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Masters Degrees (Contemporary Art)

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This 10-month program focuses on the analysis of contemporary art work and the understanding of evolving demands of the art market in a global context. Read more
This 10-month program focuses on the analysis of contemporary art work and the understanding of evolving demands of the art market in a global context. The techniques of management, communication, marketing and the knowledge of law and regulations contribute in providing the expertise required when working in the field of contemporary art.

Based in the heart of Paris, on the premises of IESA Art & Culture, students are within easy access to all the major Parisian museums, auction houses and contemporary art galleries. Class visits to the most prominent contemporary art museums, galleries, and auction houses are organized to allow students to dialogue with curators, art historians, and gallerists.

Study trips to art centers in France are organized during each semester to allow students to network with seasoned professionals in the art sector.

Structure

The program consists of 3 trimesters:

2 trimesters of classwork (Oct-Dec/ Jan-March) and a trimester dedicated to internships (April-June) allowing students to gain professional experience (Jan-March).

During the last two trimesters, students will work on a personal project to be presented in front of a professional jury in order to validate the certificate.

Each trimester contains 200 contact hours over a 10-week period. Courses are taught in English.

Students are attributed a mentor for personalized coaching and will follow group methodology sessions to guide them in the research and development of their personal project.

1st trimester:

The History of the Contemporary Art in Europe and United States; the Economics of the Contemporary Art Market; Art Law; Art and Project Management; Communication and the Marketing, Research, Development and Management of Artistic projects (content, business plan, legal structure, communication, marketing); visits and workshops with professionals.

2nd trimester:

The Current and Future Art Markets, the History of Contemporary Art Outside of Europe; E-communication and E-marketing of Art and Luxury Products; Negotiating Sales of Art Objects; Promoting Artistic Projects, a Brand, Artists, and Contemporary Art and Luxury Products; Exhibition planning; Visits and Workshops with professionals; Methodology; mentoring sessions.

3rd trimester:

Full-time internship, methodology sessions, sessions with mentor to follow up on personal projects.

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The Masters of Arts in Contemporary Art, Design and New Media Art Histories explores today’s creative practices and works produced since 1970. Read more
The Masters of Arts in Contemporary Art, Design and New Media Art Histories explores today’s creative practices and works produced since 1970. OCAD University is one of only a few universities in North America that concentrates on current artists and issues. It’s the first program in Ontario to offer a graduate specialization in design history.

In this program you’ll be shaping contemporary art, design and new media scholarship. OCAD University is a unique place to study this exciting field – the program is small, so you’ll get personal attention, have access to top-notch faculty and be studying at Canada’s largest art, design and new media university. You’ll work with the producers of cutting-edge art, design and new media in your studies.

This program is normally completed in two years. Students in this program can take advantage of being located in the heart of Toronto’s cultural district – you’ll have access to the archives of major institutions only a few blocks away such as the Art Gallery of Ontario, Toronto International Film Festival and the Design Exchange.

You should have an honours, four-year bachelor’s degree in art history, visual culture, communications or a similar program to apply.

What will you learn?

The program comprises the following:

You’ll learn to understand the zeitgeist, current movements and practices in today’s art, design and new media world. You’ll use established conventions of art history, theory and terminology in seminars and engage in independent study.

You can take courses from any of three specializations. You will choose one as your focus:

Contemporary Art History
Design History
New Media Art History

Drawing on the long established discipline of art history and sharing analytical techniques, theory and terminology, these three areas of study are complementary. However, these areas of investigation and specialization bear and retain their own distinctiveness, which is emphasized in field-specific seminars and independent study. While students may take courses in any one of the three specializations, one field will be selected as the focus for the degree.

The MA in Contemporary Art, Design and New Media Art Histories is a full-time, 7.5 credit program normally completed within two years (five semesters).

Two core graduate courses
Field-specific graduate seminars
Two electives
Individual reading and research
Major Research Paper (MRP) / Thesis writing workshop
MRP or Thesis

Students are required to complete a major research project or thesis. Here are a few recent examples:

Lady Gaga and the Other: Persona, Art and Monstrosity
The Comic’s Heartbeat: Framing Affective Structures in Comics History
Hip Hop as a Tool of Decolonization
New Media as a Platform for Indigenous Self-Representation and Social-Political Activism

You’ll be at the centre of contemporary art scholarship by planning and hosting the CADN Graduate Students’ Conference which is a major conference that attracts students and art historians from across the country.

What will I be able to do with my degree?

After graduating, you’ll be positioned to continue your research in a PhD program in cultural studies or contemporary art.

More and more contemporary art galleries and institutions are opening every day. These spaces want to hire people with their finger on the pulse of contemporary art and how it relates to history. Graduating with this highly prized skill set will give you a leg-up on students coming from traditional art programs.

Graduates from this program work as magazine and journal editors, researchers and curators.

