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The Keele MA in Creative Writing offers a distinctive and exciting opportunity to develop your creative and professional skills as a writer. Read more

Overview

The Keele MA in Creative Writing offers a distinctive and exciting opportunity to develop your creative and professional skills as a writer.

Working with published writers from within and outside the University, the Keele Writing MA offers participants an opportunity to improve their writing and to bring it up to publishable standard while learning more about the critical and intellectual context in which their work is situated.

Students on the Keele Writing MA also participate directly in the development and maintenance of the events, publications, workshops and short courses which constitute Keele’s vibrant writing culture – typically through opting to gain experience in one of the areas in which writers often establish a secondary income – reviewing, editing and teaching.

You can study full-time or part-time for this MA. It is also possible to take short courses in Creative Writing, delivered as part of our MA programme, as well as Certificate and Diploma-level courses in the subject.

See the website https://www.keele.ac.uk/pgtcourses/creativewriting/

Course Aims

- To provide opportunities for the practice and study of creative writing at an advanced, publishable level

- To provide a supportive and constructively critical environment in which students can work with published writers and their peers to improve their writing

- To provide students with the necessary skills to write at an advanced, publishable level

Course Content

The course is delivered as three stand-alone taught modules. In addition students complete a Portfolio of original work. Students will have the opportunity to take any single module as a short course or to combine two modules and be awarded a Postgraduate Certificate (60 credits) or to complete four modules and receive a Postgraduate Diploma (120 credits).

The contents of each module are summarised below.

The Writer as Critic, The Critic as Writer (30 Credits) is the core compulsory module, and looks at questions of influence, the critical process of reading other writers’ work and the cultural context in which a writer lives and works. Students will study contemporary examples of script, poetry and fiction.

Writing Fiction (30 Credits) is a workshop-based module option on writing short fiction and novels, with structured reading and peer/tutor feedback on your own writing.

Writing Poetry (30 Credits) is a workshop-based module option on writing poetry, with structured reading, discussion and peer/tutor feedback on your own writing.

Life Writing (30 Credits) is a workshop-based module option on forms of writing such as auto/biography and memoir.

The Writer in the Community (30 Credits) is a project-based module which offers students the opportunity to create and deliver a professional project of a type commonly undertaken by writers. Possible projects include: designing and delivering creative writing workshops; mentoring less experienced writers; steering a literary editing project; setting up and putting on a literary event; or creating a web-based literary resource.

The Portfolio (90 Credits) is the compulsory Dissertation-level module, taught through a series of individual supervisions. Students develop a portfolio of original writing to a professional standard through the production of either a complete piece of written work or a substantial part of a complete piece of written work, e.g: a collection of poetry; a collection of short stories; a short novel; or a substantial part of a longer novel.

Teaching & Assessment

The core 30-credit module (The Writer As Critic, The Critic As Writer) is assessed by written assignments and a presentation. The optional 30-credit modules (Writing Prose, Writing Poetry, Life Writing, The Writer in the Community) are assessed by a portfolio of work and a critical commentary that reflects on the contents of the portfolio. The 90-Credit dissertation-level Portfolio is assessed by a substantial portfolio of original writing and a commentary.

Additional Costs

Apart from additional costs for text books, inter-library loans and potential overdue library fines we do not anticipate any additional costs for this post graduate programme.

Find information on Scholarships here - http://www.keele.ac.uk/studentfunding/bursariesscholarships/

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Fulfil your creative talent and ambitions as a writer on a professionally focused course that has produced a number of notable authors, poets and scriptwriters. Read more
Fulfil your creative talent and ambitions as a writer on a professionally focused course that has produced a number of notable authors, poets and scriptwriters. You study writing and develop your practice with the guidance of an internationally acclaimed team of authors.

• Suitable for anyone with ambitions to become a professional writer.
• Join one of the longest established masters in the U.K.
• Study on a course that has produced a number of acclaimed writers.

The MA Writing is a professionally-focused course which treats your ambition as a writer seriously. Our students come from a range of backgrounds including the arts, teaching, law, journalism, history and writing. The course is for anyone with a professional interest or ambition in writing.

Some of our most successful students include best-selling author of A Short History of Tractors in Ukrainian, Marina Lewycka, T.S. Eliot short-listed poet Frances Leviston and Radio 4 and BBC TV script writer Sharon Oakes.

Our internationally-acclaimed team of professional writers publish and teach in all areas of contemporary literary practice. They include
• Mike Harris – Sony Award winning scriptwriter and theatre director
• Chris Jones – Forward prize-nominee poet
• James McCreet – literary detective fiction writer
• John Milne – award-winning TV dramatist and novelist
• Conor O'Callaghan – prize-winning poet and memoirist
• Maurice Riordan – poet, editor of The Poetry Review
• Jane Rogers – novelist, short-story writer and playwright (fellow of the Royal Society of Literature)
• Felecity Skelton – published short fiction writer and poet
• Harriet Tarlo – environmental poet and editor and critic
• Linda Lee Welch – novelist, poet, editor and critic

The E.A Markham Award

The E.A Markham Award means that one of our students will study the course for free. The award covers the full-time study fees and is awarded solely on merit and potential. It is offered in honour of Professor Emeritus E.A Markham who was a respected tutor here who worked to shape the development of this course.

In January 2015 the prize will be awarded to the entrant who submits the best poetry with their application form and in January 2016, to the entrant with the best short story.

Download the E.A Markham award guidance for more information.

Short course – single modules

If you are not able to commit to the whole course, you can apply to take a single module. Choose a genre from the optional modules listed in the course content and apply as normal. Your portfolio needs to include examples of writing in your chosen genre. The credit you gain for completing one module will count towards the full MA should you choose to pursue this at a later date.

Publications and prizes

The literary agency, A.M. Heath, reads a selection of our strongest students’ novels each year and offers a prize to the best of them. We also award the Ictus Prize in Poetry to the best poetry collection, this consists of a small chapbook or pamphlet publication. Every year, we publish the Best of M.A. in-house publication, as recommended by tutors, and Matter, a stylish anthology, edited and designed by students, and sold and promoted in bookshops. If you would like to see a sample copy of this, email the course leader

Assessment

Submission of written work to specified word lengths with accompanying critical commentaries.

