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Develop your individual, professional performance skills based on up-to-date practices and techniques of performing or presenting in front of a camera, in situations including fictional drama and factual programming. Read more

Course Summary

Develop your individual, professional performance skills based on up-to-date practices and techniques of performing or presenting in front of a camera, in situations including fictional drama and factual programming.

The course is designed for those with or without experience in acting and public speaking (eg actors, presenters, reporters, political figures, spokespersons and others), and you can tailor your studies around your individual needs through practice based research.

Your performance before the camera is an integral part of your research method and will enable you to produce your own professional show-reel.

Strong professional links embedded within the course provide opportunities to build professional contacts and experience from participation in master-classes run by experts working within television, film and other media/ professional industries.

Choose Performing Before the Camera PgCert at Bedfordshire and:

- Study on a course built around the requirements and demands of appearing before the camera in a professional capacity - constantly updated to reflect new developments and changes in professional and technical practices
- Explore a curriculum that anticipates the needs of the industry and opens up numerous career opportunities for postgraduates pursuing a professional career in acting and presenting for television, or film, or the internet
- Develop an understanding of professional procedures, requirements and challenges along with your ability to perform before the camera
- Gain experience of operating our recording and editing facilities to support your progressive development, archiving and final presentation of your show-reel
- Benefit from a course ideal for those pursuing careers in screen acting, presenting, journalism, politics and business who, in the course of their, work are frequently called upon to appear and present themselves and their ideas before a camera.

Why choose this course?

This course will help you perform of a professional standard before the camera. You will develop your individual performance skills based on up-to-date practices and techniques of working before the camera.

Career Management Skills

The content and structure of the course is built around the requirements and demands of appearing before the camera in a professional capacity. The content is constantly updated to reflect new developments and changes in professional and technical practices.

Visits and talks with those currently working successfully within the industry enable you to network and to develop an understanding of professional procedures, requirements and challenges.

You will develop the ability to perform before the camera in related to your future career path genres and monitor, as well as enhance your progression from documenting your practice in seminars, masterclasses and tutorials. You will also develop skills in researching and evaluating, as well as in critical thinking in diverse performance to camera related situations, enhancing your ability to take an enquiring and critical viewpoint on the material you encounter.

On this journey, you will be encouraged to become self-aware, critical reflective practitioner, through a series of teaching methods and assessments which will instil an autonomous approach to learning, expected at Masters level (see the University of Bedfordshire level M learner descriptors).

Career/Further study opportunities

The course opens up numerous career opportunities for postgraduates pursuing a professional career in acting and presenting for television, or film, or the Internet. It would also benefit those pursing careers in journalism, politics, and business who in the course of their work are frequently called upon to appear and present themselves and their ideas before a camera.

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Develop your individual, professional performance skills based on up-to-date practices and techniques of performing or presenting in front of a camera, in situations including fictional drama and factual programming. Read more
Develop your individual, professional performance skills based on up-to-date practices and techniques of performing or presenting in front of a camera, in situations including fictional drama and factual programming.

The course is designed for those with or without experience in acting and public speaking (eg actors, presenters, reporters, political figures, spokespersons and others), and you can tailor your studies around your individual needs through practice based research.

Your performance before the camera is an integral part of your research method and will enable you to produce your own professional show-reel.

Strong professional links embedded within the course provide opportunities to build professional contacts and experience from participation in master-classes run by experts working within television, film and other media/ professional industries.

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/performing-before-the-camera

Course detail

• Study on a course built around the requirements and demands of appearing before the camera in a professional capacity - constantly updated to reflect new developments and changes in professional and technical practices
• Explore a curriculum that anticipates the needs of the industry and opens up numerous career opportunities for postgraduates pursuing a professional career in acting and presenting for television, or film, or the internet
• Develop an understanding of professional procedures, requirements and challenges along with your ability to perform before the camera
• Gain experience of operating our recording and editing facilities to support your progressive development, archiving and final presentation of your show-reel
• Benefit from a course ideal for those pursuing careers in screen acting, presenting, journalism, politics and business who, in the course of their, work are frequently called upon to appear and present themselves and their ideas before a camera.

Modules

• Working before the Camera
• Practice-based Research Methods for Performance to Camera

Assessment

Throughout the course you will be encouraged to integrate assessment and the feedback from that assessment into your practice and critically evaluate your methodology and techniques, be it through your seminars, peer or self-assessed work to progress and develop your approach and value of your work.

You will develop professional practice through the presentation of your work to camera, working within tight schedules and having to deliver on time.

Assessment is primarily performance based, but you must also submit a written diary/report to demonstrate your research inquiry, plan, documentation of and ability to analyse your performance processes. For your assessment you will produce an individual performance show-reel in a specified genre (i.e. interview, acting or presenting).

Careers

The content and structure of the course is built around the requirements and demands of appearing before the camera in a professional capacity. The content is constantly updated to reflect new developments and changes in professional and technical practices.

Visits and talks with those currently working successfully within the industry enable you to network and to develop an understanding of professional procedures, requirements and challenges.

You will develop the ability to perform before the camera in related to your future career path genres and monitor, as well as enhance your progression from documenting your practice in seminars, masterclasses and tutorials.

You will also develop skills in researching and evaluating, as well as in critical thinking in diverse performance to camera related situations, enhancing your ability to take an enquiring and critical viewpoint on the material you encounter.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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This new diploma course is designed to thoroughly equip students with the skills required to foster a successful future career as a Film or Television 1st or 2nd AC. Read more
This new diploma course is designed to thoroughly equip students with the skills required to foster a successful future career as a Film or Television 1st or 2nd AC.

Participants will learn from practical hands-on workshops and through on location and in studio experience on a range of drama projects. This will ensure that participants leave the course with the practical experience – and at least six film credits - for continuing their professional career.