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This programme encourages creative, holistic and practical knowledge of this increasingly polymathic field, grounding practical schooling in criticism, art writing and curating in knowledge of key histories and theories of contemporary art. Read more

Programme description

This programme encourages creative, holistic and practical knowledge of this increasingly polymathic field, grounding practical schooling in criticism, art writing and curating in knowledge of key histories and theories of contemporary art. The programme addresses issues raised by the practices of contemporary art, criticism and curating as a means of encouraging you to contribute both critically and practically.

Artists think and act. Being contemporary means engaging with multiple perspectives and different ways of learning. Students of contemporary art theory conduct research in relation to a broad range of creative, cultural and historical contexts in ways that are speculative, writerly, philosophical, organisational, social and economic.

Students apply aesthetics, art theory and criticism, art historiography, anthropology, and critical theory to engage with contemporary art’s variety of media, technologies, images, artefacts, tactics, texts, cultural contexts and professional practices.

Programme structure

Coursework is based on a strategy of blended learning, combining the latest open-source educational technology with more conventional face-to-face lecture, seminar and workshop-based teaching methods. Particular emphasis is placed on the importance of peer learning; group work, field work and experiential learning.

Research projects are student-led, personalised and supervised by a team of academic staff who aim to support whichever direction is most appropriate to your interests, skills and strengths. Theory students form an integral part of our graduate school, writing, producing and commissioning projects in a family of media and adapting approaches drawn from an increasingly wide array of disciplines.

Learning outcomes

The programme aims to provide you with both an overall level of expertise in recent developments in art practices and theories, and a high degree of specialisation within this field, culminating in an original Research Project. As such, the programme has the following specific aims:

To undertake a systematic examination of major international art practices since the 1970s.
To analyse the major strands of theory and criticism that have informed art practices, institutions and related cultural ecologies.
To explore some of the principal critical and theoretical positions informing the interpretation of contemporary art and its organisational contexts.
To provide you with a set of critical tools necessary for the advanced analysis and creative organisation of art and contemporary culture.
To provide you with a set of competencies, skills and understanding that will enable you either to undertake further academic research and/or to pursue a range of creative careers.

Career opportunities

This programme will enable you to develop the creative, organisational and economic knowledge required for a career in the contemporary art world, as a critic or a curator. You will also be qualified to teach studio art and theory in higher education and to work as a self-employed artist.

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A pathway degree combines specialisation with flexibility. It is suited both to those of you who are beginning a journey towards a PhD in a particular field, and to those of you who wish to further develop undergraduate or personal interests. Read more
A pathway degree combines specialisation with flexibility. It is suited both to those of you who are beginning a journey towards a PhD in a particular field, and to those of you who wish to further develop undergraduate or personal interests. The pathways have emerged from clusters of excellence and expertise in the Department and relate directly to our Research Schools of Architectural History and Theory, British Art, Medieval Art and Medievalisms, Modern and Contemporary and Sculpture Studies. We therefore have concentrations of staff working in these areas, and related lectures, colloquia and site visits taking place.

The Modern and Contemporary Art pathway

If you select the Modern and Contemporary Art pathway you could choose options focusing on a wide range of works ranging from painting, sculpture and architecture, to photography, installation, performance and contemporary works engaging with new media and the digital. You will study works of art from geographically diverse regions, from the international rise of ‘pop art’ across the globe from the 1960s, to the arts of the Americas, and art from west and east Europe from the early twentieth century to the present day. As well you will be introduced to a range of formal, methodological and theoretical ways of thinking, writing and talking about the work of art in this period.

In order to complete the degree, at least two of your four option modules and your dissertation must be completed in Modern and Contemporary Art. Beyond this, the programme structure provides the flexibility for you to either specialise entirely in Modern and Contemporary Art, or to select up to two of your option modules from art history modules outside the field, or from modules offered by other humanities departments and interdisciplinary centres. Training will be offered in both general and pathway-specific research skills, which will prepare you for the development of a sustained independent research project for your dissertation, on which you will work closely with an academic supervisor who is expert in the field.

Degree Structure

Taken full-time, the one-year MA in History of Art (Modern and Contemporary Art) consists of:
-Autumn and Spring Terms: A core module focusing on Research Skills and Methods in History of Art, including pathway-specific sessions.
-Autumn Term: Two taught modules of your choice; an option is always offered on historiographical and theoretical approaches to art history.
-Spring Term: Two further modules of your choice.
-Summer Term and vacation: A dissertation of 15,000-20,000 words.

Taken part-time over two years, you would do one option in each of the Autumn and Spring terms, and work on your dissertation during the Summer terms and summer vacation.

Each option is taught by weekly two-hour seminars and assessement is in the form of a 4,000 word essay. Field-trips to view art and architecture are included in the programme, as appropriate.

The Research Skills and Methods in History of Art module, which is taught on a fortnightly basis across the Autumn and Spring Term, culminates in the production of a dissertation synopsis, on which the module is assessed.

