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Study areas currently offered. Composition; Electroacoustic Composition; Composing Film Music. The course (Special Track) allows students to specialise in any one of area of composition, including Electro-acoustic Composition, Sonic Art and Composing for Film. Read more
Study areas currently offered:

Composition; Electroacoustic Composition; Composing Film Music
The course (Special Track) allows students to specialise in any one of area of composition, including Electro-acoustic Composition, Sonic Art and Composing for Film.

All the training will be centred on the student’s main area, aided by a broader look at compositional techniques and approaches as a whole (through the core module in Composition).

The programme is divided into two parts: two semesters of taught study (Part 1, 120 credits) and a substantial independent piece of work in the main area, produced over the summer (Part 2, 60 credits).

Part 1 is centred on the Principal Subject module (WMM4045, 60 credits) in a chosen area of composition. Another aspect of the same area or a different approach to composition will be explored in the Independent Special Study (WMP4049, 20 credits).

WMP4052 Preparing for the Part 2 project (10 credits) acts as a bridge between Parts 1 and 2.

Additionally students will attend a core module in composition (WMP4042 Contexts and Concepts in Composition, 30 credits). During these modules students will became familiar with up-to-date research and creative techniques and methodologies in the selected disciplines.

Subject-specific teaching is provided through a combination of individual tuition and seminar session in small groups. Within each of the chosen subject areas, students can identify their own projects, for which they will receive expert supervision.

Course Structure
Part 1 (Diploma):

Focuses on studies in composition and/or electroacoustic composition and/or sonic art.

(Total of 120 credits)

Part 2 (MMus):

Consists of a portfolio comprising at least one substantial composition (with or without electroacoustics) or work of sonic art.

(Total of 60 credits)

Compulsory modules:

Principal Subject Module: either Composition, Electroacoustic Composition / Sonic Arts or Composing for Film (60 credits)
Compulsory Core Module: Concepts of Composition (30 credits)
Preparing for the Part Two Project (10 credits)
(Total 120 credits)

Optional modules:

Independent Special Study in either Composition, Composing for Film or Electroacoustic Composition / Sonic Arts (20 credits)

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Join one of the UK’s leading university environments for the study of Music, combining world-leading research, exceptional teaching and a vibrant musical community in the heart of global London. Read more
Join one of the UK’s leading university environments for the study of Music, combining world-leading research, exceptional teaching and a vibrant musical community in the heart of global London.

Who is it for?

The programme provides ideal training for those wishing to enter the professional world of composition and/or proceed to a research degree.

We welcome students from all over the world and from a range of backgrounds.

Objectives

The MA Composition develops skills in the broad field of contemporary composition, encompassing notated and digital music, sound art, improvisation and interdisciplinary practices.

The course provides a critical context for exploring key topics and issues in contemporary composition as well as a platform for presenting your own work to an audience of peers.

Engagement with professional creative practice is at the core of the MA Composition. Students have the opportunity to receive tuition from world-renowned composers external to the department. There are also opportunities to work with City’s professional ensembles-in-residence, Plus Minus and EXAUDI.

We have an outstanding reputation for dynamic, inspring and rigorous postgraduate eduation and offer exceptional support to our students Our students come from all over the world and benefit from our location in the heart of London, one of the world’s greatest cultural hubs.

Academic facilities

Department facilities include advanced recording and composition studios, a professional performance space, computer laboratories, rehearsal rooms, practice rooms and world music instruments.

Our composition studios include three surround (8.1/ 5.1) studios, one of which is dedicated to film and live electronics work, and three stereo composition studios. All of the studios are equipped for sound editing, processing and mixing. As well as general software such as Logic, Sibelius and Pro Tools, these studios are equipped with Native Instruments Komplete.

The recording studio is equipped to deliver multitrack recording and mixing to a professional standard.

Teaching and learning

Teaching delivery is through a combination of lectures, group seminars, interactive sessions, practical workshops, one-to-one tutorials and a high level of individual learning. Students also have the opportunity to receive tuition from world-renowned composers external to the department.

The Department of Music provides a stimulating environment with abundant opportunities for composers and sound artists and there are also plenty of opportunities for involvement in our many ensembles. The department’s concert series features contemporary classical music, world music, electronic music and multimedia work and an annual music festival in May and June provides opportunities for students to receive public performances of their work.

In addition to our many ensembles at City, MA students are also eligible to audition for the University of London Symphony Orchestra.

Assessment

We use a range of assessment methods, including projects, portfolio submissions and extended creative tasks and accompanying commentary.

Modules

On City's MA Composition, you will take three core modules (30 credits each) in which you will enhance your understanding of creative practice and engage critically with compositional techniques, theoretical concepts and current issues in contemporary composition.

Term one
-Compositional Materials and Technique (30 credits)
-Contexts of Composition (30 credits)

Term two
-Interdisciplinary and Collaborative Process (30 credits)

You will also take a 90-credit Composition Portfolio, which runs through terms two and three.

Career prospects

Our MA programmes have excellent employment statistics. Students have gone on to teach, compose and perform in a wide variety of settings, and are also employed in areas such as music publishing, broadcasting, music management, arts administration and further musical study at MPhil or PhD level.

Our alumni include award-winning composers such as film sound designer Chris Reading and Nico Casal, composer for the winner of the Best Short Film at the 2016 Oscars.

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The Master of Music Studies (Composition) is a three-semester coursework degree that focusses on the acquisition of high-level composition technique. Read more
The Master of Music Studies (Composition) is a three-semester coursework degree that focusses on the acquisition of high-level composition technique. It provides the opportunity for those interested in composition, or with a background in composition, to develop their compositional style, technique and ideas within a rigorous musical environment.