The 1st Assistant Camera (1st AC) and 2nd Assistant Camera (2nd AC) roles are amongst the most skilled jobs on a film crew. The 1st Assistant Camera (Focus Puller) is responsible for focusing and refocusing the camera lens as actors move within the frame of each shot, as well as running the camera crew. 2nd ACs (Clapper Loaders) are responsible for loading and unloading the film magazine or digital media and completing all camera sheets.

This course gives you the opportunity to work as a 1st AC in a safe environment and to gain the valuable credits required to move on in your career.

COURSE OVERVIEW

Both the 1st AC and the 2nd AC are critical to the success of any film or television drama production. Being part of the camera crew is exciting, varied and demanding, requiring many skills to be successful.

To do this role, you will need to:
-Be calm and level-headed
-Work well as part of a team
-Have organisational and time-management skills
-Be able to work to a deadline
-Pay close attention to accuracy and detail
-Be a good communicator
-Be adaptable to changing circumstances
-Have a positive attitude
-Cope well under pressure
-Have stamina for hard work

Recently the BFI identified Camera Crew and 1st ACs and 2nd ACs specifically, as a skills shortage area. More need to be trained, particularly ACs with experience of both film and digital. In addition, 2nd ACs need the opportunity to ‘step up’ and develop their 1st AC skills.

CURRICULUM

This course has been developed due to industry demand and combines practical experience on film shoots with NFTS student directors and cinematographers with practical hands-on workshops by working 1st and 2nd ACs.

The course consists of six months of focused production work and tuition, broken over a 12month period. The course is divided into three sections.

Section 1 (January/February)
In Section 1 you will be taught about the various cameras, lenses and other related equipment, learn about the core work of both the 1st AC and 2nd AC. There will be intensive workshops on ‘pulling focus’ manually, camera loading, completing camera sheets, marking up the clapper board and changing lenses. Students will work on two films shot on the Ari Alexa.

Section 2 (Late June/July/to mid August)
In Section 2 the focus is twofold, translating the skills learnt in Section 1 into a larger setting, whilst also learning new skills in areas such as remote ‘focus pulling’ and the 2nd ACs relationship with the DIT. Students will again work on two 'Graduation' films. These are large scale projects with crews often in excess of fifty people. In addition to working on these films students will also undertake a number of additional single day specialist workshops to flesh out their understanding of particular techniques or technologies.

Section 3 (September/October)
The final section of the course is focused on working on film. There will be a specific focus in this section on working with film stock and liaising with the lab re: processing. Section 3 will culminate in each student working on two NFTS films shot on Super 16 as both a 1st and 2nd AC.

In applying to this course you therefore need to be available to attend the School in January, February (Section 1), from mid June, July through to mid August (Section 2) and then September, October (Section 3). In special circumstances, the 3 modules can be completed over a 2-year period.

During the three teaching sections students are expected to be at the School five days per week. In periods between each teaching block students should pursue their own professional work to develop their experience.

NFTS BENEFITS

Course participants will have full access to the NFTS facilities including: Cinema Club, Screen Arts and NFTS Masterclasses.

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Run in partnership with Sky, the largest pay-tv broadcaster in the United Kingdom. -Unique 12 month course,. -Run in partnership with Sky, the largest pay-tv broadcaster in the United Kingdom. Read more
Run in partnership with Sky, the largest pay-tv broadcaster in the United Kingdom.

-Unique 12 month course,
-Run in partnership with Sky, the largest pay-tv broadcaster in the United Kingdom
-Prepares you to work in a multicamera studio environment
-Work as a Vision Mixer, or a Camera/ Lighting or Sound specialist.
-Includes a six-week internship with Sky and some of the modules are taught at Sky Studios.
-Sky also guarantees to employ at least one graduate of the course each year.
-Unlike other schools, all production costs are met by the School.

We welcome EU/EEA Students. Course fees charged at UK rate.

COURSE OVERVIEW

This course commences in January each year. This intensely practical and pioneering course aims to prepare students for a successful future in multi-camera studio entertainment production. Students are taught by NFTS staff and visiting Industry Professionals and have hands-on experience of a variety of studio roles as well as in their specialisation.

Students will apply for, and be accepted onto the course in one of three craft specialisations:

I. Cameras and Lighting
Practise the core skills of TV studio camera operators, positioning the camera, framing and focus. Learn to use broadcast cameras in a multi-camera studio, repositioning and changing shot as the director demands while the vision mixer cuts and mixes the show. Learn to develop shots, moving with artists or in sympathy with music to create dynamic and exciting television. Begin to light simple interviews and more complex multi-camera lighting techniques. You’ll need a passion for pictures, quick reactions, clear and proactive thinking with excellent co-ordination and a good sense of musical rhythm.

II. Vision Mixing
Train on sophisticated broadcast vision mixing consoles, build and realise complex live visual effects to the director’s brief. Using these high-end production tools, Vision Mixing is like editing - but in real time! Cut, mix and wipe between cameras, pre-edited clips and other video sources live. Learn how to mix a variety of genres from situation comedy to fast paced entertainment and music shows adding digital effects and captioning in real time. You’ll need to be logical, quick thinking, calm under pressure and have an excellent feel for timing and rhythm, both dramatic and musical.

III. Sound (in a broadcast studio environment)
Sound carries the story, sets the mood and the tempo. It provides the enabling structure against which TV pictures can shine. Good sound is essential to a TV programme. Learn how to choose and place microphones for the best results for a variety of shows including live music. Train to use ‘Fisher booms’ - in great demand for sitcoms and soaps - to pick up drama dialogue. Mix studio sound in real time using sophisticated broadcast desks. Enhance the show with spot effects, music cues and audio processing to create atmosphere and energy. Learn how to manage TV comms including studio talkback systems allowing key production team members to communicate and collaborate effectively. You’ll need to be a quick, logical thinker, have a ‘good ear’ and a passion for high quality sound.