The programme culminates in the production of a 15,000-20,000 dissertation, produced under the supervision of a member of staff. The work accounts for 50% of the final degree mark.

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With the enrichment and advancement of your studio practice at its core, this course welcomes highly motivated and independent thinkers. Read more
With the enrichment and advancement of your studio practice at its core, this course welcomes highly motivated and independent thinkers. You will have the opportunity to advance your critical thinking, and will be encouraged to experiment and take risks. Develop your skills and expertise for transferrable professional knowledge, with access to extensive specialist workshops and realise your practice to the fullest extent on this challenging and inspiring MA.

Key features

-Develop your studio practice and related research through a range of approaches. Undertake single, multi- or inter-disciplinary study within interactive and digital technologies, film and video, sound, painting, printmaking, photography, drawing and sculpture.
-Advance your practical skills with our high-specification workshops. You’ll have access to fully equipped digital production, sound recording and editing, film, photography, video, ceramics and print facilities and excellent technical support.
-Direct your studies through four independent study modules underpinned by critical frameworks and research methodologies and a substantial MA project in year 3.
-Connect with contemporary artists and curators through our weekly visiting artists programme. Participate in stimulating debates and shared dialogue with diverse research groups across the faculty with our interdisciplinary seminars series.
-Integrate any external projects, internship possibilities or client commissions you are awarded into your course. We embed professional practice into our academic framework, facilitating transferrable knowledge and skills in the workplace.
-The option to study part-time allows you to balance your work and external commitments with postgraduate education.
-Benefit from the knowledge and experience of a teaching staff of artists and researchers with substantial expertise with international exhibition, residency and research profiles.

Course details

Year 1 & 2
You’ll develop your practice through independent study projects (ISPs) and specialist workshops. The ISPs will help you explore and understand the wide range of methods, media and approaches that might underpin your practice. You'll to be encouraged to develop, question and critically reflect upon your art practice to the fullest extent. You will also focus on how contexts and conditions frame and inform contemporary art practice.
Core modules
-MAC701 Contemporary Art Practice 1
-MAC702 Contemporary Art Practice 2

Year 2
You'll further develop your artistic practice through an individual or collaborative project, building on and advancing work undertaken in concurrent and/or previous module(s). You'll write an MA project proposal that will inform the research stage of your MA project.
Core modules
-MAC703 Contemporary Art Practice 3
-MAC704 Contemporary Art Practice 4

Optional modules
-MAC706 International Exchange

Final year
Building on the insights and skills gained in your first year, you’ll develop a proposal for, and carry out, a substantial MA Project. The MA Project culminates in a public exhibition and Project Report, the form of which is negotiated and relates to your practice.
Core modules
-MAC705 MA Project

Every postgraduate taught course has a detailed programme specification document describing the programme aims, the programme structure, the teaching and learning methods, the learning outcomes and the rules of assessment.

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The Master of Contemporary Art (MCA) is a dynamic program that supports the development of a career in contemporary art practice. Read more
The Master of Contemporary Art (MCA) is a dynamic program that supports the development of a career in contemporary art practice. The MCA is specifically designed to offer students with training in the visual arts, and students wishing to re-enter the field, with a valuable platform for up-skilling. The MCA also provides an important pathway to research degrees (including MFA) by offering specialised research training electives. MCA students propose and develop a self-initiated visual arts project. Seminars in art practice concentrate on the practical, theoretical and material context of contemporary art and the relationship with students' individual studio practice. History and theory seminars provide a forum for discussion on key theorists and philosophers appropriate to contemporary art, and may also include gallery visits and guest lectures. Students can tailor the degree to their preferred pathway, be it research or professional. Those who wish to undertake a more professional pathway can complete a placement that interfaces directly with the creative industries. Students are examined on their studio project at the completion of their study. The degree is self-directed, flexible, and cross-disciplinary, and has a strong record of providing students with professional opportunities.

To ask a question about this course, visit http://sydney.edu.au/internationaloffice/

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The Master of Philosophy in Contemporary Art at Liverpool John Moores University is designed for artists, writers, curators, and cultural practitioners, to develop practice and contribute to the wider field of contemporary art through research-based critical work. Read more
The Master of Philosophy in Contemporary Art at Liverpool John Moores University is designed for artists, writers, curators, and cultural practitioners, to develop practice and contribute to the wider field of contemporary art through research-based critical work.

•​Underpinned by the internationally distinguished research expertise of staff and visiting contributors
•Benefit from partnerships with key cultural institutions in Liverpool – Tate Liverpool, Liverpool Biennial and FACT
•Join a School known for its internationally-acclaimed research
•Opportunities to transfer to the PhD programme upon successful completion of the MPhil
•Study in the Sterling Prize nominated John Lennon Art and Design Building


The Master of Philosophy in Contemporary Art is a research degree designed for artists, writers, curators, and cultural practitioners, as an opportunity to develop practice and contribute to the wider field of contemporary art through research-based critical work.

