Learn how to use music to support the development and wellbeing of people with complex emotional, intellectual, physical or social needs.
You'll get a comprehensive grounding in music therapy. Study the theory and put it into practice in a clinical or social community setting. Then take what you've learned from your practical experience and apply that to your research project.
Studying at the New Zealand School of Music (NZSM), you'll learn from dedicated staff with many years' experience as music therapists.
If you have a mature and compassionate attitude, curiosity and a knack for critical thinking, and a passion for practical, creative music-making then this programme is for you.
The programme was developed in association with Music Therapy New Zealand(MThNZ). You'll be encouraged to join this organisation during your training so you can start building links with other professionals and the supporting community.
Once you've completed your degree you'll be able to apply for accreditation as a Registered Music Therapist through the Music Therapy Registration Board of MThNZ.
Most students do the Master of Music Therapy by coursework and research, which is in two parts. In Part 1 you'll do coursework and in Part 2 you'll do casework and research.
If you're already a music therapist with an appropriate postgraduate qualification you can go straight to Part 2—the Master of Music Therapy by research.
Learn through practical musical and placement study, theory and research. You and your tutors will work closely together in small groups to problem-solve, reflect on theory and practice, and consider questions that can lead to practice-based research.
In Trimester One you'll do courses covering the principles and methods used in music therapy. In Trimester Two you'll do courses on the exploration of music from cultures other than your own, and learn how this applies to your practice, along with courses on approaches to music therapy research and a workplace practicum.
For Part 2, you'll do a range of music therapy casework, followed by a supervised practice-based research project linking to what you observe and experience on your placement. For the Master of Music Therapy by research, your study may be practice-based or more theoretical, depending on your interests and research questions. Both options are full-year courses.
You'll do placements both through your Part 1 practicum and your Part 2 casework. Your placement will be clinically supervised by lecturing staff in Part 1 and by external registered music therapists in Part 2. You'll also be supported by on-site liaison staff who may be music therapists, specialist teachers or other healthcare professionals.
Placement opportunities may include clinical practice in:
The Master of Music Therapy by coursework and research can be completed in two years of full-time study or in three to five years part time.
The Master of Music Therapy by research can be completed in one year full-time or in two to three years part-time.
If you are studying full-time you can expect a workload of 40–45 hours a week for much of the year. Part-time students will need to do around 20–23 hours of work a week. This programme is demanding, so you need to be cautious about how much paid work you take on. Make sure you take this into account if you are working.
You can estimate your study workload by adding up the number of points you'll be doing. One point is roughly equal to 10–12 hours work.
You'll do Part 1 in Wellington. You may be able to do Part 2 in Auckland or Christchurch if suitable professional supervision is available. Talk to the programme administrator to learn more.
You'll be able to choose your practice-based research project based on what you observe and experience in your casework.
The flexible modular structure of our taught MA programme allows you to focus on a chosen area of specialism but simultaneously facilitates exploration of a wide range of research areas relating to music. It will provide an excellent foundation for undertaking postgraduate research at doctoral level, but will also benefit the professional development of musicians intending to pursue careers in teaching, arts administration, broadcasting, and other domains.
Students on the taught MA programme join a vibrant international postgraduate community and study with scholars, composers, and performers who have achieved international recognition in their fields. The Music Department was ranked #1 in The Sunday Times University League Table 2016, and was in the top three music departments in the Research Excellence Framework 2014 and the Complete University Guide 2017.
The MA Music programme supports study of the following areas of specialism:
In addition, other options typically available have included:
You will choose modules from sections A, B, C, and D below:
A. Major project, weighted at 60 credits (a dissertation, a public recital, or a portfolio of compositions/orchestrations and arrangements – depending on your chosen area of specialism)
B. A 30-credit module linked to your chosen area of specialism
C. Two compulsory core 30-credit modules embedding research training and engaging with major intellectual issues attendant on all subject areas
D. An additional 30 credits of Music undergraduate modules/selected undergraduate OR postgraduate modules offered by another department OR another related specialism-specific module from list B, subject to approval of the Board of Studies in Music.
