freud and Saussure

Optional second semester modules may include:
• Mass Media
• Postcolonialisms
• Culture Industries
• Visual Cultures

All students are assigned a personal tutor as well as a dissertation tutor to guide them through their coursework.

Information about our research interests and publications is available at http://www.nottingham.ac.uk/clas/research/index.aspx

Assessment

All taught modules are assessed by a 5,000-word assignment, submitted towards the end of the semester in which the module is
taught. Students also submit a 20,000-word dissertation, usually in early September. There are no examinations.

Additional Entry Requirements

Candidates whose first language is not English must achieve an overall score on the British Council IELTS test of at least 7 with no less than 6 in each element; or a TOEFL score of 600 with at least 4.5 in the Test of Written English (TWE); or a TOEFL score iBT score of 100, with no less than 19 in any element. Test results should be no more than two years old.

Careers

Written coursework encourages the development of the scholarly tools required for doctoral research, and many of our graduates go on to pursue further studies at doctoral level. The course also provides students with a high degree of cultural awareness and literacy useful for careers in the media, advertising and public relations.

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On this MA you will interrogate digital culture as you develop and think through your own projects in our bespoke Centre for Cultural Studies media lab. Read more
On this MA you will interrogate digital culture as you develop and think through your own projects in our bespoke Centre for Cultural Studies media lab. You will undertake research and writing that incorporates contemporary art, software studies, critical theory, philosophy and cultural studies. http://www.gold.ac.uk/pg/ma-digital-culture/

Our modes of art, experimentation, work, sociability, politics and economies are changed in tandem with the development of digitality. Many of us are now continuously wired into our networks for fun, at work, and at home. We often find ourselves at the margins of networked relationships where different flows of power form from the residue we leave behind in electronic memories. On one hand we find ourselves policed by the ability to sort large amounts of information on the move, on the other, new spaces grow from technical innovation, experimentation and artistic methods.

Join our MA Digital Culture and help create new insights within these logics. Your writing and projects will be supported in an interdisciplinary environment. You do not necessarily need to have an initial project in mind, nor a technical background, just an enthusiasm for learning and experimentation. Each year we have a very lively mix of students who bring prior experience from across the arts, humanities, and sciences.

The MA in Digital Culture helps students develop and realize innovative projects and prepare for, or to create a bridge towards, a critical career in the cultural, creative, educational, analytical, and computational sectors.

This program is based on the research excellence in cultural studies (Scott Lash), software studies (Matthew Fuller), media philosophy (Luciana Parisi) and critical practices (Graham Harwood).

The MA in Digital Culture grew out of the prior MA Interactive Media: Critical Theory and Practice.

Contact the department

If you have specific questions about the degree, contact the Centre for Cultural Studies.

Modules & Structure

We use art methodologies alongside those from computing and cultural theory. A key method adopted in the Lab is to make the space between theory and practice ambiguous. The class makes and explores things, attempting to explain the phenomena being looked at or thought about. Explanation in this context is not necessarily a reduction of phenomena to literature or a system of logics, but can instead be thought of as knowledge incorporated into a thing that we create, look at or point to, through figuring out a proposition.

In practice this means we may:

-Learn MySQL databases and explore how their integral model of entities and relations create new forms of governance and aid in the performance of different scales of power
-Build simple telephony systems while taking inspiration from early/current data networks and their relationship to cultural change, resource wars and political insurrection
-Explore systematic failure within computation by exploring hacking and security issues such as creating fork bombs, doing penetration testing and reviewing the need for cryptography post-Snowden

We actively work with cultural theory in a world with computation as a central pillar. The Digital Culture Unit in the Centre for Cultural Studies, under whose auspices this programme is run, has been a pioneer of practice-led theory. This method pursues a form of working on projects that at the same time undertakes research and writing that incorporates contemporary cultural theory, philosophy and cultural studies. The Masters, therefore, is also ideal for students with primarily theoretical interests who wish to ground these with concrete knowledge and experience.

Building on the Digital Culture Unit's research excellence in software studies, media philosophy and digital art, students will learn to employ cutting edge research and practice-based methodologies to enhance their own skill set. The programme gives you the opportunity to develop critical and speculative theoretical and practice-based research on the ways computational media technologies are embedded in the technical, cultural, aesthetic, and political structures of society and how we interact with them. The applications of such work are highly diverse. The degree helps students to prepare for or to create a bridge towards a critical career in the cultural, creative, educational, analytical, and computational sectors.