​It offers the opportunity to undertake advance research in areas relating to wide range of artistic practices, critical writing, exhibition studies and curating, including specificity of periodic art exhibitions such as biennials.

You will work alongside dedicated supervisors, get involved in training workshops and seminars, actively participate in our research environment and public events and engage with our external cultural partner institutions.

You will be able to work with Liverpool Biennial which has a strong relationship with LJMU, through collaborative post and joint programme activities. The School's cultural partnerships with Tate Liverpool, FACT and RIBA North offer opportunities to develop public presentations, curatorial projects, and exhibitions.

In addition, the programme benefits from the context of our own Exhibition Research Centre activities and public art gallery located in the School of Art and Design John Lennon Building; LJMU Library, Special Collections and Archives (including Liverpool Biennial Archives) and a range of international collaborations and partnerships developed by staff.


Please see guidance below on areas of study to support your research

Specific research-related training needs are identified on an individual basis.

You can study topics such as:
•Advanced Presentation Skills
•Applying for Ethical Approval
•How to be an Effective Researcher
•Poster Presentation/Design
•Postgraduate Employability Skills
•Project Management
•Writing Skills including Creative Planning for Writing your Thesis
•Surviving the Viva
•Speed Reading

Further guidance on modules

The information listed in the section entitled 'What you will study' is an overview of the academic content of the programme that will take the form of either core or option modules. Modules are designated as core or option in accordance with professional body requirements and internal Academic Framework review, so may be subject to change. Students will be required to undertake modules that the University designates as core and will have a choice of designated option modules. Additionally, option modules may be offered subject to meeting minimum student numbers.

Academic Framework reviews are conducted by LJMU from time to time to ensure that academic standards continue to be maintained. A review is currently in progress and will be operational for the academic year 2016/2017. Final details of this programme's designated core and option modules will be made available on LJMU's website as soon as possible and prior to formal enrolment for the academic year 2016/2017. Please email if you require further guidance or clarification.

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The MA in Contemporary Art Theory is for those with a special interest in contemporary art, and an aptitude for theoretical work in the subject- http://www.gold.ac.uk/pg/ma-contemporary-art-theory/. Read more
The MA in Contemporary Art Theory is for those with a special interest in contemporary art, and an aptitude for theoretical work in the subject- http://www.gold.ac.uk/pg/ma-contemporary-art-theory/

The programme offers a challenging and advanced scheme of study, which explores a range of theoretical perspectives that shape attitudes towards visual art in the late 20th/early 21st centuries.

Invigorated by current research, the programme encourages you to explore conceptually and creatively the ways in which contemporary artistic practice and critical theory interrelate. It aims to expand your knowledge of contemporary artistic developments as well as to deepen your understanding of the interdisciplinary nature of academic discourses on visual culture.

The programme draws variously upon the fields of performance studies, art history, philosophy, museology, queer theory, post-colonial studies and cultural studies in addressing the critical challenges posed by artistic practice.

Contact the department

If you have specific questions about the degree, contact Mark Fisher.

Overview

The programme comprises a non-assessed introductory module, the Common Core Module Readings/Processes, and four assessed components: two Special Subjects, the MA Symposium and the MA Dissertation. Students also attend the guest lecture programme. You have the option of auditing another special subject should you wish to do so, subject to availability and in agreement with the course tutor.

The taught part of the programme runs from the end of September to the end of March, with additional guest lectures or workshops in May and June. It offers a framework to help you focus and develop your own understanding of contemporary art practice and its wider cultural significance. It is designed to develop your understanding of a range of critical and theoretical approaches that inform the heterogeneous field of visual art production whilst, at the same time, enabling you to identify and prepare the area of independent research you will carry out in your dissertation project.

Thematic pathways through the MA will be offered on a yearly basis. These will connect the annually changing themes of the core courses with the annual roster of special subjects. In any specific year three themes will be operative. They may include Global Arts; Sound; Politics and Aesthetics; Performance and Live Art; Critical Thought.

Full-time students attend on Thursday and one other day each week (determined by the choice of special subject); part-time students attend on one day each week in the first year and on Thursday in the second year.

Assessment

Having already produced an assessed oral presentation on your topic you work on your dissertation over the summer and submit your completed project for assessment early in September. Assessment: one 12-15,000-word dissertation.

Requirements

If you have little or no formal training in art history or a related humanities discipline, you may need to take a preparatory year of study on the Graduate Diploma in Contemporary Art History. You may also be required to attend an interview.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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The goal of the M.A. in Modern and Contemporary Art and the Market is for students to acquire essential knowledge about art, the art market and their reciprocal relationship, while simultaneously building practical skills in preparation for careers in the art world. Read more
The goal of the M.A. in Modern and Contemporary Art and the Market is for students to acquire essential knowledge about art, the art market and their reciprocal relationship, while simultaneously building practical skills in preparation for careers in the art world. The program emphasizes the importance of direct contact with original works of art, and through the use of Christie's sale rooms and specialist staff, exploration of the history of art.

