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Masters Degrees (Collecting)

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Prestigious Scottish Funding Council Awards are available to high calibre applicants for this programme. The SFC has selected this programme in recognition of the high demand for students with these qualifications. Read more
Prestigious Scottish Funding Council Awards are available to high calibre applicants for this programme. The SFC has selected this programme in recognition of the high demand for students with these qualifications. The awards cover all tuition costs; for further information, please see: http://www.glasgow.ac.uk/postgraduate/funded/

This Masters introduces you to the study of the history of collecting, as it has been pursued by individuals and by civic, educational or national institutions. It examines cultures of collecting and various modalities for the presentation of collections as developed in Asia, Europe, and more specifically Britain, from the late 18th century onwards through to the present. You will consider a range of theoretical and ethical issues as well as financial and societal mechanisms, which have informed collecting practices historically and that continue to do so. You will explore methodological approaches and core concepts, such as connoisseurship, taste and professionalisation, and consider how international travel, the trajectory of the art market and other types of exchange have impacted upon collecting practices.

Key facts

• MLitt: 12 months full-time; 24 months part-time
• Contact: Dr. Minna Torma:

Why Glasgow

• You will learn from world-leading researchers and develop expert knowledge in this specialised area within History of Art.
• Glasgow’s civic and university collections are some of the richest and most diverse in Europe and are of international standing. The University’s own Hunterian Museum and Art Gallery is the oldest public museum in Scotland and has extensive holdings covering fine art, geology, anatomy and the history of medicine.
• Our research forum provides you with a lively and stimulating introduction to methodological debates within art history. It provides a sense of art history’s own history as well as contemporary concerns and practice, examining the beliefs and values that have informed various forms of historical and visual analysis and enquiry. It is focused around a series of seminars or workshops run by members of staff and visiting academics.

You will take five core courses and one optional course and complete a dissertation 15,000 words in length (including footnotes but excluding bibliography) which will be on a topic chosen in consultation with the tutors and the programme convenor. You will also have the opportunity to take part in a field trip.

Core courses

• Research methods in practice
• Cultures of collecting
• Collecting East Asian art
• Collecting landscapes

Optional courses

• Patterns of collecting Chinese art
• Economies of collecting contemporary art

And then you may choose
• a Humanities Advanced Technology and Information Institute (HATII) course: 2D Digitisation (Theory and Practice)
• a course from elsewhere in the College of Arts, subject to the approval of the programme convenor.

Or from these options offered by History of Art
• Independent study
• Hunterian placement
• Work placement

Background

This programme introduces you to the study of the history of collecting, as it has been pursued by individuals and by civic, educational or national institutions. It examines cultures of collecting and various modalities for the presentation of collections as developed in Europe, Asia, North America and more specifically Britain, from the late 18th century through to the present. You will consider a range of theoretical and ethical issues alongside cultural, financial and societal mechanisms that have informed collecting practices historically and which continue to do so. You will also have the opportunity to explore a range of different collections from the encyclopaedic to the concise, and to question their context and strategies of presentation and their circulation through loan.

Themes of the programme include:
• How collections have been framed by: questions of subjectivity; by the emergence of nation states or the pursuit of empire; by the emergence of exchange and circulation mechanisms such as the market; and by broader societal processes informing the collecting practices of institutions and individuals
• The significance of a range of factors to collections and their histories, including: connoisseurship, taste and travel, the operations of the market, patterns of exchange, the professionalization of the curator, specialisation of knowledge, civil society and benefactors

Through its courses and the work placements it offers, the programme seeks to offer you sustained engagement and contact with collections in context. Teaching is based partly in the classroom and partly in collections, and the University’s own Hunterian collections provide a consistent point of departure and contextualisation for the students. The programme makes use of public and private collections accessible in Glasgow, Edinburgh, Dundee and further afield in Scotland.

The programme includes a field trip to Newcastle and the Northeast.

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The MA is offered by the University of Buckingham and the National Gallery in association with Waddesdon Manor (Rothschild Collections). Read more

Course outline

The MA is offered by the University of Buckingham and the National Gallery in association with Waddesdon Manor (Rothschild Collections).

Investigating American and European art markets and cultures of collecting from the Renaissance to the present day, it is taught by staff from the University of Buckingham, the National Gallery and Waddesdon Manor.

Find out more about our School of Humanities on http://www.buckingham.ac.uk/humanities/.

A unique MA

A unique feature of the course will be access to two of the greatest surviving art dealers’ archives: Agnew’s, acquired by the National Gallery in 2014, and Colnaghi’s, housed since February 2014 in the Windmill Hill Archive, Waddesdon Manor. It is the first MA in the UK to offer, under the guidance of experts, practical training on how to use, unlock and analyse these rich holdings.

Study trips to Paris and Florence

The course will include study trips to Paris and Florence where students will have the opportunity to study a number of key European collections such as the Edmond de Rothschild collection in the Louvre and the Stefano Bardini collection in Florence as well as visiting important local archives.

Course structure

The course will start in September and will finish the following September. It comprises two introductory weeks on principles and methodologies followed by three 4-week taught modules delivered in the Autumn and Winter terms. During the third term, and under supervision, students research a dissertation which will be submitted at the end of September.

Subject to the agreement of the Programme Director, there are some options for part-time study, one day a week over two years, or by deferral of the dissertation.

A pathway to a career in the art world

Aimed at art historians, would-be curators, art market professionals, collectors and individuals with a general interest in the arts, the programme provides a pathway to a career in the art world or as a step towards further postgraduate research.

Apply here http://www.buckingham.ac.uk/humanities/ma/art-market-and-history-of-collecting.

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This Masters programme offers an interdisciplinary approach to studying the history of collecting and collections from an international perspective. Read more

This Masters programme offers an interdisciplinary approach to studying the history of collecting and collections from an international perspective. In particular, it focuses on the trajectory of artefacts through time and space and their historical legacy. Subjects covered include methodological approaches and legal issues relating to provenance and restitution, illegal trafficking of cultural objects, connoisseurship, taste, the patterns of collecting and viewing both private and public and the politics of display. The programme will move the collective debate beyond the usual focus on the Western tradition.