These are the core disciplines of multi camera studio operations and people trained at a high level in these craft areas are hotly in demand.

CURRICULUM

Students will be exposed to the creative challenge of working across a range of entertainment programming, including: Situation Comedy, Magazine Shows, Talent Shows, Panel Shows, Game Shows etc.

The award focuses on developing students’ specific capabilities, in the following areas:
-The language of entertainment television so that they can work effectively within production teams
-A high level technical understanding of their chosen specialist area
-A critical awareness of the production workflow and the impact of multiplatform on production

Modules include:
-The Grammar of Television Entertainment
-Media Technology
-Music and Magazine Programming
-Chat Shows and Panel Shows
-Comedy

The six week internship at Sky is constituted of two distinct elements. Firstly the student will shadow a Sky Production Services member of staff working in their specialisation (Vision Mixer, Sound, Camera/Lighting). This will cement the students understanding of the wide range of professional practices and competencies associated with each role. Secondly, students will undertake a range of simulated exercises (designed by the NFTS with Sky involvement) to hone their craft and understanding on the Sky equipment.

At the end of the course, students will be well placed to work professionally in their chosen job role within broadcast production. They will also have a thorough understanding of the television production process encompassing everything from the creative to the technical and the business aspects.

Unlike other schools, all production costs are met by the School. In addition you will be given a cash Production Budget. NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

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In today’s visual world it’s not just actors who need to perform professionally in front of the camera; many other professionals including journalists, politicians and business leaders are frequently called upon to present themselves and their ideas on camera. Read more
In today’s visual world it’s not just actors who need to perform professionally in front of the camera; many other professionals including journalists, politicians and business leaders are frequently called upon to present themselves and their ideas on camera.

This course is intended for individuals who want to perform, or present in a variety of situations, including fictional drama and factual programming and who might have some previous experience in acting, presenting and public speaking.

Through a mixture of work-based learning and theory, this course will help build your confidence, advance your communication and presentation or acting skills enabling you to perform at a professional standard before the camera.

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/screen-performance-and-communication-techniques

Course detail

• Develop your individual performance skills based on up-to-date practices and techniques of working before the camera.
• Gain the confidence to communicate your ideas with clarity and promote your screen performance skills within the media industry enabling you to stand out from the competition
• Build professional contacts from participating in a range of different masterclasses run by experts working within the media industry making you well-placed to take up work placements or employment within established casting/production companies, or to audition for screen-based productions.
• Learn how to operate recording and editing facilities to support the final presentation of your showreel
• Benefit from a course where you graduate with a showreel of a professional standard which showcases your skills and personal approach to screen performance and is tailored to cover a gap in the screen-based media market.

Modules

• Working before the Camera
• Practice-Based Research Methods for Performance to Camera
• Industry Approaches and Practice
• Professional Practices in the Workplace
• Screen Performance Final Project

Assessment

Assessment is primarily performance based, in addition you must submit a portfolio of work, which will include a written diary/report to demonstrate your research inquiry, plan, video documentation of and ability to analyse your performance processes.

For your assessment you will also produce an individual performance show-reel in a specified genre (i.e. interview, acting or presenting) and a screen-based final project that will culminate your acquired performance skills from the course. The latter will be accompanied by a contextual study, which will document your research-based insights.

At all stages you will receive detailed relevant feedback on your work, both as an individual and on the role you perform within the group, which enables you to incorporate the elements of this into your work as you progress through their course. This is crucial to your academic and professional progression. Individual lecturers offer the opportunity to discuss any feedback in more detail.

Careers

The course opens up may career opportunities for postgraduates pursuing a professional career in acting and presenting for television, or film, or the Internet. It would also benefit you if you wish to pursue a career in journalism, politics, and business, and in the course of your work are frequently called upon to appear and present themselves and their ideas before a camera.

The curriculum includes a range of different masterclasses from established practitioners working within the media industry and opportunities for work-based learning placements.

During these masterclasses you can advance your skills and network leading, in some instances, to employment, or additional work placements within established casting/production companies, or to auditions in order to cast screen-based productions.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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MA Cinematography is aimed at creative graduates and existing filmmakers wishing to develop their cinematography skills to a professional level. Read more
MA Cinematography is aimed at creative graduates and existing filmmakers wishing to develop their cinematography skills to a professional level. A highly practical course, it is underpinned by relevant contextual studies.

You can expect to build solid technical skills across a range of camera equipment and formats, as well as an understanding of advanced lighting and aesthetic principles. Importantly, you will learn how to connect with and communicate stories through cinematic language.

Key benefits

Offered as a full-time, the course will enable you to develop as a creative, knowledgeable, disciplined practitioner equipped to step into a wide range of camera and lighting roles within a constantly evolving film and television industry.

Course detail

By providing crucial insights into the film business, the course will help you develop a range of transferable skills, enabling you to confidently and professionally collaborate with a creative team in a film, TV studio or on location. Practical live briefs and other exciting industry-integrated learning opportunities will foster resourcefulness and enterprise to help you stand out in today's market.

Exploring the ethical considerations of media production, from broadcast compliance codes to sustainable filmmaking, will ensure you are equipped to make considered decisions on how your work engages with and incorporates diverse communities.

Alongside practical skills, you will develop a deep understanding of film history and theory from leading academics and industry practitioners in the field. You will benefit from the strong base of practice-led research within the Faculty, which has an international reputation through its Research Centres.

Format

The course offers a varied and engaging schedule of study including academic lectures, practical instruction, seminars, and masterclasses with working cinematographers. Guest speakers will introduce and contextualise work. You will also have the chance to attend field trips to camera rental houses, production facilities and laboratories.