This interdisciplinary program provides an in-depth study of modern and contemporary art and its markets from the mid-19th century to the present day. Led by an expert faculty, the integrated program combines the development of connoisseurship skills through object-based learning and investigative cataloguing and writing, art history, knowledge of current art business practices and the market, and art market history. Students study art works first-hand in sites of production and exhibition throughout New York City and beyond. Additionally, access to specialists and salerooms through our central location at Christie’s auction house enhances the program and provides a unique and exceptional learning opportunity.

Our Unique Approach

Access to a wide range of art professionals provides students with first-hand knowledge of the workings of the art world, and the transferable skills they need to become art world professionals. An intensive program, it takes only 15 months to complete and concludes with the writing of a Master’s thesis and a mandatory 45-day internship to help students launch their professional careers.

Who should apply?

The program is designed both for students who have recently graduated with a B.A. in art history or a related humanities discipline and for career changers wishing to gain access to the art world. Students from a wide variety of fields have successfully merged their prior backgrounds with the program, launching successful careers at auction houses, galleries, non-profits, art fairs and art advisories upon graduation.

Student Learning Results

- Acquire the skills to identify different mediums and assess an art work’s condition
- Learn to describe works of art and situate them in art history
- Gain an insider’s understanding of the structure of the art world and the interplay between the commercial and non-profit sectors
- Develop transferable professional skills such as cataloguing, building a collection for a client, and critical writing
- Acquire knowledge of the workings of the auction house
- Gain art business and art market knowledge
- Identify and apply different methodological strategies used in interpreting contemporary art
- Develop facility with current research resources for art history and the art market
-For gainful employment disclosures visit this page http://www.christies.edu/new-york/gainful-employment.aspx

Admission Requirements

NOTES: Students enrolled in the Master of Arts in Modern and Contemporary Art and the Market are eligible for federal financial aid. International students enrolled in this program are eligible for F1 Student Visas. Details on how to apply for a visa are included in your admissions packet after being accepted into the program.

All admissions materials, including recommendation letters, must be submitted in hard copy to Christie's Education Admissions 1230 Avenue of the Americas, 20th Floor, New York, NY 10020.


- Completed admission application form
- Non-refundable application fee of $95
- Bachelor’s degree or the equivalent international degree
- Official transcripts from all post-secondary institutions attended. All transcripts, diplomas or academic records must be official documents issued by the college or university and provided in the original language in sealed envelope. Transcripts in other languages must be accompanied by English translations certified by official translation professionals or agencies
- All international transcripts must be accompanied by an equivalency report from World Education Services, WES.org
- Essay statement, 2–3 pages on why you are interested in the program
- Sample of writing, no more than 10 pages, which can be taken from undergraduate work
- Official GRE score report (optional)
- Official TOEFL scores report if applicable
- Three letters of academic or professional recommendation from writers who know the applicant’s abilities well. Letters should be sent in hard copy on letter head with original signatures
- Personal interview (by invitation only). Invitations will be sent once all application materials have been submitted

More information on program content, available resources and accreditation

Please visit this link http://www.christies.edu/new-york/courses/masters-modern-contemporary-art-markets.aspx

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Do you want a career in the art world, but lack the experience and exposure to art history? Our unique Postgraduate Diploma in Modern and Contemporary Art caters to a diverse range of students who hold an undergraduate degree. Read more
Do you want a career in the art world, but lack the experience and exposure to art history? Our unique Postgraduate Diploma in Modern and Contemporary Art caters to a diverse range of students who hold an undergraduate degree. Designed to be creative and adaptive, the course will allow you to analyse the interests and practices of a fast-changing art world and fast-track your career change. The programme offers direct access to a range of professional practices, from cataloguing and curating contemporary art to the methodologies of art history and exposure to contemporary theory. You will work alongside students in our Master’s programme and be provided with substantial tutorial support. Particularly able and hardworking Postgraduate Diploma students may explore the possibility of transferring to Master’s level study during the second term.