The Master of Music Studies degree is based entirely upon coursework components that enable you to gain practical skills in composition. You have weekly composition lessons with a tutor and will take part in a specific composition class geared towards this degree. Composition skills you will acquire in this degree include the areas of compositional style, instrumentation, technology, performance genres and technique.

The Master of Music Studies also provides for the acquisition of skills useful to life as a professional composer, such as conducting, sound recording, research skills and concert curation. You will work on a weekly basis with student performers in the first two semesters, allowing you to try out new ideas and hear them immediately translated into sound.

There are no genre restrictions or guidelines as to music that students may create in this degree: this is negotiated between each student and their tutor. High-level notation and music theory skills are strongly recommended.

In contrast to the Master of Music (Composition) degree, composers in the Master of Music Studies degree are not required to write a thesis or dissertation. The Master of Music Studies (Composition) degree contains a greater degree of practical coursework components specifically relating to composition.

To ask a question about this course, visit http://sydney.edu.au/internationaloffice/

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The MA Music Composition degree programme offers you the opportunity to investigate the interrelationships between your own practice and questions arising about knowledge in and through art, composition, and dissemination in performance. Read more
The MA Music Composition degree programme offers you the opportunity to investigate the interrelationships between your own practice and questions arising about knowledge in and through art, composition, and dissemination in performance. Aimed at graduates and practitioners in music composition, this MA will allow you to build a strong and increasingly confident practice through awareness and interaction with current contexts of professional practice and research.

Course detail

The MA Music Composition shares delivery of core curriculum regarding practice-led research methodology with parallel MA degrees in Applied Theatre, Theatre & Performance and Fine Arts. Whilst your focus will be on Music Composition, there will also be opportunities for cross-disciplinary study and collaborative practice.

The programme will provide you with the opportunity to develop your compositional practice and thinking, and provide you with a platform from which to disseminate your work.

The curriculum, which also supports awards at Postgraduate Certificate and Postgraduate Diploma levels, is uniquely designed and focused on developing artists' abilities and capacities for professional and academic innovation. We emphasise relationships between composition, reflection, practice and dissemination. Teaching, learning and research on the programme will enable discovery of the variety of ways in which composition, creation and dissemination in music composition has evolved into its present media and forms.

This degree enables students who already have some experience of music composition to expand their artistic horizons, develop their reflective abilities and expand their portfolio as thinking practitioners.

Format

- Practice, Reflection, Dissemination -

This strand, consisting of two 40-credit modules, is designed to enhance your abilities as a self-reflective practitioner. It recognises the deep interrelationship between composition, reflection and dissemination, in terms of the development of an artist's work and its function and operation within critical and public domains. You will be introduced to the variety of ways in which composition, creation, dissemination has evolved into its present media and forms. These modules will be primarily focused around your own practice, contextualised by examination of various key practitioners, modes or theories.

- Creativity & Knowledge -

This strand, consisting of two 20 credit modules, is designed to deepen your understanding of key interdisciplinary questions, concepts and methodologies in the arts.

• Creativity and Knowledge 1 invites you to interrogate a range of key themes relating to the relationship between art and the wider cultural, social, economic circumstances of its production and reception.

• Creativity and Knowledge 2 consists of investigation into concepts of practice-based research in the arts and the examination of the epistemological and ideological implications of the widening of traditional concepts of research that such developments entail.

This strand of modules is taught cross-disciplinarily with students on the MA programmes within Creative Practice.

- Masters Independent Project -

Together these taught elements lead MA candidates into the final Independent Project module, where you will undertake an extended period of supervised practice-based research which is expected to draw together and implement the resources provided earlier in the programme.

For information on how to apply, please see the following link:
https://www.yorksj.ac.uk/study/postgraduate/how-to-apply

Other sources of funding

Information on alternative sources of funding can be found here:
https://www.yorksj.ac.uk/student-services/money/funding-my-course/postgraduate-/postgraduate-funding-/

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Why you should choose this course. -You're looking for a course offering an-depth study of cutting-edge compositional techniques, methodologies and associated aesthetics. Read more
Why you should choose this course:
-You're looking for a course offering an-depth study of cutting-edge compositional techniques, methodologies and associated aesthetics
-You want to learn in state-of-the-art facilities, including our £2.5 million electroacoustic studio complex
-You want to pursue a career as a composer working with technology and audio-media, or a PhD in electroacoustic composition

Course description

This course provides an in-depth knowledge of cutting-edge compositional techniques, methodologies and associated aesthetics in creative work that intersects with technology and other artistic or scientific forms. It serves as excellent preparation for a career as a composer working with technology and audio-media, and it provides all the training necessary for embarking on and envisioning novel strands for a PhD in electroacoustic composition, including those informed by other scientific and arts form.

All teaching, research and compositional work is carried out in the NOVARS Research Centre for Electroacoustic Composition, Performance and Sound Art with its state-of-the-art £2.5 million electroacoustic studios. Opportunities for the performance of new works are offered using the 55-loudspeaker sound diffusion system of MANTIS (Manchester Theatre in Sound) and through events such as the Locativeaudio Festival (locativeaudio.org) and Sines and Squares Festival for Analogue Electronics and Modular Synthesis (sines-squares.org). Acousmatic, mixed, live electronic and multimedia works are all possible, with composers able to incorporate the spatialisation of sound and interactive new game-audio media into the presentation of their work.

