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The course is available in Standard Track and in Special Track. Course Structure. Part 1 (Diploma). In addition to the Principal Subject, in which the student specialises; up to three additional subjects can be studied. Read more
The course is available in Standard Track and in Special Track

Course Structure
Part 1 (Diploma):

In addition to the Principal Subject, in which the student specialises; up to three additional subjects can be studied. Total of 120 credits.

Part 2 (MA):

Normally consists of a dissertation, composition portfolio, or critical edition (in the area of the Principal Subject). Total of 60 credits.

Course description
Standard Track:

The course combines specialisation in one area (including Historical Musicology, Editorial Musicology, Composition, Solo Performance) with further training in up to three complimentary areas.

The range of choice on this course makes it one of the most flexible MA programmes in the UK. Students can make their education as broad or narrow as they wish. For those with a single-minded interest in one area specialised degrees are available.

The programme is divided into two parts: two semesters of taught study (Part I, 120 credits) and a substantial independent piece of work in the main area, produced over the summer (Part II, 60 credits).

Part 1 is centred on the Principal Subject module (WMM4044, 40 credits) in the student’s main area of interest. It lays the foundations of a Part 2 project in the same area. The following subjects are available:

Historical Musicology
Editorial Musicology
Ethnomusicology
Celtic Traditional Music
Music in Wales
Music and the Christian Church
Composition
Electroacoustic Composition
Composing Film Music
Studying Film Music
Solo Performance
Sacred Music Studies
Early Music
20th-/21st-century Music
WMP4052 Preparing for the Part 2 project (10 credits) acts as a bridge between Parts 1 and 2.

An additional 40 credits will be gained through submissions in other fields through either one Major Open Submission (WXM4046, 40 credits) or two Minor Open Submissions (WMP4047 and WMP4048, 20 credits each). Students can select from a number of subject areas, including, but not restricted to, those listed above. Additional offerings include modules in Arts Administration, Music in the Community, Ethnomusicology and Analysis.

Depending on the main area of specialism, students will attend a core module in musicology (WMP4041 Current Musicology, 30 credits) or composition (WMP4042 Contexts and Concepts in Composition, 30 credits). During these modules students will became familiar with up-to-date research and creative techniques and methodologies in the selected disciplines.

Subject-specific teaching is provided through a combination of individual tuition and seminar session in small groups. Within each of the chosen subject areas, students can identify their own projects, for which they will receive expert supervision.

Special Track:

The MA in Music (Special Track) allows students to specialise in any one of the following areas: Historical Musicology, Editorial Musicology, Celtic Traditional Music, Music in Wales, Studying Film Music.

All the training will be centred on the student’s main area, aided by a broader look at the methodological foundation of the discipline as a whole (through the core module in musicology).

The programme is divided into two parts: two semesters of taught study (Part 1, 120 credits) and a substantial independent piece of work in the main area, produced over the summer (Part 2, 60 credits).

Part 1 is centred on the Principal Subject module (WMM4045, 60 credits) in the student’s area of specialism. Another aspect of the same area will be explored in the Independent Special Study (WMP4049, 20 credits).

WMP4052 Preparing for the Part 2 project (10 credits) acts as a bridge between Parts 1 and 2.

Depending on the main area of specialism, students will attend a core module in musicology (WMP4041 Current Musicology, 30 credits) or composition (WMP4042 Contexts and Concepts in Composition, 30 credits). During these modules students will became familiar with up-to-date research and creative techniques and methodologies in the selected disciplines.

Subject-specific teaching is provided through a combination of individual tuition and seminar session in small groups. Within each of the chosen subject areas, students can identify their own projects, for which they will receive expert supervision.

Compulsory modules:

Standard Track

Principal Subject, to be chosen from the published list for that Academic Year (40 Credits). Study areas currently offered are: Historical Musicology, Editorial Musicology, Ethnomusicology, Celtic Traditional Music, Music in Wales, Music and the Christian Church, Composition, Electroacoustic composition / Sonic arts, Composing Film Music, Studying Film Music, Solo Performance, Music in the Community, Sacred Music Studies, Early Music, 20th-/21st-century Music.
Compulsory Core Module: either Current Musicology (for musicologists) or Concepts of Composition (for composers) (depending on the Principal Subject) (30 Credits).
Open submissions: to be chosen from the optional modules (40 credits).
Preparing for the Part Two Project (10 credits).
(Total of 120 credits)

Special Track

Principal Subject, to be chosen from the published list for that Academic Year (60 Credits). Study areas currently offered: Historical Musicology; Editorial Musicology; Music in the Christian Church; Celtic Traditional Music; Music in Wales; Studying Film Music).
Compulsory Core Module: either Current Musicology (for musicologists) or Concepts of Composition (for composers) (depending on the Principal Subject) (30 Credits).
Independent Special Study (must be in the same area as the Principal Subject) (20 credits)
Preparing for the Part Two Project (10 credits)
(Total of 120 credits)

Optional modules:

Standard Track

Open Submissions (40 or 20 credits) may be chosen in any of the following study areas (but have to be different from the Principal Subject): Historical Musicology; Editorial Musicology; Ethnomusicology; Celtic Traditional Music; Music in Wales; Music and the Christian Church; Composition; Electroacoustic Composition / Sonic Arts; Composing Film Music; Studying Film Music; Solo Performance; Sacred Music Studies; Early Music; 20th-/21st-century Music; Analysis, Arts Administration, Music Studio Techniques, Popular Music Studies, Techniques and Practice of Instrumental or Vocal Teaching (20 credits only), Performance Practice (20 credits only), Music for Instruments and Electronics (20 credits only), Supporting Studies (20 credits only), ELCOS Language Skills (20 credits, international students only.ded study (e.g. portfolio of compositions, performance recital).

