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This is the only programme of its kind in the UK, giving you high-level skills and training across the rapidly developing area of carbon capture and storage (CCS). Read more

Programme description

This is the only programme of its kind in the UK, giving you high-level skills and training across the rapidly developing area of carbon capture and storage (CCS).

Global energy demands are still rising, and fossil fuels remain central to meeting those demands in the medium term. CCS is a recognised solution to reducing CO2 emissions until fossil fuels are entirely replaced by renewable energy technologies.

With commercial trials under way, countries and industries are investing in this new technology. In the UK, all existing power stations must have a full-scale retrofit of CCS within five years of the technology being independently judged as technically and commercially proven.

This MSc draws on our world-class interdisciplinary academic research and the insights we have gained from projects involving our industrial stakeholders.

This programme is affiliated with the University's Global Environment & Society Academy.

Programme structure

The MSc has two semesters of lectures and practical classes, followed by a research dissertation of up to 15,000 words. The programme includes industry guest lectures as well as opportunities for fieldwork and industry site visits to a range of locations.

Designed for graduates of engineering or geoscience-related subjects, the programme provides high-level skills and training in the entire value chain of CCS, including combustion, transport, geoscience and legal aspects.

Compulsory courses typically include*:
•Carbon Economics
•Carbon Capture and Transport
•Hydrocarbons (compulsory for students without a geoscience background)
•Carbon Storage and Monitoring
•Dissertation
•Geology for Earth Resources (compulsory for students without a geoscience background)

Option courses:

In consultation with the Programme Director, you will choose from a range of option courses*. We particularly recommend:
•Fundamentals for Remote Sensing
•Novel Strategies for Carbon Storage in Soil
•SeismicReflection Interpretation
•Energy & Society
•Geology for Earth Resources
•Principles of Geographical Information Science
•Spatial Modelling
•Understanding Environment and Development
•Climate Change and Corporate Strategy
•Energy Policy and Politics
•Hydrocarbon Reservoir Quality
•Introduction to Radar Remote Sensing
•Political Ecology
•Separation Processes For Carbon Capture
•Technology and Innovation Management

*Please note that courses are offered subject to timetabling and availability and are subject to change each year.

Career opportunities

Graduates can enter into all manner of jobs due to the transferable and highly desirable nature of the skills gained. However, typically our graduates pursue careers in business, industry, government and non-governmental organisations in the field of low-carbon energy production.

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Our Energy programmes allow you to specialise in areas such as bio-energy, novel geo-energy, sustainable power, fuel cell and hydrogen technologies, power electronics, drives and machines, and the sustainable development and use of key resources. Read more

Course Overview

Our Energy programmes allow you to specialise in areas such as bio-energy, novel geo-energy, sustainable power, fuel cell and hydrogen technologies, power electronics, drives and machines, and the sustainable development and use of key resources.

Research Areas

Bio-energy:
Our research spans the whole supply chain: growing novel feedstocks (various biomass crops, algae etc); processing feedstocks in novel ways; converting feedstocks into fuels and chemical feedstocks; developing new engines to use the products.
Cockle Park Farm has an innovative anaerobic digestion facility. Work at the farm will develop, integrate and exploit technologies associated with the generation and efficient utilisation of renewable energy from land-based resources, including biomass, biofuel and agricultural residues.
We also develop novel technologies for gasification and pyrolysis. This large multidisciplinary project brings together expertise in agronomy, land use and social science with process technologists and engineers and is complemented by molecular studies on the biology of non-edible oilseeds as sources for production of biodiesel.

Novel geo-energy:
New ways of obtaining clean energy from the geosphere is a vital area of research, particularly given current concerns over the limited remaining resources of fossil fuels.
Newcastle University has been awarded a Queen's Anniversary Prize for Higher Education for its world-renowned Hydrogeochemical Engineering Research and Outreach (HERO) programme. Building on this record of excellence, the Sir Joseph Swan Centre for Energy Research seeks to place the North East at the forefront of research in ground-source heat pump systems, and other larger-scale sources of essentially carbon-free geothermal energy, and developing more responsible modes of fossil fuel use.
Our fossil fuel research encompasses both the use of a novel microbial process, recently patented by Newcastle University, to convert heavy oil (and, by extension, coal) to methane, and the coupling of carbon capture and storage (CCS) to underground coal gasification (UCG) using directionally drilled boreholes. This hybrid technology (UCG-CCS) is exceptionally well suited to early development in the North East, which still has 75% of its total coal resources in place.