In addition to the final portfolio, all electroacoustic music and interactive media composition students take the compulsory course unit Composition Project and the further compulsory taught course unit, Fixed Media and Interactive Music . Optional course units normally include Aesthetics and Analysis of Organised Sound, Interactive Tools and Engines, Contemporary Music Studies, Advanced Orchestration, and Historical or Contemporary Performance. There are also choices outside the MusM Composition (subject to course director approval), such as Computer Vision, Mobile Systems, Mobile Communications, Ethno/Musicology in Action: Fieldwork and Ethnography , and Work Placement (Institute of Cultural Practices).

Aims

This programme aims to:
-Build on undergraduate studies, developing skills in electroacoustic composition to Master's level.
-Increase knowledge and a systematic understanding of electroacoustic music.
-Foster the particular creative talents of each individual student.
-Provide all the training necessary for embarking on a PhD in electroacoustic composition.
-Prepare students for a career as a composer and in the wider music industry where critical judgement and developed powers of communication are needed.

Special features

The NOVARS studio complex supports a broad range of activities in the fields of electroacoustic composition and new media. The studios incorporate the newest generation of Apple computers, Genelec, PMC and ATC monitoring (up to 37-channel studios) and state-of-the art licensed software (including Pro Tools HD, Max MSP, GRM Tools, Waves, Ircam's Audiosculpt and Reaper and, for Interactive Media work, Oculus Rift, Unreal Engine 4, Unity Pro and open-source Blender3D). Location and performance work is also supported by a new 64-channel diffusion system.

Postgraduate students at the NOVARS Research Centre play an active role in the planning, organisation and execution of performance events such as the Sines & Squares Festival and MANTIS Festival (over 20 editions since 2004), and projects such as LocativeAudio and our regular Matinée presentations. Relevant training, including rigging and de-rigging the MANTIS system, health and safety, sound diffusion workshops, organisation of Calls for Works when needed, etc., is an important part of the course.

Career opportunities

Graduates of this programme have pursued successful careers in musical and non-musical fields. Some continue to further study via a PhD before securing an academic position. Some go on to teach in schools or further education, both in the UK and overseas. Other areas of work for which advanced compositional training has been directly relevant include recording studios, entrepreneurships, the creative industries, music publishing, music journalism and performance. Careers outside of music have included computer programming, theatre, accountancy, law, social work and human resources.

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The Master of Music in Composition and Creative Practice is designed to enable students to develop their compositional practice in a dynamic, rigorous and supportive creative environment. Read more
The Master of Music in Composition and Creative Practice is designed to enable students to develop their compositional practice in a dynamic, rigorous and supportive creative environment. It aims to provide training in a range of approaches, introducing tools and techniques relevant to today’s music making, and encouraging exploration, innovation and experimentation.

Why this programme

-Students undertake a major portfolio of creative practice with an accompanying critical commentary, preparing them for compositional and musical careers.
-Students have the opportunity of a placement with a musical or arts organisation, when available, and up-to-date research skills provision in digital arts.
-We offer the opportunity to have your work performed by a professional ensemble, including an annual showcase of postgraduate work SoundThought.
-Our facilities include a Concert Hall, three studios, an audio lab, and practice rooms.
-Provision of specialist tuition in creative industries and cultural policy at the Centre for Cultural Policy Research.
-We have a range of modern and historical keyboard instruments including two Steinway Model D grand pianos, an 1840s Broadwood grand piano, a Classical forte-piano, and two harpsichords.
-Other instruments owned by the School include a selection of percussion instruments, a consort of viols, Baroque strings, recorders, crumhorns and other wind instruments.
-The Concert Hall is equipped with a diffusion system for the performance of electroacoustic music.
-As a UNESCO City of Music, Glasgow has thriving music, performance and contemporary arts scenes. It is home to numerous orchestras and ensembles including the BBC Scottish Symphony Orchestra and Royal Scottish National Orchestra, making it an outstanding place for compostional study.

Programme structure

The programme is comprised of three core courses (Composition, Digital and Creative Skills, Individual Creative Practice, and Composition Portfolio) as well as a series of optional courses to allow you to tailor our own bespoke structure. Options will include:
-Creating with technology
-Historically Informed Performance Practice
-Introduction to Popular Music
-Sonic Arts Aesthetics and Criticism
-Music, Sound and Screen

There will also be opportunities to engage with interdisciplinary study, with courses available from other subjects within the School:
-Creative Industries and Cultural Policy (Centre for Cultural Policy Research)
-Festivals (Film and Television Studies)
-Making Time: performing and thinking temporalities in the creative arts (History of Art)

Core teaching will be delivered during semesters 1 and 2. Over the summer months you will complete the core Composition Portfolio, to be submitted at the end of August.

A variety of teaching methods will be used, including seminars, one-to-one tutorials, and project work.

Core and optional courses

Core courses:
-Composition, Digital and Creative Skills (40 credits, semester 1)
-Individual Creative Practice (20 credits, semester 2)
-Composition Portfolio (60 credits, semester 2/summer)

Optional courses:
-Creating with Technology
-Creative Industries and Cultural Policy
-UG Honours option
-HIPP seminar
-Working in Music Since 1800
-Introduction to Popular Music Studies
-Festivals
-Making Time: performing and thinking temporalities in the creative arts
-Music, Sound and Screen
-Popular Music Politics
-The Contemporary Music Industries
-Sonic Art Aesthetics and Criticism
-Placement
-Field Recording, Sound and Place
-Contemporary Cultural Production

Career prospects

This programme prepares students for careers in composition as well as equipping students more generally with skills necessary for careers in cultural industries (eg. arts administration and management). Additionally, this programme provides the necessary foundation for pursuing further research in composition in the form of a PhD.

