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The Master of Fine Arts in the Book Arts Program began in 1985, and emphasizes the art and craft of making books by hand. Read more
The Master of Fine Arts in the Book Arts Program began in 1985, and emphasizes the art and craft of making books by hand. We are located in the College of Communication and Information Sciences, School of Library and Information Studies, at The University of Alabama in Tuscaloosa; a verdant, traditional campus located on the banks of the mighty Black Warrior River.

Visit the website https://bookarts.ua.edu/

The program leading to the M.F.A. in the Book Arts degree is a 60-credit hour course of study comprising four basic areas: printing/publishing, bookbinding, papermaking, and the history of the book. These areas do not work in isolation. Connections between them are made as often as possible. Our emphasis is on the book as an integrated unit, although there is opportunity for a student who wishes to pursue a specific interest in one or more of these areas after the initial general year of study. We are interested in developing craft skills based on historical principles and techniques, and the artistic expression that follows.

The M.F.A in the Book Arts Program develops book artists who have well-honed technical knowledge of the various facets of contemporary bookmaking, and who have an understanding of the historical evolution of the book including its materiality, and the role of the book in society. Courses explore the reconciliation of modern sensibilities with historic craft. It is to be remembered that the M.F.A. degree, and the 2.5-3 years leading to it, is a starting point in what is a lifelong process of acquiring skills and sensibilities in the art and craft of making books.

We accept up to eight new students each year. Our students are highly motivated, and come from various undergraduate backgrounds and work experiences. We have four graduate assistantships available yearly, on a competitive basis, plus three Windgate Fellowships.

The general goal for the M.F.A. program is to develop professional artisans who are technically proficient in the book arts and cognizant of the historical background in which these various crafts evolved and of the professional environment in which our graduates will work. To reach this goal, the school has created the following two specific goals and enabling objectives.

1. To provide students with an education that inculcates craft skills required for proficiency in the book arts, and that develops a sound foundation for the aesthetics and methodology of these arts:

a. Provide each student with fundamental technical skills in each of the crafts comprised by the book arts

b. Ready each student to apply these skills and techniques in the marketplace

c. Provide advanced technical skills in each student’s area of professional specialization

d. Create in each student a desire to acquire and upgrade skills beyond the formal program

e. Provide and reinforce in each student an appreciation for the aesthetics of the crafts

f. Facilitate the choice by the end of the first semester of an initial professional specialization in either printing or binding

g. Maintain a faculty whose members are recognized leaders in their fields

2. To enhance the professional status of artisans engaged in the book arts:

a. Acquaint students with the heritage, responsibilities, trends, and standards of the profession

b. Instill in students a concept of the interrelationship of the book arts

c. Enlist faculty to assist the book arts community by helping to establish standards, by supporting professional organizations, by offering continuing educational opportunities, and by serving as consultants and lecturers

d. Encourage faculty to publish and exhibit original works whenever appropriate

e. Encourage faculty to conduct research and disseminate findings to practitioners and teachers in the book arts community

Applicants are required to submit either the general portion of the Graduate Record Examination or the Miller Analogies Test in support of the application for admission. Ideally, prospective students should submit a portfolio of their work (in their area of experience), and if at all possible be interviewed by the book arts faculty. For detailed information about the application process please see the Graduate School website (http://graduate.ua.edu/).

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MA Book Arts at Camberwell College of Arts focuses on debates concerning the cultural, creative and individual functions of the book. Read more

Introduction

MA Book Arts at Camberwell College of Arts focuses on debates concerning the cultural, creative and individual functions of the book. The course engages with aspects of the book such as sequence, poetry, structure and materials; encompassing printed multiples and sculptural one-offs.

Content

What students can expect from the course:

- To develop a project from proposal to final exhibition

- To research content, materials and technical skills, then produce written and practical work exploring a subject in relationship to contemporary practice

- To receive support and supervision throughout the course from specialist academic staff in workshops, individual tutorials, seminars and lectures

- To take part in staff and student-led seminars to help promote debate, and work-in-progress sessions that allow for supportive critique

- To develop research skills, professional practice and an understanding of the wider context of book arts as an area of fine art and design practice

- To take part in a shared lecture programme across the Visual Arts courses that draw upon the richness of research across Camberwell, Chelsea and Wimbledon Colleges

- To get involved in artists book fairs and visiting special collections in London such as the Tate, John Latham’s Flat Time House and the National Art Library at the V&A Museum

- To explore the expanded book in a display or installation by showing work in public exhibitions

Structure

Unit One – Research, Development and Practice

Students will explore, experiment and research to further develop their Project Proposals. This unit introduces students to pathway specific issues and topics, research methodologies and techniques. It aims to orientate students and their practice within the course, and develop their contextual, critical and research skills at the onset of their MA learning.

Unit Two – Reflection and Presentation

Resolution and presentation of students' work according to their Project Proposal. A symposium will provide the opportunity to present their research and provide further peer feedback. Students' practice at this stage should synthesise their practical, conceptual and professional abilities and they will be expected to consider their future practice, audience and context of their work in contemporary practice.

The intention and context of students' work will inform their decisions they will take regarding a final exhibition. Students' will also be expected to work collaboratively with their peers to actively plan, organise and install an exhibition as part of their continued Personal and Professional Development.