Skills

You'll develop skills in:

Theoretical and practice-based research methodologies
Software and hardware production including basic electronics, programming, networking, telephony, relational database analyses
Group working skills
Event planning and production

Careers

The programme helps students to prepare for a critical career in the cultural, creative, educational, analytical, computational sectors.

Find out more about employability at Goldsmiths.

What our alumni are doing now

-Joao Wilbert (2008/9) has a background in web design and is now a Creative Technologist working at Google Creative Labs. http://www.jhwilbert.com
-Maria Beatrice Fazi (2008/9) has a BA in Philosophy and is now completing her PhD on Computation and Aesthetics at the Centre for Cultural Studies.
-Lisa Baldini (2010/11) is a New York based curator. In 2012 she has curated Code of Contingency.
-Loes Borges (2010/11) has a BA in Media and Cultural Studies and is now lab manager at the Digital Art Lab in Zoetermeer, (NL). http://www.loesbogers.com
-Tom Keene (2011/12) has a BA in Fine Arts and is now collaborating with Furtherfield, London-based media arts organisation, co-director of Brixton Remakery, a community-led recycling initiative. http://www.theanthillsocial.co.uk
-Marcos Chitelet (2011/12) has a BA in Design and is co-founder of the design agency DID, as well as political web platform Sentidos Comunes, and FaceEnergy, a start-up developing projects on energy efficiency for the city of Santiago, Chile.

Prizes and awards

In 2011, Alexandra Sofie Joensoon and Cliff Hemmet – both students from the MA – won a prestigious prize at the media arts festival Ars Electronica. Alex and Cliff created a low cost DIY telephony server together with sex workers activist group X-talk. Today the project is a platform for critical reflection on how communication practices and structures are materialised in the sex industry.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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Philosophy at Essex takes philosophy back to its roots in everyday existential, social and political issues. Read more
Philosophy at Essex takes philosophy back to its roots in everyday existential, social and political issues. Our radical approach cuts across traditional boundaries, fostering dialogue between different schools and disciplines, and we are one of the few universities in the world that bridges the divide between the two great traditions of Analytic and Continental philosophy.

Our MA Philosophy will provide you with a rigorous grounding in modern and contemporary European philosophy. We have leading expertise in critical theory, phenomenology, German Idealism, nineteenth Century German philosophy, aesthetics, existentialism, contemporary French philosophy, philosophy and psychoanalysis, and medical humanities.

You study modules of your choice, develop your research, writing, and employability skills through an intensive Writing Workshop, and prepare an MA dissertation in your chosen area of research.

Our department is widely regarded as among the very best in the UK, having been recognised as one of the top 10 UK universities for research excellence (REF 2014), and being placed in the top 10 in The Guardian University Guide in 2010, 2011, and 2013.

As an alternative to our more flexible MA Philosophy, you can focus your study on a more specific area by following one of the following pathways:

MA Philosophy (Continental Philosophy Pathway)
All of our academic staff work on Continental Philosophy, including classical German philosophy (Kant and German Idealism), Frankfurt School Critical Theory (Adorno, Habermas, Honneth), nineteenth-century philosophy (Kierkegaard, Marx, Nietzsche), and phenomenology (Husserl, Heidegger, Merleau-Ponty). On this pathway you choose from a range of specified topics in these areas, in addition to some outside options and a dissertation on a topic in Continental Philosophy.

MA Philosophy (Critical Social Theory Pathway)
We are the leading centre for Critical Social Theory in the UK with five members of academic staff working on the Frankfurt School (Adorno, Habermas, Honneth), contemporary French thought (Derrida, Foucault, Rancière) and issues in Critical Social Theory, such as activist political theory, theory of recognition, aesthetics and politics, deliberative democracy, and the moral limits of markets. On this pathway you study modules on the Frankfurt School and Contemporary Critical Theory, in addition to some outside options and a dissertation on a topic in Critical Social Theory.