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MTSU’s School of Music involves graduate music majors from across the nation and abroad in a strong community with tight bonds. Eight Master of Music specializations are offered, but the program is interdisciplinary, with a vocalist in a classroom beside a composer beside a musicologist, etc. Read more
MTSU’s School of Music involves graduate music majors from across the nation and abroad in a strong community with tight bonds. Eight Master of Music specializations are offered, but the program is interdisciplinary, with a vocalist in a classroom beside a composer beside a musicologist, etc. Internationally renowned faculty members perform, compose, teach, conduct, publish, and present their research or music continually, from South Korea to Costa Rica to Rome. A low faculty-to-student ratio enables high-quality personalized instruction and collaboration. Instrumentalists are involved in coaching undergrads from the beginning, and graduate assistants enjoy opportunities reserved for doctoral students at other institutions. Students and faculty benefit from and contribute to Nashville’s nearby music industry and arts scene. Ensembles range from wind bands, orchestras, big bands, choral ensembles, and an opera company to a vocal jazz ensemble, myriad combos and chamber ensembles, an old-time music group, percussion ensemble, steel drum band, and a salsa band. Core classes are offered on evenings and weekends to accommodate those who work full-time.

MTSU awards the Master of Music (M.M.) degree with eight specializations offered: collaborative piano; conducting; jazz studies; music composition; music composition for contemporary media; music education; musicology; and performance.

Career

Alumni from the School of Music teach thousands of students every day in private studios and schools from kindergarten through university levels. MTSU graduates perform in orchestras, military ensembles, and opera companies; appear in clubs and recording studios with the famous and yet-to-be-known; compose music for Hollywood films and commercial jingles; lead professional music organizations; work in the music industry; serve as church musicians; and continually enrich the lives of others. Some continue on to enter prestigious doctoral programs. A sample of potential professional pathways for music master's students:

Accompanist
Actor
Arts manager
Artistic director
Artist relations manager
Band director/leader
Choral/choir director
Church musician/worship leader
College professor/instructor
Composer/arranger/orchestrator
Conductor
Concert promoter
Copyright specialist
Film music director/editor
Film-TV composer
General music teacher at elementary/middle schools
Instrumental performer
Instrument repair specialist
Instrument sales business owner
Music critic/journalist
Music educator
Music librarian
Music publisher/editor
Music software programmer
Music theater director
Musical director
Musicologist
Orchestra librarian
Product specialist
Publicist
Record company manager
Recording technician/engineer/mixer
Salesperson/marketer
Songwriter
Studio musician
Private studio owner/instructor
Talent agent
Tour manager
Vocalist

Employers of MTSU alumni include:

Bellevue Middle School
Belmont University
Cane Ridge High School
Case Western Reserve University
Chattanooga Symphony
Cumberland University
The Downtown Band
Earl Klugh (Grammy winner)
EMBRA Artists, LTD.
Fairview Middle School
Jeff Coffin (Grammy winner)
Jonathan Fletcher Music
Lipscomb University
MEINL Percussion
Middle Tennessee State University
Murfreesboro City Schools
Nashville Philharmonic Orchestra
Nashville State Community College
Northeast Mississippi Community College
Old Center Elementary School, Nashville
Onks Woodwind Specialist
Siegel Middle School
Trevecca Nazarene University
University of Louisiana-Lafayette
University of Northern Colorado
Vine Street Christian Church, Nashville

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The course (Standard Track) allows students to specialise in music after 1900. Typically students this area will be approached through a combination of different angles, such as historical musicology, analysis, performance and composition. Read more
The course (Standard Track) allows students to specialise in music after 1900. Typically students this area will be approached through a combination of different angles, such as historical musicology, analysis, performance and composition.

This will be aided by a broader look at techniques, methodologies and approaches (through the core module in either Composition or Musicology).

The programme is divided into two parts: two semesters of taught study (Part 1, 120 credits) and a substantial independent piece of work in the main area, produced over the summer (Part 2, 60 credits).

Part 1 is centred on the Principal Subject module (WMM4044, 40 credits) in 20th-/21st-Century Music. It lays the foundations of a Part 2 project in the same area.

WMP4052: Preparing for the Part 2 project (10 credits) acts as a bridge between Parts 1 and 2.

An additional 40 credits will be gained through submissions in other fields through either one Major Open Submission (WXM4046, 40 credits) or two Minor Open Submissions (WMP4047 and WMP4048, 20 credits each). Students can select from a number of subject areas related to music after 1900, including:

Historical Musicology
Editorial Musicology
Ethnomusicology
Music in Wales
Music and the Christian Church
Composition
Electroacoustic Composition / Sonic Arts
Composing Film Music
Studying Film Music
Solo Performance
Performance / Composition with Live Electronics
Sacred Music Studies
Analysis
Arts Administration
Music Studio Techniques
Popular Music Studies
Course Structure
Part 1 (Diploma):

In addition to the Principal Subject, in which the student specialises; up to three additional subjects (with a focus on music after 1900) can be studied.