Sustainable power:
We undertake fundamental and applied research into various aspects of power generation and energy systems, including: the application of alternative fuels such as hydrogen and biofuels to engines and dual fuel engines; domestic combined heat and power (CHP) and combined cooling, heating and power (trigeneration) systems using waste vegetable oil and/or raw inedible oils; biowaste methanisation; biomass and biowaste combustion, gasification; biomass co-combustion with coal in thermal power plants; CO2 capture and storage for thermal power systems; trigeneration with novel energy storage systems (including the storage of electrical energy, heat and cooling energy); engine and power plant emissions monitoring and reduction technology; novel engine configurations such as free-piston engines and the reciprocating Joule cycle engine

Fuel cell and hydrogen technologies:
We are recognised as world leaders in hydrogen storage research. Our work covers the entire range of fuel cell technologies, from high-temperature hydrogen cells to low-temperature microbial fuel cells, and addresses some of the complex challenges which are slowing the uptake and impact of fuel cell technology.
Key areas of research include: biomineralisation; liquid organic hydrides; adsorption onto solid phase, nano-porous metallo-carbon complexes

Sustainable development and use of key resources:
Our research in this area has resulted in the development and commercialisation of novel gasifier technology for hydrogen production and subsequent energy generation.
We have developed ways to produce alternative fuels, in particular a novel biodiesel pilot plant that has attracted an Institution of Chemical Engineers (IChemE) AspenTech Innovative Business Practice Award.
Major funding has been awarded for the development of fuel cells for commercial application and this has led to both patent activity and highly-cited research. Newcastle is a key member of the SUPERGEN Fuel Cell Consortium. Significant developments have been made in fuel cell modelling, membrane technology, anode development and catalyst and fuel cell performance improvements.

Training and Skills

As a research student you will receive a tailored package of academic and support elements to ensure you maximise your research and future career. The academic information is in the programme profile and you will be supported by our Postgraduate Researcher Development Programme, doctoral training centres and Research Student Support Team.

For further information see http://www.ncl.ac.uk/postgraduate/courses/degrees/energy-mphil-phd/#training&skills

How to apply

For course application information see http://www.ncl.ac.uk/postgraduate/courses/degrees/energy-mphil-phd/#howtoapply

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On this programme we interrupt theory with practice, and practice with theory – we aim to engage you, intellectually and critically, and with enthusiasm, in a cultural studies project that questions everything - http://www.gold.ac.uk/pg/mphil-phd-cultural-studies/. Read more
On this programme we interrupt theory with practice, and practice with theory – we aim to engage you, intellectually and critically, and with enthusiasm, in a cultural studies project that questions everything - http://www.gold.ac.uk/pg/mphil-phd-cultural-studies/

The MPhil/PhD programme offers an interdisciplinary approach to the study of culture. We'll introduce you to a wide variety of perspectives and traditions, animated via a creative interface between disciplines.

You'll develop a fundamental grounding in social and cultural theory, cultural studies and cultural research, as well as skills in ethnography, digital media, textual and audio-visual analysis.

The programme encourages you to deploy these methods to articulate your appreciation of crucial debates in the public domains of the media, the culture industries, formal and informal institutions, and in the wider contemporary cultural scene.

Many students write text-based theses, but approximately one third of our candidates produce theses that incorporate practical work in media and/or arts.

Contact the department

If you have specific questions about the degree, contact Luciana Parisi.

Structure

Registration and study

Initially, you register for a Master of Philosophy (MPhil) programme to train you in the research methods you will need to complete a PhD.