MA Philosophy (Philosophy and Art History Pathway)
Drawing on the collaborative and interdisciplinary approach of the School, our new Philosophy and Art History pathway enables students to get a thorough grounding in philosophical aesthetics. You explore issues in aesthetics and their bearing on other areas of philosophy (such as critical theory or existentialism) and Art History (such as aesthetic practices and curating), and profit from the wide-ranging expertise of our staff in both disciplines. On this pathway you study modules on Philosophy/Aesthetics and Art History (dealing, for example, with Art & Politics, Art, Architecture and Urbanism, or Art, Science & Knowledge), in addition to some outside options and a dissertation on a topic in Philosophy and Art History.

Our expert staff

Our courses are taught by world-class academics, and over three quarters of our research is rated “world-leading” or “internationally excellent” (REF 2014), which puts us fifth in the UK for research outputs.

Our open-minded and enthusiastic staff have an exceptionally broad range of research interests, so whatever questions in philosophy catch hold of your imagination, there is certain to be someone you can approach to find out more.

Recent projects and publications include:
-Béatrice Han-Pile and Dan Watts’ major new research project, The Ethics of Powerlessness: the Theological Virtues Today
-The Essex Autonomy Project, a major interdisciplinary project funded by the AHRC (Arts and Humanities Research Council), which aims to investigate the role of autonomous judgment in many aspects of human life
-Peter Dews’ The Idea of Evil, Polity, 2007
-Béatrice Han-Pile, Foucault’s Critical Project: Between the Transcendental and the Historical, Stanford University Press, 2002
-Fiona Hughes, Kant’s Critique of Aesthetic Judgement: A Reader’s Guide, Edinburgh University Press, 2007.
-Wayne Martin, Theories of Judgement: Psychology, Logic, Phenomenology, Cambridge University Press, 2006
-Irene McMullin’s Time and the Shared World: Heidegger on Social Relations, Northwestern University Press, 2013
-Fabian Freyenhagen’s Adorno’s Practical Philosophy: Living Less Wrongly, Cambridge University Press, 2013

Specialist facilities

-Graduate students have access to desk space in the School and many students work there on a daily basis
-A dedicated German-language course for graduate students in philosophy
-Attend our Critical Theory Colloquium
-Attend the Werkstatt, where recent work on phenomenology is presented
-An exciting programme of research seminars, reading groups and mini-courses that help you expand your philosophical knowledge beyond what you learn on your course
-Access a variety of philosophy textbooks and journals in the Albert Sloman Library and in our departmental library

Your future

Many of our philosophy graduates embark on doctoral study after finishing their MA. We offer supervision for PhDs in a range of fields including:
-Continental philosophy
-Critical Social Theory
-History of philosophy
-Applied ethics

Our graduates have also gone into careers in law, the media, local administration, HM Revenue and Customs, and top jobs in the Civil Service.

We work with our university’s Employability and Careers Centre to help you find out about further work experience, internships, placements, and voluntary opportunities.

Example structure

-Dissertation: Continental Philosophy (optional)
-Dissertation: Critical Social Theory (optional)
-Dissertation: MA Philosophy (optional)
-Dissertation: Philosophy & Art History (optional)
-Phenomenology and Existentialism (optional)
-Kant's Revolution in Philosophy (optional)
-Hegel (optional)
-Contemporary Critical Theory (optional)
-Topics in Continental Philosophy (optional)
-MA Writing Workshop (optional)
-The Frankfurt School (optional)
-Philosophy and Aesthetics (optional)
-Collecting Art From Latin America (optional)
-Art & Politics (optional)
-Current Research in Art History (optional)
-Art, Architecture and Urbanism (optional)
-Contemporary Theories of Justice (optional)
-Environmental Politics (optional)
-Political Economy (optional)
-Political Theory (optional)
-Research Seminar in Political Theory and Methods (optional)
-Theory and Explanation in Political Science (optional)
-Ideology and Political Discourse (optional)
-The New Nature Writing (optional)
-Foundations of Economic, Social and Cultural Rights (optional)
-The Protection of Refugees and Displaced Persons in International Law (optional)
-Human Rights and Development (optional)
-International Trade, Investment and Human Rights. (optional)
-Human Rights for Women (optional)
-Transitional Justice (optional)
-Psycho Analytic Theory (optional)
-Psychoanalytic Methodology (optional)

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This is the unique Masters-level programme offered that specifically addresses Critical Media and Cultural Studies of the non-Western world. Read more
This is the unique Masters-level programme offered that specifically addresses Critical Media and Cultural Studies of the non-Western world. The degree introduces students to the key contemporary issues discussed in Asian and African media and provides them with the opportunity to engage directly in research on an aspect of these media. It has a strong theoretical element, equipping students with the intellectual tools to consider the production, distribution and reception of non-Western media in new ways and to challenge the English-language, Eurocentric approach of most media studies scholarship.