(Total of 120 credits)

Part 2 (MA):

Normally consists of a dissertation or critical edition.

(60 credits)

Compulsory modules:

Standard Track

Principal Subject: 20th-/21st-Century Music (40 Credits).
Compulsory Core Module: Current Musicology (30 credits)
Open submission: to be chosen from the optional modules (40 credits)
Preparing for the Part Two Project (10 credits)
(Total of 120 credits)

Special Track

Principal Subject: 20th-/21st-Century Music (60 Credits)
Compulsory Core Module: either Current Musicology (for musicologists) or Concepts of Composition (for composers) (30 credits)
Independent Special Study (must be in the same area as the Principal Subject) (20 credits)
Preparing for the Part Two Project (10 credits)
(Total of 120 credits)

Optional modules:

Standard Track

Open Submissions (40 or 20 credits) are chosen from the following areas (with emphasis on music after 1900):

Historical Musicology, Editorial Musicology, Ethnomusicology, Music in Wales, Music and the Christian Church, Composition, Electroacoustic Composition / Sonic Arts, Composing Film Music, Studying Film Music, Solo Performance, Sacred Music Studies, Analysis, Arts Administration, Music Studio Techniques, Popular Music Studies, ELCOS Language Skills (20 credits, international students only)

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A rigorously demanding course, the MMus degree offers an opportunity to develop your musicianship and academic skills to a very high level in a range of subject areas. Read more
A rigorously demanding course, the MMus degree offers an opportunity to develop your musicianship and academic skills to a very high level in a range of subject areas.

The course allows students to study a broad range of topics and disciplines in music and musicology, including practical disciplines in Performance, Composition, and Conducting, and research in areas such as Music Psychology, Music Education, Music Arts and Health, Historical Musicology and Contemporary Musicology. Whether you are hoping to enhance your understanding of music for a future research or professional career, the modules offered in this course will equip you for further study and professional life.

Visit the website: https://www.canterbury.ac.uk/study-here/courses/postgraduate/master-of-music.aspx

Course detail

The programme offers you the opportunity to enhance your musical, compositional, performance, analytical, critical and research skills. In addition, you will apply these skills to your individual areas of interest in specific optional modules in written and practical disciplines. The choices of independent study modules mean that you will develop your performance, composition, conducting or research to MMus level whilst enhancing your knowledge of the wider field and contextualising your work within your chosen discipline.

The School of Music and Performing Arts is a community of more than 600 students from foundation to doctorate level, dedicated to creating and recreating music, dance and drama; all contributing to the musical and performing arts life of the University, the city of Canterbury and the wider community in the south east of England. This vibrant community offers exciting opportunities for interdisciplinary collaboration as well as more specialised subject­specific work. The degree is offered either as a one year full­time, or two year part­time course.

The taught sessions usually take place on one day of the week (usually Thursday), allowing you to continue with part-time work alongside your studies if you wish.

Suitability

The Master of Music programme aims to produce graduates who are accomplished and confident musicians and/or musicologists, who are able to work at a professional level within their specialist fields of study and who are prepared for further study at PhD level. The programme will develop your technical, conceptual and critical skills which will allow you to engage with music and musicology in a sophisticated and insightful way. The curriculum is designed to allow you to pursue specialist fields of study to an advanced level, including undertaking an extensive independent project or dissertation of your choosing, while developing a keen sense of context for those fields within the broader discipline of music.

Because the majority of teaching happens on just one day of the week (usually Thursday), the course is ideal for students who wish to continue working alongside their studies.

Content

Within the course, you'll take modules to a total of 180 credits.

You'll choose from one of the following individual study areas (60 credits each):
• Performance (solo instrumental or vocal performance)
• Conducting
• Composition/Creative Audio (e.g., acoustic composition, electroacoustic composition, popular song writing, sound art)
• Research Project in a chosen area of musicology (e.g., music psychology, music education, music and health, historical musicology, contemporary musicology)

You have four core modules to complete (4 x 20 credits):
• Research Methods
• Analysis
• Contextual Studies
• Criticism

And then you choose one each from the following pairs of optional modules (2 x 20 credits):
• Aesthetics OR Music Psychology and Health
• Performance Project OR Creative Project

Format

Your specialist field of study will be tackled primarily through independent learning, supported by either tutorials or instrumental or conducting lessons as appropriate. Students undertaking independent study in similar disciplines will meet for workshops and seminars during the year as they develop their work.

Supporting this, critical and contextual awareness will be explicitly developed through core modules, which are delivered through seminars that may be student-led. The option modules allow students to explore highly specific areas of music and musicology, through lecture- and seminar-based teaching, and to undertake projects within their own interests through seminars and workshop-based learning.

Assessment

You will be assessed through a wide range of assignments throughout the programme. These include musical performance, composition portfolios, written work, research posters, presentations and learning journals, and will be specific to the disciplines and modules that you choose to study.

The independent study modules will be assessed through a major project in each, with performance and conducting assessed through a recital, composition through a portfolio, and research project through a dissertation.

What can I do next?

Graduates of the MMus course typically go on to a range of careers which have included portfolio careers in music, performance and composition, working in a professional studio, music education and music research at PhD level.