Why this programme

  • This programme is unique to Scotland and the UK as it combines aspects of art history and law and places them in a broad international context.
  • You will learn from world-leading researchers and develop expert knowledge in this specialised area of art history.
  • Glasgow’s civic and university collections are some of the richest and most diverse in Europe and are of international standing. The University’s own Hunterian Museum and Art gallery is the oldest public museum in Scotland and has extensive holdings covering fine art, geology, anatomy and the history of medicine. The new facilities at Kelvin Hall support object-based study as a number of courses will include handling sessions of the objects in the collections.
  • Work placement opportunities are offered within the programme on a competitive basis. In addition to Scottish institutions, work placements take place in the Smithsonian Institution, Washington D.C.
  • Our research forum provides you with a lively and stimulating introduction to methodological debates within art history. It provides a sense of art history’s own history as well as contemporary concerns and practice, examining the beliefs and values that have informed various forms of historical and visual analysis and enquiry. It is focused around a series of seminars or workshops run by members of staff and visiting academics.

Programme structure

The programme structure comprises of four core courses and a dissertation (these are compulsory). In addition you can choose two optional courses, either from the ones provided within the programme or from available courses across the College of Arts.

The dissertation (15,000 words in length, including footnotes but excluding bibliography) will be on a topic chosen in consultation with the tutors and programme convenors. You will also have an opportunity to take part in a field trip.

The learning and teaching approaches covered in the programme include: lectures (built around case studies), seminars and discussions (supported by relevant published sources), handling sessions and supervision.

Career prospects

This Masters programme is intended to provide you with a strong foundation from which to embark upon a career in the visual arts, the art market, museums and galleries, heritage and historic properties.

Graduates have gone on to hold positions in museums and galleries (both public and private) in Scotland and elsewhere in the UK and have, more broadly, entered the commercial, cultural and heritage sectors in a number of roles. The programme also provides an excellent platform for you to move into PhD studies and an academic career.



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This 10-month program focuses on the analysis of contemporary art work and the understanding of evolving demands of the art market in a global context. Read more
This 10-month program focuses on the analysis of contemporary art work and the understanding of evolving demands of the art market in a global context. The techniques of management, communication, marketing and the knowledge of law and regulations contribute in providing the expertise required when working in the field of contemporary art.

Based in the heart of Paris, on the premises of IESA Art & Culture, students are within easy access to all the major Parisian museums, auction houses and contemporary art galleries. Class visits to the most prominent contemporary art museums, galleries, and auction houses are organized to allow students to dialogue with curators, art historians, and gallerists.

Study trips to art centers in France are organized during each semester to allow students to network with seasoned professionals in the art sector.

Structure

The program consists of 3 trimesters:

2 trimesters of classwork (Oct-Dec/ Jan-March) and a trimester dedicated to internships (April-June) allowing students to gain professional experience (Jan-March).

During the last two trimesters, students will work on a personal project to be presented in front of a professional jury in order to validate the certificate.

Each trimester contains 200 contact hours over a 10-week period. Courses are taught in English.

Students are attributed a mentor for personalized coaching and will follow group methodology sessions to guide them in the research and development of their personal project.

1st trimester:

The History of the Contemporary Art in Europe and United States; the Economics of the Contemporary Art Market; Art Law; Art and Project Management; Communication and the Marketing, Research, Development and Management of Artistic projects (content, business plan, legal structure, communication, marketing); visits and workshops with professionals.

2nd trimester:

The Current and Future Art Markets, the History of Contemporary Art Outside of Europe; E-communication and E-marketing of Art and Luxury Products; Negotiating Sales of Art Objects; Promoting Artistic Projects, a Brand, Artists, and Contemporary Art and Luxury Products; Exhibition planning; Visits and Workshops with professionals; Methodology; mentoring sessions.

3rd trimester:

Full-time internship, methodology sessions, sessions with mentor to follow up on personal projects.

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These postgraduate programmes aim to create highly sought-after researchers who are ready to apply their advanced knowledge and practical skills in the workplace or on further research. Read more

These postgraduate programmes aim to create highly sought-after researchers who are ready to apply their advanced knowledge and practical skills in the workplace or on further research.

You will learn how to collect, analyse and interpret social data and become skilled in interview techniques, surveys, problem-solving, communication skills and the latest industry software.

Students examine issues from across the social sciences and are introduced to both quantitative and qualitative research methods before having the option of specialising.

During the programme, you will research real world issues such as evaluating local health care services, predicting voting behaviour during elections or researching the impact of Hull’s year as the 2017 UK City of Culture on local people.

Taught by experienced researchers who are experts in their fields, the interesting and varied curriculum will be delivered through an enquiry-based approach to teaching including small-group work, tutorials, workshops and independent study.

It was designed with input from industry experts, former students and leading academics to ensure that it means the demands of the modern social research industry.

Students will be provided with a high level of academic support across the programme and all modules will be taught on one specific day (currently Thursdays) to accommodate part-time and working students.

There are four variants: 

  • MSc in Social Research
  • MSc in Social Research with Quantitative Methods
  • MA in Social Research with Qualitative Methods
  • MSc in Social Research (Doctoral Training Pathway)

Study information

MSc in Social Research

Semester 1 (PGCert)

  • Research Design and Methodology
  • Introducing statistics and data analysis with SPSS
  • Collecting Qualitative Data

Semester 2 (PGDip)

  • Philosophies of Social Science
  • Surveys and Questionnaires
  • Analysing Qualitative Data

Summer period (Masters)

  • Dissertation in Social Research

MSc in Social Research with Quantitative Methods

Semester 1 (PGCert)

  • Research Design and Methodology
  • Introducing statistics and data analysis with SPSS
  • Collecting Qualitative Data

Semester 2 (PGDip)

  • Philosophies of Social Science
  • Surveys and Questionnaires
  • Advanced Quantitative Data Analysis

Summer period (Masters)

  • Dissertation in Social Research

MA in Social Research with Qualitative Methods

Semester 1 (PGCert)

  • Research Design and Methodology
  • Introducing statistics and data analysis with SPSS
  • Collecting Qualitative Data

Semester 2 (PGDip)

  • Philosophies of Social Science
  • Analysing Qualitative Data
  • Advanced Qualitative Data Analysis with NVivo

Summer period (Masters)

  • Dissertation in Social Research

MSc in Social Research (Doctoral Training Pathway)

Semester 1 (PGCert)

  • Research Design and Methodology
  • Introducing Statistics and Data Analysis with SPSS
  • Collecting Qualitative Data

Semester 2 (PGDip)

  • Working Beyond Disciplines
  • Surveys and Questionnaires
  • Analysing Qualitative Data
  • Power, Authority and Freedom in History
  • Contemporary Research in Human Geography
  • Professional Practice and Communication Skills

Summer period (Masters)

  • Dissertation in Social Research

* All modules are subject to availability.