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The programme is designed for students who wish to take up the challenge of contemporary curating as an artistic, social and critical undertaking, and who wish to develop their professional practice in this area. Read more
The programme is designed for students who wish to take up the challenge of contemporary curating as an artistic, social and critical undertaking, and who wish to develop their professional practice in this area. http://www.gold.ac.uk/pg/mfa-curating/

This two-part programme is designed to develop professional and academic excellence in the field of contemporary curatorial practice. It's aimed at curators and those with related academic and practical experience who wish to achieve professional excellence in their practice, to innovate in the expanding field of curatorial practice.

MFA Curating at Goldsmiths focuses in-depth on aesthetic, social, political and philosophical questions that are brought to bear in any place or at any event in which contemporary art is situated.

The programme is designed to provide a practice-led research context for students at any stage of their professional practice.

It also enables you to experiment and innovate in the expanded field of curatorial pedagogy, to collaborate on an interdisciplinary basis and extend your and other students' knowledge through this process.

Goldsmiths' MFA Curating programme is recognised worldwide for producing highly qualified curators and other arts professionals.

Our graduates find employment in top international museums, commercial galleries, auction houses, magazines, alternative spaces and not-for-profit organisations. Others choose employment as artist’s studio managers; arts education programmers; museum public talks and events organisers; gallery archivists and registrars.

Recent speakers

Recent speakers have included: Iwona Blazwick OBE, Whitechapel Gallery, London; Francesco Bonami, MCA Chicago; Carolyn Christov-Bakargiev, 14th Istanbul Biennial; Julia Bryan-Wilson, University of California at Berkeley; Céline Condorelli, artist and co-founder of Eastside Projects, Birmingham; Diedrich Diedrichsen, Academy of Fine Arts, Vienna; Alex Farquharson, Nottingham Contemporary; Ryan Gander, artist; Mark Godfrey, Tate Modern, London; Boris Groys, Center for Art and Media Technology, Karlsruhe; Matthew Higgs, White Columns, New York; Jens Hoffman, Jewish Museum, New York; Laura Hoptman, MoMA, New York; Anthony Huberman, CCA Wattis Institute, San Francisco; James Lingwood, Artangel, London; Gregor Muir, ICA, London; Paul O’Neill, CCS Bard College, New York; Scott Rothkopf, Whitney Museum of American Art, New York; Adrian Searle, The Guardian; Polly Staple, Chisenhale Gallery, London.

Recent Visiting Tutors

Chris Evans, artist; Lisa La Feuvre, Henry Moore Institute; Goldin+Senneby, Stockholm-based artists; Luis Jacob, Toronto-based artist; Tom Morton, frieze magazine; Paul O Neill, critic and curator; Sally O'Reilly, independent critic and curator; Mike Sperlinger, Lux; Rob Tuffnell, 83 Page Street; Alex Sainsbury, Raven Row; Lucy Byatt, Contemporary Art Society; Gavin Wade, Eastside Projects; Lydia Yee, Barbican Art Gallery; Form/Content

Work experience

The Tate Modern annually offers two hands-on internships to Goldsmiths MFA Curating students, who are given the opportunity to work directly on an exhibition matched to the students' interests. Accepted Goldsmiths curating students are given details on how to apply for a Tate Modern internship prior to starting the school year.

Other institutions with which the Goldsmiths MFA Curating programme has collaborated on real-life curatorial projects include 176/Zabludowicz Collection, London; Form/Content, London; ICA/Fourth Plinth Project, London, and more.

Each year, part 1 Goldsmiths curating students are invited to pitch an exhibition proposal to the Government Art Collection, using works from this important national collection as the basis for a contemporary art exhibition. The successful projects are realised during the final year.

Guest Research Student

If you are an international student and would like to study a 'tailor-made' programme (for up to a year), you may be interested in applying as a Guest Research Student.

Contact the department
If you have specific questions about the degree, contact Helena Reckitt.

Modules & Structure

In Year One, you're introduced to a series of curatorial concepts and practices through group analysis and guided research. There are also group seminars that look into significant ideas in philosophy and cultural theory to help you think broadly about your own practice

In Year Two, intensive workshops look in depth at a set of artistic and cultural themes chosen by the students. In Year Two you further develop independent curatorial research and practice, working either on your own ideas or with a London-based gallery or institution. The summer term of Year One acts as a transition to Year Two.

Government Art Collection

Each year, part 1 Goldsmiths curating students are invited to pitch an exhibition proposal to the Government Art Collection, using works from this important national collection as the basis for a contemporary art exhibition. The successful projects are realised during the final year.

Skills
Independent research and practice; public presentation; oral and written communication; project development; exhibition administration; concept development; collaboration; intellectual analysis; catalogue, essay and review writing; research organisation and presentation.

Careers

Graudates from the MFA in Curating go on to work in galleries and museums; as managers and directors in commercial galleries; independent curators; cultural policy makers, teachers and academics; writers and critics.

Recent employers of our MFA Curating students and graduates include:

Public sector

Tate Britain, London
Tate Modern, London
Guggenheim Museum, New York
Documenta, Kassel
Venice Biennale
Athens Biennial
Sydney Biennale
Portikus, Frankfurt
Witte de With, Rotterdam
FRAC Lorraine
Hayward Gallery, London
Hayward Touring Exhibitions, London
Museo d’Arte Moderna, Bologna
Modern Art Oxford
London Olympic Park (art sector)
Artists Space, New York
Henry Moore Institute, Leeds
Art on the Underground, London
Art Space, Auckland, New Zealand
Austrian Cultural Foundation. London
Romanian Cultural Institute, London
Spike Island, Bristol
Nottingham Contemporary, Nottingham

Private sector

176 Gallery, Zabludowicz Collection, London
Bloomberg Space, London
Christie’s, Amsterdam
Deitch Projects, New York
Deste Foundation, Athens
Frith Street Gallery, London
Haunch of Venison, Berlin
Kadist Art Foundation, Paris
Kate MacGarry Gallery, London
Kurimanzutto, Mexico City
Lisson Gallery, London
Matt’s Gallery, London
David Roberts Collection, London
White Cube Gallery, London
Vienna Art Fair, Vienna

Publications

Artforum, New York
Frieze, London
Flash Art International, Milan

Some of our graduates have founded their own projects and galleries, among these:

Lu Jie, Founder and Director, Long March Space, Beijing (number 95 in Art Review Power 100 List 2009)
Sarah Wang, Founding Director of the Creative Intelligence Agency, London
Zhang Wei, Founder and Director, Vitamin Creative Space, Guangzhou

Other entry requirements

Work experience is absolutely essential to demonstrate that you have a clear sense of current trends and activities in contemporary art. This should be demonstrated through your experience, and expanded upon in your personal statement.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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MA/MFA Contemporary Curating explores the notion of exhibition practice in contemporary culture and considers curatorial methods and strategies in the context of the gallery and museum, as well as in projects such as biennials, public art works and commissions. Read more
MA/MFA Contemporary Curating explores the notion of exhibition practice in contemporary culture and considers curatorial methods and strategies in the context of the gallery and museum, as well as in projects such as biennials, public art works and commissions. The course considers ways in which different kinds of art works and projects are mediated through the exhibition process.