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Design and carry out your own visual projects, exploring the relationships between word and image, as you prepare for a career as a visual artist in a growing creative industry. Read more
Design and carry out your own visual projects, exploring the relationships between word and image, as you prepare for a career as a visual artist in a growing creative industry.

Overview

Whatever your artistic background, our Master's course will develop your visual practice in areas that are important for illustrators and book artists, such as visual sequencing and visual text. It will challenge you to cross the divide between fine art and applied art found on many undergraduate and postgraduate degrees, making it a unique course for the UK.

Studying in our purpose-built studios at Cambridge School of Art, much of your work will be practice-based. You’ll propose and undertake self-directed projects, attending group critiques and tutorials that will help you develop your creative skills.

You'll also attend a series of integrated lectures and seminars. These serve two purposes. You’ll explore aspects of illustration and book art, such as the relationships between word and image, narratology and visual language. And you'll receive guidance on research methods and critical writing - which you'll put to immediate use on the course, as well as in your future career.

Throughout the course, you’ll collaborate and discuss your work with staff, visiting professionals and fellow students, giving you an invaluable opportunity to see how others respond to it. All of our teaching team are practising artists, so you’ll hear about the latest news and issues in the industry, and have access to sound careers advice.

Teaching times: 9am-5pm Tuesdays and Wednesdays (full-time); 9am-5pm Wednesdays in Year 1, Tuesdays in Year 2 (part-time).

Careers

Our course will prepare you for a career as a freelance illustrator or freelance book artist. In recent years these roles have been increasingly in demand thanks to the growth of interest in artists' books, graphic novels, self-publishing, e-books and an awareness of small, batch publishing. You’ll also gain skills that will be useful in many other fields, such as bookbinding or teaching. You might even find a way to combine it with your current career, as did Dr Katy Shorttle, whose artwork on health issues was recently featured by The Guardian (http://www.theguardian.com/healthcare-network/gallery/2015/sep/25/ebola-mumps-old-age-inspire-doctors-artwork-in-pictures).

Modules

Process and Practice as Research
Visual Text
Sequence and Series
Master's Dissertation Art and Design
Master's Project: Art and Design

Assessment

You’ll show your progress through your self-directed visual projects, which will include written project proposals, developmental and final visual work, and a reflective commentary. On the Master's Dissertation module, you’ll submit a 6,000-word essay. Finally, the Master's Project will allow you to build on all previous modules to design a visual project which shows mastery of your subject.

Specialist facilities

You’ll work in purpose-built art and design studios, with open access to our printmaking, bookbinding, letterpress and laser cutting facilities, and training from dedicated technicians. We also have many digital imaging resources that you’ll be able to use, including Macs, scanners, and A3/large-format printers, as well as photography darkrooms, animation and moving image studios and 3D workshops. Our University’s Media Services Unit stocks photographic and recording equipment that you can borrow.

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The Master in Arts Management offers a unique learning experience preparing students to embark on a management career in the arts and creative industry. Read more
The Master in Arts Management offers a unique learning experience preparing students to embark on a management career in the arts and creative industry. The one-year program aims at developing skills and providing tools to deal with the new challenges of the domains of both the visual and performing arts, with an international perspective.

Learning objectives

The main goals of the program are:

● Build and strengthen basic knowledge and understanding of History of Art (visual and performing arts), with particular attention to the contemporary world and the international scene

● Build and strengthen competence in economics and management and as it applies to the cultural industry

● Build and strengthen competence in legislative transmit and reinforce the legislative competences and their application to the cultural field, in an international perspective

● To contribute to the advancement of cultural institutions and companies in Italy and abroad, by fostering interests for Art and its proliferation

Career opportunities & professional recognition

The Master’s qualification in Arts Management will open up professional opportunities in the fields of Organization, Marketing and Communications, Accounting, Legal Affairs, Projects and Events Management in cultural institutions and companies. Other professional opportunities are to be found in consulting and service companies in the fields of promotion, communication and management of cultural events, products and services.

Curriculum

● Visual Arts Management: seminars, lectures and hands-on activities and visits to build up competencies related to museum management, galleries, corporate collectors, and, more widely, institutions and organizations in the field of visual arts promotion and communication.

● Performing Arts Management: seminars, lectures and hands- on activities to build up competencies in the field of performing arts, ranging from the movie industries to the management of cultural events.

Advanced Courses

The goals of the advanced courses are to build up competencies in specific fields of arts management in order to provide participants with advanced knowledge about how to solve problems and cope with the challenges of the arts field

● Cultural Policy: cultural policy will be discussed from historical and international perspectives in order to focus on the main policy challenges when managing arts organizations

● Marketing for the Arts: marketing policies and practices for cultural organizations will be covered, ranging from for-profit to non-profit cultural organizations

● HR and Leadership in the Arts Industry: organization forms for cultural industries, project management tools and the most advanced people management topics will be discussed during the course

● Accounting and Fundraising in the Arts Industry: accounting principles and contemporary fundraising tools for non-profit and cultural organizations will be discussed and applied

● Law and the Arts: relevant and most up-to-date criminological knowledge about the empirical dimension of offences against both movable and immovable cultural property, at both national and
international level will be covered

● Media in the Arts: the role of technology, especially new media, in changing the business and organizational model of cultural institutions will be analyzed

Educational activities are divided into Core Courses and Advanced courses. On top of the basic and advanced courses, participants will be involved in team-building activities at the beginning of the program.