Future prospects

These programmes are an ideal route for those aiming for research careers in the public, voluntary or private sectors, including would-be senior civil servants keen to take advantage of the Government’s Fast Stream scheme to find the leaders of the future.

It equips students with practical skills and experience for a wide range of organisations including research agencies, charities, independent organisations, trade unions, pressure groups and lobby groups.

The programmes also offer continuing professional development for those already working as researchers and who want to advance their careers. It is also an excellent training programme for those wishing to progress to PhD level study.



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MA Curatorial Practise focuses on curating as a contemporary practice, bringing together history, theory and practice. We ask what is it that makes the role of the curator distinct, and how do we understand the essentials of curating, when it has become such a buzzword. Read more
MA Curatorial Practise focuses on curating as a contemporary practice, bringing together history, theory and practice. We ask what is it that makes the role of the curator distinct, and how do we understand the essentials of curating, when it has become such a buzzword.

The course embraces contemporary curating in historic and collection-based settings as well as contemporary venues, digital, ‘pop-up’ and site specific contexts. It is delivered by experts in the field and working curators.

COURSE STRUCTURE AND CONTENT

The course covers a wide range of curatorial approaches, from management of historical collections to creative curating of cutting edge contemporary art, craft and design. Our students come from a wide variety of backgrounds; we challenge you to develop your interests, while understanding what you share with others across our discipline. Engagement and understanding audiences are central to curatorial practice.

Engagement and understanding audiences are central to curatorial practice. You’ll develop experience in ways of sharing and presenting ideas throughout the course.

If you're studying the course full-time you will study two modules per trimester, alternatively part-time students will study one per trimester.

MODULES

Research Methodologies will introduce the generic research methodologies and the ways subject specific material, analysis and evaluation techniques can be a vehicle for personal study.

In The Role of the Curator we consider the politics of curating, real-world issues and discuss the changing role of the curator.

Collections and Collecting considers the nature of collecting and the influence of collecting on curatorial practice.

Reaching Audiences allows you to present or study a live project to a real audience.

The Master's Project is an assessment that can include a dissertation, the study of historical or archival case studies, curating an exhibition or project in a venue, or forms of digital production.

For detailed information on each of the modules go to: https://www.bathspa.ac.uk/courses/pg-curatorial-practice/

TEACHING METHODS

You’ll be taught in seminars, complemented with field visits to key venues facilitated by lead curators. We adopt a practice-led approach; while some sessions are delivered by our academics, others are delivered by our collaborators and relate to particular case studies or collections.

You’ll frequently link your study to internships, volunteering and project work.

ASSESSMENT METHODS

Project based work can be developed and assessed as part of the course. Real life projects can be pursued in response to assessment assignments, especially in relation to the final 'Master's Project' double module.

For more information on assessment methods, please go to our course webpage: https://www.bathspa.ac.uk/courses/pg-curatorial-practice/

CAREER OPPORTUNITIES

Recent graduates have found work in: .

• Curatorial work in museums and galleries
• Galleries/Arts administration
• Self-employed freelance curatorial work and consultancy
• Publishing and media work
• Education, gallery and museum learning and teaching
• General project management outside the visual arts and museums
• Critical writing
• Academic study and teaching

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The course is intended for students who have a substantial background in geography or a related discipline with a good first degree. Read more
The course is intended for students who have a substantial background in geography or a related discipline with a good first degree. It aims to provide: (i) broad-based training in geographical research, its philosophical backgrounds and debates, and interpretation of geographical literature, (ii) comprehensive training in research methods in human geography and the social sciences as a whole, and (iii) the opportunity to develop large scale research management skills by completing a research thesis under academic supervision and guidance. Students choose two geography modules, which are combined with two modules in research design and methods, and a thesis. The course aims to develop general transferable skills for research employment in a wide range of walks of life, or as the first stage of a PhD thesis.

The course is intended to give students a broad-based advanced training and critical awareness of geographical research and its methods, including awareness of the research methods of related disciplines. The course is offered to all students hoping to undertake a PhD in Human Geography. Hence the thesis often forms a ‘pilot’ for a larger scale PhD proposal and will include a review of the relevant literature, research questions, an outline and evaluation of appropriate research methods, and an assessment of the initial findings and their significance.

See the website http://www.graduate.study.cam.ac.uk/courses/directory/eaggmpmgr

Course detail

The course aims to develop further the students’ understanding of the relationship between society, nature and space, emphasising both global and local processes and connections. They develop further their skills of assessing the merits of contrasting theories, explanations and policies; collecting and critically judging, evaluating and interpreting varied forms of evidence; preparing maps and diagrams; employing various methods of collecting and analysing spatial and environmental information; combining and interpreting different types of evidence to tackle specific problems; recognising the ethical and moral dimensions of study.

Learning Outcomes

At the end of the 11 months, students taking the MPhil in Geographic Research will be expected to have:

- Acquired a broad knowledge of qualitative research methods and general statistics
- Acquired the skills to use library and internet resources independently
- Acquired specialist knowledge of the relevant literature related to their thesis
- Acquired skills to independently structure their research design
- Given a presentation on their thesis to their peers and academic staff
- Written three essays and one thesis

Format

Each student is allocated a thesis supervisor before the course begins. Generally up to 10 meetings of up to one hour of one-to-one supervision as well as briefer meetings when needed.

The Department runs a series of seminars during term which students on this course should attend. This introduces them to the breadth of the discipline and a new level of academic debate. Students may attend other lectures, seminars, classes and reading groups after consultation with their supervisors. Students attend Research Methods classes and lectures in the first and second term. Students are also expected to take part in their research group’s activities.