Core components

The core lecture series – organized around a thematic of Modern, Anti-Modern, and Postmodern – underpins all components of the programme

Object-based study is central to our teaching and will provide you with the opportunity to study in direct contact with works of art through museum and gallery-based classes, specialist-led handling sessions, studio visits and conservation sessions. You will be trained in cataloguing to auction house and museum standards through detailed case studies, assessing issues that affect market value. You will ll learn to analyse the different processes of assessment, classification and interpretation used by art institutions

Being engaged with current debates about curating will enable you to devise fresh approaches to the display of art works. You will explore practices in art criticism, developing skills to review exhibitions and produce reports

Our Culture and Ideology Seminars will teach you the in-depth analysis of relationships between art practices, cultural contexts and critical debates. You will develop skills to deliver presentations and generate seminar discussion. You will be involved in Methodology Seminars – the analysis of technical, art-historical and interpretative texts – that provide transferable skills for independent research and individual development

Study Abroad and follow the Contemporary Art Scene in Europe
You will participate in two study trips a year to major events in Europe and visits to UK sites throughout the year as key elements of a course that keeps pace with a fast-moving art world. These include exhibition visits and field trips to major international events such as the Venice Biennale, Berlin Biennale, Documenta and Munster Scuplture

Venice Biennale
Christie's Education is an educational partner in the Biennale Sessions that accompany the 55th Venice Biennale and Massimaliano Gioni's Il Palazzo Encyclopedico. Our programme in Modern and Contemporary Art and Art World Practice is visiting the Biennale in both June and November.

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On this programme students engage with some of the most dynamic and contemporary aspects of Asian and African art, as well as issues of collection, display, representation, tourist art, and shifts between regional, national and global identities. Read more
On this programme students engage with some of the most dynamic and contemporary aspects of Asian and African art, as well as issues of collection, display, representation, tourist art, and shifts between regional, national and global identities. By focusing on theoretical and methodological questions, they are equipped with the terms and approaches needed for in-depth study of contemporary art. This is combined with the study of contemporary art from a range of Asian and African contexts.

The Department of the History of Art and Archaeology contains some of the world’s leading experts in contemporary Asian and African art, whose ground-breaking research informs and is informed by their teaching. Students benefit from the unparalleled knowledge and enthusiasm of staff. As members of the School of Arts, they profit from the insights of scholars and students working in other related fields, such as contemporary global Media, Film and Music. They can also select from courses in other departments, taking advantage of SOAS’s unrivalled expertise in, for example, the film, cinema, languages and modern history of Asia and Africa.

A Masters from the Department of the History of Art and Archaeology provides students with expertise in the History of Art and/or Archaeology of Asia, Africa and the Middle East. Our postgraduates progress to work in arts, culture and heritage roles, including in galleries, museums, archives, conservation, publishing and arts administration. The large portfolio of transferable skills they acquire enables them to forge careers in a range of other fields across the world. Our Masters programmes are also an excellent foundation for MPhil/PhD research.

Visit the website http://www.soas.ac.uk/art/programmes/macaaa/

Structure

Students must complete three units (or 0.5 unit equivalent) of taught MA modules in addition to the compulsory dissertation. A minimum of two units (or equivalent) must be selected from the MA modules in the History of Art and Archaeology department related to Contemporary Art and Art Theory listed below. Up to one unit (or equivalent) may be selected from the other MA modules in the department or from MA options offered by other SOAS departments, also listed below. Students must complete the Dissertation in History of Art and Archaeology: Contemporary Art and Art Theory of Asia and Africa (15PARC995).

Students may be allowed to study for the MA on a part-time basis. The part-time MA may be taken over two years, in which case the student takes two taught modules in the first year, and one taught module and the dissertation in the second. Alternatively, it can be taken over three years, in which case the student takes one taught module in each year. The dissertation can be written in any year, but it is strongly recommended that this be undertaken in the final year of the programme. It must be submitted in September of the year in which the student registers for it.

Teaching & Learning

- Teaching

Teaching consists of a combination of lectures and seminars. Classes are normally between two and three hours per week for each course. Teaching methods include lectures with discussion, seminars (at which students present papers) and museum visits. Students at all levels are expected to take an active part in class presentations. A particularly important element is the training of the student's visual memory.

In addition to their studies on the MA programme, students at SOAS can participate in a wide range of research seminars, lectures and conferences that regularly take place in the School and in the University of London.

- Assessment

For each of the three taught courses, the student will be expected to submit two or three pieces of written work usually around 3,000 to 4,500 words – for a total of 9,000 words per course. The emphasis is on developing essay skills during the session in preparation for the dissertation. In some courses the assessment is 100% on written work. On other courses, assessed course work forms 75% of the student’s final grade and an additional 25% is determined by slide quizzes, projects or other forms of assessment. The 10,000 word dissertation is submitted in September.

- Learning Resources

SOAS Library is one of the world's most important academic libraries for the study of Africa, Asia and the Middle East, attracting scholars from all over the world. The Library houses over 1.2 million volumes, together with significant archival holdings, special collections and a growing network of electronic resources.

Destinations

A Masters from the Department of the History of Art and Archaeology provides students with expertise in the History of Art and/or Archaeology of Asia, Africa and the Middle East. Our postgraduates progress to work in arts, culture and heritage roles, including in galleries, museums, archives, conservation, publishing and arts administration. The large portfolio of transferable skills they acquire enables them to forge careers in a range of other fields across the world. Our Masters programmes are also an excellent foundation for MPhil/PhD research.