Team Building Activities

The goals of team building activities is to help participants know each other and create a collaborative atmosphere in class. Moreover, these activities will introduce participants to Milano and its cultural assets. Team building will include:

● Dinner with the class and the Master Faculty

● Team building experiences to know your class

● Guest speeches from established professionals in the field

Core Courses

The goals of basic courses is to reinforce competences related to the two souls of the Master Program: Humanities and Management. The courses provide training for skills in art history and in their management and they will give participants the op- portunity to align their competencies and exchange knowledge.

● Art History: seminars, lectures and visits to provide participants with fundamentals of visual arts history

● History of Performing Arts: seminars and lectures to share fundamentals about film, theatre and music history.

Internship

To complete the Master in Arts Management, participants are required to carry out a three-months internship in a cultural institutions or company in one of the above mentioned fields. They will have the chance to be included in the Master Curricu- lum Vitae book, that will be transmitted to the major institutions and organizations in Italy and abroad.

An international learning experience

Located in the unique city of Milan which contributes to a valuable international perspective. This glowing city allows students to merge the learning experience with the cultural atmosphere of the city. Students will have the opportunity to practice their knowledge through field projects and internships even beyond the classroom.

Trained faculty

A national and international academic and professional faculty using teaching methods that foster an interactive and hands-on approach to issues of cultural heritage management.

Scholarships

All scholarships are assigned on a merit basis and will be mostly given to students who apply by the priority deadline. Some scholarships may also target specific geographic regions.

Scholarship value: €2500

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The MA in Book History and Publishing Culture is aimed at anyone interested in the history of the book and the publishing industry, from the introduction of the paperback to the advent of the ebook. Read more
The MA in Book History and Publishing Culture is aimed at anyone interested in the history of the book and the publishing industry, from the introduction of the paperback to the advent of the ebook. It draws on theories of print culture and book history to identify the ideological challenges to the culture of publishing and the ways in which contemporary practice has been shaped by social, economic and technological developments. The course is taught by specialists in the field and is closely linked to our renowned MA in Publishing. The core programme focuses on the theory and practice of authorship, textual production, dissemination and reception in the period 1870 to the present day.

In addition,you have the opportunity to take elective MA modules in Publishing, English and History, enabling the study of the interrelations between these disciplines.

See the website http://www.brookes.ac.uk/courses/postgraduate/book-history-and-publishing-culture/

Why choose this course?

- The MA in Book History and Publishing Studies provides you with the academic skills and knowledge to extend your studies in this burgeoning and interdisciplinary field.

- This programme provides you with access to a specific selection of the vocationally oriented modules on the master's publishing programmes.

- The Oxford International Centre for Publishing Studies (within the School of Arts) at Oxford Brookes offers the largest range of postgraduate courses in publishing studies and print culture in Europe. We offer full-time and part-time courses with a variety of exit awards to suit your needs and career aspirations.

- Studying any of the publishing programmes at Oxford Brookes gives you excellent employment prospects, opportunities for extensive industry links and networking in the global publishing centre of Oxford, unrivalled access to work experience and international internships, and specialist careers advice including our Working in Publishing Day.

- You will be part of large faculty with a variety of research interests and extensive industry expertise which will provide you with comprehensive coverage of publishing, from mass market books to magazines; print and digital dissemination.

- You will have access to a wide range of visiting speakers from the publishing industry who regularly contribute to the programmes, and access to unique research resources and specialist publishing collections; The Book Prize Archive; André Deutsch Collection, African Publishing Collection; the Bodleian Library.

- You will have the opportunity to visit international book fairs including Frankfurt, London and Bologna, and to attend an international Summer School in Florence with students from Slovenia, Germany, Italy and France.

- There is an industry advisory board attached to the publishing courses with representatives from major publishers such as Bloomsbury, Faber, HarperCollins, Hodder and Random House. Additionally, we have links with publishing organisations such as the Independent Publishers Guild, OPuS (Oxford Publishing Society) and the Society of Young Publishers – regular events are held at Oxford Brookes.

Teaching and learning

We use a variety of teaching and learning methods across the course. Most modules use more than one learning and teaching method. This ensures that you are exposed to a range of different learning opportunities, which helps maintain your motivation and interest.

Some of the key teaching methods we use are:
- lectures designed to provide students with the foundation knowledge and a framework for study that will enable them to achieve the learning outcomes for the module

- seminars and workshops designed to encourage students to engage in discussion with tutors and peers to test their understanding and ability to apply ideas, to develop their transferable skills and to encourage deeper learning

- field trips to book fairs, libraries and publishing archives to enable students to undertake research in print culture and publishing history

- individual supervision in support of self-directed outcomes for dissertations or major projects

- resource-based learning materials in several of our modules and virtual learning environment to support student learning through Computer Assisted Assessment and Computer Assisted Learning.

Approach to assessment

Assessment for the programme is by written course work. The assignments include researched essays, project work and the opportunity to contribute to an online journal.

Specialist facilities

Students on the course have access to the Bodleian Library and archives of local publishers, including the Oxford University Press, for research. The library at Oxford Brookes has an extensive collection of texts and journals about publishing, as well as a special collection on publishing in Africa. It also houses the Booker Archive and the André Deutsch Archive.