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Our MMus programme is distinctive in its range of musicological, compositional and performance-based elements. Read more
Our MMus programme is distinctive in its range of musicological, compositional and performance-based elements.

You will benefit from the diversity of our research strengths, numerous ensemble performance opportunities and expertise in a range of musical fields, including contemporary music for the concert hall, popular music, film music, opera, acoustic, electronic and computer-generated music.

PROGRAMME OVERVIEW

The Composition pathway of the MMus Music programme is designed to develop your individual compositional style and technique through tutorial guidance and opportunities for performances, workshops and recordings.

Various stylistic and generic strands can be pursued individually or in combination, including jazz, music for screen and multimedia, contemporary music for the concert hall and computer sound design.

You will take two compulsory research training modules followed by a combination of composition-related options. Having completed the Postgraduate Diploma stage of the programme, you will progress to Masters stage and submit a composition folio.

The programme provides ideal preparation for future research work at PhD level.

PROGRAMME STRUCTURE

This programme is studied full-time over one academic year and part-time students must study at least two taught technical modules per academic year. The following modules are indicative, reflecting the information available at the time of publication. Please note that not all modules described are compulsory and may be subject to teaching availability and/or student demand.
-Research Training for Practitioners A
-Research Training for Practitioners B
-Composition A
-Composition B
-Composition Folio
-Studio Techniques
-Performance A
-Conducting A
-Orchestral Management 1
-Creative Practice A
-Rock Track Poetics
-African American Music
-Historical Performance Practice
-Compositional Techniques
-Contemporary Issues in the Cultural Industries
-English Music from Elgar to Britten
-Synthesis and Music Programming
-Screen Music Studies
-Performance A
-Performance B
-Conducting B
-Orchestral Management 2
-Digital Music Improvisation 2
-Anglo Celtic Song Traditions
-Jazz Studies 2
-Opera Studies
-Baroque Fugue in Practice
-Applied Music 2
-Musical Theatre

RESEARCH

Our work achieves wide international circulation, both through established scholarly channels and, distinctively, through broadcast media (such as BBC TV, Channel 4, BBC Radio 3 and Radio 4, and National Public Radio in the USA).

School staff are much in demand for pre-concert talks at venues such as London’s South Bank and Barbican centres. The research environment at Surrey is sustained by open discussion and debate, and through the regular airing of work-in-progress.

Our work is strengthened by the ready input of our peers and research students at various stages allowing collective engagement to foster innovation.

EDUCATIONAL AIMS OF THE PROGRAMME

The MMus (Composition) programme aims to provide students with a high quality education in the creative, re-creative, technical, critical, vocational and academic areas of the subject. It aims to provide students with the necessary skills, techniques and methodologies to work at an advanced level with a critical awareness of the discipline.

The programme aims to reflect current developments within the theory and practice of music composition and, in so doing, to educate students so that they may work confidently and constructively within the musical culture of the present.

The programme aims to offer the necessary preparation for students wishing to undertake doctoral level study in practice-based areas.

PROGRAMME LEARNING OUTCOMES

The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and other attributes in the following areas:

Knowledge and understanding
-Research methods and resources and how these may be used to interpret knowledge
-Interdisciplinarity within music and arts research
-The broad range of approaches to the present day theory and practice of music to the level necessary for their original application

Intellectual / cognitive skills
-Frame research questions
-Critically assess, respond to and operate in current areas of musical research and practice
-Reflect critically on and contextualise personal practice

Professional practical skills
-Produce stylistically original and technically professional compositions

Key / transferable skills
-Communicate subject knowledge clearly
-Self-direction and autonomy
-Originality in problem solving
-Work in and manage groups
-Efficient time management

GLOBAL OPPORTUNITIES

We often give our students the opportunity to acquire international experience during their degrees by taking advantage of our exchange agreements with overseas universities.

In addition to the hugely enjoyable and satisfying experience, time spent abroad adds a distinctive element to your CV.

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The course covers areas of instrumental and vocal composition, with the possibility of working with electronic, digital and multimedia resources. Read more
The course covers areas of instrumental and vocal composition, with the possibility of working with electronic, digital and multimedia resources. The course offers opportunities for you to work across these areas, or to specialise as appropriate. We support work in a wide range of styles and genres, whilst maintaining an experimental and exploratory approach. Delivery is tailored to your needs, centred around small-group seminars and tutorials. The course runs within a vibrant music department with a lively community of undergraduates, postgraduates and staff and excellent facilities.

During the course you will learn to:

• Develop your creative skills as a composer
• Develop technical skills where appropriate
• Comment critically upon your own and others’ work
• Explore current composition contexts and contemporary musical thought
• Collaborate with other creative artists
• Improve your professional skills
• Conduct academic research

COURSE STRUCTURE AND CONTENT

The course is available on either a full-time (typically one year) or part- time (typically two year) basis. The academic year is 12 months long and comprises three semesters: October-January; February-June; and June-October. Taught sessions are normally during the daytime, and access to facilities for directed study tasks is available both then and outside of working hours.

MODULES

Composition Techniques: This module is designed to offer you an opportunity to develop your practical and creative skills. Through a weekly seminar, you will be introduced to a range of composition techniques which will extend your current practice. These will focus on a mix of analyses of existing pieces, set reading, group discussion, and presentation of personal creative work. The seminars will be supported by a weekly individual tutorial in which you will discuss your current work with your tutor, leading to the presentation of a portfolio of pieces and a short composition commentary.

Context and Methodology: This module furnishes you with the skills necessary for self-directed research. It combines a study of research methodology with a study of context across the range of activities represented by all the MMus pathways – specifically of a set of paradigms that characterise the field’s current creative boundaries.