Graduates have gone on to work for a range of organisations including:

Asia House
Bonhams
British Museum
Christie's Hong Kong
Design Museum
Dr. Bhau Daji Lad Mumbai City Museum
Hong Kong Museum Of Art
India Foundation For The Arts
Museum of East Asian Art
National Gallery National Museum of Singapore
People Projects Culture & Change
Schoeni Art Gallery
Sotheby's
Taiwan Embassy
The Alliance for Global Education
The British Embassy
The Chester Beatty Library
The National Museum Of Korea
The Royal Collection

Types of roles that graduates have gone on to do include:

Manager of Communications
Culture Programme Coordinator
Research Assistant
Social Anthropology Lecturer
Specialist - Indian Art
Architect
Art Historian
Development Specialist
Archivist
Gallery Director Innovation Programmes Learning Manager
Creative Director
Organisational Consultant
Travel writer
Art Collector
Chinese Painting Specialist
Professor of Silk Road History
Rights and Reproductions Officer
Public Education Coordinator
Senior Curator of Photographs

For more information about Graduate Destinations from this department, please visit the Careers Service website (http://www.soas.ac.uk/careers/graduate-destinations/).

Find out how to apply here - http://www.soas.ac.uk/admissions/pg/howtoapply/

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This course in Modern and Contemporary Art is your entrance into the art world. Our unique programme thrives in the heart of London's international art scene, offering unrivalled access to works of art and professional practice. Read more
This course in Modern and Contemporary Art is your entrance into the art world. Our unique programme thrives in the heart of London's international art scene, offering unrivalled access to works of art and professional practice. Working with both twentieth century and contemporary art, you will move between the lecture and seminar room and gain first-hand experience of exhibitions, auction previews, artists’ studios, art fairs, museums and private collections. Sessions are led by a wide range of art world professionals and include extensive object handling, cataloguing training, study of the practices of auction houses and galleries, curating workshops, and conversations with contemporary artists. With integral study trips abroad, work experience at Christie’s London and many networking opportunities, the programme aims to provide you with the depth of knowledge, practical and interpretive tools and confidence necessary to be able to imagine and develop your career working with art and artists in the international art world.

Course components

The core lecture series – organized around a thematic of Modern, Anti-Modern, and Postmodern – underpins all components of the programme

Object-based study is central to our teaching and will provide you with the opportunity to study in direct contact with works of art through museum and gallery-based classes, specialist-led handling sessions, studio visits and conservation sessions. You will be trained in cataloguing to auction house and museum standards through detailed case studies, assessing issues that affect market value. You will ll learn to analyse the different processes of assessment, classification and interpretation used by art institutions

Being engaged with current debates about curating will enable you to devise fresh approaches to the display of art works. You will explore practices in art criticism, developing skills to review exhibitions and produce reports

Our Culture and Ideology Seminars will teach you the in-depth analysis of relationships between art practices, cultural contexts and critical debates. You will develop skills to deliver presentations and generate seminar discussion. You will be involved in Methodology Seminars – the analysis of technical, art-historical and interpretative texts – that provide transferable skills for independent research and individual development

Your thesis, produced at the end of the year, follows a professional and creative model of research and presentation that takes the form of an exhibition catalogue carried out to museum/gallery standards. You will evolve a topic through discussion, workshops and presentational work to outside curators. Your primary research skills with works of art, theoretical models and knowledge of art history will come together in this exciting summative project that represents a synthesis of the key academic and professional skills learned on the programme.

Study Abroad and follow the Contemporary Art Scene in Europe. You will participate in two study trips a year to major events in Europe as key elements of a course that keeps pace with a fast-moving art world. These include visits to international events such as the Venice Biennale, Berlin Biennale and Documenta.

Venice Biennale
Christie's Education was once again an educational partner in the Biennale Sessions accompanying the 56th Venice Biennale, Okwei Enwezor's All The World's Futures..

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The programme will deepen your knowledge and understanding of the history of modern and contemporary art, and prepare you for further research and/or a range of careers within the art world. Read more

Programme description

The programme will deepen your knowledge and understanding of the history of modern and contemporary art, and prepare you for further research and/or a range of careers within the art world.

This programme combines academic study, including compulsory courses on the Theory and Practice of Research and on the Culture of Display with more practical, vocational elements appropriate to studying in a major international art centre.

Programme structure

There is a mixture of small-group teaching, individual tutorials and supervision, and research seminars. Students are expected to undertake independent study and research. Formal assessment is by means of essays, project work and a dissertation. The internship involves learning by direct practical experience.

Learning outcomes

Students will acquire knowledge and understanding in the field of modern and contemporary art, as well as transferable research skills. The programme offers the possibility of an internship in a museum or gallery.

Career opportunities

The comprehensive nature of this programme, as well as the specialised courses it offers, will equip you for further research in this fascinating topic, and perhaps an academic career. Alternatively, you will find the optional internship invaluable in gaining vocational skills and contacts that can open doors to a career within a major museum, gallery or other cultural institution.