How to apply

For information on how to apply, please follow this link: https://www.canterbury.ac.uk/study-here/how-to-apply/how-to-apply.aspx

Funding

-Masters Loans-

From 2016/17 government loans of up to £10,000 are available for postgraduate Masters study. The loans will be paid directly to students by the Student Loans Company and will be subject to both personal and course eligibility criteria.

For more information available here: https://www.canterbury.ac.uk/study-here/funding-your-degree/funding-your-postgraduate-degree.aspx

-2017/18 Entry Financial Support-

Information on alternative funding sources is available here: https://www.canterbury.ac.uk/study-here/funding-your-degree/2017-18-entry-financial-support.aspx

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Music is a vital and dynamic aspect of a school curriculum and is an important human practice throughout the world. The PGCE Secondary (Music) course prepares students to teach this challenging and fulfilling subject in a way which reflects the essence of music itself, i.e. Read more
Music is a vital and dynamic aspect of a school curriculum and is an important human practice throughout the world. The PGCE Secondary (Music) course prepares students to teach this challenging and fulfilling subject in a way which reflects the essence of music itself, i.e. a unique practical and creative discipline in which we can understand and express our ideas.

The course allows student teachers to develop their musicianship in the context of the classroom and thus empower young people to use music as part of their lives.

You can exit the PGCE courses with one of two awards. The Professional Graduate Certificate in Education (PGCE) is awarded to those students who gain less than 40 Level 7credits, but who pass all modules, gaining 100 or 120 Level 6 credits. If you achieve 40 or 60 Level 7 credits and pass all the modules, you will be awarded a Postgraduate Certificate in Education (PGCE). All students completing a PGCE will also be recommended for QTS.

Visit the website: https://www.canterbury.ac.uk/study-here/courses/postgraduate/pgce-secondary-music.aspx

Course detail

The aims of the course are:
• to challenge assumptions about the nature of music and music education;
• to analyse the various theories and practices of music education through active learning;
• to place listening, composing and performing, in a wide range of styles and genres, at the centre of the student teacher’s learning experience;
• to experience working alongside teachers in music departments;
• to give access to the latest teaching and learning resources;
• to develop the student teacher as a reflective and enthusiastic practitioner;
• to develop skills which complement the student teacher’s existing expertise;
• to help student teachers develop a well principled philosophy of music education which they are able to use in the profession as the basis of their practice.

The course is organised in partnership with schools in Kent and beyond. We use the expertise of teachers in partnership schools and tutors in university sessions to develop the knowledge, skills and understanding required for teaching music to young people, across the full secondary age and ability range.

Suitability

The course is for people who want to become qualified teachers.

Content

All PGCE courses cover three main areas: Curriculum Studies, Professional Studies and Enhanced Studies. However, all learning on the course is designed to complement professional practice and the academic study will be informed by and inform practice.

PGCE students will be placed in two schools for a mixture of blocked time and serial (e.g. one day a week) time adding up to meet the current Government requirement for a minimum 120 days in school.

• Professional Studies
Professional Studies sessions aim to inform you about aspects of professional practice which are central to your work, whatever your subject, including how do we learn, how do we include all children, how is teaching a professional activity, how can education be organised and how can learning be assessed.

• Curriculum Studies
This module involves work in studying key concepts that underpin the various curricula and syllabi for your subject. The sessions allow discussion of different pedagogies and allow reflection on differing school approaches to the subject.

• Enhanced Studies
The module enables you to choose an area of personal interest to you to study this in more depth through a research project based in a school.

Format

Across the PGCE year there is an equivalent of 12 weeks of taught input which take place at university on the Canterbury Campus. The teaching on these days will be a mixture of seminar and workshop activity. There will also be a small number of lecture inputs.

Across the PGCE year there is the equivalent of 24 weeks spent in school. Student teachers will learn in a variety of ways in school, including from experienced mentors, through observing others and through experience. There is also a degree of individual support for learning offered in this course provided by mentors in school and the university tutors.

Tutors and mentors who lead the learning on this course are all qualified teachers.

Assessment

You will be assessed in two main ways­ via academic assignments and assessment of your teaching.

You will submit academic assignments for 20 credits in each curriculum, professional and enhanced studies modules. Each submission will include a written element, but you may also be assessed via presentations or practical performances as relevant to their chosen subject options.

What can I do next?

Upon successful completion of the programme students can teach in schools as qualified teachers.

How to apply

For information on how to apply, please follow this link: https://www.canterbury.ac.uk/study-here/how-to-apply/how-to-apply.aspx

Funding

-Masters Loans-

From 2016/17 government loans of up to £10,000 are available for postgraduate Masters study. The loans will be paid directly to students by the Student Loans Company and will be subject to both personal and course eligibility criteria.

For more information available here: https://www.canterbury.ac.uk/study-here/funding-your-degree/funding-your-postgraduate-degree.aspx

-2017/18 Entry Financial Support-

Information on alternative funding sources is available here: https://www.canterbury.ac.uk/study-here/funding-your-degree/2017-18-entry-financial-support.aspx

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The School of Music offers master of music degrees in the following areas. Choral conducting. Composition. Composition with an emphasis in arranging. Read more
The School of Music offers master of music degrees in the following areas:

Choral conducting
Composition
Composition with an emphasis in arranging
Musicology
Organ performance with an emphasis in church music
Performance (concentrations in piano, organ, organ with church music emphasis, voice and individual orchestral instruments)
Performance (woodwind option)
Piano accompanying
Theory
Wind conducting

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The MA Music is a taught postgraduate course for musicians interested in developing their music practice and increasing their profile as a professional artist. Read more
The MA Music is a taught postgraduate course for musicians interested in developing their music practice and increasing their profile as a professional artist.