The shifting relationship between artist-institution-curator-critic/writer forms a central element to the course. The course also explores the potential of seeing curating as something that can be applied to different forms of knowledge: publications, symposia, events and interventions.

Features

-Opportunity to work on Holden Gallery exhibitions programme which generates four new shows a year, artists have included: John Baldessari, Sophie Calle, Liam Gillick, Jenny Holzer, Cornelia Parker, Roman Signer, Mark Wallinger
-Curator talks and seminars from a range of galleries and programmes,such as: Liverpool Biennial, Manchester Art Gallery, Open Eye, Tate Liverpool, Whitworth Art Gallery among others
-Partnership arrangements with Castlefield Gallery and Home for placements and work experience.

Course Content

You will establish key theories and issues relating to Contemporary Curating, Design Cultures and Contemporary Visual Culture and then develop these into more complex approaches.

You will also be encouraged and supported to extend your experience in the professional sphere either through a practical project, research context, exchange, work experience, or other negotiated professional set of interactions with an external partner, groups of students and creative industry.

Towards the end of the programme you will undertake a major project to consolidate your past research and practice into fully realised collections, pieces, proposals, business plans, or exhibitions – whatever means is appropriate to the work. You will also have developed a strategy for the continuation of your practice located and contextualised to the profession or discipline.

If you choose to progress to MFA Contemporary Curating award you will study a further two units of 60 credits each.

This award is focused on the continuation of your practice aligned to the research and selection of appropriate public or professional venues and platforms to disseminate a significant body of work. You will be required to produce work for a public audience in the most relevant and appropriate form along with any implicit publicity and dissemination material.

Resources

We have developed a dedicated postgraduate area occupying an entire floor of the main School of Art building, offering an exciting space to be, both intellectually and practically. The centre is located in the newly refurbished Chatham Tower with studios, design laboratories, seminar rooms and extensive workshops that form the nucleus of this vibrant, cross-disciplinary learning environment.

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We offer Postgraduate training programmes in Mindfulness-Based Cognitive Therapies and Approaches at Certificate, Diploma and Masters level. Read more
We offer Postgraduate training programmes in Mindfulness-Based Cognitive Therapies and Approaches at Certificate, Diploma and Masters level. These are aimed at developing competence in established evidence-based applications, especially for the prevention of relapse in recurrent major depression, but also for clients in a range of different settings including physical and mental healthcare and education.

Within mental health settings Mindfulness-based Cognitive Therapy (MBCT) as a treatment for preventing relapse from depression is becoming increasingly adopted. The use of mindfulness-based treatments for other conditions and in a wider range of settings outside of healthcare is also on the increase. In this programme you will develop a foundational base of the theory and research surrounding MBCT and other Mindfulness-based Approaches (MBA). You will have considerable opportunity for developing and reflecting on a personal mindfulness practice. This foundation lays the basis for continuing on to the Postgraduate Diploma year.

Train with experts

Each of our postgraduate training programmes in Mindfulness-Based Cognitive Therapies and Approaches maintain an in depth focus on the underpinning theory and research, enhanced by the work carried out in the Mood Disorders Centre (http://www.exeter.ac.uk/mooddisorders/ ) ; a partnership between the University of Exeter and the National Health Service. The Centre has been offering MBCT as part of its clinical services since 2002. In addition to the training delivered by experts from the Mood Disorders Centre with an international profile in developing, researching and teaching mindfulness-based approaches, teaching is enhanced by external tutors skilled in MBCT and Mindfulness-based interventions.

The programmes have been set up and are run in collaboration with Gaia House (http://gaiahouse.co.uk/about ) ; a centre for meditation, enquiry and compassion where you will attend retreats to cultivate your own personal mindfulness practice. You will benefit from the integral involvement of experienced Buddhist teachers exploring the lineage of mindfulness in Buddhist Psychology, and the teachers at Gaia House.

Our training places you at the heart of the community in a region with one of the largest networks of mindfulness practitioners and Buddhist teachers in the country.

PGCert Psychological Therapies Practice

This programme aims to update you with the latest research and theory in MBCT/MBA particularly drawing on the work within the Mood Disorders Centre at the University of Exeter. In this programme we aim to detail the knowledge underpinning MBCT/MBA from a psychological and Buddhist perspective.

We aim to provide you with the experiential knowledge of a personal mindfulness practice and how this is fundamental to teaching MBCT/MBA. Although this year does not give you the necessary skills to begin to teach MBCT/MBA there will be opportunities to begin to lead some practices in a supportive learning environment preparing you for the Diploma.

PGCDip Psychological Therapies Practice

The PGDip Psychological Therapies Practice (Mindfulness-based Cognitive Therapies and Approaches) programme has been developed to further equip you with the knowledge and skills in Mindfulness-based Cognitive Therapy (MBCT) and Mindfulness-based Approaches (MBA).This programme particularly focuses on the skills required to be ready and competent to teach MBCT/MBA classes for clients. You will also be supported in a safe environment teaching to peers before moving to placements to begin to teach in real world settings under the supervision and guidance of an experienced MBCT/MBA teacher.

The PGDip programme aims to develop your readiness to offer MBCT/MBA to people in a setting specific to your professional orientation. You will develop competence in established evidence-based applications of MBCT/MBA assessed by using the Mindfulness-based Interventions - Teaching Assessment Criteria.

The MSc Psychological Therapies Practice and Research (Mindfulness-based Cognitive Therapies and Approaches) offers you an opportunity to pursue an in depth consideration and critic of a topic relevant to MBCT/MBA. There are two options: a research project or a theoretical research paper.

The MSc Psychological Therapies Practice and Research (Mindfulness-based Cognitive Therapies and Approaches) aims to develop your ability to research, evaluate and critique the MBCT/MBA field. Specifically it aims to provide an in depth understanding of the MBCT/MBA field through undertaking an empirical investigation or thesis in a topic relevant to MBCT/MBA.