Field trips

A place on the tutor-led field trip to Frankfurt Book Fair which is held in October is available for applicants who have accepted their place by mid-July. The Bologna Book Fair, which occurs in the spring is also tutor-led with arranged interviews with publishers, but students organise their own flights and accommodation. The London Book Fair, also held in the spring, offers students volunteer opportunities in addition to meetings with publishers and access to many of the seminars that are held during the fair.
Attendance pattern
Attendance at lectures and seminars varies with your chosen modules. In most cases, you will have at least two days in the week without formal tutor contact hours. These times are emphasised here because you can use this time for work experience with local publishers and with fellow students in group work as preparation for presentations and reports.

How this course helps you develop

Academic writing and research skills are honed to a high level during this programme. In the second semester, assessment for the compulsory module involves contribution of a research article for an online journal. Students are also involved in the academic editing and design of the journal which is available to the public. This practice enables student to demonstrate excellence in archival and secondary research activities.

Careers

The course provides excellent prospects for students interested in further academic study in the interdisciplinary fields of media, publishing studies, cultural production and book history. In addition, students go on to work in academic publishing and are equipped to succeed in editorial positions in publishing.

Free language courses for students - the Open Module

Free language courses are available to full-time undergraduate and postgraduate students on many of our courses, and can be taken as a credit on some courses.

Please note that the free language courses are not available if you are:
- studying at a Brookes partner college
- studying on any of our teacher education courses or postgraduate education courses.

Research highlights

The Oxford International Centre for Publishing Studies (OICPS) is one of the leading centres for publishing education in the world. Our staff and students contribute to a vibrant research environment that is interdisciplinary in emphasis and international in scope. We focus on areas such as book consumption and the life cycle of books, book trade and publishing history (especially 18th-21st centuries), museum publishing, serials publications, pedagogy and publishing education, and the future of the industry. Members of staff have published award-winning monographs, key pedagogical textbooks, and a range of scholarly articles and edited collections.

Students pursuing doctoral studies with us are investigating such topics as girls' magazines in the cultural and consumer marketplace, the future of university libraries, German publishing in the First World War, and marketing strategies for children’s literature in the Middle East. We also supervise students for the PhD by Publication. Most of our research students are based in Oxford, but a number work on their studies from a distance with regular contact in person and by email.

Research is supported by the resources of Oxford Brookes Library –especially its Special Collections featuring the Booker Archive, the Publishing in Africa Collection, the Rainbird Archive, and the Peter Stockham Collection of Children’s Books—as well as by other local and regional archives and university libraries.

OICPS carries out independent research and training with the international publishing industry. Recent research and consultancy clients include the British Council, Hewlett Packard, the Society of Experimental Biology and Sports Books.

If you have a topic relating to publishing that you would like to study at doctoral level, please contact us with a preliminary synopsis.

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Develop a deep understanding of key issues and methods in book history c.1445-1870. Become familiar with the invention, development, spread, and transformation of printing in the period concerned. Read more

MLitt in The Book. History and Techniques of Analysis

• Develop a deep understanding of key issues and methods in book history c.1445-1870.

• Become familiar with the invention, development, spread, and transformation of printing in the period concerned.

• Explore important aspects of book history, such as the economics of the book trade, the social and religious context of printed books, news and censorship, the development of the illustrated book, the relationship between books and the Enlightenment, the industrialisation of print, and the history of libraries and book collecting.

• Acquire the technical skills required for rare book curatorship (teaching involves the Special Collections department): bibliography, paper, format, type, provenance, bindings, fingerprints, technical description, cataloguing, research tools and methods.

• Undertake skills training in palaeography and either Latin or a modern foreign language.

• Study as part of active book history research community with the Universal Short Title Catalogue, Department of Special Collections, Book History Online, the St Andrews Book History Conference series.

Features

* With around 50 staff, we can offer an unusually broad and varied portfolio of research expertise.

* We have a friendly and collegial atmosphere, in which our postgraduates are actively involved. Social events run throughout the year, starting with a Welcome Reception, and including parties organised by the different Departments, Centres and Institutes.

* Our large postgraduate community includes around 90 research postgraduates and a further 50 taught postgraduates.

* We have a strong commitment to providing skills training to enhance the employability of our postgraduates.

* We are committed to the provision of language training throughout the degree; we also offer up to six language bursaries to incoming postgraduates wishing to develop skills essential to their research.

Postgraduate community

The University of St Andrews is one of the world’s Top 40 Arts and Humanities universities (Times Higher Education 2015) and home to a major centre for postgraduate historical study. Building on excellence in individual research, the School has expertise across the Mediaeval, Early Modern and Modern periods, and a wide geographical coverage. Our research interests range from sixth-century Scotland to Iran in the early twenty-first century (and innumerable other places in between). We have particular strengths in Middle Eastern, Transnational, British, Continental European and US History; as well as groupings focused on Reformation Studies, Environmental History, and Intellectual History. As befits Scotland’s oldest university, the School is also a leading centre of Scottish
historical research.
The School of History occupies three sites in the heart of the historic town of St Andrews. All are within a few minutes’ walk of each other, and of the University Library:
• On tree-lined South Street and close to the ruins of the Cathedral, most Mediaevalists and Reformation Studies colleagues are based in a charming seventeenth-century town house and the adjoining mediaeval residence of the Hospitallers.

• St Katharine’s Lodge is a nineteenth-century former school (attended by Field Marshal Earl Haig) close to St Andrews Castle and the magnificent West Sands beach.