Commission Project: This module models the composition commission process, with you writing to brief for available resources, producing a composition realised in a public performance. In addition to writing a piece for the specified ensemble, there will be some additional tasks which will give you practical experience of running independent projects yourself. We will look at the commissioning process, making funding applications and submitting proposals to institutions such as festivals for consideration. We will also consider how to get the most from rehearsals and workshops when working with professional musicians, and effective ways to promote your work.

Collaborative and Interdisciplinary Practice: This module allows you to look beyond your core discipline and undertake interdisciplinary projects. A key part of the ethos of the course is a belief that the boundaries between areas of composition are becoming blurred, and many artists are working across these boundaries. This module provides a framework for collaborative work between students on the MMus pathways, and potentially with other artists and practitioners. Delivery will centre around small-group seminars (focused on particular interest areas), and assessment will be based on a portfolio of collaborative or interdisciplinary creative work and a self-evaluation/collaborative process document.

Major Project: This is the culmination of the MMus, and a chance for you to work in a research-oriented environment dependent largely on personal direction and working methods. You will use the skills acquired in your previous experience and the first two trimesters of the MMus to produce a substantial portfolio of work and a small-scale dissertation.

TEACHING METHODS AND RESOURCES

Modules are normally taught via lectures, seminars and practical workshops. A particular feature of the course is regular tutorial support. The Major Project is research-based and student-led, with supporting tutorials. Visiting speakers and other activities are arranged as appropriate. You are encouraged to make full use of library and IT resources within the University, and ample time will be scheduled in studios and workstation labs for independent study. At Newton Park, we have superb facilities including:

• networked music technology labs with highly specified workstations running core software including Pro Tools, Logic, MAX/MSP, Macromedia suites, Final Cut Studio etc.
• five purpose-built digital recording studios
• a variety of portable sound-recording equipment, digital cameras etc.
• a purpose built concert hall with excellent acoustics and PA
• 17 practice rooms, three with electronically variable acoustic
• large, well-stocked library of books, periodicals and CDs
• a wide range of medieval, Renaissance and Baroque instruments, and large collection of percussion and orchestral instruments
• a Javanese Gamelan
• the Michael Tippett Centre gallery space
• the University Theatre

ASSESSMENT METHODS

Assessment takes the form of individual assignments for each module. These generally consist of a portfolio of practical work with supporting written documentation. Context and Methodology and the Major Project also involve small-scale dissertations.

CAREER OPPORTUNITIES

MMus Songwriting is designed to enable students to develop a broad range of intellectual, practical and transferable skills. Given the practical nature of the course, it is envisaged that graduates may choose to work as a songwriter or in a related field such as music publishing. Others may use the critical skills they have acquired to work elsewhere in the music industry, perhaps for a record label or as a music journalist.
Upon graduation from the programme, it is the aim of course tutors that students will have acquired the core problem-solving, analytical and critical skills needed to adapt to the changeable and unpredictable work environment of the twenty-first century.

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The course is available in Standard Track and in Special Track. Course Structure. Part 1 (Diploma). In addition to the Principal Subject, in which the student specialises; up to three additional subjects can be studied. Read more
The course is available in Standard Track and in Special Track

Course Structure
Part 1 (Diploma):

In addition to the Principal Subject, in which the student specialises; up to three additional subjects can be studied. Total of 120 credits.

Part 2 (MA):

Normally consists of a dissertation, composition portfolio, or critical edition (in the area of the Principal Subject). Total of 60 credits.

Course description
Standard Track:

The course combines specialisation in one area (including Historical Musicology, Editorial Musicology, Composition, Solo Performance) with further training in up to three complimentary areas.

The range of choice on this course makes it one of the most flexible MA programmes in the UK. Students can make their education as broad or narrow as they wish. For those with a single-minded interest in one area specialised degrees are available.

The programme is divided into two parts: two semesters of taught study (Part I, 120 credits) and a substantial independent piece of work in the main area, produced over the summer (Part II, 60 credits).

Part 1 is centred on the Principal Subject module (WMM4044, 40 credits) in the student’s main area of interest. It lays the foundations of a Part 2 project in the same area. The following subjects are available:

Historical Musicology
Editorial Musicology
Ethnomusicology
Celtic Traditional Music
Music in Wales
Music and the Christian Church
Composition
Electroacoustic Composition
Composing Film Music
Studying Film Music
Solo Performance
Sacred Music Studies
Early Music
20th-/21st-century Music
WMP4052 Preparing for the Part 2 project (10 credits) acts as a bridge between Parts 1 and 2.

An additional 40 credits will be gained through submissions in other fields through either one Major Open Submission (WXM4046, 40 credits) or two Minor Open Submissions (WMP4047 and WMP4048, 20 credits each). Students can select from a number of subject areas, including, but not restricted to, those listed above. Additional offerings include modules in Arts Administration, Music in the Community, Ethnomusicology and Analysis.

Depending on the main area of specialism, students will attend a core module in musicology (WMP4041 Current Musicology, 30 credits) or composition (WMP4042 Contexts and Concepts in Composition, 30 credits). During these modules students will became familiar with up-to-date research and creative techniques and methodologies in the selected disciplines.

Subject-specific teaching is provided through a combination of individual tuition and seminar session in small groups. Within each of the chosen subject areas, students can identify their own projects, for which they will receive expert supervision.

Special Track:

The MA in Music (Special Track) allows students to specialise in any one of the following areas: Historical Musicology, Editorial Musicology, Celtic Traditional Music, Music in Wales, Studying Film Music.