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Study alongside like-minded students in a creative environment on a dynamic course that explores the theories and new ideas in contemporary art, graphic design and curating. Read more
Study alongside like-minded students in a creative environment on a dynamic course that explores the theories and new ideas in contemporary art, graphic design and curating. You can choose to specialise in one of the three areas, with your previous experience, study interests and career aspirations determining your choice.

We will build your awareness of contemporary ideas in art, graphic design and curating, and we will develop your working relationships by giving you the opportunity to take part in projects and events in the region and beyond. You can also take part in studio production and a final exhibition where you will showcase your work.

You will be involved in a programme of weekly seminars and workshops, as well as project work alongside your peers, encouraging you to debate contemporary practice. Previous students have taken part in events and collaborations at Leeds Art Gallery, The Photographers' Gallery in London, the European Exchange Academy in Germany and Ecole des Beaux-Arts in Paris.

- Research Excellence Framework 2014: twice as many of our staff - 220 - were entered into the research assessment for 2014 compared to the number entered in 2008.

Visit the website http://courses.leedsbeckett.ac.uk/artdesign_ma

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

You could pursue a career in both public and commercial galleries, museums and design studios, working as an exhibiting artist, publisher, designer, professional photographer or museum curator. You will develop your skills of self-promotion and entrepreneurship and you could also continue your studies, with the option of working towards an MPhil or PhD.

- Artist
- Designer
- Professional Photographer
- Gallery Curator

Careers advice: Our dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit our careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

The course utilises global networks by entering into relationships with art institutions, magazines, embeds course projects in major exhibitions and collateral art and design projects. Senior Lecturer, Peter Lewis is a professionally acknowledged international curator with world leading research, invited as artist and curator by major international galleries and museums. Through these connections students' practices are introduced directly through the art and design industry.

The course visiting lecturers include Andy Edwards, a leading graphic designer; Peter Suchin, art critic for Frieze, Alan Dunn, curator, Helen Cross, author, Nooshin Farhid, Iranian filmmaker. Students are encouraged to meet with artists after the lecture to discuss their work. Also the journal /seconds, edited and published by Peter Lewis, with an editorial board of world leading researchers, provides students access to the debates and theories that will enable their developing practice.

You will have access to the studios and workshops of the award-winning Broadcasting Place building at our University, equipped with everything from the latest Macs and software to letterpress and printmaking workshops, photographic darkrooms, a digital print unit, animation workspaces and 3D construction facilities. You will have access to a range of cameras, lighting, video and sound recording equipment. In addition the course is supported by the virtual spaces of a dedicated e-portfolio web site that students use to upload work, gain feedback from their tutors and to interact with other students.

Facilities

- Library
Our Library is one of the only university libraries in the UK open 24/7 every day of the year. However you like to study, our Library has you covered with group study, silent study, extensive e-learning resources and PC suites.

- Broadcasting Place
Broadcasting Place provides students with creative and contemporary learning environments, is packed with the latest technology and is a focal point for new and innovative thinking in the city.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

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The programme aims to promote individual contemporary fine art practice towards presentation as an exhibition or equivalent public output. Read more
The programme aims to promote individual contemporary fine art practice towards presentation as an exhibition or equivalent public output. It provides a learning environment that supports a wide range of modes of production for art in which you can demonstrate a sound understanding of the practical, intellectual and creative aspects of your practice as an artist. It also aims to facilitate engagement between and among art practitioners in order that you can locate your practice and that of other art practitioners within contemporary culture.

Visit the website: http://www.ulster.ac.uk/course/mfa-fine-art-ft-bt

Course detail

- Description -

We recognise contemporary Art practice as being open and pluralistic which encourages dialogue between diverse disciplines. A multi-disciplinary/ inter-media approach enables you to work in a flexible manner that offers the maximum opportunity for individual practice. You are asked to engage with systems of enquiry that explore and embrace traditional exhibition formats alongside wider lateral models of production, distribution and dissemination. Critical discourse on practice with an emphasis on analysis and self-reflection contributes to an understanding of contemporary art located within a larger cultural, social and political context.

- Work placement / study abroad -

On the programme you will gain work placement experience at one or more of our external partners, for example Catalyst Arts or Platform Arts. Within this process you will be tasked with developing a professional exhibition of your own work as a group within a partner organization. This usually is undertaken of several weeks – with an intense period working on-site alongside professional colleagues.

- Teaching and learning assessment -

Studio practice, tutorials, lectures, seminars, student presentations, studio critiques, group tutorials, exhibiting, field trips.

Career options

As practising artists, many of our graduates go on to establish their own studios, successfully exhibiting nationally and internationally, gaining public art and gallery commissions, residencies, fellowships, awards and prizes. Others develop careers in other sectors of the arts, such as curatorial practice, arts writer, art critic, community arts, education, academic art research, art facilitation and administration, while others have built reputations in the wider creative fields where innovative artists are highly valued as problem solvers.

How to apply: https://www.ulster.ac.uk/apply/how-to-apply#pg

Why Choose Ulster University ?

1. Over 92% of our graduates are in work or further study six months after graduation.
2. We are a top UK university for providing courses with a period of work placement.
3. Our teaching and the learning experience we deliver are rated at the highest level by the Quality Assurance Agency.
4. We recruit international students from more than 100 different countries.
5. More than 4,000 students from over 50 countries have successfully completed eLearning courses at Ulster University.

Flexible payment

To help spread the cost of your studies, tuition fees can be paid back in monthly instalments while you learn. If you study for a one-year, full-time master’s, you can pay your fees up-front, in one lump sum, or in either five* or ten* equal monthly payments. If you study for a master’s on a part-time basis (e.g. over three years), you can pay each year’s fees up-front or in five or ten equal monthly payments each year. This flexibility allows you to spread the payment of your fees over each academic year. Find out more by visiting http://www.ulster.ac.uk/apply/fees-and-finance/postgraduate

Scholarships

A comprehensive range of financial scholarships, awards and prizes are available to undergraduate, postgraduate and research students. Scholarships recognise the many ways in which our students are outstanding in their subject. Individuals may be able to apply directly or may automatically be nominated for awards. Visit the website: https://www.ulster.ac.uk/apply/fees-and-finance/scholarships

English Language Tuition

CELT offers courses and consultations in English language and study skills to Ulster University students of all subjects, levels and nationalities. Students and researchers for whom English is an additional language can access free CELT support throughout the academic year: https://www.ulster.ac.uk/international/english-language-support

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This programme allows you to engage with texts and writers from across the 20th and 21st century as well as the cultural, critical, conceptual and political contexts that have shaped them. Read more

Overview

This programme allows you to engage with texts and writers from across the 20th and 21st century as well as the cultural, critical, conceptual and political contexts that have shaped them.