• Middle Eastern History is in the Arts Building, which opened in 2008, with elegant new teaching and work spaces.

Facilities

• The University Library provides extensive collections for use in historical study, including an outstanding Special Collections facility, and continues to make substantial investment in materials, including electronic resources, each year.

• Computer facilities are also readily available within workspaces and University clusters.

• A scheme of competitive scholarships and bursaries is in place to support selected postgraduates financially.

• Language bursaries are available (through a competitive scheme) to enable students new to St Andrews to gain language skills in the summer before starting their postgraduate study.

• All History postgraduates at St Andrews receive financial assistance annually from the School of History specifically to subsidise research expenses.

• Postgraduate students can apply for material support for the organisation of conferences and seminars; this has led in the past to successful events and subsequent publication.

• Social events run throughout the year including the Welcome Reception, a Christmas Party and a Champagne Brunch at graduation. Students may also attend annual Reading Parties and enjoy the opportunity to meet visiting speakers over dinner after research seminars.

Careers

Following a taught postgraduate course in History at the University of St Andrews, students go on to pursue careers in a range of sectors including journalism, publishing, think tanks, government, law, and teaching. Others continue in academia, moving on to a PhD.

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Humber’s Creative Book Publishing graduate certificate program combines creativity and entrepreneurship with the only opportunities in Canada to specialize in literary agenting/rights management and publishing technology. Read more
Humber’s Creative Book Publishing graduate certificate program combines creativity and entrepreneurship with the only opportunities in Canada to specialize in literary agenting/rights management and publishing technology. Taught by working professionals, and visited by industry experts and published authors, students of this program regularly make valuable contacts.

After two months of foundational publishing courses including business models, acquisitions, contracts, copyright, technology, creativity, operations and content management, you will choose three of four specializations: editorial, marketing, literary agenting/rights management or advanced technology. In the final month, students are organized into groups representing publishing enterprises. They collaborate to create model publishing companies from the ground up including business plans, publishing lists, jackets and covers, websites, and marketing campaigns. This intense capstone assignment provides an unprecedented knowledge base which prepares graduates for a successful career in publishing.

Course detail

Upon successful completion of the program, a graduate will:
• Create a freelance business in any of the following areas – Editorial, Publicity/Public Relations, Design/Packaging.
• Represent authors as literary agents to publishing houses in Canada and internationally.
• Publish their own creative works independent of publishing houses.
• Critically analyze proposals and literary works for legal implications including copyright issues, libel, trademark, moral rights and intellectual property rights.
• Prepare business documents related to publishing such as business plans, annual reports, and business proposals in conformity with industry and market standards.
• Evaluate national and international markets.
• Prepare sales and promotion strategies and materials, and negotiate agreements for the selling of rights of authors’ works.
• Produce publishing content for media outlets as arts commentators, book reviewers, and TV/radio producers.
• Analyze manuscripts for quality and profitability.
• Analyze and predict publishing operations in the areas of distribution, credit, supply chain, information technology, warehousing and inventory control, and customer service.
• Analyze public policy and granting structures available to publishing as a Canadian cultural industry.
• Prepare marketing strategies and create marketing documents and materials for book proposals, book jackets, and sales presentations.
• Complete structural edits and copy edits, perform proofreading, and production editing as part of the editorial process.

Modules

• CBPP 5000: Acquisitions
• CBPP 5002: Contracts, Legal Issues and Publishing Ethics
• CBPP 5003: Book Production and Manufacturing
• CBPP 5004: Sales and Retail
• CBPP 5005: Marketing Overview
• CBPP 5008: Editorial Overview
• CBPP 5012: International Publishing
• CBPP 5015: Publishing Finance
• CBPP 5018: Technology
• CBPP 5021: Enterprise Group
• CBPP 5022: Enterprise Individual

Your Career

Book publishing is an innovative cultural industry that adapts to rapid and constant change in the marketplace and to evolving technological requirements while continuing to nurture creativity and growth. Find opportunities in editorial, marketing, technology, contracts, subsidiary rights, sales, management/operations and production/ design. Or work in closely related fields as a content manager, publicist, literary agent, book reviewer, arts journalist, bookseller, educator, or entertainment/copyright/intellectualproperty expert in government agencies and industry associations. Humber also encourages entrepreneurship and the development of new enterprises including self-publishing and freelance options. Professional development is emphasized throughout the program.

How to apply

Click here to apply: http://humber.ca/admissions/how-apply.html

Funding

For information on funding, please use the following link: http://humber.ca/admissions/financial-aid.html

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Follow in the footsteps of acclaimed children’s artists. Show your work to publishers at book fairs and exhibitions and get dedicated support from a team of internationally-recognised artists, who’ll help you to develop your own personal visual vocabulary and make connections with the children’s publishing industry. Read more
Follow in the footsteps of acclaimed children’s artists. Show your work to publishers at book fairs and exhibitions and get dedicated support from a team of internationally-recognised artists, who’ll help you to develop your own personal visual vocabulary and make connections with the children’s publishing industry.

Overview

This taught studio course, the first of its kind in the UK, will give you the dedicated support and knowledge you need to develop your practice in the art of children’s book illustration.

Within the broad guidelines of each module, you’ll propose and develop a project, with guidance from internationally recognised illustrators, writers and publishers of children's books. You’ll share and discuss your work with other students in group critiques, and attend lectures and seminars that will inform your studio practice.