You can apply to upgrade to PhD registration when you have satisfactorily completed an agreed part of the research and training programme; this usually happens after 18 months if you are studying full-time, or 24 months if part-time.

You should aim to complete and submit your PhD thesis within an agreed period, usually three to four years for full-time students, and four to six years for part-time.

If you decide not to upgrade to PhD registration, you can submit your thesis for an MPhil after two years if you are studying full-time, or after three years if part-time.

With the agreement of your supervisor, you can change your registration from full to part-time or vice versa; the necessary form is available from the Student Records Office.

North American applicants especially should note that the British system does not include preparatory taught classes or examinations as part of the MPhil/PhD programme, except for an initial module in research methods.

Research supervision

Research students are normally co-supervised by one staff member from the centre and a staff member from the academic department whose expertise is best suited to your needs.

Often one supervisor will see you for a term or two and then the other co-supervisor will take over for an extended period, depending on the sort of work you are undertaking at the particular point in time.

Some students are single-supervised by a member of the Centre's staff. In cases of co-supervision, you will normally meet with one co-supervisor at a time.

You'll be able to draw on wide-ranging and interdisciplinary supervisory teams and if your thesis is partly by other media, specialist supervision will be provided. For example:

-A student of consumer culture might be supervised by a media studies analyst of material culture and a specialist in digital design
-A student investigating postcolonial cultural forms could be supervised by an art/architectural historian and an anthropologist versed in hybrid cultures in Brazil or India
-A student inquiring into performativity may have one supervisor who is an expert in theatre studies and another who is an expert in the sociology of the body
-An inquiry into the sources of European identity could be supervised by specialists in the history of English and European literatures
-A thesis presented through multimedia installation could be co-supervised by a practitioner from the Department of Art

Research topics are wide ranging; from the historical and comparative study of literature, art and architecture to the future of digital media and the informational city; from border cultures in Malaysia, Mexico or South London to the future of the self-organizing city; from philosophical considerations of Heidegger's idea of Technik, to empirical studies of new forms of work in the information society.

Research training

A College-wide programme of research training is provided, which involves an induction module (which all students should attend), introduction to information technologies and the use of library and bibliographic resources, basic training in qualitative and quantitative research methods, and sessions on research planning, presentation skills and ethics.

Assessment

Written thesis and viva voce. It is possible to submit work in other media, by arrangement.

Department

In the Centre for Cultural Studies (CCS) we’re dedicated to theoretical and practical explorations in contemporary culture

We specialise in the study and design of culture: media technologies, software, art, urban space, and interventions in global geo-politics, for example. We engage at the same time in serious theoretical enquiry.

As a student in CCS you can benefit from our extensive events programme, which includes regular talks, workshops and film screenings. We also work closely with the Media, Sociology and Art departments at Goldsmiths, all of which have world-leading reputations.

Skills & Careers

Throughout the research degree you will develop skills in ethnography and cultural research, and be able to deploy these to articulate your appreciation of crucial debates in the public domains of the media, the culture industries, formal and informal institutions and in the wider contemporary cultural scene.

How to apply

Before you apply for a research programme, we advise you to get in touch with the programme contact, listed above. It may also be possible to arrange an advisory meeting.

Before you start at Goldsmiths, the actual topic of your research has to be agreed with your proposed supervisor, who will be a member of staff active in your general field of research. The choice of topic may be influenced by the current research in the department or the requirements of an external funding body.

If you wish to study on a part-time basis, you should also indicate how many hours a week you intend to devote to research, whether this will be at evenings or weekends, and for how many hours each day.

Research proposals

Along with your application and academic reference, you should also upload a research proposal at the point of application.