Skills and research training programme = 8 x 1 hour lectures in first term and optional lectures in the 2nd term. hours per term

Social Science Research Methods Centre (SSRMC) courses: workshops and practicals. Approx. 15 hours per term hours per term

Dissertation presentation in 3rd term.

Written feedback on each submitted essay and the dissertation.

Assessment

- 20,000 word dissertation; oral examination at discretion of examiners
- 3 essays or other exercises of up to 4,000 words

Continuing

70% overall in MPhil

How to apply: http://www.graduate.study.cam.ac.uk/applying

Funding Opportunities

ESRC (1+3) for applicants who plan to continue to PhD. (1+3 = one year MPhil and 3 years PhD)
AHRC Masters via CHESS Scheme for AHRC topics approved for the AHRC DTP at University of Cambridge.

General Funding Opportunities http://www.graduate.study.cam.ac.uk/finance/funding

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Research profile. The dual focus of this distinctive programme will enable you to pursue research-focused study while developing a rigorous understanding of current debates and practices in the field of curatorship. Read more

Research profile

The dual focus of this distinctive programme will enable you to pursue research-focused study while developing a rigorous understanding of current debates and practices in the field of curatorship.

Delivered in partnership with flagship cultural institutions, this programme directly responds to a growing need for graduates able to work at the interface of academic research and the curatorial profession. It offers a rigorous framework for intellectual development and innovation, combining supervised independent research with seminar teaching and unique opportunities for live project delivery.

You will gain critical, analytical, interpretative and other research skills that are transferable to further academic research, to curatorial settings and to other careers.

Collections and Curating Practices is devised and delivered in cooperation with National Museums Scotland, the National Library of Scotland, the National Galleries of Scotland, Talbot Rice Gallery, The Fruitmarket Gallery, and the University of Edinburgh’s own Special Collections.

Programme structure

The compulsory course element will examine the theories and methods of collecting and curatorship.

Two intensive one-day workshops will offer introductory training in the practical aspects of curatorship and collections management from object handling and transportation issues to accreditation processes.

Career development opportunities are built into the syllabus including advice days and a bespoke mentoring programme.

Training and support

You will be assigned a research supervisor at the outset of your degree with secondary supervisory support for the dissertation component drawn from ECA, the University or from a member of staff in one of the external partner organisations.

The core course will examine the theories and methods of collecting and curatorship. Two intensive one-day workshops will offer introductory training in the practical aspects of curatorship and collections management from object handling and transportation issues to accreditation processes.

Career development opportunities are built into the syllabus including advice days and a bespoke mentoring programme.

Facilities

Situated in the heart of Edinburgh's Old Town, Edinburgh College of Art has a wide range of studios and workshop spaces, libraries and collections, places to socialise, perform and show work; all within walking distance of world-class museums, music venues and galleries.

Our facilities range from the historic, to contemporary, specialist spaces for making work at all scales, in and across all media. In this directory, you’ll find details of our own facilities, and selected places in the city to be inspired, research, collaborate or gain work experience.



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This MA is unique in combining the study of Buddhism, Buddhist art, and the techniques and conservation of Buddhist art. Offered by The Robert H. Read more
This MA is unique in combining the study of Buddhism, Buddhist art, and the techniques and conservation of Buddhist art. Offered by The Robert H. N. Ho Family Foundation Centre for Buddhist Art and Conservation at The Courtauld, the MA was established as a one-year degree in 2013. In order to build on and expand the strengths of the programme, the MA is changing in 2017 to a two-year degree taught in collaboration with SOAS.

The MA now brings together world-famous institutions: The Courtauld for the study of art history and conservation, and SOAS for the study of Asia, Africa and the Middle East. Drawing on the unique strengths of the two institutions and their exceptional faculties, the new curriculum of the MA provides detailed and systematic teaching over two years. Each discipline is introduced, expanded and integrated to allow students to obtain the best possible learning experiences and skills acquisition. Designed to provide increased specialisation over the two years, the course culminates in research and a substantial dissertation in the final months.

Offered once every two years, applications are now invited for the programme beginning autumn 2017. Taught by a wide range of specialists from both The Courtauld and SOAS, the MA also benefits from teaching by visiting experts. The course includes study trips to museums in the UK and Europe, and a longer study trip to India to develop an appreciation of Buddhist art in its original contexts. Students also benefit from conferences and public events regularly held by the Ho Centre at The Courtauld.

Drawing also on the research and conservation work undertaken by The Courtauld’s Conservation of Wall Painting Department in Bhutan, China and India, this MA is specifically designed to equip students with knowledge of:

‌•the central concepts of Buddhism, and their historical diffusion;
‌•the history of Buddhist art in its various religious, social and cultural contexts;
‌•the materials and techniques involved in the making of various types of Buddhist art;
‌•approaches to the conservation of Buddhist art, including understanding of the ethical, technical and administrative issues involved.

This MA provides a comprehensive grounding in the history of Buddhism, Buddhist art and its conservation for those intending to pursue further specialist conservation education, and for those who wish to proceed into related fields such as art-historical research, curating, and site-management.

About eight students are accepted on the MA. Applicants from different academic and geographical backgrounds are encouraged to apply. Previous experience in any of the fields covered by the MA is not required.

Please Note: Plans are being made for the redevelopment of The Courtauld’s home at Somerset House. The project, called Courtauld Connects, will include the development of state-of-the-art teaching and research facilities. During the redevelopment the location of some teaching will move. Further information on Courtauld Connects will be published on The Courtauld’s website over the coming months.

Programme Structure

This two-year MA combining the study of Buddhism, Buddhist art, and the techniques and conservation of Buddhist art, is structured to provide increased specialisation during the course, with a substantial dissertation at the end. The programme consists of interwoven strands. Led by Professor David Park and Dr Giovanni Verri at The Courtauld, and by Dr Christian Luczanits and Dr Vincent Tournier at SOAS, it includes teaching by a wide range of specialists from both institutions and from elsewhere. Some strands will be taught at The Courtauld or on-site, while for others students will join classes at SOAS.