Example: MA with specialism in Musicology
A. A 12,000-word dissertation on a musicological topic weighted at 60 credits
B. 30-credit module ‘Contemporary Musicology’
C. Compulsory core 30-credit modules, ‘Core Research Seminars’ and ‘Research Methods and Resources’
D. 30 credits of Music undergraduate modules/selected undergraduate OR postgraduate modules offered by another department OR another related specialism-specific module from list B
the following specialism-specific modules will be offered every year:
Optional modules in previous years have included:
The programme is delivered through a mixture of seminars, practical sessions and one-to-one supervision. Seminars provide opportunities for you to discuss and debate particular issues, and to present your own original work, informed by the knowledge that you have gained through independent study outside the programme’s formal contact hours. Practical sessions in areas such as studio or field recording techniques help to prepare you for your own independent work. All students must undertake an independent project (dissertation, composition portfolio, or performance), which is developed with the help of one-to-one expert supervision. Finally, optional modules can be drawn from the undergraduate and postgraduate programmes of Music or of other departments –these free-choice modules may involve other forms of staff-student contact, depending on the subject area. The Department actively promotes interdisciplinary approaches to the study of music and you are encouraged to engage with other disciplines in the humanities and sciences.
The contact hours experienced by each individual student will vary considerably, given a high degree of flexibility in the programme. You will typically attend between 2 and 4 hours of seminars per week in term time, as well as additional practical sessions as appropriate. Individual supervision of dissertations, performance projects and composition portfolios amounts to an average of 6 hours spread over the second and third terms.
Outside timetabled contact hours, you are also expected to attend research seminars, both student-led and those involving staff or guest academic speakers (typically 1-2 hrs each week). You must also undertake your own independent study to prepare for your classes and assessments, to broaden your subject knowledge and to prepare your dissertations or portfolios. You are encouraged, as an integral part of your studies, to take advantage of other opportunities including participating in performance opportunities (including staff-led ensembles) and attending research and composition seminars, some of which are organised in conjunction with University research institutes.
There is a busy programme of musical performance, both within and outside the Music department, which complements your academic programme by providing opportunities both to listen to and to perform a wide variety of music. The many musical ensembles to which you can contribute includes both independent societies (including orchestras, choirs, opera and musical theatre as well as a Javanese gamelan) and department-run ensembles such as the New Music Ensemble and Korean percussion group.
Taught jointly by the Departments of Anthropology and Social, Therapeutic and Community Studies, this MA offers a stimulating synthesis of theory and practice. In short, it is at the heart of what Goldsmiths is all about.
This MA, launched in 2015, is the third of three related pathways. The first, the MA in Applied Anthropology and Community and Youth Work, was started in 1992 and is aimed at students who wish to pursue a career in youth and community work and who need a professional qualification.
A second pathway, the MA in Applied Anthropology and Community Development, was launched in 2012 as an option for international or home students who do not need an NYA qualification and for those who want to specialise in community development.
This third pathway has been created in response to a growing number of applicants with an arts background and arts interests, and is aimed at students who wish to work in community arts. The three pathways entail different placements but are taught together, providing much opportunity for exchange of ideas and collaboration amongst students.
The MA combines an academic programme of lectures, seminars and tutorial assignments with practical experience.
Modules are taken over one academic year if you are studying full-time, and two years if you are studying part-time (part-time study only available to home/EU students).
Full-time students attend on Tuesdays and Thursdays and spend the rest of the week on fieldwork placements and library studies.
Part-time students attend on Thursdays in one year and Tuesdays in the other.
The Department of Anthropology teaches two of the core components of your degree: Contemporary Social Issues and Anthropological Research Methods.
In addition we strongly encourage all students, in particular those without a background in anthropology, to sit in on other MA option courses offered by the anthropology department, such as Anthropological Theory, Anthropology of Development, Anthropology of Violence, Anthropology of Art and Anthropology and the Environment. We also encourage you to audit courses run by the Art, Music and Cultural Studies departments, and in general to make the most of all the wonderful political and arts events organised by Goldsmiths staff and students every week.
The Department of Social, Therapeutic and Community Studies runs the fieldwork modules, which involve placements that are supported by seminars, lectures, workshops and tutorials.
This MA pathway entails 20 hours of observations and 280 hours of placements, normally in community arts settings, consisting of three placements with at least two different organisations.