You will be encouraged to attend film festivals to gain unique perspectives on industry practice. Screenings and discussions will enable students to analyse and critique a range of film and moving image work and the practice of classic and contemporary cinematographers.

Throughout the course, you will undertake both group and individual project work supported by tutorials, mentoring, workshops and independent study. Part of your final assessment will be based on the production of a body of cinematic work.

Assessment

We will make use of a variety of assessment tools throughout the course, including essays, reflective diaries, presentations, portfolios, coursework and a professional practice report.

Careers / Further study

Successful graduates will be equipped to work in a wide range of film industry contexts, in roles such as Director of Photography, Lighting Cameraperson, Lighting Director Camera Operator, Camera Assistant, Digital Loader, DIT and Camera Trainee.

Other career options include events and theatre lighting, grip work and post-production, as well as independent filmmaking and working with film organisations such as the BFI, Creative England and other regional film agencies. This Masters is also an excellent path of study for those pursuing academic work or who wish to go on to Doctoral level study.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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Our Postgraduate course in Film Production combines practice, theory, enterprise skills and personal and professional development. Read more
Our Postgraduate course in Film Production combines practice, theory, enterprise skills and personal and professional development. The theory is embedded in the practical teaching, so that for every new skill and convention learned the reason for its application is also explored

MA Film Production aims to emulate a real working environment in which practical learning allows you to ‘learn on the job’ by performing roles in a film production team. This ‘real word’ environment is further enhanced through student collaboration on productions of narrative drama or documentary, using high-end production methods and equipment. Alongside drama and documentary productions, postgraduate Film Production allows you to develop subject specific research skills and apply those to practical work.

INDUSTRY LINKS

Staff maintains links with Warp Films, Arri media, Made Up North, Northwest Vision and Media and many more regional and national production companies and agencies.

LEARNING ENVIRONMENT AND ASSESSMENT

Most modules are delivered at the Preston campus, with the main production modules based at the Media Factory, UCLan's £15m purpose built media powerhouse, with outstanding facilities and excellent technical and academic support. Students have access to a range of High Definition production equipment including advanced camera rigs and camera support rigs. The Media Factory also offers ample studio and recording spaces including motion capture, green screen, TV studio, audio recording and mixing studios, dedicated edit suites and many more shared facilities, all of which is accessible 24 hours a day, seven days a week.

Assessment is by submission of films produced and written and oral presentations of research outcomes. Students have to meet a set of learning outcomes appropriate to masters level study to pass their modules

GRADUATE CAREERS

Students typically move into production related areas, many of them regularly in the credits of major cinema and TV releases. Some choose to embark on careers in directing, camera or writing.

Students can sit technical undergraduate workshops and seminars as required and have to take part in enterprise based activities run by Futures and Northern Lights.

FURTHER INFORMATION

Based in the £15 million, state-of-the-art Media Factory you will have access to a range of high definition production equipment including advanced camera rigs and camera support rigs. The Media Factory also houses studio and recording spaces including motion capture, green screen, TV studio, audio recording and mixing studios and dedicated editing suites.

UCLan’s postgraduate Film Production course benefits from excellent, regional and national links with film production companies. Experienced industry professionals, academics and external, high profile, guest speakers deliver the course.

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The MA Cinematography course builds essential and practical skills to prepare you for a role as Cinematographer/Director of Photography (DOP). Read more
The MA Cinematography course builds essential and practical skills to prepare you for a role as Cinematographer/Director of Photography (DOP).

Cinematography is about understanding how to use camera and lighting techniques to tell a story, whether it is screened at the cinema, on TV, or through an iPhone. As technology continues to evolve at an ever increasing rate, the aim of this programme is about more than how to operate a particular piece of equipment – it’s about a deeper understanding of storytelling and the moving image to communicate something meaningful and entertaining to an audience.

- Through hands-on practical exercises, workshops, seminars, masterclasses and screenings you will gain the practical skills and knowledge required to work with cameras and lighting to industry standards and practices enabling you to demonstrate a range of industry-relevant skills upon graduation.

- Opportunities to gain wide range of skills across projects such as a short filmed project that you write and direct, Art Gallery field visits including the National Gallery, 35mm workshop and shooting exercise, location and night shooting with large sensor camera, greenscreen and VFX exercises, working collaboratively and learning the functions of each camera departmental role.

- Gain skills vital for look design and rushes management through creative and technical training in grading and processing software to enhance the visual aesthetics of your productions. Prepare for the world of VFX shooting with theory and practice in a range of techniques and experiences such as green screen shooting and VFX integration.

- You will get the chance to work as a director of photography alongside other MA students on short video content for external clients during the industry project, giving you the opportunity to further showcase your talents and build a competitive showreel.

- Learn from award-winning tutors with extensive professional experience as cinematographers, camera operators, focus pullers and gaffers in film, TV, documentary/factual programming and commercials. We’ve been recently visited by a legendary cinematographer Chung Chung-Hoon (Old Boy, Stoker, Me and Earl and the Dying Girl)

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This MA will consolidate your skills in narrative moving-image making to the level of Director of Photography. You will develop your visual storytelling ability during workshops and subsequent application in the context of live filmmaking projects- http://www.gold.ac.uk/pg/ma-filmmaking-cinematography/. Read more
This MA will consolidate your skills in narrative moving-image making to the level of Director of Photography. You will develop your visual storytelling ability during workshops and subsequent application in the context of live filmmaking projects- http://www.gold.ac.uk/pg/ma-filmmaking-cinematography/

What we offer

This Masters, a pathway of the MA Filmmaking, is housed in a new purpose-built media facility equipped with state-of-the art teaching spaces including film and photography studios equipped with Arri lighting and Greenscreen, Avid Media Composer, Final Cut Pro and Adobe Premiere Film Editing, Animation, Digital Special Effects, Pro Tools Audio Postproduction and Foley suites.