You’ll have the chance to study major canonical and lesser-known authors as well as popular literature and film adaptation, engaging with some of the defining and urgent cultural issues and legacies of this period. This may include psychoanalysis, post-war writing, postcolonial literatures, mass and popular culture and eco-criticism and the environment. You could even select modules from other periods to broaden your knowledge.

At the same time, you’ll develop your understanding of research methods in literary studies, preparing for further study or a career in a range of different sectors. Taught by leading researchers and using our impressive library resources and Special Collections, you’ll explore how writers have responded to the complexities of the modern world.

You’ll learn in a stimulating environment with access to excellent resources for your research. The world-class Brotherton Library has extensive holdings to support the highest levels of academic study of theliteratures of these periods, and our Special Collections are full of archive and manuscript material as well as correspondence, notes, lectures and other papers from writers and poets from Simon Armitage to Tony Harrison, Geoffrey Hill to Stan Barstow, Sophie Hannah to Arthur Ransome and the critic George Wilson-Knight. The University Library offers full training to help you make the most of them, equipping you with valuable skills in the process.

The degree is also available to study part-time over 24 months. The part-time MA may be of special interest to those who are working in related fields as part of their career development.

Course Content

You’ll begin the programme with a core module that develops your knowledge of research methods and approaches in literary studies, helping you prepare for the rest of your studies.

At the same time you’ll take the first of your three optional modules, allowing you to pursue topics that interest you in particular. You may focus entirely on modern and contemporary literature, or you can choose to take up to two from the full range of options across the School of English. You’ll take two optional modules in Semester Two.

Throughout the year, you’ll develop your high-level skills in research and analysis while developing specialist knowledge of your chosen topics. You’ll expand on this in your dissertation or research project, where you’ll research a topic of your choice in British or Irish modern and contemporary literature and submit your work by the end of the programme in September.

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The MSc Journalism has been designed to develop both critical understanding of the profession and provide an overview of the practices and concepts of journalism. Read more
The MSc Journalism has been designed to develop both critical understanding of the profession and provide an overview of the practices and concepts of journalism.

The MSc Journalism Degree explores the role of radio, television, print and online platforms, developing skills and building experience. This course will equip you with the skills, experience and understanding to build a career in journalism which combines academic discipline with practical training.

Our courses are ranked within the top Universities by the Complete University Guide and The Guardian University Tables.

A placement opportunity is also available as part of this course

Visit the website http://www.rgu.ac.uk/information-communication-and-media/study-options/postgraduate-taught-full-time/journalism

Course detail

Key skills in journalistic writing, communication and IT are developed along with the skills of reporting, feature writing, subbing, interviewing and researching stories. The course also covers research and analytical skills and includes the social, economic and political roles of contemporary media and the role of the journalist in society.

You will be expected to attend intensive training in shorthand each day throughout the first two Semesters

Semester 1

• Media Industries
• News Writing
• Media Law
• Broadcast Journalism

Semester 2

• Digital Journalism in Practice
• Research Methods
• Government and Public Affairs
• Fieldwork Placement

Semester 3

•Journalism Project or Dissertation

Assessment

You will be expected to sit NCTJ examinations in reporting, media law, video journalism, public affairs and shorthand.

In Semester 2, you will present a written research proposal for submission. This will normally form the basis for the Masters dissertation. You will work independently but under tutorial supervision, to undertake the research and prepare the project/dissertation.

Format

In full time mode, you will learn through a combination of lectures, seminars and workshop sessions. These comprise of a mix of group study, discussion, simulation and presentations of findings by teams and individuals. You will work as an individual and also as part of a team on case studies, team activities, presentations and discussions.

Access to our virtual learning environment, CampusMoodle, is also provided giving you access from home to learning materials (including videos, e-books and journals).

Teaching and Staff

On this course you will be taught by staff with expertise in all areas of journalism, broadcasting and communication. The Course Leader is Andrew Jones, former head of BBC Scotland North. He teaches alongside John Linklater who was education correspondent, literary editor, theatre critic and features writer during a long career with The Herald in Glasgow.

Placement

The placement consists of 4-5 weeks practical experience in the operation of an appropriate organisation.

Careers

The expanding global communications industry provides excellent career opportunities for those who are equipped with a broad range of professional, technological and creative skills.

This journalism course has been designed in partnership with industry and provides graduates with both academic and professional knowledge and skills. These, in conjunction with practical skills, enhance career prospects and equip graduates with the skillset required to work in the journalism profession.

How to apply

To find out how to apply, use the following link: http://www.rgu.ac.uk/applyonline

Funding

For information on funding, including loans, scholarships and Disabled Students Allowance (DSA) please click the following link: http://www.rgu.ac.uk/future-students/finance-and-scholarships/financial-support/uk-students/postgraduate-students/postgraduate-students/

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The MSc Management is an exciting one year masters course open to applicants from all backgrounds, but primarily aimed at students who have not previously studied business and management. Read more
The MSc Management is an exciting one year masters course open to applicants from all backgrounds, but primarily aimed at students who have not previously studied business and management.

Managers are agents of change, innovators and social and business entrepreneurs. Managers are critical, challenging, independent and creative thinkers. Managers have impact on their environment.

The MSc Management will enable you to develop the necessary skills to foster different ways of thinking, different ways of viewing and understanding organisations.

Starting with a pre-course workshop in September to give you an intensive induction, then through lectures, case studies, seminars and group project-based work during the core modules, you'll be challenging established models of thinking, critically reflecting on contemporary management and looking at alternative ways of organising. Sustainability, innovation and social responsibility will be key themes during the course alongside skill-building in key areas such as marketing, accounting and human resource management. During the third semester alongside the business project, you'll meet speakers from industry and academia, who'll provide thought-provoking and inspirational perspectives from their own experience, facing and critiquing current business and management challenges.

Throughout your time in Manchester you will have access to ongoing research by academics regarded as experts in their field. Course staff are involved in a various research centres across the School and you will be encouraged to attend seminars that might be of interest. Within this forum of intellectual exchange, you will have the opportunity to hone your skills as a researcher, critic and independent thinker.

Whether your desire is to manage your own business or contribute to solving some of the world's problems, the course will provide knowledge and skills in key areas of management enabling you to take up a variety of positions across the private, public and not-for-profit sectors.

Coursework and assessment

Assessment across the course units varies, and includes a combination of examinations, course work, report and group project assessment and presentations.