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This programme is aimed at graduates wishing to develop a curatorial career within the field of contemporary visual arts. It enables you to pursue independent and self-directed working, and to lay the practical, intellectual and professional foundations for working in future curatorial roles or contexts. Read more
This programme is aimed at graduates wishing to develop a curatorial career within the field of contemporary visual arts. It enables you to pursue independent and self-directed working, and to lay the practical, intellectual and professional foundations for working in future curatorial roles or contexts.

Why this programme

-The programme is run in conjunction with The School of Fine Art at The Glasgow School of Art, which is internationally recognised as one of Europe’s foremost art schools for teaching and research in fine art, design and architecture.
-It benefits from a series of day-long workshops clustered around particular subject areas, practical approaches or critical topics, and it includes contributions from a range of experienced practitioners.
-You will engage with live projects, ranging from collaborative to independently-led, and gain the most engaged and professionally focused experience possible.
-The programme offers links with external institutions in Glasgow, including the Centre for Contemporary Art, Glasgow International, GoMA, Tramway, The Common Guild, Transmission and the University of Glasgow’s Hunterian Museum.

Programme structure

The programme will provide you with access to highly-regarded and experienced professional curators and practitioners, and enable you to acquire key skill sets and attributes as well as forge the peer networks that are vital to the profession at all levels.

Core courses
-Curatorial practice 1 and 2
-Research methods in practice
In addition, you will produce a dissertation or Masters project in curatorial practice during the summer.

Optional course
In the second semester, you will undertake an optional course, choosing from a range offered across the subject areas within the School of Culture & Creative Arts at the University of Glasgow or electives courses offered by The Glasgow School of Art.

Career prospects

The programme will develop your knowledge and expertise in the field of contemporary curatorial practice, and you will acquire a core body of skills and attributes that are attractive to employers, including critical enquiry, research capacity, project-planning, project administration, budgeting, practical problem solving and professional working.

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This Diploma has been designed as a conversion programme for graduates of other disciplines who wish to carry out research at higher levels in the fields of modern and contemporary art history and visual cultures. Read more
This Diploma has been designed as a conversion programme for graduates of other disciplines who wish to carry out research at higher levels in the fields of modern and contemporary art history and visual cultures. The programme sets out to be both introductory and experiential. Rather than provide conventional chronological surveys, the programme explores and addresses chosen themes within an interdisciplinary context- http://www.gold.ac.uk/pg/grad-dip-contemporary-art-history/

Modules & Structures

The programme comprises a number of taught modules and tutorial sessions. You are assigned a personal tutor who monitors your overall progress and advises you on the suitability of the various modules available.

Central to the programme is the core course, a lecture and seminar series that introduces you to a range of critical perspectives that have shaped the history and theory of the discipline. As such, the course encourages you to develop a fuller awareness of art’s cultural and political significance in the past, and asks you to relate your historical understanding to current debates among artists, critics and historians.

This is accompanied by a laboratory module, which gives you the opportunity to process the taught materials further through strategies such as museum and gallery visits, film screenings, and experimental projects.

You also choose one option module and one special subject. These in-depth modules allow you to explore themes in art history or theory that are of particular interest to you.

* Options modules:
–Beckett and Aesthetics
–Cities of Modernity: Urban Space in the 20th Century
–Museums, Galleries, Exhibitions: Framing Art
–Postmodernities
–Patterns of Perception
–Post-Colonial Visual Culture
–The Moving Image

* Special subjects
–Animating Architecture
–Performance Matters
–Philosophy and…
–Sexual Poetics
–Sites of Memory
–The Truth in Painting

Assessment

Essays; written papers; research files; ‘creative journals’.

Department: Visual Cultures

Study in a department that combines an innovative approach with passionate academics, and makes full use of London's many opportunities to study art history.

- Our approach
Our degree programmes deliberately move away from chronological histories: the innovative art of our time arises out of the conflict of ideas. So you’ll explore the subject in the context of pertinent social, cultural and political issues and phenomena.

That means not only investigating artefacts you might see in museums and galleries, but also those making up our everyday visual and technological environment: including urban landscapes, film and video, and popular culture.

- Our academics
Our academics are passionate about the subject and are at the sharp end of theoretical developments in everything from architecture to spatial theory. Some are practising artists and curators, which makes our degrees relevant and exciting.

- Our location
Our teaching takes advantage of the many galleries, art spaces, museums, cultural facilities and specialist libraries in London.

Skills

You'll acquire a wide range of skills in research, critical thinking, visual analysis, writing and other modes of presentation.

Careers

Many of our students go on to carry out further postgraduate studies. These then lead into careers in museums and galleries, publishing, education, the media, journalism, and marketing.

Find out how to apply here - http://www.gold.ac.uk/pg/apply/

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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