The MA Music tests ways of taking existing practice in different directions and then carrying out projects in which this work is presented to the public. The course is a space to try out bold, new ideas and an opportunity to gain the real-world skills required by professional musicians.

Students on the course build a portfolio of music whilst developing skills of great use to a professional musician including project management, managing and archiving public events, self-promotion, and managing people and budgets. Creative work can be presented as part of Winter Sound, Future Sound and other events run by the music staff and students of UCLan but support is also given in seeking other opportunities to present music to a wider audience and in developing an online presence.

INDUSTRY LINKS

The course is taught by professional artists who are established leaders in their own field. The University has established good links with theatres and arts organisations across the North West including the New Continental in Preston, the Nuffield Theatre in Lancaster, hÅb in Manchester, the Blue Coat Gallery in Liverpool, and LANWest as well as other arts venues in the region. The School has in the past hosted a number of visiting artists and companies of national and international standing.

LEARNING ENVIRONMENT AND ASSESSMENT

All practical classes are delivered in the Media Factory which houses three fully equipped theatres as well as sound recording studios, film and photography studios and a range of music rehearsal rooms and seminar spaces. This building, as with the nearby university library, is available for use by students 24/7. Public events may also take place in St. Peters, a former church turned performance space, and the university’s PR1 Gallery. Lectures and seminars take place in purpose built suites which are equipped with digital projection facilities.

To facilitate access to the degree, students can opt to study in modes which are appropriate to their personal circumstance. Students may study three modules resulting in the award of PG Certificate, six modules with the award of PG Diploma or nine modules with the award of Master’s Degree. Each award can be studied in full or part-time modes. Study may be staged with students achieving the PG Cert or PG Dip and taking a study break before continuing with a higher award.

Full time study of PG Cert in Music will occur in Semesters 1 & 2; full-time study of PG Dip in Music will occur across Semesters 1, 2 and 3; full-time study of MA in Music will occur across Semesters 1, 2 and 3. Part-time study can be negotiated for each of the awards.

Assessment is continuous throughout and is based on a number of submissions including a music portfolio, public exhibitions/performances/installations, a seminar presentation and/or conference paper, and written essay work.

OPPORTUNITIES

The course supports students in obtaining public presentation opportunities to present their musical output. This has in the past led to performances and exhibitions locally, nationally and internationally.

Students can progress beyond the MA Music onto the DA in Creative Arts (equivalent to a PhD).

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The aim of the course is to train musicians in the art of choral conducting; to instruct them in diverse aspects of the history and practice of choral music… Read more
The aim of the course is to train musicians in the art of choral conducting; to instruct them in diverse aspects of the history and practice of choral music; to provide the technical skills required to work with historic repertoires and, for organists, to develop organ playing skills as both soloist and accompanist; to facilitate research into and performance of new or little-known choral repertoire; and to give students the experience of observing and working with the collegiate Chapel choirs.

See the website http://www.graduate.study.cam.ac.uk/courses/directory/mumummchs

Course detail

Graduates will be fully equipped to work as choral conductors, and have a good understanding of the discipline of choral training, relating both to adult and young voices. They will also have acquired a good knowledge of the way choral music works within the liturgy of the church and other historical and technical issues. Graduates will have developed their writing skills as well as their practical skills. They will also have developed specific skills by completing two of three optional tasks: the writing of an extended essay, the editing of early choral music, or a performance in the form of either an organ recital, or continuo performance on organ and harpsichord, or a choral recital conducted by the candidate.

Format

Regular choral conducting tuition in the form of small classes and workshops/masterclasses with choir; seminars; aural classes.

Written feedback is provided for all assessed work. Oral feedback is provided during and after coaching sessions and seminar presentations.

Placements

May be available with college choirs by agreement with the Course Director.

Assessment

- 2 essays (compulsory) - 3,500 words each
- 1 extended essay (optional) - 7,000 words
or
- editing project (optional) - typically the equivalent of a Renaissance mass, plus commentary and editorial notes of 1,000 words

- 1 choral conducting exam (compulsory) - 30 minutes
- 1 choral project, including recital (compulsory) - 25 minutes
- 1 keyboard exam; continuo or recital (optional) - 30 minutes

How to apply: http://www.graduate.study.cam.ac.uk/applying

Funding Opportunities

There are no specific funding opportunities advertised for this course. For information on more general funding opportunities, please follow the link below.

General Funding Opportunities http://www.graduate.study.cam.ac.uk/finance/funding

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Our MA in Music taught masters courses gives you time, facilities and authoritative guidance from academics and professional musicians to concentrate on your own musical interests. Read more
Our MA in Music taught masters courses gives you time, facilities and authoritative guidance from academics and professional musicians to concentrate on your own musical interests.

Course structure

The MA in Music is taught in Pathways, allowing you to focus your studies on your particular interests. Typically there are around six students working with a particular supervisor on a pathway, and during the year you will concentrate on your own specialist projects. There are no major pieces of work thrust upon you that do not respect the independent nature of your pursuits. Instead, you produce Guided Submissions for the first two terms and an Independent Submission during the summer term and summer vacation.