We work with a range of digital formats from high-end cinema cameras like the Red Epic to smaller, flexible units like the Black Magic. You will additionally benefit from the discipline of working on Super-16mm film.

You work on at least one film per term in your specialist role, culminating in a major production towards the end of the degree. In addition to your specialist area, you attend classes in related disciplines such as Film Directing and Editing and collaborate with students across specialisations on film projects. This framework is designed to stimulate collaborative practice by providing you with a breadth of filmmaking knowledge combined with a high level of expertise in your chosen filmmaking discipline.

Our students say...

"The MA helped me understand how to translate a story into cinema and how to transfer a collective vision from script to screen."
"I have made true friendships beyond the level of collaboration with class-mates to the point that we can now consider ourselves to be colleagues in the same field."

Expert guidance

Experienced tutors such as the highly-regarded Witold Stock (Close My Eyes, Murphy’s Law, Best) and industry guests provide expert guidance designed to enhance the flow of your individual research, experimentation and artistic achievement.

At the same time, you advance your collaborative skills by working in teams on a variety of scheduled films across the year. You leave the course with a diverse portfolio of moving-image work that spans fiction, and documentary as well as hybrid and experimental genres.

You will learn sophisticated lighting and gripping techniques, and you perform all camera department roles from Director of Photography to Camera Operator, Focus-puller, Gaffer, Camera Assistant, Spark and Grip.

Contact the department

If you have specific questions about the degree, contact the Department of Media & Communications

Modules & Structures

For two terms you will spend a full day a week in specialised contact with your specific programme convenor, plus a further day in Screen Lab working with colleagues across the programme in a Talent Campus-style project-led learning structure with:

-Masterclassess
-Pitches
-Role-plays
-Exercises aimed at using your skills specialism in a variety of live shoot situations

You will also have a variety of research projects to undertake, as well as other module options.

The third term will be taken up with your final substantive project, and in writing up a process paper on your work and research over the year.

Screen Lab

You will also advance your collaborative skills by working in teams with fiction and documentary producers and directors and sound and edit students, on a variety of projects and at least three scheduled films across the year.

You will leave the programme with a diverse portfolio of moving-image work that may span a variety of formats – music video, web series drama, documentary, campaign/commercial, experimental art pieces and feature-scale short fiction films.

Screen School options

As well as your Cinematography specialism, you will undertake three short courses to enhance your other skills and critical approaches.

Skills & Careers

If you are passionate about fashioning an exciting career for yourself as a cinematographer in an environment that promotes innovative filmmaking, this course is for you.

On completing the programme you will be equipped to enter the global job market, armed with an enhanced understanding of your practical, intellectual and creative capacities as a cinematographer.

Possibly the most important skill we furnish you with is the rigorous discipline of working collaboratively under pressure as part of a creative team on challenging projects.

In addition to your practical filmmaking skills, we enable you to develop a variety of transferable intellectual, organisational and communication skills to equip you for a broad range of employment opportunities across the arts and media landscape (film, television, online, the creative arts, advertising and related hybrid forms).

Our graduates

Recent alumni are active in the film, media and cultural industries around the world as:

directors of photography
cinematographers
camera operators
lighting designers

Other entry requirements

Please note that unless you are exempted (Please check your status with our Admissions Team: ) overseas students require an English language qualification of IELTS 7.0 in order to be considered for a place on the MA Filmmaking programme.

If you have not yet achieved IELTS 7.0, we advise you to sit your IELTS exam at the earliest opportunity and to submit your application immediately after receiving your result. The annual IELTS deadline for the programme is April 30th.

Because funding deadlines and requirements vary around the world, applications are considered on a rolling basis and places on the programme fill up across the recruitment cycle. For this reason, we strongly advise you to submit your completed application as early as you can.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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This new, tailor-made course is delivered in partnership with the BBC and is designed to thoroughly train participants in becoming a key member of a drama or entertainment production team. Read more
This new, tailor-made course is delivered in partnership with the BBC and is designed to thoroughly train participants in becoming a key member of a drama or entertainment production team.

Participants will learn from practical hands-on workshops and through on set and in studio experience on a range of drama and entertainment projects. This will ensure that participants leave the course with the practical experience for starting out in the professional world.

The Script Supervisor’s role is an exciting, varied and demanding job requiring many skills for being part of the production team, working closely with directors and producers, interacting with performers and programme participants, and providing accurate information on location, in the studio gallery and for the edit suite.

COURSE OVERVIEW

The Script Supervisor is a key member of the production team, preparing and providing scripts, running orders, camera cards and information, prior to a rehearsal, recording or shooting day. In the studio, they keep the production team informed through cueing, timings, shotcalling, liaising with presentation, and maintaining an accurate log. They support the director and producer and are responsible for getting live transmission programmes on and off air. On single camera shoots, they are vital for continuity, keeping track of takes, timings, shooting angles, costume and make-up notes and props information essential for the editor.

To do this role, you will need to:
-Be calm and level-headed
-Work well as part of a fast-moving team
-Have exceptional organisational and time-management skills
-Be able to work to a deadline
-Pay close attention to accuracy and detail
-Be an excellent communicator
-Be adaptable to changing circumstances
-Multi-task
-Have a positive attitude
-Cope well under pressure
-Have stamina for long days and hard work

CURRICULUM

This course has been developed due to industry demand and combines practical experience on film shoots with NFTS student directors on fiction films, and in the studio with NFTS Television Entertainment student directors on their entertainment shows, using the recently refurbished 4k multi-camera television studio gallery. There is time for learning to use script packages such as Adobe Story and BBC Scriptwriter, lectures on all aspects of the job involving different genres of programmes, guest speakers and site visits to other television companies and media providers.