During the third semester students undertake a business project as part of their final assessment.

Course unit details

The course consists of the following taught units:
-Foundations of Management
-Introduction to Accounting
-Marketing and Management
-Business Performance and Strategy
-Sustainability and Social Responsibility
-Innovation Management and Entrepreneurship
-Comparative Employment Relations and International Human Resource Management
-Organisational Psychology
-Trends in Global Business and Management
-Research Skills for Business and Management

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As one of the most established MAs in Creative Writing in the country, Chichester has a long record of student successes.All our courses are taught by practising novelists, short story writers, poets and dramatists. Read more
As one of the most established MAs in Creative Writing in the country, Chichester has a long record of student successes.All our courses are taught by practising novelists, short story writers, poets and dramatists. In addition to this, there are regular visits by other writers. The final taught module includes a session given by agents and editors. Staff are also willing to advise on professional issues of placing work.

The MA in Creative Writing is designed to give students a structure within which they can develop both their writing and imaginative critical skills, experimenting with the wide range of possibilities available to the contemporary writer. It is possible to write prose fiction (the novel or short story), poetry and drama. We are interested in literary fiction in all its forms.
Our MA Creative writing students 'read as writers', explore their reading in group discussions and engage in writing exercises designed to enlarge and stimulate their practice.
In the intensive MA workshops, students share work, learn to write to deadlines, learn how to redraft, polish, edit imaginatively and find the creative thread which, when followed, reveals how their own writing will achieve its optimum level.
All written assignments are accompanied by the writing of a commentary on the process; the commentary speeds and makes explicit a writer's discoveries, and so aids future practice.
Recent guest readers include: Simon Brett, Mavis Cheek, Helen Dunmore, Vicki Feaver, Ed Hogan, Susanna Jones, Adam Marek, Bernard O'Donoghue, Michele Roberts, Jo Shapcott, Robert Shearman, Matthew Sweeney and Nick Warburton.

Home Tuition Fees for 2017

1 Year full time: £6300.00

Part time - Module Fee £1050.00. Dissertation Fee £2100.00

Alumni Discount 10% for students applying within five years of completion of an undergraduate course at Chichester.

Overseas Fees 2017 £10,920.00


Many of our writers go on to publish and win prizes. For instance, Isabel Ashdown's novel Glasshopper, written during the MA, was hailed as one of the five best debut novels of 2009 in The Observer. MA graduate Wendy French won the £5000 2010 Hippocrates Prize for Poetry and Medicine. These are just two recent examples of the success of our graduates.

The annual Publishing Panel of six specialists has regularly welcomed literary agents from agencies such as David Godwin Associates, Rogers, Coleridge and White, United Artists, Greene & Heaton, Janklow and Nesbitt, RAFT and Lucy Luck Associates. Agents join literary editors for a discussion of the publishing world today and how to approach an agent or editor. We have welcomed literary editors from Penguin/Hamish Hamilton, Chatto&Windus, Myriad Editions, Simon & Schuster, Pighog Press, the Frogmore Papers and producers from BBC Radio.

Student Successes

Jane Rusbridge’s first novel, The Devil’s Music, was published by Bloomsbury in the summer of 2009. It is described as ‘a beautifully told story of family secrets and betrayal, involving knots, Harry Houdini and the shifting landscape of memory.’ The novel was started as part of her MA dissertation project. Jane's second novel, Rook, was published in 2012 and was a Guardian Readers' Book of the Year. Jane has won or been placed in several national and international short story competitions, including the WritersInc ‘Writer of the Year’ award (2005), the Ilkley literature Festival competition (2005), the Bluechrome Short Story competition (2005), the Bridport (2003, 2005) and the Fish Prize (2006). Jane's website can be found at http://janerusbridge.co.uk/

All these stories were written while studying on the MA. MA assignment poems have featured in The Interpreter's House, Red Hot Fiesta, New Beginnings, First Time, and the Surrey Poetry Competition anthology. Jane’s story ‘Sputnik’ was published in Mslexia (2006) and ‘The Devil’s Music’ – a chapter from the novel – was published by Route (2006).

On the Third Day by Kate Betts won Channel 4’s ‘The Play’s The Thing’ script-writing competition in 2006. The play was performed in The New Ambassadors Theatre, London. Michael Billington, renowned theatre critic for The Guardian, wrote, ‘Betts reveals a bold theatrical sense’ and ‘a gift for wry humour’ while Charles Spencer of The Telegraph praised the ‘emotional candour and generosity’ of the script. Kate featured each week in the major Channel 4 serial documentary, The Play’s The Thing.

Bethan Roberts' fourth novel, Mother Island (Chatto and Windus), was winner of Jerwood Fiction Uncovered Award in 2015. Bethan's first novel, The Pools, which evolved from her MA dissertation, was published by Serpent's Tail in the summer of 2007.

While on the MA, Bethan was selected for the prestigious Arvon/Jerwood mentoring scheme for writers under 35. Entry was highly competitive, with only 9 creative writers chosen from MA courses throughout the country. As part of the scheme, Bethan completed her novel under the guidance of an experienced novelist. Bethan has also published short stories, all written for the MA, including 'Family Portrait' (MsLexia, 16, 2003). She won The Olive Cook Award (Society of Awards) for another short story in 2006. Bethan's website can be found at http://bethanrobertswriter.co.uk/

Gabrielle Kimm wrote her first novel, My Last Duchess (Sphere 2010) on the MA in Creative Writing. Since then Sphere have gone on to publish The Courtesan’s Lover (2012) and The Girl with the Painted Face (2013). Gabrielle's website can be found at http://gabriellekimm.co.uk/

Indicative modules
The MA comprises four taught modules and a creative dissertation:

The Writing Studio enables writers to experiment in any genre prose, poetry or drama, while exploring key features of those genres. This first module also serves as induction to the MA and to the distinctive methods of the 'Chichester workshop'.

Metaphor and the Imagination encourages innovation and experimentation, pushing writers beyond their usual boundaries.

Sources and Transformations engages writers with the essential writerly skills of transforming both outer research and inner biographical concerns into fiction.

Launching the Manuscript encourages autonomy, sustaining the longer project, learning about the publishing industry and includes guest readers and the publishing panel.
The Manuscript (a creative dissertation of 20,000) allows writers to develop a longer piece of work through one to one tutorials with a tutor as a consultant reader.