All the training will be centred on the student’s main area, aided by a broader look at the methodological foundation of the discipline as a whole (through the core module in musicology).

The programme is divided into two parts: two semesters of taught study (Part 1, 120 credits) and a substantial independent piece of work in the main area, produced over the summer (Part 2, 60 credits).

Part 1 is centred on the Principal Subject module (WMM4045, 60 credits) in the student’s area of specialism. Another aspect of the same area will be explored in the Independent Special Study (WMP4049, 20 credits).

WMP4052 Preparing for the Part 2 project (10 credits) acts as a bridge between Parts 1 and 2.

Depending on the main area of specialism, students will attend a core module in musicology (WMP4041 Current Musicology, 30 credits) or composition (WMP4042 Contexts and Concepts in Composition, 30 credits). During these modules students will became familiar with up-to-date research and creative techniques and methodologies in the selected disciplines.

Subject-specific teaching is provided through a combination of individual tuition and seminar session in small groups. Within each of the chosen subject areas, students can identify their own projects, for which they will receive expert supervision.

Compulsory modules:

Standard Track

Principal Subject, to be chosen from the published list for that Academic Year (40 Credits). Study areas currently offered are: Historical Musicology, Editorial Musicology, Ethnomusicology, Celtic Traditional Music, Music in Wales, Music and the Christian Church, Composition, Electroacoustic composition / Sonic arts, Composing Film Music, Studying Film Music, Solo Performance, Music in the Community, Sacred Music Studies, Early Music, 20th-/21st-century Music.
Compulsory Core Module: either Current Musicology (for musicologists) or Concepts of Composition (for composers) (depending on the Principal Subject) (30 Credits).
Open submissions: to be chosen from the optional modules (40 credits).
Preparing for the Part Two Project (10 credits).
(Total of 120 credits)

Special Track

Principal Subject, to be chosen from the published list for that Academic Year (60 Credits). Study areas currently offered: Historical Musicology; Editorial Musicology; Music in the Christian Church; Celtic Traditional Music; Music in Wales; Studying Film Music).
Compulsory Core Module: either Current Musicology (for musicologists) or Concepts of Composition (for composers) (depending on the Principal Subject) (30 Credits).
Independent Special Study (must be in the same area as the Principal Subject) (20 credits)
Preparing for the Part Two Project (10 credits)
(Total of 120 credits)

Optional modules:

Standard Track

Open Submissions (40 or 20 credits) may be chosen in any of the following study areas (but have to be different from the Principal Subject): Historical Musicology; Editorial Musicology; Ethnomusicology; Celtic Traditional Music; Music in Wales; Music and the Christian Church; Composition; Electroacoustic Composition / Sonic Arts; Composing Film Music; Studying Film Music; Solo Performance; Sacred Music Studies; Early Music; 20th-/21st-century Music; Analysis, Arts Administration, Music Studio Techniques, Popular Music Studies, Techniques and Practice of Instrumental or Vocal Teaching (20 credits only), Performance Practice (20 credits only), Music for Instruments and Electronics (20 credits only), Supporting Studies (20 credits only), ELCOS Language Skills (20 credits, international students only.ded study (e.g. portfolio of compositions, performance recital).

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This programme provides professional training in composition for screen media. Taught by staff and guest composers from the professional world, you will develop a strong technological foundation in the subject, along with specialist understanding of television and screen scoring. Read more
This programme provides professional training in composition for screen media. Taught by staff and guest composers from the professional world, you will develop a strong technological foundation in the subject, along with specialist understanding of television and screen scoring.

The MA is taught within our high-specification composition and recording studios, which have full-time technical support. Students are actively encouraged to build opportunities and networks, within and beyond the University, for projects in film, animation, documentary and more.

In the first semester, you will study Professional Techniques, an introduction to working and recording in studios, and Media Composition, focusing on TV and documentary work. You will also take one elective unit. In the second semester, the programme moves on to Critical Analysis of Media Music and Film Scoring, with an emphasis on longer-term projects for film and TV work. This work feeds into original collaborations that you may choose to include in your final portfolio.

The vibrant musical life of the Department of Music provides opportunities for student and professional performance, and we are located at the heart of one of the UK’s leading cities for broadcast, commercial and creative screen media.

Programme structure

Core units
-Media Composition
-Professional Techniques
-Critical Analysis of Media Music
-Film Scoring

Optional units
Optional units can vary each year. You will be able to choose two units from a wide spectrum that address further compositional skills - such as orchestration, sound design or pastiche composition - research skills for musicians, writing and directing for film and television, and how film and television programmes work.

Media composition portfolio/dissertation
-Either a substantial portfolio of original music for new collaborative films and/or extracts (music totalling 15-25 minutes).
-Or music to one new collaborative film of 10-12 minutes and a critical dissertation of 10,000 words on an agreed film or topic.

Careers

Students who completed the MA programme in Composition of Music for Film and Television have taken up careers as music composers, recording managers and compositing supervisors within animation studios.

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The course is aimed equally at composers of electronic music in the traditional sense, and contemporary artists who may combine the role of composer with producer, engineer, musician and DJ. Read more
The course is aimed equally at composers of electronic music in the traditional sense, and contemporary artists who may combine the role of composer with producer, engineer, musician and DJ. London College of Music (LCM) at the University of West London is at the forefront of the academic study of music technology in general - and popular electronic music composition in particular.

Course detail

The course encompasses a broad range of electronic music, from popular electronic dance music styles to art forms such as electroacoustic music. It assumes you have a level of competence in composition or music sequencing and production. Composition studies include one-to-one tutorials in an area of electronic music that you will negotiate with your lecturer.