The course is three months, based at the NFTS and divided into three sections:

Weeks 1 - 4 Full-time lectures & practical exercises covering studio and film work.

Weeks 5 - 8 On location continuity experience working on two films each

Weeks 9 - 12 Practical experience for studio-based programmes plus additional lectures and site visits.

Specifically students will learn about:
-Script layouts, call sheets, breakdowns, running orders
-Shot lists, storyboards, recording orders, shooting orders
-Setting up a production
-Script packages
-Gallery techniques (e.g. calling shots, running EVS, using a stopwatch)
-Live programmes
-Music programmes (e.g. script styles & methods)
-Bar counting
-Studio drama techniques
-Continuity for film and single camera
-Post production and editing

There will be visiting lecturers, professionals in the industry, talking about their experiences and giving advice on methods and the latest techniques. Also, practical exercises and opportunities to work in the role on other student courses.

NFTS BENEFITS

Course participants will have full access to the NFTS facilities including: Cinema Club, Screen Arts and NFTS Masterclasses.

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The state-of-the-art facilities at our David Puttnam Media Centre make Sunderland a compelling choice for media production. This course is for people who want a Masters with a focus on practical skills in media production. Read more
The state-of-the-art facilities at our David Puttnam Media Centre make Sunderland a compelling choice for media production.

Course overview

This course is for people who want a Masters with a focus on practical skills in media production. For a stronger emphasis on theory, please see MA Media and Cultural Studies.

If you want to improve your knowledge, build your resume and be involved in high-quality media content, with technical skills that are in demand across the TV and Film industries, then this Masters will give you an edge over people with an honours degree. You will cover areas of 360 commissioning, workflow, moving camera, advanced editing techniques and production management.

If your first degree is not directly related to media production, we may ask you to undertake a short course that covers essential skills and knowledge, before you join the main Masters course. This ensures that everyone on the course can fully participate in group projects.

‌‌‌‌Media Production (Film and Television) MA has been awarded the Creative Skillset Tick, the industry kitemark of quality, following a rigorous assessment process by experts working in the Creative Industries. The Creative Skillset Tick is awarded to practice-based courses which best prepare students for a career in the industry.‌

‌Sunderland’s Media Department has been recognised for producing some world-leading and internationally excellent research. The University hosts the Centre for Research in Media and Cultural Studies (CRMCS). Our research expertise includes multi-platform production, music and moving image collaborations, independent production, and television aesthetics.

‌‌‌‌Students on this course are elgible to apply for a BAFTA scholarship. Find out more on the BAFTA website.

Sunderland is an accredited training provider for AVID software, which is the industry-leading editing system. We are also part of Avid’s worldwide network of Learning Partners, and as an MA student you will have an option to take an AVID certification that boosts your employability. ‌

For more information on the part time version of this course, please view this web-page: http://www.sunderland.ac.uk/courses/artsdesignandmedia/postgraduate/media-production-television-video-part-time/

Course content

The content of the course is shaped by your personal interests with guidance and inspiration from Sunderland's supportive tutors. Modules on this course include:
Media Production 1 (60 Credits)
-Media Craft Skills – these include elements of scriptwriting, editing, camera and lighting and sound techniques
-Deconstruction and reconstruction of advertisements and music videos

Media Production 2 (60 Credits)
-Production Management
-Video for New Media
-Mini Practical Project

Media Production 3 (60 Credits)
-Major Media Project

Teaching and assessment

Compared to an undergraduate course, you will find that this Masters requires a higher level of independent working. The course aims to stretch your creativity and maximise your sense of personal fulfilment.

You will work on group production projects which will be supported by workshops, studio sessions, tutorials and seminars, as well as master classes led by industry professionals.

Facilities & location

Our David Puttnam Media Centre is a centre for excellence in training students, with continual investment in industry-standard equipment.

TV studios
We have two TV studios complete with green rooms and control rooms. Equipment includes multiple Steadicam rigs plus dolly, track and mini crane. We also have over 40 full HD tapeless field camera systems, comprising Blackmagic, Sony EX1 and EX3, with associated location DIT kits, lighting, field monitors and audio mixers.

Digital editing
There are 70 workstations Edit systems, including Avid Media Composer, Protools, Adobe Master Collection, four Colour Grading rooms running DaVinci Resolve. There is also a digital audio postproduction area running the Avid S6 desk with four voiceover booths.

Radio studios
We have five radio studios including a transmission suite for Spark FM, our student-run community radio station. It broadcasts 24 hours a day, 365 days a year, with a target audience of 15-24 year olds.

Other media facilities
There is a 203-seat cinema with full HD projection, 7.1 surround sound facility. We have a live Sky feed and off-air recording facility, including DVD and Blu-ray recording, plus extensive footage archive/library.

University Library Services
We’ve got a wide range of books, journals and e-books on relevant topics, with many more available through the inter-library loan service. Useful resources for your studies include:
-Archival Sound Recordings with over 12,000 hours of recordings
-British Universities Film and Video Council (BUFVC), which provides resources for the production, study and use of film and related media in higher education and research

Employment & careers

Postgraduates are highly employable and, on average, earn more than individuals whose highest qualification is an undergraduate degree. On completing this course, you will be equipped for roles in production, media management, marketing, legal and media business.

A Masters degree will also enhance career opportunities within Higher Education and prepare you for further postgraduate studies.

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Cinematography is at the heart of film and television production, orchestrating camera, lens, light and motion to create the visual aesthetic of the film. Read more
Cinematography is at the heart of film and television production, orchestrating camera, lens, light and motion to create the visual aesthetic of the film. This course provides high-level industry staff-expertise and image capture technologies, which will enable you to flourish in the continually evolving arena of imaging for film and television.