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The University of Buckingham has introduced a one-year MA by research in the History of Art. Renaissance to Modernism. This groundbreaking programme is London-based and directed by the art historian Michael Prodger and the critic and biographer Martin Gayford. Read more
The University of Buckingham has introduced a one-year MA by research in the History of Art: Renaissance to Modernism.

This groundbreaking programme is London-based and directed by the art historian Michael Prodger and the critic and biographer Martin Gayford. The course will be supplemented by a series of ten guest seminars presented by an internationally distinguished group of art historians, artists and gallerists (listed under Teaching & Assessment).

Find out more about our School of Humanities on http://www.buckingham.ac.uk/humanities.

Teaching methods

The seminar programme offers a broadly chronological survey of Western art from the late fifteenth century to the late twentieth, enabling students to place their own individual research within the broader context of developments in art history since the Renaissance. For those taking the course as Associate Students, this seminar programme may be enjoyed as a self-contained survey.

For those engaged in the Master’s programme, however, the seminar series complements their individual research project; for at the heart of this MA is the close working relationship between student and supervisor. While the final thesis topic is chosen by the student and must be an independent work, it is the supervisor who offers advice on refining the topic (if necessary), on primary sources, on secondary reading, on research techniques and on writing the final text (which should be not less than 20,000 words). Supervisors and students will meet frequently throughout the year, and not less than twice a term; and the supervisor is always be the student’s primary contact for academic advice and support.

The seminars will be held at the Savile Club, 69 Brook Street, Mayfair, London W1K 4ER (a 5-minute walk from Bond Street Tube Station and 10 from Oxford Circus and Green Park).

Each seminar (approximately 70 minutes, beginning at 18:30) is followed by a post-seminar dinner in a private room, for those who wish to attend, where there will be an opportunity to continue the seminar discussion in an informal environment. The cost of the post-seminar dinners is included in the tuition fees.

Associate students

For those who wishing to attend the evening research seminar programme, but unable to devote the time to research, there is the option of becoming an Associate Student. This status will enable the student to attend the ten research seminars and dinners and to take a full part in the seminar and dinner discussions, but does not require the submission of written work. Associate Students are not registered for, and do not receive, the MA degree.

Apply here http://www.buckingham.ac.uk/humanities/ma/history-of-art-london.

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Discover, research and experiment with different photographic processes and disciplines using our industry-standard facilities. Supported by a team of photographers, visual artists and theorists, you’ll develop your critical understanding of this art form, and prepare for a career in today's global photography industry. Read more
Discover, research and experiment with different photographic processes and disciplines using our industry-standard facilities. Supported by a team of photographers, visual artists and theorists, you’ll develop your critical understanding of this art form, and prepare for a career in today's global photography industry.

Overview

Our course will help you define your photography practice and become a critical practitioner.

You’ll learn to experiment, to carry out research and disseminate your work. The course focuses on the relationship of practice to research and research to practice, the role of sequence and series in developing your visual language, the relationship between text and image, and the latest important issues in photographic theory and practice.

You’ll explore the global industry that is modern-day photography, and form an understanding of current debates and opportunities.

Your work will be supported by a team of experienced photographers and researchers with wide-ranging interests and specialisms. You’ll receive guidance on many photographic processes, from documentary and fine art to institutional or historical critique, and traditional or found photography to digital technical innovation. And we'll be able to offer expert advice on your future career.

Teaching times: 10am-1pm and 2pm-5pm Wednesdays (full-time); 10am-1pm or 2pm - 5pm Wednesdays (part-time).

Careers

Our course will prepare you for many roles in the photographic industry and beyond: photographer, yes, but also picture researcher, assistant, lecturer, curator or art critic. You might choose a 'portfolio career' and combine your photography work with other activities. Either way, you’ll have developed the skills to use a comprehensive range of approaches and technologies which, combined with projects such as symposium and exhibition organisation, will prove invaluable in many roles.

With our focus on international practice, you'll be able to develop new contacts and networks, and seek out international employment opportunities. If you’re from a country where the visual media has untapped potential, you’ll be in a position to contribute to its development.

Core modules

Process and Practice as Research
Photography: Experimental Practice
Photography: International Perspectives
Master's Dissertation Art and Design
Master's Project: Art and Design

Assessment

You’ll show your progress through a combination of methods that reflect the learning outcomes of each module. These include portfolios of practical and written work, reflective commentaries, symposium contributions, and a 6,000-work dissertation.

Specialist facilities

You’ll have access to our state-of-the-art digital facilities (including CGI HDRI lab), colour and black-and-white darkrooms, photographic studios, a printmaking studio and laser-cutting facilities, with full inductions and training available. You’ll be able to use our digital imaging resources, darkrooms and studios on an open access basis. Other Cambridge School of Art facilities, such as letterpress and 3D workshops, will be available to you once you’ve had training. You can book one-to-one tutorials during the week and use specialist equipment with the support of our technicians.

You can also borrow photographic, video and recording equipment from our Media Services Unit to use in your projects.

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Whether undertaken for the continued love of literature, or for personal or professional development, studying our MA English Literature will help you gain a more confident critical voice and advanced analytical and research skills. Read more
Whether undertaken for the continued love of literature, or for personal or professional development, studying our MA English Literature will help you gain a more confident critical voice and advanced analytical and research skills.

This course is taught by internationally recognised scholars who are at the cutting-edge of their areas of research. You will work with us on the latest developments in literary criticism.

The Humanities department runs a number of exciting research groups, many of which are interdisciplinary in method and scope. The English division has particular strengths in the Early Modern period, the Long Eighteenth Century, Modernism, Gender, and Popular Culture.

This course has several available start dates and learning methods - for more information, please view the relevant web-page below:
2 years part time - https://www.northumbria.ac.uk/study-at-northumbria/courses/english-literature-dtpegl6/

1 year distance learning - https://www.northumbria.ac.uk/study-at-northumbria/courses/english-literature-dtdegl6/

2 years distance learning - https://www.northumbria.ac.uk/study-at-northumbria/courses/english-literature-dtpegld6/

Learn From The Best

This MA reflects – and is informed by – staff interests across periods, locations, and theoretical approaches: from the Early Modern period to contemporary writing; British, American and transnational literature; sexuality; and cultural heritage.

Each MA module is reflective of areas of staff expertise, ranging from the gory delights of the Gothic to how associations between authors and locations lead to the development of literary heritage sites, such as Dove Cottage.

Northumbria’s Humanities department works with a range of cultural partners including New Writing North, the co-operative movement, Tyne & Wear Archives and Museums and Shandy Hall, providing students with direct industry exposure and live project opportunities.