Year 1
The objectives of this year are to provide a grounding in the concepts of Buddhism and their historical diffusion; an appreciation of the chronological development, regional variations and major themes of Buddhist art; an understanding of the making of different types of Buddhist art, and of the ethical, legal and other issues underlying the conservation and display of Buddhist art; and an interdisciplinary exposure to the imagining and presentation of Buddhas and their achievements in South Asia, juxtaposing the textual perspective with what is communicated through imagery. The formal teaching is reinforced through a study trip in the second term to museums in Paris or elsewhere in Europe, and in the third term by a longer study trip to India.

‌•Strand 1: Critical Concepts in Buddhist Studies Convenor: Vincent Tournier (SOAS) This course is designed to provide a broad understanding of the major processes and dynamics at work in the growth and development of Buddhism as a pan-Asian religion, and with the key methodological tools required to approach this major cultural force in its fascinating diversity.

•Strand 2: History of Buddhist Art Convenors: David Park (The Courtauld) & Christian Luczanits (SOAS) This course provides an overview of Buddhist art with regard to its chronological development, regional variations, major themes, and the multiplicity of different media. Buddhist art in collections will also be studied, examining aspects of collecting and display.

•Strand 3: The Making of Buddhist Art, and Conservation Principles Convenor: Giovanni Verri (The Courtauld) This course provides an introduction to the making of Buddhist art from its origins. Primary sources and technical studies are used to understand the different types of materials employed. It will also provide an introduction to the principles, ethics and other issues underlying the conservation and display of Buddhist art.

•Strand 4: Imag(in)ing Buddahood in South Asia Convenors: Christian Luczanits & Vincent Tournier (SOAS) This course engages in an interdisciplinary manner with the central idea of Buddhism, as it developed within and beyond its South Asian cradle. Bringing together the expertise of an art historian and a historian of Buddhist thought, it will provide exposure to a diversity of approaches to textual, iconographic, and archaeological sources, to understand how Buddhas and their achievements were imagined, presented and encountered by Buddhist practitioners.

‌•Strand 5: Study trip to museums in Europe To examine Buddhist art in major museums in Paris or elsewhere, considering art-historical, technical and conservation aspects, as well as display and management issues.

•Strand 6: Fragile Inheritance: the Conservation of Buddhist Art Convenor: David Park (The Courtauld) To examine the measures directly involved in the preservation of Buddhist art in museums and in situ; and to examine particular major case studies in detail with regard to the legal, ethical, management, practical and other issues involved.

Year 2
Strand 6 continues in Year 2. More specialised teaching is introduced in a variety of areas: texts, and their relationship to Buddhist objects; the scientific examination and imaging of Buddhist art; and a choice of specialised courses in Buddhist studies and Buddhist art, allowing students to pursue particular interests and to assist in the choice of dissertation topic. The dissertation, undertaken over a period of fourteen weeks, should consider an aspect of the original techniques, conservation, management, curating, history or use of Buddhist art.

‌•Strand 6: Fragile Inheritance: the Conservation of Buddhist Art Continued from Year 1

•Strand 7: Texts on and around Buddhist objects Convenors: David Park (The Courtauld) & Vincent Tournier (SOAS) This course will

‌-explore the many ways by which texts inform, respond to, and accompany Buddhist objects across Asian societies. It will, in particular, -explore the Text-Image relationship, examining how textual and visual narratives respond to each other. It will introduce students to the methods of epigraphy and codicology, including the increasing use of imaging technologies.

‌•Strand 8: Analysis and Imaging of Buddhist Art Convenor: Giovanni Verri (The Courtauld) This course provides an introduction to methods of examination and analysis through the use of visual observations and scientific instruments, and an introduction to and basic instruction in the technical imaging of Buddhist art including multispectral imaging.

•Strand 9: Choice of one of the following specialised courses in Buddhist Studies and one in Buddhist Art at SOAS Students will select these courses in consultation with their tutors, on the basis of their previous background and career objectives; options will also depend on availability at SOAS. This further specialism will aid students in their choice of dissertation topic. Presentations and discussions at The
Courtauld will enable students to harmonise their experience.

Specialised Course in Buddhist Studies

-Buddhism in Tibet (Ulrich Pagel)
-Chinese Buddhism in the Pre-modern Period (Antonello Palumbo)
-East Asian Buddhist Thought (Lucia Dolce)
-The Buddhist Conquest of Central Asia (Ulrich Pagel)
-Specialised Course in Buddhist Art

-Buddhist and Hindu Art of the Maritime Silk Route (Peter Sharrock)
-Collecting and Curating Buddhist Art in the Museum (Louise Tythacott)
-Illustrated Manuscript Cultures of Southeast Asia (Anna Contadini & Farouk Yahya)
-Sacred Art and Architecture of Ancient Korea (Charlotte Horlyck)
-The Figure of the Buddha: Theory, Practice and the Making of Buddhist Art History (Ashley Thompson)
-Tibetan Buddhist Monuments in Context (Christian Luczanits)

‌•Strand 10: Dissertation: A major component of the MA is a 12,000-word dissertation, undertaken in the second and third terms of Year 2. The dissertation topic should focus on the original techniques, conservation, management, curating, history, or use of Buddhist art. Students are encouraged to design their research to reflect the interdisciplinary nature of the MA. Selection of the topic will be undertaken in the first term of Year 2 in consultation with course tutors, and will include assessment of the state of research, and production of an illustrated outline proposal with references.Topics have been varied; those of the previous one-year MA have included:

-19th– and early 20th-century copies and photographs of the Ajanta murals;
-narrative and biography in early Tibetan teacher portraits;
-tree and forest imagery in Buddhist Yamato-e handscroll paintings;
-technical study and investigation of Nagthangs;
-materials and techniques of red dyed gold from Southeast Asia;
-the influence of Tibetan Buddhism on Ming Imperial porcelains;
-examination and assessment of the environmental conditions of the Textile Museum of Bhutan.This range demonstrates the scope for students to research avenues that significantly develop their individual interests and skills, while also providing a contribution to the field.

Teaching Methods

Teaching methods and work required of the students are related to each strand and include:

‌•lectures: to impart factual information;
‌•seminars: to provide a forum for open discussion, and to allow assessment of the development of the individual student’s critical abilities;
‌•student seminars: to develop skills in gathering, organising and presenting a body of information, including visual material;
‌•essays: to develop skills in written communication and research methodology;
‌•reports: on the study trips;
‌•tutoring: to provide individual guidance, and to allow monitoring of the student’s progress.