Choose a pathway

-Composition
-Conducting
-Contemporary Studies
-Electroacoustic Composition
-English Church Music
-Improvised Music and Jazz
-Musicology
-Music Psychology
-Performance Practice
-Piano Studies
-Solo voice ensemble singing

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The MA in Music by Research offers postgraduate opportunities to individuals who prefer to study independently rather than through classroom teaching, working under the close supervision of an expert in their field. Read more
The MA in Music by Research offers postgraduate opportunities to individuals who prefer to study independently rather than through classroom teaching, working under the close supervision of an expert in their field. This is a research degree, not a taught course programme, and applicants will need to have a clearly-focussed research proposal in their given area in order to be considered for admission to the research MA. Supervision and tutorial meetings are held on either a weekly or fortnightly basis throughout the academic year and by arrangement over the summer vacation. There is also an opportunity for all MA by Research students to interact with one another: the MA Research Forum. Meeting on Wednesday mornings, this is a discussion group that engages with common themes, such as issues of writing about music, while offering the opportunity for individual students to present aspects of their research topics to the larger group. Students are also encouraged to attend the weekly Research Seminar series (on Wednesday afternoons) where invited speakers, staff members and PhD students give presentations about their latest work, and there are opportunities to meet other postgraduate researchers.

Degree structure

The MA in Music by Research lasts one year for full-time study or two years for part-time study. Candidates may elect to apply to the MPhil/PhD programme subject to satisfactory completion of the MA by Research, though progression is not automatic. The submission of a final dissertation or portfolio of work is the product of a series of carefully-structured elements produced throughout the duration of the programme in conjunction with supervisory guidance.

Application process

Please include as part of your application a research proposal detailing your proposed topic and how you plan to investigate it. This should include a paragraph explaining the relevance of your research or professional experience to date and another explaining why you think your work has the potential to make a new contribution to your field of interest. In addition, please include a selective resource list (maximum length: one page) of significant items (e.g. scores, analyses, published texts such as articles, books and concert ephemera, internet and audio-visual resources, etc.) that you have consulted in exploring your topic and preparing your proposal.

The Department will assist you in matching your research interests to our supervisory expertise. Please note that acceptance into the MA by Research programme requires approval by your potential supervisor.

Research areas

-Analysis
-Contemporary Studies
-English Church Music
-Electroacoustic Composition
-Jazz and Improvised Music
-Professional Studies
-Instrumental and Vocal Pedagogy
-Opera Studies
-Performance Practice

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The flexible modular structure of our taught MA programme allows students to focus on a chosen area of specialism but simultaneously facilitates exploration of a wide range of research areas relating to music. Read more
The flexible modular structure of our taught MA programme allows students to focus on a chosen area of specialism but simultaneously facilitates exploration of a wide range of research areas relating to music. It will provide an excellent foundation for undertaking postgraduate research at doctoral level, but will also benefit the professional development of musicians intending to pursue careers in teaching, arts administration, broadcasting, and other domains.

Students on the Taught MA programme join a vibrant international postgraduate community and study with scholars, composers, and performers who have achieved international recognition in their fields. The Music Department has been ranked in the top three music departments nationally in the Research Excellence Framework 2014 and the Complete University Guide 2016.

The MA Music programme will normally facilitate study of the following areas of specialism:
-Musicology
-Ethnomusicology
-Composition (acoustic and electro-acoustic)
-Performance

In addition, other options typically available have included:
-British Music
-Indian Music
-Music, Mind, and Culture
-World Music Analysis
-Audiovisual Documentation and Analysis
-Choral conducting (with special focus on Anglican church music)

Programme structure

Students will choose modules from sections A, B, C, and D below:

A. Major project, weighted at 60 credits (a dissertation, a public recital, or a portfolio of compositions/orchestrations and arrangements – depending on your chosen area of specialism)

B. A 30-credit module linked to your chosen area of specialism

C. Two compulsory core 30-credit modules embedding research training and engaging with major intellectual issues attendant on all subject areas

D. An additional 30 credits of Music undergraduate modules/selected undergraduate OR postgraduate modules offered by another department OR another related specialism-specific module from list B, subject to approval of the Board of Studies in Music.

Example: MA with specialism in Musicology

A. A 12,000-word dissertation on a musicological topic weighted at 60 credits

B. 30-credit module ‘Contemporary Musicology’

C. Compulsory core 30-credit modules, ‘Core Research Seminars’ and ‘Research Methods and Resources’

D. 30 credits of Music undergraduate modules/selected undergraduate OR postgraduate modules offered by another department OR another related specialism-specific module from list B

Core Modules

-Research Methods and Resources
-Core Research Seminars

And The following specialism-specific modules will be offered every year:
-Contemporary Musicology
-Ethnomusicology in Practice and Theory
-Compositional Techniques
-Music Performance

Optional Modules

Optional modules in previous years have included:
-British Music
-Music Analysis
-Practice and Theory of Choral Conducting
-Advanced Organ Studies
-Electronic Music
-Orchestration and Arranging
-Indian Music
-World Music Analysis
-Music, Mind, and Culture
-Audiovisual Documentation and Analysis

Learning and Teaching

The programme is delivered through a mixture of seminars, practical sessions and one to one supervision. Seminars provide opportunities for students to discuss and debate particular issues, and to present their own original work, informed by the knowledge that they have gained through independent study outside the programme’s formal contact hours. Practical sessions in areas such as studio or field recording techniques help to prepare students for their own independent work.