While media studies degrees usually concentrate on media production, distribution and reception in North America and Western Europe, this programme considers critical issues in media and cultural studies in their full global complexity, with a focus on the cultures and societies of Asia and Africa and their diasporas. The degree is distinctive in the depth of theoretical and cultural background to contemporary media processes that it provides. Optional courses offer a range of approaches to the critical study of Asian and African discourses, from cinema to music, comparative literature to language, gender, religion, art and archaeology.

The programme is designed for students with an interest in critical theory; media professionals seeking alternative ways of understanding the media and culture industries; and those in NGOs and government organizations interested in challenging the hegemony of media corporations. It is well suited to students wishing to proceed to MPhil/PhD research in media or cultural studies, visual cultural studies, urban studies, sociology and anthropology.

Email:

Visit the website http://www.soas.ac.uk/media-studies/ma-critical-media-and-cultural-studies/

Structure

Each student takes 4 units in total: the Compulsory Course (1 unit), the Dissertation (1 unit), two half units from list 3 and one unit of options of their choice.

In choosing their courses, MA students are advised to pay careful attention to the balance of coursework across the two terms. In particular it is important to ensure that each term you have three taught courses. However much you might wish to take a mixture of courses that requires more coursework in one term than the other, it is most unwise to attempt to take four courses in one term and two in the other. Experience has shown that students simply cannot manage the load during the heavy term with the result that they either do very badly, fail or are unable to complete the courses in question. As a result Directors of Studies for the degrees and the Faculty staff will not approve a selection of courses which results in an imbalanced workload. An imbalance of courses between terms is only possible with the written permission of the convenor of the degree .

Destinations

An MA in Critical Media and Cultural Studies from SOAS gives students expertise in media and communications as well as the ability to identify and analyse critical issues in media and cultural studies in their full global context. It is a valuable experience that provides students with a body of work and a diverse range of skills that they can use to market themselves with when they graduate.

Students develop a portfolio of transferable skills which employers seek in many professional and creative capacities including communication skills, interpersonal skills,
team work, flexibility and dedication.

For more information about Graduate Destinations from this department, please visit the Careers Service website (http://www.soas.ac.uk/careers/graduate-destinations/).

Find out how to apply here - http://www.soas.ac.uk/admissions/pg/howtoapply/

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Consider a wide range of theoretical and critical ideas in relation to our contemporary cultural, political and sociological experiences. Read more
Consider a wide range of theoretical and critical ideas in relation to our contemporary cultural, political and sociological experiences. This course incorporates ideas from philosophy, sociology and cultural and critical theory to provide an integration of ways of thinking about our cultural formations and practices.

This course explores our ever changing global and technologically driven world. You will consider wide ranging ideas from questions of power, ideology, class, identity, gender, sexuality, technology, time and space through a complex array of different sociological and cultural/critical theory ideas and philosophies from contemporary continental philosophy.

The growing world of on-line communities like Facebook, Twitter and YouTube have revolutionised the ways in which we ‘see’ ourselves, the ways in which we create our own identities, and the ways in which we communicate. The course aims to offer an advanced knowledge of Social and Cultural Theory, and to encourage you to develop a sophisticated and critically-informed approach to the issues described above.

Through Blackboard, you will study in a supportive and intellectually exciting study environment which is responsive to your individual needs. The course also helps to develop critical skills, including argument, analysis, theoretical exposition and description, precision, and good methodological skills and enable the development of confidence and professionalism in relation to both your work and other students.

Course content

-Contemporary Social Theory
-Researching Media, Culture and Society
-The Application of Theory within Social Research
-Culture and Identity
-Dissertation

Graduate destinations

The course will equip you with transferable skills required in the commercial and employment sectors such as social work, personnel, creative and cultural industries and marketing.

You will also receive a good grounding in theory which can be taken further in academic study at research levels.