Teaching And Assessment

During the English Literature MA you will be encouraged to become more aware of the production and determination of meaning by historical, social, political, stylistic, ethnic, gender, geographical and other contexts.

This heightened awareness is facilitated through examining literature produced within a wide range of contexts: different periods; geographical locations; as well as a variety of social backgrounds (institutional, gendered, private, public, domestic). This wide-ranging critical examination opens up new perspectives on literary texts and provides you with the strategies needed to discuss literature in expert and critically informed ways.

You will choose your non-core modules from a pool while the core modules Critical Contexts and Research Methods: Traditional and Digital will run in all years. You conceive your dissertation topic individually in conjunction with a supervisor of similar research interests.

Module Overview
EF0126 - E.S.A.P. in FADSS Level 7 (Optional, 0 Credits)
EL7016 - Dark Tourism: Urban Underworlds and Modern City Spaces (Core, 30 Credits)
EL7018 - Final Frontiers: future worlds, cyberspace and alternative realities (Optional, 30 Credits)
EL7019 - Research Methods: Traditional and Digital (Core, 30 Credits)
EL7021 - Critical Contexts (Core, 30 Credits)
EL7022 - MA English Literature Dissertation (Core, 60 Credits)
EL7027 - Writers in their Place: Literature and Heritage (Optional, 30 Credits)

Learning Environment

The delivery of the MA offers a degree of flexibility by allowing you to choose your learning environment. The MA in English Literature is offered in a traditional classroom setting with regular face-to-face supervision, or alternatively you can complete the course via distance learning through a Virtual Learning Environment (VLE).

The Humanities department is made up of a community of learners all the way through from first year undergraduate to final year PhD level. All Humanities staff are engaged in research and actively create the knowledge that is taught in the department.

English Literature MA students, as part of Northumbria’s Humanities department, will have access to the new Institute for Humanities which houses a range of specialist research resources.

Research-Rich Learning

The subject area of English and Creative Writing produces high quality research and has been successful in securing external funding for research projects from the British Academy, the Arts and Humanities Research Council, and the Leverhulme Trust.

Northumbria is rated in the UK top 15 for the quality of its English Literature, Language and Creative Writing publications. You can explore some of the key themes here.

Furthermore, as an MA student in English Literature you will engage with the activities of the Institute for Humanities, which is home to five international journals in English studies and which regularly hosts an exciting range of seminars, symposia and conferences on topics as varied as Memory, Heritage and Identity; Transnationalism and Societal Change; Digital Humanities; Medical Humanities; and American Studies.

Give Your Career An Edge

On completion of the MA, you will have improved your employability through enhancing your critical skills and attitudes, presentation skills, and reflective and evaluative abilities. You will be self-motivating, be capable of making decisions in complex situations, and possess a thirst for independent learning.

In addition to these personal skills, you will have demonstrated a critical awareness of the current research and scholarship within your discipline, facilitating your ability to interpret knowledge in a variety of professional fields.

The MA builds on undergraduate skills, distinguished by the level of intensity, complexity, and density of study. Advanced communication skills and media literacy must be demonstrated along with exceptional ability for time management, ethical and professional understanding, and highly developed research and inquiry skills.

From the start of the course you are encouraged to access the central university Careers and Employment Service, and to use this service regularly to seek advice on areas such as career guidance.

Your Future

There are considerable opportunities for you to advance your studies further, and advice in writing PhD and funding applications is available. The course offers a qualification that may enhance promotion prospects in some professions – most notably teaching, professional research, museums/archives, public policy, and project management.

Julie Orme came to Northumbria as a mature student and achieved a distinction in the English Literature MA. She says:

“Studying at Northumbria allowed me to develop good analytical and research skills and to attain the grades and display the work ethos necessary for becoming a good prospect for employers. It has also opened the door to further, vocational study.

The best thing about my MA was the way that one's critical skills were developed to the point of autonomous study whereby, one graduated from being a student to being a literary critic."

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This course is about analysing the relation of philosophy and science in terms of their historical development, as well as the current situation. Read more

Overview

This course is about analysing the relation of philosophy and science in terms of their historical development, as well as the current situation.
Philosophy and science don't mix. Or do they? What we nowadays call "science" used to be part of "philosophy." It is not a coincidence that Isaac Newton called his physical masterpiece "The Mathematical Principles of Natural Philosophy." And today, the two are still closely connected. Our current worldview is strongly shaped by scientific thought. We look to science for both answers to our theoretical questions and solutions to our practical problems.

The Master's specialisation in Philosophy and Science analyses the relation of philosophy and science in terms of their historical development, as well as the current situation. How did the scientific worldview come about? What are its components? What models have been proposed for the relationship between philosophical and scientific thinking?

This Master's specialisation will give you a better understanding of the evolution, the current status and the implications of the scientific worldview. Professionally, it prepares you for several possible avenues, in fields including science administration, research, journalism, and policy-making.

Why study Philosophy and Science at Radboud University?

- The focus on the historical and systematic relationship between philosophy and science is unique in the Netherlands.
- The Philosophy Faculty has close ties with scientists and professors at the other faculties on campus - and philosophy as a subject is an integral part of all the faculties at Radboud University. This makes it easier for our students to combine Philosophy with any discipline when working on their thesis.
- Teaching takes place in a stimulating, collegial setting with small groups.
- The seminars specifically train skills such as critical reading, analytical thinking, policy writing and debating.
- This Master's specialisation is run by the Center for the History of Philosophy and Science (CHPS), the only centre in the world that studies philosophy and science as historically intertwined phenomena.
- This Master's specialisation is aimed at career prospects in, as well outside of, research.

See the website http://www.ru.nl/masters/philosophyandscience

Career prospects

During the specialisation Philosophy and Science you will learn to think about issues in debates with major thinkers. You will study texts by philosophers of the past and present. What you learn here is applicable to the social, scientific and political situations around us.

After you graduate, you’ll be well situated to analyse texts and extract concepts. You’ll have the ability to think out of the box and to think creatively about possible solutions. You can use those skills in society, in political or social debates and in your work.

Job positions

Graduates of the Master’s specialisation in Philosophy and Science have many options. You can work within journalism and become a journalist, editor or critic. You can also become a policy advisor for a governmental organisation, or for other cultural and social institutions. You can also work as a philosopher in business, communications advisor or ethical expert. And Dutch students who would like to become teachers within the Netherlands could continue to attain the academic teacher’s degree for the subject of Philosophy (leraar Filosofie).

See the website http://www.ru.nl/masters/philosophyandscience

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