Illustration at Anglia Ruskin is built on a tradition that goes back to the founding of the Cambridge School of Art in 1858. Our MA students work in dedicated illustration studios right next door to the Ruskin Gallery, with access to a fully equipped printmaking studio.

By studying with us, you’ll follow in the footsteps of alumni such as designer and war artist Edward Bawden, acclaimed graphic satirist Ronald Searle, and Roger Law and Peter Fluck, founders of the TV phenomenon Spitting Image.

Teaching times: currently either Mondays and Thursdays (9am-3pm) or Tuesdays and Fridays (9am-3pm). There are also lectures and presentations on Wednesdays from 3-5pm (full-time); Wednesdays 9am-5pm in semesters 1 and 2 (part-time)

Careers

Our partnership with Walker Books and its American counterpart Candlewick Press will give you the chance to go on a work experience visit to their London offices. They also sponsor our annual Sebastian Walker Award for Most Promising Student.

Many of our past students now enjoy careers as freelance authors and illustrators for children. Among our published graduates are Paula Metcalf, Marta Altés, Nadia Shireen, Birgitta Sif, Rebecca Patterson and Jo Empson.

You may decide to take your work to a deeper level with a research degree, like our PhD Children’s Book Illustration.

Modules

Core modules:
Observation and Experiment
The Sequential Image
The Diploma Project
The Diploma Review
Master's Project: Art and Design

Assessment

In your first three studio modules, you’ll show your progress through project work, worth 80% of your module grade, and an essay relating to the contextual study lectures, which is worth 20%.

Your Diploma Review thesis will be assessed 100% on your 6,000-8,000 word essay, while the Master’s Stage Project will be assessed 90% on your project work and 10% on your written report.

What you'll study

Cambridge School of Art has been inspiring creativity since 1858 when it was opened by John Ruskin.

Engaging with current debates surrounding contemporary practice and with the state-of-the-art facilities, Cambridge School of Art houses light, bright studios, industry-standard film and photographic facilities, and 150-year-old printing presses alongside dedicated Apple Mac suites. Our digital art gallery, the Ruskin Gallery, exhibits both traditional shows and multimedia presentations, from national and international touring exhibitions and our own students.

We are the only university in Cambridge offering art and design courses at higher education level. A tight-knit community of artists, academics and over 900 students, we collaborate across our University, the creative industries, and other sectors. Cambridge is a centre for employment in the creative industries and there are rich opportunities for collaboration with the city’s entertainment, technological, scientific, arts and heritage industries.

Our graduates have a history of winning national and international awards and an excellent employment record. They include Pink Floyd's Syd Barrett and Dave Gilmour, Spitting Image creators Peter Fluck and Roger Law, and illustrator Ronald Searle, the creator of St Trinian's.

We’re part of the Faculty of Arts, Law and Social Sciences, a hub of creative and cultural innovation whose groundbreaking research has real social impact.

Field trips

At our annual London graduation exhibition you’ll show your work to leading publishing companies and literary agencies. We also organise a stand at Bologna Children's Book Fair each year, where you’ll have more opportunities to secure a publishing deal with industry reps. As a direct result, our past students have signed contracts with publishers including Macmillan, Random House, Nosy Crow, Sarbacane (Fr), Donizelli (It), Child's Play, Walker Books, HarperCollins (NY), Doubleday (NY), Penguin (NY), Faber & Faber and Hodder. Advances against royalties have ranged from €2,000 with an independent publisher, to $50,000 for a three-book deal.

Work experience

Our partnership with Walker Books and its American counterpart Candlewick Press will give you the chance to go on a work experience visit to their London offices. They also sponsor our annual Sebastian Walker Award for Most Promising Student.

Specialist facilities

You’ll work in dedicated illustration studios right next door to our Ruskin Gallery, with access to a fully-equipped printmaking studio.

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The Photography Arts MA is a new revalidated course, which replaces the former Photographic Studies MA (1996-2016). Read more
The Photography Arts MA is a new revalidated course, which replaces the former Photographic Studies MA (1996-2016). The programme helps you develop your own distinct photographic practice and visual research, and is designed to enable you to advance and focus your photographic practice in making new work, supported by a positive educational environment where you can accumulate new knowledge and develop new critical thinking. Students are fully supported by our internationally renowned photography staff.

In an open-minded educational environment you will be able to explore the dynamic range of your photographic practice, engage in innovative thinking and cultivate new independent creative strategies for your practice. Situated in the dynamic Westminster School of Media, Arts and Design, you will draw on extensive photographic facilities and a wealth of inter-disciplinary expertise in this world-famous centre for the practice and critical research of photography.

The course has an open definition of photography as a medium and practice, recognising plural tendencies in its definition and identity. Different modes of practice may be developed and pursued on the course, which encompasses a wide range of methods and techniques: conceptualism, expanded documentary, video, archival, fine art, experimental, installation, fictional realism, and other performative modes of photographic practice. The course encourages open experimentation in the development of new ideas and work. You will advance your practical work choosing new or traditional techniques, digital or analogue forms, or a mixture of approaches. The course champions a long and proud tradition of new and challenging photography at the University.

This is the right course if you are highly motivated, excited to develop and expand your independent practice alongside critical research. Working with our highly experienced staff you can find new approaches and forms of thinking about photography. Alumni from the course (under the former title Photographic Studies MA) now work all over the world in a range of careers as photographers, artists, picture editors, researchers and careers in the creative industries. Do you want to join them?

