This programme studies the ancient Greek and Roman worlds from the Iron Age to the late Roman and early Christian period through their material remains including sculpture, funerary art, topography and visual cultures.
Focusing on the ancient Mediterranean world, broadly defined, you’ll explore not simply the archaeology of Greece and Rome but also the near east and north-western Europe.
Through our interdisciplinary approach, you’ll also be able to work with staff from all areas of the School. Several members of classics have ongoing excavations in Italy, Georgia and Macedonia, which students are welcome to attend.
The programme aims to familiarise you with the various methods used in the study of classics, enabling you to work in a manner that is theoretically and methodologically engaged.
We offer a range of courses, which has been designed to reflect the research interests of our lecturers and help you develop a particular topic of interest for your dissertation.
You will complete a compulsory course, five option courses and a 15,000 word dissertation.
The compulsory course is:
Option courses previously available include:
The programme aims to:
Our students view the programme and a graduate degree from Edinburgh as an advanced qualification valued and respected by many employers. Those students interested in long-term academic careers consider the programme as preparation for a PhD.
The programme provides a toolkit of transferable skills in organisation, research and analysis that will be highly prized in any field of work. This programme can form the stepping stone to many career options, such as further academic research, museum and art curation, literary translation or analysis, education or public heritage. Recent Classics graduates are now putting their skills to use as tutors, archivists, writers and conference coordinators for a range of employers including the RSPB.
The MA Acting is an intensive one-year, advanced level conservatoire acting course. In keeping with Central’s tradition of innovation in actor training, it offers two specialist strands taught over an extended 42 weeks, with up to 35 hours per week of classes, rehearsals, seminars and tutorials. Successful applicants will be offered a place on one of the two strands.
The Classical strand follows the development of the theatrical art from its earliest ritual roots to the birth of naturalism:
> Greek Tragedy, Chorus and the Neutral Mask
> Clowning and Commedia dell’arte
> Shakespeare and the English Renaissance
> Stanislavski, the Method and ‘Realist’ Theatre.
The Classical strand draws on the hugely influential theories and techniques of the great French acting teacher Michel Saint-Denis, training the expressive body, voice and imagination. Working with some of the greatest dramatic texts ever written, students are asked to consider what they mean now, and how their 21st century reinterpretation and re-imagining still holds a ‘mirror up to nature’. Students are encouraged to understand the demands of both art and craft, as participants in, and practitioners of, the western theatrical tradition, through a course structure that examines, in chronological order, four key periods of innovation and transition.
All staff are well connected to industry. In the past few years, students have participated in a research symposium and worked on the stage
of Shakespeare’s Globe, performed at the Brighton Festival, made a film with Sir Donald Sinden at the Garrick Club, taken part in workshops with Hannah Miller (Head of Casting, Royal Shakespeare Company) and attended public lectures by Judi Dench, Vanessa
Redgrave, Michael Boyd and Declan Donnellan. Students from Canada and the USA have participated in the Conference of Drama Schools
Showcase in New York and LA, and all students participate in Central’s MA Acting showcase.
Through a combination of practical and written assessments, including a Sustained Independent Project and research presentation.