This should be in the form of a statement of the proposed area of research and should include:

delineation of the research topic
why it has been chosen
an initial hypothesis (if applicable)
a brief list of major secondary sources

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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GRADUATES OF THE MFA PROGRAM IN TRANSPORTATION DESIGN WILL BE INNOVATORS, IN AUTOMOTIVE DESIGN AND ALL ASPECTS OF MOBILITY, ALWAYS WITH AN EYE TOWARD THE FUTURE. Read more
GRADUATES OF THE MFA PROGRAM IN TRANSPORTATION DESIGN WILL BE INNOVATORS, IN AUTOMOTIVE DESIGN AND ALL ASPECTS OF MOBILITY, ALWAYS WITH AN EYE TOWARD THE FUTURE

Building on your art and creativity, the College’s MFA program in Transportation Design will bring you together with other bright, forward-thinking students from design and engineering disciplines who want to delve into the invention and entrepreneurial aspects of transportation design.

In this program, you will take on the role of “designer as inventor,” and learn how to integrate innovation with real-world business strategy, including business practices, research, brand identity, vehicle architecture and mobility as a system. The curriculum will lead you through a complete design process – extensive research, sketching and 3D rendering, animation, core competencies analysis and more – and will include special projects that explore innovation through forms and materials, functionality and engineering. It’s a unique approach that will teach you how to combine creativity and research with business realities to create new brand value.

Studying at CCS will put you at the very center of transportation design. In the College’s studios and labs – housed in the same building where Harley Earl, the first modern automotive designer, and other renowned researchers and designers pioneered groundbreaking vehicles – an automotive executive or other industry leader is very likely to stop in to engage informally with students. The College’s alumni are designers at every major car manufacturer and nearly all the Tier 1 auto suppliers, at racing and defense companies like Pratt & Miller, and consulting in firms as far away as Vietnam and Abu Dhabi. You will participate in design competitions, internships and sponsored projects from the Big 3 and Tier 1 and 2 suppliers. With these exceptional networking advantages, CCS is the ideal place to develop the knowledge, skills and entrepreneurial outlook that will enable you to influence the future of transportation.

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The programme is designed for students who wish to take up the challenge of contemporary curating as an artistic, social and critical undertaking, and who wish to develop their professional practice in this area. Read more
The programme is designed for students who wish to take up the challenge of contemporary curating as an artistic, social and critical undertaking, and who wish to develop their professional practice in this area. http://www.gold.ac.uk/pg/mfa-curating/

This two-part programme is designed to develop professional and academic excellence in the field of contemporary curatorial practice. It's aimed at curators and those with related academic and practical experience who wish to achieve professional excellence in their practice, to innovate in the expanding field of curatorial practice.

MFA Curating at Goldsmiths focuses in-depth on aesthetic, social, political and philosophical questions that are brought to bear in any place or at any event in which contemporary art is situated.

The programme is designed to provide a practice-led research context for students at any stage of their professional practice.

It also enables you to experiment and innovate in the expanded field of curatorial pedagogy, to collaborate on an interdisciplinary basis and extend your and other students' knowledge through this process.

Goldsmiths' MFA Curating programme is recognised worldwide for producing highly qualified curators and other arts professionals.

Our graduates find employment in top international museums, commercial galleries, auction houses, magazines, alternative spaces and not-for-profit organisations. Others choose employment as artist’s studio managers; arts education programmers; museum public talks and events organisers; gallery archivists and registrars.

Recent speakers

Recent speakers have included: Iwona Blazwick OBE, Whitechapel Gallery, London; Francesco Bonami, MCA Chicago; Carolyn Christov-Bakargiev, 14th Istanbul Biennial; Julia Bryan-Wilson, University of California at Berkeley; Céline Condorelli, artist and co-founder of Eastside Projects, Birmingham; Diedrich Diedrichsen, Academy of Fine Arts, Vienna; Alex Farquharson, Nottingham Contemporary; Ryan Gander, artist; Mark Godfrey, Tate Modern, London; Boris Groys, Center for Art and Media Technology, Karlsruhe; Matthew Higgs, White Columns, New York; Jens Hoffman, Jewish Museum, New York; Laura Hoptman, MoMA, New York; Anthony Huberman, CCA Wattis Institute, San Francisco; James Lingwood, Artangel, London; Gregor Muir, ICA, London; Paul O’Neill, CCS Bard College, New York; Scott Rothkopf, Whitney Museum of American Art, New York; Adrian Searle, The Guardian; Polly Staple, Chisenhale Gallery, London.