How to Apply

Before starting your application, please ensure that you read and refer to the following three sets of information. Then access our Online Application System by selecting the relevant "Apply Now” link from the table of courses, below.

Follow this link for the information: http://courtauld.ac.uk/study/postgraduate/postgraduate-how-to-apply

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Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study History at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017). Read more

Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study History at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017).

The MA in History is an exciting programme that covers a wide range of topics in history from the Middle Ages onwards.

Key Features of MA in History

The wide-ranging expertise of Swansea University's historians offers the study of British, European, American or Asian History. The History MA allows students to explore the history of art and culture, empire, gender, politics, religion, sexuality and science.

Students on the MA History programme are introduced to key concepts that shape the study of history. The MA in History students benefit not only from the unusual concentration of historians at Swansea, but also from the existence of the College of Arts and Humanities Research Centres, the Callaghan Centre for the Study of Conflict, Power and Empires and the Richard Burton Centre.

History MA students benefit from the the College of Arts and Humanities' Graduate Centre. The Graduate Centre fosters and supports individual and collaborative research activity of international excellence and offers a vibrant and supportive environment for students pursuing postgraduate research and taught masters study including the MA in History programme. The Centre provides postgraduate training to enhance academic and professional development and facilitates participation in seminar programmes, workshops and international conferences.

The full-time History course structure is split across the year with three modules taken in each academic semester (a total of six modules) and then a dissertation over the summer. History students study three compulsory modules and three optional modules. The dissertation is written on a specialist research topic of the student's choosing.

Part-time study for MA in History is available.

MA in History Programme Aims

- To acquire advanced knowledge and understanding of a range of topics related to history.

- To develop theoretical and methodological skills relevant to all aspects of the study of history.

- To lay a solid foundation of knowledge and analytical and presentational skills for further research work in the field.

Modules on the MA in History

Modules on the History course typically include:

• Historical Methods and Approaches

• New Departures in the Writing of History

• Communicating History

• Directed Reading in History

• From Princely Possessions to Public Museums: A History of Collecting and Display

• Power, Conflict, and Society in the Modern World

• Venice and the Sea

• Medieval Manuscripts

• Fascism & Culture

Who should Apply?

Students from a history or related background. Students interested in preparation for postgraduate research, MPhil or PhD, or who wish to develop skills and knowledge related to history.

Research Interests

All staff in the Department of History and Classics are research active and publish books and articles in their areas of expertise. Staff and students are members of a range of Arts and Humanities research centres: the Callaghan Centre for the Study of Conflict, Power and Empire, the Richard Burton Centre for the Study of Wales and the Research Groups: MEMO: the Centre for Medieval and Early Modern Research and GENCAS: the Centre for Research into Gender in Culture and Society. Regular research seminars and lectures are run through these groups and through the Research Institute for Arts and Humanities (RIAH) giving students including those of the MA in History programme access to cutting-edge research.

Careers

Career expectations are excellent for History graduates. MA degree holders in History may move on to doctoral study or enter employment in such areas as museums, heritage and tourism; marketing, sales and advertising; business, art, design and culture; media and PR; social and welfare professions; humanitarian organisations; the civil service, and education.

Student Quote

“I graduated with a First-Class Honours BA History degree and an MA in History from Swansea University. My four years of study here were truly the most enjoyable of my life so far! The lecturers, tutors and all members of the History department were also incredibly friendly and always willing to help. The History MA was fully funded by a University Alumni bursary. The range of modules available to MA students is exceptional and the facilities here are fantastic. With a designated Arts and Humanities Postgraduate computer room and common-room area, as well as the University’s very own archives, Swansea is a great place to study History.”

Cath Horler, History, MA



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Why study at Roehampton. Ideal if you are interested in focusing on a specific research area at Masters level and provides an excellent platform for progression to PhD-level study. Read more

Why study at Roehampton

  • Ideal if you are interested in focusing on a specific research area at Masters level and provides an excellent platform for progression to PhD-level study.
  • Benefit from excellent access to state-of-the-art laboratory facilities in which you can conduct your research.
  • Examine critically the theoretical bases of assessment methods and their practical application within physiology, psychology and biomechanics.
  • Roehampton is ranked best modern university in London (Sunday Times Good University Guide 2015).

Course summary

Produce high quality original research in the areas of sport, exercise, nutritional and health sciences. This programme provides an excellent platform for progression to PhD-level study as well as other related career paths.

This programme is for students who want to focus on a research topic with a view to create new knowledge within the growing area of sport and exercise science. You will be guided by experts in the field who will support you to produce high quality original research.

You will have the opportunity to work with state-of-the-art equipment in the laboratories. Our expertise will allow students to employ the latest techniques in the pursuit of producing significant and original research that is publishable. Some of the techniques include modified ELISA’s, Real-Time PCR, Western Blot, isotope methodology for metabolism, 2-3D motion analysis using MaxTRAQ and Vicon, force analysis using Kistler force plates and isokinetic dynamometers, muscle ultrasound, and neuromuscular electrical stimulation.

You will automatically gain access to our research community in the Sport and Exercise Science Research Centre (SESRC) and Health Sciences Research Centre (HSRC). The research centres are active in researching diabetes, obesity, diseased and healthy metabolism, neuromuscular function, biomechanics in elite and pathological populations, environmental physiology, nutrition in athletic and chronic diseased populations, protein synthesis and muscle growth, sport & exercise psychology and performance and well-being. 

Content

The key modules on this course revolve around you producing a high-level independent research project, which will prepare you for higher levels of research and study.

The course begins with a research methods module which will equip you with a comprehensive understanding of different approaches to research, allowing you to choose the correct method for your project, depending on your specific area of interest. You will study key philosophical questions as to the nature of science and knowledge, and develop a critical awareness of the principles and practice of qualitative and quantitative approaches and techniques. You will also be introduced to the management of ethical issues associated with collecting and analysing data on human participants. 

You will also be guided on the development of your research proposal, and be invited to attend the Sport Science Seminars Series to frame your understanding of current sport-related research.

Other modules on the programme allow you to study more in-depth knowledge and gain relevant practical skill in biomechanics, psychology, and/or physiology that are invaluable for your dissertation project. 