The course will help you develop key intellectual and practical skills that meet, or challenge and exceed, current industry practice and expectations. It seeks to develop in parallel; your artistic eye, your technical skills, your team-working skills as part of camera crews, and your collaborative skills working with directors.

The course is best suited to those who have some previous experience in filmmaking or photography, have a good aesthetic sense and critical eye and wish to develop these further. We would also welcome those who come with professional experience and wish to further develop their creative skills and showreel, while undertaking an immersive learning experience in the theory and practice of cinematography.

The specialist production units provide an environment in which to develop creative skills, technical proficiency in digital camera and lighting, narrative storytelling and collaborative working. The crossframework units develop critical analysis, research methods and perspectives on the changing media industry and your role within it.

This course is accredited by the British Kinematograph Sound and Television Society. You will use industry-standard technology, and learn from academic experts whose research and industry expertise will equip you to make the most of the evolving digital marketplace

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This course provides you with a broad introduction to the issues encountered and techniques required in developing advanced mechatronic products and automation systems. Read more

Why this course?

This course provides you with a broad introduction to the issues encountered and techniques required in developing advanced mechatronic products and automation systems.

Mechatronics and automation is becoming an increasingly important discipline in today’s digital society. New products have been designed applying mechatronic principles. Consumers and society have benefited tremendously from these new intelligent products that include:
- the latest mobile phones with mechatronic features
- intelligent robotic vacuum cleaners
- intelligent wheelchairs

This course trains you to:
- lead mechatronic and automation product development
- contribute as team members to future mechatronic product development
- provide expertise as mechatronic “specialists”

The course is aimed at:
- graduates from relevant courses, who wish to study mechatronics and automation as their chosen career
- those currently working in mechatronics and automation who wish to enhance their theoretical grounding and practical skills

Study mode and duration:
- MSc: 12 months full-time; 24 months part-time
- PgDip: 9 months full-time; 21 months part-time

See the website https://www.strath.ac.uk/courses/postgraduatetaught/mechatronicsautomation/

You’ll study

You'll take a number of compulsory and optional modules. The postgraduate group project provides you with industry-related training.

Major projects

- Haptic Sensing & Display for Telepresence, VR and Design
This project consists of an investigation and design of simple haptic sensing and display system.

- Periscopic & Flexible Camera Extension
This project involves the design and building of a camera or camera extension.

Facilities

The course is supported by a state-of-the art digital design and manufacture studio and prototype workshops. They provide:
- the latest 3D visualisation technology
- digital modelling
- a computer-aided engineering systems development environment
- digital model rapid prototyping machines

Teaching staff

The course is delivered by leading internationally-renowned researchers in the fields of:
- computer aided engineering design
- computer modelling
- system integration
- rapid prototyping
- computer visualisation
- product development

Pre-Masters preparation course

The Pre-Masters Programme is a preparation course for international students (non EU/UK) who do not meet the entry requirements for a Masters degree at University of Strathclyde. The Pre-Masters programme provides progression to a number of degree options.

To find out more about the courses and opportunities on offer visit isc.strath.ac.uk or call today on +44 (0) 1273 339333 and discuss your education future. You can also complete the online application form. To ask a question please fill in the enquiry form and talk to one of our multi-lingual Student Enrolment Advisers today.

Find information on Scholarships here http://www.strath.ac.uk/search/scholarships/index.jsp

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This MA will develop your skills and creative vision in documentary production. It enhances your understanding of the historical context and contemporary modes of documentary production against a backdrop of the wider issues in media production- http://www.gold.ac.uk/pg/ma-filmmaking-screen-documentary/. Read more
This MA will develop your skills and creative vision in documentary production. It enhances your understanding of the historical context and contemporary modes of documentary production against a backdrop of the wider issues in media production- http://www.gold.ac.uk/pg/ma-filmmaking-screen-documentary/

This Masters, a pathway of the MA Filmmaking, will encourage your understanding of the politics, aesthetics and ethics of documentary production, and the nature and diversity of documentary practice in contemporary society.

What we offer

The programme is housed in a new purpose-built media facility equipped with state-of-the art teaching spaces including a range of digital cameras, Avid Media Composer, Final Cut Pro and Adobe Premiere Film Editing suites, Animation, Digital Special Effects, Pro Tools Audio Postproduction suites.

You will be able to make your own documentaries, learning and refining research, interviewing, self-shooting and editing techniques – but also have the unique opportunity to be part of a programme that includes specialised producers, cinematographers, editors, sound recordists and sound designers, so that you can develop the scope and range of your filmmaking by collaborating with them.

You work on at least two films during the year, culminating in a major production towards the end of the degree. In addition you can attend classes in related disciplines such as Cinematography and Editing and may collaborate with students across other specialisations on film projects. This framework is designed to provide you with a breadth of filmmaking knowledge combined with a high level of expertise in your chosen filmmaking discipline.

The MA encourages you to develop:

an awareness of documentary production techniques, ethics and aesthetics
specific filmmaking and production management skills
technical skills (including camera, lighting and sound editing)
an understanding of the workings of the media and their broad cultural and social impacts

Our former students have gone on to win awards including:

Best Documentary at the Exposures Film Festival
Postgraduate Factual Prize at the Royal Television Society Student Awards
Student Award at the One World Media Awards
They've also launched their own film festivals, worked on critically acclaimed films and documentaries, and have had their work screened at the London International Documentary Festival, National Geographic's All Roads Film Festival and Open City, the London Documentary Festival.

Our students say...

"From first-hand coaching from industry experts, access to the newest facilities and cameras, to fantastic mentoring – it was the perfect course to develop my skills and prepare me for a career in documentary filmmaking."
"The different theory courses provided both the history and ethics when filming documentary as well as providing artistic inspiration to approach reality in an innovative way."