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This MA introduces you to recent debates on gender in the disciplines of sociology and media and communications studies, and to the interdisciplinary domains of feminist social and cultural theory- http://www.gold.ac.uk/pg/ma-gender-media-culture/. Read more
This MA introduces you to recent debates on gender in the disciplines of sociology and media and communications studies, and to the interdisciplinary domains of feminist social and cultural theory- http://www.gold.ac.uk/pg/ma-gender-media-culture/

Drawing on the internationally recognised and pioneering expertise of staff in the Department of Sociology and Department of Media and Communications, the programme offers you the opportunity to develop cutting-edge critical skills in relation to cultural approaches to gender formation and gender theory.

As well as these theoretical and analytical points of orientation, the MA in Gender, Media and Culture aims to help you grasp the importance of epistemology and methodology for the evaluation of empirical investigations of gender formations.

The programme therefore introduces you to, and offers training in, the key socio-cultural methods for the study of gender in the contemporary world, including methods for the study of visual culture; the body and affect; and memory.

These two elements of the programme are brought together in a dissertation study, which involves tailored supervision in the application of research methods to a specific topic.

This programme relates to the following disciplines:

Sociology
Media and Communications
Humanities
Science and Technology Studies
Philosophy

Overall the programme has the following interrelated aims

to provide in-depth interdisciplinary knowledge of contemporary gender formations
to provide theoretical, analytical and methodological points of orientation for understanding gender and culture transnationally and across different societies and geo-political regions
to offer skilled supervision in the development and completion of a small research project which tests thoroughly a range of research skills
to expose students to a lively research environment and the relevant expertise of the research-led Departments of Sociology and Media and Communications

Convenors

Autumn term convener - Nirmal Puwar
Spring term convener - Sara Ahmed

Contact the department

If you have specific questions about the degree, contact the Postgraduate Programmes Officer.

Modules & Structure

Core components of the programme will familiarise you with the wide range of debates integral to the fields of gender studies, feminist theory, and cultural studies. These include:

questions about sexual difference and the performativity of gender
gender, science, debates on affect and emotion
gender and migration and the new international division of labour
feminism
You complete one core module and one option module each term, as well as a dissertation module in the spring term. The first core module introduces key debates and developments in feminist theory, cultural theory and, in particular, feminist cultural theory. It introduces both early debates which defined these fields and contemporary developments and departures. More specifically, you will be introduced to social constructivist and post-structuralist perspectives, to ‘new materialism’, to debates on feminism and the critique of universalism; to key questions in relation to feminism and biology; to debates on psycho-analysis and the emergence of queer theory and its intersection with feminist theory.

The second core module examines the place of gender, affect and the body in feminist theory and feminist practice. The course offers you different angles on what has become known as “the affective turn,” placing a strong emphasis on the history of feminist contributions to the study of affect and emotion as well as the body. We ask how bodies are constructed, experienced and lived from a variety of feminist perspectives, attending to questions of corporeal difference, as well as the intimacy of bodies, spaces, objects and technologies. We also reflect on the significance of affect and the body for feminist and queer cultural practices, as well feminist and queer activisms. This module therefore offers instruction in some of the most cutting edge issues in contemporary feminist theory. A team of leading feminist scholars based in the departments of Sociology and Media Communications at Goldsmiths teach this module on the basis of their research specialisms.

There will be a series of dissertation workshops to help you plan and develop your dissertation, especially in regard to issues of methodology and method. Each student will be assigned a supervisor who will work with you to develop your proposal and undertake independent research.

Option modules

You have 60 credits at your disposal, you can choose any 30 credit modules related to gender from postgraduate modules across the University. You can choose either a regular option (30 credits) or two ‘mini-options’ (2 x 15 credits).

For your other options, you can choose modules from either the Department of Sociology or the following Departments across Goldsmiths. Not all modules are suitable for students from all academic backgrounds; you will discuss your choices with the Programme Convenor at the start of your degree.

Assessment

Essays and dissertation.

Skills

Graduates from this programme gain conceptual and methodological knowledge of the key concepts and debates in the study of gender and culture; the skills of critical analysis; the ability to distinguish and appraise a range of socio-cultural research methodologies; the skills to design and develop a research project; and the ability to recognise and account for sensitive ethical issues relating to research and representation.

The two core courses provide you with the necessary skills to understand the relationships between early debates in the fields of gender studies, feminist theory and feminist cultural theory, and the ability to critically engage with new developments in these fields. Furthermore, you will gain a critical appreciation of the role and place of the body and affect in the development of feminist cultural theory and gender theory, and the challenges that contemporary socio-cultural changes bring to the theorisation of the body.