Modules

Here are the examples of modules:

  • MRes Research Dissertation
  • Research Methods
  • Psychology of Physical Activity, Health and Injury
  • Physiological Assessment
  • Biomechanical Measurement and Technology

Career options

Pathways include teaching, coaching, sport public relations and promotion, sports consultant and lecturer, further academic study.

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If you are an ambitious social science, engineering or mathematics graduate, the internationally-recognised Transport Planning course will equip you with the tools to help address global challenges such as climate change mitigation and reduction through the development of safe and efficient city transport networks and mass public transport. Read more

If you are an ambitious social science, engineering or mathematics graduate, the internationally-recognised Transport Planning course will equip you with the tools to help address global challenges such as climate change mitigation and reduction through the development of safe and efficient city transport networks and mass public transport.

97% of our graduates find employment in a professional or managerial role, or continue with further studies.*

This ranges from transport consultancies and operating companies, through to planning departments, international agencies and academic research.

For those already in the profession, this course is seen in the industry as the passport to recognition by professional bodies.

Be taught by academics with an international reputation whose research sets industry standards, on a course that has been designed in close collaboration with industry. This includes policy, travel behaviour, modelling, data analysis, land use planning, and public transport planning and management using research and evidence from around the world.

Use research models and tools developed by our staff that set industry standards around the world.

A degree in Transport Planning will not only provide you with a deeper understanding of these analytical and predictive tools, but also gives you:

  • Hands on experience of collecting and evaluating data: the key to good planning
  • Expertise in sustainable spatial analysis
  • Deep insights into human travel behaviour to ensure plans are successfully implemented.

And experience what it is like to be part of a project team working across disciplinary boundaries within the transport sector. Through this, gain insights into how planning, economics, environmental science, modelling and engineering can work together to develop sustainable solutions to global challenges. This industry-inspired approach will enable you to apply your knowledge to real-world issues in the field.

Your colleagues will be among the best and brightest from Latin America to the Far East, from Africa to Europe and the UK. Together you will learn planning techniques that will help you develop transport networks that are founded on robust evidence, sustainable and equitable social principles, state-of-the-art modeling, accurate data analysis, and a profound understanding of human psychology.

ITS – the global institute teaching the transport leaders of tomorrow.

*Higher Education Statistics Agency (HESA), Destinations of Leavers from Higher Education (DLHE) 2015, http://www.hesa.ac.uk

We have redesigned our suites of courses following close consultation with Industry and academia.

With a strong focus on industry needs, our degrees will prepare you for employment in your chosen field. They will also address the multi-disciplinary nature of transport – enabling you to make effective decisions for clients, employers and society.

And to experience what it’s really like to work in the transport sector, collaborate with a project team of students from our other degrees through our new Transport Integrated Project module.

Research environment

The Institute for Transport Studies (ITS) was established as the UK’s first multi-disciplinary transport department, and we continue to lead the field with our research.

Our reputation allows us to invest in world-class facilities, such as the University of Leeds Driving Simulator – one of the most sophisticated in any university in the world, allowing us to research driver behaviour in controlled lab conditions. We also have access to a variety of specialist software tools including those we’ve developed in-house such as SATURN, PLUTO, DRACULA, MARS and KonSULT.

Other Study Options

This programme is available part time, allowing you to combine study with other commitments. You can work to fund your studies, or gain a new qualification without giving up an existing job. We aim to be flexible in helping you to put together a part-time course structure that meets your academic goals while recognising the constraints on your study time.

You can also study this subject at Postgraduate Diploma level, part time or full time, or at Postgraduate Certificate level with our PGCert in Transport Studies.

Accreditation

This programme is recognised by the major professional bodies in the transport sector. It fulfils the educational requirements for membership of the Chartered Institute of Logistics and Transport (CILT UK) and the Chartered Institution of Highways and Transportation (CIHT) and provides a pathway towards the Transport Planning Professional (TPP) qualification.




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This programme provides thorough training in research methodology for students interested in a career as a researcher or lecturer in applied linguistics, sociolinguistics or language acquisition. Read more

This programme provides thorough training in research methodology for students interested in a career as a researcher or lecturer in applied linguistics, sociolinguistics or language acquisition. It is recognised by the Economic and Social Research Council as the first year of a 1+3 doctoral programme, leading to a PhD award.

Introducing your course

Fascinated by the mechanics of speech? Do you want to research the formation of language and how it has evolved over time? Then apply for our MA in Applied Linguistics (Research Methodology) and study intercultural communications while examining language in society through linguistic research methods. This masters in Applied Linguistics degree course will allow you to analyse the way language is used and how we communicate to one another.

Overview

Throughout the course you will to a number of useful skills that will help you if you wish to contine on to a PhD, for example you will learn to understand the relationship between academic, professional, public and user conceptions of language, and the ideological assumptions of linguistic research. As well as managing your own research, including collecting and managing data and conducting and disseminating research in ways consistent with professional practice and research ethics.

View the programme specification document for this course



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An MSc is generally accepted as being highly desirable for starting and developing a career in Medical Statistics. The MSc in Statistics with Applications in Medicine is also an excellent preparation for embarking on a PhD project in Statistics or Medical Statistics. Read more

An MSc is generally accepted as being highly desirable for starting and developing a career in Medical Statistics. The MSc in Statistics with Applications in Medicine is also an excellent preparation for embarking on a PhD project in Statistics or Medical Statistics.

The MSc in Statistics with Applications in Medicine, taught by one of the largest and strongest Statistics groups in the UK, will provide you with a sound Masters-level training in Statistical methodology, with an emphasis on practical problems arising in the context of collecting and analysing Medical data. Several modules are delivered by Medical Statisticians, who can provide data and case studies from their own day to day work at Southampton General Hospital and the Medical Research Council Lifecourse Epidemiology Unit.

While studying for your degree, you will develop key transferrable skills, such as written and oral communication, the use of and some programming in Statistical software, time management, and basic research skills. 

Programme objectives are:

  • to give you knowledge of statistical theory and methods at an advanced level
  • to train you for a career as a statistician, particularly in areas related to medicine
  • to give you experience of applications of statistical methods
  • to enable you to develop oral and written communication skills

Careers:

Past graduates have joined major pharmaceutical companies, research teams at the Medical Research Council, university-based medical research units, contract research organisations, government, the financial sector, or have continued with further study to become successful PhD students.