All students must undertake an independent project (dissertation,composition portfolio, or performance), which is developed with the help of one-to-one expert supervision. Finally, optional modules can be drawn from the undergraduate and postgraduate programmes of Music or of other departments –these free-choice modules may involve other forms of staff-student contact, depending on the subject area. The Department actively promotes interdisciplinary approaches to the study of music and students are encouraged to engage with other disciplines in the humanities and sciences.

The contact hours experienced by each individual student will vary considerably, given a high degree of flexibility in the programme. Students will typically attend between 2 and 4 hours of seminars per week in term time, as well as additional practical sessions as appropriate. Individual supervision of dissertations, performance projects and composition portfolios amounts to an average of 6 hours spread over over the second and third terms.

Outside timetabled contact hours, students are also expected to attend research seminars, both student-led and those involving staff or guest academic speakers (typically 1-2 hrs each week). They must also undertake their own independent study to prepare for their classes and assessments, to broaden their subject knowledge and to prepare their dissertations or portfolios. Students are encouraged, as an integral part of their studies, to take advantage of other opportunities including participating in performance opportunities (including staff-led ensembles) and attending research and composition seminars, some of which are organised in conjunction with university research institutes.

There is a busy programme of musical performance, both within and outside the music department, which complements students’ academic programme by providing opportunities both to listen to and to perform a wide variety of music. The many musical ensembles to which students can contribute includes both independent societies (including orchestras, choirs, opera and musical theatre as well as a Javanese gamelan) and department-run ensembles such as the New Music Ensemble and Korean percussion group.

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The Postgraduate Diploma is a year-long programme of study. You will complete three projects, centring around your own musical interests (performance, composition, musicology, etc) with class teaching and authoritative guidance from academics and professional musicians and access to our excellent facilities. Read more
The Postgraduate Diploma is a year-long programme of study. You will complete three projects, centring around your own musical interests (performance, composition, musicology, etc) with class teaching and authoritative guidance from academics and professional musicians and access to our excellent facilities. The Diploma is available in the following pathways:
-Composition
-Conducting
-Contemporary Studies
-Electroacoustic Composition
-English Church Music
-Improvised Music and Jazz
-Musicology
-Music Psychology
-Performance Practice
-Piano Studies
-Solo voice ensemble singing

You will be taught alongside MA students, but the Postgraduate Diploma is a 120 credit degree rather than the 180 credits of an MA.

Course structure

Typically there are around six postgraduate students working with a particular supervisor on a pathway, and during the year you will concentrate on your own particular projects. There are no major pieces of work thrust upon you that do not respect the independent nature of your pursuits. Instead, you produce guided Projects for the first two terms and an Independent Project during the summer term and summer vacation.

Whilst your projects may be creative in nature, a postgraduate degree requires you to reflect critically and academically on your creative process. You’ll therefore also be studying for a module in Critical Reflection on Musical Practice as part of your Diploma.

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The Postgraduate Certificate is a year-long programme of study. You will complete two projects, centring around your own musical interests (performance, composition, musicology, etc) with class teaching and authoritative guidance from academics and professional musicians and access to our excellent facilities. Read more
The Postgraduate Certificate is a year-long programme of study. You will complete two projects, centring around your own musical interests (performance, composition, musicology, etc) with class teaching and authoritative guidance from academics and professional musicians and access to our excellent facilities. The Certificate is available in the following pathways:
-Composition
-Conducting
-Contemporary Studies
-Electroacoustic Composition
-English Church Music
-Improvised Music and Jazz
-Musicology
-Music Psychology
-Performance Practice
-Piano Studies
-Solo voice ensemble singing

You will be taught alongside MA students, but the Postgraduate Certificate is a 60 credit degree rather than the 180 credits of an MA.

Course structure

Typically there are around six postgraduate students working with a particular supervisor on a pathway, and during the year you will concentrate on your own particular projects. There are no major pieces of work thrust upon you that do not respect the independent nature of your pursuits. Instead, you will produce two guided projects during the year.

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The MRes in Humanities offers students the opportunity to produce a substantial piece of independent research and writing, and to undertake wide-ranging, systematic training in research skills and project management. Read more

Overview

The MRes in Humanities offers students the opportunity to produce a substantial piece of independent research and writing, and to undertake wide-ranging, systematic training in research skills and project management. Students will write a dissertation in a specific field or prepare a portfolio of compositions, recital or a media project with a named supervisor.

Supervision is available in all disciplines where the School has expertise:
- American Studies
- English
- History
- Media, Communications and Culture
- Music and Music Technology
- Philosophy
- Russian

You will be able to develop your research topic within the context of current debates and methodologies in relevant disciplines and within the humanities generally. The course will develop practical, critical and analytical research skills that can be deployed in a variety of professional and intellectual contexts. The programme is tailored to your research and career plans, and we recommend that you contact us before making a formal application.