Course content

The course aims to develop your practice, informed by research. The course sets out to stimulate thinking through practice as a way to generate new innovative work. Students make and actively present their visual work in exhibition, book and/or screen modes of presentation to explore ideas and experiments in new methods of practice and representation. Critical research modules help inform and elaborate the contemporary situation of photography as cultural practice, whether considered in the arts and/or media environment. Excellent facilities and technical workshops support the research and practice. Students write three short research essays during the course, each aimed at broadening knowledge of photography and its related histories and criticism. There is no dissertation on this course except as an option.

The course enables students to become independent practitioners, generating new and informed work. You will be empowered with new visual, practical and critical skills that culminate in the Masters Project, which you will show at the end of the course in the degree show. The final degree show will be in central London.

Modules

The following modules are indicative of what you will study on this course.
-AESTHETICS AND PHOTOGRAPHY
-CONTEMPORARY DEBATES
-MASTERS PROJECT
-PHOTOGRAPHY PRACTICE
-RESEARCH METHODS
-THEORIES OF THE IMAGE

Associated careers

The course prepares graduates for a range of career paths in the arts, media and photography. Many successful graduates work as artists/photographers and also develop careers in related work within the creative industries. Graduate opportunities range from picture agency work, curators and as innovators of independent projects. Many also pursue careers in lecturing and teaching of photography. Graduates have a high success in developing their research work at doctoral level and the MA also has a high reputation amongst potential employers within the sector.

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The Publishing - Book, Magazine and Electronic program is one of the most prestigious programs of its kind in Canada. Through hands-on education, it prepares you for employment in a wide variety of areas in the publishing industry. Read more
The Publishing - Book, Magazine and Electronic program is one of the most prestigious programs of its kind in Canada. Through hands-on education, it prepares you for employment in a wide variety of areas in the publishing industry.

Established in 1974, this unique and award-winning Publishing program has earned several accolades for academic excellence and for the career success of its graduates.

In this School of Communications, Media, Arts and Design program, you learn to:
-Be an integral part of the team that helps to shape the evolution of Canada's cultural and literary landscape
-Publish e-books
-Help build the careers of the next generation of writers in the publishing industry
-Take part in publishing the bi-yearly On the Danforth magazine

Your experience in the Publishing program is rounded out by an industry field placement at a book or magazine publisher in Toronto. During this time, you acquire critical working experience, industry knowledge and professional relationships as you initiate your new career.

A career in book, magazine or online publishing promises a world of innovation, stories and culture that integrates your creative, marketing and business skills.

Career Opportunities

Companies that have hired program graduates include: Penguin, Random House Canada, Pearson Education, Toronto Life, Nelson Educational Publishing, Chatelaine, Canadian Living, Style at Home, Hockey News, Cycle magazine, Harper-Collins Canada, ECW, House of Anansi, Firefly Books, Outpost Magazine, Cottage Life, McClelland & Stewart, McGraw-Hill Ryerson and Profit.

Program Highlights
-The two-semester accelerated format covers all facets of the publishing process, including e-books and online magazines.
-You complete a six-week field placement in the industry.
-The graduate certificate that is earned reflects a high standard of learning.

Career Outlook
-Editorial assistant
-Marketing coordinator
-Social media assistant
-Web editor
-Web developer
-Sales coordinator
-Publicist
-Copy editor
-Design and layout artist
-Fact checker
-Digital marketer
-Advertising sales representative

Areas of Employment
-Trade and educational book publishing
-Consumer and business-to-business magazines
-Online publications

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This programme supports original research projects across different disciplines, media, or practice-based research, encouraging new ways of thinking on how to historicise, bridge and transcend disciplines. Read more
This programme supports original research projects across different disciplines, media, or practice-based research, encouraging new ways of thinking on how to historicise, bridge and transcend disciplines. Working under the supervision of 2 scholars from different departments in the School of Arts, you will join a unique and innovative interdisciplinary graduate community working in literatures, languages, media and art historical studies, where new kinds of scholarship take their place in a larger academic conversation about cross-cultural transfer, cultural comparison and interdisciplinary interpretation.

Current supervisors on this programme include Silke Arnold-de-Simine, Andrew Asibong, Luisa Calè, Ben Cranfield, Patrizia Di Bello, Professor Esther Leslie, Ana Parejo Vadillo, Leslie Topp and Jo Winning. Further potential supervisors can be found via each department's pages.

This programme supports PhDs in comparative studies (e.g. French and English literatures, Japanese and American film), multidisciplinary studies (e.g. English film and literature; photography and book history), theoretical approaches that cut across disciplines (e.g. cultural studies) and practice-based research. If your thesis involves studio-based, audio-visual or technological research, it may include a portfolio, exhibition or other audio-visual display. This must be original work, exemplifying and locating the ideas that are developed in conjunction with the written part of the thesis.

In addition to supervision, we support students’ work through a programme of critical theory seminars, and research skills and methodologies classes. In your first year you are encouraged to think about how to frame research questions, what happens when research subverts disciplinary boundaries, and how these might be seen differently through alternative or historical divisions of knowledge. From the second year, you will take part in research-in-progress workshops and a range of other activities, including conferences, student-led seminars and reading groups. Throughout, your work will be enhanced by and contribute to the School’s vibrant research culture and research centres.