Careers

Previous graduates have embarked on professional careers in social research, think tanks, the arts and cultural sectors, government and public administration, development, human rights, NGOs, and in media and communications globally. They have also progressed to PhD study.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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The postgraduate programme in Cultural History, Memory and Identity is concerned with the cultural practices and media of ‘history-making’; with the cultural representation and interpretation of ‘history’; and with the role of constructions of ‘the past’ within cultural and social formations. Read more
The postgraduate programme in Cultural History, Memory and Identity is concerned with the cultural practices and media of ‘history-making’; with the cultural representation and interpretation of ‘history’; and with the role of constructions of ‘the past’ within cultural and social formations. It is grounded in current interdisciplinary methodologies informed by cultural and critical theory, and draws on the course team’s specific areas of expertise within social, cultural and political history, cultural studies, literary studies, film and visual studies and the history of ideas. The programme develops a connection between critical understanding and analysis of the past, with a practical, ‘hands-on’ emphasis upon the skills and methods involved in the making of new historical accounts and representations. The programme incorporates interests and expertise spanning a wide range of cultural forms and practices, including oral history, life-story work and auto/biography, drama and performance, material artefacts, monuments, exhibitions, museums, written histories, imaginative literature, archival documents and records, painting, graphic design, photography, film, television, video, digital media, commemoration, and heritage.

These concerns are developed in relation to three pathways, each of which explores a particular field of enquiry with its own distinctive thematic and methodological focus: Cultural Memory; Making Histories; ‘Race’, Nation and Ethnicity. MA students enrol on one of these pathways; not all run every year. [For further details of the three pathways, see separate entries under these titles on this website.]

Each pathway comprises four component elements:

1: A compulsory core course unit that runs throughout the year and establishes the themes, issues and questions that characterize the field of enquiry, the theories and methods of its investigation and applies these to particular case studies:

For Cultural Memory the core course comprises: Cultural Memory: Concepts, Theories and Methods; Holocaust Memory; and Cultural Memory in Ireland.

For Making Histories the core course comprises: Public History, Heritage and the Representation of Brighton & Hove; Making the History of Slavery in the Atlantic World; and Making the History of the Second World War

For ‘Race’, Nation and Ethnicity the core course comprises: Constructions of Britishness: Histories, Cultures and Identities; The Making of the Black Atlantic; and Memory and Identity in Postcolonial Cultures.

2: Two optional units of 20 credits each, or one optional unit of 40 credits. These are usually taken from within the MA Humanities Programme, or from MA Programmes running elsewhere in the School of Humanities.

NB: these units may vary, and not all will be available in any one year. For up-to-date information, contact the Course Leader.

3. A Research Methods unit introducing relevant methods in cultural studies, historical inquiry, literary (textual) analysis, and cultural and critical theory; and guiding the formulation of a research topic with clear aims, methodology, sources, and a rationale for the intended treatment of the topic.


4: The Research Project enables students to investigate in depth a topic of their choice - a critical debate, or a body of cultural material, or an historical context - relevant to the broad concerns of the MA. Research normally leads to the production of a 20,000-word dissertation. The use of alternative modes of presentation - for example, the production of a video, an exhibition or a CD-Rom - may also be negotiated
.

Full-time students usually take two elements per term, part-time students usually take one. The pattern of study is flexible in order to allow all students to take advantage of the full range of options. Potential applicants are advised to discuss their particular interests with the Course Leader to explore how these might be accommodated. In cases where students’ preferred pathways or units are not available, there is usually scope to pursue these interests elsewhere on the programme, whether in relation to other units or through the Research Project.

A part-time student should expect to dedicate some 20 hours a week to their studies and a full-time student some 40 hours, mostly taken up by independent reading and writing. Teaching for all Core Courses normally takes place on weekday evenings and lasts 2 - 3 hours. Research Methods timetabling is negotiated with each group. The Research Project involves individual tuition at times agreed between student and supervisor.

The interdisciplinary course team are active researchers and leaders in their respective research fields. Please see their individual staff pages for further details of areas of research expertise and interest.
Visit Cultural History, Memory and Identity MA page on the University of Brighton website for more details!

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MA Design for Cultural Industries is an innovative programme for students who want to develop their career in cultural and creative sectors. Read more

What is this programme about?