Introducing your course

The ever-increasing amount and range of patient data presents the pharmaceutical industry and medical research institutions with significant challenges and great opportunities. Medical Statisticians design and analyse clinical trials for new treatments; they help to identify the genes responsible for disease and they developing methodology to enable advances in personalised medicine. 

Their work underpins scientific breakthroughs that will be life-saving for many. In the MSc in Statistics with Applications in Medicine you will examine new developments in challenging medical data problems through the study of clinical trials, statistical genetics and epidemiological methods.

Overview

The full-time MSc is completed over a 12-month period. There are two semesters of taught material, which account for 60 ECTS credits, followed by the MSc project in summer, which accounts for 30 ECTS credits.

The programme structure allows you to select options ranging from the more theoretical aspects of Statistics, including a module on research topics, to those which cover material focussed on practical applications of Statistics in a clinical setting. This is complemented by modules on research skills, a Medical Statistics seminar series providing insight into the role of Medical Statisticians in various different careers (which also gives opportunities for networking with the speakers), and several presentations on transferrable skills by the University Careers and Employability Service Team.

View the programme specification document for this course



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The Aberystwyth MA in Fine Art and Art History provide you with an excellent opportunity to develop your artistic skills, understanding and technical aptitudes as you strive to pursue your art. Read more

About the course

The Aberystwyth MA in Fine Art and Art History provide you with an excellent opportunity to develop your artistic skills, understanding and technical aptitudes as you strive to pursue your art. In every area of this course, technical, stylistic, and conceptual experimentation is enthusiastically encouraged and you will be encouraged to contribute to the School’s academic knowledge of art history through your own research. You will also have the opportunity to submit articles for publication to contextualize your practice and develop your engagement with critical and public opinion. In the most recent Research Excellence Framework assessment (2014) it was found that 75% of publications were of an internationally recognised standard or higher.

One of the central strengths of this course is your personal development as an artist. You will be challenged to experiment, test hypotheses, and extend your field of action in preparation for exhibitions. You will develop a portfolio of work that is a creative and imaginative interpretation of subject matter demonstrating the acquisition and refinement of technological dexterity and stylistic sophistication. You will also benefit from gaining new insight into careers in fine art, defining concepts of the subject and the crucial importance of professional identity.

The course is a full-time programme, taught over one year, and is divided into two parts over three semesters. In part one, you will study a number of core modules, together worth a total of 120 credits, whilst directing your own study in part two where you will explore and resolve your chosen artistic problem, culminating in the second of your two public exhibitions. This study is equivalent to a Master’s dissertation project and is worth 60 credits.

The subject of this final public exhibition will be agreed in consultation with your supervisor(s) and, in tackling it, you will be encouraged to develop and sustain a self-initiated programme of work. Subject to the satisfactory completion of the study modules and exhibition, the MA in Fine Art and Art History is awarded.

Upon graduation from the MA in Fine Art and Art History, you will have demonstrated artistic excellence, personal rigor and critical engagement with yours and others’ work, which will define you as an artist. You will be well-prepared for the realities – both creative and practical – of life as a professional artist.

This degree will suit you:

- If you wish to develop your personal, creative, productive, and imaginative artistic abilities;
- If you wish to be stimulated by vigorous intellectual inquiry into Art;
- If you aim to pursue a career in Art or serious effort to exhibit your work in public and critical arenas;
- If you wish to develop a conceptual, practical and historical framework for your art.

Course content

Core modules:

Dissertation
Exhibition 1: Consolidation
Vocational Practice

Contact Time

Approximately 10-14 hours a week in the first two semesters. During semester three you will arrange your level of contact time with your assigned supervisor.

Assessment

The taught part of the course (Part 1) is delivered and assessed through lectures, student seminars, practical exercises and exhibitions. Successful completion of your exhibition (Part 2) leads to the award of an MA.

Employability

Every aspect of the Aberystwyth Master’s in Fine Art and Art History programme is designed to enhance your employability. Successful completion of this degree is in itself certain to do so by building your CV; but more significant is the hugely enhanced array of knowledge, abilities and skills with which you will graduate.

Your pursuit of personal development as an artist, coupled with increased critical faculties, will make you a strong candidate for any post where people and opinions meet. Likewise, the study skills, technical knowledge and hands-on experience of artistic processes will give you a tremendous advantage in employment within the Arts. Similarly, other modules will provide opportunities to gain experiences and transferable skills. By managing the practicalities of exhibition preparation, installation, and curation, you also gain direct experience in every aspect of events and venue management. Though the conditions may be subject-specific, the skills you will learn in the process are highly marketable.

Whether your chosen career path points you towards drawing, painting or print work, or towards criticism, collecting, art journalism, your Masters Degree in Fine Art and Art History from Aberystwyth University will signal to prospective employers your commitment to personal excellence, professional rigour and technical innovation.

Professional Independence

The course acknowledges the difficulty artists face in the transition from the requirements of a degree level course to the emerging independent direction required of professional practising artists. By playing an active, learning-based role in the operation of the School’s galleries, you will gain an insight into the work needed to sustain a busy gallery. You will stage public exhibitions in the School’s galleries and elsewhere, and part of the course’s assessment relates to your performance as a professional, exhibiting artist.

Studio work is designed to increase students’ technical possibilities, and the School is particularly well equipped in all areas of the graphic arts. The course seeks to assist the student by developing individual abilities and direction in a certain area of art practice to the highest standards possible. In addition to this subject-specific training, this MA is designed to give you a range of transferable skills that you can apply in a variety of situations. Whether this is further study, personal artistic pursuits or employment, you will be better equipped to pursue success in your chosen field.

Your work in the Contemporary Context

This course does not operate in isolation, and you will examine your own work in the wider context of contemporary practice. As mentioned above, your assessed exhibitions will give you first-hand experience of the vital but often daunting rite of holding up your work for scrutiny by your tutors, peers, critics and the public. You will also encounter and engage with the debate in cultural theory regarding the interface between art practise, art theory and the concept of visual culture. By considering its implication for the study of fine art and art history, your course of study encourages you to improve your capacity for conducting a critical review of yours and others’ work through discussion, presentation and writing.

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