Why study this course at Birkbeck?

Arts and humanities courses at Birkbeck are ranked third best in London and 11th in the UK in the Times Higher Education 2015-16 World University Subject Rankings.

The School of Arts offers committed, enthusiastic and dynamic research-based teaching, with a constantly evolving curriculum sensitive to developments in contemporary culture. We actively foster the creation of a graduate intellectual community and our students' professional development.
A large number of our recent PhDs have successfully obtained permanent academic posts in leading universities in Britain, the United States and other countries.
Our research centres and institutes place your research in an international context, in which the best and most vibrant work is exchanged, discussed and developed.

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Postgraduate illustration reflects the diversity of this subject and the opportunities that exist in areas such as advertising, graphic and web design, publishing, theatre, television and museums. Read more

Programme description

Postgraduate illustration reflects the diversity of this subject and the opportunities that exist in areas such as advertising, graphic and web design, publishing, theatre, television and museums.

You’ll be encouraged to explore diverse possibilities within the subject, with support from highly accomplished and respected staff, all of whom have understanding and expertise in the art of illustration.

Facilities include excellent studio space and extensive printmaking resources, and a weekly life drawing class. You will also have the chance to study bookbinding, book arts, digital technologies and web publishing. The programme emphasises collaboration with writers, designers and publishers and many of our postgraduates have seen their work published.

You’ll be encouraged to take part in national and international competitions and possibly join the ranks of our students who have exhibited and won prizes in prestigious events, such as the V&A Student Illustration Awards, Penguin Book Awards, 3x3 and Image Nation.

Programme structure

This programme offers an excellent opportunity for independent, focused study. MA students produce a body of practical and written work on an agreed topic. MFA students produce an additional extended range of work, appropriate to the length of the course. Both are project-led.

Your study will combine practical studio work with theoretical and written studies, including professional practice elements to prepare you for employment in the industry, and a lecture/seminar series that will examine the wider context of your studies.

Career opportunities

Graduates explore an exciting and diverse range of careers, including working as picture book illustrators, designers, freelance illustrators, artists and craftsmen, or in leading agencies.

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The programme is conceived and designed primarily to support individual projects that develop an informed critical and imaginative response to the serial nature of the subject. Read more
The programme is conceived and designed primarily to support individual projects that develop an informed critical and imaginative response to the serial nature of the subject. Students come from all art and design disciplines and are concerned with investigating sequence and storytelling through a variety of forms, which may include illustrated books, graphic novels, stage and exhibition design, animation, film, book arts and narrative textiles. Students will propose and undertake practical projects that are supported through individual tutorials, seminars, work-in-progress presentations and a wide range of weekly lectures.

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About the course. -Practical design for printed books and ebooks, delivered by practising designers through projects and assignments. Read more
About the course:
-Practical design for printed books and ebooks, delivered by practising designers through projects and assignments
-Theory and history, taught through a variety of lectures, seminars and workshops
-Access to the University’s special collections, ensuring a truly hands-on experience
-Close to resources, including historic libraries in Oxford and the Institute of Contemporary Arts, London

WHAT WILL YOU STUDY?

Sample modules:
-Book design: practice (design projects)
-Book design: core (seminars and essays)
-Dissertation

Please note that all modules are subject to change.

EMPLOYABILITY

Our graduates have an excellent employment record. Many take up positions in type design studios, with publishers and general design studios, and wayfinding and information design studios. Others develop their own businesses, or take up managerial roles in creative firms. Employers include Apple, Monotype, Microsoft Typography, Victoria & Albert Museum, Oxford University Press, Financial Times and Nokia.

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A unique Masters programme in which YOU decide the focus and subject of your postgraduate studies in the diverse area of Arts and Creative Technologies. Read more
A unique Masters programme in which YOU decide the focus and subject of your postgraduate studies in the diverse area of Arts and Creative Technologies.

It is impossible to describe this course, because it is different for every single student. You are the person who decides what you want to do (as long as it’s at a postgraduate level of study).

All you need to get started is a project that you want to tackle over the course. This could be a book or film project, it could be compiling a portfolio targeted for a specific job, it could be work for an exhibition or it could be something you always wanted to find out more about (and these are just a few examples).

Armed with your proposal we will find you a subject-specific mentor, who will help you put together a Learning Contract, which is your own bespoke course design, which will allow you to complete your project. You can use your own experience and interests to explore a subject through work-experience. You can also use the resources of the faculty –whether it be teaching and research expertise or workshop facilities – to help you. You even pick your own title for the course.

Most of the content of this award is up to you. There are two shared core modules, in which you design your Learning Contract and learn about research methods, and everything else is negotiated by you.

Course content

-Approaches to Flexible Learning
-Research Methods Seminar
-Negotiated Project 1
-Negotiated Project 2
-Negotiated Study Masters Project
-You will also be able to choose two options from our range of postgraduate courses

Other admission requirements

Students who have a 2:2 Honours degree or a relevant professional qualification or work-based [or other experiential] learning or who have applied through the University’s ‘Your Experience Counts’ programme will be considered for the Diploma programme, with the possibility of continuing onto the Masters subject to satisfactory progress and the agreement of both the student’s subject tutor and the course leader. Satisfactory completion of a Programme Proposal prior to interview and the interview itself. IELTS requirements are Level 7 and above.

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