MA Design for Cultural Industries is an innovative programme for students who want to develop their career in cultural and creative sectors. Through the application of design theory and practice, incorporating new technologies into the discourse, students will be able to create or initiate solutions and experiences in the context of the cultural industries.

This MA programme provides its graduates with the advanced skills necessary to confront their professional challenges and move forward in this highly competitive industry. Integrating materiality and object interpretation through applied imagination, developing innovative creative-thinking, enterprise skills and research-led projects, the programme's multidisciplinary and critical approach gives students a distinctive insight into the collaborative nature of these industries.

The programme is relevant for those wishing to pursue an advanced career in cultural and creative organisations such as private and social enterprises, design agencies, museums, galleries and research centres. The programme will also be applicable to artists, curators, designers and policy-makers wishing to advance their design thinking by bringing their own projects to life, or create outputs for their own clients and industry partners.

Graduates of the MA Design for Cultural Industries will be equipped with advanced skills to go to wide range of leadership or senior creative roles in the cultural and creative industries, both in the private and public sector. With an international outlook, our graduates will be sought after across an array of arts, design, events, culture, entertainment, media and creative technology departments globally.

The career paths that our graduates can look forward to include arts and cultural management, design management, policy making, curatorship (museum, gallery, festival), creative direction, education advisory, cultural publishing and art/design criticism. Alternatively, the programme can inspire graduates to open their own cultural start-ups or work for international consultancy firms. Graduates of the programme can also develop academic profiles and research interests to go into teaching or advanced study at MPhil and PhD level.

Visit the website http://www2.gre.ac.uk/study/courses/pg/art/des-cul-ind OR http://blogs.gre.ac.uk/design-for-cultural-industries/

Who is this programme for?

This MA programme is relevant for those wishing to pursue an advanced career in cultural and creative organisations such as private and social enterprises, design agencies, museums, galleries and research centres. The programme will also be applicable to artists, curators, designers and policy-makers wishing to advance their design thinking by bringing their own projects to life, or create outputs for their own clients and industry partners.

How is the programme organised and what will I learn?

The programme is run in two modes: full-time over one year and part-time over two years, with the taught content made up of core and option courses totalling 180 credits.

Core courses
* Experience Design (XD) - 30 Credits
* Materiality & Interpretation - 30 Credits
* Design Management and Cultural Enterprise - 30 Credits
* MA Final Project - 60 Credits

Option courses (two to choose from):
* Curatorial practice - 15 Credits
* Coding in Creative Contexts- 15 Credits
* Sound Design- 15 Credits
* Social Media and SEO - 15 Credits

What do students do after this programme?

Graduates of the MA Design for Cultural Industries will be equipped with advanced skills to go to wide range of leadership or senior creative roles in the cultural and creative industries, both in the private and public sector. The career paths that our graduates can look forward to include arts and cultural management, design management, curatorship (museum, gallery, festival), creative direction, education advisory, cultural publishing, policy making, and art/design criticism. Alternatively, the programme can inspire graduates to open their own cultural start-ups or work for international consultancy firms.

Graduates of the programme can also develop academic profiles and research interests to go into teaching or advanced study at MPhil and PhD level.

How are we taught?

Typically, in full-time mode, you can expect 10 hours attendance per week over two days in a class of around 15-20 students. Teaching is a mixture of studio work, seminars, lectures and workshops. The full-time mode should only be considered by students who are able to dedicate at least 25 hours per week to the programme. The part-time mode is recommended for students in full-time employment.

How do I apply for this programme?

Apply directly on our website (link below). Selected applicants will be invited to attend a personal or skype interview. We recommend early applications, as the places are limited. Overseas applications for this course should be received no later than the end of July for entry in September to allow the sufficient time for visa applications.

Where can I find more information?

For more information, please see the course page at our online prospectus and take a look at the CPDA website.

MA Design for Cultural Industries Blog: http://blogs.gre.ac.uk/design-for-cultural-industries

MA Design for Cultural Industries Prospectus Page http://www2.gre.ac.uk/study/courses/pg/art/des-cul-ind

Department Website and Student Work http://cpda.gre.ac.uk

How to Apply: http://www2.gre.ac.uk/study/apply/pg

For more information, you can also contact Programme Leader Dr. Isil Onol by email:

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