The MRes degree is intended for applicants who already have a clear dissertation project (or equivalent, e.g. composition portfolio, performance or software development plan). In liaison with the supervisor and discipline lead, a plan of work in semester 1 and 2 is agreed and serves as preparation for the project as well as assessed work in its own right. When you submit your online application, please use your personal statement to describe the dissertation (or equivalent) project you intend to carry out (500-700 words). Include specific research questions and aims. What does the project intend to elucidate? Is any hypothesis proposed? How will the research be carried out (i.e. methodology)?

See the website https://www.keele.ac.uk/pgtcourses/humanitiesmres/

History

The MRes in History introduces students to, and further develops their knowledge of methodological debates within the discipline of history, critical developments in the historiography, and most especially allows students to undertake a substantial piece of personal research under the supervision of an acknowledged expert. Supervision is offered in a wide range of topics, reflecting the expertise of scholars in History in more distant times and cultures, periods of revolutionary change and more recent themes including: Medieval church history and the crusades; Religion, print culture, gender in the Early modern era; the English civil war; the politics of Revolutionary France 1789-1871; modern Irish history; Eastern European Jewry; German occupation policy; Colonial and post-colonial India; the history of African Christianity; Local history, especially of the North Midlands from medieval to recent times; Genocide, political violence and terrorism; Gender and women's history; and the Social history of medicine.

The 2009 and 2010 groups include students working on district medical officers in Poor Law Unions and workhouses in North Staffordshire, the Isle of Man in the early middle ages, women murderers, the English crusaders, the creation of an independent Zambia, Polish holocaust trauma, and the Ukrainian famine.

Course Aims

To enable students to research and write an extended dissertation, whilst developing practical, critical and analytical research skills that can be deployed in a variety of professional and intellectual contexts. Students will develop an understanding of the place of a specific research topic within current debates and methodologies in relevant disciplines, and within the humanities generally. The course will promote the ‘project management skills’ of defining and planning a project, meeting deadlines, and recording and reflecting on outcomes.

Course Content

Students follow a tailor-made programme, comprising three components totalling at least 180 credits.
- A 20,000 word dissertation (or equivalent composition or artistic production) is at the heart of the programme (90 credits).

- Research Training covering research skills and reflective practice in the humanities (2 x 15 = 30 credits).

- Research methods in the field relevant to the thesis topic (30 credits)

- Individual Research Orientation: a module tailored to the needs of the student (30 credits).

Teaching & Assessment

Assessment is by coursework, culminating in the 20,000 word dissertation (or the equivalent composition or artistic production). Research Training is assessed by a portfolio consisting of an annotated bibliography, a project outline and a reflective diary. Each of the other modules will be examined through a 4,000-5,000 word essay or approved equivalent.

The pass mark is 50%. A merit will be awarded where students obtain 60% or over for the dissertation (or equivalent project or performance) and an average of 60% on their other coursework. A distinction will be awarded where students obtain 70% or over for the dissertation, (or equivalent project or performance) and an average of 70% in their other coursework.

Additional Costs

Apart from additional costs for text books, inter-library loans and potential overdue library fines we do not anticipate any additional costs for this post graduate programme.

Discretionary Award:
A sum of £6,250 has been made available to students enrolling on taught postgraduate course in History by a former member of Keele staff. The money will be distributed at the discretion of the relevant programme director(s) and is available to students entering the programme in 2015 and/or 2016. No application is required.

Find information on Scholarships here - http://www.keele.ac.uk/studentfunding/bursariesscholarships/

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A one-year, London-based MA programme of ten evening seminars and individual research led by Professor Roger Scruton. Read more

Course information

A one-year, London-based MA programme of ten evening seminars and individual research led by Professor Roger Scruton. Offering examples of contemporary thinking and including lectures by internationally acclaimed philosophers, the purpose of this programme to give an overall survey of Philosophy and topics that are central to the interaction of philosophy and life.

Each seminar takes place in central London and is followed by a dinner during which participants can engage in discussion with the speaker. The topics to be considered include consciousness, emotion, justice, art, God, love and the environment.

Examination will be by a research dissertation on an approved philosophical topic chosen by the student, of around 20,000 words. Guidance and personal supervision will be provided.

Find out more about our School of Humanities on http://www.buckingham.ac.uk/humanities.

The Course Director

The course is led by the renowned philosopher, Professor Roger Scruton, FBA, FRSL.

Professor Scruton is a Fellow of the Humanities Research Institute and Course Director of the MA in Philosophy. He is a writer, philosopher and public commentator, specialising in aesthetics with particular attention to music and architecture.

He engages in contemporary political and cultural debates from the standpoint of a conservative thinker and is well known as a powerful polemicist. He has written widely in the press on political and cultural issues. His involvement in the establishment of underground universities and academic networks in Soviet-controlled Central Europe during the Cold War, has seen him win a number of awards.

He is a fellow of the Royal Society of Literature and a fellow of the British Academy.

Professor Scruton is the author of over thirty books, including The Soul of the World (2014), Notes from Underground (2014), How to Be a Conservative (2014), Our Church (2012), How to Think Seriously about the Planet: The Case for an Environmental Conservatism (2012), Beauty (2009),The Aesthetics of Music (1997), The Philosopher on Dover Beach (1990), Sexual Desire (1986), The Meaning of Conservatism (1980) and Art and Imagination (1974).

Associate Students

Others wishing to attend the seminars, but not intending to take the MA degree, may join the course as Associate Students at a reduced fee.

Apply here http://www.buckingham.ac.uk/humanities/ma/philosophy.

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