You will also examine the history and concepts of electronic music, the creation of sound installations and live performances, together with options that include the theory and practice of sequencing, sound synthesis, sampling, production techniques and the use of Max/MSP.

This course helps you build a wide range of skills, knowledge and creative strategies essential for a successful career in the contemporary, fast-changing music industry - or as a springboard to further postgraduate study at PhD level.

Modules

Depending on the route you choose, the core modules you study will be:

• Practical Composition one and two
• Orchestration and Arranging
• Conducting

Or

• Electronic Music Composition one and two
• Developing your Career
• Interactive Music Technology
• Research Methods
• Dissertation or Project

Optional modules include:

• Stylistic Composition (pre 1900)
• Stylistic Composition (post 1900)
• Multi-track Recording and Mixing for Surround
• Film and TV Score Production
• Advanced Non-linear Recording
• Combining Sounds
• Digital Audio Interface Design for Music
• The Development of Audio Technology
• Manipulating Sounds.

Format

The department's extensive research in this subject area means our teaching is informed directly by the world's most up-to-date ideas on the academic study of record production. Also, our teaching staff are renowned for their professional expertise.

Teaching involves a combination of lectures, practical workshops, seminars and tutorial discussions. Our teaching rooms are equipped with ProTools HD systems, Audient mixing consoles and C24 control surfaces, and lectures involve frequent practical demonstrations and examples.

The contact hours for the course are concentrated into two days for full-time and one day for part-time students. For the rest of week you will book your own studio and computer time to complete your assignments and develop your composing skills, network, create music with other LCM students and engage in self-directed study. The course runs for a complete year - normally September to September - in full-time mode and two years for part-time.

Career and study progression

This course will equip you with an enviable set of skills that will enable you to succeed in the fast-changing music industry.

Some examples of the professional roles graduates have progressed to after completing the course include:
• Composer
• Sound Designer
• Remixer.

After completing the course you can continue your studies with either a PhD or DMus at the University of West London.

How to apply

Click the following link for information on how to apply to this course: http://www.uwl.ac.uk/students/postgraduate/how-apply

Scholarships and bursaries

Information about scholarships and bursaries can be found here: http://www.uwl.ac.uk/students/postgraduate/scholarships-and-bursaries

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The MA Composition at Maynooth University provides a supportive yet stimulating environment in which to develop your individual compositional style. Read more

Overview

The MA Composition at Maynooth University provides a supportive yet stimulating environment in which to develop your individual compositional style. The focus of the course is the creation of a professional portfolio of compositions, the production of which benefits from regular one-to-one tuition from the experienced composers in the Department of Music. Core modules in contemporary compositional technique and the study of works and writings of other composers help broaden your compositional focus and allow you to carve out your own voice in the exciting world of contemporary music. These activities are complimented by regular talks and consultations with visiting professional composers and opportunities for performance of your works with both visiting performers and student ensembles. Reflecting the diversity of new music today, you will be able to choose from a range of modules in our sister course, the MA in Creative Music Technologies.

See the website https://www.maynoothuniversity.ie/music/our-courses/ma-music-composition

Minimum English language requirements: please visit Maynooth University International Office website (https://www.maynoothuniversity.ie/international/study-maynooth/postgraduate ) for information about English language tests accepted and required scores. The requirements specified are applicable for both EU and non-EU applicants.

Maynooth University’s TOEFL code is 8850

Course Structure

The course is taught over two semesters. There are 6 taught courses led by four of Ireland’s most experienced composers. The degree will culminate in a portfolio of original compositions, putting into practice and developing upon what is demonstrated throughout the course.

Career Options

Recent graduates have gone on to enjoy successful careers as composer (for media and art-music), arranger, performer/improviser, music copyist, arts management, essayist/critic, broadcasting amongst others. The skills developed in the MA in Composition are transferable to many areas of employment. For example, non-arts-based companies also look for creative, independent employees and their particular skillset. Key skills are developed throughout the course, such as:
- Identifying, analysing and solving problems;
- Prioritising tasks, coping with complexity, setting achievable goals and taking action;
- Working independently and as a team;
- Communicating (both orally and in writing);
- Demonstrating confidence and motivation to start and finish the job, adaptability/flexibility, creativity, initiative, leadership, decision-making, negotiating and the ability to cope with stress;
- Applying and exploiting information technology;
- Demonstrating critical evaluation of the outcomes of the professional practice;
- Reflecting on and evaluate one's own practice

Postgraduate options - The MA in Composition also prepares students for doctoral study in composition.

Find out how to apply here https://www.maynoothuniversity.ie/music/our-courses/ma-music-composition#tabs-apply

Find information on Scholarships here https://www.maynoothuniversity.ie/study-maynooth/postgraduate-studies/fees-funding-scholarships

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The MA Composition at Maynooth University provides a supportive yet stimulating environment in which to develop your individual compositional style. Read more

Overview

The MA Composition at Maynooth University provides a supportive yet stimulating environment in which to develop your individual compositional style. The focus of the course is the creation of a professional portfolio of compositions, the production of which benefits from regular one-to-one tuition from the experienced composers in the Department of Music. Core modules in contemporary compositional technique and the study of works and writings of other composers help broaden your compositional focus and allow you to carve out your own voice in the exciting world of contemporary music. These activities are complimented by regular talks and consultations with visiting professional composers and opportunities for performance of your works with both visiting performers and student ensembles. Reflecting the diversity of new music today, you will be able to choose from a range of modules in our sister course, the MA in Creative Music Technologies.