Quality

The MA is one of only two MAs in the UK to receive the Creative Skillset tick. The tick is a kitemark of quality that identifies a course that will effectively prepare you for a career in the creative industries, and which benefits from strong links with industry.

Contact the department

If you have specific questions about the degree, contact Daisy Asquith.

Modules & Structure

How you will learn

You will be taught the skills to be able to self-shoot and edit, but will also have the chance to work with specialised camera-people, editors and producers. You complete several short films and exercises, then make your own 15-25 minute documentary, during which you will fully explore research methods, visual and thematic storytelling, experimental and multi-platform formats and much more.

For two terms you will spend a full day a week in specialised contact with your specific programme convenor, plus a further day in Screen Lab working with colleagues across the programme in a Talent Campus-style project-led learning structure with:

Masterclasses
Pitches
Role-plays
Exercises aimed at using your skills specialism in a variety of live shoot situations
You will also have a variety of research projects to undertake, as well as other module options.

Screen Lab

You will also advance your collaborative skills by working in teams with both fiction and documentary producers and cinematography, sound and edit students, on a variety of projects and at least three scheduled films across the year.

You will leave the programme with a diverse portfolio of work that may span a variety of formats – essay or diary film, web and multi-platform content, activist or campaign film, longer form feature-documentary

Screen School options

As well as your Screen Documentary specialism, you will undertake three short courses to enhance your other skills and critical approaches.

Skills & Careers

If you are passionate about fashioning an exciting career for yourself as a filmmaker in an environment that promotes innovative filmmaking, this course is for you.

Our alumni are active in the film, media and cultural industries around the world, working and winning awards as documentary producers and directors.

Other entry requirements

Please note that unless you are exempted (Please check your status with our Admissions Team: ) overseas students require an English language qualification of IELTS 7.0 in order to be considered for a place on the MA Filmmaking programme.

If you have not yet achieved IELTS 7.0, we advise you to sit your IELTS exam at the earliest opportunity and to submit your application immediately after receiving your result. The annual IELTS deadline for the programme is April 30th.

Because funding deadlines and requirements vary around the world, applications are considered on a rolling basis and places on the programme fill up across the recruitment cycle. For this reason, we strongly advise you to submit your completed application as early as you can.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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Introduction. The MA in Film Production is a 1 year full-time programme that begins in October of each year, and offers graduate students opportunities to undertake intensive study in production skills in 16mm film and video. Read more
Introduction
The MA in Film Production is a 1 year full-time programme that begins in October of each year, and offers graduate students opportunities to undertake intensive study in production skills in 16mm film and video.
The programme provides instruction in sound recording and design, camerawork, lighting, editing, scriptwriting, budgeting and directing.
The Department of Media is housed in a purpose built complex with professionally designed studios, cutting rooms and editing facilities.

Course Description
This MA Programme is aimed particularly at people who have a good first degree in a subject such as film, television, or media studies but who have limited practical experience. Good honours degrees in other subjects, together with evidence of a serious interest in film and video production outside a formal academic context, may also be appropriate.

This MA Programme will suit people who want a general introduction to all areas of pre-production, production and post-production within 16mm film and digital video. Although some degree of specialisation is possible this MA should be seen as a general introduction to all areas. One of the advantages of this approach is that all our MA students are encouraged to write and direct their own films.

During the first term of the programme (October - December) students undertake a number of familiarisation exercises in film and video, developing pre-production, production and post-production skills. These exercises include 4 short 16mm productions and a number of video productions. These are carried out in small teams and it should be noted that teamwork is a major focal point of this MA.
In the second term (January - March), the programme concentrates on the further development of skills in scriptwriting, cinematography, directing, sound design/dubbing with ProTools, editing with Avid and compositing with After Effects. During this term students carry out the pre-production for their assessed film/video.
This is then shot and edited in the final term (April - June). A budget of up to £500 is provided to cover the basic costs of production. Students receive support through individual tutorials, group seminars and studio classes.


The MA in Film Production is predominantly practical but it should not be seen only as a vocational preparation. Its important theoretical component is related to the practical side and a weekly two-hour session covers theoretical issues such as narrative style, representation or national identity. In addition, students are obliged to attend weekly screenings and playbacks in the final year undergraduate courses.
During July, August and September students research and write a 12000 word dissertation on the theory underpinning their assessed film.

Resources
The Department's video equipment includes DVC-PRO video cameras (equivalent to Digibeta), tracks, doorway dolly, jib, specialist lighting gear, editing on AVID Xpress Pro, sound dubbing in a digital dubbing suite using ProTools, and software such as Photoshop, After Effects and Flash. There is also a newly equipped 3 camera TV Studio using digital widescreen cameras, gallery with digital desk and sound room with 32 channel mixer.

Our film resources offer fully professional 16mm and Super 16 opportunities, using Arriflex, Aaton and Bolex cameras, Nagra sound recorders, solid state recorders, a fully equipped studio and portable lighting kits for location work.

Outside the Department there is a student run campus radio station, in which many students participate. BBC regional radio (Radio Kent) also operates a studio in the Media building and offers student involvement with professional broadcasting.

Student Destinations
Students who successfully complete the MA have gone onto a wide range of Media related careers often starting at the assistant level and moving up from there. A number of ex-students work within Camera Departments, Producing and Feature Film Editing. Lecturing within Further Education and Higher Education has also been a particularly successful employment route.

Funding
Significant funding may be available for UK and EU students who have a good academic background [e.g. a first class or 2.1 honours degree] from the Arts and Humanities Research Board (A.H.R.C.) Please see their website for application details (http://www.ahrb.ac.uk/) Please note that this application process takes some months with a completion deadline in April.

See our website http://www.canterbury.ac.uk/arts-humanities/media/courses/ma_media-production.asp for more details.

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