The fieldwork and accompanying teaching is divided into three modules:
Fieldwork 1: Perspectives and Approaches (Placement 1 –70 hours)
In this module you explore key themes, principles, values and competing perspectives underlying community arts. The value of experiential learning approaches and critical pedagogy in informal learning and community arts are explored alongside group work principles, processes and theories. You consider your own values and reflect on your practice perspective.
Fieldwork 2: Critical Practice (Placement 2 –70 hours)
In this module you critically analyse the changing context of community arts practice, develop as critically reflective practitioners and learn how to recognise and challenge discrimination and oppression. Key themes include ethical dilemmas faced in community arts practice, youth participation and methods of engaging communities with a view to facilitating ‘empowerment’.
Fieldwork 3: Management, Enterprise and Development (Placement 3 140 hours plus 20 hours observations)
This module advances critical understanding of the management of projects, staff and resources, the legal context of community arts and community & youth work, how to produce funding bids, prepare budgets and grapple with the issues and processes involved in developing a social enterprise as well as monitoring and evaluation.
All three modules are currently assessed by an essay, documents completed by the student in relation to the placement and community development national occupational standards learning, a report by the placement supervisor and a fieldwork contract form. The final placement also involves an assessment of the observations.
Increasing employment prospects are central to this programme.
Our graduates find work directly or indirectly related to the disciplines relatively quickly after graduating, or even while on the programme. The majority of our students gain work in youth work or community work. Examples of recent graduate employment include:
Some seek and gain work in a wide range of other settings, often shaped by the particular interests that they develop during their time with us, such as working with refugees or with disability groups. Others join social enterprises to bid for contracts, join newly developing cooperatives or established NGOs in the UK and abroad.
The Master of Music (MMus) is designed for students who've already gained an Honours-level qualification in Music. It's an advanced, one-year programme of study. You'll be guided by experts who will supervise you in individual sessions. You'll complete substantial-sized tasks focused on your chosen area of specialty. During this process, you'll develop your skills and expertise, and show an understanding of the content of your work. You'll also develop the attributes you need to work in this field.
Is your passion for performing music? During your MMus, you'll learn how to work towards a public musical recital, right up to the actual performance. This process involves planning and preparation, the integration of music research with performance, and you'll develop skills to be able to demonstrate each step leading up to your recital.
Are you more interested in composition? You'll be given the opportunity to create a significant body of original music. You'll develop the skills to write music to a professional standard, suitable for being performed in public at a concert or similar event.
When you study for your MMus at Waikato, you'll have opportunities to network with professional groups working in the music industry. You'll be able to participate in your musical field and this will help you grow as a professional musician.
Are you interested in orchestral work? Waikato's MMus programme has links with the New Zealand Symphony Orchestra, Trust Waikato Symphony Orchestra, Auckland Philharmonia Orchestra and the Opus Orchestra. There are links with Chamber Music New Zealand and Opera New Zealand. In terms of local groups, Waikato has links with the Hamilton School of Instrumental Music, the Hamilton Community Centre of Music, the Waikato Museum Concert Series, Arts Waikato and the Hamilton Civic Choir.
As far as other music-related groups and associations go, Waikato has connections with Atoll Records, New Zealand Institute of Registered Music Teachers, Radio New Zealand Concert, the Composers Association of New Zealand and the New Zealand Music Examinations Board.
There are links with international organisations, including publishing companies: the Computer Music Journal (MIT Press, USA), Australasia Computer Music Association, Electronic Music Foundation (USA) and the Sonic Arts Network (UK). Also from overseas, there are links to Oxford Music on Line (Oxford Uni Press), Cambridge, UK, St Paul's Concert Series, Herne Hill, London, the Interlochen Arts Academy, USA and the Australian Centre for Interactive Design – Queensland Conservatorium of Music.
By the end of your MMus, you'll be working at a professional level in your chosen field. If your passion is performance, you may choose to pursue a career as a studio musician or solo performer, in a chamber group or orchestra, or do experimental or theatrical work. You may prefer to go on to work in broadcasting or in radio, television or recording production. Perhaps you'd like to work in film or video music production, or in multi-media creation. You could alternatively work as a musical director or producer.
You may use your MMus to work in a role as an arts administrator, communications coordinator or in community development (for tribal authorities). You may like to work in human-computer interface development or as an educator, in the primary, secondary or tertiary sectors. Perhaps you'd like to work as a journalist or as a librarian or information consultant and music technician.