See the website https://www.maynoothuniversity.ie/music/our-courses/ma-music-composition-pt

Minimum English language requirements: please visit Maynooth University International Office website (https://www.maynoothuniversity.ie/international/study-maynooth/postgraduate ) for information about English language tests accepted and required scores. The requirements specified are applicable for both EU and non-EU applicants.

Maynooth University’s TOEFL code is 8850

Course Structure

The course is taught over two years. There are 6 taught courses led by four of Ireland’s most experienced composers. The degree will culminate in a portfolio of original compositions, putting into practice and developing upon what is demonstrated throughout the course.

Career Options

Recent graduates have gone on to enjoy successful careers as composer (for media and art-music), arranger, performer/improviser, music copyist, arts management, essayist/critic, broadcasting amongst others. The skills developed in the MA in Composition are transferable to many areas of employment. For example, non-arts-based companies also look for creative, independent employees and their particular skillset. Key skills are developed throughout the course, such as:
- Identifying, analysing and solving problems;
- Prioritising tasks, coping with complexity, setting achievable goals and taking action;
- Working independently and as a team;
- Communicating (both orally and in writing);
- Demonstrating confidence and motivation to start and finish the job, adaptability/flexibility, creativity, initiative, leadership, decision-making, negotiating and the ability to cope with stress;
- Applying and exploiting information technology;
- Demonstrating critical evaluation of the outcomes of the professional practice;
- Reflecting on and evaluate one's own practice

Postgraduate options - The MA in Composition also prepares students for doctoral study in composition.

Find out how to apply here https://www.maynoothuniversity.ie/music/our-courses/ma-music-composition-pt#tabs-apply

Find information on Scholarships here https://www.maynoothuniversity.ie/study-maynooth/postgraduate-studies/fees-funding-scholarships

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The MMus in Composition fosters your ability to compose and notate music, and to develop your own personal musical language- http://www.gold.ac.uk/pg/mmus-composition/. Read more
The MMus in Composition fosters your ability to compose and notate music, and to develop your own personal musical language- http://www.gold.ac.uk/pg/mmus-composition/

You explore a wide range of technical procedures for contemporary composition and engage intellectually and critically with related theories and concepts.

There are many practical opportunities to work with performers, including the Department of Music's ensemble-in-residence, and other artistic collaborators.

The composition pathway appeals to composers interested in a wide range of contemporary music including Boulez, Stockhausen, Birtwistle, Carter, Xenakis, spectral music and improvised music.

There's a focus on fundamental issues concerning pitch, time and pulse, and covers topics such as orchestration, advanced instrumental techniques, large-scale structure.

Composers taking this pathway may elect to take options in studio-based composition, providing they have the requisite prior experience.

There are also opportunities to work with visiting professional musicians and meet visiting composers, which have included Harrison Birtwistle, Michael Finnissy, Brian Ferneyhough and Jonathan Harvey.

Contact the department

If you have specific questions about the degree, contact Roger Redgate.

Modules & Structure

Core modules:
Compositional Techniques- 30 credits
Material, Form and Structure- 30 credits

Choose two modules from a selection that currently includes:

Composition and Moving Image Media- 30 credits
Interactive and Generative Music- 30 credits
Contemporary Music: Practices and Debates- 30 credits
Post-Tonal Theory and Analysis- 30 credits
Sound Agendas- 30 credits
Studio Practice- 120 credits

Creative project:
Creative Project- 60 credits

Skills

You'll develop strategies and methodologies for creative practice, critical reflection and evaluation and skills in the contextualisation of creative work.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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In this dynamic programme you’ll build on your existing musical skills and develop a greater understanding of the theories and techniques of digital composition and performance. Read more

Programme description

In this dynamic programme you’ll build on your existing musical skills and develop a greater understanding of the theories and techniques of digital composition and performance.

A focus of the programme is bridging the gap between the musical vision and its performance. With this in mind, you will be encouraged to perform your own music in live situations and take your place at the forefront of your music’s realisation.

An emphasis is also placed on the field of digital composition within a wider context, which you will address through seminar work. You’ll learn how to plan a technological project and translate your musical ideas into interactive computer music programmes and/or scores.

Programme structure

Your study will take the form of weekly lectures or seminars, as well as at least 10 hours a week on project work.

You will complete six courses.

In semester 1:

Real-Time Performance Strategies and Design
Composers’ Seminar A
a choice of Sound Design Media, Compositional Practice A, Principles of Composition for Screen or another course as agreed with the Programme Director

In semester 2:

Non Real-Time Systems
Composers’ Seminar B
a choice of Digital Media Studio Project, Compositional Practice B or another course as agreed with the Programme Director
In addition, over the spring and summer, you will prepare a final digital composition and performance project.

Learning outcomes

Students will gain in-depth knowledge of:

how to make music with computers
the combination of hardware and software systems in music performance
music programming both in real-time (e.g. Max/MSP) and non-real-time e.g. slippery chicken
audio production and post-production
how to plan, execute, realise, and document a musical-technological project
how to translate musical ideas into fully-functioning interactive music software
their own creative practice in the context of past and present cultural developments

Career opportunities

As this programme involves a wide range of disciplines both technical and artistic, you will gain a number of transferable skills ranging from the core matters of composition, audio production and music programming to more indirect but highly employable skills such as research, documentation, critical thinking, oral presentation, teamwork and software development.

Our graduates have gone on to be employed as composers, performers, researchers, Cirque du Soleil sound technicians, university lecturers, software engineers, BBC sound recordists, web designers, multimedia/ video streaming engineers, and DJs.

See our alumni webpage for details of the careers of recent graduates:

[Music Alumni] (http://www.dcp.music.ed.ac.uk/alumni.php)

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