Recent Visiting Tutors

Chris Evans, artist; Lisa La Feuvre, Henry Moore Institute; Goldin+Senneby, Stockholm-based artists; Luis Jacob, Toronto-based artist; Tom Morton, frieze magazine; Paul O Neill, critic and curator; Sally O'Reilly, independent critic and curator; Mike Sperlinger, Lux; Rob Tuffnell, 83 Page Street; Alex Sainsbury, Raven Row; Lucy Byatt, Contemporary Art Society; Gavin Wade, Eastside Projects; Lydia Yee, Barbican Art Gallery; Form/Content

Work experience

The Tate Modern annually offers two hands-on internships to Goldsmiths MFA Curating students, who are given the opportunity to work directly on an exhibition matched to the students' interests. Accepted Goldsmiths curating students are given details on how to apply for a Tate Modern internship prior to starting the school year.

Other institutions with which the Goldsmiths MFA Curating programme has collaborated on real-life curatorial projects include 176/Zabludowicz Collection, London; Form/Content, London; ICA/Fourth Plinth Project, London, and more.

Each year, part 1 Goldsmiths curating students are invited to pitch an exhibition proposal to the Government Art Collection, using works from this important national collection as the basis for a contemporary art exhibition. The successful projects are realised during the final year.

Guest Research Student

If you are an international student and would like to study a 'tailor-made' programme (for up to a year), you may be interested in applying as a Guest Research Student.

Contact the department
If you have specific questions about the degree, contact Helena Reckitt.

Modules & Structure

In Year One, you're introduced to a series of curatorial concepts and practices through group analysis and guided research. There are also group seminars that look into significant ideas in philosophy and cultural theory to help you think broadly about your own practice

In Year Two, intensive workshops look in depth at a set of artistic and cultural themes chosen by the students. In Year Two you further develop independent curatorial research and practice, working either on your own ideas or with a London-based gallery or institution. The summer term of Year One acts as a transition to Year Two.

Government Art Collection

Each year, part 1 Goldsmiths curating students are invited to pitch an exhibition proposal to the Government Art Collection, using works from this important national collection as the basis for a contemporary art exhibition. The successful projects are realised during the final year.

Skills
Independent research and practice; public presentation; oral and written communication; project development; exhibition administration; concept development; collaboration; intellectual analysis; catalogue, essay and review writing; research organisation and presentation.

Careers

Graudates from the MFA in Curating go on to work in galleries and museums; as managers and directors in commercial galleries; independent curators; cultural policy makers, teachers and academics; writers and critics.

Recent employers of our MFA Curating students and graduates include:

Public sector

Tate Britain, London
Tate Modern, London
Guggenheim Museum, New York
Documenta, Kassel
Venice Biennale
Athens Biennial
Sydney Biennale
Portikus, Frankfurt
Witte de With, Rotterdam
FRAC Lorraine
Hayward Gallery, London
Hayward Touring Exhibitions, London
Museo d’Arte Moderna, Bologna
Modern Art Oxford
London Olympic Park (art sector)
Artists Space, New York
Henry Moore Institute, Leeds
Art on the Underground, London
Art Space, Auckland, New Zealand
Austrian Cultural Foundation. London
Romanian Cultural Institute, London
Spike Island, Bristol
Nottingham Contemporary, Nottingham

Private sector

176 Gallery, Zabludowicz Collection, London
Bloomberg Space, London
Christie’s, Amsterdam
Deitch Projects, New York
Deste Foundation, Athens
Frith Street Gallery, London
Haunch of Venison, Berlin
Kadist Art Foundation, Paris
Kate MacGarry Gallery, London
Kurimanzutto, Mexico City
Lisson Gallery, London
Matt’s Gallery, London
David Roberts Collection, London
White Cube Gallery, London
Vienna Art Fair, Vienna

Publications

Artforum, New York
Frieze, London
Flash Art International, Milan

Some of our graduates have founded their own projects and galleries, among these:

Lu Jie, Founder and Director, Long March Space, Beijing (number 95 in Art Review Power 100 List 2009)
Sarah Wang, Founding Director of the Creative Intelligence Agency, London
Zhang Wei, Founder and Director, Vitamin Creative Space, Guangzhou

Other entry requirements

Work experience is absolutely essential to demonstrate that you have a clear sense of current trends and activities in contemporary art. This should be demonstrated through your experience, and expanded upon in your personal statement.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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The course addresses lawyers, legal practicioners and economists who want to gain in-depth, special knowledge in the field of international and European energy law. Read more
The course addresses lawyers, legal practicioners and economists who want to gain in-depth, special knowledge in the field of international and European energy law. Students will become acquainted with the technical and economic foundations of the energy markets as well as with all legal topics relevant for the whole value chain in the energy sector. The curriculum comprises of competition law, regulatory law and economic fundamentals among others.

Lectures come from the international community (Germany, USA, Switzerland, Belgium, Norway, Russia) and are experts from universities, European and national authorities, international and national energy companies, major law firms, and courts. To name a few, technical universities, the European Commission, the German regulatory authority BNetzA.

The course is also supported by the Institute for Energy and Regulatory Law Berlin (enreg.eu) and benefits from experts‘ knowledge of the European and German energy sector which is the largest one in Europe. The academic director is Professor Dr. iur. Dr. rer. pol. Dres. h.c. Franz Jürgen Säcker who is the editor and author of leading publications in the field of energy law.

Course Structure
The first Semester is dedicated to the fundamentals of energy Regulation. The technical and economic characteristics of the electricity and gas sector will be taught. Students will become acquainted with the technical and economic fundamentals to follow the second semester.
In the second semester, energy law will be taught. This includes the legal framework relevant for the building and the operation of plants generating electricity from fossil and from renewable sources, for the operation of grids as well as for the supply of energy. In the second semester furthermore negotiation strategies will be taught. The theoretical knowledge will be supplemented by excursions, e.g. to a power plant, a CCS-plant and to the EEX which is largest electricity stock exchange in Continental-Europe.

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GRADUATES OF THE INTERACTION DESIGN PROGRAM WILL CREATE RICHLY INTERACTIVE PRODUCTS AND SERVICES THAT ENHANCE MEANING AND EXPAND POSSIBILITIES IN PEOPLE’S DAILY LIVES. Read more
GRADUATES OF THE INTERACTION DESIGN PROGRAM WILL CREATE RICHLY INTERACTIVE PRODUCTS AND SERVICES THAT ENHANCE MEANING AND EXPAND POSSIBILITIES IN PEOPLE’S DAILY LIVES

Interaction Design brings together students of design, art and technology who have a strong portfolio in concepts, work process, aesthetic execution and passion for serving human needs through interactive experiences.

Your studies at CCS will be grounded in human-centered design practices that will prepare you for the changing nature of work and collaboration in the 21st century. Through the College’s unique curriculum, you will develop deep systems literacy – a timeless framework for understanding rapidly changing technology platforms and economic, market and social challenges. You will become adept with models of interaction and conversation that sharpen your insights and enable you to increase choice for all of your users. You will learn how value creation has evolved in today’s networked, information-driven global economy and how to innovate through design.

Upon graduation, you will be qualified to work inside of tech companies and design firms, from established players to startups. You will know how to design websites and apps for the delight of the experience and effectiveness in achieving users’ goals. You might design a professional online network for consultants who want to work together flexibly, and enhance their skills and reputations along the way. You might prototype a mobile app for small businesses that need real-time alerts and coordinated schedules to keep productivity high and costs low. Or you might invent entirely new experiences for sharing rides in a self-driving car.

The College’s unique program balances research, systems modeling and making, teaching you how to step beyond the limits of today’s technology and market demands to shape desired futures through design. For your career, you can choose where you want to contribute: from designing products to coding prototypes to running product strategy or a combination. You will have the skills to persuade and influence your co-workers, who will be experts in technology, marketing and business, by understanding their language and working as their peer. You will have an appreciation for the challenges of innovation and for what is required to start your own enterprise.

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